Browse content similar to Episode 11. Check below for episodes and series from the same categories and more!
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After a summer saturated with sport | 0:00:03 | 0:00:05 | |
and, hopefully, sunshine where you are, we are back! | 0:00:05 | 0:00:07 | |
Welcome to the show where you tell the BBC's producers | 0:00:07 | 0:00:11 | |
exactly what you think of their work. | 0:00:11 | 0:00:13 | |
Welcome to your Points Of View. | 0:00:13 | 0:00:15 | |
After falling silent more than 30 years ago, | 0:00:26 | 0:00:28 | |
the tills of Grace Brothers were ringing once more last Sunday, | 0:00:28 | 0:00:32 | |
as BBC One resurrected Are You Being Served? | 0:00:32 | 0:00:35 | |
for a one-off special. | 0:00:35 | 0:00:37 | |
Staying true to the original, there were innuendos aplenty. | 0:00:37 | 0:00:41 | |
Centre Court, Wimbledon, 1977. | 0:00:42 | 0:00:45 | |
I thought all my birthdays had come at once | 0:00:45 | 0:00:47 | |
when I caught one of his balls. | 0:00:47 | 0:00:49 | |
Remakes can be risky, | 0:00:50 | 0:00:52 | |
but there was plenty of praise for the new cast | 0:00:52 | 0:00:55 | |
that stepped into the shoes of the sitcom's much-loved characters. | 0:00:55 | 0:00:59 | |
But while some of you were left yearning for more... | 0:01:20 | 0:01:23 | |
..this one had you split right down the middle, | 0:01:27 | 0:01:29 | |
with some feeling there was only one place for it - | 0:01:29 | 0:01:32 | |
the bargain bin. | 0:01:32 | 0:01:33 | |
Actually, that was on BBC Four on Thursday night, Cait. | 0:01:59 | 0:02:02 | |
Well, a remake of a lost episode, anyway. | 0:02:02 | 0:02:06 | |
Moving on... | 0:02:06 | 0:02:07 | |
it has featured appearances from Orlando Bloom and Kate Winslet, | 0:02:07 | 0:02:10 | |
and is officially the world's longest-running | 0:02:10 | 0:02:13 | |
prime-time medical drama series. | 0:02:13 | 0:02:15 | |
BBC One's Casualty celebrated its 30th anniversary last weekend | 0:02:15 | 0:02:19 | |
with a feature-length episode that saw the return of familiar faces | 0:02:19 | 0:02:23 | |
from the series' past, | 0:02:23 | 0:02:25 | |
and disaster strike on the doorstep of Holby City's A department. | 0:02:25 | 0:02:30 | |
What happened? She deteriorated in the scanner, | 0:02:30 | 0:02:33 | |
had a fit and vomited. | 0:02:33 | 0:02:34 | |
She's now in respiratory arrest. We need to get a tube down. | 0:02:34 | 0:02:37 | |
With the soundtrack provided by the BBC National Orchestra of Wales, | 0:02:37 | 0:02:41 | |
the special set some of your pulses racing. | 0:02:41 | 0:02:44 | |
I thought it was absolutely brilliant. | 0:02:54 | 0:02:56 | |
It was epic, the special effects was really, really good. | 0:02:56 | 0:02:59 | |
Well done, BBC One! | 0:02:59 | 0:03:01 | |
But others felt the episode suffered from | 0:03:01 | 0:03:04 | |
a script in dire need of some first aid. | 0:03:04 | 0:03:07 | |
Not that we're aware of. | 0:03:20 | 0:03:22 | |
Casualty continues its record-breaking run | 0:03:22 | 0:03:24 | |
on Saturday nights on BBC One. | 0:03:24 | 0:03:26 | |
Now, they say, if it ain't broke, don't fix it. | 0:03:26 | 0:03:29 | |
But two much-loved series on BBC Two | 0:03:29 | 0:03:31 | |
have recently made changes to their format, | 0:03:31 | 0:03:34 | |
and you aren't happy. | 0:03:34 | 0:03:35 | |
We visited two viewers who got in touch with us to find out more. | 0:03:35 | 0:03:38 | |
I've been watching Dragons' Den since about Season Two. | 0:03:40 | 0:03:43 | |
And I really enjoy watching the Dragons pick apart businesses | 0:03:43 | 0:03:47 | |
and work out whether they're worth investing in. | 0:03:47 | 0:03:49 | |
And what has it cost you? | 0:03:49 | 0:03:50 | |
Er, it... That's not something I'm happy to go on television. | 0:03:52 | 0:03:55 | |
I've been a regular viewer of Mastermind | 0:03:57 | 0:04:00 | |
for probably four decades, and always enjoy it. | 0:04:00 | 0:04:03 | |
And it's quite tense, | 0:04:03 | 0:04:07 | |
and I think it's the tension that you really enjoy. | 0:04:07 | 0:04:09 | |
Kelvin, Fahrenheit and Celsius are all scales for measuring what? | 0:04:09 | 0:04:13 | |
Temperature. Yep. | 0:04:13 | 0:04:14 | |
Dragons' Den this series has had a Reaction Room. | 0:04:14 | 0:04:16 | |
They have a family member or friend watching how the pitch is going | 0:04:16 | 0:04:20 | |
and making judgments. | 0:04:20 | 0:04:21 | |
I actually don't want to watch this, this is... No! Don't be a wimp! | 0:04:21 | 0:04:24 | |
The problem with the Reaction Room | 0:04:24 | 0:04:26 | |
is I'm not particularly interested in what | 0:04:26 | 0:04:28 | |
someone's best mate's uncle's friend has to think about this pitch. | 0:04:28 | 0:04:31 | |
I'm interested in what the investors think. | 0:04:31 | 0:04:33 | |
It turns it into a reality show, | 0:04:33 | 0:04:35 | |
and that therefore makes it less believable. | 0:04:35 | 0:04:37 | |
The show has changed recently. | 0:04:37 | 0:04:39 | |
At the end of each contestant's round, there's a countdown clock, | 0:04:39 | 0:04:43 | |
which indicates how much time is left. | 0:04:43 | 0:04:45 | |
And there's music playing over the top. | 0:04:45 | 0:04:48 | |
What does Bruce Anderson take from the house of his boss, | 0:04:48 | 0:04:50 | |
the surveyor Raeburn Todd, | 0:04:50 | 0:04:52 | |
shortly before the South Edinburgh Conservative Association ball? | 0:04:52 | 0:04:55 | |
Underpants. Yep. BEEP | 0:04:55 | 0:04:56 | |
The problem with the changes are that you lose the tension, | 0:04:56 | 0:05:02 | |
because you can now see how many seconds there are left. | 0:05:02 | 0:05:05 | |
When we first saw it, | 0:05:05 | 0:05:06 | |
both myself and my wife just looked at each other and said, | 0:05:06 | 0:05:09 | |
"What have they done? | 0:05:09 | 0:05:10 | |
"We don't... That's awful." | 0:05:10 | 0:05:12 | |
If I could say one thing to the producers of Dragons' Den, | 0:05:12 | 0:05:15 | |
I would say, "Stick to your roots, stick to the original format." | 0:05:15 | 0:05:18 | |
But if they continue going down the direction which they are going into, | 0:05:18 | 0:05:21 | |
I probably will find it less and less enjoyable | 0:05:21 | 0:05:23 | |
and I'll probably stop watching altogether. | 0:05:23 | 0:05:25 | |
If I had to say one thing to the producers of Mastermind, | 0:05:25 | 0:05:28 | |
it would be, "Leave it alone." | 0:05:28 | 0:05:30 | |
If it isn't broke, don't fix it. | 0:05:30 | 0:05:32 | |
Well, we put those views to the people in charge. | 0:05:34 | 0:05:37 | |
Here is what the executive producer of Mastermind had to say. | 0:05:37 | 0:05:40 | |
Sounds like those changes could be here to stay. | 0:05:56 | 0:05:58 | |
And on Dragons' Den? | 0:05:58 | 0:06:00 | |
One hit format, untouched so far, | 0:06:22 | 0:06:24 | |
returned to BBC One's screens recently, | 0:06:24 | 0:06:27 | |
with its opening episode garnering a larger audience | 0:06:27 | 0:06:30 | |
than the most-watched moment of the Rio Olympics. | 0:06:30 | 0:06:34 | |
Quite a feat. | 0:06:34 | 0:06:35 | |
The Great British Bake Off is back, | 0:06:36 | 0:06:39 | |
with a new batch of amateur bakers hoping to whip up perfect peaks | 0:06:39 | 0:06:43 | |
and concoct gorgeous glazes under the watchful eyes of Mary Berry | 0:06:43 | 0:06:47 | |
and Paul Hollywood. | 0:06:47 | 0:06:49 | |
That's Susan, my sister. Susan. | 0:06:49 | 0:06:51 | |
Spices coming through. | 0:06:54 | 0:06:55 | |
Little warming effect for the ginger. | 0:06:55 | 0:06:57 | |
And I think your sister tastes lovely. | 0:06:57 | 0:06:59 | |
Your sister's absolutely scrumptious. | 0:06:59 | 0:07:01 | |
She'll be very pleased to know that! | 0:07:01 | 0:07:03 | |
So far, the series seems to be rising to the occasion for you. | 0:07:03 | 0:07:06 | |
Though at least one of you thinks | 0:07:18 | 0:07:19 | |
maybe it's time to mix things up a bit. | 0:07:19 | 0:07:21 | |
There are another eight episodes to enjoy | 0:07:32 | 0:07:34 | |
before 2016's Bake Off champion is crowned. | 0:07:34 | 0:07:37 | |
Keep your thoughts coming. | 0:07:37 | 0:07:39 | |
But last year's GBBO winner has also been back on BBC One recently. | 0:07:39 | 0:07:44 | |
Two-part documentary The Chronicles of Nadiya | 0:07:44 | 0:07:47 | |
saw Nadiya saw Nadiya Hussain return to her family's homeland | 0:07:47 | 0:07:50 | |
of Bangladesh for the first time in a decade, | 0:07:50 | 0:07:54 | |
cooking for family and friends, | 0:07:54 | 0:07:56 | |
and exploring her cultural and culinary roots. | 0:07:56 | 0:07:59 | |
Coming to Bangladesh, or teaching my children about Bangladesh, | 0:08:10 | 0:08:12 | |
was never really that important to me. | 0:08:12 | 0:08:14 | |
But it feels important to me now. | 0:08:14 | 0:08:15 | |
You enjoy yourself? Yeah. Good. | 0:08:15 | 0:08:18 | |
The mix of food, culture, | 0:08:18 | 0:08:20 | |
and Nadiya's personality proved a winning recipe. | 0:08:20 | 0:08:23 | |
A marvellous mix of race, religion, food... | 0:08:37 | 0:08:40 | |
All mixed together to give us a very interesting programme. | 0:08:40 | 0:08:43 | |
You can catch both episodes of The Chronicles Of Nadiya | 0:08:43 | 0:08:47 | |
on the iPlayer now. | 0:08:47 | 0:08:48 | |
Staying on foreign shores, | 0:08:48 | 0:08:50 | |
BBC Two was serving up a slice of the Big Apple this week. | 0:08:50 | 0:08:54 | |
New York: America's Busiest City, | 0:08:54 | 0:08:56 | |
had Ade Adepitan, Anita Rani, Ant Anstead and Dan Snow jetting off | 0:08:56 | 0:09:01 | |
to discover the systems that keep the thriving metropolis functioning. | 0:09:01 | 0:09:05 | |
The first of three episodes on Tuesday | 0:09:05 | 0:09:07 | |
saw the team explore Grand Central Station. | 0:09:07 | 0:09:10 | |
How long did it take you to learn the timetable? | 0:09:10 | 0:09:13 | |
Well, it's not that long. | 0:09:13 | 0:09:14 | |
Not long. Not long. | 0:09:14 | 0:09:15 | |
Not long. Cos it's already... | 0:09:15 | 0:09:17 | |
Like, it's been in my head, | 0:09:17 | 0:09:18 | |
cos I've been in Grand Central since 1990. | 0:09:18 | 0:09:22 | |
It may be the city that never sleeps, | 0:09:22 | 0:09:24 | |
but this one had you nodding off... | 0:09:24 | 0:09:26 | |
..while the script and presenters had you questioning | 0:09:41 | 0:09:44 | |
just who the show was really aimed at. | 0:09:44 | 0:09:46 | |
That take on America's biggest city perhaps not as Frank Sinatra sang, | 0:10:05 | 0:10:09 | |
king of the hill, or top of the heap. | 0:10:09 | 0:10:11 | |
BBC Four's latest venture into the world of slow-paced TV | 0:10:14 | 0:10:18 | |
hit the road on bank holiday Monday. | 0:10:18 | 0:10:21 | |
With no distracting music or commentary, | 0:10:21 | 0:10:23 | |
All Aboard The Country Bus | 0:10:23 | 0:10:25 | |
took viewers on a sedentary two-hour bus trip | 0:10:25 | 0:10:27 | |
across Yorkshire. | 0:10:27 | 0:10:29 | |
Mind how you go. | 0:10:29 | 0:10:30 | |
Have a nice day. Thank you. | 0:10:30 | 0:10:31 | |
Thank you. | 0:10:32 | 0:10:33 | |
FAINT MOOING | 0:10:36 | 0:10:38 | |
A one-way ticket to perfection for some of you. | 0:10:41 | 0:10:45 | |
I particularly enjoy the format of this programme | 0:10:55 | 0:10:58 | |
shown in real time, | 0:10:58 | 0:10:59 | |
and in complete silence, | 0:10:59 | 0:11:01 | |
watching the view of the Yorkshire Dales pass by. | 0:11:01 | 0:11:04 | |
Hopefully, one day, | 0:11:05 | 0:11:06 | |
this type of programme can be shown as prime time viewing on BBC One. | 0:11:06 | 0:11:11 | |
But, for some, shots that lingered on the driver for slightly too long | 0:11:11 | 0:11:15 | |
spoiled the view... | 0:11:15 | 0:11:17 | |
The shots of him interacting with the passengers were fine. | 0:11:17 | 0:11:20 | |
But just watching him for two or three minutes at a time | 0:11:20 | 0:11:24 | |
sitting at the wheel was less interesting than watching paint dry. | 0:11:24 | 0:11:28 | |
..while some of you just felt distinctively short-changed. | 0:11:28 | 0:11:31 | |
Moving at a less leisurely pace, | 0:11:44 | 0:11:46 | |
but with just as many twists and turns | 0:11:46 | 0:11:48 | |
as a road trip through the Dales | 0:11:48 | 0:11:50 | |
was the award-winning Irish soap Red Rock, | 0:11:50 | 0:11:53 | |
which finished its eight week daytime run on BBC One on Friday. | 0:11:53 | 0:11:57 | |
Set in a fictional seaside town in the shadows of Dublin, | 0:11:57 | 0:12:00 | |
the show is centred around a busy police station, | 0:12:00 | 0:12:04 | |
and follows the lives and dramas of the local community. | 0:12:04 | 0:12:07 | |
No! | 0:12:09 | 0:12:10 | |
CRYING | 0:12:10 | 0:12:11 | |
Billy. | 0:12:11 | 0:12:12 | |
Billy, talk to me! No! | 0:12:13 | 0:12:15 | |
Billy! No! | 0:12:15 | 0:12:16 | |
Ambulance, where's an ambulance? | 0:12:18 | 0:12:19 | |
It's been a hit with you. | 0:12:20 | 0:12:22 | |
The actors and actresses are absolutely superb. | 0:12:22 | 0:12:26 | |
The storylines are great, | 0:12:26 | 0:12:27 | |
and there's always something to keep you intrigued | 0:12:27 | 0:12:29 | |
and on the edge of your seat. | 0:12:29 | 0:12:31 | |
The scenery has been superb, | 0:12:31 | 0:12:33 | |
the acting and the storylines have been splendid, | 0:12:33 | 0:12:36 | |
completely throwing stereotypes of soap operas. | 0:12:36 | 0:12:38 | |
It really has been a cop drama not to miss. | 0:12:38 | 0:12:41 | |
Well, good news for Naomi, | 0:12:44 | 0:12:46 | |
and everyone else who got in touch with the same question. | 0:12:46 | 0:12:49 | |
We can confirm the BBC has snapped up the rights to Series Two | 0:12:49 | 0:12:53 | |
of Red Rock, and it will be back on our screens next year. | 0:12:53 | 0:12:57 | |
That's it for this week, | 0:12:57 | 0:12:58 | |
but whether it's to praise or pan tonight's Poldark | 0:12:58 | 0:13:01 | |
or critique tomorrow's Crimewatch, | 0:13:01 | 0:13:04 | |
please do keep your Points Of View on the week's TV coming. | 0:13:04 | 0:13:06 | |
You can e-mail us at... | 0:13:06 | 0:13:08 | |
..or send us a comment or video through our website at... | 0:13:10 | 0:13:13 | |
You can tweet us on Twitter. We are... | 0:13:15 | 0:13:17 | |
And we're on Facebook, too. Just search for... | 0:13:18 | 0:13:21 | |
If you prefer to put pen to paper, our address is: | 0:13:22 | 0:13:25 | |
And we're back right here on BBC One next Sunday, | 0:13:30 | 0:13:33 | |
at the slightly earlier time of 2.45pm. | 0:13:33 | 0:13:36 | |
See you then. | 0:13:36 | 0:13:37 | |
Need a medic. | 0:13:57 | 0:13:58 | |
# We are weightless... # | 0:13:58 | 0:14:00 | |
Humanitarian mission. | 0:14:00 | 0:14:01 |