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And we are back! It's been a big telly week, too, | 0:00:02 | 0:00:04 | |
from nail-biting, edge-of-the-seat drama | 0:00:04 | 0:00:06 | |
to thought-provoking documentaries, | 0:00:06 | 0:00:08 | |
all right here on the good old BBC. | 0:00:08 | 0:00:11 | |
Just don't mention the Bake Off. | 0:00:11 | 0:00:13 | |
We begin this week with the BBC One drama | 0:00:24 | 0:00:27 | |
Strike: The Cuckoo's Calling, the first adaptation from the writer | 0:00:27 | 0:00:31 | |
Robert Galbraith, AKA Harry Potter author JK Rowling. | 0:00:31 | 0:00:36 | |
-What time is it? -Early. | 0:00:40 | 0:00:42 | |
Strike, an injured war veteran turned private investigator, | 0:00:42 | 0:00:46 | |
is hired to find out if the official police verdict of suicide | 0:00:46 | 0:00:49 | |
was in fact accurate when a fashion model is found dead. | 0:00:49 | 0:00:53 | |
Guy Some? | 0:00:53 | 0:00:56 | |
-Who are you? -My name is Cormoran Strike. I'm a private investigator. | 0:00:56 | 0:00:59 | |
I'm busy. Make an appointment with Tricia. | 0:00:59 | 0:01:01 | |
-Rochelle Onifade's dead. -Oh, my God! How? -A lot of drugs and a hot bath. | 0:01:01 | 0:01:05 | |
-Beginner's error. -Exactly. And she wasn't a beginner, was she? | 0:01:05 | 0:01:08 | |
This one looks like a hit, | 0:01:09 | 0:01:11 | |
clocking up over five million viewers for the first two episodes. | 0:01:11 | 0:01:15 | |
But did it live up to the book, in your view? | 0:01:15 | 0:01:18 | |
When you start an investigation, Robin, | 0:01:32 | 0:01:34 | |
it's like looking into an aquarium for the first time. | 0:01:34 | 0:01:37 | |
Walk around, check how many fish there are, see what happens | 0:01:37 | 0:01:40 | |
when you tap the glass. | 0:01:40 | 0:01:42 | |
Impressive series. | 0:01:42 | 0:01:44 | |
Not a straightforward murder mystery, like what I was expecting. | 0:01:44 | 0:01:48 | |
And Tom Burke plays the role of an injured private investigator | 0:01:50 | 0:01:52 | |
pretty well. So, well done, BBC. | 0:01:52 | 0:01:56 | |
The final instalment is on BBC One tonight at 9pm. | 0:01:56 | 0:02:00 | |
The BBC's drama commissioner, Piers Wenger, | 0:02:00 | 0:02:03 | |
said last week that he wants to move the BBC away from its current | 0:02:03 | 0:02:07 | |
crop of darker-themed dramas towards more inspirational television. | 0:02:07 | 0:02:11 | |
But it seems you're not afraid of the dark. | 0:02:11 | 0:02:15 | |
# Don't be afraid of the dark | 0:02:22 | 0:02:25 | |
SHE EXHALES DEEPLY | 0:02:25 | 0:02:28 | |
# Oh, no, no | 0:02:28 | 0:02:30 | |
# I'll be there to hold you | 0:02:33 | 0:02:35 | |
# Don't be afraid of the dark... # | 0:02:35 | 0:02:38 | |
According to Edward Cowell, you just can't get enough. | 0:02:38 | 0:02:41 | |
Trust Me was the latest dark delight on BBC One, | 0:02:47 | 0:02:50 | |
starring our new occupant of the TARDIS, Jodie Whittaker. | 0:02:50 | 0:02:54 | |
Again she's playing a doctor, and again it's not an actual, | 0:02:54 | 0:02:58 | |
real doctor, either. It's a fake one. | 0:02:58 | 0:03:00 | |
Confused? | 0:03:00 | 0:03:01 | |
Having lost her job for whistle-blowing, a skilled, | 0:03:06 | 0:03:09 | |
hard-working nurse assumes her best friend's identity as a senior | 0:03:09 | 0:03:12 | |
doctor to start a new life in Edinburgh. | 0:03:12 | 0:03:15 | |
-You OK? -Yeah. Sorry, it's, er... it's been a while. | 0:03:15 | 0:03:21 | |
Fifth intercostal space, mid-axillary line. | 0:03:21 | 0:03:24 | |
Andy likes to blunt-dissect for acostomy first. | 0:03:24 | 0:03:27 | |
In last Tuesday night's finale, | 0:03:27 | 0:03:28 | |
a fatal error at work backed Ali into a corner, having to | 0:03:28 | 0:03:32 | |
choose to protect her identity or fall further back into a lie. | 0:03:32 | 0:03:37 | |
And you had no other concerns about Dr Raynes'... | 0:03:39 | 0:03:43 | |
..conduct? | 0:03:43 | 0:03:44 | |
No. | 0:03:53 | 0:03:55 | |
And Jodie will make her debut as THE Doctor at Christmas. | 0:04:17 | 0:04:22 | |
I'm sure you'll send us your points of view on that one. | 0:04:22 | 0:04:25 | |
From psychological medical drama to raucous medical comedy. | 0:04:27 | 0:04:32 | |
Quacks is BBC Two's latest offering sending you | 0:04:32 | 0:04:35 | |
- OK, I'll say it - quackers. | 0:04:35 | 0:04:38 | |
Good afternoon. | 0:04:38 | 0:04:39 | |
I'm always astonished that my humble skills can | 0:04:39 | 0:04:43 | |
bring in such a large and distinguished crowd. | 0:04:43 | 0:04:47 | |
Hello, Sally. You in again? | 0:04:47 | 0:04:48 | |
It follows the progress of four young medical pioneers in the daring | 0:04:49 | 0:04:53 | |
and wild days of Victorian medicine, where a pain in the groin is treated | 0:04:53 | 0:04:58 | |
with a potato down your trousers. | 0:04:58 | 0:05:00 | |
Clearly, you've got this problem because you are a woman. | 0:05:00 | 0:05:05 | |
And I suspect you've been keeping the wrong company. | 0:05:05 | 0:05:08 | |
I can cure it. | 0:05:08 | 0:05:09 | |
You need to fast for a week, ride a horse for two hours a day - not | 0:05:09 | 0:05:13 | |
Sundays - and place a freshly cooked baked potato on the infected area. | 0:05:13 | 0:05:19 | |
Good day, Mrs Pope. | 0:05:19 | 0:05:22 | |
Quacks has been compared to the classic comedy Blackadder, | 0:05:22 | 0:05:25 | |
and it seems you agree. | 0:05:25 | 0:05:27 | |
The rest of the series is available to binge-watch on the BBC iPlayer. | 0:05:58 | 0:06:02 | |
Keep your comments coming, good and bad. | 0:06:02 | 0:06:05 | |
You can get in touch with us in the usual ways. You could e-mail: | 0:06:05 | 0:06:11 | |
Or via the website: | 0:06:11 | 0:06:13 | |
..where you can also send us a video. | 0:06:15 | 0:06:17 | |
We are on social media, too - tweet us at: | 0:06:17 | 0:06:19 | |
Or join in the conversation about the week's | 0:06:21 | 0:06:23 | |
television on our Facebook page. | 0:06:23 | 0:06:25 | |
A lot of you have been experiencing not double | 0:06:25 | 0:06:28 | |
but triple vision on some of your favourite programmes. | 0:06:28 | 0:06:31 | |
It seems you are not happy about the plethora of presenters. | 0:06:31 | 0:06:36 | |
My name's John. | 0:06:36 | 0:06:38 | |
I'm Gordon. | 0:06:38 | 0:06:39 | |
I'm from Glossop in Derbyshire. | 0:06:39 | 0:06:41 | |
I'm from Mansfield in Nottinghamshire. | 0:06:41 | 0:06:45 | |
And I'm concerned about the amount of presenters the BBC are using... | 0:06:45 | 0:06:48 | |
..on some of their programmes. | 0:06:48 | 0:06:50 | |
Your stories, your money. This is Rip-Off Britain. | 0:06:50 | 0:06:54 | |
I enjoy watching Rip-Off Britain. | 0:06:55 | 0:06:58 | |
It's a good, informative programme you learn a lot from. | 0:06:58 | 0:07:01 | |
I enjoy Rip-Off Britain up to a point, but I still can't get | 0:07:01 | 0:07:05 | |
away from the fact that I think it's not value for money. | 0:07:05 | 0:07:09 | |
Hello, and thank you so much for joining us on Rip-Off Britain. | 0:07:09 | 0:07:12 | |
You've got the three ladies - Angela Rippon, Gloria Hunniford | 0:07:12 | 0:07:16 | |
and Julia Somerville - all stood in Tenerife, an exotic location, | 0:07:16 | 0:07:22 | |
and I don't feel it needs all three of them | 0:07:22 | 0:07:24 | |
to go to an exotic place. | 0:07:24 | 0:07:26 | |
If you need somebody out there, then just send one of them. | 0:07:26 | 0:07:29 | |
When the three of them are on screen together, it does make me | 0:07:29 | 0:07:32 | |
feel a little frustrated when one lady says something... | 0:07:32 | 0:07:35 | |
Welcome to a particularly jet-set edition of Rip-Off Britain. | 0:07:35 | 0:07:39 | |
..followed by the next lady saying something... | 0:07:39 | 0:07:41 | |
Should we really be swayed by what looks to be the cheapest | 0:07:41 | 0:07:44 | |
deal in the first place? | 0:07:44 | 0:07:45 | |
..then the next lady's saying something... | 0:07:45 | 0:07:47 | |
That's the dilemma. | 0:07:47 | 0:07:48 | |
..when one person could say exactly that. | 0:07:48 | 0:07:51 | |
Don't get me wrong, I really enjoy the programme. | 0:07:51 | 0:07:53 | |
I think it's informative, and we need programmes like that, | 0:07:53 | 0:07:56 | |
but I just think it is a blatant waste of money. | 0:07:56 | 0:07:58 | |
Another programme I watch on a regular basis is | 0:08:00 | 0:08:02 | |
Homes Under The Hammer. | 0:08:02 | 0:08:03 | |
I do think it's interesting when you can see what people can do | 0:08:03 | 0:08:07 | |
with some of the homes that they purchase through the auctions. | 0:08:07 | 0:08:11 | |
All over the country, people are looking for places to live in, | 0:08:11 | 0:08:14 | |
to rent and to sell on. | 0:08:14 | 0:08:16 | |
Again, three presenters doing, for me, what could be one person's job. | 0:08:16 | 0:08:21 | |
In the past, it always used to be just two. | 0:08:21 | 0:08:23 | |
Now, the last few years, they've brought a third one in. | 0:08:23 | 0:08:26 | |
I just don't see why they need two presenters, | 0:08:26 | 0:08:29 | |
let alone the third one now with Mr Dion Dublin. | 0:08:29 | 0:08:32 | |
It's like asking a plumber to come and fix your central heating | 0:08:32 | 0:08:36 | |
and three turn up and do little bits all at once. | 0:08:36 | 0:08:39 | |
I think it's about time the BBC got their act together and stopped | 0:08:39 | 0:08:43 | |
using so many presenters on some shows where they're not needed. | 0:08:43 | 0:08:46 | |
But it's nice to have a bit of company, isn't it? | 0:08:46 | 0:08:49 | |
And us three get on really well. | 0:08:49 | 0:08:51 | |
As part of the BBC's season of programmes to mark 70 years | 0:08:54 | 0:08:58 | |
since the partition of India, journalists Adnan Sarwar | 0:08:58 | 0:09:02 | |
and Babita Sharma travelled the still-volatile | 0:09:02 | 0:09:05 | |
border of Pakistan and India, discovering the lives of | 0:09:05 | 0:09:09 | |
some of the most colourful characters that live there. | 0:09:09 | 0:09:11 | |
This freestyle polo has been played in northern Pakistan | 0:09:11 | 0:09:15 | |
since the 15th century and originated from ancient Persia. | 0:09:15 | 0:09:18 | |
Back in the day, legend has it that polo was played with the | 0:09:21 | 0:09:24 | |
chopped-off heads of captured enemies as a symbol of victory. | 0:09:24 | 0:09:28 | |
These days, it's just played with a ball. | 0:09:28 | 0:09:30 | |
But the programme was spoilt | 0:09:53 | 0:09:55 | |
for some by a glaring geographical mistake. | 0:09:55 | 0:09:59 | |
Pakistan, on the other hand, | 0:10:15 | 0:10:17 | |
is forging a new alliance with a powerful neighbour. | 0:10:17 | 0:10:20 | |
HOOTER BLARES Oof! What a clanger. | 0:10:21 | 0:10:23 | |
Here's what the programme makers had to say. | 0:10:23 | 0:10:25 | |
You weren't happy with the new | 0:10:38 | 0:10:40 | |
graphics over on Final Score, either. | 0:10:40 | 0:10:42 | |
"Well, you know what, chaps? This is our only ch... | 0:10:51 | 0:10:54 | |
"Let's really have a go at this." | 0:10:54 | 0:10:55 | |
-And they have. -Was it a red card? -Well, I think so, yeah. | 0:10:55 | 0:10:58 | |
What HAVE you done to Final Score? | 0:10:58 | 0:11:00 | |
The new yellow, black and white format is diabolical. | 0:11:00 | 0:11:04 | |
It's very difficult to read, | 0:11:04 | 0:11:06 | |
and the bright yellow is not easy on the eyes. | 0:11:06 | 0:11:08 | |
Please revert to the blue and white format with the nice, | 0:11:08 | 0:11:11 | |
easy-to-read fonts. Yours squintingly, Christine Fuller. | 0:11:11 | 0:11:14 | |
Why indeed, Betty? | 0:11:25 | 0:11:27 | |
We asked the folks at Final Score to explain the change. | 0:11:27 | 0:11:30 | |
Now, as Strictly dances back onto our screens this month, | 0:11:53 | 0:11:58 | |
the recently departed head judge, Len Goodman, took up hosting | 0:11:58 | 0:12:01 | |
duties for a new Saturday night quiz show called Partners In Rhyme. | 0:12:01 | 0:12:05 | |
Hello and welcome to Partners In Rhyme! | 0:12:10 | 0:12:13 | |
The aim of this game is to find rhymes of all kinds of places, | 0:12:13 | 0:12:17 | |
in pictures, films, headlines, even rhymes in mimes. | 0:12:17 | 0:12:20 | |
This game is all rhyme and no reason. | 0:12:20 | 0:12:23 | |
Partners In Rhyme sees a pair of contestants joined by four | 0:12:23 | 0:12:27 | |
celebrities hoping to help solve a range of rhyming rounds. | 0:12:27 | 0:12:31 | |
Nina, you're first. Keep it clean, your rhyme's on the screen. | 0:12:31 | 0:12:35 | |
Ha! | 0:12:35 | 0:12:36 | |
SCREECHING | 0:12:36 | 0:12:38 | |
NINA CHUCKLES | 0:12:38 | 0:12:39 | |
Erm... A hot-air balloon, | 0:12:39 | 0:12:42 | |
and that is a...baboon! | 0:12:42 | 0:12:44 | |
-A baboon on a balloon! -APPLAUSE | 0:12:44 | 0:12:46 | |
Well, you got in TOUCH... to tell us you didn't think MUCH. | 0:12:46 | 0:12:51 | |
I have never seen such a ridiculous programme to be given | 0:12:51 | 0:12:57 | |
prime-time television on a Saturday evening. | 0:12:57 | 0:13:01 | |
It should be on a children's programme | 0:13:01 | 0:13:03 | |
or at the least during the day. | 0:13:03 | 0:13:06 | |
Dear Jeremy Vine, Partners In Rhyme is such a crime. | 0:13:13 | 0:13:17 | |
Whoever invented this should be doing time. | 0:13:17 | 0:13:21 | |
Thanks for getting in touch, Amelia. | 0:13:21 | 0:13:23 | |
Sounds like you could give them a few pointers. | 0:13:23 | 0:13:25 | |
Well, that is all we've got time for for another week. | 0:13:25 | 0:13:27 | |
We are back next week at 4:15pm | 0:13:27 | 0:13:30 | |
with more of your points of view. Bye for now. | 0:13:30 | 0:13:33 |