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'Today, on Real Rescues, a lifeboat tackles two-metre waves, | 0:00:03 | 0:00:06 | |
'to rescue five people cut off by the tide.' | 0:00:06 | 0:00:08 | |
'It's up to Air-Sea Rescue to save the last person. | 0:00:14 | 0:00:19 | |
'A 999 call from a terrified wife.' | 0:00:20 | 0:00:22 | |
'She's watching her husband fight for life for a second time. | 0:00:26 | 0:00:31 | |
'And the search for the horse rider somewhere in the New Forest.' | 0:00:34 | 0:00:38 | |
That orange thing down there. Is that waving at us? | 0:00:38 | 0:00:42 | |
Hello and welcome to Real Rescues, | 0:01:01 | 0:01:04 | |
where we see first-hand the work of the emergency services. | 0:01:04 | 0:01:09 | |
These people are sending medical teams to sick and injured people. | 0:01:09 | 0:01:13 | |
Today, we're starting with an emergency sea rescue by helicopter. | 0:01:13 | 0:01:17 | |
They're operated by a mixture of the coastguard, the RAF | 0:01:17 | 0:01:20 | |
and, in the most southwesterly point of England, the Royal Navy. | 0:01:20 | 0:01:23 | |
'Culdrose in Cornwall, the Royal Navy Air-Sea Rescue crew is preparing for take-off. | 0:01:26 | 0:01:31 | |
'They are needed at an emergency north of Newquay. | 0:01:33 | 0:01:36 | |
'A group of people has been cut off by the sea at a notorious beach.' | 0:01:36 | 0:01:41 | |
No, they're still on the beach. | 0:01:43 | 0:01:45 | |
Can you see them down there? I can see the boat, yeah. | 0:01:45 | 0:01:48 | |
Come hard right and come in over the cliffs... | 0:01:48 | 0:01:51 | |
'Below, five people and a dog are stranded at Bedruthan Steps. | 0:01:51 | 0:01:55 | |
'Newquay RNLI is already at the scene. | 0:01:55 | 0:01:58 | |
'The tide is coming in fast. The conditions are tough. | 0:01:58 | 0:02:02 | |
'The coastguard has sent Air-Sea Rescue as back-up. | 0:02:02 | 0:02:05 | |
'The lifeboat may not be able to get all five people out in time.' | 0:02:05 | 0:02:09 | |
ON RADIO: Are they right below you? Over. | 0:02:09 | 0:02:12 | |
Affirmative. Over. They're immediately below us. Over. | 0:02:13 | 0:02:17 | |
'Away from the cliffs, there's a second RNLI lifeboat. | 0:02:17 | 0:02:21 | |
'The group will have to be rescued in relay. | 0:02:21 | 0:02:24 | |
'The smaller RIB is on the beach. | 0:02:24 | 0:02:26 | |
'The sea's so rough, it's only safe to take two people at a time.' | 0:02:26 | 0:02:30 | |
They're having a go with two through the swell. It's quite a big swell. | 0:02:30 | 0:02:35 | |
It's going to be quite hairy and they've got children down there. | 0:02:35 | 0:02:38 | |
'Now the lifeboat has two on board, it's heading back through the surf. | 0:02:38 | 0:02:43 | |
'The waves are reaching two metres. | 0:02:43 | 0:02:44 | |
'As the RIB tackles each break, it's swamped by water.' | 0:02:44 | 0:02:49 | |
If you require from us any more kit, this is the closest we can get. | 0:02:49 | 0:02:54 | |
MAN CHORTLING: Jesus! | 0:02:54 | 0:02:57 | |
They just got proper swamped! | 0:02:57 | 0:03:00 | |
I bet they're thinking, "Look at the helicopter!" That's massive, look. | 0:03:00 | 0:03:05 | |
'The RIB makes it through the swell with the two youngest in the group. | 0:03:06 | 0:03:10 | |
'The helicopter's hovering above the cliff top. | 0:03:13 | 0:03:15 | |
'The crew is poised to send down the winch the moment it's needed.' | 0:03:15 | 0:03:19 | |
What are your intentions? Over. | 0:03:19 | 0:03:22 | |
Yeah, Padstow 193. We're awaiting to see if the lifeboat needs our help. | 0:03:23 | 0:03:27 | |
There's four on the beach. If they require us to winch them, we will. | 0:03:27 | 0:03:31 | |
'The RIB powers back to the shrinking beach | 0:03:31 | 0:03:33 | |
'to rescue two of the three people left stranded.' | 0:03:33 | 0:03:36 | |
This is Padstow 01. That's all received. | 0:03:36 | 0:03:38 | |
We'll leave it for you and Newquay lifeboat to decide. | 0:03:38 | 0:03:42 | |
We're setting up our equipment. | 0:03:42 | 0:03:44 | |
'The lifeboat crew get another two on board, | 0:03:44 | 0:03:47 | |
'leaving the fifth person and the dog on the beach for a final pickup. | 0:03:47 | 0:03:51 | |
'As the tide starts devouring the beach, they are running out of time. | 0:03:51 | 0:03:55 | |
'A decision is taken. | 0:03:55 | 0:03:58 | |
'The lifeboat will not make it back to rescue the fifth person | 0:03:58 | 0:04:01 | |
'before the water reaches the cliffs. | 0:04:01 | 0:04:03 | |
'It's going to be up to Air-Sea Rescue to winch the final member of the party to safety. | 0:04:03 | 0:04:09 | |
'They'll have to take the dog at the same time. | 0:04:09 | 0:04:11 | |
'It's going to be a challenging operation.' | 0:04:11 | 0:04:14 | |
We were right next to the cliff | 0:04:15 | 0:04:17 | |
having to think not only about the length of the wire, | 0:04:17 | 0:04:21 | |
but also how close we were getting to the cliffs. | 0:04:21 | 0:04:24 | |
'It's best practice for a helicopter to hover into the wind | 0:04:24 | 0:04:28 | |
'to reduce the power needed. | 0:04:28 | 0:04:29 | |
'The pilot needs to keep the aircraft | 0:04:29 | 0:04:32 | |
'directly above the casualty. | 0:04:32 | 0:04:34 | |
'The shrinking beach is pushing the operation closer to the cliffs.' | 0:04:34 | 0:04:39 | |
I'm not sure we've got that much space, to be quite honest. | 0:04:39 | 0:04:42 | |
So we were right at the edge of what was safe for us to operate with. | 0:04:42 | 0:04:48 | |
'The aircraft's maximum winch height is 200 feet. | 0:04:48 | 0:04:52 | |
'The cliffs here are higher. | 0:04:52 | 0:04:54 | |
'It means the pilot is forced to hover alongside the cliff face. | 0:04:54 | 0:04:58 | |
'At this height, every movement on the wire is amplified.' | 0:04:58 | 0:05:02 | |
If you're not careful, you'll swing the winchman around like a conker underneath the aircraft. | 0:05:02 | 0:05:08 | |
'Winchman Alan Speed will be lowered down, guided by the winch operator, | 0:05:08 | 0:05:12 | |
'who's in constant communication with the pilot.' | 0:05:12 | 0:05:15 | |
OK. We are committed throughout. | 0:05:15 | 0:05:18 | |
Happy there? We're committed, we're committed, so... | 0:05:18 | 0:05:21 | |
'Winchman Alan will put the dog in a yellow bag | 0:05:21 | 0:05:24 | |
'normally used for rescuing very young children.' | 0:05:24 | 0:05:27 | |
And lowering away. | 0:05:27 | 0:05:30 | |
Lowering the winch. | 0:05:30 | 0:05:32 | |
If you've got any room forward, go forward only 20 yards. | 0:05:32 | 0:05:36 | |
Little bit drier. Easy. Easy. | 0:05:36 | 0:05:39 | |
And steady. Good position. | 0:05:39 | 0:05:42 | |
They're on the left. They've just got shorts and T-shirts on. | 0:05:42 | 0:05:47 | |
'It's a wet landing.' | 0:05:47 | 0:05:50 | |
You happy with the bag rather than the harness? | 0:05:50 | 0:05:54 | |
Yeah. He's not that big, that dog. | 0:05:54 | 0:05:56 | |
He ain't going to want to go in a yellow bag. | 0:05:56 | 0:05:59 | |
It's a springer spaniel. CHUCKLES | 0:05:59 | 0:06:02 | |
I'd been winched into the sea, so I had to wade up the beach. | 0:06:03 | 0:06:07 | |
I saw the owner and the dog, cowering in the corner. | 0:06:07 | 0:06:10 | |
I had to use the owner to help me to get him into the bag. | 0:06:10 | 0:06:14 | |
Dog's in the bag. | 0:06:14 | 0:06:16 | |
Guy's got his strop on. | 0:06:16 | 0:06:19 | |
Watch the wave coming in, Speedy. | 0:06:19 | 0:06:22 | |
'They've had to wade into the sea to get directly below the aircraft.' | 0:06:22 | 0:06:27 | |
Dog's on the Grabbit. | 0:06:27 | 0:06:29 | |
First strop going on. This will be a double lift. | 0:06:30 | 0:06:33 | |
Raising the winch. All three coming clear. | 0:06:34 | 0:06:38 | |
The bag's falling the right way, so the dog shouldn't fall out. | 0:06:38 | 0:06:42 | |
We will be taking good charge of it. | 0:06:42 | 0:06:44 | |
'They're operating at the end of 200 feet of winch, | 0:06:44 | 0:06:47 | |
'but they're managing to limit the swing.' | 0:06:47 | 0:06:50 | |
Happy to move slowly away from the cliff, if you want, five yards. | 0:06:51 | 0:06:55 | |
Tail's clear. Just got the island at 2 o'clock. | 0:06:55 | 0:06:58 | |
I'll let you know as soon as they're in the door. | 0:06:58 | 0:07:02 | |
'Minutes later, the final person and the dog are inside the helicopter. | 0:07:02 | 0:07:07 | |
'And after the shortest of flights, they're back on dry land. | 0:07:09 | 0:07:14 | |
'The lifeboat's taken the rest of the group to nearby Newquay, | 0:07:14 | 0:07:18 | |
'where they will all soon be reunited. | 0:07:18 | 0:07:20 | |
'It's not the first rescue from this beach. | 0:07:20 | 0:07:24 | |
'Locals are all too aware how quickly the tide can cut it off.' | 0:07:24 | 0:07:28 | |
Tourists like to visit Cornwall in the summer. | 0:07:28 | 0:07:32 | |
They don't really know the local area and the tide | 0:07:32 | 0:07:35 | |
as well as the locals. | 0:07:35 | 0:07:37 | |
They might find a nice cove that looks nice when the tide's out. | 0:07:37 | 0:07:41 | |
Little do they know that the water will soon come in | 0:07:41 | 0:07:45 | |
and they'll end up being stuck. | 0:07:45 | 0:07:47 | |
'The South Western Ambulance Service control room in Exeter. | 0:07:57 | 0:08:01 | |
'It's 5am, almost the end of a night shift for call handler Julie Ings, | 0:08:01 | 0:08:06 | |
'when she takes a desperate 999 call.' | 0:08:06 | 0:08:09 | |
PHONE RINGING | 0:08:09 | 0:08:11 | |
'It's immediately clear this is one of the highest level emergencies.' | 0:08:19 | 0:08:23 | |
'The emergency call is coming from a house in Christchurch. | 0:08:51 | 0:08:55 | |
'It's not the first time the woman has woken to find her husband | 0:08:55 | 0:08:59 | |
'lying next to her, looking so desperately ill.' | 0:08:59 | 0:09:01 | |
'In the bedroom, the emergency is playing out exactly as it did three years earlier.' | 0:09:09 | 0:09:15 | |
So I turned over, banged my light on to full blast, | 0:09:15 | 0:09:19 | |
and Mario was mauve and blue. | 0:09:19 | 0:09:23 | |
And I knew it was happening again. | 0:09:23 | 0:09:26 | |
'It's all too much for Gill. | 0:09:26 | 0:09:28 | |
'In her panic, she leaves the bedroom. She's still on the phone.' | 0:09:28 | 0:09:31 | |
The lady got very panicked. | 0:09:40 | 0:09:42 | |
I remember having to try and calm her down. | 0:09:42 | 0:09:44 | |
We had to go with what she was able to do in the stress situation, | 0:09:44 | 0:09:49 | |
try to keep her focused and as calm as possible while the crew were on their way, | 0:09:49 | 0:09:53 | |
which can seem like a lifetime while they're waiting, | 0:09:53 | 0:09:57 | |
but in fact it wasn't that long at all before the crew were with her. | 0:09:57 | 0:10:01 | |
'It becomes clear to Julie that the caller is no longer in the same room as her husband. | 0:10:18 | 0:10:24 | |
'She has to get Gill back to his side to start CPR.' | 0:10:24 | 0:10:27 | |
'Gill's worrying about how the ambulance crew will get in. | 0:10:35 | 0:10:39 | |
'She's putting the dogs away and opening the front door. | 0:10:39 | 0:10:42 | |
'It's vital she starts the chest compressions straight away, | 0:10:42 | 0:10:46 | |
'if husband Mario is to have any chance of recovery.' | 0:10:46 | 0:10:50 | |
I knew that I was becoming hysterical | 0:10:57 | 0:11:00 | |
and...slightly out of control. | 0:11:00 | 0:11:03 | |
Because, as I say, the emotion just takes over. | 0:11:05 | 0:11:08 | |
'But every minute that Mario's heart is stopped | 0:11:08 | 0:11:11 | |
'reduces his chance of survival. | 0:11:11 | 0:11:13 | |
'Later, Gill overcomes her emotions | 0:11:15 | 0:11:17 | |
'and fights hard to keep Mario alive till the ambulance crew arrives.' | 0:11:17 | 0:11:21 | |
VOICE BREAKING: You want to be brave and you want to do the right thing. | 0:11:21 | 0:11:25 | |
And inside, your heart is being torn apart. | 0:11:25 | 0:11:30 | |
I'm going to have a chat with Phil. | 0:11:35 | 0:11:37 | |
Are you free to chat to us? Yeah, absolutely. | 0:11:37 | 0:11:40 | |
It's interesting because Phil is a clinician here. | 0:11:40 | 0:11:43 | |
A paramedic... Yes. ..who has worked as a paramedic in the community. | 0:11:43 | 0:11:48 | |
You have an advisory role to all of the call-takers, is that right? | 0:11:48 | 0:11:53 | |
That's correct, yeah. I've been out on the road for 23 years. | 0:11:53 | 0:11:57 | |
I decided there was a change needed and this is an ideal opportunity | 0:11:57 | 0:12:01 | |
to relay all my clinical skills to help with the triage on this system. | 0:12:01 | 0:12:05 | |
You can take over on a call where extra knowledge is needed to help? Yes, most definitely. | 0:12:05 | 0:12:10 | |
I was interested in something you were telling me earlier. | 0:12:10 | 0:12:13 | |
I'm a motorcyclist, and the one thing that we all know | 0:12:13 | 0:12:16 | |
is that when you come to an accident you should never take a crash helmet off a motorcyclist, | 0:12:16 | 0:12:21 | |
cos you could damage the neck in the process. | 0:12:21 | 0:12:24 | |
You say, because of an accident you attended, you shouldn't take the leathers off either. That's right. | 0:12:24 | 0:12:30 | |
When you get to a scene, normally, | 0:12:30 | 0:12:33 | |
a clinical person - paramedics, doctors - | 0:12:33 | 0:12:36 | |
would cut all the leathers off to get down to the skin to see injuries et cetera. | 0:12:36 | 0:12:41 | |
On this one occasion, due to the extensive injuries this motorcyclist had, | 0:12:41 | 0:12:46 | |
we decided to leave the leathers on because they act as a compress. | 0:12:46 | 0:12:50 | |
So by doing that, you're stopping the blood vessels from dilating and all the blood running out - | 0:12:50 | 0:12:56 | |
i.e. getting him to hospital in one piece. | 0:12:56 | 0:12:59 | |
On this occasion, it did work. | 0:12:59 | 0:13:01 | |
Did that leaving his leathers on actually save his life? | 0:13:01 | 0:13:05 | |
It probably contributed to it, yes. That's extraordinary. | 0:13:05 | 0:13:08 | |
So for a member of the general public, we know not to take people's crash helmets off, | 0:13:08 | 0:13:13 | |
leave the leathers on until somebody who knows what they're doing turns up? Any motorcyle accident, yes. | 0:13:13 | 0:13:18 | |
Just leave the leathers alone. And get them to stay still? Yeah. | 0:13:18 | 0:13:22 | |
Smashing. Thank you very much. | 0:13:22 | 0:13:25 | |
'The New Forest in Hampshire. | 0:13:31 | 0:13:33 | |
'The Air Ambulance has been scrambled to find an injured woman.' | 0:13:33 | 0:13:36 | |
'On board, paramedic Pat Andrews, Dr Liz Shury | 0:13:47 | 0:13:50 | |
'and Private Alan Scott.' | 0:13:50 | 0:13:52 | |
Just to repeat - 835 6502. Over. | 0:13:55 | 0:13:59 | |
'They're working off map grid references, | 0:13:59 | 0:14:02 | |
'but there are no landmarks to guide them. | 0:14:02 | 0:14:05 | |
'All the crew are keeping a keen lookout for any clues down below | 0:14:05 | 0:14:09 | |
'that will lead them to the injured woman. | 0:14:09 | 0:14:12 | |
'Suddenly, they see something.' | 0:14:12 | 0:14:14 | |
'Two men from the Forestry Commission | 0:14:17 | 0:14:20 | |
'are using a fluorescent jacket to attract their attention.' | 0:14:20 | 0:14:23 | |
They are. | 0:14:23 | 0:14:25 | |
'The men have found a clearing for the helicopter to touch down.' | 0:14:25 | 0:14:30 | |
'Waiting to guide them to the casualty is David Morris.' | 0:14:50 | 0:14:53 | |
That was a good signal. Good! I was trying to... | 0:14:53 | 0:14:58 | |
'David brings the medics up to date.' | 0:14:58 | 0:15:00 | |
Where's the horse? | 0:15:09 | 0:15:12 | |
Was she on her own? | 0:15:15 | 0:15:17 | |
'The injured woman was only found after a couple walking their dog | 0:15:17 | 0:15:21 | |
'spotted a riderless horse.' | 0:15:21 | 0:15:23 | |
She was completely dazed. | 0:15:23 | 0:15:26 | |
The immediate thing was that her shoulder hurt. | 0:15:26 | 0:15:29 | |
'The woman is where she landed, thrown by her horse onto a branch, | 0:15:29 | 0:15:34 | |
'breaking it as she fell.' | 0:15:34 | 0:15:36 | |
Do you remember hitting the tree? I remember coming towards it, thinking, "This is going to hurt." | 0:15:36 | 0:15:42 | |
'Paramedic Pat is supporting her neck, | 0:15:42 | 0:15:44 | |
'as Dr Liz quickly gets her some oxygen, | 0:15:44 | 0:15:47 | |
'in case she's suffering serious injury.' | 0:15:47 | 0:15:49 | |
We're holding on to your head, in case you've damaged your neck. | 0:15:49 | 0:15:53 | |
It stinks, my hat! That's OK! | 0:15:53 | 0:15:56 | |
I'm going to pop a bit of oxygen on you. That's standard again. | 0:15:56 | 0:15:59 | |
Pop that there so you won't have to hold it. | 0:15:59 | 0:16:03 | |
What's your name? Hannah. Hello, Hannah. I'm Liz. This is Pat. | 0:16:03 | 0:16:07 | |
Do you know where you are? Yeah. In the woods. | 0:16:07 | 0:16:10 | |
It's starting to come back to me. | 0:16:10 | 0:16:13 | |
'Hannah was riding alone. There is no sign of her horse. | 0:16:13 | 0:16:16 | |
'It bolted after being spooked by New Forest ponies.' | 0:16:16 | 0:16:20 | |
Were you knocked off or you leapt off? Knocked off. | 0:16:20 | 0:16:23 | |
Maybe a bit of both. I was just, "Here comes a tree." OK. | 0:16:23 | 0:16:28 | |
'Hannah can remember everything, but she suffered an impact to her shoulder, arm and head. | 0:16:28 | 0:16:33 | |
'The medics can't take any chances.' | 0:16:33 | 0:16:35 | |
OK. And how's your breathing? OK. | 0:16:35 | 0:16:39 | |
No pain in your chest or anything? | 0:16:39 | 0:16:41 | |
A little bit, where I've hit the ground. | 0:16:41 | 0:16:44 | |
Do you know what day it is? Yeah. I had to think about that before! | 0:16:44 | 0:16:48 | |
Wednesday morning. And no bruises on your head. My head hurts a bit. | 0:16:48 | 0:16:52 | |
What about your leg? Does that hurt? Everything feels a bit tight. OK. | 0:16:52 | 0:16:58 | |
'It was thanks to dog walkers Marcus and Maria that Hannah was discovered so quickly.' | 0:16:58 | 0:17:03 | |
We saw a herd of horses that were clearly spooked, | 0:17:03 | 0:17:06 | |
so we put the dogs on the lead. | 0:17:06 | 0:17:08 | |
Then I noticed one of the horses had a saddle on it, so we then backtracked up the paths. | 0:17:08 | 0:17:14 | |
We didn't know who we were looking for or where we were going, but we knew we had to find her. | 0:17:14 | 0:17:20 | |
'When they found her she was slumped on the ground.' | 0:17:20 | 0:17:24 | |
She was conscious, but very confused and sorry for herself. | 0:17:24 | 0:17:28 | |
'It's an hour since the accident. | 0:17:28 | 0:17:30 | |
'Dr Shury's preparing some strong pain relief, | 0:17:30 | 0:17:33 | |
'which will help Hannah cope with the air-lift to hospital. | 0:17:33 | 0:17:37 | |
'By now, her friend Anna has arrived | 0:17:37 | 0:17:40 | |
'and takes over immobilising Hannah's neck.' | 0:17:40 | 0:17:42 | |
How old are you, love? I'm...31. 31! I had to think about that. | 0:17:42 | 0:17:47 | |
'The drugs are easing Hannah's pain, but it won't be easy for her, | 0:17:47 | 0:17:51 | |
'being moved onto the stretcher.' | 0:17:51 | 0:17:53 | |
That's better. | 0:17:53 | 0:17:55 | |
That will warm you up a little bit while we get you out of here. | 0:17:55 | 0:18:00 | |
I'll give you some of this then we'll lie you down. | 0:18:00 | 0:18:03 | |
That'll make you feel a bit better, I expect. | 0:18:03 | 0:18:05 | |
'The only way to get Hannah to the helicopter | 0:18:05 | 0:18:08 | |
'is to load her onto the pickup. | 0:18:08 | 0:18:11 | |
'Anna and the Forestry Commission workers will stay to look for the missing horse | 0:18:11 | 0:18:15 | |
'that's still running with the New Forest ponies. | 0:18:15 | 0:18:19 | |
'It could take some time.' | 0:18:19 | 0:18:21 | |
There we are. That's that anti-sickness drug in. | 0:18:21 | 0:18:24 | |
It'll work in a few minutes. Yeah. It's pretty quick. OK? | 0:18:24 | 0:18:29 | |
'Hannah's starting to drift into unconsciousness. | 0:18:29 | 0:18:32 | |
'Her friend is determined to keep her awake.' | 0:18:32 | 0:18:36 | |
It's going to be fine, all right? They just want to make you better. | 0:18:36 | 0:18:40 | |
'Liz will stay by Hannah's side for the journey.' | 0:18:53 | 0:18:56 | |
Well done. You all right there? | 0:18:57 | 0:18:59 | |
'It's a short flight to Southampton General. | 0:19:03 | 0:19:05 | |
'The emergency department is on standby. | 0:19:12 | 0:19:14 | |
'More on Hannah's injuries later.' | 0:19:20 | 0:19:23 | |
Coming up on Real Rescues... | 0:19:26 | 0:19:28 | |
'..a collision takes the shine off one driver's brand new vehicle, | 0:19:29 | 0:19:33 | |
'but the police do their best to pick up all the pieces.' | 0:19:33 | 0:19:37 | |
You might not afford the whole thing, but you could have that! | 0:19:37 | 0:19:40 | |
This is the closest I'll get to one! | 0:19:40 | 0:19:43 | |
'And Mum refuses to take the blame | 0:19:43 | 0:19:45 | |
'after son Jayden dislocates his knee helping clear up.' | 0:19:45 | 0:19:49 | |
"It's all Mum's fault for making me tidy the lounge!" Yeah, Mum's fault! | 0:19:49 | 0:19:54 | |
'Earlier, we were following a dramatic 999 call | 0:19:59 | 0:20:02 | |
'to South Western Ambulance control room. | 0:20:02 | 0:20:05 | |
'A 53-year-old man is in cardiac arrest. | 0:20:05 | 0:20:09 | |
'It's his second heart attack in three years. | 0:20:09 | 0:20:12 | |
'His wife, Gill, has made the call, | 0:20:12 | 0:20:15 | |
'but she's been too hysterical to begin chest compressions.' | 0:20:15 | 0:20:18 | |
'Mario's too heavy for Gill to get him off the bed and onto the floor.' | 0:21:25 | 0:21:29 | |
We needed to get some effective CPR going as quickly as possible. | 0:21:30 | 0:21:36 | |
She stated that she wasn't able to get him to the floor, so we did the next best thing that we could. | 0:21:36 | 0:21:42 | |
We got him in bed, where he already was, on his back where he was | 0:21:42 | 0:21:45 | |
and got some good hard CPR happening. | 0:21:45 | 0:21:49 | |
'Julie's talking her through, insisting that she keeps going.' | 0:22:04 | 0:22:08 | |
Because I was so emotional, I don't think I'd have been able to. | 0:22:08 | 0:22:11 | |
It was HER actually counting "one and two and three and four", | 0:22:11 | 0:22:17 | |
that literal "one and two and three and four" | 0:22:17 | 0:22:21 | |
that kept me going. | 0:22:21 | 0:22:23 | |
I think if she'd have stopped, I'd have stopped. | 0:22:23 | 0:22:27 | |
The last thing we want to do is cause another heart attack | 0:23:08 | 0:23:12 | |
for someone who's performing CPR. | 0:23:12 | 0:23:14 | |
We have to be aware of that as well. | 0:23:14 | 0:23:17 | |
She sounded like she was coping physically OK. | 0:23:17 | 0:23:20 | |
'Just six minutes since she made the call, | 0:23:37 | 0:23:40 | |
'Gill hears the ambulance arrive outside.' | 0:23:40 | 0:23:43 | |
'Finally, Gill can hand over to the ambulance crew. | 0:23:50 | 0:23:54 | |
'She's kept Mario going, but now he'll be wired up to a defibrillator | 0:23:54 | 0:23:59 | |
'and they'll try to shock his heart back to a normal rhythm. | 0:23:59 | 0:24:02 | |
'The paramedics talk about the battle to save Mario.' | 0:24:06 | 0:24:09 | |
We gave him three or four shocks before we got him back. | 0:24:09 | 0:24:12 | |
The first time, we had him back for two or three minutes. | 0:24:12 | 0:24:16 | |
We were getting ready to move him at that point. He arrested again. | 0:24:16 | 0:24:21 | |
Hoping to have a word with Danni, if she's not on a call. | 0:24:24 | 0:24:28 | |
All right? Yeah. Jolly good. | 0:24:28 | 0:24:30 | |
Would it be fair to say that, as a call taker, | 0:24:30 | 0:24:33 | |
you're quite pleased when you get a call that really tests your skills? | 0:24:33 | 0:24:38 | |
Yeah? Yeah. So give us an example of one that you've dealt with | 0:24:38 | 0:24:42 | |
where you felt that your skills have come to the fore. | 0:24:42 | 0:24:45 | |
I had a gentleman who was working in a food factory. | 0:24:45 | 0:24:49 | |
The call came in and a gentleman that I was speaking with | 0:24:49 | 0:24:54 | |
said that one of his colleagues had his hand stuck in machinery. | 0:24:54 | 0:24:58 | |
Like damaged-trapped? Trapped. It was trapped in the machinery. | 0:24:58 | 0:25:03 | |
He'd used his other hand to try to pull that hand out, | 0:25:03 | 0:25:06 | |
and he'd injured that hand as well. Wow! Yeah. | 0:25:06 | 0:25:09 | |
For me - this is probably why I do what I do, rather than doing what you do - | 0:25:09 | 0:25:13 | |
I would be thinking "mangled" and the blood. | 0:25:13 | 0:25:16 | |
You've got to kick into professional mode, find out as much as you can. | 0:25:16 | 0:25:20 | |
Was the person that was talking to you next to the person? No. | 0:25:20 | 0:25:24 | |
He was upstairs, in the office. | 0:25:24 | 0:25:27 | |
All the information was being passed by three people to me. | 0:25:27 | 0:25:30 | |
There's a three-person relay going backwards and forwards? Yeah. | 0:25:30 | 0:25:34 | |
What are you looking to find out? What's the most important thing? | 0:25:34 | 0:25:37 | |
Blood loss. If they're still trapped in the machinery. | 0:25:37 | 0:25:41 | |
Then we need to think about getting other people involved to help release the hand. | 0:25:41 | 0:25:47 | |
Yeah... So you can push that out to Fire Rescue? | 0:25:47 | 0:25:51 | |
Yeah. Anybody that could help if he was still trapped. | 0:25:51 | 0:25:56 | |
With that kind of injury, where someone's caught a limb in a piece of machinery, | 0:25:56 | 0:26:01 | |
isn't it quite dangerous to release it because that can then start the blood flow? | 0:26:01 | 0:26:06 | |
There's not that much advice we can give. If he's still trapped, he's still trapped. | 0:26:06 | 0:26:11 | |
By the time we'd got the information, he had managed to release his arm. | 0:26:11 | 0:26:16 | |
Then it was trying to find out how much blood he was losing, | 0:26:16 | 0:26:20 | |
how damaged his hand was, getting enough information for the crews. | 0:26:20 | 0:26:24 | |
That's like Chinese whispers if you go via three people. | 0:26:24 | 0:26:28 | |
The information coming back isn't always... No. | 0:26:28 | 0:26:30 | |
It's very hard to get the right information relayed back to them to help with the bleeding. | 0:26:30 | 0:26:36 | |
What was the result of this, with the chap and his hand? | 0:26:36 | 0:26:40 | |
Well, I managed to assess it - very basically. | 0:26:40 | 0:26:44 | |
Gave him as much information as I can to help stem the bleeding | 0:26:44 | 0:26:49 | |
and then the crew arrived on the scene, luckily. | 0:26:49 | 0:26:52 | |
Was the damage bad to the guy's hand? | 0:26:52 | 0:26:55 | |
From what I understood, he had quite bad damage to his left hand | 0:26:55 | 0:27:00 | |
and then his right hand was quite...mangled. | 0:27:00 | 0:27:03 | |
But as a rule - obviously you deal with everything that comes in - | 0:27:03 | 0:27:07 | |
it's good to be tested? Yeah. | 0:27:07 | 0:27:10 | |
Not that you'd ever wish anybody any injury. Absolutely. | 0:27:10 | 0:27:13 | |
But if you know that you're the first person to offer them help, then that's a good thing. | 0:27:13 | 0:27:20 | |
A great sense of pride, I imagine, once you get off the phone, that you've been of some help? Yeah. | 0:27:20 | 0:27:25 | |
We can offer as much information as we can to get that help on the way | 0:27:25 | 0:27:29 | |
and help treat them whilst they're on the way to them. | 0:27:29 | 0:27:33 | |
It's a cool job. Yeah. I'll let you get back to it. Thank you. | 0:27:33 | 0:27:38 | |
'Early morning rush hour in Milton Keynes. | 0:27:46 | 0:27:50 | |
'Traffic cops Dave Morgan and Gary Fortnum are making their way through traffic | 0:27:50 | 0:27:54 | |
'to a crash on the other side of town.' | 0:27:54 | 0:27:57 | |
I would have thought it would be on these bends up here. | 0:27:57 | 0:28:00 | |
There's a farm. I don't know what farm it is. | 0:28:00 | 0:28:03 | |
It's slippery. Yeah, it is. But then it hasn't rained for a while. | 0:28:03 | 0:28:08 | |
The roads are going to be slippery. | 0:28:08 | 0:28:10 | |
'Sure enough, two cars have collided on a left-hand bend, | 0:28:10 | 0:28:13 | |
'almost head-on.' | 0:28:13 | 0:28:15 | |
Show us on scene. The road's only partially blocked. | 0:28:16 | 0:28:20 | |
'First thing the police need to do is check that no-one is hurt.' | 0:28:24 | 0:28:28 | |
Me. You and you, yeah? We'll sort it out. Don't worry. | 0:28:28 | 0:28:31 | |
'The next job is clearing the road.' | 0:28:31 | 0:28:34 | |
Does the BMW not drive? | 0:28:34 | 0:28:36 | |
When I tried to move it, it came up with, like, "disabled"... | 0:28:36 | 0:28:41 | |
'Driver Jay is being comforted by Charlotte, her dog walker. | 0:28:41 | 0:28:46 | |
'They were taking Jay's puppy Megan to the vet when the crash happened.' | 0:28:46 | 0:28:50 | |
I suppose it's got loads of buttons to drive it? Yeah. | 0:28:50 | 0:28:53 | |
Well, I'll have a go, see if I can get it. | 0:28:53 | 0:28:56 | |
'They're going to get the dog out before Dave has a go at moving this brand new 4x4, | 0:28:56 | 0:29:02 | |
'with its key-less technology.' | 0:29:02 | 0:29:04 | |
You'll have to show me how to start this. | 0:29:04 | 0:29:07 | |
'Dave might be a traffic cop, but he's never driven one of these.' | 0:29:07 | 0:29:11 | |
They've got so many buttons, I've got no idea how to drive one. I'm not used to this technology. | 0:29:11 | 0:29:17 | |
Go! Have you driven one of these before? | 0:29:19 | 0:29:22 | |
I'll do some traffic control! | 0:29:22 | 0:29:25 | |
Want to go forward first. | 0:29:25 | 0:29:27 | |
'Eventually, Dave masters the controls and gets the 4x4 moving. | 0:29:27 | 0:29:31 | |
'The blue car's offside front wing is completely smashed in. | 0:29:32 | 0:29:37 | |
'It was heading down the hill, skidding on the wet surface at the tight left-hand bend.' | 0:29:37 | 0:29:42 | |
They'll tell me as soon as it's on its way. | 0:29:42 | 0:29:46 | |
'This collision is going to be sorted out between the drivers' insurance companies. | 0:29:46 | 0:29:51 | |
'Dave gets on clearing the road when something catches his eye.' | 0:29:51 | 0:29:55 | |
You won't afford the whole thing but maybe you could have that. | 0:29:55 | 0:29:59 | |
'It's a pricey car, so even the badge is worth holding on to.' | 0:29:59 | 0:30:02 | |
This is the closest I'll get to one! | 0:30:02 | 0:30:05 | |
'They've missed the appointment at the vet, | 0:30:06 | 0:30:09 | |
'so they're keen to head home, if they can.' | 0:30:09 | 0:30:12 | |
The wheel arch is a bit loose, it's flapping about, | 0:30:12 | 0:30:15 | |
so we'll pull it off... | 0:30:15 | 0:30:18 | |
'The police are going to try some roadside maintenance - if Jay can bear it.' | 0:30:19 | 0:30:24 | |
Shall we see if it will pop off? | 0:30:24 | 0:30:26 | |
I'll go the other side and put my fingers in my ears. | 0:30:26 | 0:30:29 | |
Yeah, you might want to. | 0:30:29 | 0:30:31 | |
See if I can wedge it back in as opposed to pulling it out. | 0:30:31 | 0:30:35 | |
BANGING | 0:30:37 | 0:30:40 | |
'All it needs now is a bit of police tape, | 0:30:40 | 0:30:43 | |
'then maybe this brand new 4x4 will be good to go.' | 0:30:43 | 0:30:47 | |
Going to tie it back to the car, that's the plan. Whether it will work is another matter. | 0:30:47 | 0:30:52 | |
What was a minor repair has just gone up a few thousand quid! | 0:30:52 | 0:30:56 | |
Police barrier tape at its best! Check it out! | 0:30:56 | 0:30:59 | |
'Now, the moment of truth for Jay back in the driving seat.' | 0:31:02 | 0:31:06 | |
SQUEAKING AND RUBBING No, still don't like that. | 0:31:06 | 0:31:10 | |
'There's an ominous noise.' Stop! Look at the wheel. | 0:31:10 | 0:31:13 | |
'Something more substantial is wrong. | 0:31:13 | 0:31:16 | |
'The bottom of the wheel is pointing outwards.' | 0:31:16 | 0:31:19 | |
That's definitely not right. | 0:31:19 | 0:31:21 | |
The wheel. You might have bent the axle. It'll have to be recovered. | 0:31:21 | 0:31:25 | |
'It'll mean an expensive repair to Jay's brand new pride and joy. | 0:31:25 | 0:31:29 | |
'All she can do now is call recovery and she's covered for that. | 0:31:29 | 0:31:33 | |
'Meanwhile, a breakdown truck arrives for the blue car. | 0:31:33 | 0:31:37 | |
'Now Jay's worrying if her vehicle | 0:31:37 | 0:31:40 | |
'will make it onto the breakdown truck with its broken axle.' | 0:31:40 | 0:31:44 | |
They roll, but not in the direction they're meant to go, I think. | 0:31:44 | 0:31:48 | |
Do you want me to speak to him? Yes, please. Could you speak to the police officer, please? | 0:31:48 | 0:31:53 | |
Hello? | 0:31:53 | 0:31:55 | |
They roll to get on a recovery truck but I think it's done something to one of the axles on the rear. | 0:31:56 | 0:32:02 | |
One of the wheels is out of line, but it drives. | 0:32:02 | 0:32:05 | |
You'll be able to drive it on the truck, no problem. | 0:32:05 | 0:32:08 | |
'The other car's already loading. | 0:32:08 | 0:32:11 | |
'It's time for Dave and Gary to move on.' | 0:32:11 | 0:32:15 | |
We're going to depart, anyway. OK. I hope you have a nice day. | 0:32:15 | 0:32:19 | |
I hope YOUR day's going to get better. | 0:32:19 | 0:32:22 | |
Never mind. Lovely little space on my driveway. | 0:32:22 | 0:32:25 | |
A big space, I would have thought! LAUGHTER | 0:32:25 | 0:32:28 | |
See you later. Take care. Bye bye. | 0:32:28 | 0:32:31 | |
SIREN BLARES | 0:32:37 | 0:32:39 | |
'It's the last week of the school holidays. | 0:32:42 | 0:32:45 | |
'An ambulance is heading to a housing estate north of Portsmouth. | 0:32:45 | 0:32:49 | |
'On board, paramedic Jade Foley | 0:32:49 | 0:32:51 | |
'and emergency care assistant Danny Collins. | 0:32:51 | 0:32:54 | |
'They've been told a schoolboy is in pain after an accident at home. | 0:32:54 | 0:32:58 | |
'They arrive to find Jayden in pain, holding his knee in the front room.' | 0:33:01 | 0:33:05 | |
Hello. What's happening? | 0:33:05 | 0:33:08 | |
He's gone to move and... You explain it, Jayden. | 0:33:08 | 0:33:13 | |
I just moved and something went in my leg, like that. | 0:33:13 | 0:33:17 | |
You felt something go? Yeah. I dunno, but... | 0:33:17 | 0:33:21 | |
This is the only way I can get it. | 0:33:21 | 0:33:23 | |
When I go like that, it hurts. | 0:33:23 | 0:33:26 | |
'Jayden's right knee is very swollen.' | 0:33:26 | 0:33:29 | |
I had to roll that leg sideways. | 0:33:29 | 0:33:31 | |
'Jayden will need an X-ray, | 0:33:31 | 0:33:33 | |
'but they can't move him until they get on top of the pain.' | 0:33:33 | 0:33:37 | |
Does it hurt when you poke it? UNCLEAR RESPONSE | 0:33:37 | 0:33:39 | |
If you scored that pain out of ten, | 0:33:39 | 0:33:42 | |
ten being having your leg ripped off? Eight. | 0:33:42 | 0:33:45 | |
So it's quite bad? Has it been worse than this? | 0:33:45 | 0:33:48 | |
Is this a bit better than before? Yeah. Right. | 0:33:48 | 0:33:52 | |
Are you not able to move your knee? | 0:33:52 | 0:33:54 | |
I can, when it was, like, up here, | 0:33:54 | 0:33:59 | |
I could wiggle my toes a tiny bit. | 0:33:59 | 0:34:02 | |
'Jayden's day has gone from bad to worse. | 0:34:02 | 0:34:05 | |
'He was told off for being untidy and asked to clear up the lounge. | 0:34:05 | 0:34:09 | |
'As he sat on the floor sorting through things, his knee went. | 0:34:09 | 0:34:13 | |
'Paramedic Jade explains what might be going on, | 0:34:13 | 0:34:16 | |
'as he loads up with the pain-killing gas nitrous oxide.' | 0:34:16 | 0:34:20 | |
Dislocating means that... | 0:34:20 | 0:34:22 | |
Your knee's like this. It's a ball in a socket, like your shoulder. | 0:34:22 | 0:34:26 | |
Sometimes, if you put pressure on it in the wrong place, it pops out. | 0:34:26 | 0:34:30 | |
When I had my hand there, I felt like this thing was moving. | 0:34:30 | 0:34:34 | |
It might have been your kneecap swivelled round. This thin bit. | 0:34:34 | 0:34:38 | |
Yeah. Everyone's got a cap on the front of their knee. | 0:34:38 | 0:34:41 | |
Sometimes, that...moves. It's not supposed to, but it does. | 0:34:41 | 0:34:46 | |
That might be what's happening. That's why it's so painful now. | 0:34:46 | 0:34:50 | |
You've bruised everything inside. | 0:34:50 | 0:34:52 | |
'The kneecap seems to be in the right place now, | 0:34:52 | 0:34:55 | |
'although there is a lot of swelling as well as pain.' | 0:34:55 | 0:34:58 | |
I can't walk on it. No, we can shift you onto... | 0:34:58 | 0:35:02 | |
We'll have to fly you. Have you got a magic carpet? | 0:35:02 | 0:35:06 | |
Because if you don't, we are in trouble. | 0:35:06 | 0:35:10 | |
'There's no avoiding moving the leg to get it into the splint. | 0:35:10 | 0:35:14 | |
'Every move hurts, even with the gas.' | 0:35:14 | 0:35:18 | |
We're going to do the most painful bit. Every single breath, take it through the gas. | 0:35:18 | 0:35:24 | |
We have to take that cushion out from underneath your leg. | 0:35:24 | 0:35:28 | |
We'll do it all in one go, OK? | 0:35:28 | 0:35:30 | |
I think the gas and air's making him feel a bit giddy now! | 0:35:30 | 0:35:34 | |
You want me to grab the beanbag? I'll grab the beanbag. | 0:35:34 | 0:35:37 | |
You support him under there. Argh! | 0:35:37 | 0:35:39 | |
Keep taking that every single breath. | 0:35:39 | 0:35:42 | |
Well done. | 0:35:44 | 0:35:45 | |
Don't worry about that. Don't worry. You're fine. | 0:35:45 | 0:35:49 | |
'Jayden's coping well, and now the vacuum splint's in place, | 0:35:49 | 0:35:53 | |
'the worst is over. | 0:35:53 | 0:35:55 | |
'They need to slide Jayden onto the scoop stretcher | 0:35:56 | 0:35:59 | |
'to get him into the ambulance.' | 0:35:59 | 0:36:01 | |
This is just to be able to get you out again. | 0:36:05 | 0:36:07 | |
Shuffle down a little bit. | 0:36:09 | 0:36:11 | |
Put your head down. | 0:36:17 | 0:36:20 | |
How old are you, Jayden? 12. | 0:36:24 | 0:36:27 | |
You normally run around, play football and all the rest? Normally, I sit down inside. | 0:36:30 | 0:36:35 | |
'The gas and air is doing its job. | 0:36:35 | 0:36:38 | |
'Jayden's feeling well enough to tease Mum about what's happened.' | 0:36:38 | 0:36:41 | |
I was tidying up the lounge and I tried to move | 0:36:41 | 0:36:46 | |
and my knee went like that. | 0:36:46 | 0:36:48 | |
Badly. | 0:36:48 | 0:36:50 | |
Mum was hoovering, so I kept moaning and moaning then she came. | 0:36:51 | 0:36:56 | |
LAUGHING | 0:36:56 | 0:36:57 | |
I was waiting for "It's Mum's fault for making me tidy the lounge!" | 0:36:57 | 0:37:02 | |
Yeah, it's Mum's fault for making me tidy up the lounge. | 0:37:02 | 0:37:06 | |
He's definitely going to milk this one. | 0:37:06 | 0:37:10 | |
I'm sure. For a long time. | 0:37:10 | 0:37:13 | |
'Once inside A, the crew can hand Jayden over | 0:37:16 | 0:37:18 | |
'to the safe hands of Sister Kerry Gilbert and her team.' | 0:37:18 | 0:37:22 | |
He was still in pain when we got there. | 0:37:22 | 0:37:25 | |
He's had Entonox as well. He's now pain scoring at two. | 0:37:25 | 0:37:29 | |
INAUDIBLE | 0:37:29 | 0:37:32 | |
'The knee will be X-rayed to make sure it's back in the right place | 0:37:32 | 0:37:36 | |
'and there are no other injuries.' | 0:37:36 | 0:37:39 | |
'Doctors confirmed that Jayden's knee had been dislocated, | 0:37:45 | 0:37:49 | |
'but it had popped back into place. | 0:37:49 | 0:37:52 | |
'The pain was caused by his muscles going into spasm. | 0:37:52 | 0:37:55 | |
'He's made a full recovery and he has no excuse not to help his mum | 0:37:55 | 0:37:59 | |
'next time she needs the front room tidying. | 0:37:59 | 0:38:03 | |
'Hannah was thrown by her horse onto a branch in the New Forest. | 0:38:04 | 0:38:08 | |
'X-rays revealed that Hannah didn't suffer any broken bones. | 0:38:11 | 0:38:15 | |
'However, a few days after the accident, she returned to hospital | 0:38:15 | 0:38:19 | |
'with breathing problems caused by serious bruising. | 0:38:19 | 0:38:23 | |
'It took her friend two hours to find her horse, which had bolted | 0:38:23 | 0:38:27 | |
'after being spooked by New Forest ponies.' | 0:38:27 | 0:38:30 | |
'Ten weeks after suffering a second heart attack in three years, | 0:38:39 | 0:38:43 | |
'Mario is well enough to go and thank the paramedics who helped save his life.' | 0:38:43 | 0:38:48 | |
Hello. Angels without wings! | 0:38:48 | 0:38:50 | |
'Rapid responder Matthew Smith was the first paramedic to arrive | 0:38:50 | 0:38:54 | |
'and took over chest compressions from Mario's wife, Gill. | 0:38:54 | 0:38:58 | |
'It's an emotional reunion. | 0:38:58 | 0:39:00 | |
'Matthew worked on Mario alone until the ambulance crew arrived with advanced life support. | 0:39:00 | 0:39:06 | |
'None of the crew expected to see Mario looking so well so quickly.' | 0:39:06 | 0:39:11 | |
How are you doing? I'm all right. How are YOU doing? | 0:39:11 | 0:39:14 | |
I'm...as good as can be. You look a lot better than you did in hospital! | 0:39:14 | 0:39:19 | |
I think I was a better shade of blue. How are you doing? Very well. | 0:39:19 | 0:39:23 | |
Yourself? I'm OK now. | 0:39:23 | 0:39:25 | |
'Paramedic Kelvin Crocker remembers the lengthy battle to restart Mario's heart.' | 0:39:25 | 0:39:30 | |
We gave him three or four shocks | 0:39:30 | 0:39:32 | |
before we got him back the first time. | 0:39:32 | 0:39:36 | |
We had him back for two or three minutes. | 0:39:36 | 0:39:38 | |
We were getting ready to move him at that point. He arrested again. | 0:39:38 | 0:39:42 | |
Another shock and another cycle of CPR | 0:39:42 | 0:39:46 | |
meant that we got him back again | 0:39:46 | 0:39:49 | |
and this time, he stayed - he stayed with us. | 0:39:49 | 0:39:52 | |
'Mario was taken to the cardiac unit at Bournemouth Hospital, | 0:39:52 | 0:39:56 | |
'where he had two new stents fitted | 0:39:56 | 0:39:58 | |
'to restore the blood flow to his arteries. | 0:39:58 | 0:40:02 | |
'Mario's heart arrested twice that night, | 0:40:02 | 0:40:04 | |
'making his recovery all the more remarkable.' | 0:40:04 | 0:40:07 | |
By the time I arrived on scene, Mario had been in cardiac arrest | 0:40:07 | 0:40:11 | |
for about 11 minutes. | 0:40:11 | 0:40:13 | |
Normally, the statistics turn round and say | 0:40:13 | 0:40:16 | |
it's about eight minutes in cardiac arrest when people do not come back. | 0:40:16 | 0:40:21 | |
Considering the amount of time he was down, his recovery was amazing. | 0:40:21 | 0:40:25 | |
'Marion knows Gill played a vital role in his survival.' | 0:40:25 | 0:40:29 | |
I was so grateful to my wife, looking back, | 0:40:29 | 0:40:33 | |
the work that she's done | 0:40:33 | 0:40:35 | |
and the immediate response that she took at the time | 0:40:35 | 0:40:39 | |
which, no doubt, saved...saved my life, there's no question of that. | 0:40:39 | 0:40:45 | |
'Gill never thought she could do it.' | 0:40:45 | 0:40:47 | |
If that had been a stranger there, | 0:40:47 | 0:40:51 | |
I probably could have coped far, far better. | 0:40:51 | 0:40:53 | |
But because it was my world laying there, | 0:40:53 | 0:40:57 | |
I um... I went totally to pieces. | 0:40:57 | 0:41:00 | |
'The call handler's calm instructions were crucial.' | 0:41:00 | 0:41:04 | |
The lady on the end of the phone saved Mario's life. | 0:41:04 | 0:41:07 | |
And the paramedics saved Mario's life. It wasn't me. | 0:41:07 | 0:41:10 | |
I love my job. I do it because I feel it's a worthwhile job to do. | 0:41:10 | 0:41:17 | |
It's nice to know that it's appreciated because... | 0:41:17 | 0:41:20 | |
the serious calls are ones that we really need to take control of. | 0:41:20 | 0:41:24 | |
There's so much happening. | 0:41:24 | 0:41:27 | |
It's nice to know that they're worthwhile calls, | 0:41:27 | 0:41:30 | |
that it's got a good outcome. | 0:41:30 | 0:41:33 | |
'Mario suffered some short-term memory loss, | 0:41:33 | 0:41:36 | |
'but after a couple of months convalescing, he's back at work.' | 0:41:36 | 0:41:39 | |
We're trying, as much as we can, to get back doing what we used to do. | 0:41:39 | 0:41:44 | |
I haven't done any of my astronomy, which I loved. | 0:41:44 | 0:41:47 | |
I want to get back into that. | 0:41:47 | 0:41:49 | |
Everything now happens to be more sedentary than it was before. | 0:41:49 | 0:41:54 | |
We'll be down the quay, parked up, watching the ships go by. | 0:41:54 | 0:41:57 | |
Sounds like pensioner's heaven with seagulls, but there we are. | 0:41:57 | 0:42:02 | |
That's what we're doing, just taking life easy. | 0:42:02 | 0:42:04 | |
What have you got to say to these guys? I want to say a big thanks to Gill and all you guys. | 0:42:06 | 0:42:12 | |
And Dr Tower and his team at Royal Bournemouth, really for... | 0:42:12 | 0:42:17 | |
I don't know. I went in Thursday and they threw me out on Sunday! | 0:42:17 | 0:42:21 | |
It was pretty good going. They had enough of me. | 0:42:21 | 0:42:24 | |
Thanks very, very much. | 0:42:24 | 0:42:26 | |
I could say, "Thanks, from the bottom of my heart," but I won't say that. | 0:42:26 | 0:42:31 | |
LAUGHTER | 0:42:31 | 0:42:33 | |
The response of the emergency services to Gill when Mario was having his heart attack | 0:42:41 | 0:42:47 | |
leaves us in no doubt the call handlers aren't only taking calls. | 0:42:47 | 0:42:51 | |
They're a key part of the emergency response | 0:42:51 | 0:42:53 | |
and are instrumental in saving lives every day - quite a job! | 0:42:53 | 0:42:57 | |
That's it for today on Real Rescues. See you next time. | 0:42:57 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:06 | 0:43:10 | |
E-mail [email protected] | 0:43:10 | 0:43:12 |