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This week, your reviews are in on two of the BBC's latest dramas. | 0:00:02 | 0:00:05 | |
And, yet again, one of the corporation's | 0:00:05 | 0:00:07 | |
comedies has firmly split opinion. | 0:00:07 | 0:00:10 | |
All that and more coming up in the show that lets you have your say | 0:00:10 | 0:00:14 | |
on the week's BBC television programmes. | 0:00:14 | 0:00:17 | |
Welcome to your Points Of View. | 0:00:17 | 0:00:19 | |
We begin this week with the BBC One drama that debuted on Tuesday | 0:00:30 | 0:00:33 | |
night after being postponed from the previous week. | 0:00:33 | 0:00:36 | |
The latest work from Liverpudlian writer Jimmy McGovern, | 0:00:37 | 0:00:40 | |
Broken stars Sean Bean as a compassionate Catholic priest | 0:00:40 | 0:00:44 | |
in an impoverished northern community. | 0:00:44 | 0:00:47 | |
Amongst the members of his congregation is struggling | 0:00:47 | 0:00:49 | |
single mum Christina, played by Anna Friel. | 0:00:49 | 0:00:52 | |
-Did you know that she was having chest pains? -Yeah. | 0:00:52 | 0:00:54 | |
Did you know she was having chest pains? | 0:00:54 | 0:00:55 | |
Because I didn't, everyone else knew. | 0:00:55 | 0:00:57 | |
When was her pension last drawn, Christina? | 0:00:57 | 0:00:59 | |
-An hour ago. -Oh, Christina. | 0:01:03 | 0:01:06 | |
SHE CRIES | 0:01:06 | 0:01:08 | |
Broken had you reaching for the tissues. | 0:01:08 | 0:01:11 | |
And there was praise, too, for the drama's portrayal of life on | 0:01:29 | 0:01:32 | |
the breadline. | 0:01:32 | 0:01:33 | |
Broken is a great series because it highlights real social issues | 0:01:33 | 0:01:39 | |
that affect the UK today, everywhere. It's so true to life. | 0:01:39 | 0:01:43 | |
Broken continues on Tuesday night. | 0:01:43 | 0:01:45 | |
It's been less than a month since | 0:01:45 | 0:01:46 | |
MasterChef crowned its latest winner. | 0:01:46 | 0:01:49 | |
Bake Off: Creme de la Creme just reached its conclusion on | 0:01:49 | 0:01:52 | |
Wednesday night, | 0:01:52 | 0:01:53 | |
but this week saw the return of yet another competitive cooking show. | 0:01:53 | 0:01:58 | |
Running on weekday afternoons, | 0:01:59 | 0:02:01 | |
Yes Chef sees professional chefs picking a partner from a selection | 0:02:01 | 0:02:05 | |
of keen, amateur cooks after putting them through their paces. | 0:02:05 | 0:02:09 | |
The pair from each day's episode then go on to compete in | 0:02:09 | 0:02:12 | |
a Friday cook-off final. | 0:02:12 | 0:02:14 | |
'The teams try desperately to plate up everything in order to | 0:02:14 | 0:02:17 | |
-'finish on time. -Yeah, a little bit of stock. | 0:02:17 | 0:02:19 | |
A little bit of stock. | 0:02:19 | 0:02:21 | |
-Where's that vinaigrette I asked you to make? -Yeah, the vinaigrette here? | 0:02:23 | 0:02:26 | |
At least one of you feels Yes Chef is an improvement on its | 0:02:26 | 0:02:30 | |
bigger budget rivals. | 0:02:30 | 0:02:31 | |
Yet the appearance of another cookery show in the schedules | 0:02:40 | 0:02:44 | |
got you all steamed up. | 0:02:44 | 0:02:45 | |
The perfect example of too many cooks, perhaps. | 0:03:01 | 0:03:03 | |
Next, there may be no such thing as a free lunch, but turn up in | 0:03:03 | 0:03:07 | |
the right place at the right time recently and you could have | 0:03:07 | 0:03:10 | |
been in line for a complimentary breakfast, courtesy of the BBC. | 0:03:10 | 0:03:14 | |
As part of their election coverage, BBC Breakfast have been travelling | 0:03:18 | 0:03:22 | |
the country with a butty van in tow | 0:03:22 | 0:03:25 | |
to grill voters on their election views. | 0:03:25 | 0:03:28 | |
On Wednesday, the van pitched up in Portrush. | 0:03:28 | 0:03:31 | |
As an economist, looking at this region of Northern Ireland, | 0:03:31 | 0:03:35 | |
how does it differ to the UK? | 0:03:35 | 0:03:36 | |
Because a lot of the issues we're talking about is exactly what | 0:03:36 | 0:03:39 | |
the rest of the UK is talking about. | 0:03:39 | 0:03:40 | |
Yes, indeed, and in many ways, the region is quite similar. | 0:03:40 | 0:03:42 | |
It's got pockets of absolute brilliance. | 0:03:42 | 0:03:44 | |
The van's appearance on BBC Breakfast proved | 0:03:44 | 0:03:48 | |
a rude awakening for some. | 0:03:48 | 0:03:49 | |
That budget perhaps not stretching far enough, though. | 0:04:02 | 0:04:05 | |
Because of the unique way the BBC is funded, | 0:04:05 | 0:04:07 | |
we've only actually got one microphone. | 0:04:07 | 0:04:09 | |
It wasn't just the cost of the roving roll outlet that had | 0:04:09 | 0:04:13 | |
you spluttering in your coffee either. | 0:04:13 | 0:04:15 | |
Adam Bullimore is the man in charge at BBC Breakfast. | 0:04:42 | 0:04:46 | |
We put your views on the show's Bapmobile to him, | 0:04:46 | 0:04:49 | |
and this is what he had to say in response. | 0:04:49 | 0:04:51 | |
When it comes to the BBC's election coverage, | 0:05:17 | 0:05:20 | |
it hasn't just been the style of the coverage you've been criticising, | 0:05:20 | 0:05:23 | |
but also the content, | 0:05:23 | 0:05:24 | |
with many feeling the corporation's reporting has been biased. | 0:05:24 | 0:05:28 | |
In the interest of impartiality, however, | 0:05:47 | 0:05:50 | |
it is only fair to point out that we also received the following. | 0:05:50 | 0:05:53 | |
I journeyed into the heart of the BBC's news operation to put | 0:06:16 | 0:06:20 | |
those accusations of bias to the person responsible for the | 0:06:20 | 0:06:23 | |
BBC's flagship news bulletins. | 0:06:23 | 0:06:25 | |
Some of our viewers think that the news is biased | 0:06:29 | 0:06:32 | |
one way or the other. What do you have to say to that? | 0:06:32 | 0:06:35 | |
Well, I mean, unsurprisingly, I'd reject the idea that the news | 0:06:35 | 0:06:38 | |
is biased and to sort of reassure audiences, we go through | 0:06:38 | 0:06:42 | |
meetings, processes, discussions, | 0:06:42 | 0:06:44 | |
editorial discussions all day as we prepare the news and | 0:06:44 | 0:06:49 | |
prepare it for broadcast, and so news in itself can be controversial. | 0:06:49 | 0:06:54 | |
There can be a range of opinions, particularly during election periods | 0:06:54 | 0:06:57 | |
when you've got different political parties saying different things. | 0:06:57 | 0:07:00 | |
But I want to reassure audiences of BBC News that we go through | 0:07:00 | 0:07:04 | |
a lot of stages every day very carefully. | 0:07:04 | 0:07:07 | |
We take a lot of care to ensure that the news isn't biased. | 0:07:07 | 0:07:10 | |
One interesting thing is when you DON'T cover a story, Paul. | 0:07:13 | 0:07:17 | |
So, a march happens and someone's on it | 0:07:17 | 0:07:18 | |
and they say, "Well, where is it in the news?" | 0:07:18 | 0:07:21 | |
The bulletins that I look after, | 0:07:21 | 0:07:22 | |
there's a finite space and there's a lot of competition for that space. | 0:07:22 | 0:07:25 | |
Quite often in those particular cases, | 0:07:25 | 0:07:27 | |
somewhere within BBC News, the website or radio or another | 0:07:27 | 0:07:32 | |
platform, that story is being covered. | 0:07:32 | 0:07:34 | |
We may have covered an issue three months ago, it comes up again now. | 0:07:34 | 0:07:38 | |
The judgment on the day is actually, | 0:07:38 | 0:07:40 | |
we have discussed and covered and analysed that issue fairly recently, | 0:07:40 | 0:07:44 | |
so it's not going to get on today because we think we've got | 0:07:44 | 0:07:46 | |
something else which is more important, more significant, | 0:07:46 | 0:07:49 | |
or the audience would perhaps prefer to be hearing about. | 0:07:49 | 0:07:53 | |
Is being unbiased just a destination you never quite reach? | 0:07:53 | 0:07:57 | |
Absolutely, because I think we are committed to impartiality, | 0:07:57 | 0:08:00 | |
we are committed to delivering for audiences, and it's not our | 0:08:00 | 0:08:03 | |
job to demonstrate or show bias, | 0:08:03 | 0:08:05 | |
and I think the experience and the quality of the reporters and | 0:08:05 | 0:08:08 | |
the producers and the programme editors we have, | 0:08:08 | 0:08:11 | |
we are pretty successful at delivering that. | 0:08:11 | 0:08:14 | |
Whether it's to compliment or criticise something you see | 0:08:14 | 0:08:16 | |
on the BBC over the next seven days, | 0:08:16 | 0:08:18 | |
please do get in touch with your point of view. | 0:08:18 | 0:08:21 | |
You can drop us a line at... | 0:08:21 | 0:08:23 | |
..or contact us via our website, where you will also find links to | 0:08:25 | 0:08:28 | |
catch up on the programmes we've discussed this week. | 0:08:28 | 0:08:31 | |
The address is... | 0:08:31 | 0:08:32 | |
If you are social media-savvy, you can tweet us at... | 0:08:35 | 0:08:39 | |
Or why not join in the conversation about the week's TV on our | 0:08:39 | 0:08:43 | |
Facebook page? Just search for BBC Points of View. | 0:08:43 | 0:08:46 | |
And if you prefer non-electronic forms of communication, | 0:08:46 | 0:08:49 | |
you can of course put your pen to paper. | 0:08:49 | 0:08:52 | |
Our postal address is... | 0:08:52 | 0:08:54 | |
We're waiting to hear from you. | 0:08:59 | 0:09:01 | |
This week saw the halfway point | 0:09:05 | 0:09:07 | |
reached in BBC Two's dark new thriller. | 0:09:07 | 0:09:10 | |
Unfolding over three episodes, | 0:09:10 | 0:09:12 | |
Paula sees the life of | 0:09:12 | 0:09:13 | |
a comprehensive school chemistry teacher | 0:09:13 | 0:09:15 | |
take a torrid turn after a one-night stand | 0:09:15 | 0:09:19 | |
with an odd-job man | 0:09:19 | 0:09:20 | |
originally called to rid her basement of rodents. | 0:09:20 | 0:09:24 | |
I was thinking I might... | 0:09:24 | 0:09:27 | |
I might get a pizza if you want... | 0:09:27 | 0:09:29 | |
Yeah. Look, James, I don't want to hurt your feelings, | 0:09:29 | 0:09:31 | |
but this is a really, really bad time for me. I'm sorry. | 0:09:31 | 0:09:34 | |
No problem. | 0:09:39 | 0:09:40 | |
Some of you were gripped from the outset. | 0:09:40 | 0:09:43 | |
But others felt the drama's opening episode was more likely to | 0:09:51 | 0:09:55 | |
induce sleep than keep anyone awake at night. | 0:09:55 | 0:09:57 | |
You can make up your own mind on Paula | 0:10:10 | 0:10:12 | |
by catching up via the iPlayer. | 0:10:12 | 0:10:14 | |
The first two episodes are available now. | 0:10:14 | 0:10:16 | |
Last weekend, BBC Two whisked us off for a whistle-stop tour | 0:10:16 | 0:10:21 | |
around the haunts of one of Britain's best loved authors. | 0:10:21 | 0:10:24 | |
Historian Lucy Worsley was our guide in Jane Austen: Behind Closed Doors, | 0:10:27 | 0:10:32 | |
which aimed to show how the houses the author lived and | 0:10:32 | 0:10:35 | |
stayed in influenced her writing. | 0:10:35 | 0:10:37 | |
Now, this might not be the big and glamorous ballroom | 0:10:39 | 0:10:42 | |
that you were expecting, | 0:10:42 | 0:10:45 | |
but it was possible to hold a ball in just an ordinary house. | 0:10:45 | 0:10:49 | |
A novel delight by most accounts. | 0:10:49 | 0:10:51 | |
But there were also complaints from those who felt the programme | 0:11:03 | 0:11:06 | |
lacked both style and substance. | 0:11:06 | 0:11:08 | |
From the 19th-century life of a classics author to the rather | 0:11:25 | 0:11:29 | |
different experiences of 1980s Essex wheeler-dealers. | 0:11:29 | 0:11:33 | |
Taking us back to an era we'd probably all rather forget | 0:11:35 | 0:11:38 | |
fashion-wise, BBC Two's new comedy White Gold, | 0:11:38 | 0:11:41 | |
follows the characters at a double glazing salesroom, with | 0:11:41 | 0:11:45 | |
a fast-talking and ever so slightly smarmy Vincent Swann at the helm. | 0:11:45 | 0:11:50 | |
-So, what is it you sell? -Double glazing. -Fancy. | 0:11:50 | 0:11:54 | |
I quite like them patio doors. | 0:11:54 | 0:11:57 | |
I bet they're expensive, though. | 0:11:57 | 0:11:59 | |
Oh, you'd be surprised, Gillian. | 0:11:59 | 0:12:01 | |
It appears the BBC may have struck gold with this one. | 0:12:01 | 0:12:04 | |
That's dedication for you. | 0:12:11 | 0:12:13 | |
And there was approval from industry insiders, too. | 0:12:13 | 0:12:16 | |
Short but sweet, Mel. | 0:12:19 | 0:12:20 | |
White Gold may have dazzled some, | 0:12:20 | 0:12:22 | |
but others found it to be no laughing matter, | 0:12:22 | 0:12:25 | |
thanks to the characters' rather colourful language. | 0:12:25 | 0:12:28 | |
Perhaps not for everyone, then. | 0:12:41 | 0:12:43 | |
Finally this week, | 0:12:43 | 0:12:44 | |
you've been paying tribute to one of Blue Peter's best-loved | 0:12:44 | 0:12:47 | |
former presenters, John Noakes, who sadly passed away earlier this week. | 0:12:47 | 0:12:51 | |
"Get down, Shep" was the unforgettable catchphrase. | 0:13:04 | 0:13:08 | |
We're back on BBC One at 4:45pm next Sunday, and until then, | 0:13:08 | 0:13:12 | |
we will leave you with a clip of that, frankly, terrifying ascent. | 0:13:12 | 0:13:16 | |
Take care. | 0:13:16 | 0:13:17 | |
I found myself literally hanging from the ladder | 0:13:17 | 0:13:20 | |
with nothing at all beneath me. | 0:13:20 | 0:13:21 | |
You told me there was overhang, | 0:13:24 | 0:13:26 | |
-but you didn't tell me it leant to one side. -No. | 0:13:26 | 0:13:29 | |
-That was the awkward part. -My God. | 0:13:29 | 0:13:32 | |
It's a long way up, really, isn't it? | 0:13:33 | 0:13:35 |