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and an exclusive look behind the scenes of EastEnders' costume department. | 0:00:06 | 0:00:11 | |
Welcome to Points Of View. | 0:00:11 | 0:00:13 | |
Good afternoon. This is the programme where we air your views | 0:00:23 | 0:00:27 | |
on what you've been watching on TV. | 0:00:27 | 0:00:29 | |
And if you've been watching at all this week, it is highly likely | 0:00:29 | 0:00:33 | |
that at least some of it has been football. | 0:00:33 | 0:00:35 | |
Lots of compliments for the coverage, | 0:00:35 | 0:00:38 | |
but some people questioning the size of the BBC team out in Rio. | 0:00:38 | 0:00:43 | |
God alone knows how many people are ensconced in Brazil, | 0:00:43 | 0:00:47 | |
and at what cost. | 0:00:47 | 0:00:49 | |
Does anybody really believe that, | 0:00:49 | 0:00:52 | |
for every single match on television now, | 0:00:52 | 0:00:58 | |
And another two commentating on the match? | 0:00:58 | 0:01:01 | |
I mean, the performances of these so-called pundits on screen, | 0:01:01 | 0:01:08 | |
to reinstate the depleted Amazon rainforest that sits so close by. | 0:01:08 | 0:01:12 | |
I would like to know why, in this day and age, | 0:01:12 | 0:01:14 | |
we have to send so many commentators to these events | 0:01:14 | 0:01:18 | |
when we have satellites. | 0:01:18 | 0:01:19 | |
The cost to the licence-payer must be enormous. | 0:01:19 | 0:01:23 | |
I cannot see why they cannot commentate | 0:01:23 | 0:01:28 | |
OK, so here are the figures. | 0:01:28 | 0:01:30 | |
There are 272 BBC staff out there. | 0:01:30 | 0:01:37 | |
more than 200 hours on radio, | 0:01:37 | 0:01:40 | |
and they'll service online output | 0:01:40 | 0:01:42 | |
that's bigger than anything that's been done for the World Cup before. | 0:01:42 | 0:01:46 | |
I'm sensing you're still not convinced. | 0:01:46 | 0:01:48 | |
Here is the Sports Department's take. | 0:01:48 | 0:01:50 | |
And it isn't just the NUMBER of people out there in Rio | 0:02:05 | 0:02:08 | |
that is winding some of you up, | 0:02:08 | 0:02:10 | |
it's the style of one of the commentators in particular. | 0:02:10 | 0:02:14 | |
Please tell me that Philip Neville | 0:02:14 | 0:02:15 | |
will not be commentating on any more matches. | 0:02:15 | 0:02:18 | |
His monotonous tone is driving us mad. He's so boring and bad at it. | 0:02:18 | 0:02:22 | |
Please substitute him. | 0:02:22 | 0:02:24 | |
I couldn't believe it. He was so bad. | 0:02:24 | 0:02:26 | |
I thought you'd sent us Dave from the Royle Family! | 0:02:26 | 0:02:29 | |
It was that bad I had to switch the television off | 0:02:29 | 0:02:32 | |
and listen to it on Radio 5 live. | 0:02:32 | 0:02:34 | |
What were you thinking of, when you had so many better people out there? | 0:02:34 | 0:02:39 | |
Unbelievable, BBC! | 0:02:39 | 0:02:40 | |
Motty must've been laughing himself down Copacabana Beach! | 0:02:40 | 0:02:44 | |
Now, because of the restrictions on sports rights, | 0:02:44 | 0:02:46 | |
we can't show you ACTUAL footage of the offending commentary | 0:02:46 | 0:02:50 | |
during that England-Italy match, | 0:02:50 | 0:02:53 | |
but we can let you hear some of what is being criticised. | 0:02:53 | 0:02:57 | |
England was looking for the counterattack. | 0:02:57 | 0:03:01 | |
Early on. | 0:03:01 | 0:03:02 | |
It's over on that left-hand side. | 0:03:02 | 0:03:04 | |
Leighton Baines is talking to Wayne Rooney... | 0:03:04 | 0:03:07 | |
Spare a thought for poor Phil Neville. | 0:03:07 | 0:03:10 | |
He has really come under attack on this one. | 0:03:10 | 0:03:12 | |
There have been more than 600 complaints to the BBC | 0:03:12 | 0:03:15 | |
and he's had to endure a tirade of abuse on Twitter. | 0:03:15 | 0:03:20 | |
I loved social media till about 24 hours ago! | 0:03:20 | 0:03:22 | |
ALL LAUGH | 0:03:22 | 0:03:25 | |
For his part, Neville has said he will learn from the criticism, | 0:03:25 | 0:03:28 | |
and the BBC told us they remain committed | 0:03:28 | 0:03:31 | |
to using him throughout the tournament. | 0:03:31 | 0:03:33 | |
And he thought being a footballer was pressured! | 0:03:33 | 0:03:37 | |
This is a unique and intimate look at the growing pains | 0:03:38 | 0:03:41 | |
of the most important captive tiger cubs on Earth. | 0:03:41 | 0:03:45 | |
BBC Two's new three-part series Tigers About The House | 0:03:47 | 0:03:51 | |
delighted many with its ever-so-cute | 0:03:51 | 0:03:55 | |
and highly endangered Sumatran tiger cubs. | 0:03:55 | 0:03:59 | |
Such a joy to watch! I couldn't wait for episode two and three | 0:03:59 | 0:04:05 | |
to see these little tiger cubs being born | 0:04:05 | 0:04:08 | |
and then, to be able to follow their lives | 0:04:08 | 0:04:11 | |
through the next six months was absolutely magnificent. | 0:04:11 | 0:04:16 | |
But quite a few of you questioning the keeper's decision | 0:04:16 | 0:04:19 | |
to remove the newborn cubs from their mother and hand-rear them. | 0:04:19 | 0:04:23 | |
They're going to take Kaitlyn for one of her daily walks | 0:04:23 | 0:04:26 | |
so she isn't there when the cubs leave. | 0:04:26 | 0:04:30 | |
Let's get you out of here. | 0:04:30 | 0:04:31 | |
And then we'll talk to you when we get home, eh? | 0:04:31 | 0:04:33 | |
So, was it fair to remove those cubs? | 0:04:44 | 0:04:46 | |
Here's how keeper Giles Clark defended the decision | 0:04:46 | 0:04:49 | |
in the programme. | 0:04:49 | 0:04:51 | |
The fact that we hand-rear these guys, | 0:04:51 | 0:04:53 | |
they're going to be much, much better adjusted animals | 0:04:53 | 0:04:56 | |
and, ultimately, much more suitable for a life in captivity. | 0:04:56 | 0:04:59 | |
OK. A tiger of a different kind now - Jeremy Paxman - | 0:05:01 | 0:05:05 | |
and his last ever appearance in the Newsnight chair, | 0:05:05 | 0:05:08 | |
which was this week. | 0:05:08 | 0:05:10 | |
Well, that's it. In the tradition of deranged news anchors, | 0:05:10 | 0:05:13 | |
I ought to ask you all to go to your windows, throw them up and scream, | 0:05:13 | 0:05:17 | |
"I'm mad as hell, and I'm not going to take it any more!" | 0:05:17 | 0:05:19 | |
But this is England, so I'll just say, | 0:05:19 | 0:05:21 | |
thank you for watching Newsnight. I hope you continue to enjoy it. | 0:05:21 | 0:05:25 | |
Good night, and goodbye. | 0:05:25 | 0:05:27 | |
One thing I believe many will miss | 0:05:33 | 0:05:35 | |
is his distinctive way of questioning. | 0:05:35 | 0:05:37 | |
He managed to be persistent in questioning | 0:05:37 | 0:05:39 | |
until a convincing answer was given out. | 0:05:39 | 0:05:42 | |
Yet, he managed to show his sense of humour. | 0:05:42 | 0:05:45 | |
# You see the trouble with me... # | 0:05:45 | 0:05:46 | |
Can you assure us there will be no VAT on food, children's clothes, | 0:05:46 | 0:05:49 | |
transport, newspapers, anything? | 0:05:49 | 0:05:51 | |
Do you ever wonder whether you're up to the job? | 0:05:51 | 0:05:53 | |
Is the present policy the right policy? | 0:05:53 | 0:05:55 | |
Oh, Jeremy, do stop this nonsense! | 0:05:55 | 0:05:57 | |
Did you threaten to overrule him? | 0:05:57 | 0:05:58 | |
I was not entitled to instruct Derek Lewis | 0:05:58 | 0:06:02 | |
and I did not instruct him. Did you threaten to overrule him? | 0:06:02 | 0:06:05 | |
If you ask that question again, I'm going, I warn you now. | 0:06:05 | 0:06:08 | |
With respect, you haven't answered the question | 0:06:08 | 0:06:10 | |
of whether you threatened to overrule him. | 0:06:10 | 0:06:12 | |
Crikey! Well done! Well done! You're doing good! | 0:06:12 | 0:06:15 | |
Boris, this is death! Don't give up! | 0:06:15 | 0:06:17 | |
Jeremy Paxman, doubtless feeling uncomfortable with all this praise. | 0:06:20 | 0:06:24 | |
Gone from Newsnight, but, I suspect, not for ever, from our screens. | 0:06:24 | 0:06:29 | |
Now, the popular soap opera EastEnders next. | 0:06:29 | 0:06:31 | |
We were invited by the EastEnders costume department | 0:06:31 | 0:06:35 | |
to take a look around and to see just how complicated it is | 0:06:35 | 0:06:39 | |
to get everyone in the right clothes at the right times! | 0:06:39 | 0:06:43 | |
So, watch out for our special preview here | 0:06:43 | 0:06:46 | |
for some out-of-character dressing up | 0:06:46 | 0:06:48 | |
that is planned for Tuesday's episode. | 0:06:48 | 0:06:52 | |
MUSIC: Theme From EastEnders | 0:06:52 | 0:06:54 | |
Hi, I'm Di. And I'm Claire. | 0:06:57 | 0:06:59 | |
And welcome, Points Of View, to an exclusive look | 0:06:59 | 0:07:01 | |
around Albert Square, Walford. | 0:07:01 | 0:07:04 | |
We are coming to a couple of sets that are completely new, | 0:07:05 | 0:07:08 | |
but I think have already been on screen. We've got Albert's, | 0:07:08 | 0:07:11 | |
The Albert here, run by Sharon. | 0:07:11 | 0:07:13 | |
And it's actually really beautiful inside, that. | 0:07:13 | 0:07:16 | |
It's got a little balcony on top which is very Hoxton. | 0:07:16 | 0:07:18 | |
Very east London. | 0:07:18 | 0:07:20 | |
You keep running off! | 0:07:20 | 0:07:22 | |
This is Beales. This is Ian's new restaurant. Fine stuff. | 0:07:22 | 0:07:26 | |
You can get a good burger in there. | 0:07:26 | 0:07:29 | |
There you go, Sharon. One deluxe with avocado, but no bacon. | 0:07:29 | 0:07:32 | |
Here we are at Walford East station. | 0:07:32 | 0:07:34 | |
And this is the point where there have been many road traffic accidents. | 0:07:34 | 0:07:38 | |
Most recently, David was run over by Janine. | 0:07:38 | 0:07:41 | |
TYRES SCREECH | 0:07:41 | 0:07:42 | |
And of course, we lost Jamie there and Danielle. | 0:07:42 | 0:07:46 | |
And the thing is, we are on a set, | 0:07:46 | 0:07:47 | |
and the attention to detail is amazing. | 0:07:47 | 0:07:49 | |
Even the posters, every little bit. | 0:07:49 | 0:07:52 | |
My mum was right about you, Kat. | 0:07:52 | 0:07:54 | |
You are a selfish, lying little cow! | 0:07:54 | 0:07:56 | |
And you come back here like nothing's happened! | 0:07:56 | 0:07:58 | |
This is Bianca's new puffer jacket. | 0:07:58 | 0:08:00 | |
She got it for Christmas, because she did have a silver one, | 0:08:00 | 0:08:03 | |
but we got her a new one for Christmas | 0:08:03 | 0:08:05 | |
just to keep the fashionistas on their toes. | 0:08:05 | 0:08:07 | |
And then, I've got here the Holy Grail of costume accessory - | 0:08:07 | 0:08:10 | |
Pat Butcher's earrings. | 0:08:10 | 0:08:12 | |
So, it's my fault, is it? | 0:08:12 | 0:08:14 | |
I'd never blame a lady. I ain't no lady. | 0:08:14 | 0:08:18 | |
These are my favourites. They go with my outfit! | 0:08:18 | 0:08:22 | |
We've got 40 regular artists, plus SAs... | 0:08:22 | 0:08:25 | |
"Supporting artists". Children. | 0:08:25 | 0:08:28 | |
And visiting cast members. Like teachers, solicitors... Policemen... | 0:08:28 | 0:08:32 | |
And every one of those people need a costume. | 0:08:32 | 0:08:35 | |
So, you can see, just by looking in this room, | 0:08:35 | 0:08:38 | |
that we have an enormous amount of work to do. | 0:08:38 | 0:08:40 | |
EastEnders is so fast, we get the scripts, and then, | 0:08:40 | 0:08:44 | |
we have to have the clothes, usually within about five days. | 0:08:44 | 0:08:47 | |
'And there's such a pressure that you've got to get it quickly, | 0:08:47 | 0:08:51 | |
'and it's got to look good. | 0:08:51 | 0:08:53 | |
'If you imagine going out shopping for a wedding for one person.' | 0:08:53 | 0:08:56 | |
Well, we shop for 40 people for a wedding, sometimes, in EastEnders. | 0:08:56 | 0:09:00 | |
And they each have character clothing. | 0:09:00 | 0:09:03 | |
So, sometimes YOU can't find that dress you need. | 0:09:03 | 0:09:06 | |
We have that 40 times over! | 0:09:06 | 0:09:08 | |
There you go, darling! You'll be the belle of the ball in that! | 0:09:13 | 0:09:16 | |
'We've got a scene coming up this week in EastEnders | 0:09:16 | 0:09:19 | |
'where Alfie and Terry wanted to make more money on a market stall, | 0:09:19 | 0:09:24 | |
'so they have this idea of dressing up as women.' | 0:09:24 | 0:09:27 | |
So, we had to get two men into ladies' clothes that fit them. | 0:09:27 | 0:09:31 | |
And then, we had to get a dress that we could get lots of, | 0:09:31 | 0:09:33 | |
'so it looked like they were selling them, as well.' | 0:09:33 | 0:09:35 | |
Were you bullied at school? | 0:09:35 | 0:09:37 | |
'Both the actors were very happy in those particular costumes! | 0:09:37 | 0:09:40 | |
'They looked absolutely great | 0:09:40 | 0:09:41 | |
'and they really entered into the spirit of it and wore long wigs | 0:09:41 | 0:09:44 | |
'and they really entered into the spirit of it and wore long wigs | 0:09:45 | 0:09:46 | |
'and they looked very funny.' | 0:09:46 | 0:09:48 | |
We know that you on Points Of View like to pick us up | 0:09:48 | 0:09:50 | |
on continuity mistakes, but we work really hard! | 0:09:50 | 0:09:53 | |
There's not that many though. There aren't many... | 0:09:53 | 0:09:57 | |
Ever, right? ..in Costume! | 0:09:57 | 0:09:59 | |
But, we work really hard, and if you realise how much filming goes on | 0:09:59 | 0:10:02 | |
and how many episodes are being filmed together... | 0:10:02 | 0:10:06 | |
'When somebody walks into the Vic, | 0:10:06 | 0:10:07 | |
'that scene might be filmed two weeks after the scene | 0:10:07 | 0:10:10 | |
'we've shot outside. So, that's how difficult it is.' | 0:10:10 | 0:10:14 | |
Every scene they do, we take a picture of the character | 0:10:14 | 0:10:17 | |
and what they're wearing. | 0:10:17 | 0:10:18 | |
And we take notes, too. So, we're trying, Points Of View! | 0:10:18 | 0:10:23 | |
BOTH CHUCKLE | 0:10:23 | 0:10:25 | |
You can see more from behind the scenes at EastEnders | 0:10:27 | 0:10:30 | |
on our programme page. | 0:10:30 | 0:10:32 | |
And a truly British affair last Saturday | 0:10:32 | 0:10:34 | |
with live coverage of the annual Trooping The Colour ceremony, | 0:10:34 | 0:10:38 | |
and the pomp and ritual of the occasion pleasing many viewers. | 0:10:38 | 0:10:43 | |
But some, who were relying on the subtitles to understand the commentary, | 0:10:43 | 0:10:47 | |
were left thinking that they were watching some kind of comedy at times. | 0:10:47 | 0:10:51 | |
Yes, you read that right - "cabbages" instead of "carriages"! | 0:11:02 | 0:11:07 | |
And not once, but twice. | 0:11:07 | 0:11:10 | |
Well, Mollie Crisp, although it wasn't the intention, | 0:11:27 | 0:11:30 | |
we're happy to have made you laugh. | 0:11:30 | 0:11:32 | |
And the vegetable reference wasn't the only mistake spotted! | 0:11:32 | 0:11:35 | |
There's a more serious side to this. | 0:11:35 | 0:11:38 | |
We are constantly getting complaints about inaccuracies in the subtitling service | 0:11:38 | 0:11:43 | |
which frustrate those of you who rely on it. | 0:11:43 | 0:11:49 | |
a new piece of kit would be run out soon | 0:11:49 | 0:11:51 | |
which would help improve things. | 0:11:51 | 0:11:53 | |
Now, that is apparently still being worked on. | 0:11:53 | 0:11:55 | |
This time around, they simply told us their skilled subtitlers | 0:11:55 | 0:11:59 | |
work hard to achieve high levels of accuracy during live coverage. | 0:11:59 | 0:12:04 | |
But the boss did also give us this apology. | 0:12:04 | 0:12:18 | |
or anything else on the BBC, here is how you can get yourself heard. | 0:12:18 | 0:12:22 | |
You can do so by writing to us. | 0:12:22 | 0:12:29 | |
Or you can call our phone line - | 0:12:31 | 0:12:33 | |
and the number is charged as a local-rate call from any landline. | 0:12:33 | 0:12:37 | |
And there's always the message board. It gets lively there! | 0:12:41 | 0:12:47 | |
Or e-mail us. | 0:12:47 | 0:12:50 | |
And don't forget, we're on Twitter, too, which is @bbcpov. | 0:12:50 | 0:12:55 | |
Next week is the last in the series before our summer break. | 0:12:55 | 0:12:58 | |
But before we go this week, | 0:12:58 | 0:13:00 | |
some of you complaining that Huw Edwards spoiled your enjoyment | 0:13:00 | 0:13:04 | |
of the fly-past at this year's Trooping The Colour. | 0:13:04 | 0:13:08 | |
Kevin Bowdery sums up the feeling of quite a few. | 0:13:08 | 0:13:12 | |
Everyone knows about that roar! | 0:13:12 | 0:13:14 | |
Even the pilots that were interviewed beforehand | 0:13:14 | 0:13:17 | |
said the noise sent a shiver up their spine, | 0:13:17 | 0:13:19 | |
it gives them goose bumps! | 0:13:19 | 0:13:20 | |
And yet, all I could hear was Huw Edwards' chattering! | 0:13:20 | 0:13:23 | |
Please, he should have kept quiet. Even for five seconds. | 0:13:23 | 0:13:26 | |
So, for you, Kevin, | 0:13:26 | 0:13:28 | |
and all the others who wanted to appreciate the sound | 0:13:28 | 0:13:31 | |
of these magnificent flying machines, | 0:13:31 | 0:13:33 | |
without the added commentary, here it is. | 0:13:33 | 0:13:36 | |
Until next week, goodbye. | 0:13:36 | 0:13:38 | |
THUNDEROUS ENGINE ROAR | 0:13:38 | 0:13:40 | |
# I don't want you to leave Will you hold my hand? # | 0:13:56 | 0:13:58 | |
Everything's going to be fine. | 0:13:58 | 0:14:00 | |
# Oh, won't you stay with me? # | 0:14:00 | 0:14:03 | |
Help! | 0:14:03 | 0:14:05 | |
# Cos you're all I need... # | 0:14:06 | 0:14:08 | |
I just wanted to do something right. | 0:14:08 | 0:14:10 | |
Casualty, a two-part special. | 0:14:10 | 0:14:12 |