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Good afternoon and welcome to a new series of Points Of View, | 0:00:10 | 0:00:14 | |
the place where you get to have your say | 0:00:14 | 0:00:16 | |
about what you've been watching on the BBC. | 0:00:16 | 0:00:19 | |
And for some eagle-eyed viewers of the news department down there, | 0:00:19 | 0:00:23 | |
that has meant catching out one of my esteemed fellow presenters | 0:00:23 | 0:00:26 | |
in a moment of...shall we call it a props malfunction? | 0:00:26 | 0:00:30 | |
Good morning and welcome to BBC News. | 0:00:30 | 0:00:32 | |
Plans for privately-run drunk tanks to tackle alcohol-fuelled disorder | 0:00:32 | 0:00:36 | |
have been backed by police chiefs. | 0:00:36 | 0:00:38 | |
Under the proposals, drunk troublemakers will be taken to cells | 0:00:38 | 0:00:41 | |
run by private firms and have to pay for it once they've sobered up. | 0:00:41 | 0:00:45 | |
Poor old Simon McCoy apparently lifting a pack of printer paper | 0:00:45 | 0:00:49 | |
instead of his tablet. | 0:00:49 | 0:00:50 | |
Now, how could anyone make a mistake like that? | 0:00:50 | 0:00:52 | |
Anyway, back to business, and while we may have been off for the summer, | 0:00:54 | 0:00:57 | |
there has certainly been a lot on your TV screens | 0:00:57 | 0:00:59 | |
and plenty of scope for comment. | 0:00:59 | 0:01:01 | |
Take primetime entertainment, for example. | 0:01:07 | 0:01:09 | |
There's been no great love-in for the Saturday night spectacular | 0:01:09 | 0:01:12 | |
I Love My Country, | 0:01:12 | 0:01:14 | |
the show that pits celebrities against one another | 0:01:14 | 0:01:17 | |
in the patriotism stakes. | 0:01:17 | 0:01:20 | |
SHOUTING AND CHEERING | 0:01:20 | 0:01:22 | |
Stop! Hang on! Stop, stop, stop! Move your fingers away from the pie. | 0:01:25 | 0:01:29 | |
The set looks like it was inspired by Danny Boyle's Olympic spectacle. | 0:01:45 | 0:01:49 | |
Perhaps the producers were hoping to tap into some of last summer's | 0:01:49 | 0:01:52 | |
incredible sense of national pride. | 0:01:52 | 0:01:54 | |
But, according to the majority of your comments, | 0:01:57 | 0:02:00 | |
they are failing miserably. | 0:02:00 | 0:02:01 | |
That's tough. Last night's episode was the penultimate in the series. | 0:02:06 | 0:02:10 | |
Around three million people have tuned in weekly | 0:02:10 | 0:02:13 | |
so it is not without its fans, | 0:02:13 | 0:02:15 | |
but will such loyalty to this game of national pride be enough | 0:02:15 | 0:02:19 | |
to ensure it gets another series? | 0:02:19 | 0:02:21 | |
We'll wait to see what happens with this one. | 0:02:22 | 0:02:24 | |
Peaky Blinders, BBC Two's new drama series, | 0:02:31 | 0:02:34 | |
set on the oppressive back streets of 1919, Birmingham, | 0:02:34 | 0:02:38 | |
being enjoyed by a lot of you, | 0:02:38 | 0:02:40 | |
but is there a problem with some of the actors' Brummie accents? | 0:02:40 | 0:02:44 | |
Mr Shelby, you have to do something about it. Damn right, Harry. | 0:02:46 | 0:02:49 | |
You pay the Peaky Blinders a lot of money for protection. | 0:02:49 | 0:02:52 | |
So are some of the actors failing in their attempts | 0:03:07 | 0:03:10 | |
to sound like they come from Birmingham? | 0:03:10 | 0:03:12 | |
Who better to be a judge of this | 0:03:12 | 0:03:13 | |
than the people of Birmingham themselves? | 0:03:13 | 0:03:15 | |
It was good till I got back from Belfast... | 0:03:19 | 0:03:21 | |
And in that pub there was a copper... | 0:03:21 | 0:03:23 | |
Handing out these... | 0:03:23 | 0:03:25 | |
And in that pub there was a copper. | 0:03:25 | 0:03:27 | |
Handing out these. | 0:03:29 | 0:03:30 | |
We don't say "copper" like "co-pper", we say "coppa". | 0:03:30 | 0:03:33 | |
Sounds a bit like a Londoner trying to... | 0:03:33 | 0:03:36 | |
do a Birmingham accent. | 0:03:36 | 0:03:38 | |
I have an alternative strategy. | 0:03:38 | 0:03:40 | |
Tell Curly to take her out to the old Tobacco Wharf. | 0:03:40 | 0:03:44 | |
I have an alternative strategy. | 0:03:44 | 0:03:45 | |
Tell Curly to take her out to the old Tobacco Wharf. | 0:03:48 | 0:03:51 | |
This accent is a little bit Birmingham and...mix of Irish? | 0:03:51 | 0:03:56 | |
You can see a little bit of the Irish come out, just a second, | 0:03:56 | 0:03:59 | |
but I thought that was quite good. | 0:03:59 | 0:04:01 | |
Look, I know having four kids without a woman is hard. | 0:04:01 | 0:04:04 | |
But my boot's harder. | 0:04:04 | 0:04:05 | |
Look, I know having four kids without a woman is hard. | 0:04:05 | 0:04:08 | |
But my boot's harder. | 0:04:08 | 0:04:09 | |
Just sounds more North. | 0:04:09 | 0:04:11 | |
Like Liverpool. | 0:04:11 | 0:04:13 | |
She sounds quite upper-class. | 0:04:13 | 0:04:15 | |
You're the law around here now... | 0:04:15 | 0:04:17 | |
Tommy, aren't you? | 0:04:17 | 0:04:19 | |
You're the law around here now, Tommy, aren't you? | 0:04:19 | 0:04:22 | |
I'd say that's more up North accent. | 0:04:22 | 0:04:24 | |
It sounded more southern than Midlands. | 0:04:24 | 0:04:27 | |
Definitely not a Brummie. | 0:04:27 | 0:04:29 | |
And didn't do a good job as a Brummie, either. | 0:04:29 | 0:04:32 | |
Maybe there is no such thing as a perfect Birmingham accent. | 0:04:32 | 0:04:36 | |
Are the criticisms fair? | 0:04:36 | 0:04:37 | |
We put them to the Peaky Blinders' production team. | 0:04:37 | 0:04:40 | |
Now, resounding approval for another drama | 0:05:00 | 0:05:03 | |
which finished its four-week run last Sunday. | 0:05:03 | 0:05:06 | |
The murder-mystery What Remains is in a league of its own, | 0:05:19 | 0:05:22 | |
according to some of you. | 0:05:22 | 0:05:24 | |
High praise for What Remains, | 0:05:53 | 0:05:55 | |
and we won't spoil the ending for you on this one, don't worry. | 0:05:55 | 0:05:58 | |
It's on iPlayer and will remain available to view | 0:05:58 | 0:06:01 | |
until just before ten o'clock tonight. | 0:06:01 | 0:06:04 | |
While we're on a roll, | 0:06:04 | 0:06:06 | |
congratulations all round for BBC Two's The Wipers Times. | 0:06:06 | 0:06:10 | |
Now, the result, if I say it myself, | 0:06:10 | 0:06:13 | |
is a thing of beauty. | 0:06:13 | 0:06:15 | |
Unlike any of you lot. | 0:06:15 | 0:06:17 | |
The 90-minute drama scripted by Ian Hislop | 0:06:17 | 0:06:20 | |
and Nick Newman tells the true story of World War I soldiers | 0:06:20 | 0:06:24 | |
who defied enemy fire - and their own command - | 0:06:24 | 0:06:27 | |
to publish a satirical magazine on the Western Front. | 0:06:27 | 0:06:30 | |
So, from now on... | 0:06:44 | 0:06:46 | |
you're going to be a lot more offensive. | 0:06:46 | 0:06:49 | |
You hear that, men? | 0:06:49 | 0:06:51 | |
From now on... | 0:06:51 | 0:06:54 | |
We are all going to be as offensive as possible. | 0:06:54 | 0:06:58 | |
Ben Chaplin as Captain Roberts, | 0:07:00 | 0:07:01 | |
reminding the troops of the magazine's motif, | 0:07:01 | 0:07:04 | |
one that is readily applied | 0:07:04 | 0:07:05 | |
by some of our Points Of View correspondents. | 0:07:05 | 0:07:08 | |
But here's one who's not offensive - he just wants an answer. | 0:07:08 | 0:07:11 | |
Colin Hewson asks why so much time is given over to presenter chat | 0:07:11 | 0:07:16 | |
during our live sports coverage. | 0:07:16 | 0:07:19 | |
MUSIC: "A Little Less Conversation" by Elvis VS JXL | 0:07:19 | 0:07:23 | |
It's so annoying when you want to watch live sport, | 0:07:23 | 0:07:25 | |
all you can see is someone talking. | 0:07:25 | 0:07:27 | |
When I turn on the TV to watch sport I want to watch the live action, | 0:07:27 | 0:07:30 | |
and not people chatting in the studio... | 0:07:30 | 0:07:32 | |
Still lots more Tweets coming through. | 0:07:32 | 0:07:34 | |
..particularly when I can see there's live sport going on behind them. | 0:07:34 | 0:07:37 | |
I can't image any other sport being treated in the way that field events | 0:07:37 | 0:07:40 | |
are treated by the BBC. | 0:07:40 | 0:07:42 | |
I wouldn't expect to watch a football match | 0:07:42 | 0:07:44 | |
and seem them cut away to people talking in the studio. | 0:07:44 | 0:07:47 | |
When I was watching the World Athletic Championships it seemed | 0:07:47 | 0:07:49 | |
as though maybe as much as half of it was actually chat, and not sport. | 0:07:49 | 0:07:52 | |
And you've got a melange of spots on as well. I mean, what can we say? | 0:07:52 | 0:07:56 | |
I've no problem at all with good technical analysis, | 0:07:56 | 0:07:58 | |
and some of it was very good from Michael Johnson, for example. | 0:07:58 | 0:08:01 | |
But a lot of the chat was just waffle. | 0:08:01 | 0:08:04 | |
Love my shoes. | 0:08:04 | 0:08:05 | |
But what does the style guru, Mr Jackson, think of them? | 0:08:08 | 0:08:11 | |
I thought it was completely disrespectful of the commentators | 0:08:11 | 0:08:13 | |
to talk over Mo Farah's medal ceremony. | 0:08:13 | 0:08:16 | |
They didn't need to tell us what a great achievement it was of his, | 0:08:16 | 0:08:19 | |
we knew that already - they told us so many times. | 0:08:19 | 0:08:21 | |
Couldn't they just shut up? | 0:08:21 | 0:08:22 | |
I always say they're going to give out the medals to someone, | 0:08:22 | 0:08:23 | |
I always say they're going to give out the medals to someone, | 0:08:24 | 0:08:25 | |
that's guaranteed. What's not guaranteed is that | 0:08:25 | 0:08:27 | |
the same person's going to take two of those medals. | 0:08:27 | 0:08:30 | |
And when you do that, you become one of the Carl Lewises, | 0:08:30 | 0:08:33 | |
the, you know, Michael Johnson - I'll put myself in there, | 0:08:33 | 0:08:36 | |
you know, the Usain Bolts... That's totally deserved. | 0:08:36 | 0:08:40 | |
The BBC seems to assume that the viewer is only interested | 0:08:40 | 0:08:43 | |
in watching British stars or global superstars like Usain Bolt. | 0:08:43 | 0:08:47 | |
And Bolt's going to take the gold medal again! | 0:08:47 | 0:08:50 | |
But I'm sure the casual viewer would like to be informed about other | 0:08:50 | 0:08:53 | |
competitors and to see the whole event as it unfolds. | 0:08:53 | 0:08:55 | |
BBC Sport, can you please show us more live action | 0:08:58 | 0:09:00 | |
and less chat in the studio? | 0:09:00 | 0:09:02 | |
So, the World Athletic Championships could have done with a lot more | 0:09:06 | 0:09:09 | |
live action and a little less chat, according to Colin. | 0:09:09 | 0:09:13 | |
We put that suggestion to BBC Sport | 0:09:13 | 0:09:15 | |
and here is what they gave us in response. | 0:09:15 | 0:09:18 | |
So there you go, BBC Sport feel they get the balance right. | 0:09:32 | 0:09:36 | |
Now, I'm not one to talk presenters out of a job | 0:09:36 | 0:09:38 | |
but we are really keen to hear your thoughts on this subject. | 0:09:38 | 0:09:43 | |
Now, plenty to say about BBC One's brand new sitcom Father Figure. | 0:09:43 | 0:09:47 | |
Comedian Jason Byrne stars in the series, | 0:09:47 | 0:09:50 | |
which he's adapted from a Radio Two show. | 0:09:50 | 0:09:53 | |
But did the humour transfer to the TV screen? | 0:09:53 | 0:09:56 | |
Father Figure follows a long tradition of transfers | 0:10:12 | 0:10:15 | |
from radio to TV - think Mitchell and Webb, Miranda, | 0:10:15 | 0:10:19 | |
Little Britain, for example. | 0:10:19 | 0:10:20 | |
So perhaps this latest offering from the BBC comedy stable needs | 0:10:20 | 0:10:25 | |
just a bit more time to bed in. | 0:10:25 | 0:10:26 | |
Wow! Look at that! That purple vapour... | 0:10:30 | 0:10:34 | |
Someone who's already well-established in TV | 0:10:34 | 0:10:37 | |
is Professor Brian Cox, | 0:10:37 | 0:10:39 | |
who returned to our screens with the ambitious Science Britannica | 0:10:39 | 0:10:42 | |
this week. | 0:10:42 | 0:10:43 | |
He's already brought astronomy and physics to life on our TVs, | 0:10:43 | 0:10:47 | |
now Brian is attempting to guide us through 350 years of British science | 0:10:47 | 0:10:51 | |
in just three episodes. | 0:10:51 | 0:10:53 | |
No mean feat! | 0:10:53 | 0:10:55 | |
And if you think this week was good, | 0:11:12 | 0:11:13 | |
next week the Mancunian brain box will be making hydrogen explosions | 0:11:13 | 0:11:19 | |
in part two of the story of great scientific breakthroughs. | 0:11:19 | 0:11:23 | |
Now, there's also been a kind of breakthrough for those of you | 0:11:23 | 0:11:26 | |
who questioned why the BBC only has two of its channels - | 0:11:26 | 0:11:29 | |
BBC One and BBC Two - available in high definition. | 0:11:29 | 0:11:34 | |
That's a question we put to the director of TV, Danny Cohen, | 0:11:34 | 0:11:37 | |
in the last series, and this is what he said. | 0:11:37 | 0:11:40 | |
It is something we're looking at at the moment, at the BBC, | 0:11:40 | 0:11:43 | |
and looking at very, very closely. | 0:11:43 | 0:11:44 | |
I'm not able to announce today what we're going to do about it. | 0:11:44 | 0:11:47 | |
Well, we love to give you good news | 0:11:47 | 0:11:48 | |
and over the summer the BBC announced it plans to launch | 0:11:48 | 0:11:51 | |
five new HD channels | 0:11:51 | 0:11:54 | |
so by early next year we are promised HD versions of BBC Three, | 0:11:54 | 0:11:59 | |
Four, BBC News, CBeebies, and CBBC. | 0:11:59 | 0:12:02 | |
Of course, HD doesn't make bad programmes good | 0:12:02 | 0:12:06 | |
but it does make good programmes better. | 0:12:06 | 0:12:09 | |
And your favourites, some of the programmes you've rated highly | 0:12:09 | 0:12:12 | |
over the summer while we've been off air are here. | 0:12:12 | 0:12:15 | |
Aah! | 0:12:21 | 0:12:22 | |
D-Day was the single greatest military operation | 0:12:24 | 0:12:27 | |
the world had ever seen. | 0:12:27 | 0:12:29 | |
MUSIC: "Stare Into The Sun" By Graffiti 6 | 0:12:29 | 0:12:32 | |
It's the lifeblood of London. | 0:12:39 | 0:12:41 | |
Well, the buses are red, aren't they? | 0:12:43 | 0:12:45 | |
I'm going to do it! You'll be fine! | 0:12:47 | 0:12:51 | |
Some highlights from television there but remember, | 0:12:51 | 0:12:54 | |
whether it's good or bad TV you want to talk about, | 0:12:54 | 0:12:57 | |
we would love you to be in touch. | 0:12:57 | 0:12:59 | |
And you can still get in touch in all the usual ways - by post... | 0:12:59 | 0:13:02 | |
You can ring. | 0:13:08 | 0:13:09 | |
The number is charged as a local rate call from any landline. | 0:13:09 | 0:13:11 | |
There is still the trusty message board. | 0:13:16 | 0:13:18 | |
And there's e-mail. | 0:13:20 | 0:13:21 | |
You can find us now on Twitter, | 0:13:26 | 0:13:27 | |
we are @BBCPoV. Just look us up, give us your thoughts. | 0:13:27 | 0:13:31 | |
We'll include a selection of these in the series. | 0:13:31 | 0:13:34 | |
Good to be back and we'll do it all again next week, | 0:13:34 | 0:13:37 | |
same time, four o'clock. | 0:13:37 | 0:13:39 | |
Till then keep your eye on that TV and let us hear your point of view. | 0:13:39 | 0:13:43 | |
Goodbye. | 0:13:43 | 0:13:44 | |
Subtitles By Red Bee Media Ltd | 0:13:44 | 0:13:44 | |
Subtitles By Red Bee Media Ltd | 0:13:46 | 0:13:47 |