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For one week only, we are in Glasgow, where, I'm sure you'll | 0:00:02 | 0:00:04 | |
be delighted to hear, I've been spending the week in there, | 0:00:04 | 0:00:06 | |
recording brand-new episodes of everyone's favourite quiz show, | 0:00:06 | 0:00:09 | |
Eggheads. | 0:00:09 | 0:00:11 | |
That is everyone's favourite quiz show, isn't it? | 0:00:11 | 0:00:14 | |
WIND BLOWING | 0:00:14 | 0:00:16 | |
Anyway, let's crack on with this show, | 0:00:16 | 0:00:18 | |
the one that lets you have your say on the week's television programmes. | 0:00:18 | 0:00:22 | |
Welcome to your points of view. | 0:00:22 | 0:00:24 | |
Nice to have a change of scenery every now and then. | 0:00:34 | 0:00:38 | |
First up this week, the battle for Saturday night viewers entered | 0:00:38 | 0:00:40 | |
a new era last weekend, as the BBC launched their latest singing show. | 0:00:40 | 0:00:45 | |
Pitch Battle sees rival vocal groups pitted against each other, fighting | 0:00:48 | 0:00:52 | |
to secure a place in the grand final and a shot at a £50,000 cash prize. | 0:00:52 | 0:00:57 | |
Last week, regular judges Gareth Malone and Kelis were joined | 0:00:57 | 0:01:01 | |
by Will Young, who revealed the series' first finalists during | 0:01:01 | 0:01:05 | |
a climatic battle round. | 0:01:05 | 0:01:08 | |
# We'll stay together | 0:01:08 | 0:01:11 | |
# Cos you're the one good reason | 0:01:11 | 0:01:15 | |
# You're the only one that I need... # | 0:01:15 | 0:01:18 | |
A smash hit for some. | 0:01:18 | 0:01:20 | |
I really enjoyed Pitch Battle on Saturday night. | 0:01:27 | 0:01:30 | |
I thought the choirs were really talented, | 0:01:30 | 0:01:33 | |
and I would hate to have to be a judge to choose the winner. | 0:01:33 | 0:01:35 | |
Yet, others felt Pitch Battle was top of the flops, | 0:01:35 | 0:01:39 | |
with the show suffering from poor production. | 0:01:39 | 0:01:42 | |
And several of you were dismayed to hear the majority of groups' | 0:01:59 | 0:02:02 | |
performances backed by a live band. | 0:02:02 | 0:02:05 | |
Well, we put that point to Pitch Battle's executive producer, | 0:02:19 | 0:02:22 | |
and this is her response. | 0:02:22 | 0:02:24 | |
Next, and already facing some battles of their own, | 0:02:46 | 0:02:50 | |
Albert Square's latest arrivals. | 0:02:50 | 0:02:52 | |
Are you all right? Karen Taylor. | 0:02:54 | 0:02:56 | |
Just moving in. | 0:02:56 | 0:02:57 | |
Rocking up in EastEnders the Thursday before last | 0:02:57 | 0:02:59 | |
were the Taylor family, led by loudmouth mum Karen. | 0:02:59 | 0:03:04 | |
Moving in with her were sons Chatham and Riley, played by | 0:03:04 | 0:03:07 | |
real-life brothers, and older offspring Keanu and Bernadette. | 0:03:07 | 0:03:11 | |
I suppose I'm sleeping on the floor. | 0:03:11 | 0:03:13 | |
As far as the council's concerned, you don't even live with us. | 0:03:13 | 0:03:16 | |
Well, it's not my fault I can't afford a place of my own. | 0:03:16 | 0:03:18 | |
Only way Chantelle was able to get her place was getting knocked up. | 0:03:18 | 0:03:22 | |
The executive producer of EastEnders has promised the Taylors will | 0:03:22 | 0:03:25 | |
have an explosive impact on the soap, but so far, | 0:03:25 | 0:03:28 | |
it's fair to say, you are not fans of this family. | 0:03:28 | 0:03:31 | |
That's "ruff", Elle! | 0:03:50 | 0:03:52 | |
You weren't impressed by the newcomers' acting abilities either. | 0:03:52 | 0:03:55 | |
It can, of course, often take newcomers to a long-running drama | 0:04:03 | 0:04:07 | |
time to bed in, so do let us know | 0:04:07 | 0:04:09 | |
if you change your tune on the Taylors. | 0:04:09 | 0:04:11 | |
Now, from Walford to Whitechapel. | 0:04:11 | 0:04:14 | |
This week, BBC Two was also getting in on some East End action. | 0:04:14 | 0:04:18 | |
Picking up where the previous series left off, | 0:04:20 | 0:04:22 | |
the fifth and last ever outing for Ripper Street began on | 0:04:22 | 0:04:26 | |
Monday night, with Detective Inspector Reid, | 0:04:26 | 0:04:29 | |
Captain Homer Jackson and Long Susan hot on the trail of the scoundrel | 0:04:29 | 0:04:34 | |
responsible for Inspector Drake's death. | 0:04:34 | 0:04:37 | |
What are we to do, then, Reid? | 0:04:37 | 0:04:39 | |
We go get our justice. | 0:04:39 | 0:04:41 | |
Or the heavens fall. | 0:04:43 | 0:04:45 | |
We did receive glowing reviews. | 0:04:48 | 0:04:51 | |
But we also heard from Ripper Street fans | 0:05:00 | 0:05:03 | |
who felt Monday's episode wasn't a patch on previous series. | 0:05:03 | 0:05:07 | |
And it wasn't just the picture that was the problem. | 0:05:22 | 0:05:25 | |
In fact, it was a familiar bugbear | 0:05:25 | 0:05:27 | |
that had you complaining the loudest. | 0:05:27 | 0:05:30 | |
Perhaps a tad extreme, Ian. | 0:05:54 | 0:05:56 | |
But you're right, Points Of View has featured similar complaints | 0:05:56 | 0:05:59 | |
about the series in the past. | 0:05:59 | 0:06:01 | |
The BBC told us they neither made nor commissioned the current | 0:06:01 | 0:06:04 | |
series of Ripper Street, only acquiring it for broadcast. | 0:06:04 | 0:06:07 | |
They pointed us in the direction of the production company, | 0:06:07 | 0:06:11 | |
and here's what the drama's executive producer had to say | 0:06:11 | 0:06:14 | |
about the show's soundtrack. | 0:06:14 | 0:06:16 | |
Hmm. | 0:06:36 | 0:06:37 | |
When faced with dialogue that's difficult to decipher, | 0:06:37 | 0:06:39 | |
the first thing many of us do is turn on subtitles, which are, | 0:06:39 | 0:06:43 | |
of course, also an invaluable service for the hard of hearing. | 0:06:43 | 0:06:46 | |
But it appears those captions aren't exactly trouble-free either. | 0:06:46 | 0:06:50 | |
Inaccurate subtitling appears to be | 0:07:09 | 0:07:11 | |
a particular problem during live programmes. | 0:07:11 | 0:07:14 | |
We found examples where "silence" appeared as "violence", | 0:07:14 | 0:07:18 | |
and "Ed Miliband" transformed into the "Ed Miller Band". | 0:07:18 | 0:07:22 | |
So, what is to blame for those subtitling slip-ups? | 0:07:22 | 0:07:25 | |
Scarlette Douglas visited the BBC's subtitling provider to find out. | 0:07:25 | 0:07:31 | |
Ali, we've heard from a few viewers, | 0:07:31 | 0:07:32 | |
saying they're quite frustrated by the inaccuracy of some of the subtitles. | 0:07:32 | 0:07:36 | |
Why does this happen? | 0:07:36 | 0:07:37 | |
Live subtitling is a very demanding job. | 0:07:37 | 0:07:40 | |
We cover 100% of the BBC's output, live and pre-recorded. | 0:07:40 | 0:07:45 | |
That's about 500 hours on an average week, | 0:07:45 | 0:07:48 | |
several thousand words per hour. | 0:07:48 | 0:07:51 | |
So, although most of our subtitles are accurate, | 0:07:51 | 0:07:53 | |
mistakes unfortunately do slip through sometimes. | 0:07:53 | 0:07:56 | |
So, how does it all work? | 0:07:56 | 0:07:58 | |
Most live subtitling is done using a technique called respeaking | 0:07:58 | 0:08:01 | |
with voice recognition software. | 0:08:01 | 0:08:03 | |
The subtitler has an audio feed of the programme. | 0:08:03 | 0:08:06 | |
They repeat everything they hear, adding in spoken punctuation. | 0:08:06 | 0:08:10 | |
The software turns their words into text, | 0:08:10 | 0:08:13 | |
and the broadcast software turns that text into subtitles. | 0:08:13 | 0:08:16 | |
Why don't you just type it? | 0:08:16 | 0:08:18 | |
Respeaking is actually faster and more accurate than typing, | 0:08:18 | 0:08:21 | |
-and we can do it with fewer people as well. -Why do mistakes happen? | 0:08:21 | 0:08:24 | |
The software we use is very sophisticated, | 0:08:24 | 0:08:27 | |
but it's not perfect, and sometimes it just mishears what you say. | 0:08:27 | 0:08:31 | |
-Is it really that hard? -It's very difficult. | 0:08:31 | 0:08:33 | |
Subtitlers have to stay on top of various processes at once, | 0:08:33 | 0:08:38 | |
thinking on their feet constantly. | 0:08:38 | 0:08:40 | |
And because it's live, you only get one chance to do anything. | 0:08:40 | 0:08:42 | |
-Can I have a go? -Yeah, absolutely. Let's go and have a go, yeah. | 0:08:42 | 0:08:45 | |
-OK, come in. This is our subtitling booth. Have a seat. -Thank you. | 0:08:48 | 0:08:51 | |
-OK. -Ready to go? | 0:08:51 | 0:08:53 | |
-Yes, I think so. -Once we start the clip, we can't stop, | 0:08:53 | 0:08:56 | |
so, if you lose the thread, pick it up again as quickly as you can. | 0:08:56 | 0:09:00 | |
OK, no pressure. | 0:09:00 | 0:09:02 | |
The Champions League final is happening right here tomorrow full stop. | 0:09:02 | 0:09:05 | |
Yellow macro. Well luckily comma I did have a few...free hours. | 0:09:05 | 0:09:09 | |
Patrick where are you I mean I did tell you the traffic would be bad full stop. | 0:09:09 | 0:09:12 | |
If my speaking there was going out live, | 0:09:12 | 0:09:15 | |
I think that would've been horrendous. | 0:09:15 | 0:09:17 | |
I think people would have struggled to understand those subtitles, I'm afraid to say. | 0:09:17 | 0:09:21 | |
Luckily comma I did have a few hours free this morning. | 0:09:21 | 0:09:24 | |
Put your hands together for the Right Honourable Lord Mayor of Cardiff comma... | 0:09:24 | 0:09:28 | |
I have to say that live subtitling is nowhere near as easy as it looks. | 0:09:28 | 0:09:32 | |
And the team here really do try their best to get their | 0:09:32 | 0:09:35 | |
subtitles as accurate as possible. | 0:09:35 | 0:09:37 | |
Yet they are at the mercy of speech recognition technology, | 0:09:37 | 0:09:40 | |
so hopefully, as that continues to improve, | 0:09:40 | 0:09:43 | |
the subtitles will continue to get better and better. | 0:09:43 | 0:09:46 | |
This week, BBC Two took us behind-the-scenes of one of | 0:09:46 | 0:09:49 | |
the UK's biggest and busiest NHS trusts once again, as the | 0:09:49 | 0:09:53 | |
documentary series Hospital returned. | 0:09:53 | 0:09:56 | |
In Tuesday night's episode, | 0:09:58 | 0:09:59 | |
cameras followed the staff at | 0:09:59 | 0:10:01 | |
London's St Mary's Hospital as they | 0:10:01 | 0:10:03 | |
battled to deal with the aftermath of the terror attack | 0:10:03 | 0:10:06 | |
on Westminster Bridge. | 0:10:06 | 0:10:08 | |
Resus Two. | 0:10:08 | 0:10:09 | |
We need to put what's called the chest drain in, | 0:10:09 | 0:10:11 | |
to let this air come out | 0:10:11 | 0:10:13 | |
and let his lung reinflate. | 0:10:13 | 0:10:15 | |
We need to put a tube... Do you understand? | 0:10:15 | 0:10:17 | |
A tube...in your chest. | 0:10:17 | 0:10:19 | |
You were full of admiration for the hard-working staff of St Mary's. | 0:10:19 | 0:10:23 | |
Hospital continues its four-part run on Tuesday night. | 0:10:47 | 0:10:50 | |
Paws were poised on buzzers this week as BBC Two launched | 0:10:50 | 0:10:54 | |
a new animal-based panel show. | 0:10:54 | 0:10:56 | |
Running on weekday evenings, Curious Creatures sees Kate Humble | 0:10:57 | 0:11:01 | |
quiz experts on their knowledge of the wildlife world. | 0:11:01 | 0:11:05 | |
In one round, panellists are tasked with identifying the origin | 0:11:05 | 0:11:08 | |
of some faeces. Er, you may want to look away if you're having dinner. | 0:11:08 | 0:11:12 | |
Silver service. | 0:11:12 | 0:11:13 | |
-Excellent. -Quite a sweet smell to it. -Bouquet. | 0:11:13 | 0:11:17 | |
It's not a bitter smell. Or indeed any way unpleasant. | 0:11:17 | 0:11:21 | |
A real howler, according to at least one of you, who felt the show | 0:11:21 | 0:11:25 | |
was better suited to another BBC channel. | 0:11:25 | 0:11:27 | |
But Curious Creatures did fit the bill for others when it comes | 0:11:40 | 0:11:44 | |
to weeknight entertainment. | 0:11:44 | 0:11:45 | |
Finally, this week, the unnatural habits of some BBC reporters | 0:12:00 | 0:12:04 | |
and presenters have been driving you to distraction. | 0:12:04 | 0:12:08 | |
# Hands up, baby Hands up | 0:12:20 | 0:12:23 | |
# Gimme your heart Gimme gimme your heart... # | 0:12:23 | 0:12:26 | |
And in a sure sign it's contagious, | 0:12:26 | 0:12:28 | |
the habit has also spread to Homes Under the Hammer. | 0:12:28 | 0:12:31 | |
The floor, open living. | 0:12:36 | 0:12:38 | |
Only a matter of time perhaps before this character is given | 0:12:38 | 0:12:41 | |
a regular reporting role. | 0:12:41 | 0:12:43 | |
That's it for this series of Points Of View, but fear not, | 0:12:46 | 0:12:49 | |
we will be back in September. | 0:12:49 | 0:12:51 | |
So please do keep your thoughts | 0:12:51 | 0:12:52 | |
on the BBC's television programmes coming. | 0:12:52 | 0:12:54 | |
You can e-mail us at... | 0:12:54 | 0:12:57 | |
Or via our website... | 0:12:58 | 0:13:00 | |
..where it is now even easier to send us a video. | 0:13:02 | 0:13:05 | |
To find us on Facebook... | 0:13:05 | 0:13:08 | |
while to have your say on Twitter, | 0:13:08 | 0:13:09 | |
you can tweet us... | 0:13:09 | 0:13:12 | |
If you prefer non-electronic forms | 0:13:12 | 0:13:14 | |
of communication, no problem. | 0:13:14 | 0:13:16 | |
We've got you covered. You can leave us a message on this number... | 0:13:16 | 0:13:22 | |
Local rates apply from landlines, mobile rates may vary | 0:13:22 | 0:13:26 | |
and you could always put pen to paper, which we love as well. | 0:13:26 | 0:13:28 | |
Our address is... | 0:13:28 | 0:13:31 | |
So, until September, have a great summer. | 0:13:34 | 0:13:38 |