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Look, we've got an apology on the website, we did an apology on The Today Programme, | 9:44:56 | 9:44:59 | |
I've apologised to Tony personally...now, I haven't finished yet. | 9:44:59 | 9:45:02 | |
He's apologised to Patton, I think he's looking for someone to apologise to as we speak. | 9:45:02 | 9:45:06 | |
And not just in the made-up world of W1A, in this, the real world | 9:45:06 | 9:45:12 | |
of the BBC's W1 building, we've had plenty to deal with ourselves. | 9:45:12 | 9:45:17 | |
Welcome back to a brand-new series of Points of View. | 9:45:17 | 9:45:22 | |
Easter Monday saw the launch of a new three-part | 9:45:32 | 9:45:35 | |
adaptation of Daphne de Maurier's Jamaica Inn. | 9:45:35 | 9:45:38 | |
But for many, the visual feast, which includes dark | 9:45:38 | 9:45:42 | |
and haunting moors, sweeping Cornish coastline, | 9:45:42 | 9:45:45 | |
and a stellar cast list, was left wanting. | 9:45:45 | 9:45:47 | |
Viewers complained they were having difficulty understanding | 9:45:47 | 9:45:51 | |
the dialogue in the first episode and many said they'd been | 9:45:51 | 9:45:55 | |
left reaching for the subtitles button on their remote controls. | 9:45:55 | 9:46:00 | |
Patience! | 9:46:00 | 9:46:01 | |
There's a bunch of petticoats here to see you. | 9:46:03 | 9:46:07 | |
Cakey's knocked his ale over. | 9:46:07 | 9:46:09 | |
Needs it cleaning up. | 9:46:09 | 9:46:10 | |
What the hell do you want, Jem? Is there trouble? | 9:46:11 | 9:46:15 | |
So...Jam-ake anything out? | 9:46:15 | 9:46:18 | |
I enjoyed the programme, the acting was extremely good, | 9:46:18 | 9:46:21 | |
as were the views, the photography and the production. | 9:46:21 | 9:46:24 | |
But the sound quality was appalling. | 9:46:24 | 9:46:26 | |
I've got a modern television with a sound bar | 9:46:26 | 9:46:29 | |
and I viewed the whole thing in high definition. | 9:46:29 | 9:46:32 | |
Yet I still had to switch on the subtitles in order to understand what was being said. | 9:46:32 | 9:46:36 | |
I know I am not in the first flush of youth, | 9:46:36 | 9:46:39 | |
but I have no hearing or sight problems, and after ten minutes | 9:46:39 | 9:46:43 | |
I had to give up the unequal struggle and switch off. | 9:46:43 | 9:46:46 | |
Unfortunately it seemed to contain a lot of West Country mumblings | 9:46:46 | 9:46:51 | |
and in the end I'm afraid we just had to give up. | 9:46:51 | 9:46:55 | |
-Now, someone's talking. -You heard anythin'? No. | 9:46:55 | 9:47:01 | |
And he wasn't alone. On Tuesday the BBC was inundated with complaints. | 9:47:01 | 9:47:07 | |
Now, credit where it's due and the BBC drama department | 9:47:07 | 9:47:10 | |
didn't hang about on admitting there was a problem with this one. | 9:47:10 | 9:47:14 | |
They put their top sound technicians on the case | 9:47:14 | 9:47:17 | |
and we're told they would "adjust the dialogue levels | 9:47:17 | 9:47:20 | |
"in episodes two and three to address audience concerns." | 9:47:20 | 9:47:24 | |
But was it enough? | 9:47:24 | 9:47:26 | |
Having watched episode two and three, I did feel the sound | 9:47:26 | 9:47:30 | |
was brighter, but it didn't make it more intelligible. | 9:47:30 | 9:47:33 | |
And certain actors in certain scenes continued to mumble | 9:47:33 | 9:47:36 | |
and slur their lines. | 9:47:36 | 9:47:38 | |
Is the BBC happy for individual directors to apply their stylistic, artistic touches, | 9:47:38 | 9:47:43 | |
which sometimes may cause the viewer to lose the plot? | 9:47:43 | 9:47:48 | |
Was it a case of mumbling actors? | 9:47:48 | 9:47:51 | |
Is it time the BBC cracked down on poor diction in drama? | 9:47:51 | 9:47:56 | |
I think that actors not being clear is obviously one part of it, | 9:47:56 | 9:47:59 | |
but my understanding about the complaints, about Jamaica Inn, | 9:47:59 | 9:48:02 | |
was more complex than that. | 9:48:02 | 9:48:04 | |
So I think it is probably not right to just single out that, | 9:48:04 | 9:48:08 | |
but clearly we want actors to speak clearly. | 9:48:08 | 9:48:12 | |
Of course we want them to give brilliant performances, | 9:48:12 | 9:48:14 | |
and you've got to respect that, but if no-one can understand what they are saying then there is a problem. | 9:48:14 | 9:48:20 | |
We are going to learn lessons from it and look into it in real detail so | 9:48:20 | 9:48:24 | |
that we can correct it in the future, | 9:48:24 | 9:48:26 | |
because obviously it is incredibly important to us that our audiences | 9:48:26 | 9:48:32 | |
are not held back from enjoying the drama as much as possible. | 9:48:32 | 9:48:35 | |
We know that Jamaica Inn isn't the only drama that's been | 9:48:35 | 9:48:38 | |
accused of having a problem with the mumbles. | 9:48:38 | 9:48:41 | |
We'll be returning to this issue later in the series. | 9:48:41 | 9:48:45 | |
Next, a man who let his feet do the talking, Sir Bruce Forsyth, | 9:48:45 | 9:48:49 | |
and the news that he is standing down from Strictly. | 9:48:49 | 9:48:52 | |
There has been plenty of rumour and speculation over who will | 9:48:52 | 9:48:56 | |
take over, with Claudia Winkleman, who has been a big part of the series from the start, now the | 9:48:56 | 9:49:01 | |
hot favourite to fill his toe-tapping shoes. | 9:49:01 | 9:49:04 | |
To get your opinion we went to the home of ballroom... | 9:49:04 | 9:49:06 | |
Blackpool! | 9:49:06 | 9:49:08 | |
Ladies and gentlemen, welcome to the world famous Blackpool Tower Ballroom! | 9:49:10 | 9:49:17 | |
Bruce came through the old variety hall route. | 9:49:23 | 9:49:25 | |
He was an all-rounder. A dancer, an actor, a singer, | 9:49:25 | 9:49:28 | |
a comedian, it's going to be hard to replace that. | 9:49:28 | 9:49:32 | |
And a person everybody knows. Every generation remembers Bruce. | 9:49:32 | 9:49:36 | |
For me, he is Mr Strictly. | 9:49:38 | 9:49:40 | |
He has been there as long as I remember watching the show. | 9:49:40 | 9:49:42 | |
Good evening, ladies and gentlemen, | 9:49:42 | 9:49:44 | |
welcome to Strictly Come Dancing... | 9:49:44 | 9:49:46 | |
We love the programme, we watch it avidly every week. | 9:49:46 | 9:49:49 | |
And yeah, it's disappointing. | 9:49:49 | 9:49:51 | |
I think Bruce brought his own sort of comedy to it, | 9:49:51 | 9:49:55 | |
and I used to love that. | 9:49:55 | 9:49:56 | |
But then again, I think it's time for him to go. | 9:49:56 | 9:50:01 | |
I liked seeing Bruce on it, I liked his line he said | 9:50:01 | 9:50:04 | |
when he came on, "Nice to see you..." | 9:50:04 | 9:50:06 | |
-..to see you... -CROWD: Nice! | 9:50:06 | 9:50:08 | |
Please welcome your hosts, Tess Daly and Claudia Winkleman! | 9:50:08 | 9:50:12 | |
I think Claudia taking over, it would be fair on her | 9:50:14 | 9:50:18 | |
because she has been doing Strictly for a while now | 9:50:18 | 9:50:20 | |
so it would be a fair opportunity for her. | 9:50:20 | 9:50:22 | |
Nothing against ladies and women, | 9:50:22 | 9:50:24 | |
but I don't think it should be a woman presenter | 9:50:24 | 9:50:27 | |
that would actually take over the role of Bruce, I think | 9:50:27 | 9:50:30 | |
it should fall directly into the lap of | 9:50:30 | 9:50:32 | |
maybe another male presenter to balance out the man-woman thing | 9:50:32 | 9:50:36 | |
that the show is all about. | 9:50:36 | 9:50:38 | |
That is Strictly Come Dancing 2013! | 9:50:39 | 9:50:41 | |
I like Claudia, she's witty. I like her natural approach. | 9:50:41 | 9:50:45 | |
And she's human, you do warm to her. | 9:50:45 | 9:50:48 | |
Once again, you've been a wonderful partner in crime. Always a pleasure. | 9:50:48 | 9:50:51 | |
I think it's very good for two women to present. Go, girl power! | 9:50:51 | 9:50:55 | |
I can't comment on that, can I? | 9:50:56 | 9:50:59 | |
I have to live with one! | 9:50:59 | 9:51:01 | |
ALL: Keeeeep dancing! | 9:51:03 | 9:51:04 | |
Strictly returns in the autumn and all is not lost for Brucie fans, | 9:51:06 | 9:51:10 | |
because we have been guaranteed he will be around to present | 9:51:10 | 9:51:14 | |
the Christmas and Children In Need specials later this year. | 9:51:14 | 9:51:17 | |
The show must go on! | 9:51:17 | 9:51:19 | |
I think we all agree it will be nice to see him... | 9:51:19 | 9:51:22 | |
-BRUCE: To see you... -CROWD: Nice! | 9:51:22 | 9:51:24 | |
Now, I did say that lots of you continued to keep in touch | 9:51:24 | 9:51:28 | |
while we have been off air and the brand-new series, | 9:51:28 | 9:51:31 | |
Revenge Of The Egghead, was one that certainly kept you talking. | 9:51:31 | 9:51:35 | |
The remodelling of the quiz show Eggheads, | 9:51:35 | 9:51:38 | |
which saw the bad boy quiz boffin CJ De Mooi | 9:51:38 | 9:51:41 | |
take on a team of knowledge buffs. | 9:51:41 | 9:51:43 | |
-How are you today, CJ? -Angry. -Oh, really, why? | 9:51:46 | 9:51:50 | |
I don't need a reason, but I know who I'm going to take it out on. | 9:51:50 | 9:51:53 | |
When I walked into the studio there was a whiff of nervousness. | 9:51:53 | 9:51:57 | |
How quickly a whiff becomes a stench. | 9:51:57 | 9:51:59 | |
I'd like to complain about Revenge Of The Egghead and the dreadful CJ. | 9:51:59 | 9:52:03 | |
I don't know whose idea it was, but I would like to know | 9:52:03 | 9:52:06 | |
to single out this horrible man to humiliate people on television. | 9:52:06 | 9:52:11 | |
Well, this proved a big turn-off for some and I hope you don't detect | 9:52:11 | 9:52:16 | |
any discomfort here. Yes, I was the presenter. | 9:52:16 | 9:52:19 | |
But that doesn't mean we don't pass on your complaints with all | 9:52:19 | 9:52:22 | |
the force you made them with. | 9:52:22 | 9:52:24 | |
On this one, we went straight to the BBC's man in charge of daytime TV. | 9:52:24 | 9:52:28 | |
I think it is clear that CJ is quite a strong flavour. | 9:52:28 | 9:52:31 | |
I think like game, just like Janet, will be short and sweet. | 9:52:31 | 9:52:33 | |
I think the tone of Revenge Of The Egghead maybe felt | 9:52:33 | 9:52:36 | |
a bit different to the original series | 9:52:36 | 9:52:38 | |
and that may have shocked some viewers. | 9:52:38 | 9:52:40 | |
Yes! | 9:52:40 | 9:52:41 | |
I believe it was right decision to experiment with the format. | 9:52:41 | 9:52:45 | |
Eggheads in its original format has played on BBC Two for 11 years now. | 9:52:45 | 9:52:49 | |
I think it is our job as creatives to try new things. | 9:52:49 | 9:52:53 | |
What sort of impression does this give to our children who, | 9:52:53 | 9:52:57 | |
at six o'clock in the evening, are likely to be watching it? | 9:52:57 | 9:53:01 | |
Mike is a will writer, very appropriate for this team's chances. | 9:53:01 | 9:53:04 | |
MAN LAUGHS | 9:53:04 | 9:53:05 | |
I am not intimidated, but you may carry on. | 9:53:05 | 9:53:07 | |
Do they understand that he is acting, | 9:53:07 | 9:53:11 | |
or is he? | 9:53:11 | 9:53:13 | |
It's important to understand that CJ played a character in the show. | 9:53:13 | 9:53:17 | |
It's also important to understand the contestants knew what to expect | 9:53:17 | 9:53:20 | |
and it's plain to see they played along with it | 9:53:20 | 9:53:22 | |
in the humour that it was intended. | 9:53:22 | 9:53:24 | |
-How are you doing, CJ? -I am exceptionally well, thank you, Jeremy, | 9:53:24 | 9:53:28 | |
but then again, wouldn't you be if you looked like this? | 9:53:28 | 9:53:30 | |
I think what we felt about CJ is he is a formidable quizzer and I think | 9:53:30 | 9:53:34 | |
the format of Revenge Of The Egghead really suited his personality. | 9:53:34 | 9:53:37 | |
To say CJ is one of the most formidable Eggheads is pure twaddle. | 9:53:37 | 9:53:42 | |
Any of the current Eggheads could wipe the floor with him. | 9:53:42 | 9:53:46 | |
Please take it off and bring back the proper Eggheads. | 9:53:46 | 9:53:49 | |
Please let's go back to the team event. | 9:53:49 | 9:53:52 | |
Please don't run a second series. | 9:53:52 | 9:53:55 | |
Revenge Of The Egghead hasn't been re-commissioned yet. | 9:53:55 | 9:53:57 | |
It's just recently come off air, | 9:53:57 | 9:53:59 | |
we are looking at all the audience feedback from the show | 9:53:59 | 9:54:02 | |
and looking at that slot, | 9:54:02 | 9:54:03 | |
and we will take everything on board before we make any decisions. | 9:54:03 | 9:54:07 | |
So no decision then as to whether CJ or the special Revenge format | 9:54:07 | 9:54:12 | |
will make a return. | 9:54:12 | 9:54:14 | |
CHEERING AND APPLAUSE | 9:54:14 | 9:54:15 | |
From one quiz show to another, and The Guess List, | 9:54:18 | 9:54:21 | |
BBC One's latest Saturday night offering. | 9:54:21 | 9:54:24 | |
Welcome to The Guess List where we have A-list celebrities. | 9:54:24 | 9:54:29 | |
Comedian Rob Bryden turns host in what people are calling | 9:54:29 | 9:54:32 | |
a remake of the old Blankety Blank format. | 9:54:32 | 9:54:35 | |
If you've just tuned in, you've joined us | 9:54:35 | 9:54:37 | |
in the middle of a lively debate. | 9:54:37 | 9:54:40 | |
LAUGHTER | 9:54:40 | 9:54:41 | |
Very disappointed for a Saturday night AND for a game show. | 9:54:41 | 9:54:46 | |
It seemed to fall flat on its face. | 9:54:46 | 9:54:49 | |
Certainly, a poor imitation of, if it was meant to be | 9:54:49 | 9:54:54 | |
anything like the original Blankety Blank or a similar game show. | 9:54:54 | 9:54:57 | |
The Guess List, failing to hit the high standards | 9:55:06 | 9:55:10 | |
expected of Saturday nights for some. | 9:55:10 | 9:55:13 | |
Also keeping us guessing this week is the EastEnders plotline. | 9:55:13 | 9:55:16 | |
EASTENDERS THEME | 9:55:16 | 9:55:18 | |
The biggest whodunnit since JR, Lucy Beale's murder, | 9:55:18 | 9:55:22 | |
winning huge audiences and plenty of praise for the soap's actors. | 9:55:22 | 9:55:27 | |
I held her in my arms. | 9:55:27 | 9:55:28 | |
And she was as good as gold. | 9:55:29 | 9:55:32 | |
I tell you, I see her... | 9:55:32 | 9:55:34 | |
I see her lying there, gone. | 9:55:34 | 9:55:38 | |
-That was my beautiful Lucy-Lou. -Yes, she was. | 9:55:40 | 9:55:43 | |
I don't have the ability to get through this. | 9:55:45 | 9:55:48 | |
Staying with EastEnders, and the curious incident of a newborn pup | 9:55:56 | 9:56:01 | |
provided, it seems, by the craft team in the props department. | 9:56:01 | 9:56:05 | |
The four-legged acting here, how can we put this, is a little bit wooden. | 9:56:05 | 9:56:10 | |
It's heart is still beating. Come on, come on. | 9:56:10 | 9:56:14 | |
SUCKING SOUND | 9:56:14 | 9:56:16 | |
What are you doing? | 9:56:16 | 9:56:19 | |
Clearing her airways. | 9:56:19 | 9:56:20 | |
Come on. Come on, come on. | 9:56:20 | 9:56:23 | |
HE LAUGHS | 9:56:27 | 9:56:28 | |
Phil! | 9:56:29 | 9:56:30 | |
They captured the spirit of Easter in a wonderful way | 9:56:40 | 9:56:44 | |
which would have been recognised by Christians | 9:56:44 | 9:56:47 | |
and certainly made the Easter message very real for me. | 9:56:47 | 9:56:51 | |
In fact, the whole series has been a delight. | 9:56:51 | 9:56:56 | |
Now, if you, like Julie, want to tell us | 9:56:56 | 9:56:58 | |
what you have been watching, here's how you do it. | 9:56:58 | 9:57:01 | |
You can write to this address: | 9:57:01 | 9:57:03 | |
There's phone. The number is charged | 9:57:10 | 9:57:13 | |
as a local rate call from any landline. | 9:57:13 | 9:57:15 | |
Or send us an e-mail. | 9:57:19 | 9:57:21 | |
Not forgetting the message board. | 9:57:23 | 9:57:25 | |
And we are on Twitter, too. | 9:57:28 | 9:57:30 | |
So many ways to get in touch. Well, that's it from us, here at W1A. | 9:57:32 | 9:57:37 | |
Back next Sunday and I'll leave you with a look back | 9:57:37 | 9:57:40 | |
at highlights of just some of the programmes you've been | 9:57:40 | 9:57:42 | |
telling us you have enjoyed watching over the past few weeks and months. | 9:57:42 | 9:57:46 | |
See how many you recognise. Goodbye. | 9:57:46 | 9:57:50 | |
Sherlock! | 9:57:51 | 9:57:53 | |
DI Denton, I'm arresting you for conspiracy to murder. | 9:57:59 | 9:58:02 | |
-I felt that you were all owed an explanation. -No! | 9:58:02 | 9:58:06 | |
All over the south coast, people started digging in. | 9:58:11 | 9:58:14 | |
We will be very quickly bankrupt as a nation | 9:58:14 | 9:58:17 | |
if we take up arms against Germany. | 9:58:17 | 9:58:20 | |
As soon as you go over the top, fear has left you, it is terror. | 9:58:20 | 9:58:25 | |
Sewers, you have ten minutes left. | 9:58:25 | 9:58:27 | |
CHEERING | 9:58:29 | 9:58:32 |