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This week, misbehaving twins on Pointless, | 0:00:02 | 0:00:03 | |
mispronunciation on The One Show and missing the old BBC idents? | 0:00:03 | 0:00:08 | |
Some of you are. Welcome to your Points Of View. | 0:00:08 | 0:00:11 | |
First up, in its 30th anniversary year, and Casualty treated us | 0:00:21 | 0:00:25 | |
to a dramatic two-parter. | 0:00:25 | 0:00:27 | |
It had you gripped. | 0:00:27 | 0:00:29 | |
THEY GROAN | 0:00:34 | 0:00:37 | |
Last Saturday night saw the deadly conclusion of | 0:00:43 | 0:00:45 | |
a dramatic two-part episode and the death of fan favourite Caleb Knight, | 0:00:45 | 0:00:50 | |
portrayed by Richard Winsor, after three years on the show. | 0:00:50 | 0:00:53 | |
Cal? | 0:01:09 | 0:01:10 | |
Caleb? | 0:01:13 | 0:01:15 | |
Casualty will mark the end of its current series with | 0:01:23 | 0:01:26 | |
a special episode filmed in a totally unique way. | 0:01:26 | 0:01:30 | |
We caught up with the programme's series producer, | 0:01:30 | 0:01:32 | |
Erika Hossington, to hear about this ambitious project. | 0:01:32 | 0:01:35 | |
How could we close the 30th anniversary series? | 0:01:37 | 0:01:41 | |
Get the series creator, Paul Unwin, back to write a one-off episode. | 0:01:41 | 0:01:45 | |
Paul's pitch - can we do a one-shot episode? I said yes immediately. | 0:01:46 | 0:01:51 | |
So the episode starts with a big stunt. | 0:01:51 | 0:01:54 | |
I'm not going to tell you anything about that, | 0:01:54 | 0:01:56 | |
but it is very spectacular, in pure Casualty style. | 0:01:56 | 0:01:58 | |
And then we pick up, coming into the department, | 0:01:58 | 0:02:02 | |
with two girls from a local school, | 0:02:02 | 0:02:05 | |
a very nice school called St Abigail's, | 0:02:05 | 0:02:07 | |
who are coming in to be looked after and shown around by Duffy for | 0:02:07 | 0:02:12 | |
an hour - that's all they've got. | 0:02:12 | 0:02:14 | |
And so we very much see the department, the staff and all | 0:02:14 | 0:02:17 | |
the patients through the eyes of these two teenage girls. | 0:02:17 | 0:02:21 | |
We have shot it hand-held, | 0:02:21 | 0:02:23 | |
so it's single camera but with two operators. | 0:02:23 | 0:02:26 | |
So there are points in the episode where the camera is passed | 0:02:26 | 0:02:29 | |
between one operator to another. | 0:02:29 | 0:02:31 | |
Not content with that, we fly the camera men on wires, | 0:02:31 | 0:02:36 | |
so the camera man actually flies down from the first floor to | 0:02:36 | 0:02:40 | |
the ground floor and ends up back in admin and then picks up | 0:02:40 | 0:02:44 | |
a completely different part of the action. | 0:02:44 | 0:02:47 | |
You come away from it just thinking, "Oh, my goodness! | 0:02:47 | 0:02:50 | |
"How do these people do that, day in, day out, week in, week out?" | 0:02:50 | 0:02:54 | |
It really is a testament to the NHS, | 0:02:54 | 0:02:56 | |
and that really was our intention with this episode. | 0:02:56 | 0:02:59 | |
The special one-shot episode will air in July. | 0:02:59 | 0:03:03 | |
Laughter is proving to be the best medicine for you on Friday nights | 0:03:03 | 0:03:07 | |
with the 53rd series of Have I Got News For You. | 0:03:07 | 0:03:10 | |
Kirsty Young was the referee last Friday night with the usual | 0:03:13 | 0:03:16 | |
team captains, Ian Hislop and Paul Merton. | 0:03:16 | 0:03:19 | |
Do we know what mugwump really means, though? | 0:03:19 | 0:03:22 | |
-I told you what it meant. -No, no, but I mean... | 0:03:22 | 0:03:24 | |
-Are you doubting the political editor of ITV? -I think he is. | 0:03:24 | 0:03:26 | |
-It's extraordinary. -He wins an award and he thinks he's Lord Rothermere! | 0:03:26 | 0:03:30 | |
But some of you thought Kirsty made a spectacle of herself. | 0:03:52 | 0:03:56 | |
Take a look at this. They took, of course, to editing it. | 0:03:56 | 0:04:00 | |
Let's take a look at what makes Jeremy happy. Little speeches. | 0:04:00 | 0:04:03 | |
-Do you think it's related? -No. -You answered that so rapidly. | 0:04:03 | 0:04:06 | |
Why was Batman... Refusing to answer? | 0:04:06 | 0:04:09 | |
Well, I mean, who cares, really? | 0:04:09 | 0:04:10 | |
Rarely have I seen anything on television is distracting as | 0:04:22 | 0:04:26 | |
Kirsty Young's antics with her glasses on Have I Got News For You. | 0:04:26 | 0:04:30 | |
On, off, on, off all the way through. | 0:04:30 | 0:04:34 | |
Have I got news for Kirsty Young! | 0:04:34 | 0:04:36 | |
You can now buy contact lenses and bifocals, | 0:04:36 | 0:04:40 | |
which alleviate the need for removing and replacing her glasses, | 0:04:40 | 0:04:43 | |
peering at her script and mumbling. | 0:04:43 | 0:04:46 | |
The series continues on BBC One at nine o'clock on Friday nights. | 0:04:46 | 0:04:52 | |
Kirsty's glasses weren't the only things causing | 0:04:52 | 0:04:55 | |
a distraction this week. | 0:04:55 | 0:04:56 | |
Last Saturday's international celebrity special of Pointless | 0:04:59 | 0:05:03 | |
featured some famous foreign friends, such as Jimmy Osmond and | 0:05:03 | 0:05:06 | |
the brothers Jedward. | 0:05:06 | 0:05:08 | |
The Dublin duo's antics did not impress and you flooded our mailbox with complaints. | 0:05:08 | 0:05:13 | |
Back in the '60s, people were watching...when you were on TV, | 0:05:13 | 0:05:16 | |
-people were watching. -He's still on TV, rocking it! -Ten seconds left. | 0:05:16 | 0:05:18 | |
-How do you pronounce Dalmatian? -Focus! -Ten seconds left. | 0:05:18 | 0:05:21 | |
# Yo, I'll tell you what I want What I really, really want | 0:05:21 | 0:05:23 | |
# So tell me what you want What you really, really want... # | 0:05:23 | 0:05:25 | |
Some subliminal message went into his head and he got the rap. | 0:05:25 | 0:05:28 | |
Well, certainly something's going on, yeah. | 0:05:28 | 0:05:31 | |
We didn't win the Eurovision, we didn't win that other talent show, | 0:05:55 | 0:05:57 | |
but, like, come on, we kind of won this show. | 0:05:57 | 0:05:59 | |
Moving on, the BBC One idents have certainly evolved since they were | 0:05:59 | 0:06:03 | |
created way back in 1953. | 0:06:03 | 0:06:06 | |
Now, after a decade of swimming in circles, | 0:06:15 | 0:06:18 | |
it is goodbye to TV's most famous hippos as BBC One has launched | 0:06:18 | 0:06:23 | |
a new set of idents to appear just before its TV shows. | 0:06:23 | 0:06:26 | |
The BBC commissioned acclaimed British photographer Martin Parr | 0:06:26 | 0:06:30 | |
to capture an evolving portrait of modern Britain in all its diversity. | 0:06:30 | 0:06:35 | |
Some of you have not been inspired. | 0:06:35 | 0:06:37 | |
We set some of our toughest viewers loose with their opinions on | 0:06:40 | 0:06:43 | |
the new BBC One idents. | 0:06:43 | 0:06:45 | |
Producers, be warned - this VT includes strong reactions. | 0:06:45 | 0:06:49 | |
-I don't like these. -That's terrible. | 0:06:51 | 0:06:54 | |
That will just curdle your milk in your tea | 0:06:54 | 0:06:56 | |
when you're watching programmes. | 0:06:56 | 0:06:58 | |
Oh, no! It's terrible. | 0:07:01 | 0:07:02 | |
I hate the fact they're out of time with one another. | 0:07:03 | 0:07:06 | |
I just find the sound annoying, I find her shouting annoying, | 0:07:06 | 0:07:09 | |
I just find the whole thing... I'm sure she's a lovely lady, but, oh! | 0:07:09 | 0:07:12 | |
I just find them boring. | 0:07:12 | 0:07:14 | |
I think it's a beautiful scene and it sounds nice, | 0:07:18 | 0:07:20 | |
listening to birds, tweeting. Hearing those birds... | 0:07:20 | 0:07:23 | |
-Yeah. -It's nice to hear that sound, | 0:07:25 | 0:07:27 | |
-it's a relaxing sound, you know. -I just wanted to see the programme | 0:07:27 | 0:07:31 | |
cos I didn't realise it was an ident! | 0:07:31 | 0:07:33 | |
-I have to say, it's the first one that's showing young people. -Yeah. | 0:07:35 | 0:07:39 | |
We've got quite a diverse country and, | 0:07:39 | 0:07:41 | |
so far, it's all been middle-aged people, I guess my age and upwards. | 0:07:41 | 0:07:45 | |
I like this one. This one's all right. | 0:07:48 | 0:07:50 | |
But I tend to focus too much on the dog cos that dog cracks me up | 0:07:50 | 0:07:53 | |
cos he's clearly not a trained dog, look! He's a puppy. He's off! | 0:07:53 | 0:07:57 | |
Go on, go find someone! | 0:07:57 | 0:07:58 | |
There's nothing BBC Oneish about it. There's nothing to tell you that's what you're watching. | 0:07:58 | 0:08:02 | |
At least they're wearing red. | 0:08:02 | 0:08:04 | |
I do love that one with the Indian dancers. I think that's great. | 0:08:06 | 0:08:08 | |
But only because it's colourful and bright. | 0:08:08 | 0:08:10 | |
It's colourful, it's bright, it shows diversity. | 0:08:10 | 0:08:12 | |
I don't know what Oneness means. | 0:08:12 | 0:08:14 | |
I don't know what it's all about. | 0:08:14 | 0:08:15 | |
I understand the concept - it's about bringing the country together | 0:08:15 | 0:08:18 | |
after what has been a divisive year, | 0:08:18 | 0:08:21 | |
but then the execution itself, it's just not very good. | 0:08:21 | 0:08:25 | |
They've not really done a very good job. | 0:08:25 | 0:08:27 | |
I think these new idents are boring and they're not creative enough. | 0:08:27 | 0:08:30 | |
They're not very successful as idents because you can't | 0:08:30 | 0:08:32 | |
really tell what they are. | 0:08:32 | 0:08:34 | |
There's just a breathtaking lack of creativity and form. | 0:08:34 | 0:08:37 | |
Does it represent the BBC in all its glory? Sadly, I don't think so. | 0:08:37 | 0:08:42 | |
I don't think they identify what the BBC is about. | 0:08:42 | 0:08:45 | |
I don't find them entertaining. | 0:08:45 | 0:08:47 | |
I don't find them making me want to watch them. | 0:08:47 | 0:08:49 | |
They're not interesting in that respect. They're not drawing me in. | 0:08:49 | 0:08:53 | |
-I don't want to find out more. -I really... | 0:08:53 | 0:08:55 | |
I think they're all boring and dull. | 0:08:55 | 0:08:57 | |
I think refreshing is a good thing to be done, | 0:08:57 | 0:08:59 | |
and it should be done frequently, but these are just not... | 0:08:59 | 0:09:03 | |
They're just not working for me. | 0:09:03 | 0:09:05 | |
Over to BBC Two now and the finale of the hotly anticipated | 0:09:05 | 0:09:09 | |
second season of the critically acclaimed drama The Last Kingdom. | 0:09:09 | 0:09:13 | |
Based on Bernard Cornwell's bestselling novels, | 0:09:16 | 0:09:18 | |
The Lords Of The North and Sword Song, | 0:09:18 | 0:09:21 | |
the series has been delighting fans. | 0:09:21 | 0:09:24 | |
-I cannot let her go! -She's our fortune! She's our reputation! | 0:09:24 | 0:09:29 | |
-If it's reputation you want, you can begin with killing me. -Uhtred, no! | 0:09:29 | 0:09:34 | |
If you want your fortune, you must kill me. | 0:09:34 | 0:09:38 | |
High praise indeed, | 0:09:52 | 0:09:53 | |
but some of you were not happy with how the BBC scheduled the series. | 0:09:53 | 0:09:58 | |
-How am I to trust you? -Lord, I'm weary of this. | 0:10:16 | 0:10:19 | |
YOU are weary of this? | 0:10:19 | 0:10:21 | |
Popping over to BBC Three and the improvised comedy series | 0:10:22 | 0:10:26 | |
Murder In Successville. | 0:10:26 | 0:10:28 | |
Each week, DI Sleet enlists the help of | 0:10:31 | 0:10:33 | |
a genuine celebrity psychic to solve the latest high-profile murder. | 0:10:33 | 0:10:37 | |
This week, it was Lorraine Kelly. | 0:10:37 | 0:10:39 | |
-Has there been a murder? -What? | 0:10:39 | 0:10:41 | |
-Has there... Has there been a murder, sir? -Ah, right. | 0:10:43 | 0:10:47 | |
-Sorry, sir, I've just always wanted to say that, sir. -Sit down. | 0:10:47 | 0:10:50 | |
Thank you, sir. | 0:10:50 | 0:10:51 | |
This surreal murder mystery is in its third series and | 0:10:51 | 0:10:54 | |
continues to keep you streaming and downloading. | 0:10:54 | 0:10:57 | |
There was another crime scene over on The One Show and, | 0:11:15 | 0:11:19 | |
this time, the victim was the English language. | 0:11:19 | 0:11:21 | |
Poor pronunciation is always | 0:11:25 | 0:11:27 | |
a bugbear for us here at Points Of View, | 0:11:27 | 0:11:29 | |
and it was Matt Baker and Michelle Ackerley this time. | 0:11:29 | 0:11:32 | |
The race to become a nucular superpower was anything | 0:11:32 | 0:11:36 | |
but straightforward. | 0:11:36 | 0:11:37 | |
You got in touch to bemoan the word nuclear being wrongly pronounced | 0:11:37 | 0:11:41 | |
as nucular, which seems to be more and more common. | 0:11:41 | 0:11:45 | |
Britain's Nucular Bomb, The Inside Story, | 0:12:10 | 0:12:13 | |
next Wednesday at nine o'clock. | 0:12:13 | 0:12:14 | |
Over on Have I Got A Bit More News For You, | 0:12:14 | 0:12:17 | |
guest host Richard Osman fell foul of this one too. | 0:12:17 | 0:12:20 | |
The only way my mum would go to nucular war is if | 0:12:20 | 0:12:23 | |
-they cancelled Eggheads. -No! | 0:12:23 | 0:12:25 | |
So Dean has had to get in touch with Points Of View twice this week. | 0:12:25 | 0:12:28 | |
Well, if, like Dean, | 0:12:54 | 0:12:55 | |
you spot something on the BBC that leaves you displeased or indeed | 0:12:55 | 0:12:59 | |
delighted, please do get in touch and let us know. | 0:12:59 | 0:13:02 | |
You can send us your thoughts or upload | 0:13:02 | 0:13:04 | |
a video through our website at... | 0:13:04 | 0:13:05 | |
Or drop us an e-mail at... | 0:13:08 | 0:13:10 | |
We're on both Twitter, where we are @bbcPoV, | 0:13:12 | 0:13:15 | |
and Facebook - just search for BBC Points Of View. | 0:13:15 | 0:13:18 | |
And finally, of course, amid so many ways to get in touch, | 0:13:18 | 0:13:21 | |
you can put pen to paper and simply write to us. | 0:13:21 | 0:13:24 | |
The address is... | 0:13:24 | 0:13:25 | |
We're back at 4pm next Sunday afternoon right here on BBC One. | 0:13:30 | 0:13:34 | |
We'll see you then. | 0:13:34 | 0:13:35 |