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Good afternoon and welcome to Points of View. We start with | :00:19. | :00:25. | |
another programme I am involved in which you have concerns about. What | :00:25. | :00:31. | |
evidence does South Africa have that Sharlene was behind the | :00:31. | :00:41. | |
killing of his wife? -- Shrien Dewani. Last week's programme | :00:41. | :00:43. | |
raised really difficult questions Dewani. Last week's programme | :00:43. | :00:45. | |
from viewers. Obviously, as the presenter of | :00:45. | :01:09. | |
Points of View, I need to get a response to that. We put your | :01:09. | :01:13. | |
complaints directly to the editor. We are confident and satisfied this | :01:13. | :01:18. | |
was not a case of trial by television. It did not set out to | :01:18. | :01:23. | |
prove whether or not Shrien Dewani was innocent or guilty. We thought | :01:23. | :01:29. | |
it was a broadcast in the interest of the public. New evidence | :01:29. | :01:34. | |
suggested the police case had not been fair and properly done. We are | :01:34. | :01:39. | |
mindful of the sensitivities of her family. We warned them sufficiently | :01:39. | :01:45. | |
many weeks beforehand we were doing this. We sought to represent their | :01:45. | :01:49. | |
position in the film with regard to Shrien Dewani having to stand trial | :01:49. | :01:52. | |
and would regard to their own feelings about having to make a | :01:52. | :02:01. | |
broadcast. It was not the family history that Marianne Faithfull | :02:02. | :02:05. | |
uncovered so much as the language she used to express her surprise. | :02:05. | :02:23. | |
Asleep or delighting in offending? I doubt programme-makers will be | :02:23. | :02:29. | |
pleased with either of those descriptions. | :02:29. | :02:48. | |
without meaning to repeat the offence on a Sunday, she exclaimed | :02:48. | :02:58. | |
Jesus Christ Price, Jesus once and, oh my God, five times throughout | :02:58. | :03:04. | |
the show. It was a dangerous situation. A miserable situation. | :03:04. | :03:09. | |
We know the trauma and the horror and the lifelong trauma. Yes. My | :03:09. | :03:17. | |
mother particularly and my grandmother naturally enough really, | :03:17. | :03:24. | |
really hated men. Worth pointing out that in 2010 Ofcom said the | :03:24. | :03:28. | |
kinds of words we are talking rat here are generally acceptable | :03:28. | :03:33. | |
across society because they are frequently used. -- talking about. | :03:33. | :03:40. | |
Colin felt there was too much chat and not enough action in some BBC | :03:40. | :03:45. | |
sports programming. His fan base is growing faster than a footballer's | :03:45. | :03:50. | |
salary and is still growing numbers. Viewers are saying they heartily | :03:50. | :03:51. | |
salary and is still growing numbers. agree with him. | :03:51. | :04:12. | |
We have passed those comments and all the others on this subject to | :04:12. | :04:18. | |
BBC Sport. Wading through those will not leave them much time for | :04:18. | :04:25. | |
what forkfuls of these comments might trigger a similar folly of | :04:25. | :04:39. | |
agreement. Why is it with television, you find a suitable | :04:39. | :04:44. | |
folly him and then, all of this sudden, things changed. -- volume. | :04:44. | :05:00. | |
Page you are. Another loud trailer for a programme coming up. Why oh | :05:00. | :05:06. | |
why do you cranky it up so much? Surely it is above the legal | :05:06. | :05:12. | |
decibel limit. Why is it every time there is a trailer I have to refer | :05:12. | :05:19. | |
to this button on the Controller to equal it out. The way we usually | :05:19. | :05:25. | |
tell is by using peak level - measuring the tops of the | :05:25. | :05:28. | |
programmes in their electronic signal. This meter shows the | :05:28. | :05:31. | |
programmes in their electronic needles moving up to six - the | :05:31. | :05:35. | |
maximum level specified for all programmes and trails. It is not | :05:35. | :05:40. | |
good at measuring madness, which is the way human beings perceive sound. | :05:40. | :05:47. | |
-- loudness. An international group of experts has come up with a thing | :05:47. | :05:54. | |
which measures loudness units and more accurately represents the way | :05:54. | :05:59. | |
we perceive sound and loudness in particular. We hope we can maintain | :05:59. | :06:04. | |
the dynamic excitement of audio in programmes was meaning you do not | :06:04. | :06:07. | |
have to reach for the volume control in between. -- whilst | :06:07. | :06:17. | |
meaning. We have a new regulation. When will it happen? It will not | :06:17. | :06:23. | |
happen overnight. We expect it to have a gradual but sustained | :06:23. | :06:29. | |
improvement in the perceived loudness of programmes. Hopefully | :06:29. | :06:39. | |
that will be to the approval of those who think we're not getting | :06:39. | :06:43. | |
it right. Now to the past and debate over how we like history | :06:43. | :06:46. | |
it right. Now to the past and documentaries served up, with a | :06:46. | :06:51. | |
healthy dose of fun or a straight faced respect for material? A crowd | :06:51. | :06:56. | |
gathered outside the front door. A neighbour shouted, murder, murder. | :06:56. | :07:01. | |
These people outside knew the family and they had the question - | :07:01. | :07:04. | |
where was the baby? From the ghetto to the salon, and | :07:04. | :07:24. | |
the hallowed past to the promised future, this was one of the | :07:24. | :07:28. | |
greatest human journeys in the shortest space of time ever made. | :07:28. | :07:48. | |
I think we will talk that up as 50/50. No such split in the | :07:48. | :07:57. | |
treatment of greyhounds in the Wonder of Dogs. I watched the | :07:57. | :08:01. | |
programme and I was disgusted the programmes were only shown as | :08:01. | :08:06. | |
magnificent machines for racing. They are a marvellous animal, a | :08:06. | :08:11. | |
marvellous machine. Coming out of the trap up to the first bend, they | :08:11. | :08:16. | |
reach speeds of nearly 40 miles an hour. They were not portrayed as | :08:16. | :08:20. | |
the wonderful, cuddly pets they are. The show showed all other breeds of | :08:20. | :08:30. | |
dogs as doing fun things with agility and cuddling their owners. | :08:30. | :08:36. | |
The greyhounds were only shown as races. So many retired greyhounds | :08:36. | :08:43. | |
do need homes. So, BBC, if you are going to the two dogs that are | :08:43. | :08:48. | |
involved in an industry many people find cruel, it would be good if you | :08:48. | :08:51. | |
could redress the balance by showing them as the happy, cuddly | :08:51. | :08:57. | |
pets they really are. Dip the Greyhound get a rough deal in the | :08:57. | :09:04. | |
show? -- did. By calling it a machine, did it miss some of the | :09:04. | :09:06. | |
story? do say will be ignored. You have | :09:06. | :10:43. | |
skipped bail. Three counts of assault in August and skipped bail | :10:43. | :10:52. | |
again. Policing may be a grey area but | :10:52. | :11:02. | |
again. Policing may be a grey area response to | :11:02. | :11:08. | |
again. Policing may be a grey area the light hearted, hustle style to | :11:09. | :11:14. | |
If it is entertainment you are after, | :11:14. | :11:18. | |
If it is entertainment you are biggest names to get in the same | :11:18. | :11:19. | |
If it is entertainment you are room. Miranda Hart made a programme, | :11:19. | :11:26. | |
If it is entertainment you are went Miranda met Bruce. | :11:27. | :13:53. | |
We are up and running on Twitter. Until | :13:53. | :13:54. |