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Your reviews are in | 0:00:02 | 0:00:03 | |
on the week's dramas, comedies and quizzes, and you | 0:00:03 | 0:00:05 | |
jump in the driving seat with your thoughts on Peter Kay's Car Share. | 0:00:05 | 0:00:09 | |
Welcome to the show that tells them in there what you really think. | 0:00:09 | 0:00:14 | |
Welcome to your Points Of View. | 0:00:14 | 0:00:16 | |
Tonight on BBC One, we reach the explosive climax of Line Of Duty. | 0:00:26 | 0:00:31 | |
The fourth series made the leap from BBC Two to BBC One and | 0:00:31 | 0:00:34 | |
has become must-see telly on Sunday nights. | 0:00:34 | 0:00:37 | |
Hana Reznikova, I am arresting you | 0:00:37 | 0:00:39 | |
in connection with the murder of Timothy Ifield. | 0:00:39 | 0:00:42 | |
The mystery behind the murder of Tim Ifield took an unexpected | 0:00:45 | 0:00:49 | |
turn in last week's episode, | 0:00:49 | 0:00:51 | |
when DCI Huntley made another shocking arrest. | 0:00:51 | 0:00:54 | |
-What's going on? -It's all under control. It's all sorted. | 0:00:54 | 0:00:58 | |
Creator and writer Jed Mercurio has just one hour to answer all | 0:01:08 | 0:01:12 | |
those burning questions, but with the drama already commissioned | 0:01:12 | 0:01:15 | |
for a fifth series, it isn't the end of the line. | 0:01:15 | 0:01:18 | |
My worry is waiting on there, the number 19 bus. | 0:01:47 | 0:01:49 | |
Sir. | 0:01:49 | 0:01:51 | |
Well, the wait is nearly over, Steve. | 0:01:51 | 0:01:53 | |
Catch the finale at 9pm, BBC One tonight. | 0:01:53 | 0:01:56 | |
It'd be a crime to miss it. | 0:01:56 | 0:01:57 | |
Sticking with drama, | 0:02:04 | 0:02:06 | |
last Friday night saw the return of the lavish second series of | 0:02:06 | 0:02:09 | |
Versailles and its intoxicating world of secrets, betrayals, | 0:02:09 | 0:02:14 | |
love and war. | 0:02:14 | 0:02:15 | |
I'm bringing forward my invasion of Holland. | 0:02:15 | 0:02:18 | |
I will henceforth view any opposition to my plans of war | 0:02:18 | 0:02:21 | |
as an act of treason. | 0:02:21 | 0:02:23 | |
And they will be dealt with swiftly by my new Minister for Justice. | 0:02:23 | 0:02:27 | |
The Duc de Cassel. | 0:02:28 | 0:02:30 | |
It is less than a year since the first series of this | 0:02:32 | 0:02:35 | |
sumptuous and sultry BBC Two drama concluded with the sudden | 0:02:35 | 0:02:39 | |
death of Henrietta, King Louis XIV's sister-in-law, | 0:02:39 | 0:02:43 | |
and the kidnap of the Dauphin, Louis' son. | 0:02:43 | 0:02:45 | |
The second series picks up with the search for the heir to the throne | 0:02:45 | 0:02:50 | |
and his kidnapper, the King's old friend, the Chevalier de Rohan. | 0:02:50 | 0:02:55 | |
They're here because you want them to be. | 0:02:55 | 0:02:58 | |
There is no other reason. | 0:02:58 | 0:03:00 | |
What you want, you get. | 0:03:01 | 0:03:03 | |
You must have realised that by now. | 0:03:05 | 0:03:08 | |
The French period drama hit the headlines even before the | 0:03:11 | 0:03:14 | |
first episode aired, with some blasting the programme makers | 0:03:14 | 0:03:17 | |
for its nudity and sex scenes. | 0:03:17 | 0:03:20 | |
This didn't put you off, though. | 0:03:20 | 0:03:21 | |
From historical palaces to palatial hotels. | 0:03:41 | 0:03:45 | |
Last week, we covered the new series that looks beyond the lobby | 0:03:45 | 0:03:48 | |
of the world's most amazing hotels. | 0:03:48 | 0:03:50 | |
The world's most extraordinary hotels. | 0:03:52 | 0:03:54 | |
The feedback wasn't particularly positive for co-host Giles Coren, | 0:03:57 | 0:04:00 | |
with some viewers unhappy with his behaviour. | 0:04:00 | 0:04:03 | |
OK, boom. That's really good parking, surely. | 0:04:03 | 0:04:05 | |
-Parked like a true Brit. -Yeah, look at that. | 0:04:05 | 0:04:08 | |
Ah. | 0:04:08 | 0:04:09 | |
Look that. It's perfect. | 0:04:09 | 0:04:10 | |
Boom! | 0:04:10 | 0:04:12 | |
There. And what? We just... I'm going to go and play on the tables? | 0:04:12 | 0:04:15 | |
Yeah, throw me your keys and that's it. | 0:04:15 | 0:04:17 | |
-And then when it's time to get back in, you just run and slide... -Don't! | 0:04:17 | 0:04:21 | |
Don't! | 0:04:21 | 0:04:22 | |
But now, some of you have got in touch to say how much you are | 0:04:22 | 0:04:25 | |
enjoying Giles' antics. | 0:04:25 | 0:04:27 | |
So, in the interest of unbiased reporting... | 0:04:27 | 0:04:30 | |
# Now, I go cleaning windows | 0:04:42 | 0:04:44 | |
# To earn an honest bob | 0:04:44 | 0:04:46 | |
# For a nosey parker, it's an interesting job... | 0:04:46 | 0:04:49 | |
# It's a job that just suits me | 0:04:49 | 0:04:50 | |
# A window cleaner you would be | 0:04:50 | 0:04:52 | |
# If you could see what I can see | 0:04:52 | 0:04:53 | |
# When I'm cleaning windows. # | 0:04:53 | 0:04:56 | |
Wow! | 0:05:12 | 0:05:13 | |
I wasn't expecting that. | 0:05:13 | 0:05:16 | |
Fresh from winning Best Scripted Comedy at the | 0:05:16 | 0:05:19 | |
BAFTA Television Awards, Peter Kay's Car Share is back | 0:05:19 | 0:05:22 | |
on our screens for a second much-anticipated series. | 0:05:22 | 0:05:26 | |
-SINGS ALONG WITH STEREO: -# Pure and simple gonna be there | 0:05:26 | 0:05:29 | |
# Whatever it takes | 0:05:29 | 0:05:31 | |
# I'm gonna be there | 0:05:31 | 0:05:32 | |
-# I swear it's true -# You know I'm gonna be there... # | 0:05:32 | 0:05:35 | |
After being forced to commute together in | 0:05:35 | 0:05:37 | |
a supermarket car share scheme, | 0:05:37 | 0:05:39 | |
John and Kayleigh's friendship blossomed, | 0:05:39 | 0:05:42 | |
and in true sitcom fashion, love seemed just around the corner. | 0:05:42 | 0:05:46 | |
We took a trip with some Car Share viewers | 0:05:46 | 0:05:49 | |
to get their take on the series. | 0:05:49 | 0:05:51 | |
JEREMY ON RADIO: 'It's a chilly ten degrees out there today, | 0:05:51 | 0:05:55 | |
'so wrap up warm. | 0:05:55 | 0:05:56 | |
'In other news, Peter Kay's Car Share is back on our screens. | 0:05:56 | 0:05:59 | |
'Let us know what you think.' | 0:05:59 | 0:06:02 | |
-I love it! I love it! -I love it, too! | 0:06:02 | 0:06:04 | |
I just think it's... | 0:06:04 | 0:06:06 | |
I think it's the most real and relevant, I don't know, | 0:06:06 | 0:06:10 | |
love story that there's on telly. | 0:06:10 | 0:06:11 | |
They're in a car, that's not an interesting thing in itself, | 0:06:11 | 0:06:14 | |
but that relationship, especially in this second series, | 0:06:14 | 0:06:18 | |
that is where all of the tension comes from. | 0:06:18 | 0:06:21 | |
I'll drop you to your Mandy's. | 0:06:21 | 0:06:23 | |
-Oh, don't be daft. -It's chucking it down. No bother. -Aw! | 0:06:23 | 0:06:25 | |
Are you sure you don't mind? | 0:06:25 | 0:06:27 | |
I'm sure. | 0:06:27 | 0:06:29 | |
Aw! Thanks! | 0:06:29 | 0:06:30 | |
You liked that. | 0:06:30 | 0:06:31 | |
The moment with the monkey strapped in the back of a car. | 0:06:31 | 0:06:35 | |
-That's great. -Yes. -Anyone... That is a great moment. | 0:06:35 | 0:06:37 | |
I'll give you that, the monkey was quite funny. | 0:06:37 | 0:06:40 | |
I can't believe we drove all the way with him on the roof | 0:06:40 | 0:06:42 | |
and nobody stopped us. | 0:06:42 | 0:06:43 | |
I wondered why all those cars were flashing us. | 0:06:43 | 0:06:46 | |
How are we going to get him back? | 0:06:46 | 0:06:48 | |
My favourite scene has to be when, on their way back from the fancy | 0:06:48 | 0:06:52 | |
dress works do, and Elsie's dressed as a Smurf. | 0:06:52 | 0:06:55 | |
Oh, don't talk to me about sour cream Pringles. They're lethal. | 0:06:56 | 0:07:01 | |
Four hours I spent in A&E on Boxing Day now with my arm wedged | 0:07:01 | 0:07:04 | |
into the tube. | 0:07:04 | 0:07:07 | |
-Apparently, I have very wide wrists. -Have you tried the Gaviscon? | 0:07:07 | 0:07:11 | |
What? For my wrists? | 0:07:11 | 0:07:13 | |
The one thing I don't like about it is the language, | 0:07:13 | 0:07:15 | |
-but other than that, no, I think it's absolutely fabulous. -Yeah. | 0:07:15 | 0:07:20 | |
Hey! Watch the paintwork, all right? | 0:07:20 | 0:07:22 | |
I told you, I'm just having a minute! | 0:07:22 | 0:07:25 | |
I love the cameos in it. I love the other people that pop up. | 0:07:25 | 0:07:28 | |
You know, like Kayleigh's brother-in-law, Guy Garvey. | 0:07:28 | 0:07:33 | |
He's the lead singer from Elbow. | 0:07:33 | 0:07:36 | |
HE LAUGHS | 0:07:36 | 0:07:38 | |
Harry Potter! What do you reckon? | 0:07:38 | 0:07:41 | |
Oh, magic! | 0:07:41 | 0:07:43 | |
-So, do you want to see a third season, Matt? -Definitely. | 0:07:43 | 0:07:47 | |
I really want to see a third season. | 0:07:47 | 0:07:50 | |
-I definitely want another series. Like, now. -Yes. Oh, yes. | 0:07:50 | 0:07:53 | |
Yes, I don't want it to end. | 0:07:53 | 0:07:56 | |
The final episode is on Tuesday at 9pm on BBC One, or you can | 0:07:59 | 0:08:03 | |
binge watch the whole second series right now on the iPlayer. | 0:08:03 | 0:08:07 | |
Staying with comedy, Friday night had a new offering on BBC One. | 0:08:07 | 0:08:11 | |
After an initial pilot as part of the reinstated Comedy Playhouse | 0:08:17 | 0:08:20 | |
strand earlier this year, | 0:08:20 | 0:08:22 | |
BBC Comedy has commissioned a full series of Hospital People. | 0:08:22 | 0:08:26 | |
This six-part series is written and created by Tom Binns and Matt | 0:08:26 | 0:08:30 | |
Morgan, with Tom playing a raft of characters living their daily | 0:08:30 | 0:08:34 | |
lives, set in a fictional hospital. | 0:08:34 | 0:08:36 | |
Here we go. | 0:08:36 | 0:08:38 | |
Ha-ha! The mysterious Mrs A! Ooh...! | 0:08:38 | 0:08:42 | |
Never just a hospital. | 0:08:44 | 0:08:46 | |
It's a place where people live, it is a place where people die, | 0:08:46 | 0:08:50 | |
-it is a place where people fall in love, it is... -OK. | 0:08:50 | 0:08:52 | |
Well, let's do that, but let's be very quick about it. | 0:08:52 | 0:08:55 | |
I don't want to be seen to be profiting from people's grief | 0:08:55 | 0:08:58 | |
cos that would make me no better than a florist. | 0:08:58 | 0:09:02 | |
The prognosis on this one isn't good. | 0:09:02 | 0:09:05 | |
Hospital People, | 0:09:05 | 0:09:06 | |
what an insult to the people and patients of Hartlepool. | 0:09:06 | 0:09:09 | |
We no longer have a complete hospital. | 0:09:09 | 0:09:12 | |
Services have been cut and inpatient wards closed, | 0:09:12 | 0:09:14 | |
but the NHS Trust responsible thinks it's OK to allow the building | 0:09:14 | 0:09:17 | |
to be used for the filming of this puerile nonsense. | 0:09:17 | 0:09:21 | |
Whoever commissioned this infantile rubbish needs to explain themselves. | 0:09:21 | 0:09:25 | |
It's neither funny nor imaginative | 0:09:25 | 0:09:27 | |
and I've seen better amateur performances. | 0:09:27 | 0:09:30 | |
Please, BBC, can I have my licence fee refunded? | 0:09:30 | 0:09:34 | |
I don't want it wasted on such unfunny garbage as Hospital People. | 0:09:34 | 0:09:38 | |
I'm sure some people will say it's the best thing since sliced bread. | 0:09:38 | 0:09:43 | |
Well, let them pay for my licence fee instead. | 0:09:43 | 0:09:46 | |
Let us see if another new offering on BBC One fared any better. | 0:10:03 | 0:10:07 | |
Weekday afternoons are now home to a quiz show fronted by the | 0:10:10 | 0:10:14 | |
Scottish comedian Susan Calman. | 0:10:14 | 0:10:16 | |
The Boss promises to be full of clever questions, | 0:10:16 | 0:10:19 | |
cunning contestants and cut-throat battles. | 0:10:19 | 0:10:22 | |
OK, Paul. Everyone's had a chance to challenge. | 0:10:22 | 0:10:25 | |
-Do you think anyone's going to be brave enough? -No, they shouldn't be. | 0:10:25 | 0:10:28 | |
AUDIENCE LAUGHTER | 0:10:28 | 0:10:30 | |
You are a confident fellow, Paul. I'm enjoying this very much! | 0:10:30 | 0:10:34 | |
In each episode, five contestants compete to become the Boss | 0:10:34 | 0:10:38 | |
and pick off their opponents, | 0:10:38 | 0:10:40 | |
before a final showdown to decide who walks away with the cash. | 0:10:40 | 0:10:44 | |
So, a simple set-up. | 0:10:44 | 0:10:46 | |
READS THE QUESTION QUICKLY | 0:11:12 | 0:11:17 | |
-END OF ROUND SIREN -I tried my best! | 0:11:17 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:22 | |
I tried my best. | 0:11:22 | 0:11:24 | |
So, that's a... ROBOTIC QUIZ NUH-UH | 0:11:37 | 0:11:39 | |
..for the format, but a... PING | 0:11:39 | 0:11:42 | |
..for the quizmaster. | 0:11:42 | 0:11:44 | |
Logging on to BBC Three now and a documentary series following | 0:11:46 | 0:11:49 | |
young trainee drivers with physical and learning disabilities. | 0:11:49 | 0:11:54 | |
-Is it hurting? -A wee bit, yeah. | 0:11:54 | 0:11:56 | |
Which bits are hurting? | 0:11:56 | 0:11:58 | |
Hands and foot. | 0:11:58 | 0:12:00 | |
Do you want me to drive you back? | 0:12:00 | 0:12:01 | |
-No, I'll be all right. -Are you sure? -I'll be all right, I promise. | 0:12:01 | 0:12:05 | |
This very special driving school follows some of the UK's most | 0:12:05 | 0:12:08 | |
inspiring learner drivers, | 0:12:08 | 0:12:10 | |
as they get behind the wheel and strive to achieve their | 0:12:10 | 0:12:13 | |
driving dreams against all the odds on the road to independence. | 0:12:13 | 0:12:19 | |
-I feel like an absolute halfwit. -No, no, no. | 0:12:19 | 0:12:23 | |
I need to drive. I've got two kids. | 0:12:23 | 0:12:25 | |
I actually just feel like not even driving at all cos I ken I'm not | 0:12:25 | 0:12:29 | |
going to be able to do it. | 0:12:29 | 0:12:32 | |
You can do it. | 0:12:32 | 0:12:33 | |
I cannae. | 0:12:33 | 0:12:34 | |
You can't give up. You've come too far to give up. | 0:12:34 | 0:12:37 | |
-Ah! -There you go. | 0:12:55 | 0:12:57 | |
That's the one, Stu! | 0:12:57 | 0:12:59 | |
Woo! Ha-ha-ha! | 0:12:59 | 0:13:01 | |
The four-part series is still available to watch online at | 0:13:01 | 0:13:05 | |
bbc.co.uk/bbcthree | 0:13:05 | 0:13:08 | |
Phew! Another show, jam-packed with your points of view. | 0:13:08 | 0:13:12 | |
Please, do keep your thoughts on the week's TV coming. | 0:13:12 | 0:13:14 | |
You can send them to us via the website or just fire us an e-mail: | 0:13:14 | 0:13:17 | |
That's the address. On social media, you can send us a tweet: | 0:13:21 | 0:13:23 | |
And we are on Facebook, too. Just search for: | 0:13:26 | 0:13:28 | |
So, we're back on BBC One at 4pm next Sunday. See you then | 0:13:30 | 0:13:34 | |
and we'll do it all over again. | 0:13:34 | 0:13:35 |