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Good afternoon and welcome to Points Of View. | 0:00:09 | 0:00:13 | |
Where shall we start this week? How about the headlines? | 0:00:13 | 0:00:16 | |
Sir Alex Ferguson, Britain's most successful football manager | 0:00:16 | 0:00:20 | |
announces his retirement. | 0:00:20 | 0:00:23 | |
The decision on Wednesday to prioritise Sir Alex Ferguson's | 0:00:23 | 0:00:27 | |
departure from Manchester United over the State Opening Of Parliament | 0:00:27 | 0:00:32 | |
has been severely criticised. | 0:00:32 | 0:00:34 | |
So should the man knighted for his service to the beautiful game | 0:00:54 | 0:00:57 | |
have been given precedence over a speech to parliament | 0:00:57 | 0:01:01 | |
by the woman who knighted him? | 0:01:01 | 0:01:03 | |
We asked the people who make the decisions on what goes where on the news running order. | 0:01:03 | 0:01:07 | |
By the time the Ten O'Clock News had come around, | 0:01:24 | 0:01:26 | |
the Queen's speech had moved up the running order | 0:01:26 | 0:01:29 | |
and was leading the programme, so it seems priorities had changed. | 0:01:29 | 0:01:33 | |
Next on our agenda, not news of what has happened | 0:01:33 | 0:01:36 | |
but news of what will happen. | 0:01:36 | 0:01:38 | |
It seems the BBC's on-air advertisements, the previews we run, | 0:01:38 | 0:01:42 | |
or trails as they're called, are getting your goat. | 0:01:42 | 0:01:46 | |
People sometimes think I'm overconfident. | 0:01:46 | 0:01:48 | |
I am almost perfect. | 0:01:48 | 0:01:50 | |
The ninth series of The Apprentice returned on Tuesday | 0:01:50 | 0:01:53 | |
with the usual collection of business go-getters and high achievers. | 0:01:53 | 0:01:57 | |
But before it actually aired, some of you had already had enough. | 0:01:57 | 0:02:02 | |
I am perfectly aware that this is not how these people actually are. | 0:02:11 | 0:02:16 | |
Well, I trust that is so. | 0:02:16 | 0:02:18 | |
You are obviously making a TV programme, this is drama. | 0:02:18 | 0:02:23 | |
This is seeking TV ratings. | 0:02:23 | 0:02:26 | |
But if any young jobseeking viewer sees only the trail | 0:02:26 | 0:02:30 | |
and thus believes that this is the attitude needed to get a job, | 0:02:30 | 0:02:34 | |
he is likely doomed to permanent unemployment. | 0:02:34 | 0:02:38 | |
But it isn't just The Apprentice that has been accused of spoiling things. | 0:02:38 | 0:02:42 | |
Drama also increasingly uses trails to reel us in. | 0:02:42 | 0:02:46 | |
But their end-of-programme trails | 0:02:48 | 0:02:50 | |
for what's coming up in the next episode... | 0:02:50 | 0:02:52 | |
Mummy, Dita's run away, she's taken all her stuff. | 0:02:52 | 0:02:55 | |
I never came on to her, not in thought, not in deed. | 0:02:55 | 0:02:58 | |
..like this one for The Politician's Husband | 0:02:58 | 0:03:01 | |
have been accused of giving the game away. | 0:03:01 | 0:03:03 | |
No, you're not alone because viewer Raymond Crozier says | 0:03:10 | 0:03:13 | |
the previews are ruining his enjoyment, too. | 0:03:13 | 0:03:16 | |
I really like television drama, particularly serials that last | 0:03:16 | 0:03:20 | |
over several weeks | 0:03:20 | 0:03:21 | |
because then you can see how the drama unfolds over time. | 0:03:21 | 0:03:26 | |
New characters appear, old characters simply disappear, just like that. | 0:03:26 | 0:03:31 | |
You don't know which way the plot is going to go. Will it go this way? | 0:03:31 | 0:03:36 | |
Or that way? | 0:03:36 | 0:03:37 | |
The pleasure is in the... | 0:03:39 | 0:03:41 | |
anticipation. | 0:03:41 | 0:03:43 | |
So I don't understand why the BBC insists on spoiling the anticipation | 0:03:44 | 0:03:49 | |
by showing excerpts from the next episode. | 0:03:49 | 0:03:52 | |
I don't know. | 0:03:53 | 0:03:54 | |
This really came home to me when I was watching Dancing On The Edge. | 0:03:54 | 0:03:58 | |
This was the second episode. | 0:03:58 | 0:04:01 | |
One of the leading women characters was suddenly violently assaulted. | 0:04:01 | 0:04:08 | |
This was a complete surprise and the programme ended at that point. | 0:04:08 | 0:04:13 | |
-Jessie? -She hasn't woken up after the operation. | 0:04:13 | 0:04:16 | |
Then when I saw the trailer for the next episode | 0:04:16 | 0:04:19 | |
and it was so clear from the little bit that they showed, what happened next. | 0:04:19 | 0:04:23 | |
I felt it had really spoiled the episode for me. | 0:04:23 | 0:04:28 | |
# I'm just on top of the world. # | 0:04:29 | 0:04:33 | |
I think the programme makers are probably more sensitive than anyone | 0:04:33 | 0:04:37 | |
of having anything that will ruin the audience's enjoyment. | 0:04:37 | 0:04:40 | |
So what they will do in those coming nexts is to tee up the next episode, | 0:04:40 | 0:04:46 | |
rather than reveal anything in too much detail. | 0:04:46 | 0:04:49 | |
Conor Mulgrew, will you marry me? | 0:04:49 | 0:04:53 | |
It is endlessly discussed what goes in the trail and what doesn't. | 0:04:53 | 0:04:56 | |
It is chewed over, I cannot tell you how many times. | 0:04:56 | 0:04:59 | |
I already asked you and you said yes. | 0:04:59 | 0:05:01 | |
The biggest service we can do the programme | 0:05:01 | 0:05:03 | |
is try and bring new viewers to it on the basis that people who love | 0:05:03 | 0:05:07 | |
the programme anyway will probably tip up and watch it. | 0:05:07 | 0:05:09 | |
The registry office called, | 0:05:09 | 0:05:11 | |
they've had a cancellation for this afternoon. | 0:05:11 | 0:05:13 | |
We're not out to spoil anyone's enjoyment, but to get an audience | 0:05:13 | 0:05:16 | |
and to encourage them to come and watch our dramas. | 0:05:16 | 0:05:18 | |
I can understand that you want to attract new viewers, | 0:05:18 | 0:05:21 | |
but it shouldn't be at the expense of those of us | 0:05:21 | 0:05:23 | |
already following the serial so on behalf of all of us who enjoy the suspense... | 0:05:23 | 0:05:28 | |
ALL: Please don't do it! | 0:05:28 | 0:05:30 | |
Please don't do it. | 0:05:31 | 0:05:33 | |
Perhaps just like the football scores, | 0:05:33 | 0:05:35 | |
there needs to be a "look away now" warning with these. | 0:05:35 | 0:05:38 | |
Come to think of it, with a trail, | 0:05:38 | 0:05:40 | |
the last thing you want to do is tell people not to watch. | 0:05:40 | 0:05:43 | |
I'm Alex Polizzi. | 0:05:43 | 0:05:45 | |
Returning to our screens in a new series is the sharp-tongued | 0:05:45 | 0:05:49 | |
business fixer, Alex Polizzi. | 0:05:49 | 0:05:51 | |
A year on from when she first helped four businesses to resurrect themselves, | 0:05:51 | 0:05:56 | |
she was back to see how they were getting on. | 0:05:56 | 0:05:59 | |
Now I'm heading back to see how it's all turned out. | 0:06:00 | 0:06:04 | |
Except, as some of you have pointed out, in The Fixer Returns, | 0:06:04 | 0:06:07 | |
The Fixer did not actually return. | 0:06:07 | 0:06:10 | |
The shots used on Tuesday night's programme | 0:06:10 | 0:06:12 | |
were in fact from her first visit 12 months ago. | 0:06:12 | 0:06:16 | |
So, were the programme makers deliberately misleading the audience? | 0:06:38 | 0:06:43 | |
Is the series just a repeat by another name? | 0:06:43 | 0:06:46 | |
The question we asked ourselves is, is it worth making the show? | 0:06:46 | 0:06:49 | |
We felt they would be interest in finding out what had happened | 0:06:49 | 0:06:52 | |
to the businesses in the last 12 to 18 months since Alex first visited. | 0:06:52 | 0:06:55 | |
It transpired that some very significant developments had happened. | 0:06:55 | 0:06:58 | |
One firm faced closure unfortunately, | 0:06:58 | 0:07:00 | |
another firm was about to be passed on from parent to child. | 0:07:00 | 0:07:03 | |
So that in combination with a very pacey potted version | 0:07:03 | 0:07:06 | |
of the original material as a reminder, | 0:07:06 | 0:07:08 | |
felt like it could offer something really compelling to viewers. | 0:07:08 | 0:07:11 | |
There was no intent at all to deliberately mislead. | 0:07:11 | 0:07:14 | |
We thought about the programme itself, The Fixer Returning, | 0:07:14 | 0:07:17 | |
as opposed to necessarily Alex Polizzi herself. | 0:07:17 | 0:07:20 | |
She is in contact with a lot of the firms and we debated | 0:07:20 | 0:07:22 | |
whether or not she should go back but in this instance, | 0:07:22 | 0:07:24 | |
we didn't feel it was essential. | 0:07:24 | 0:07:26 | |
But, given those points, it is something that we would look at when we go forward. | 0:07:26 | 0:07:29 | |
Up next, Gardeners' World, | 0:07:29 | 0:07:31 | |
dumped from its Friday night slot to make way for the rugby | 0:07:31 | 0:07:34 | |
in Northern Ireland, and the snooker World Championship everywhere else. | 0:07:34 | 0:07:38 | |
I just want to say how disappointed I am | 0:07:38 | 0:07:40 | |
that at the start of the gardening season, the regular slot | 0:07:40 | 0:07:43 | |
on Friday evening for | 0:07:43 | 0:07:44 | |
Gardeners' World should be hijacked by world snooker. | 0:07:44 | 0:07:46 | |
I respect that people have different interests and therefore want to watch | 0:07:46 | 0:07:49 | |
something different from me | 0:07:49 | 0:07:51 | |
so since it always seems to be sport which disrupts the schedule, | 0:07:51 | 0:07:54 | |
maybe it's time for a dedicated sport channel | 0:07:54 | 0:07:56 | |
so viewers can see live sport whenever it is necessary | 0:07:56 | 0:08:00 | |
and the rest of us can enjoy our scheduled programmes in peace. | 0:08:00 | 0:08:03 | |
And you are not alone, Cathy Baker, | 0:08:03 | 0:08:05 | |
because we've had quite a few people who have been in touch this week to say exactly the same thing. | 0:08:05 | 0:08:10 | |
It seems hell hath no fury like a gardener scorned. | 0:08:10 | 0:08:14 | |
So, we're going to keep a tally of the number of times | 0:08:14 | 0:08:16 | |
that gardeners fall foul of sport scheduling in the future. | 0:08:16 | 0:08:20 | |
A lively opening to the One Show on Friday of last week | 0:08:20 | 0:08:25 | |
to introduce the guest, Archbishop John Sentamu. | 0:08:25 | 0:08:27 | |
The Archbishop of York's appearance pleased many of you who got in touch. | 0:08:31 | 0:08:36 | |
Inspiring people to make life changes | 0:08:50 | 0:08:54 | |
is something BBC Three's Snog Marry Avoid? series is all about. | 0:08:54 | 0:08:59 | |
But one viewer got in touch to say she thinks they've got it all wrong. | 0:08:59 | 0:09:03 | |
First up, here's a bit of the programme to set the scene. | 0:09:03 | 0:09:06 | |
Snog Marry Avoid? is back | 0:09:06 | 0:09:08 | |
on the road and POD is fighting the fakery of Britain. | 0:09:08 | 0:09:12 | |
Make-under machine POD is the Queen Of Mean | 0:09:12 | 0:09:15 | |
and she is cattier than ever. | 0:09:15 | 0:09:16 | |
Why do you want to look so cheap and tacky? | 0:09:16 | 0:09:18 | |
How very dare you! | 0:09:18 | 0:09:20 | |
Let the battle against fakery commence. | 0:09:20 | 0:09:22 | |
This is Snog Marry Avoid? | 0:09:22 | 0:09:24 | |
I don't think it's fake to express your personality and individuality | 0:09:29 | 0:09:33 | |
through your clothing or style choices. | 0:09:33 | 0:09:35 | |
Snog Marry Avoid? goes against this and takes anybody who seems out of the ordinary | 0:09:35 | 0:09:41 | |
or different and changes their clothing style into a more mainstreamed appearance. | 0:09:41 | 0:09:45 | |
I am POD, the personal overhaul device. | 0:09:45 | 0:09:47 | |
-Who are you? -I'm Mel. -Mel from hell? | 0:09:47 | 0:09:50 | |
No, Mel from heaven! | 0:09:51 | 0:09:52 | |
I can understand the potential entertainment | 0:09:52 | 0:09:54 | |
that some people might get out of it. | 0:09:54 | 0:09:56 | |
What concerns me is how it talks about people | 0:09:56 | 0:09:58 | |
-who are members of the alternative subcultures. -What do you do? | 0:09:58 | 0:10:01 | |
-I work in retail. -Do you sell coffins? -No. | 0:10:01 | 0:10:04 | |
In one particular show, they described somebody as a Gothic freak | 0:10:04 | 0:10:07 | |
and Snog Marry Avoid? tried to turn them into chic. | 0:10:07 | 0:10:10 | |
POD computes that you are a walking dead disaster whose grave style must be buried. | 0:10:10 | 0:10:15 | |
I find this particularly distasteful in light of campaigns | 0:10:15 | 0:10:18 | |
such as Sophie, which was set up in the memory of Sophie Lancaster | 0:10:18 | 0:10:21 | |
who was murdered for being a Goth. | 0:10:21 | 0:10:23 | |
The show casually suggests that people with these alternative looks | 0:10:23 | 0:10:27 | |
cannot find employment, relationships or happiness within their lives. | 0:10:27 | 0:10:32 | |
This is kind of going against what people have been fighting for in recent times | 0:10:32 | 0:10:36 | |
in order to be able to find jobs and relationships | 0:10:36 | 0:10:38 | |
in which they are able to express themselves with these looks. | 0:10:38 | 0:10:41 | |
Scary hair alert! Scary hair alert! | 0:10:41 | 0:10:43 | |
-It's not that bad. -It really is. | 0:10:43 | 0:10:47 | |
It doesn't matter if you're Goth, punk or more mainstream, | 0:10:47 | 0:10:50 | |
it is what is inside that really counts. | 0:10:50 | 0:10:53 | |
POD computes that Liberty has gone from Buffy catastrophe to pretty young thing. | 0:10:53 | 0:10:58 | |
All of the people who go on the programme | 0:10:58 | 0:11:00 | |
seem to completely have their personality and originality wiped clean. | 0:11:00 | 0:11:03 | |
Oh, my God! | 0:11:03 | 0:11:04 | |
It kind of reminds me of an old-fashioned freak show | 0:11:04 | 0:11:07 | |
which surely is no longer relevant in 21st-century, let alone on the BBC. | 0:11:07 | 0:11:11 | |
Kirsty Rowland, putting the case against Snog Marry Avoid? | 0:11:13 | 0:11:17 | |
Thank you, Kirsty. | 0:11:17 | 0:11:18 | |
We got the Executive Producer to answer her complaint. | 0:11:18 | 0:11:21 | |
Far from alienating these people, groups or subcultures | 0:11:21 | 0:11:25 | |
or portraying them in a negative light, | 0:11:25 | 0:11:27 | |
Snog celebrates these young men and women | 0:11:27 | 0:11:29 | |
and their fashion statements before they willingly face POD's transformation. | 0:11:29 | 0:11:34 | |
The language in Snog Marry Avoid? is meant to be light-hearted | 0:11:35 | 0:11:38 | |
and viewers are familiar with POD's fun tone and attitude | 0:11:38 | 0:11:42 | |
when it comes to describing the look and fashion choices of the people seeking make-unders. | 0:11:42 | 0:11:47 | |
Snog embraces diversity and we genuinely reflect our audience. | 0:11:47 | 0:11:52 | |
POD computes that you are a clog-crazed calamity. | 0:11:52 | 0:11:55 | |
All the language and comments are typical of POD | 0:11:55 | 0:11:57 | |
and her character and have been familiar to the young people taking part | 0:11:57 | 0:12:01 | |
and Snog's enormous and loyal audience for the last six series. | 0:12:01 | 0:12:06 | |
But if anything in this series causes offence, | 0:12:06 | 0:12:09 | |
it is completely unintentional and we apologise for any offence that is caused. | 0:12:09 | 0:12:13 | |
Viewers in Scotland were treated to nature's own beauty | 0:12:14 | 0:12:18 | |
with the beginning of a new series on BBC One Scotland. | 0:12:18 | 0:12:22 | |
# I am smiling... # | 0:12:22 | 0:12:26 | |
Hebrides - Islands On The Edge, three years in the making | 0:12:26 | 0:12:30 | |
and narrated by Scotland's own Ewan McGregor. | 0:12:30 | 0:12:34 | |
Outside Scotland, if you want to catch this series, | 0:12:47 | 0:12:50 | |
it is available on the iPlayer. | 0:12:50 | 0:12:52 | |
Good to end with a bit of positive thinking. | 0:12:52 | 0:12:55 | |
For any positive or negative comments you have on BBC TV, | 0:12:55 | 0:12:59 | |
here is how to get in touch with us. | 0:12:59 | 0:13:00 | |
By post, the address is: | 0:13:00 | 0:13:03 | |
By phone, the number is charged as a local rate call from any land line. | 0:13:08 | 0:13:13 | |
You can join the messageboarders, always lively, on: | 0:13:16 | 0:13:19 | |
Finally, there's our e-mail address: | 0:13:22 | 0:13:27 | |
That's it for now, we leave you with some of those magnificent Hebridean pictures | 0:13:27 | 0:13:31 | |
and until next week, goodbye. | 0:13:31 | 0:13:33 | |
Subtitles by Red Bee Media Ltd | 0:13:50 | 0:13:53 |