Episode 5 Points of View


Episode 5

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POINTS OF VIEW FKA R168J/01 BRD000000

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Chelsea without Titchmarsh, MasterChef music choices,

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and Paxman's awkward question.

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Just some of the issues that have got you talking this week.

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Welcome to Points Of View.

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Good afternoon. The annual Chelsea Flower Show returned this week

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with all the usual colour and excitement.

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But this year, one hardy annual has been missing.

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After three decades broadcasting from the show, Alan Titchmarsh

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has been replaced by fellow gardening presenter Monty Don.

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What on earth possessed you to replace an articulate, accomplished

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and personable presenter, like Adam Titchmarsh, with Monty Don?

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A nice enough bloke, I'm sure, but he seemed completely

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out of his depth and uncomfortable in almost every situation.

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Well done, BBC, for your coverage of the Chelsea Flower Show.

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However, I do feel that Monty Don was out of his depth

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as an interviewer.

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Not to mention how shabbily he was dressed.

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As the Chelsea Flower Show was in London,

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it was a shame that no-one from the BBC could take him

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down to Savile Row and buy him a decent suit, shirt and tie.

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We joined the queue outside the show to get

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the reaction of the Chelsea set.

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We asked them the all-important question. Who is your favourite?

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Monty or Alan?

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My favourite is Alan.

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My favourite's Monty.

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I prefer Alan Titchmarsh because I followed him all through

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Gardeners' World, and he was my first endeavour into the gardening world.

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It's a small garden. Most of us are faced with tiny plots.

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And this one's only 15 feet wide.

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I actually prefer Monty.

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I like the gritty way he gets down to do things in the garden.

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He's a firm favourite of mine.

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Now, I just use the side of my hand to make a furrow.

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-Alan.

-It's got to be Alan.

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Definitely Alan.

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And, in my view, we've come to trust him because of his very deep

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knowledge of not just horticulture, which Monty has,

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but also his deep knowledge of the Chelsea Flower Show.

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-Alan?

-Welcome to my beach hut.

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I think the way Alan's presented the show over the years is unique.

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When I started watching this year, it really did feel different.

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It felt like something was missing.

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Good evening. It's been a day of high excitement

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and anticipation here at RHS Chelsea Flower Show.

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I'm an absolutely huge fan of Monty Don.

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I'm really, really glad that he's now the presenter

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of the Chelsea Flower Show.

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He brings his passion and he describes things in a way

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that even simple things

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you suddenly realise, "If only I'd done it like that."

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I'll tell you what, I'm going to take some clothes off.

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To be honest, I would have to do this and stand between them

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and say, I love them both!

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A mixed reaction from the green-fingered fans, then.

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For his part, Alan Titchmarsh is on the record as saying that

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the BBC had made him an offer he COULD refuse.

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So, did the powers that be put him out to seed?

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Here is a statement from headquarters.

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Our MasterChef champion...

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..is Ping.

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MUSIC: "I'm Every Woman" by Chaka Khan

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Ping Coombes is crowned MasterChef Champion 2014,

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her East Asian dishes proving a very popular choice.

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But we wish we could say the same for the music,

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chosen by the production team.

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# I'm every woman

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# It's all in me... #

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I've just finished watching the final episodes of MasterChef.

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What a brilliant series!

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The highs, the lows, the whole piece in Barcelona,

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the three fabulous contestants,

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culminating in a thrilling win for Ping.

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Why, oh, why, oh, why did we end up then having to listen to

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Chaka Khan's I'm Every Woman played over the last part?

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It really ruined a quite brilliant series.

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And it wasn't just MasterChef being accused of sexism this week.

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The former Italian Prime Minister faced his own accusations

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from Newsnight's Jeremy Paxman on Tuesday night.

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Do have a particular problem with Angela Merkel?

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Is it true you called her...

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Now, for reasons of taste and decency and,

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given the hour of the day, I will paraphrase for you here.

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The question posed asked

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if Mr Berlusconi had called the German Prime Minister

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an unalluring woman with a posterior made of pork fat.

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-TRANSLATION:

-No, I have never had any problems with Angela Merkel.

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In 20 years of politics, I've never insulted anyone.

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And this has been made up by someone who wanted to turn

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Angela against me.

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Silvio Berlusconi denying that he would ever have said such

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a thing about his then European counterpart.

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Although the remark was very cruel, many of you believed Paxman

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was right to have put it direct to his interviewee.

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It comes down to the intent and purpose of him doing so.

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Was it out to intimidate or abuse Berlusconi or Merkel?

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No, it was to get across a point of what was actually said.

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And what was actually meant by it from Berlusconi's perspective.

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All too often, we shy away from using terminology because somebody

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finds it offensive and we cannot go on as a society in that way.

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Still causing trouble after all these years, the great Paxo.

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Now, moving on.

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A couple of weeks ago, you may remember viewer Rich Bishop

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called on the BBC to step out of the ratings war.

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Isn't it time the BBC stopped spending

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so much of the licence fee payers' money only entertaining

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the mainstream and chasing the ratings and, instead,

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spent more of it informing and educating the wider British public?

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Well, this week, two industry professionals tell us

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why ratings do, and should, matter at the BBC.

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Ratings are the currency for broadcasters,

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so they are absolutely vitally important.

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At around about 9:33am,

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the ratings come through, and everybody has a look at them.

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The viewing figures we produce every day are vital.

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Firstly, for broadcasters so that they can be reassured

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that they're investing in the right programming.

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And, secondly, for the commercial broadcasters, they need to be

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able to set the right rates for the cost of advertising.

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The BBC has always chased ratings.

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Always has done, always will, because they want to demonstrate value

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and range for the licence fee payer.

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So, it's important for the BBC to get audiences to programmes

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such as Panorama, Strictly Come Dancing, EastEnders,

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via Call The Midwife and Imagine, for range and value across all genres

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for the licence fee payer.

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We know that there's a lot of interest in the numbers

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we produce, particularly when you have a show such as The X Factor

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up against Strictly Come Dancing in the Saturday evening ratings battle.

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The ratings battle between ITV and BBC One, especially, is very fierce.

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They're the two biggest broadcasters.

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And when you're at ITV, as I was,

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what you care about more than anything is what BBC One are up to.

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And when I was at BBC, which I was beforehand,

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you care more than anything about what ITV are up to.

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It's the two biggest channels slugging it out

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for the biggest ratings share.

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It's so good tonight.

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And it's highly competitive, and it generates good ideas

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and good programming because each one wants to beat the other.

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Now, did you see this?

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The story of how polio was beaten, which was told

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in Stephanie Flanders' very personal account on Monday night.

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I know about polio because my own dad

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caught the disease in the Navy during the war.

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Polio put him in a wheelchair from the age of 21.

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The former BBC economics editor's troubling memories

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of the impact of the disease being shared by some.

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It was Michael Flanders' presence in the early stages

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of the battle to beat polio which initially drew me in.

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But, after that, I was hooked.

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His daughter's presentation style is extremely natural and relaxed,

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and the programme was, as a result, absolutely captivating.

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It would have been very easy for her to turn it into

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an overly personal documentary.

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But, instead, it was handled with tact and with care.

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It was compelling, fascinating, and, occasionally,

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absolutely heartbreaking.

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And praise, too, for BBC Two's very raw drama about the final days

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of the Welsh poet Dylan Thomas.

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Oh, Caitlin, Cat, my beautiful, my love. What am I doing here?

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I don't want to be in this nightmare any more where no-one understands me

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but everyone wants to bite little bits off me and swallow them.

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I want to be home in Laugharne and live quietly with you and Colm.

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Tom Hollander - yup, that's him off Rev - starred as Dylan Thomas.

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A story, a sad portrayal of the great poet's demise.

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Tom Hollander gave an absolutely cracking performance as

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Dylan Thomas in A Poet In New York.

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It seemed he didn't use imitation or mimicry, but he became Dylan Thomas.

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It's like he embodied the essence of Thomas. And it was amazing.

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And the way he read his works I thought were absolutely fantastic.

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Brilliant. An award-winning performance, in my book. Absolutely.

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Next, not so much art lovers but art collectors.

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In fact, collectors of anything that'll make a few quid.

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It's the start of the new series called Del Boys And Dealers.

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All over Britain, a unique breed of entrepreneur is on the make.

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It's just become 100 years old, so it's just become an antique.

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The flames are beautiful. This will be so easy to sell.

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For these real-life Del Boys, everything and anything is for sale.

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Lot 53. Two bags of various biscuits -

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Jaffa Cakes, etc - and a box of Nurofen.

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Three more of these in the series to come.

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Let's see if our real-life Trotters do make their fortune after all.

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Now, next up, pronunciation.

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Always a real bugbear here at Points Of View, as you know.

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This week, not one but two presenters

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apparently missing the mark.

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They're great on the barbecues, these aw-bergines.

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This has got the aw-bergines. The smoked aw-bergines are very simple.

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The Obella family have just started growing these...

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aw-bergines.

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This is aw-bergine that you're preparing.

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But aw-bergines are close to the Italian heart.

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Countryfile's Matt Baker and James Martin from Saturday Kitchen

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incorrectly pronouncing "aubergine",

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which is oh-ber-gine, or even oh-ber-jean,

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but never aw-ber-jean, according to our official sources.

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Don't get started on whether it's a fruit or a vegetable.

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That will surely open the floodgates.

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Thanks for all your comments this week.

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If you'd like to have your view aired, we made getting

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your own personal video on TV a lot easier.

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From now on, you'll be able to click the link on our programme page

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and record a short message using the camera on your phone or tablet,

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or a webcam on your computer, and have it sent to us directly

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There are full instructions on how to do this on the link.

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But we haven't done away with all the usual ways of getting in touch.

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You can do so by writing to us. Here is the address.

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You can call our phone line -

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the number is charged as a local-rate call from any landline.

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Or join the message boarders.

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There's always e-mail, too.

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Plus, there's Twitter...

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Before we go, many of you enjoying the celebrations of 50 years

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of comedy on BBC Two this weekend.

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Those celebrations continue tonight with Harry Enfield

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and Paul Whitehouse's irreverent, not always entirely accurate,

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look at the history of the channel.

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And we leave you with a sneak preview of that show.

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Until next week, goodbye.

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This cathedral of programme making brought joy to the great unwashed.

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-I like television, I like Bruce Forsyth.

-I like Doctor Who.

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I like Coronation Street.

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How different television looks today.

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-I like Bruce Forsyth.

-I like Doctor Who.

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I like Coronation Street.

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