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This week, the comedy many of you find no laughing matter, | 0:00:02 | 0:00:04 | |
and the case of the detective who's gone missing from the schedules. | 0:00:04 | 0:00:08 | |
Welcome to the show that lets YOU have YOUR say on the week's TV. | 0:00:08 | 0:00:12 | |
Welcome to your Points Of View. | 0:00:12 | 0:00:14 | |
First, events this week were, of course, overshadowed | 0:00:25 | 0:00:29 | |
by Monday night's attack on innocent concert-goers | 0:00:29 | 0:00:31 | |
at the Manchester Arena. | 0:00:31 | 0:00:33 | |
'After many of us woke up to news of the bombing on BBC Breakfast | 0:00:34 | 0:00:37 | |
'on Tuesday morning, | 0:00:37 | 0:00:39 | |
'rolling coverage from Manchester | 0:00:39 | 0:00:40 | |
'replaced BBC One's normal programming | 0:00:40 | 0:00:43 | |
'for the rest of the morning, | 0:00:43 | 0:00:45 | |
'before transferring to BBC Two in the afternoon.' | 0:00:45 | 0:00:48 | |
I can see streams of people, clearly on their way to work. | 0:00:49 | 0:00:53 | |
This may have happened last night, at only 10:30 last night, | 0:00:53 | 0:00:56 | |
but people are absolutely determined to get back to normal. | 0:00:56 | 0:00:59 | |
Many of you got in touch about BBC News | 0:00:59 | 0:01:02 | |
and BBC Breakfast's reporting. | 0:01:02 | 0:01:04 | |
You also singled out Dan Walker's warning regarding social media. | 0:01:29 | 0:01:33 | |
There's some horrendous rumours about people making up | 0:01:33 | 0:01:37 | |
that they've lost members of their family to try and get re-tweets. | 0:01:37 | 0:01:41 | |
If you're involved in that, just stop it, | 0:01:41 | 0:01:43 | |
cos it's a really serious incident, | 0:01:43 | 0:01:44 | |
and people are desperate to find out information. | 0:01:44 | 0:01:46 | |
Several, however, did question the decision | 0:01:51 | 0:01:54 | |
to replace BBC One and, later, BBC Two's normal programming | 0:01:54 | 0:01:57 | |
with rolling coverage. | 0:01:57 | 0:01:59 | |
Our thoughts are with everyone | 0:02:17 | 0:02:19 | |
affected by the attack in Manchester. | 0:02:19 | 0:02:21 | |
This week saw a perennial favourite of the BBC's spring schedules | 0:02:22 | 0:02:27 | |
return to our screens. | 0:02:27 | 0:02:28 | |
Coverage of the annual flower fest that is the Chelsea Flower Show | 0:02:30 | 0:02:33 | |
began last Sunday with an hour-long preview. | 0:02:33 | 0:02:36 | |
Your green-fingered guides to the gardens across the week | 0:02:36 | 0:02:40 | |
included Nicki Chapman, James Wong, | 0:02:40 | 0:02:42 | |
Joe Swift and Monty Don. | 0:02:42 | 0:02:43 | |
This celebrates everything I love about gardening. | 0:02:43 | 0:02:46 | |
Not just vegetables, but it's just something about the joy of it, | 0:02:46 | 0:02:49 | |
and I love the way that here we are at Chelsea, | 0:02:49 | 0:02:52 | |
it's not trying to pretend it's anything else, it's a veg plot. | 0:02:52 | 0:02:55 | |
On the whole, your views on the BBC's broadcast this year | 0:02:55 | 0:02:59 | |
proved rosy. | 0:02:59 | 0:03:00 | |
Like it! | 0:03:02 | 0:03:03 | |
But, once more, a common complaint regarding Chelsea gained ground, | 0:03:03 | 0:03:06 | |
as several of you felt, yet again this year, | 0:03:06 | 0:03:09 | |
the focus fell too much on the presenters rather than the plants... | 0:03:09 | 0:03:13 | |
..while the frequent mentions of the Flower Show's sponsor | 0:03:23 | 0:03:27 | |
proved a thorn in the side of some. | 0:03:27 | 0:03:29 | |
Well, in an attempt to nip that one in the bud, | 0:03:51 | 0:03:54 | |
we asked the BBC to explain those sponsor mentions, | 0:03:54 | 0:03:58 | |
and this is what they said. | 0:03:58 | 0:03:59 | |
That was as much of an explanation as we could get for you, I'm afraid. | 0:04:07 | 0:04:11 | |
It was a case of gently does it on BBC One last Sunday | 0:04:11 | 0:04:14 | |
as an inspector called for the penultimate time. | 0:04:14 | 0:04:18 | |
Set in 1970, the first of a two-part swansong | 0:04:19 | 0:04:22 | |
for Inspector George Gently | 0:04:22 | 0:04:23 | |
saw the detective reopen an eight-year-old case. | 0:04:23 | 0:04:27 | |
Marion wants a body to bury. We should just close the case. | 0:04:27 | 0:04:31 | |
If you keep talking, I'm going to start asking | 0:04:31 | 0:04:34 | |
why you are so anxious to defend a flawed investigation. | 0:04:34 | 0:04:37 | |
Is there something I should know here? Cos if there is, tell me. | 0:04:38 | 0:04:42 | |
The news that George will soon be hanging up his handcuffs for good | 0:04:42 | 0:04:46 | |
has been met with disappointment. | 0:04:46 | 0:04:48 | |
Sunday's episode did, however, bring some joy to the Points Of View team | 0:05:00 | 0:05:05 | |
as eagle-eyed viewers spotted our first historical clanger in a while. | 0:05:05 | 0:05:10 | |
Well spotted. George was indeed shown | 0:05:16 | 0:05:19 | |
using a particular brand of torch that only became available in 1979. | 0:05:19 | 0:05:23 | |
The drama's producers have made a full confession on this one. | 0:05:30 | 0:05:33 | |
Perhaps the real mystery surrounding DCI Gently this week, though, | 0:05:44 | 0:05:47 | |
is just when you'll get to see the series conclusion. | 0:05:47 | 0:05:51 | |
Good question, Richard. That would make sense, wouldn't it? | 0:06:00 | 0:06:02 | |
We asked the BBC if they could shed some light | 0:06:02 | 0:06:04 | |
on the inspector's disappearance from this week's schedule, | 0:06:04 | 0:06:08 | |
and this is their response. | 0:06:08 | 0:06:09 | |
Next, Homes Under The Hammer does it. | 0:06:32 | 0:06:34 | |
Coming up, this two-bed property... | 0:06:34 | 0:06:36 | |
Bargain Hunt does it... | 0:06:36 | 0:06:38 | |
So let's take a shifty at what's coming up. | 0:06:38 | 0:06:40 | |
And this week, the Chelsea Flower Show was at it too... | 0:06:40 | 0:06:43 | |
Coming up tonight, | 0:06:43 | 0:06:44 | |
we'll be revealing all of this year's show gardens. | 0:06:44 | 0:06:47 | |
Known in the industry as a tease, or menu, | 0:06:47 | 0:06:50 | |
programme makers frequently reveal what's coming up | 0:06:50 | 0:06:53 | |
at the start of a show, | 0:06:53 | 0:06:54 | |
presumably in the hope of enticing us to stay tuned. | 0:06:54 | 0:06:57 | |
But it appears use of the technique is leading to several of you | 0:06:57 | 0:07:01 | |
reaching for the remote instead. | 0:07:01 | 0:07:03 | |
You definitely aren't alone, Nick. | 0:07:16 | 0:07:19 | |
This week, we heard from two other viewers | 0:07:19 | 0:07:21 | |
with exactly the same point of view. | 0:07:21 | 0:07:23 | |
We paid them a visit | 0:07:23 | 0:07:25 | |
to find out why they've had enough of hearing what's next. | 0:07:25 | 0:07:28 | |
Coming up next on Points Of View, I, Paul Southwell, | 0:07:29 | 0:07:33 | |
and my wife, Kairen, make a cup of tea... | 0:07:33 | 0:07:36 | |
..sit out in the garden, | 0:07:38 | 0:07:40 | |
and tell you all about one of TV's most annoying features. | 0:07:40 | 0:07:43 | |
I don't want to see all the most important parts of the programme | 0:07:46 | 0:07:49 | |
at the very beginning. | 0:07:49 | 0:07:51 | |
I want to watch the programme, | 0:07:51 | 0:07:52 | |
and watch it develop as it happens. | 0:07:52 | 0:07:54 | |
Not at the front. | 0:07:54 | 0:07:56 | |
And it makes me so mad | 0:07:56 | 0:07:58 | |
to the point where I really want to throw the controller | 0:07:58 | 0:08:01 | |
at the television. | 0:08:01 | 0:08:03 | |
And if I pick up a book, I don't skim through all the chapters first | 0:08:03 | 0:08:08 | |
and then read the book. I like the programme to be revealed to me. | 0:08:08 | 0:08:12 | |
There was that series that was on recently about hotels, | 0:08:12 | 0:08:15 | |
-Amazing Hotels... -That is right, yes. | 0:08:15 | 0:08:17 | |
And they had a huge trailer at the beginning | 0:08:17 | 0:08:20 | |
-with all the hotels "to come" later in the series. -Yes. | 0:08:20 | 0:08:23 | |
'All over the world, there are remarkable hotels, | 0:08:23 | 0:08:27 | |
'born of bold vision and daring endeavour.' | 0:08:27 | 0:08:30 | |
Also, Escape To The Country. | 0:08:30 | 0:08:32 | |
'Coming up, the Mystery House reaches new heights.' | 0:08:32 | 0:08:36 | |
I really think it's a piece of padding | 0:08:36 | 0:08:38 | |
that can be put at the front of the programme | 0:08:38 | 0:08:40 | |
to be able to fill it out a little bit. | 0:08:40 | 0:08:42 | |
Don't you agree? | 0:08:42 | 0:08:43 | |
Yes, because, very often, there's three or four minutes | 0:08:43 | 0:08:46 | |
at the beginning of the programme which is just regurgitated video. | 0:08:46 | 0:08:49 | |
Why do I have to watch a teaser at the beginning? | 0:08:49 | 0:08:53 | |
It's just not necessary. Just take it away. | 0:08:53 | 0:08:56 | |
If another habit of programme makers has you frustrated, | 0:08:56 | 0:08:58 | |
we want to hear about it. | 0:08:58 | 0:09:00 | |
Details of how to get in touch coming up at the end of the show. | 0:09:00 | 0:09:04 | |
Moving underground, BBC Two on Monday night | 0:09:04 | 0:09:06 | |
was delving deep to uncover the story behind | 0:09:06 | 0:09:09 | |
Europe's biggest construction project. | 0:09:09 | 0:09:11 | |
The Fifteen Billion Pound Railway, The Final Countdown, | 0:09:11 | 0:09:15 | |
took us behind the scenes | 0:09:15 | 0:09:16 | |
of the race to complete Crossrail, London's new railway. | 0:09:16 | 0:09:20 | |
Monday's episode saw the sheer scale of the task | 0:09:20 | 0:09:24 | |
revealed by engineer Linda Miller. | 0:09:24 | 0:09:26 | |
If you were to take The Shard, | 0:09:26 | 0:09:28 | |
which is the tallest skyscraper in Europe right now, | 0:09:28 | 0:09:30 | |
and lay it on its side, it would fit inside of my Farringdon Station. | 0:09:30 | 0:09:34 | |
This one was definitely on the right track. Sorry. | 0:09:34 | 0:09:38 | |
You found it anything but... | 0:09:38 | 0:09:40 | |
BORING. | 0:09:40 | 0:09:41 | |
In fact, it left you feeling rather patriotic. | 0:09:55 | 0:09:57 | |
And the engineering feats portrayed even inspired you to make | 0:10:07 | 0:10:11 | |
a technological advance of your own when sending your feedback, | 0:10:11 | 0:10:14 | |
albeit on a slightly smaller scale. | 0:10:14 | 0:10:16 | |
And, I think, the first emoji on Points Of View. | 0:10:20 | 0:10:24 | |
Ground-breaking moment for us here. | 0:10:24 | 0:10:26 | |
The Fifteen Billion Pound Railway concludes on BBC Two tomorrow night. | 0:10:26 | 0:10:30 | |
To Friday night comedy next, | 0:10:30 | 0:10:33 | |
although some would argue I'm using that word loosely. | 0:10:33 | 0:10:35 | |
Back last week for the start of a third series, | 0:10:37 | 0:10:39 | |
Count Arthur Strong stars Steve Delaney | 0:10:39 | 0:10:42 | |
as a 70-something faded variety star. | 0:10:42 | 0:10:45 | |
The new series opener saw the Count enlisted to rid | 0:10:45 | 0:10:48 | |
a haunted house of its demons. | 0:10:48 | 0:10:51 | |
-Promise me you won't be angry with me. -What did you do?! | 0:10:51 | 0:10:53 | |
I've agreed to perform an exorcism at their house. | 0:10:55 | 0:10:58 | |
What?! | 0:10:58 | 0:11:00 | |
LAUGHTER | 0:11:00 | 0:11:01 | |
I didn't mean to, Michael. | 0:11:01 | 0:11:03 | |
The Count's antics split the sides of some. | 0:11:03 | 0:11:06 | |
Yet, despite the show coming fourth in a poll | 0:11:22 | 0:11:24 | |
to find the nation's favourite sitcom last year, | 0:11:24 | 0:11:27 | |
many of you are failing to see the funny side. | 0:11:27 | 0:11:30 | |
After ten minutes, I couldn't stand it any more, | 0:11:30 | 0:11:32 | |
and turned it off to watch a DVD | 0:11:32 | 0:11:34 | |
and wait for Graham Norton. | 0:11:34 | 0:11:36 | |
Is this really prime-time Friday viewing? | 0:11:36 | 0:11:38 | |
Honestly, BBC, this is complete twaddle, | 0:11:38 | 0:11:41 | |
and I think you really need to do better. | 0:11:41 | 0:11:43 | |
And finally this week, | 0:11:52 | 0:11:53 | |
just time to mention one of my all-time favourite shows. | 0:11:53 | 0:11:56 | |
This is what I watch every evening at six o'clock, | 0:11:56 | 0:11:58 | |
and now I'm here, it's like a bad dream. | 0:11:58 | 0:12:01 | |
After previously occupying a regular 6pm slot | 0:12:01 | 0:12:04 | |
in BBC Two's schedules, since earlier this month, | 0:12:04 | 0:12:07 | |
episodes of Celebrity Eggheads have been moved to 6:45pm, | 0:12:07 | 0:12:11 | |
and that shift has left many of you frustrated. | 0:12:11 | 0:12:14 | |
Good question. | 0:12:34 | 0:12:35 | |
Now, I'm not sure we'll EVER get to the bottom of that, | 0:12:35 | 0:12:37 | |
but we did ask them about moving Celebrity Eggheads. | 0:12:37 | 0:12:40 | |
And they said... | 0:12:40 | 0:12:42 | |
Whether you see a drama that has left you dazzled | 0:12:56 | 0:12:58 | |
or a disappointing documentary on BBC television | 0:12:58 | 0:13:01 | |
over the next seven days, | 0:13:01 | 0:13:03 | |
please do get in touch with your thoughts. | 0:13:03 | 0:13:05 | |
You can e-mail us at... | 0:13:05 | 0:13:07 | |
..or send us a message via our website, | 0:13:08 | 0:13:10 | |
where it's also very easy to upload a video for us. | 0:13:10 | 0:13:13 | |
You'll find us at... | 0:13:13 | 0:13:15 | |
And we're on social media, too. On Twitter we are at... | 0:13:17 | 0:13:20 | |
..or on Facebook you can find us just by searching for... | 0:13:22 | 0:13:25 | |
We're back, right here, on BBC One next Sunday at, | 0:13:27 | 0:13:30 | |
would you believe it, the same time? | 0:13:30 | 0:13:32 | |
That's 4:45pm. | 0:13:32 | 0:13:33 | |
Enjoy the rest of your Sunday. | 0:13:33 | 0:13:35 |