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Good afternoon, and welcome to Points Of View. | 0:00:10 | 0:00:13 | |
Eastenders have been at it again. | 0:00:13 | 0:00:15 | |
With edgy storylines comes offence, and the latest plot concerns | 0:00:15 | 0:00:19 | |
a baby being taken into care, | 0:00:19 | 0:00:21 | |
which has left social workers fuming. | 0:00:21 | 0:00:24 | |
Don't touch my baby! No, Lexi. SHE SOBS AND SCREAMS | 0:00:24 | 0:00:26 | |
Give her back her baby! | 0:00:26 | 0:00:29 | |
No! Give me back my baby! | 0:00:30 | 0:00:32 | |
Please! No, Lexi! | 0:00:35 | 0:00:38 | |
Please don't do this to me. Please don't do this to me! | 0:00:39 | 0:00:44 | |
So, the writers needed to put pen to paper, | 0:01:26 | 0:01:29 | |
and give us their explanation. | 0:01:29 | 0:01:31 | |
Next, strictly come judging. | 0:02:08 | 0:02:11 | |
Becoming a new judge on the BBC's most-loved show is never easy, | 0:02:11 | 0:02:15 | |
and the new Strictly judge, Darcey Bussell, | 0:02:15 | 0:02:18 | |
seems to be winding some viewers up. | 0:02:18 | 0:02:20 | |
But it is NOT her criticisms, | 0:02:20 | 0:02:22 | |
because they're apparently a breath of fresh air. | 0:02:22 | 0:02:24 | |
It's actually her unusual form of punctuation. | 0:02:24 | 0:02:27 | |
Feel the music. Make it help you, yah, | 0:02:47 | 0:02:50 | |
cos that's your strength, yeah? Yeah? | 0:02:50 | 0:02:51 | |
It's the feeling of pulling your shoulder blades down, yeah? | 0:02:51 | 0:02:54 | |
Don't get stiff on us, yah? | 0:02:54 | 0:02:56 | |
Use your whole body, breathe all the way through the moves. | 0:02:56 | 0:02:59 | |
And then you'll be fine, yah? | 0:02:59 | 0:03:01 | |
Yeah? Yes. Yeah? | 0:03:01 | 0:03:02 | |
-Strengthen that core, yes? -Yes. | 0:03:02 | 0:03:04 | |
Because then you'll get a much cleaner hip - pow, pow, pow! Yeah? | 0:03:04 | 0:03:07 | |
Now, whilst we're in the mood for a spot of physical exercise, | 0:03:07 | 0:03:10 | |
what do we think of Hunted? | 0:03:10 | 0:03:11 | |
There is certainly an excess of running about in that, | 0:03:11 | 0:03:15 | |
and it's been seen as a replacement for the well-loved Spooks, | 0:03:15 | 0:03:18 | |
which ended last October. | 0:03:18 | 0:03:20 | |
So, has it managed to out-espionage its predecessor, | 0:03:20 | 0:03:24 | |
or is that a mission impossible? | 0:03:24 | 0:03:27 | |
You're late. | 0:03:28 | 0:03:29 | |
Eddie had trouble sleeping. | 0:03:29 | 0:03:30 | |
What does Turner think happened? | 0:03:30 | 0:03:32 | |
Hasan got loose. | 0:03:32 | 0:03:34 | |
The guard killed him before succumbing to his own injuries. | 0:03:34 | 0:03:37 | |
That'll work. | 0:03:37 | 0:03:39 | |
This has something to do with those steps you fell down? | 0:03:39 | 0:03:41 | |
Didn't you serve together in Afghanistan? | 0:03:43 | 0:03:46 | |
They killed her to get to you, didn't they? | 0:03:46 | 0:03:48 | |
To flush you out? | 0:03:48 | 0:03:49 | |
That sounds like a no, then. | 0:04:01 | 0:04:04 | |
Let's have a bit of music, shall we, to cheer ourselves up? | 0:04:04 | 0:04:06 | |
Various BBC channels have been | 0:04:06 | 0:04:08 | |
airing tributes to The Beatles this week, | 0:04:08 | 0:04:10 | |
on the 50th anniversary of the release of their first single. | 0:04:10 | 0:04:14 | |
62, damn, a monumentous year in Liverpool, | 0:04:14 | 0:04:17 | |
elevated and changed so many people's lives. | 0:04:17 | 0:04:19 | |
Getting off the plane, | 0:04:19 | 0:04:21 | |
in New York, to a screaming mob, | 0:04:21 | 0:04:25 | |
that we didn't expect. | 0:04:25 | 0:04:27 | |
We're in the world of Sgt Pepper, | 0:04:27 | 0:04:30 | |
and kaftans and incense, | 0:04:30 | 0:04:31 | |
and San Francisco, | 0:04:31 | 0:04:32 | |
and all that kind of thing. | 0:04:32 | 0:04:33 | |
The older people who were expecting | 0:04:33 | 0:04:36 | |
Morecambe and Wise, | 0:04:36 | 0:04:37 | |
or a British variety show, | 0:04:37 | 0:04:39 | |
wouldn't get it, and, I think, in a way, quite rightly, | 0:04:39 | 0:04:42 | |
would be annoyed. | 0:04:42 | 0:04:43 | |
The call to love me do, falling on deaf ears for some, then. | 0:05:17 | 0:05:22 | |
But, BBC Two is hoping we can be encouraged to take a national pride | 0:05:22 | 0:05:25 | |
in other home-grown, or should that be home-built, achievements. | 0:05:25 | 0:05:29 | |
They put Evan Davis into a hole in the ground - now, now - | 0:05:29 | 0:05:33 | |
to look at the ambitious project to bore out a new rail network, | 0:05:33 | 0:05:37 | |
deep under London, in the programme Built In Britain. | 0:05:37 | 0:05:40 | |
And the reception was very good. | 0:05:40 | 0:05:43 | |
And here's my thought. Should we be doing | 0:05:43 | 0:05:46 | |
a lot more of this kind of work? | 0:05:46 | 0:05:47 | |
Now, I know I'm biased, because I like it, | 0:05:47 | 0:05:50 | |
but isn't there a case for investing | 0:05:50 | 0:05:53 | |
two or three times as much in infrastructure, | 0:05:53 | 0:05:56 | |
simply to get Britain ready for the future? | 0:05:56 | 0:05:58 | |
Something to cheer up Evan Davis, then. Praise for his programme. | 0:06:27 | 0:06:31 | |
Sadly, the little girl you're about to see has been upset | 0:06:31 | 0:06:35 | |
by her favourite channel, because it failed to show her birthday card. | 0:06:35 | 0:06:40 | |
# Happy birthday | 0:06:40 | 0:06:42 | |
# Everyone have fun | 0:06:42 | 0:06:43 | |
# So how old are you today? | 0:06:43 | 0:06:47 | |
On my birthday, I was be three. | 0:06:50 | 0:06:54 | |
My mummy sent a card. | 0:06:54 | 0:06:57 | |
It didn't get on the telly. | 0:06:57 | 0:06:59 | |
My mum spent ages to making it. | 0:06:59 | 0:07:02 | |
It was a really good card. | 0:07:02 | 0:07:05 | |
Why wasn't it on? | 0:07:05 | 0:07:07 | |
I'm a little bit sad. | 0:07:07 | 0:07:09 | |
Welcome to birthday time on Thursday. The first card is for Grace... | 0:07:11 | 0:07:16 | |
We split our cards into two age ranges | 0:07:16 | 0:07:18 | |
and try and get a balance between boys and girls. | 0:07:18 | 0:07:22 | |
We try to be as fair as possible in our selection of cards, | 0:07:22 | 0:07:25 | |
but unfortunately, some have to be filtered out | 0:07:25 | 0:07:28 | |
because they do not meet our criteria. | 0:07:28 | 0:07:30 | |
Please don't stick onto the cards any commercial logos | 0:07:30 | 0:07:33 | |
or non-CBeebies characters. | 0:07:33 | 0:07:35 | |
Don't put on the card the child's full name... | 0:07:37 | 0:07:41 | |
Send the card in at least four weeks before the big day... | 0:07:42 | 0:07:46 | |
Make sure the photo is appropriate to be shown on TV - | 0:07:47 | 0:07:50 | |
seeing their smiling face is the best. | 0:07:50 | 0:07:53 | |
And most importantly, | 0:07:53 | 0:07:54 | |
write down the date on the back of the birthday card - | 0:07:54 | 0:07:58 | |
this is crucial information and a lot of people forget. | 0:07:58 | 0:08:01 | |
We're sorry, Naz Angel, that we didn't get to show your card | 0:08:01 | 0:08:04 | |
this year and we hope you had a lovely day anyway. | 0:08:04 | 0:08:06 | |
I would encourage anyone wishing to send a card into us | 0:08:06 | 0:08:09 | |
at CBeebies to check out all the guidelines on our website. | 0:08:09 | 0:08:13 | |
We show at least 60% of the cards sent into us | 0:08:14 | 0:08:16 | |
at CBeebies, so do keep them coming, | 0:08:16 | 0:08:18 | |
because we do love celebrating our audience's special day. | 0:08:18 | 0:08:22 | |
So, you saw the executive there, and before him, | 0:08:22 | 0:08:25 | |
young Naz Angel, who is a CBeebies viewer and a total star. | 0:08:25 | 0:08:30 | |
Now, at eight, Carly Johnson is a bit older | 0:08:30 | 0:08:32 | |
and whilst it's not categorised | 0:08:32 | 0:08:34 | |
specifically as a children's programme, | 0:08:34 | 0:08:37 | |
she has been enjoying the Planet Earth Live spin-off series, | 0:08:37 | 0:08:41 | |
currently airing in the very family-friendly slot | 0:08:41 | 0:08:43 | |
of Sunday afternoons. Or she WAS enjoying it, until this. | 0:08:43 | 0:08:47 | |
We have two massive males in this pack, | 0:08:49 | 0:08:52 | |
who are very, very specialised in killing young baby elephant. | 0:08:52 | 0:08:56 | |
We have seen their tracks around this area. | 0:08:56 | 0:09:00 | |
Save The Elephants have been working here for nearly 20 years. | 0:09:02 | 0:09:05 | |
David knows the park well. | 0:09:07 | 0:09:09 | |
He heads straight for the area where Emily and her calf were last seen. | 0:09:10 | 0:09:14 | |
There's no sign of calf, just a pride of very full lions. | 0:09:20 | 0:09:24 | |
Let's stop that right there, but Carly can take up the story. | 0:09:27 | 0:09:31 | |
I was watching Planet Earth Live with my mum and... | 0:09:31 | 0:09:37 | |
There was this... | 0:09:37 | 0:09:39 | |
These really cute elephants on it, | 0:09:39 | 0:09:41 | |
and then this one elephant | 0:09:41 | 0:09:43 | |
went missing and it showed a picture | 0:09:43 | 0:09:45 | |
of a lion, then it showed a picture | 0:09:45 | 0:09:47 | |
of a lion's hoof. | 0:09:47 | 0:09:49 | |
I mean, an elephant's hoof, | 0:09:49 | 0:09:51 | |
hanging out of the ground | 0:09:51 | 0:09:53 | |
and all bones | 0:09:53 | 0:09:54 | |
and it really made me feel upset. | 0:09:54 | 0:09:57 | |
Every programme maker at the BBC has to fill in an editorial | 0:09:57 | 0:10:00 | |
compliance form on which they have to list anything that may cause | 0:10:00 | 0:10:04 | |
problems for viewers, from bad language to strong political views, | 0:10:04 | 0:10:08 | |
every possible area of sensitivity is listed | 0:10:08 | 0:10:11 | |
and number 17 on that list is disturbing images. | 0:10:11 | 0:10:16 | |
The team did note the elephant sequence here, | 0:10:16 | 0:10:18 | |
but they also pointed out that there is not blood or gore. | 0:10:18 | 0:10:22 | |
A decision is then taken on whether the section should be edited out | 0:10:22 | 0:10:26 | |
or if a warning should be given before the programme, | 0:10:26 | 0:10:28 | |
but neither was done. | 0:10:28 | 0:10:30 | |
Carly, you are proof that perhaps it should have been. | 0:10:30 | 0:10:34 | |
No such problems with holiday programmes. | 0:10:34 | 0:10:36 | |
But hang on a minute, "What holiday programmes?", I hear you ask. | 0:10:36 | 0:10:39 | |
An excellent idea, | 0:11:02 | 0:11:03 | |
you'd have thought somebody would have pounced on that. | 0:11:03 | 0:11:06 | |
Well, I think we are always keen to cover holidays as a subject area, | 0:11:06 | 0:11:10 | |
because we appreciate that it's often the high point of a person's year. | 0:11:10 | 0:11:15 | |
Watchdog routinely will cover holiday items and we did have | 0:11:15 | 0:11:18 | |
a programme called the Secret Tourist a couple of years ago on BBC One. | 0:11:18 | 0:11:22 | |
It is an area that we're continuing to develop into and think about, | 0:11:22 | 0:11:26 | |
so hopefully, there'll be good news for the viewers next year | 0:11:26 | 0:11:29 | |
with another title. | 0:11:29 | 0:11:31 | |
So the pouncing has occurred and you will get your programme, Belinda. | 0:11:31 | 0:11:35 | |
Let's see if we can't provide the same level | 0:11:35 | 0:11:37 | |
of customer satisfaction for Nicky and Andrew. | 0:11:37 | 0:11:40 | |
It all comes down to the limited amount of capacity available | 0:12:06 | 0:12:08 | |
to broadcast our services. | 0:12:08 | 0:12:11 | |
We already use the capacity we have to broadcast BBC Three | 0:12:11 | 0:12:14 | |
and BBC Four to also broadcast the children's services CBeebies | 0:12:14 | 0:12:18 | |
and CBBC during the day. | 0:12:18 | 0:12:22 | |
We could buy more capacity to broadcast additional BBC +1 services | 0:12:22 | 0:12:27 | |
on satellite, but we probably couldn't get enough capacity to | 0:12:27 | 0:12:30 | |
make those available to all Freeview viewers in all parts of the country. | 0:12:30 | 0:12:35 | |
The cost of broadcasting +1 versions of BBC One would also be significant. | 0:12:35 | 0:12:40 | |
Today, we broadcast 18 different versions of BBC One | 0:12:40 | 0:12:44 | |
and four different versions of BBC Two, | 0:12:44 | 0:12:47 | |
but of course we don't want anyone to miss our programmes. | 0:12:47 | 0:12:51 | |
It's great that technologies like digital video recorders | 0:12:51 | 0:12:55 | |
and the iPlayer have made it possible | 0:12:55 | 0:12:57 | |
to pause live TV and record favourite programmes. | 0:12:57 | 0:13:01 | |
I see, so we have to create DIY +1 channels by using iPlayer | 0:13:01 | 0:13:06 | |
and hunting out our own repeats. Fine. | 0:13:06 | 0:13:09 | |
We mentioned Strictly earlier and along with many other entertainment productions, | 0:13:09 | 0:13:13 | |
they're busy preparing their Christmas specials now. | 0:13:13 | 0:13:16 | |
We have the BBC's Controller of Entertainment Commissioning, | 0:13:16 | 0:13:19 | |
Mark Linsey, in the hotseat for an interview special | 0:13:19 | 0:13:21 | |
in a couple of weeks' time for you. | 0:13:21 | 0:13:24 | |
Do let us know what you'd like Mark grilled about. | 0:13:24 | 0:13:26 | |
You can write to this address... | 0:13:26 | 0:13:31 | |
You're also more than welcome to e-mail. Here's the address... | 0:13:31 | 0:13:37 | |
Jump on the ever-lively messageboard at... | 0:13:37 | 0:13:42 | |
Or phone us on an old-fashioned telephone - | 0:13:42 | 0:13:44 | |
here's the number charged as a local-rate call from any landline. | 0:13:44 | 0:13:48 | |
Goodbye. | 0:13:52 | 0:13:53 | |
Subtitles by Red Bee Media Ltd | 0:13:53 | 0:13:56 |