Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Apologising for Mrs Brown, was it necessary? | 0:00:03 | 0:00:05 | |
Viewers cry fault over Wimbledon coverage. | 0:00:05 | 0:00:08 | |
And why did TV news ignore the anti-austerity demo? | 0:00:08 | 0:00:13 | |
Welcome to Points Of View. | 0:00:13 | 0:00:14 | |
Good afternoon. | 0:00:25 | 0:00:26 | |
Now, we start not with what was on your televisions this week, | 0:00:26 | 0:00:30 | |
but what was not on. | 0:00:30 | 0:00:32 | |
There have been more than 6,000 complaints to the BBC | 0:00:32 | 0:00:35 | |
over its lack of coverage of an anti-austerity demo | 0:00:35 | 0:00:39 | |
in the centre of London last Saturday. | 0:00:39 | 0:00:41 | |
The demo, which organisers say was attended by 50,000 people, | 0:00:41 | 0:00:45 | |
was covered by the BBC's News Channel... | 0:00:45 | 0:00:48 | |
Thousands of people have marched in central London. | 0:00:48 | 0:00:51 | |
'..but there was no mention of it on BBCs One | 0:00:51 | 0:00:53 | |
'and Two's main news bulletins. | 0:00:53 | 0:00:56 | |
'And, for many, the decision by these channels to ignore' | 0:00:56 | 0:00:59 | |
such a large-scale protest was a big mistake. | 0:00:59 | 0:01:03 | |
Last week the BBC ignored an anti-austerity march that | 0:01:03 | 0:01:06 | |
had more than 50,000 protesters and began right outside its front door. | 0:01:06 | 0:01:10 | |
It's hard to avoid the belief that the BBC's doing this deliberately. | 0:01:10 | 0:01:13 | |
They give uncritical voice to the government's opinion, | 0:01:13 | 0:01:16 | |
they ignore the opposition to austerity. | 0:01:16 | 0:01:18 | |
The BBC has become too enmeshed with the establishment that it should be | 0:01:18 | 0:01:22 | |
holding to account and the result is that those who oppose austerity | 0:01:22 | 0:01:25 | |
find themselves ignored and unrepresented by the BBC. | 0:01:25 | 0:01:28 | |
If the Corporation doesn't begin to reflect the concerns | 0:01:31 | 0:01:33 | |
and experiences of millions of us, | 0:01:33 | 0:01:36 | |
we are likely to stop supporting you | 0:01:36 | 0:01:37 | |
and that's an existential threat to the Corporation because | 0:01:37 | 0:01:40 | |
without our support and without our licence fees the BBC cannot exist. | 0:01:40 | 0:01:45 | |
The BBC needs to remember its role, which is to report without bias | 0:01:45 | 0:01:49 | |
and to hold politicians to account. | 0:01:49 | 0:01:51 | |
That doesn't mean Paxman-style attack interviews, it means | 0:01:51 | 0:01:54 | |
an open debate and equal exposure to all mainstream political opinions. | 0:01:54 | 0:01:58 | |
The BBC must give coverage to a wider range of views, | 0:02:00 | 0:02:03 | |
you must hold power to account | 0:02:03 | 0:02:04 | |
and you must do this without fear of this or any government. | 0:02:04 | 0:02:08 | |
If you're unable to do so, you no longer serve a purpose. | 0:02:08 | 0:02:12 | |
OK, so we put these complaints to BBC News | 0:02:12 | 0:02:14 | |
and we asked for an interview, but we were turned down. | 0:02:14 | 0:02:18 | |
They did give us a rather long statement, though, | 0:02:18 | 0:02:21 | |
too long to read in full here. | 0:02:21 | 0:02:23 | |
But in it they pointed out that, | 0:02:23 | 0:02:24 | |
as well as coverage on the BBC News Channel, | 0:02:24 | 0:02:27 | |
there were also reports on the BBC News website and on social media. | 0:02:27 | 0:02:31 | |
The bottom line, they say, is that | 0:02:31 | 0:02:33 | |
last weekend the demo was trumped by other events. | 0:02:33 | 0:02:37 | |
There may never be an end to the debate over what should and | 0:02:55 | 0:02:58 | |
shouldn't make news running orders and how those decisions are made. | 0:02:58 | 0:03:03 | |
Moving on, and the start of a brand-new Saturday night | 0:03:03 | 0:03:06 | |
entertainment show with a familiar feel. | 0:03:06 | 0:03:09 | |
Oh, in cricket! Bat! | 0:03:09 | 0:03:12 | |
LAUGHTER | 0:03:12 | 0:03:14 | |
It's a catch, you know... | 0:03:14 | 0:03:16 | |
A diving catch, a diving catch! A diving catch! | 0:03:18 | 0:03:20 | |
Yeah, there you go, well done. | 0:03:20 | 0:03:22 | |
The Question Of Sport spin-off series with plenty of stunts | 0:03:22 | 0:03:26 | |
really dividing fans of the original format. | 0:03:26 | 0:03:29 | |
As a family with young children, | 0:03:29 | 0:03:31 | |
we like nothing more on a Saturday evening than to | 0:03:31 | 0:03:33 | |
sit around the telly and watch some really entertaining programmes. | 0:03:33 | 0:03:37 | |
The new BBC One show Super Saturday from the Question Of Sport team | 0:03:37 | 0:03:40 | |
really fitted that bill for us, it was hilarious. | 0:03:40 | 0:03:43 | |
We were in hysterics throughout but it wasn't in bad taste, | 0:03:43 | 0:03:46 | |
it was great, great guests, | 0:03:46 | 0:03:48 | |
brilliant to see the Question Of Sport theme running through it | 0:03:48 | 0:03:51 | |
with Matt Dawson and Phil Tufnell continuing as captains | 0:03:51 | 0:03:54 | |
and really great to see Jason Manford back on our screens as well, | 0:03:54 | 0:03:57 | |
as he always makes us laugh. | 0:03:57 | 0:03:58 | |
Shots coming in from both ends of the pitch on this one. | 0:04:10 | 0:04:13 | |
Now, just to be clear, Question of Sport proper | 0:04:13 | 0:04:15 | |
has not been replaced and we're reliably told normal service | 0:04:15 | 0:04:18 | |
will be resumed in the autumn. | 0:04:18 | 0:04:20 | |
Staying with the sporting theme | 0:04:28 | 0:04:29 | |
and the battle to conquer at Wimbledon is truly heating up. | 0:04:29 | 0:04:33 | |
But some of you feeling the amount of coverage given to the tennis | 0:04:33 | 0:04:36 | |
is conquering the schedules. | 0:04:36 | 0:04:38 | |
And, for those who do want to watch the tennis, | 0:05:00 | 0:05:02 | |
frustration over the amount of channel hopping during matches. | 0:05:02 | 0:05:06 | |
Well, Andy's certainly in the driving seat on Centre Court. | 0:05:08 | 0:05:12 | |
We're leaving that match here on BBC Two | 0:05:12 | 0:05:14 | |
but if you want to continue watching you can over on BBC One. | 0:05:14 | 0:05:17 | |
So Murray's match over on BBC One, | 0:05:17 | 0:05:20 | |
here on Two we're going to take you back to Court 12 | 0:05:20 | 0:05:22 | |
to see Johanna Konta of Great Britain, | 0:05:22 | 0:05:25 | |
a match we were watching earlier. | 0:05:25 | 0:05:26 | |
Yep, just like that. Trouble is, those people who wish to | 0:05:26 | 0:05:30 | |
record the action and then view it later in the day are being thwarted. | 0:05:30 | 0:05:35 | |
I'd just to like to complain about the BBC's coverage of Wimbledon. | 0:05:35 | 0:05:38 | |
I'm not complaining about the shots, the footage, | 0:05:38 | 0:05:41 | |
all the action, I don't mind that, | 0:05:41 | 0:05:43 | |
I'm sick to death of you changing channels halfway through a match. | 0:05:43 | 0:05:47 | |
I ring up from work, | 0:05:47 | 0:05:48 | |
"There's a match starting I want to watch later, please record it." | 0:05:48 | 0:05:51 | |
I come home, settle down, start watching it, bang, change channel, | 0:05:51 | 0:05:55 | |
it's not on, | 0:05:55 | 0:05:56 | |
then you go and put a match on from another channel halfway through. | 0:05:56 | 0:06:00 | |
Doesn't happen with the football, doesn't happen with Formula 1, | 0:06:00 | 0:06:03 | |
no other broadcaster does it, so come on, play the game, stop it. | 0:06:03 | 0:06:08 | |
So are tennis fans getting an unfair deal served up here? | 0:06:08 | 0:06:12 | |
Here's how the sports team explained the courtside shuffling. | 0:06:12 | 0:06:15 | |
It's Brendan O'Carroll and Jennifer Gibney from Mrs Brown's Boys. | 0:06:34 | 0:06:38 | |
How wonderful it is to see you both again. Thanks. | 0:06:40 | 0:06:44 | |
'Next up, an unfortunate slip of the tongue on Monday evening's | 0:06:44 | 0:06:47 | |
'The One Show. On the sofa, Brendan O'Carroll, | 0:06:47 | 0:06:52 | |
'creator and alter ego of Mrs Brown from Mrs Brown's Boys.' | 0:06:52 | 0:06:55 | |
In the guise of the loose-lipped Irish matriarch, | 0:06:55 | 0:06:59 | |
he/she seemed to forget the rules of pre-watershed broadcasting. | 0:06:59 | 0:07:04 | |
Earlier in the show we asked you to send in any messages | 0:07:04 | 0:07:06 | |
you'd like to be read out by Mrs Brown here for someone in your life | 0:07:06 | 0:07:10 | |
who needs a good talking-to. We've been inundated. | 0:07:10 | 0:07:12 | |
Right, Mrs Brown, are we ready? | 0:07:12 | 0:07:14 | |
"Please tell off Rob, Lowry and Ryan Jones for letting our | 0:07:14 | 0:07:17 | |
"Chihuahuas Lenny and Griff go on the table, from Mammy." | 0:07:17 | 0:07:22 | |
AS MRS BROWN: Get the BLEEP dog off the table! | 0:07:22 | 0:07:25 | |
Well, we can't be saying things like that. Oh, sorry, sorry! | 0:07:25 | 0:07:28 | |
Get the Chihuahua off the table. That's better. | 0:07:28 | 0:07:31 | |
Now, we don't want to repeat the offending word here, | 0:07:31 | 0:07:34 | |
but suffice to say it starts with an F and rhymes with decking. | 0:07:34 | 0:07:38 | |
'The One Show's Matt Baker apologised | 0:07:38 | 0:07:40 | |
'at the end of the programme.' | 0:07:40 | 0:07:42 | |
Sorry, folks, again if you were offended by whatever | 0:07:42 | 0:07:45 | |
Mrs Brown said this evening. Yes, it was terrible. | 0:07:45 | 0:07:48 | |
As expected there were complaints from those who felt it wrong | 0:07:48 | 0:07:50 | |
for family time viewing. | 0:07:50 | 0:07:53 | |
But there were also complaints from those who said that | 0:07:53 | 0:07:55 | |
the apology at the end of the programme was totally unnecessary. | 0:07:55 | 0:08:00 | |
Now, this raises the whole issue of what is and isn't acceptable | 0:08:06 | 0:08:10 | |
for broadcast before the watershed. | 0:08:10 | 0:08:12 | |
If a word is seen as a swearword by some and not by others, | 0:08:12 | 0:08:16 | |
should it still be banned? | 0:08:16 | 0:08:18 | |
There is actually a whole department in this building which wrestles | 0:08:18 | 0:08:21 | |
with these issues of taste and decency | 0:08:21 | 0:08:24 | |
and so we put the Mrs Brown quandary to the boss in charge. | 0:08:24 | 0:08:27 | |
The One Show was right in these circumstances to take | 0:08:27 | 0:08:30 | |
the action that they did. | 0:08:30 | 0:08:32 | |
The strongest language isn't allowed before the watershed at 9pm. | 0:08:32 | 0:08:36 | |
Programmes before the watershed are designed for a family audience | 0:08:36 | 0:08:39 | |
when all the family can watch, including children | 0:08:39 | 0:08:42 | |
and words that sound exactly the same as the strongest language | 0:08:42 | 0:08:46 | |
shouldn't be allowed as substitutes. If there are strong words | 0:08:46 | 0:08:49 | |
used in those circumstances they should be bleeped out, | 0:08:49 | 0:08:52 | |
they shouldn't be audible | 0:08:52 | 0:08:53 | |
and nor should words that sound exactly the same be audible. | 0:08:53 | 0:08:56 | |
So I think in the circumstances that arose with a performer who obviously | 0:08:56 | 0:09:01 | |
in other circumstances is perfectly entitled to use those | 0:09:01 | 0:09:04 | |
kinds of words, I think The One Show did the right thing in saying | 0:09:04 | 0:09:07 | |
we don't approve of that and we're sorry if it caused any offence. | 0:09:07 | 0:09:12 | |
I'm really, really sorry. Will you stop apologising, Mrs Brown? | 0:09:12 | 0:09:16 | |
It was an accident. | 0:09:16 | 0:09:18 | |
No doubt about the need for a post-watershed airing | 0:09:18 | 0:09:20 | |
for our next programme. | 0:09:20 | 0:09:22 | |
Murdered By My Boyfriend was a drama on BBC Three about the true | 0:09:22 | 0:09:27 | |
and tragic death of a young woman at the hands of her violent boyfriend. | 0:09:27 | 0:09:32 | |
This is the end of my story. | 0:09:34 | 0:09:36 | |
The journey here was not straightforward. | 0:09:38 | 0:09:40 | |
It began when I fell in love | 0:09:42 | 0:09:45 | |
and the only future I could imagine was happy. | 0:09:45 | 0:09:48 | |
I held on to that dream for as long as I could. | 0:09:49 | 0:09:52 | |
Until my broken body and beaten heart were forced to let go. | 0:09:52 | 0:09:57 | |
I've just watched Murdered By My Boyfriend on BBC Three, | 0:09:59 | 0:10:02 | |
showing that domestic abuse can happen to anybody at any age. | 0:10:02 | 0:10:07 | |
There were fantastic performances by the two leads | 0:10:07 | 0:10:10 | |
and well done to the BBC for showing a controversial subject matter. | 0:10:10 | 0:10:14 | |
Powerful drama with a lasting impact on BBC Three. | 0:10:26 | 0:10:31 | |
A fish out of water next, and the series A Cabbie Abroad, | 0:10:31 | 0:10:35 | |
which has London taxi driver Mason McQueen accept the challenge | 0:10:35 | 0:10:39 | |
to drive a taxi in three very different cities around the world. | 0:10:39 | 0:10:44 | |
And in this week's first episode | 0:10:44 | 0:10:46 | |
the plucky cockney tried to hack it as a Cambodian tuk-tuk driver. | 0:10:46 | 0:10:52 | |
You have got to keep your eyes open here | 0:10:52 | 0:10:55 | |
otherwise you ain't going to make it! | 0:10:55 | 0:10:57 | |
Really enjoyed watching Mason in Cambodia on A Cabbie Abroad. | 0:11:01 | 0:11:05 | |
He was so respectful to his Cambodian hosts | 0:11:05 | 0:11:08 | |
and to the culture of the Cambodian people in general. | 0:11:08 | 0:11:11 | |
He was funny to watch, he was emotional and he was a natural. | 0:11:11 | 0:11:15 | |
I'll definitely be watching the rest of the series. | 0:11:15 | 0:11:18 | |
In the late 19th century, | 0:11:28 | 0:11:29 | |
the doors to shops across the country were flung open | 0:11:29 | 0:11:33 | |
and thousands of single women, including self-supporting | 0:11:33 | 0:11:36 | |
middle-class women, poured in looking for work. | 0:11:36 | 0:11:39 | |
Praise too for another new documentary series on BBC Two, | 0:11:39 | 0:11:43 | |
with Dr Pamela Cox charting the history of shop assistants | 0:11:43 | 0:11:47 | |
from Victorian times to the present. | 0:11:47 | 0:11:51 | |
The floorwalkers, department heads | 0:11:51 | 0:11:53 | |
and supervisors are all visible on the modern shop floor. | 0:11:53 | 0:11:57 | |
The main difference then was that almost exclusively | 0:11:57 | 0:12:01 | |
it was men who took those roles. | 0:12:01 | 0:12:04 | |
Shopgirls could work as counter staff, cashiers, clerks, | 0:12:04 | 0:12:07 | |
packers and sewing hands. | 0:12:07 | 0:12:08 | |
Some could rise to become head of department but there | 0:12:08 | 0:12:12 | |
was no doubt that, in rank and pay, most were at the bottom of the heap. | 0:12:12 | 0:12:16 | |
Football to tennis, Formula 1, we had it all last week. | 0:12:26 | 0:12:30 | |
Then a breath of fresh air. | 0:12:30 | 0:12:32 | |
Shopgirls with Dr Pamela Cox shown last Tuesday. | 0:12:32 | 0:12:35 | |
An excellent piece of social history and very well presented. | 0:12:35 | 0:12:39 | |
A long-passed relative was an early shop girl and this programme | 0:12:40 | 0:12:44 | |
shed some light into what life must've been like for her. | 0:12:44 | 0:12:48 | |
Thank you and well done. | 0:12:48 | 0:12:50 | |
And thanks to all of you who sent your comments this week. | 0:12:50 | 0:12:54 | |
This is actually the last programme in the series | 0:12:54 | 0:12:56 | |
before we take our summer break. | 0:12:56 | 0:12:58 | |
We are back on the air in September, | 0:12:58 | 0:13:00 | |
so do continue sending us your thoughts | 0:13:00 | 0:13:03 | |
on all the TV you're watching, whether you love it or you hate it. | 0:13:03 | 0:13:06 | |
And here's how you do that. | 0:13:06 | 0:13:08 | |
You can write to us at... | 0:13:08 | 0:13:10 | |
Or call our phone line | 0:13:16 | 0:13:18 | |
and the number is charged as a local rate call | 0:13:18 | 0:13:20 | |
from any landline and it is... | 0:13:20 | 0:13:21 | |
There's always the very lively message board | 0:13:25 | 0:13:27 | |
open throughout the summer. | 0:13:27 | 0:13:29 | |
And you can e-mail us... | 0:13:31 | 0:13:32 | |
Oh, don't forget we're also on Twitter, that's @bbcpov. | 0:13:35 | 0:13:39 | |
So we will keep an eye across all of the TV while we're off air. | 0:13:39 | 0:13:43 | |
I'm sure you will too. | 0:13:43 | 0:13:44 | |
Thanks for watching this series, see you in September. | 0:13:44 | 0:13:47 | |
Goodbye. | 0:13:47 | 0:13:49 | |
Monty Python have been announcing more dates | 0:13:56 | 0:13:58 | |
for their reunion show in London. | 0:13:58 | 0:14:00 | |
They're so wonderfully blase, I love it. | 0:14:00 | 0:14:02 | |
How are you preparing yourself? Staying up late, drinking a lot. | 0:14:02 | 0:14:06 | |
Oh, sketches that I'm excited about doing? Hmm, none. | 0:14:06 | 0:14:10 | |
After a few nights of that, I can go home and get through | 0:14:10 | 0:14:13 | |
the rest of my life. The last time they performed was in 1980. | 0:14:13 | 0:14:16 | |
We might all die by the end of it, or enjoy it. | 0:14:16 | 0:14:19 |