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Today on Real Rescues, | 0:00:03 | 0:00:05 | |
an urgent case for the Magpas emergency medical team. | 0:00:05 | 0:00:08 | |
WOMAN SCREAMS IN PAIN | 0:00:08 | 0:00:11 | |
A woman can't wait for hospital treatment. | 0:00:11 | 0:00:14 | |
The doctor has to fix her dislocated knee now. | 0:00:14 | 0:00:17 | |
If it's the kneecap that's out, | 0:00:17 | 0:00:18 | |
because it feels quite bony on this side, | 0:00:18 | 0:00:21 | |
that's where it tends to go, | 0:00:21 | 0:00:22 | |
and we can pop it back in. That might help. OK? | 0:00:22 | 0:00:24 | |
A 999 call from a dad whose wife is about to give birth. | 0:00:26 | 0:00:30 | |
The baby arrives, but there's no crying. | 0:00:33 | 0:00:36 | |
In my mind, at the back of my mind, I'm thinking that | 0:00:41 | 0:00:46 | |
the longer she's blue and not breathing, the more trouble we're in. | 0:00:46 | 0:00:50 | |
And after an encounter with a wheelie bin, | 0:00:50 | 0:00:53 | |
Robert fears for the worst. | 0:00:53 | 0:00:55 | |
I had visions of my whole head being split open. | 0:00:55 | 0:00:59 | |
Hello and welcome to Real Rescues | 0:01:18 | 0:01:21 | |
and the world of the emergency services. | 0:01:21 | 0:01:23 | |
The people here take calls about all kinds of accidents - | 0:01:23 | 0:01:26 | |
the ordinary, the extraordinary and sometimes the unimaginable. | 0:01:26 | 0:01:30 | |
We're about to see a painful injury, so bad that the ambulance crew | 0:01:30 | 0:01:33 | |
has to call in more senior help en route to hospital. | 0:01:33 | 0:01:36 | |
An emergency medical team from the Magpas charity | 0:01:43 | 0:01:46 | |
on duty in Cambridge is heading to a woman in agonising pain. | 0:01:46 | 0:01:50 | |
Dr Simon Lewis and paramedic Dan Read | 0:01:50 | 0:01:53 | |
are trained in pre-hospital trauma. | 0:01:53 | 0:01:55 | |
They can perform clinical procedures at the roadside. | 0:01:55 | 0:01:58 | |
So we've been asked to assist an ambulance crew. | 0:01:59 | 0:02:02 | |
They've got a lady on board their ambulance already who has, | 0:02:02 | 0:02:04 | |
they believe, dislocated her knee and the painkiller that they're | 0:02:04 | 0:02:09 | |
able to give her isn't enough, so they've asked for our help | 0:02:09 | 0:02:12 | |
to see if we can provide a bit more painkiller or help with her knee. | 0:02:12 | 0:02:16 | |
The rendezvous is at a garage on an A road. | 0:02:18 | 0:02:21 | |
Moments after they pull in, the ambulance arrives. | 0:02:21 | 0:02:24 | |
The team is quickly brought up to date. | 0:02:24 | 0:02:26 | |
She landed really badly on her knee, just twisted it. | 0:02:28 | 0:02:32 | |
Inside the ambulance, their patient, a 38-year-old woman, | 0:02:32 | 0:02:34 | |
has suffered a freak accident in her living room. | 0:02:34 | 0:02:37 | |
The crew has given her all the pain relief | 0:02:37 | 0:02:40 | |
they're allowed to administer, but it's having little effect. | 0:02:40 | 0:02:43 | |
Just take this pain away! | 0:02:43 | 0:02:45 | |
Do you mind if we have a little look? Yeah, as long as you don't move it. | 0:02:45 | 0:02:49 | |
OK, I promise not. | 0:02:49 | 0:02:50 | |
SHE MOANS | 0:02:50 | 0:02:55 | |
Susan's clearly in a lot of pain after slipping on a laminate floor | 0:02:55 | 0:02:58 | |
that her daughter had just washed. | 0:02:58 | 0:03:01 | |
Her knee's swollen and the patella, or kneecap, | 0:03:01 | 0:03:03 | |
seems to be out of place. | 0:03:03 | 0:03:05 | |
I've come in and I've slipped and I've felt my knee go pop | 0:03:05 | 0:03:10 | |
and then it felt like it folded underneath me as well as I went down. | 0:03:10 | 0:03:15 | |
Every move is agony for Susan. | 0:03:15 | 0:03:17 | |
I'm just going to have a little feel, but I'm not going to press too much. | 0:03:19 | 0:03:23 | |
Let's see where things are. | 0:03:23 | 0:03:25 | |
Although Susan is terrified that it will hurt even more, | 0:03:25 | 0:03:28 | |
she manages to pinpoint the pain. OK down here? | 0:03:28 | 0:03:31 | |
It's on the inside as well. OK. On the inside of my knee. | 0:03:31 | 0:03:34 | |
So down here? Is that all OK? | 0:03:34 | 0:03:36 | |
Any pain when I'm pressing? Yeah? SHE MOANS | 0:03:39 | 0:03:42 | |
OK, sorry, sorry. Pain over here. | 0:03:42 | 0:03:45 | |
SHE WAILS | 0:03:45 | 0:03:47 | |
Simon's examining her as gently as he can, | 0:03:47 | 0:03:50 | |
but Susan's barely coping with the extreme pain. | 0:03:50 | 0:03:52 | |
It's a particularly painful injury to dislocate a kneecap, | 0:03:52 | 0:03:57 | |
and if it's dislocated for a long period of time, | 0:03:57 | 0:04:00 | |
it can become more painful because muscles start to spasm. | 0:04:00 | 0:04:03 | |
The gas and air and even morphine she's already had | 0:04:03 | 0:04:06 | |
have barely touched it. | 0:04:06 | 0:04:08 | |
The Magpas emergency team is going to give her one of the most | 0:04:10 | 0:04:12 | |
powerful painkillers available to them. | 0:04:12 | 0:04:15 | |
When did you last have anything to eat or drink, Sue? | 0:04:15 | 0:04:18 | |
Er, yesterday, about seven o'clock. Yesterday?! Really? | 0:04:19 | 0:04:24 | |
Nothing at all today? She's on a diet. She's lost five stone. | 0:04:24 | 0:04:30 | |
OK, well done. Gosh. Right. | 0:04:30 | 0:04:32 | |
SHE SCREAMS Sorry. | 0:04:32 | 0:04:34 | |
Nice deep breaths in. Hold the breath. | 0:04:34 | 0:04:38 | |
Susan's injury was a very painful one. | 0:04:38 | 0:04:41 | |
We had to fully assess her, and that often means feeling her foot to see | 0:04:41 | 0:04:45 | |
if she had good pulse, sensation and circulation. | 0:04:45 | 0:04:48 | |
Sometimes that's quite painful to do, | 0:04:48 | 0:04:50 | |
even though she'd had high levels of morphine. | 0:04:50 | 0:04:53 | |
Without an X-ray, it's impossible to tell if the kneecap is broken. | 0:04:53 | 0:04:56 | |
It's definitely in a very strange place. | 0:04:56 | 0:05:00 | |
It's bony. It could be the patella. I can't feel the patella. | 0:05:00 | 0:05:04 | |
It is unusual to get pain all the way round here with it as well. | 0:05:07 | 0:05:10 | |
If Simon can pop her dislocated kneecap back into position, | 0:05:10 | 0:05:14 | |
the pain should ease, but Susan is going to take some persuading. | 0:05:14 | 0:05:18 | |
Just tell me you're not going to touch it, are you? | 0:05:18 | 0:05:20 | |
We'd like to try and solve the pain for you. | 0:05:20 | 0:05:23 | |
If it's the kneecap that's out, | 0:05:23 | 0:05:24 | |
because it feels quite bony on this side, | 0:05:24 | 0:05:26 | |
that's where it tends to go, and we can pop it back in. | 0:05:26 | 0:05:29 | |
That might help, OK? | 0:05:29 | 0:05:30 | |
So what we'd like to do is probably | 0:05:30 | 0:05:32 | |
give you something that just makes you sleepy and forget it. OK? | 0:05:32 | 0:05:36 | |
Does that sound good? Hmm! | 0:05:36 | 0:05:39 | |
That sounds good to Susan. | 0:05:39 | 0:05:41 | |
Fantastic. | 0:05:41 | 0:05:42 | |
Every touch is torture, | 0:05:42 | 0:05:44 | |
but the ketamine is not only powerful but very fast acting. | 0:05:44 | 0:05:48 | |
And once the pain is removed, correcting Susan's knee | 0:05:48 | 0:05:51 | |
will be a relatively straightforward procedure. | 0:05:51 | 0:05:54 | |
You won't remember a thing. | 0:05:54 | 0:05:57 | |
Good stuff. | 0:05:57 | 0:05:59 | |
The dosage is critical. | 0:06:00 | 0:06:02 | |
Monitoring your weight, what's your weight at the moment? | 0:06:02 | 0:06:04 | |
My exact weight, last time I knew, was 15.3. | 0:06:04 | 0:06:10 | |
The ketamine is given intravenously and once it gets to work, | 0:06:12 | 0:06:15 | |
they'll have Susan's pain under control. | 0:06:15 | 0:06:17 | |
Take this pain away! | 0:06:19 | 0:06:21 | |
Later, the drugs take effect. | 0:06:23 | 0:06:25 | |
Magpas' Dr Simon Lewis prepares to perform the delicate task | 0:06:25 | 0:06:28 | |
of putting Susan's knee back in position. | 0:06:28 | 0:06:31 | |
Just feeling round here now that she's pain-free, | 0:06:32 | 0:06:35 | |
to see if there's a kneecap around. | 0:06:35 | 0:06:37 | |
And if it is, I've got to flip it and get it back in again. | 0:06:38 | 0:06:41 | |
It's late afternoon in the ambulance control centre at Bedford. | 0:06:50 | 0:06:53 | |
Call handler Felicity is on the phone to a father | 0:06:53 | 0:06:56 | |
whose wife is in labour. They live in a remote village. | 0:06:56 | 0:07:00 | |
All the drama is happening in the Turner family's downstairs loo. | 0:07:16 | 0:07:20 | |
Simon has dashed back from a family party after an urgent text message | 0:07:20 | 0:07:24 | |
from his wife Liz. | 0:07:24 | 0:07:25 | |
I could hear her screaming and could see her over the toilet, | 0:07:25 | 0:07:30 | |
totally and utterly beside herself, screaming, panicked. | 0:07:30 | 0:07:35 | |
I asked Liz if I should ring 999. Obviously, Liz said yes. | 0:07:35 | 0:07:39 | |
He was panicked, but he was really attentive | 0:08:00 | 0:08:03 | |
and really good at listening and, | 0:08:03 | 0:08:04 | |
I assume, following the instructions that were given. | 0:08:04 | 0:08:07 | |
We get a lot of calls in this situation where the person is | 0:08:07 | 0:08:10 | |
hysterical or just not listening to you, just shouting back. | 0:08:10 | 0:08:14 | |
And so he was one of the callers that you want. | 0:08:14 | 0:08:17 | |
By now, Liz is lying on the cloakroom floor. | 0:08:18 | 0:08:21 | |
It's her second baby, and everything is happening too fast. | 0:08:21 | 0:08:25 | |
There was a little bit of a comedy moment where Liz screamed, | 0:08:38 | 0:08:43 | |
"You're trying to push it back in! You're trying to push it back in!" | 0:08:43 | 0:08:47 | |
Felicity has been on the call for just six minutes | 0:09:43 | 0:09:46 | |
when the baby girl is delivered. | 0:09:46 | 0:09:48 | |
But her work is far from over. | 0:09:48 | 0:09:50 | |
Later, all attention is on the baby. | 0:10:02 | 0:10:04 | |
An ambulance is just minutes away, | 0:10:04 | 0:10:06 | |
but it's up to Simon to get the baby breathing. | 0:10:06 | 0:10:10 | |
Seconds feel like hours, really, | 0:10:10 | 0:10:12 | |
so in my mind, at the back of my mind, I'm thinking that | 0:10:12 | 0:10:18 | |
the longer she's blue and not breathing, the more trouble we're in. | 0:10:18 | 0:10:22 | |
I'm going to have a chat with one of the call handlers. | 0:10:25 | 0:10:27 | |
Abbey looks like she might be free, so let's have a chat with Abbey. | 0:10:27 | 0:10:31 | |
Hello, can I have a chat? Are you on a call? No. Jolly good. | 0:10:31 | 0:10:35 | |
I wanted to talk to you about things that kids eat that they shouldn't. Yeah. | 0:10:35 | 0:10:39 | |
It can be all kinds of weird things. You hear about kids | 0:10:39 | 0:10:42 | |
shoving peas up their nose and having to be rescued from that, | 0:10:42 | 0:10:44 | |
but some of it can be chemically quite serious. | 0:10:44 | 0:10:46 | |
We get some dodgy things. | 0:10:46 | 0:10:48 | |
We had an incident of a child who ate one of the tablets that | 0:10:48 | 0:10:51 | |
goes in the toilet cisterns, obviously thinking, | 0:10:51 | 0:10:55 | |
hoping it might have been quite a nice big blue sweetie. | 0:10:55 | 0:10:58 | |
Well, they're quite brightly coloured | 0:10:58 | 0:11:00 | |
and sometimes they are called toilet cakes as well, aren't they? Yeah. | 0:11:00 | 0:11:03 | |
So it's kind of misleading for a child. | 0:11:03 | 0:11:05 | |
What do you do in a circumstance like that? | 0:11:05 | 0:11:07 | |
We had a call from a quite frantic mother, | 0:11:07 | 0:11:09 | |
who found the baby with cake in mouth and phoned us up. | 0:11:09 | 0:11:14 | |
It's quite important, we need to know what make it is | 0:11:14 | 0:11:17 | |
for the chemicals that are in so that we can find out how toxic it is. | 0:11:17 | 0:11:21 | |
Different cakes have different chemicals, different flavours. | 0:11:21 | 0:11:24 | |
They all make up... I don't think it's flavours, is it? | 0:11:24 | 0:11:27 | |
Smells, flavours. You could say flavours. | 0:11:27 | 0:11:31 | |
The call taker who took this did get quite caught up in the moment, | 0:11:31 | 0:11:35 | |
trying to get the information | 0:11:35 | 0:11:37 | |
and asked what flavour it was that this child had eaten. | 0:11:37 | 0:11:40 | |
But it's important to know the chemical composition to know how to deal with it. | 0:11:40 | 0:11:44 | |
Yes, because the hospital needs to know so they know | 0:11:44 | 0:11:46 | |
what treatment to give the child when they get to hospital. | 0:11:46 | 0:11:48 | |
What's the best thing you can give a child if there is something | 0:11:48 | 0:11:51 | |
chemically gone in to sort of sustain | 0:11:51 | 0:11:53 | |
whilst the diagnosis is going on? | 0:11:53 | 0:11:54 | |
For small amounts, we advise to give milk | 0:11:54 | 0:11:58 | |
to neutralise what's gone in. | 0:11:58 | 0:12:00 | |
Other big amounts, or if we're unsure, | 0:12:00 | 0:12:02 | |
needs to go to hospital just to be safe. | 0:12:02 | 0:12:03 | |
Take, obviously, the stuff with you so that they know what's in it. | 0:12:03 | 0:12:07 | |
What's the weirdest you ever heard of a child trying to swallow? | 0:12:07 | 0:12:10 | |
We had a child put an umbrella in his mouth, and not the pointy end. | 0:12:10 | 0:12:13 | |
He put the handle... What, curved handle? Yeah. | 0:12:13 | 0:12:16 | |
Right into his throat, and of course, you say, "Don't remove it," | 0:12:16 | 0:12:20 | |
because you don't want to damage anything, | 0:12:20 | 0:12:21 | |
and this child had then gone and pulled it straight out, | 0:12:21 | 0:12:24 | |
screaming his head off, bleeding, so obviously we had to take him in. | 0:12:24 | 0:12:28 | |
Fortunately, no damage was done. | 0:12:28 | 0:12:30 | |
I don't think his mum will leave any umbrellas lying around any time soon. | 0:12:30 | 0:12:34 | |
How do you get a curved umbrella... | 0:12:34 | 0:12:37 | |
I'm not even going to think about it! Weird what children will go for. | 0:12:37 | 0:12:41 | |
It is quite strange. | 0:12:41 | 0:12:43 | |
Just be careful and don't leave too much stuff around. Right. Thank you very much. | 0:12:43 | 0:12:46 | |
Rush hour on the M1 near Milton Keynes. | 0:12:55 | 0:12:58 | |
PC Steve Leathersich and Russ Irwin are responding to | 0:12:58 | 0:13:02 | |
reports of a crash, but the details are confusing. | 0:13:02 | 0:13:05 | |
One report is that a car had driven into | 0:13:07 | 0:13:10 | |
the central reservation of the motorway. | 0:13:10 | 0:13:13 | |
We've had another report suggesting that there's two lorries | 0:13:13 | 0:13:16 | |
and a car and a van that have had a crash, | 0:13:16 | 0:13:19 | |
so we're just going to go along and see what we've got. | 0:13:19 | 0:13:22 | |
Heavy traffic is building for several miles already. | 0:13:27 | 0:13:30 | |
Do we know what's involved? Not at the moment, no! | 0:13:34 | 0:13:37 | |
As far as I know, that's a witness that's just stopped to assist. | 0:13:37 | 0:13:40 | |
He took the injured party out of this one into the ambulance. | 0:13:40 | 0:13:44 | |
And I assume the lorry's involved, from what we've been told. | 0:13:44 | 0:13:47 | |
A family has had a dramatic escape. | 0:13:47 | 0:13:50 | |
Their car has veered across two lanes of the M1. | 0:13:50 | 0:13:52 | |
They were struck by a left-hand-drive lorry from Italy. | 0:13:52 | 0:13:56 | |
They urgently need to get the traffic moving, | 0:13:56 | 0:13:59 | |
but the car has hit the central reservation with such force, | 0:13:59 | 0:14:02 | |
its front wheel has sheared off. | 0:14:02 | 0:14:04 | |
The chassis grinds into the tarmac. | 0:14:06 | 0:14:08 | |
The police can get the traffic moving again. | 0:14:10 | 0:14:12 | |
The next task is getting statements from everyone involved. | 0:14:12 | 0:14:16 | |
First, the lorry driver. | 0:14:16 | 0:14:18 | |
The driver... HE SPEAKS IN ITALIAN | 0:14:18 | 0:14:21 | |
It quickly becomes clear they are going to need an interpreter. | 0:14:21 | 0:14:25 | |
PC Leathersich calls the police translation service. | 0:14:25 | 0:14:27 | |
Italian, yeah. It's Leathersich. | 0:14:27 | 0:14:31 | |
Just so you know, we're at the side of the motorway at the moment, | 0:14:31 | 0:14:34 | |
so I may be asking you to repeat a bit, because it's quite noisy here. | 0:14:34 | 0:14:38 | |
It's nothing personal. | 0:14:38 | 0:14:40 | |
But the driver gets so involved on the phone, that he suddenly | 0:14:40 | 0:14:43 | |
puts himself in danger, wandering into the busy carriageway. | 0:14:43 | 0:14:47 | |
Oi! Oi! No! No! Stay. Stay here. | 0:14:47 | 0:14:51 | |
The police have had enough close shaves for one day on the M1. | 0:14:54 | 0:14:57 | |
Just saving that bloke's life. | 0:14:58 | 0:15:00 | |
The driver has told the interpreter he only knew about the accident | 0:15:00 | 0:15:03 | |
when he heard something hit the right side of his lorry. | 0:15:03 | 0:15:07 | |
Right. I think I got the gist of that. | 0:15:07 | 0:15:11 | |
Can you just confirm with him that he was always in the left-hand lane? | 0:15:11 | 0:15:15 | |
In a nearby ambulance, the family from a damaged car are being checked over. | 0:15:21 | 0:15:25 | |
It's clear the outcome could have been very different. | 0:15:25 | 0:15:28 | |
Well, thankfully, everyone's only suffered minor injury. | 0:15:31 | 0:15:34 | |
A bit of muscular, as you've seen, the car, the state of that, | 0:15:35 | 0:15:38 | |
that spun around, bounced from the middle lane | 0:15:38 | 0:15:41 | |
out into the central reservation and come to a stop there. | 0:15:41 | 0:15:44 | |
So it would have been a bit of a scary experience for them, | 0:15:44 | 0:15:48 | |
but thankfully they were all wearing their belts | 0:15:48 | 0:15:50 | |
and we had the right result. | 0:15:50 | 0:15:52 | |
Meanwhile, police colleagues are taking statements from other witnesses | 0:15:52 | 0:15:56 | |
who appear to have seen something different. | 0:15:56 | 0:15:58 | |
You've got witnesses confirming that the lorry was | 0:15:58 | 0:16:00 | |
moving from lane one to lane two? | 0:16:00 | 0:16:02 | |
Thank you. | 0:16:05 | 0:16:06 | |
He gets straight back on to the interpreter. | 0:16:06 | 0:16:08 | |
So can you put that to him, | 0:16:09 | 0:16:11 | |
that he has been witnessed moving into the middle lane, | 0:16:11 | 0:16:14 | |
and if he wishes to change the account that he's given me? | 0:16:14 | 0:16:17 | |
HE SPEAKS IN ITALIAN | 0:16:17 | 0:16:21 | |
After a few minutes of heated conversation, | 0:16:21 | 0:16:23 | |
the driver wants to give some more details of what happened. | 0:16:23 | 0:16:26 | |
Right. OK. We just wanted to clarify that, because that's what we suspected. | 0:16:27 | 0:16:32 | |
The police work is not over yet. | 0:16:32 | 0:16:33 | |
The carriageway needs to be closed again so the Highways Agency | 0:16:33 | 0:16:37 | |
can check if there is any damage to the central reservation. | 0:16:37 | 0:16:40 | |
We've just asked if we can do a rolling roadblock | 0:16:40 | 0:16:43 | |
to allow them time to assess the damage in a safer environment. | 0:16:43 | 0:16:47 | |
There's my sergeant down the road causing utter chaos, | 0:16:49 | 0:16:52 | |
bringing the road to a halt. He loves the power. | 0:16:52 | 0:16:55 | |
In fairness, it's the only time anyone ever listens to him, | 0:16:55 | 0:16:58 | |
when he's in a police car and got the blue lights on. | 0:16:58 | 0:17:01 | |
The family heads off for a ride with the recovery truck. | 0:17:01 | 0:17:04 | |
The police have all the information they need. | 0:17:04 | 0:17:06 | |
The Italian driver can continue on his way. | 0:17:06 | 0:17:09 | |
No problem? No, no. | 0:17:09 | 0:17:11 | |
You go on your way. Ciao! Ciao. | 0:17:11 | 0:17:13 | |
The central reservation has not been damaged, | 0:17:13 | 0:17:15 | |
so now the road is clear, | 0:17:15 | 0:17:17 | |
PCs Leathersich and Irwin are on their way. | 0:17:17 | 0:17:20 | |
Best you get in the car before there's another accident. | 0:17:20 | 0:17:23 | |
Are we done? We're all done now. | 0:17:26 | 0:17:28 | |
Tea and medals. | 0:17:28 | 0:17:29 | |
Later, the police draw their conclusions. | 0:17:35 | 0:17:38 | |
It's just trying to raise awareness to the foreign lorry drivers | 0:17:38 | 0:17:41 | |
so that they think twice, have a look, double look again | 0:17:41 | 0:17:44 | |
and make sure that everything's clear before they pull out. | 0:17:44 | 0:17:47 | |
Still to come on Real Rescues... | 0:17:51 | 0:17:53 | |
There's some mention about somebody being deaf as well. | 0:17:53 | 0:17:57 | |
A group of friends needs help after struggling on the emergency phone. | 0:17:57 | 0:18:00 | |
So the police take the matter in hand, going beyond the call of duty. | 0:18:04 | 0:18:08 | |
And not even a full head of hair can protect Robert | 0:18:11 | 0:18:13 | |
from an encounter with a wheelie bin. | 0:18:13 | 0:18:15 | |
I expect it's a job to see it with all that hair up there! | 0:18:15 | 0:18:19 | |
Yeah, you've got a bit more than me. | 0:18:19 | 0:18:21 | |
Back to Susan, who suffered a very painful injury | 0:18:25 | 0:18:27 | |
just after slipping on a laminate floor. | 0:18:27 | 0:18:29 | |
She's in so much pain, the ambulance crew have | 0:18:29 | 0:18:31 | |
called in an emergency doctor to treat her in the vehicle. | 0:18:31 | 0:18:35 | |
We're about to see Dr Simon Lewis put Susan's kneecap | 0:18:35 | 0:18:37 | |
back in place, something usually carried out in a hospital. | 0:18:37 | 0:18:41 | |
In the back of the ambulance, Susan is in agony. | 0:18:43 | 0:18:45 | |
She's dislocated her knee and it's very swollen. | 0:18:45 | 0:18:48 | |
You're doing ever so well. 15 so far? 15mg of morphine. | 0:18:48 | 0:18:51 | |
Even morphine couldn't take the edge off the pain. | 0:18:51 | 0:18:55 | |
Now the Magpas emergency medics are on board, they can give more | 0:18:56 | 0:19:00 | |
advanced treatment usually only carried out in hospital. | 0:19:00 | 0:19:03 | |
SHE GROANS | 0:19:03 | 0:19:06 | |
Oooh... Somebody take this pain away! | 0:19:06 | 0:19:12 | |
You're doing ever so well, Sue. | 0:19:12 | 0:19:15 | |
You can see the bruising here on the inside. | 0:19:23 | 0:19:26 | |
And this lump here, which is actually bony, it's hard to feel, | 0:19:26 | 0:19:32 | |
which is likely to be the kneecap | 0:19:32 | 0:19:34 | |
that's come out of the side. | 0:19:34 | 0:19:36 | |
Simon will manipulate the kneecap through the skin using his hand. | 0:19:36 | 0:19:40 | |
It will only take a few moments, | 0:19:43 | 0:19:45 | |
but it's impossible when the patient is conscious. | 0:19:45 | 0:19:48 | |
The advanced Magpas team are going to use the drug ketamine. | 0:19:48 | 0:19:51 | |
In this situation, | 0:19:51 | 0:19:53 | |
ketamine is a very useful drug. | 0:19:53 | 0:19:55 | |
It's a very strong painkiller | 0:19:55 | 0:19:57 | |
and also it has amnesic properties, | 0:19:57 | 0:19:59 | |
along with the sedative properties, | 0:19:59 | 0:20:02 | |
so we briefly put Susan to sleep. | 0:20:02 | 0:20:04 | |
Ready? | 0:20:08 | 0:20:09 | |
What's your daughter's name, Sue? | 0:20:16 | 0:20:17 | |
Simon's trying to take Susan's mind off what's happening... | 0:20:17 | 0:20:20 | |
What's your daughter's name? | 0:20:20 | 0:20:21 | |
..at the same time as judging when the anaesthetic takes effect. | 0:20:21 | 0:20:25 | |
11. 11? | 0:20:25 | 0:20:27 | |
Bless! You've got her cleaning the floors at 11? | 0:20:27 | 0:20:30 | |
That's better trained than most. | 0:20:30 | 0:20:32 | |
The drug is beginning to do its job. | 0:20:33 | 0:20:35 | |
You're going to start feeling a bit funny. Don't worry, just go with it. | 0:20:35 | 0:20:39 | |
It gives you some fantastic dreams, this stuff. | 0:20:39 | 0:20:42 | |
OK? How you doing there? | 0:20:43 | 0:20:45 | |
You feeling OK? | 0:20:48 | 0:20:49 | |
Susan's out. | 0:20:49 | 0:20:50 | |
So she will still cry out a little bit | 0:20:50 | 0:20:53 | |
but she won't remember a thing. | 0:20:53 | 0:20:55 | |
If you're able to hold her ankle there for me... | 0:20:55 | 0:20:57 | |
Getting the kneecap back into place is a delicate two-handed job. | 0:20:57 | 0:21:01 | |
OK, so we've given her some drugs that will make her really sleepy | 0:21:07 | 0:21:10 | |
and pain-free, and then just feeling round here, now that she's pain-free, | 0:21:10 | 0:21:14 | |
to see if there's a kneecap around. | 0:21:14 | 0:21:16 | |
And if it isn't, if it's here, and if it is, then, hopefully... | 0:21:18 | 0:21:23 | |
..we can flip it and get it back in again. | 0:21:26 | 0:21:28 | |
Sometimes with the swelling around, that's easier said than done. | 0:21:30 | 0:21:34 | |
Is Susan was awake, this would be unbearable. | 0:21:35 | 0:21:38 | |
It's just coming over. | 0:21:39 | 0:21:42 | |
I can feel it. There you go. Back in. | 0:21:45 | 0:21:47 | |
He's done it, and not a murmur from the patient. | 0:21:47 | 0:21:50 | |
Immediately, her knee looks better. | 0:21:50 | 0:21:52 | |
Now they just need to put it in a splint to hold everything in place | 0:21:52 | 0:21:55 | |
for the journey to hospital and bring Susan round. | 0:21:55 | 0:21:58 | |
With ketamine, when she starts to wake up, | 0:21:58 | 0:22:01 | |
it can...people can get a little bit upset occasionally. | 0:22:01 | 0:22:07 | |
It's normally because there's a lot of noise or there's any light, | 0:22:07 | 0:22:11 | |
lots of lights around, so if we keep it as quiet as possible, | 0:22:11 | 0:22:15 | |
and in a minute we'll turn down the lights when everyone's happy, | 0:22:15 | 0:22:18 | |
and we'll wake her up nice and gently. | 0:22:18 | 0:22:21 | |
SUSAN SCREAMS | 0:22:25 | 0:22:27 | |
Well done, well done. | 0:22:27 | 0:22:29 | |
Ketamine's a very powerful drug, | 0:22:29 | 0:22:31 | |
and they'll have to handle Susan's recovery very carefully. | 0:22:31 | 0:22:35 | |
Susan's coming round. They need to work quickly. | 0:22:38 | 0:22:41 | |
I'm happy. Yeah. | 0:22:43 | 0:22:44 | |
Sometimes with this drug, | 0:22:52 | 0:22:53 | |
you can get something called emergence phenomena, | 0:22:53 | 0:22:56 | |
where actually, people, because of the drug, | 0:22:56 | 0:22:58 | |
start misinterpreting things that come into their eyes and their ears, | 0:22:58 | 0:23:02 | |
and they basically think they're hallucinating. | 0:23:02 | 0:23:04 | |
And they can be very, very agitated, very difficult to control, | 0:23:04 | 0:23:07 | |
so if you make it calm and quiet, | 0:23:07 | 0:23:10 | |
then they have a better chance of waking up OK. Hi, Sue. | 0:23:10 | 0:23:13 | |
Hello. | 0:23:13 | 0:23:15 | |
Wake up for me. Hiya. She's nice and comfy. | 0:23:18 | 0:23:23 | |
Susan will now be taken to Addenbrooke's Hospital, | 0:23:28 | 0:23:31 | |
where her knee will be X-rayed to assess the full extent of the damage. | 0:23:31 | 0:23:34 | |
At the control centre for the East of England Ambulance Trust, | 0:23:42 | 0:23:45 | |
call handler Felicity is in the midst of an urgent call. | 0:23:45 | 0:23:49 | |
At this family home, dad Simon | 0:23:49 | 0:23:51 | |
has delivered his wife Liz's second child, a girl, | 0:23:51 | 0:23:54 | |
but all is not well. | 0:23:54 | 0:23:56 | |
I was thinking at that point that the longer she's not breathing, | 0:24:18 | 0:24:22 | |
the more trouble we're in potentially, | 0:24:22 | 0:24:24 | |
and we're going to end up being rushed to hospital | 0:24:24 | 0:24:28 | |
when the paramedic ambulance crew eventually arrived. | 0:24:28 | 0:24:31 | |
And you just don't know, because you haven't got that knowledge, | 0:24:31 | 0:24:34 | |
you don't know how long they can survive without breathing or | 0:24:34 | 0:24:39 | |
whether they're still being fed by the cord and it's no problem, | 0:24:39 | 0:24:45 | |
so at that point, they need to get here really quickly | 0:24:45 | 0:24:49 | |
and deal with the situation. | 0:24:49 | 0:24:52 | |
An ambulance is en route, | 0:24:53 | 0:24:54 | |
but call handler Felicity and backup clinical staff are going | 0:24:54 | 0:24:57 | |
to tell Simon exactly how to get the baby breathing. | 0:24:57 | 0:25:01 | |
LIZ WHIMPERS | 0:25:12 | 0:25:15 | |
LIZ SOBS | 0:25:19 | 0:25:22 | |
Felicity's trained ears can block out the mum's screams. | 0:25:22 | 0:25:24 | |
She's listening out for the crucial sound from the baby. | 0:25:24 | 0:25:28 | |
With pregnancy and labour, the women are always screaming | 0:25:28 | 0:25:31 | |
and it doesn't tell you anything. | 0:25:31 | 0:25:32 | |
But if you can hear the baby crying, | 0:25:32 | 0:25:34 | |
that's what you're listening out for, | 0:25:34 | 0:25:36 | |
so you become good at tuning out the noises that aren't relevant. | 0:25:36 | 0:25:38 | |
BABY GURGLES | 0:26:20 | 0:26:23 | |
There's a massive sense of relief when she did start to splutter | 0:26:31 | 0:26:35 | |
and cough, and then her whole colour changed. | 0:26:35 | 0:26:40 | |
She started to pink up and at that point, | 0:26:40 | 0:26:44 | |
there's another sense of relief, so going through panic | 0:26:44 | 0:26:47 | |
and relief at different levels all the way through, really. | 0:26:47 | 0:26:50 | |
In my head, I'm thinking, at what point can I relax and be | 0:27:03 | 0:27:09 | |
in the knowledge that everything is actually going to be OK? | 0:27:09 | 0:27:14 | |
Later, Emma wins the most punctual baby award, | 0:27:27 | 0:27:30 | |
as mum Liz relives her daughter's most dramatic birth. | 0:27:30 | 0:27:34 | |
I was panicked and terrified, just really worried, I suppose, | 0:27:34 | 0:27:39 | |
about having gone through it, getting into a state of shock, | 0:27:39 | 0:27:42 | |
I think, that it was all happening and happening so quickly. | 0:27:42 | 0:27:45 | |
One of the key questions that South Western ambulance call takers | 0:27:49 | 0:27:52 | |
have to ask is, is the victim conscious? | 0:27:52 | 0:27:55 | |
Not always easy to ascertain, as Phil can explain. | 0:27:55 | 0:27:58 | |
Give us an example of a call where that's the case. | 0:27:58 | 0:28:01 | |
I have the facility to listen to the calls when they're happening live, | 0:28:01 | 0:28:05 | |
and a couple of the problems we encounter are when the call taker | 0:28:05 | 0:28:10 | |
is trying to find out whether the patient is actually conscious or not. | 0:28:10 | 0:28:15 | |
They can have difficulty, because everybody is very gentle | 0:28:15 | 0:28:20 | |
with their relatives and one particular case I was listening to | 0:28:20 | 0:28:23 | |
was an elderly couple, and the wife couldn't wake the husband and | 0:28:23 | 0:28:29 | |
had been trying to do so for an hour, so had called in to say there was | 0:28:29 | 0:28:32 | |
no response, so everybody thinks that this patient's unconscious. | 0:28:32 | 0:28:37 | |
We weren't really getting very far, | 0:28:37 | 0:28:40 | |
and I butted in and said to the lady on the phone, | 0:28:40 | 0:28:44 | |
"I wouldn't normally say this, | 0:28:44 | 0:28:46 | |
"but what I need you to do is clench your fist in that sort of shape | 0:28:46 | 0:28:51 | |
"and rub your knuckles up and down your husband's sternum, breastbone." | 0:28:51 | 0:28:56 | |
She did that, and I said, "You have to be firm," | 0:28:56 | 0:28:58 | |
and he woke up saying, "What are you doing? Get off me." | 0:28:58 | 0:29:01 | |
So, in fact, he was conscious. So are we always too gentle? | 0:29:01 | 0:29:06 | |
We have to establish, because time is critical in terms | 0:29:06 | 0:29:09 | |
of resuscitation, if that person is genuinely unconscious. | 0:29:09 | 0:29:13 | |
In that sort of situation, | 0:29:13 | 0:29:14 | |
we need to be very quick and very sure what we're dealing with. | 0:29:14 | 0:29:17 | |
So just be a little bit more firm, because as you say, | 0:29:17 | 0:29:20 | |
we do tend to be a bit more gentle with our own friends and relatives. | 0:29:20 | 0:29:23 | |
But it worked wonders. | 0:29:23 | 0:29:25 | |
And if you try and do resus on a bed, that's difficult, | 0:29:25 | 0:29:27 | |
because the body is bouncing up and down. | 0:29:27 | 0:29:29 | |
Much better to have that person on the floor, but people | 0:29:29 | 0:29:31 | |
are frightened of hurting them when they pull them off the bed. | 0:29:31 | 0:29:34 | |
On a similar occasion, we've had people where they don't want | 0:29:34 | 0:29:39 | |
to tip their relatives out of a chair in case they injure them, | 0:29:39 | 0:29:43 | |
while it can't get worse than it is, so we would say, tip them out, | 0:29:43 | 0:29:48 | |
we can deal with the injuries later, | 0:29:48 | 0:29:50 | |
but we need to get them on a flat surface. | 0:29:50 | 0:29:51 | |
All right. So be firm if you're trying to help somebody, | 0:29:51 | 0:29:54 | |
because they need to establish | 0:29:54 | 0:29:56 | |
whether those people are conscious or capable of consciousness or not. | 0:29:56 | 0:29:59 | |
It's Saturday morning at Milton Keynes police station. | 0:30:06 | 0:30:10 | |
PC Neil Stephenson is starting a day shift with PC Claire Green. | 0:30:10 | 0:30:14 | |
As soon as they head out of the gates details come through of an accident. | 0:30:15 | 0:30:19 | |
It's in a residential area in a town just a few miles south. | 0:30:19 | 0:30:24 | |
It's just come in as an injury accident at the moment | 0:30:24 | 0:30:27 | |
at a junction in Bletchley. | 0:30:27 | 0:30:29 | |
It doesn't say any more than that at the moment. | 0:30:31 | 0:30:34 | |
It should be a nice surprise when we get there(!) | 0:30:34 | 0:30:37 | |
They've got a few miles to cover and some difficult drivers to avoid. | 0:30:37 | 0:30:40 | |
They arrive in Bletchley and have no problem finding the accident. | 0:30:47 | 0:30:50 | |
A two-car crunch at a crossroads. An ambulance is already on the scene. | 0:30:50 | 0:30:55 | |
One of the drivers is being treated inside. | 0:30:55 | 0:30:58 | |
As PC Green gets all the details from the other driver it's Neil's job | 0:30:58 | 0:31:01 | |
to clear the road as soon as possible. | 0:31:01 | 0:31:05 | |
Not a happy car. | 0:31:05 | 0:31:06 | |
ENGINE SPLUTTERS | 0:31:06 | 0:31:08 | |
But this car is going to take some coaxing just to get it to the | 0:31:10 | 0:31:13 | |
side of the road. | 0:31:13 | 0:31:14 | |
I think it's a write-off anyway. Never mind. | 0:31:21 | 0:31:24 | |
The second car is not so badly damaged | 0:31:27 | 0:31:29 | |
and Neil quickly gets it out of the way. | 0:31:29 | 0:31:31 | |
This is a quick job for the traffic cops. | 0:31:31 | 0:31:33 | |
Claire has got all the statements she needs. | 0:31:33 | 0:31:36 | |
PC Stephenson clears up, then the two can get on the road again. | 0:31:36 | 0:31:40 | |
They're needed back on the M1. | 0:31:40 | 0:31:43 | |
The details from Control are very sketchy. | 0:31:43 | 0:31:45 | |
There's a report of somebody at an | 0:31:46 | 0:31:49 | |
SOS box on the M1 just near Milton Keynes. | 0:31:49 | 0:31:52 | |
Apparently they have called up asking for help, but there is some | 0:31:52 | 0:31:58 | |
mention about somebody being deaf as well, so I don't know. | 0:31:58 | 0:32:01 | |
A bit of confusion. | 0:32:01 | 0:32:02 | |
They head up the northbound carriageway of the M1. | 0:32:04 | 0:32:07 | |
Control has reported that the caller was having difficulty making | 0:32:07 | 0:32:10 | |
themselves understood over the phone. | 0:32:10 | 0:32:12 | |
The traffic is flowing freely, | 0:32:14 | 0:32:16 | |
suggesting there is no accident blocking a carriageway. | 0:32:16 | 0:32:19 | |
As they pass Newport Pagnell Neil spots the stricken motorists | 0:32:19 | 0:32:23 | |
waving from the hard shoulder. | 0:32:23 | 0:32:24 | |
Yes, we can see you. Yes. | 0:32:24 | 0:32:27 | |
Hello. | 0:32:27 | 0:32:29 | |
Even from a distance the police can see that there is no | 0:32:29 | 0:32:31 | |
damage to the car's bodywork. | 0:32:31 | 0:32:33 | |
As they get closer they can tell exactly what's happened. | 0:32:33 | 0:32:37 | |
It's a blow-out. That's all it is. | 0:32:38 | 0:32:40 | |
OK. | 0:32:40 | 0:32:42 | |
Gemma is deaf but can explain to Neil how a passing motorist | 0:32:44 | 0:32:47 | |
told them they'd had a blow-out. Do you have recovery? | 0:32:47 | 0:32:52 | |
Her three friends are also deaf | 0:32:52 | 0:32:54 | |
and getting help over the phone was difficult. | 0:32:54 | 0:32:57 | |
It's not part of their job but Neil | 0:33:18 | 0:33:20 | |
and Claire decide to change the punctured tyre | 0:33:20 | 0:33:22 | |
themselves rather than wait for the breakdown services. | 0:33:22 | 0:33:25 | |
OK. | 0:33:28 | 0:33:30 | |
Come on, get those little fingers working! | 0:33:32 | 0:33:34 | |
The traffic is fast and close. | 0:33:37 | 0:33:39 | |
This is the quickest way for the police to remove a potential | 0:33:39 | 0:33:42 | |
distraction hazard and keep the group safe. | 0:33:42 | 0:33:46 | |
Can you start writing out the bill? | 0:33:46 | 0:33:48 | |
Sorry? Can you start writing out the bill? | 0:33:48 | 0:33:50 | |
LAUGHTER | 0:33:50 | 0:33:52 | |
That should be OK to get you off the motorway. | 0:33:54 | 0:33:57 | |
Go to a garage for a new tyre. | 0:33:57 | 0:33:59 | |
This tyre will get them as far as a garage where | 0:33:59 | 0:34:02 | |
they can buy a replacement. | 0:34:02 | 0:34:03 | |
Go to Northampton to buy a new tyre. | 0:34:03 | 0:34:06 | |
The job is done and after some profuse thanks the friends | 0:34:08 | 0:34:12 | |
can get on their way. | 0:34:12 | 0:34:13 | |
Emergency care practitioner Andy Rudge is responding to | 0:34:31 | 0:34:34 | |
a call from sheltered accommodation on the south coast. | 0:34:34 | 0:34:38 | |
I'm off to see a 72-year-old gentleman who's had a bin | 0:34:39 | 0:34:42 | |
fall on his head and has got a cut or a wound to his head. | 0:34:42 | 0:34:46 | |
He arrives to find a responder from the fire service is | 0:34:46 | 0:34:49 | |
already on scene. | 0:34:49 | 0:34:50 | |
Andy's specialist training means he can stitch and | 0:34:52 | 0:34:54 | |
dress difficult wounds at the patient's home. | 0:34:54 | 0:34:57 | |
Upstairs he meets manager Elaine, who is with the injured man | 0:35:00 | 0:35:03 | |
and can explain how the unusual accident happened. | 0:35:03 | 0:35:06 | |
Robert was looking in a bin | 0:35:06 | 0:35:08 | |
and the bin lid fell down on top of his head. Bang. | 0:35:08 | 0:35:11 | |
Because it was up against a wall, | 0:35:11 | 0:35:14 | |
and a stupid idiot, I didn't make sure the lid was well | 0:35:14 | 0:35:18 | |
back before I tried to get this thing out of the bin. | 0:35:18 | 0:35:21 | |
Unfortunately the metal catch came down on top of my head. | 0:35:21 | 0:35:25 | |
The actual metal catch. | 0:35:25 | 0:35:28 | |
If the plastic had hit me I would have been all right. | 0:35:28 | 0:35:30 | |
You put the lid up and it's just come down and hit you on the head? | 0:35:30 | 0:35:33 | |
Elaine's first thought was to stop the bleeding. | 0:35:33 | 0:35:36 | |
We put him in the chair and got a compress and held on to | 0:35:36 | 0:35:40 | |
it for half an hour until this young man turned up and took over. | 0:35:40 | 0:35:44 | |
Sean, the fire co-responder, brings Andy up to speed on the injury. | 0:35:44 | 0:35:49 | |
It wasn't bleeding when I arrived. I've taken it off to have a look and it seems to be fine. | 0:35:49 | 0:35:53 | |
Other than that I've brought some medication for his heart. | 0:35:53 | 0:35:56 | |
He's got a regular heartbeat. The heart's a bit quick. 104. | 0:35:56 | 0:35:59 | |
He's on aspirin. Any allergies? Any allergies, Robert? | 0:35:59 | 0:36:03 | |
Are you allergic to any medication? Yes, penicillin. | 0:36:03 | 0:36:05 | |
OK. | 0:36:05 | 0:36:06 | |
Before Robert's cut is attended to | 0:36:06 | 0:36:08 | |
Andy needs to check nothing else more serious is going on. | 0:36:08 | 0:36:12 | |
First step is taking his blood pressure. | 0:36:12 | 0:36:14 | |
That's all fine. | 0:36:14 | 0:36:16 | |
I'm just going to have a quick feel down your neck. | 0:36:18 | 0:36:20 | |
No pain? No. | 0:36:22 | 0:36:24 | |
I can't really see the cut on your head at the moment, | 0:36:24 | 0:36:27 | |
so I'm going to give it a good old clean. Yes. | 0:36:27 | 0:36:30 | |
And hopefully we should be able to sort you out here. | 0:36:30 | 0:36:32 | |
I expect it's a job to see it with all that hair up there. | 0:36:32 | 0:36:35 | |
Yes, you've got a bit more than me, but... | 0:36:35 | 0:36:38 | |
Thank God I didn't have a haircut. | 0:36:38 | 0:36:40 | |
No, you've got a nice pink tint at the moment. | 0:36:40 | 0:36:43 | |
It's just some cold water, all right? Yes, right-oh. | 0:36:43 | 0:36:46 | |
You know, it might be a little uncomfortable but we need to | 0:36:46 | 0:36:50 | |
just make sure we see this cut. | 0:36:50 | 0:36:52 | |
It came down with such a bang. | 0:36:52 | 0:36:54 | |
Now the wound is cleaned Andy can get a good look at the cut. | 0:36:54 | 0:36:58 | |
It's only a small cut. Just to let you know. | 0:36:58 | 0:37:01 | |
I had visions of my whole head being split open. | 0:37:01 | 0:37:05 | |
The amount of blood that comes out of your head... Yes. | 0:37:05 | 0:37:07 | |
Your head does bleed a lot. When I saw all the blood... | 0:37:07 | 0:37:10 | |
Heads bleed well. | 0:37:10 | 0:37:12 | |
All I'm going to do is put on what we say is some medical glue. | 0:37:14 | 0:37:17 | |
You won't need any stitches or staples or anything. | 0:37:17 | 0:37:20 | |
Sometimes it stings a bit, all right? Yes. Right-oh. Carry on. | 0:37:20 | 0:37:23 | |
But it wears off quite quickly. Like I say, it is only a small wound. | 0:37:23 | 0:37:26 | |
As promised, the glue stings. | 0:37:26 | 0:37:29 | |
ROBERT GASPS | 0:37:29 | 0:37:30 | |
But not for long. | 0:37:30 | 0:37:32 | |
Just like that. All done. | 0:37:32 | 0:37:36 | |
Now Robert's head wound is repaired Andy conducts a few standard tests. | 0:37:36 | 0:37:41 | |
I'm going to whisper something in your ear. Yes. | 0:37:43 | 0:37:46 | |
I just want you to repeat it after me. Is that all right? Yes. | 0:37:46 | 0:37:48 | |
Bit of a test. | 0:37:48 | 0:37:50 | |
(Cornflakes.) Cornflakes. | 0:37:50 | 0:37:52 | |
Chewing motion. Like chewing gum. | 0:37:52 | 0:37:54 | |
Stick your tongue out. | 0:37:54 | 0:37:56 | |
(Rice crispies.) Rice crispies. Top man. | 0:37:56 | 0:38:00 | |
I'm going to touch your face. I want you to touch where I touch. | 0:38:00 | 0:38:03 | |
Shrug your shoulders. | 0:38:03 | 0:38:05 | |
That's all fine. | 0:38:06 | 0:38:08 | |
And Andy has another piece of good news for Robert. | 0:38:08 | 0:38:11 | |
Your blood pressure is good. | 0:38:11 | 0:38:12 | |
You have got blood pressure of someone half your age. | 0:38:12 | 0:38:15 | |
After a little bit of advice | 0:38:15 | 0:38:16 | |
and a present of some bedtime reading | 0:38:16 | 0:38:19 | |
Andy is ready for his next call. | 0:38:19 | 0:38:21 | |
Take care, Robert. Thank you. No problem. | 0:38:21 | 0:38:24 | |
'Hit on the head. He had a cut. It needed closing.' | 0:38:24 | 0:38:27 | |
I was able to do that. Saved him a trip to hospital. | 0:38:27 | 0:38:31 | |
So that was a good job and he was a nice chap. | 0:38:31 | 0:38:34 | |
And he's got someone to look after him which is the main thing. | 0:38:34 | 0:38:36 | |
I'm happy. | 0:38:39 | 0:38:40 | |
You're going to start feeling a bit funny. | 0:38:43 | 0:38:45 | |
Susan, the patient whose dislocated kneecap was put | 0:38:45 | 0:38:47 | |
back in place by an emergency medical team in an ambulance, | 0:38:47 | 0:38:52 | |
stayed in hospital overnight. | 0:38:52 | 0:38:53 | |
She was sent home and six weeks later underwent surgery to | 0:38:53 | 0:38:57 | |
stabilise her knee. | 0:38:57 | 0:38:59 | |
After convalescing at home for several weeks | 0:38:59 | 0:39:01 | |
she made a good recovery. | 0:39:01 | 0:39:03 | |
Police completed their investigation into the M1 crash. | 0:39:07 | 0:39:10 | |
They concluded the driver pulled out in front of the family car. | 0:39:10 | 0:39:14 | |
It's not the first time they've encountered foreign lorries | 0:39:14 | 0:39:17 | |
getting caught up in these kind of accidents. | 0:39:17 | 0:39:20 | |
It is a very common occurrence, | 0:39:20 | 0:39:22 | |
specifically on dual carriageways, motorways, | 0:39:22 | 0:39:24 | |
because of the left-hand-drive factor of the lorries. | 0:39:24 | 0:39:28 | |
With that being the case it creates a big blind spot | 0:39:28 | 0:39:32 | |
'which will be into the middle | 0:39:32 | 0:39:34 | |
'lane of the motorway or the outside lane of the dual carriageway. | 0:39:34 | 0:39:37 | |
'And if a car is up alongside the lorry then the lorry driver just | 0:39:37 | 0:39:42 | |
'cannot see because of this blind spot. | 0:39:42 | 0:39:44 | |
'So it pulls out thinking the way is clear | 0:39:44 | 0:39:46 | |
'and unfortunately ends up sideswiping the car.' | 0:39:46 | 0:39:49 | |
The police decided not to prosecute as this time the family | 0:39:49 | 0:39:52 | |
escaped shaken but unhurt. | 0:39:52 | 0:39:54 | |
They are hoping left-hand-drivers will become more | 0:39:54 | 0:39:57 | |
aware of the dangers. | 0:39:57 | 0:39:58 | |
All right. | 0:39:58 | 0:40:00 | |
There was a scheme that had been set up at ports around the country where | 0:40:00 | 0:40:04 | |
they were issuing special mirrors to add on to the sides of the lorries, | 0:40:04 | 0:40:08 | |
to the mirrors they've already got, which helps out with the blind spot, | 0:40:08 | 0:40:12 | |
hopefully making it easier for the drivers to see the vehicles | 0:40:12 | 0:40:17 | |
that are down in their blind spot. | 0:40:17 | 0:40:18 | |
I believe that scheme is still going, | 0:40:18 | 0:40:20 | |
but it's just trying to raise awareness to the foreign | 0:40:20 | 0:40:22 | |
lorry drivers so that they think twice, have a look, | 0:40:22 | 0:40:27 | |
'double look again and make sure everything's clear before they pull out.' | 0:40:27 | 0:40:30 | |
The baby delivered by her dad in the family's downstairs loo is thriving. | 0:40:34 | 0:40:38 | |
Emma is now two months old | 0:40:38 | 0:40:40 | |
and none the worse for her speedy entry into the world. | 0:40:40 | 0:40:43 | |
Emma arrived six minutes after dad Simon called 999 | 0:40:45 | 0:40:49 | |
and less than half an hour after Liz texted her husband for help. | 0:40:49 | 0:40:53 | |
Dad Simon wasn't expecting to be quite | 0:40:55 | 0:40:57 | |
so hands-on at the birth of his second child, but with | 0:40:57 | 0:41:00 | |
the help of call handler Felicity he acquitted himself perfectly. | 0:41:00 | 0:41:05 | |
'Simon is fairly laid-back, generally horizontal, | 0:41:05 | 0:41:08 | |
'and able to follow instruction. Cool, calm.' | 0:41:08 | 0:41:12 | |
So he responded to this in exactly the way | 0:41:12 | 0:41:16 | |
I would have expected him to, I suppose. | 0:41:16 | 0:41:18 | |
And I'm very grateful that he did. | 0:41:18 | 0:41:20 | |
But Liz didn't fully relax until the paramedic arrived | 0:41:21 | 0:41:25 | |
moments after baby Emma's arrival. | 0:41:25 | 0:41:27 | |
'In my mind it was still panic mode. | 0:41:27 | 0:41:30 | |
'Are we safe? Is everything OK here? | 0:41:30 | 0:41:32 | |
'He definitely had that kind of aura about him' | 0:41:32 | 0:41:35 | |
that this was a good situation. | 0:41:35 | 0:41:39 | |
"You've got a baby. Well done." | 0:41:39 | 0:41:42 | |
It's rare for call handlers to remember every detail of the emergencies | 0:41:42 | 0:41:46 | |
they deal with, but this one has stayed in Felicity's memory. | 0:41:46 | 0:41:50 | |
'You don't deliver that many babies.' | 0:41:50 | 0:41:52 | |
They don't always arrive that quickly | 0:41:52 | 0:41:54 | |
so although you might be on the phone during the labour, | 0:41:54 | 0:41:57 | |
you don't actually deliver that many, | 0:41:57 | 0:41:58 | |
because normally the crew get there in time. | 0:41:58 | 0:42:00 | |
So you do normally remember those. | 0:42:00 | 0:42:02 | |
Simon will certainly remember the delivery, | 0:42:02 | 0:42:05 | |
especially that first sound from baby Emma. | 0:42:05 | 0:42:07 | |
'It wasn't the biggest wail but it was enough to make us' | 0:42:07 | 0:42:11 | |
realise that she was breathing and she was OK. | 0:42:11 | 0:42:14 | |
We still needed the reassurance of a paramedic to tell us that everything | 0:42:14 | 0:42:18 | |
was actually 100% OK and everything was working in good order. | 0:42:18 | 0:42:25 | |
With more checks from the midwife, | 0:42:25 | 0:42:27 | |
Liz and Simon's house was a hive of activity for a few hours. | 0:42:27 | 0:42:31 | |
'I think it was about 8pm' | 0:42:31 | 0:42:34 | |
that they had all left us | 0:42:34 | 0:42:36 | |
and we're sat down with a newborn baby in the lounge sleeping | 0:42:36 | 0:42:39 | |
and we're tucking into our evening meal and it's just surreal, very surreal. | 0:42:39 | 0:42:45 | |
Regarding our birth in the downstairs toilet earlier in the programme, | 0:42:49 | 0:42:52 | |
I've always been an advocate of DIY around the home. | 0:42:52 | 0:42:55 | |
But I have to say there are certain things that you shouldn't try | 0:42:55 | 0:42:58 | |
and take on yourself, and delivering a baby is one of them. | 0:42:58 | 0:43:01 | |
Leave it to the professionals if you can. | 0:43:01 | 0:43:02 | |
That's it for today's Real Rescues. See you next time. | 0:43:02 | 0:43:05 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:25 | |
It's not about beating the clock... | 0:43:40 | 0:43:41 | |
..it's not about decorating rooms... | 0:43:42 | 0:43:44 | |
It's going to blow their mind. | 0:43:44 | 0:43:45 |