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Today on Real Rescues, | 0:00:01 | 0:00:03 | |
an emergency on the River Thames. | 0:00:03 | 0:00:05 | |
The RNLI lifeboat is heading out to a sinking boat. | 0:00:05 | 0:00:08 | |
Four people are on board and in danger... | 0:00:08 | 0:00:10 | |
..a young tennis talent is hurt after a head-on smash at 60mph. | 0:00:15 | 0:00:20 | |
The woman's grandfather is shocked to see her crumpled car... | 0:00:20 | 0:00:23 | |
..but looking at this, she's been very lucky. | 0:00:23 | 0:00:25 | |
Look at the state of this. | 0:00:25 | 0:00:27 | |
..and firefighters battle to stop a fire which is threatening | 0:00:29 | 0:00:33 | |
to move into a roof and spread next door. | 0:00:33 | 0:00:35 | |
Richie? | 0:00:35 | 0:00:36 | |
Covering jet round the back. | 0:00:36 | 0:00:38 | |
Hello, and welcome to Real Rescues, | 0:00:56 | 0:00:58 | |
the series which features some of the most difficult | 0:00:58 | 0:01:01 | |
and dramatic rescues carried out by the emergency services. | 0:01:01 | 0:01:05 | |
They all start with a 999 call picked up at a police control room | 0:01:05 | 0:01:08 | |
like this one, or by ambulance, coastguard or fire and rescue. | 0:01:08 | 0:01:13 | |
When there's an emergency on the River Thames, | 0:01:13 | 0:01:15 | |
one of the key resources for the coastguard | 0:01:15 | 0:01:17 | |
is provided by the lifeboat charity, the RNLI. | 0:01:17 | 0:01:20 | |
They have four stations on the Thames | 0:01:20 | 0:01:22 | |
and are amongst the busiest in the UK. | 0:01:22 | 0:01:24 | |
RNLI's Tower Station on the River Thames. | 0:01:26 | 0:01:29 | |
It's a hot summer's day, | 0:01:29 | 0:01:31 | |
the sort of day when people flock to the river... | 0:01:31 | 0:01:33 | |
ALARM RINGS ..and emergencies happen. | 0:01:33 | 0:01:36 | |
It's mid-afternoon when a 999 call | 0:01:36 | 0:01:38 | |
comes into the coastguard from a mobile. | 0:01:38 | 0:01:41 | |
THEY CALL OUT INSTRUCTIONS | 0:02:10 | 0:02:11 | |
It's the worst possible emergency. A vessel is going down. | 0:02:16 | 0:02:20 | |
One of the rescuers en route | 0:02:20 | 0:02:22 | |
is full-time RNLI crewman Chris Walker. | 0:02:22 | 0:02:25 | |
We knew that we had a boat that was sinking | 0:02:25 | 0:02:27 | |
and the location of it was down by the Millennium Footbridge, | 0:02:27 | 0:02:29 | |
outbound of the station on the Thames. | 0:02:29 | 0:02:31 | |
We also knew that there were four people on board | 0:02:31 | 0:02:33 | |
and that was all the information we had at that time. | 0:02:33 | 0:02:35 | |
The sinking boat is on the other side of Blackfriars Bridge. | 0:02:38 | 0:02:41 | |
It's high tide, the river is fast-running, | 0:02:41 | 0:02:43 | |
but the lifeboat is one of the quickest in the RNLI fleet. | 0:02:43 | 0:02:47 | |
It's on scene in just a couple of minutes. | 0:02:47 | 0:02:49 | |
As we came through the arches at Blackfriars Bridge, | 0:02:51 | 0:02:54 | |
we could see the boat in the distance, | 0:02:54 | 0:02:56 | |
quite close to the north shore. | 0:02:56 | 0:02:57 | |
Still relatively deep water | 0:02:57 | 0:02:59 | |
and it had been massively affected by the passing tide. | 0:02:59 | 0:03:03 | |
As they approach, the lifeboat crew kill their engine to limit the wash. | 0:03:03 | 0:03:08 | |
The closer we got, we noticed that the boat | 0:03:08 | 0:03:10 | |
was getting lower and lower in the water. | 0:03:10 | 0:03:11 | |
The small, wooden speedboat is low in the water. | 0:03:13 | 0:03:16 | |
Two young women are crouched on the bow, | 0:03:16 | 0:03:18 | |
trying to keep the stern from going under. | 0:03:18 | 0:03:21 | |
As we got alongside the boat, | 0:03:21 | 0:03:22 | |
it was fairly evident that we had to get them off very, very quickly. | 0:03:22 | 0:03:25 | |
The first woman is safely hauled on board. | 0:03:33 | 0:03:35 | |
The group aren't wearing lifejackets. | 0:03:44 | 0:03:47 | |
The crew know that if anyone falls into the water now, | 0:03:47 | 0:03:49 | |
it could be disastrous. | 0:03:49 | 0:03:51 | |
The Thames, it's not a safe place at all. | 0:03:53 | 0:03:55 | |
There are undercurrents, there's very, very fast-flowing tide. | 0:03:55 | 0:03:58 | |
The water itself is not exactly the healthiest of water | 0:03:58 | 0:04:01 | |
to go swimming in, and also the temperature itself. | 0:04:01 | 0:04:03 | |
When you go into that water not prepared, | 0:04:03 | 0:04:05 | |
then you can be affected by cold shock. | 0:04:05 | 0:04:07 | |
As we got hold of the owner, he stepped onto the lifeboat | 0:04:09 | 0:04:11 | |
and as his foot left his own boat, it was starting to get wet | 0:04:11 | 0:04:14 | |
as his boat disappeared underneath the water. | 0:04:14 | 0:04:16 | |
This sort of service is a very classic in-the-nick-of-time service. | 0:04:18 | 0:04:22 | |
Had we been even ten seconds later, | 0:04:22 | 0:04:25 | |
we imagine that boat would have taken on enough water | 0:04:25 | 0:04:27 | |
to capsize it and then all four people would have been in the water. | 0:04:27 | 0:04:30 | |
With the boat quickly submerging, the lifeboat crew | 0:04:33 | 0:04:36 | |
need to manoeuvre upstream of the wreckage to tie it to the riverbank. | 0:04:36 | 0:04:40 | |
If the debris floats free, | 0:04:40 | 0:04:41 | |
it could become a hazard to shipping in the Thames. | 0:04:41 | 0:04:44 | |
Now that we've got the crew of the vessel on board our lifeboat, | 0:04:44 | 0:04:47 | |
our concern is, now that they are safe, | 0:04:47 | 0:04:50 | |
we have to make sure that other river users are safe, | 0:04:50 | 0:04:53 | |
so we grabbed hold of the painter from the front of the boat, | 0:04:53 | 0:04:55 | |
that's the line that comes off the front, | 0:04:55 | 0:04:57 | |
tied that onto one of the chains on the embankment wall itself | 0:04:57 | 0:05:00 | |
to stop their boat actually drifting into the way of other shipping | 0:05:00 | 0:05:04 | |
and becoming a hazard to that shipping. | 0:05:04 | 0:05:06 | |
Once we'd secured that boat, our colleagues in the police boat, | 0:05:06 | 0:05:09 | |
the fire boat and also the Port of London Authority, | 0:05:09 | 0:05:11 | |
they dealt with any flotsam and jetsam and the vessel itself, | 0:05:11 | 0:05:14 | |
which meant that we could get lifejackets onto the casualties | 0:05:14 | 0:05:17 | |
and take them back to the lifeboat station | 0:05:17 | 0:05:19 | |
to make sure that they're safe and well. | 0:05:19 | 0:05:22 | |
By now, the shock is beginning to hit the four friends. | 0:05:22 | 0:05:25 | |
The next stop is Tower Station, | 0:05:25 | 0:05:27 | |
where the group will be checked over and briefed about river safety. | 0:05:27 | 0:05:31 | |
The risk that would have been presented to them, | 0:05:31 | 0:05:33 | |
being in the water in such a heavily industrial area | 0:05:33 | 0:05:36 | |
with so much commercial traffic, is just unthinkable. | 0:05:36 | 0:05:38 | |
Later, the crew are called to a party-goer in distress. | 0:05:42 | 0:05:46 | |
She's trodden on some glass and it's embedded in her heel. | 0:05:46 | 0:05:49 | |
You're probably going to need to go to hospital for them | 0:05:49 | 0:05:52 | |
to have a look at it and maybe give it some stitches. | 0:05:52 | 0:05:54 | |
She's not going anywhere on foot, | 0:05:54 | 0:05:57 | |
so there's only one way to get her on her way to hospital. | 0:05:57 | 0:06:00 | |
A fire engine is weaving through the busy city-centre streets. | 0:06:15 | 0:06:18 | |
A house is on fire. | 0:06:21 | 0:06:22 | |
Green Watch don't know how serious, but in the distance, there's smoke. | 0:06:22 | 0:06:26 | |
Two men have made it safely out of the house. | 0:06:37 | 0:06:40 | |
Everyone's out! Smoke is coming from an upstairs bedroom window. | 0:06:40 | 0:06:44 | |
Watch manager Sean Foster has to get as much information | 0:06:44 | 0:06:47 | |
as he possibly can as quickly as he can. | 0:06:47 | 0:06:50 | |
Do you know where all the electrics are? | 0:06:50 | 0:06:53 | |
Under the stairs, OK. And what's on fire? | 0:06:53 | 0:06:56 | |
Your cupboard? And what was in there? | 0:06:56 | 0:06:58 | |
You haven't got any gas cylinders, anything like that, no? | 0:06:58 | 0:07:00 | |
Adie, can we have entry control? | 0:07:02 | 0:07:04 | |
If you boys want to start up, electrics have not been isolated. | 0:07:06 | 0:07:09 | |
They're under the stairs. Middle bedroom. | 0:07:09 | 0:07:12 | |
I don't know what's on fire. | 0:07:12 | 0:07:14 | |
He seems to think rubbish. | 0:07:15 | 0:07:17 | |
Sean heads round the back. | 0:07:17 | 0:07:19 | |
He finds even more smoke pouring out of the upstairs. | 0:07:19 | 0:07:23 | |
Right, get a jet round here. | 0:07:23 | 0:07:25 | |
Richie? Covering jet round the back. | 0:07:25 | 0:07:28 | |
The fire is progressing fast. | 0:07:29 | 0:07:31 | |
In the bedroom, Rich? | 0:07:36 | 0:07:38 | |
Yeah, I see it. | 0:07:41 | 0:07:43 | |
Right, OK. | 0:07:43 | 0:07:44 | |
The house's occupants are called to safety. | 0:07:46 | 0:07:49 | |
Thick smoke is now pouring out of the front of the house as well. | 0:07:54 | 0:07:57 | |
Stan, it's going quite well. | 0:07:57 | 0:08:00 | |
The only way to knock back the flames is from inside. | 0:08:00 | 0:08:03 | |
Two crew go in wearing breathing apparatus. | 0:08:03 | 0:08:06 | |
Adie? | 0:08:06 | 0:08:07 | |
Feed out some more reel. | 0:08:07 | 0:08:09 | |
The fight is on to stop the fire moving into the roof. | 0:08:09 | 0:08:13 | |
That will put the neighbouring house in danger. | 0:08:13 | 0:08:15 | |
Overseeing operations is tactical advisor Mark Raven. | 0:08:17 | 0:08:21 | |
While the breathing apparatus team is doing all they can on the inside, | 0:08:24 | 0:08:27 | |
Rich Green is tackling the flames from the outside. | 0:08:27 | 0:08:30 | |
He has to stop the flames moving to the roof | 0:08:30 | 0:08:33 | |
while his crewmates work below. | 0:08:33 | 0:08:35 | |
There's a team in the bedroom... | 0:08:35 | 0:08:37 | |
..fighting the fire, | 0:08:38 | 0:08:40 | |
and all the hot gasses are coming out the window, | 0:08:40 | 0:08:43 | |
so I'm just cooling those hot gasses so it doesn't catch the roof alight. | 0:08:43 | 0:08:46 | |
Keep your BA on. Charlie, if you want to come round the front... | 0:08:46 | 0:08:51 | |
It's going well out the front. | 0:08:51 | 0:08:52 | |
As soon as I've got more personnel, I may put you in. | 0:08:52 | 0:08:56 | |
The fire chiefs have called for backup, | 0:08:56 | 0:08:58 | |
in case the fire moves to the next house. | 0:08:58 | 0:09:00 | |
But, in the nick of time, an update comes over the radio | 0:09:07 | 0:09:10 | |
to firefighter Adie Knight - inside, they're winning the battle. | 0:09:10 | 0:09:13 | |
Yeah, it's died out there just fine. | 0:09:18 | 0:09:20 | |
The PPV is a powerful fan which firefighters can only use | 0:09:20 | 0:09:23 | |
once the flames are out. | 0:09:23 | 0:09:25 | |
The fan will push the thick, hot gasses out of the building. | 0:09:25 | 0:09:28 | |
Not at the moment. If they can just keep it under control... | 0:09:40 | 0:09:42 | |
Yeah, I need to find out a bit more about the history of the fire. OK. | 0:09:44 | 0:09:46 | |
They've cleared the house of smoke. | 0:09:49 | 0:09:52 | |
It's safe for watch manager Sean to take a look inside. | 0:09:52 | 0:09:55 | |
Adrian Cobb was one of the firefighters inside the house. | 0:09:59 | 0:10:02 | |
Small bedroom, but the fire was going well. | 0:10:02 | 0:10:04 | |
Nice and warm. | 0:10:04 | 0:10:06 | |
Smoke had spread to the other bedroom and the bathroom, | 0:10:06 | 0:10:09 | |
and the landing and stairs were quite heavily smoke-logged, | 0:10:09 | 0:10:12 | |
but, once we worked out where the fire actually was, | 0:10:12 | 0:10:14 | |
it didn't take long to knock down. | 0:10:14 | 0:10:16 | |
And the fan came on, blew the smoke away, | 0:10:16 | 0:10:18 | |
and it's much easier from then on. | 0:10:18 | 0:10:20 | |
The building is owned by a housing association. | 0:10:21 | 0:10:24 | |
It's equipped with all the correct fire safety measures, | 0:10:24 | 0:10:27 | |
which have helped to limit the spread of the flames. | 0:10:27 | 0:10:29 | |
It has fire standards similar to a hotel, | 0:10:31 | 0:10:33 | |
so it has fire doors and things and they were closed, | 0:10:33 | 0:10:36 | |
so the fire was contained within the room of origin. | 0:10:36 | 0:10:40 | |
Early reports suggest that the fire was caused | 0:10:42 | 0:10:45 | |
by a discarded burning cigarette. | 0:10:45 | 0:10:47 | |
Fortunately, most of the house has been saved. | 0:10:47 | 0:10:50 | |
The job is done, and Green Watch can pack up and head back to base. | 0:10:50 | 0:10:54 | |
If you've been witness to a domestic dispute, you'll know | 0:11:02 | 0:11:05 | |
that it's a very terrifying, very upsetting situation. | 0:11:05 | 0:11:08 | |
If you've been involved with one, it can be very frightening | 0:11:08 | 0:11:11 | |
and upsetting, and the police take it very seriously. | 0:11:11 | 0:11:13 | |
But what happens when that domestic dispute | 0:11:13 | 0:11:16 | |
starts to impinge on the safety of others? | 0:11:16 | 0:11:17 | |
Brigitte, here, can tell us about a call, if... | 0:11:17 | 0:11:20 | |
Are you on a call, or are you all right? | 0:11:20 | 0:11:21 | |
No, I'm fine. Just clear, OK. | 0:11:23 | 0:11:25 | |
So, yeah, tell us about this domestic | 0:11:25 | 0:11:27 | |
that wasn't in a house, was it? | 0:11:27 | 0:11:29 | |
No, it was in the middle of a motorway. | 0:11:29 | 0:11:32 | |
Partner and his girlfriend were having an argument, | 0:11:32 | 0:11:35 | |
and she decided to ring 999 because he was driving so dangerously | 0:11:35 | 0:11:38 | |
and erratically that she was worried about her safety | 0:11:38 | 0:11:41 | |
and the safety of her two children that were in the back seat. | 0:11:41 | 0:11:44 | |
OK, so they're still at speed... Yep. ..and getting worse. | 0:11:44 | 0:11:46 | |
And getting worse. He was driving erratically, | 0:11:46 | 0:11:48 | |
undertaking other people, | 0:11:48 | 0:11:51 | |
other vehicles, on the motorway, | 0:11:51 | 0:11:53 | |
so it's just an absolute nightmare for herself, | 0:11:53 | 0:11:56 | |
because, again, she's a moving target, a moving location, | 0:11:56 | 0:11:59 | |
and she's highly distressed. Highly distressed. | 0:11:59 | 0:12:01 | |
OK, presumably, the first thing you've got to do | 0:12:01 | 0:12:04 | |
is find out where she is. | 0:12:04 | 0:12:05 | |
Find out where she is - hard on a motorway as it is, | 0:12:05 | 0:12:08 | |
but at the same time she was saying whereabouts she was going to | 0:12:08 | 0:12:10 | |
and going from, so we got a good location and, obviously, | 0:12:10 | 0:12:14 | |
whilst I'm on the phone to her | 0:12:14 | 0:12:15 | |
she wanted to pull over on the hard shoulder, | 0:12:15 | 0:12:17 | |
but what I was doing was actually looking at the road policing units, | 0:12:17 | 0:12:20 | |
making them all aware of where she was going to be heading up towards, | 0:12:20 | 0:12:23 | |
so that we could look at maybe putting them over | 0:12:23 | 0:12:25 | |
to a safer location. She wanted to stop on the hard shoulder, | 0:12:25 | 0:12:28 | |
just wanted to get out of the car. | 0:12:28 | 0:12:30 | |
It's not a safe location to do that, so, without actually giving him | 0:12:30 | 0:12:33 | |
too much information that we were going to be making our way there... | 0:12:33 | 0:12:37 | |
Why don't you say, "We've got cars coming toward you"? | 0:12:37 | 0:12:39 | |
It might escalate. It might prompt him to have a panic reaction. | 0:12:39 | 0:12:43 | |
Take evasive action or something? | 0:12:43 | 0:12:45 | |
Take evasive action. So whilst you're on the phone to them, | 0:12:45 | 0:12:48 | |
we're trying to get the units to come up behind them | 0:12:48 | 0:12:51 | |
so that they can pull them over in a safer environment. | 0:12:51 | 0:12:54 | |
So, the first thing he knows, there's cars around him. Yep. | 0:12:54 | 0:12:58 | |
And we're just pulling him over to a safer location, | 0:12:58 | 0:13:01 | |
so off of a slip road, so that it's off of the motorway, | 0:13:01 | 0:13:04 | |
off of the hard shoulder, cos it's a dangerous location. | 0:13:04 | 0:13:06 | |
But, again, she wasn't told that over the telephone, because, again, | 0:13:06 | 0:13:10 | |
not to prompt the reaction, just in case other road users... | 0:13:10 | 0:13:13 | |
At which point it just becomes a standard domestic, | 0:13:13 | 0:13:15 | |
where you've just got to separate the parties. | 0:13:15 | 0:13:17 | |
Yes, and then work out who's at fault, | 0:13:17 | 0:13:19 | |
what are the offences that have been committed. Yeah. | 0:13:19 | 0:13:22 | |
That's what we have to do. | 0:13:22 | 0:13:23 | |
I never thought about that, but, of course, people do have rows in cars, | 0:13:23 | 0:13:26 | |
but it's not a safe place to do it, that's for sure. | 0:13:26 | 0:13:28 | |
Thank you very much. That's OK. | 0:13:28 | 0:13:30 | |
SIRENS WAIL | 0:13:37 | 0:13:38 | |
It's 7pm, and Thames Valley traffic cops Garry Fortnum | 0:13:38 | 0:13:42 | |
and Ray McNaught are responding to an emergency call. | 0:13:42 | 0:13:45 | |
Just had a report of a two-vehicle injury collision | 0:13:45 | 0:13:50 | |
on the road from Wing to Aylesbury. | 0:13:50 | 0:13:53 | |
When they reach the scene, there are actually four cars involved. | 0:13:57 | 0:14:01 | |
Two have left the road. | 0:14:01 | 0:14:03 | |
One is a total wreck... | 0:14:03 | 0:14:04 | |
..and the other is completely unscathed. | 0:14:05 | 0:14:08 | |
Broken-down vehicle here. | 0:14:08 | 0:14:10 | |
This car swerves out to come round it, hits oncoming car. | 0:14:10 | 0:14:15 | |
The last car in the hedge sees all this happening in front of it | 0:14:15 | 0:14:19 | |
and just exits stage left, not colliding with anything, | 0:14:19 | 0:14:22 | |
but puts the car in the hedge to escape being involved. | 0:14:22 | 0:14:24 | |
This is a single-carriageway road with a 60mph limit. | 0:14:26 | 0:14:30 | |
It's been a high-impact collision, | 0:14:30 | 0:14:32 | |
and the black car has taken the full force of the smash. | 0:14:32 | 0:14:37 | |
The driver, Claudia Marsala, was on her way out to dinner with friends, | 0:14:37 | 0:14:40 | |
but she's ended up in the back of an ambulance on a spinal board. | 0:14:40 | 0:14:45 | |
Her granddad Vic has arrived and can't believe the damage to the car. | 0:14:45 | 0:14:49 | |
Looking at this, she's been lucky. | 0:14:49 | 0:14:51 | |
Very lucky. Look at the state of this. | 0:14:51 | 0:14:54 | |
She's just got herself a four-year tennis scholarship in Alabama | 0:14:54 | 0:14:58 | |
and we're flying out Friday morning. | 0:14:58 | 0:15:00 | |
Great timing. At least she's not too badly injured, by the look of it. | 0:15:02 | 0:15:06 | |
Not sure about the left leg, but, looking at this, | 0:15:06 | 0:15:10 | |
God knows how she got out of it. | 0:15:10 | 0:15:12 | |
I really don't. | 0:15:12 | 0:15:13 | |
Surname, please. Surname? Marsala. | 0:15:13 | 0:15:17 | |
The main concern is young tennis player Claudia, | 0:15:17 | 0:15:19 | |
who's still in shock. | 0:15:19 | 0:15:21 | |
There's a worry her injuries may affect her burgeoning career. | 0:15:21 | 0:15:25 | |
Ray is determined to keep her spirits up. | 0:15:25 | 0:15:27 | |
You wanted a new car, Claudia, didn't you? | 0:15:27 | 0:15:30 | |
Oh, yeah, you're supposed to be the next... | 0:15:31 | 0:15:33 | |
Who's the... Who's a famous tennis player? British tennis player? | 0:15:33 | 0:15:37 | |
Robson, isn't it? | 0:15:37 | 0:15:39 | |
Laura Robson. Do you know her? | 0:15:39 | 0:15:41 | |
Oh, wow, there you go! You just name-dropped! | 0:15:43 | 0:15:46 | |
Can we just have a couple of autographs while we're here? | 0:15:46 | 0:15:48 | |
Yeah, I'm going to get your autograph in a minute. Maybe not today, but... | 0:15:48 | 0:15:52 | |
You're ahead of the game! Yeah. | 0:15:52 | 0:15:54 | |
Somehow, Claudia's escaped any serious injuries, | 0:15:54 | 0:15:57 | |
but her leg and head will need checking in hospital. | 0:15:57 | 0:16:00 | |
It's just three days before she's due to fly out to the US. | 0:16:00 | 0:16:04 | |
I think she's just worried that... She's a young girl, | 0:16:04 | 0:16:08 | |
she's been involved in an accident. She's just a bit worried. | 0:16:08 | 0:16:11 | |
But she's going to the hospital now, | 0:16:13 | 0:16:16 | |
Stoke Mandeville. I'll arrange to go and see her in a few days' time. | 0:16:16 | 0:16:20 | |
Ray isn't sure why Claudia didn't react in time | 0:16:25 | 0:16:28 | |
when coming around the bend. | 0:16:28 | 0:16:30 | |
Unfortunately, this lady here has broken down on the side of the road. | 0:16:30 | 0:16:36 | |
It's on a slight bend, but she's nearly all off the road. | 0:16:36 | 0:16:40 | |
She's only got one set of wheels on the road. | 0:16:40 | 0:16:42 | |
Lots of vehicles have managed to pass her, even large lorries. | 0:16:42 | 0:16:46 | |
She was sat in her car, heard some screeching from behind, | 0:16:46 | 0:16:50 | |
some brakes being locked up. | 0:16:50 | 0:16:52 | |
Unfortunately, the black car behind us | 0:16:52 | 0:16:55 | |
we believe has tried to come past her | 0:16:55 | 0:16:58 | |
when another vehicle was coming the other way, | 0:16:58 | 0:17:01 | |
and there's been a collision. | 0:17:01 | 0:17:03 | |
Lots of other cars have managed to get by, | 0:17:03 | 0:17:05 | |
so why didn't that one get by? | 0:17:05 | 0:17:07 | |
We'll be looking into that. | 0:17:07 | 0:17:10 | |
It's a massive clear-up job, | 0:17:10 | 0:17:11 | |
and, as night falls, they finally pull the BMW from the bushes. | 0:17:11 | 0:17:15 | |
Ray can't believe how anyone survived this smash. | 0:17:15 | 0:17:19 | |
It was lucky there weren't any big oak trees in there and stuff. | 0:17:19 | 0:17:22 | |
Good God. | 0:17:22 | 0:17:24 | |
I think the smaller trees have just cushioned him as he's just went off. | 0:17:24 | 0:17:30 | |
Especially if he's been coming through at 60, or 55-60. | 0:17:30 | 0:17:33 | |
I think because the car's obviously so well built, it's a new car, | 0:17:35 | 0:17:40 | |
it's got lots of safety features on it. | 0:17:40 | 0:17:42 | |
Most of the impact has been taken by the engine compartment, | 0:17:42 | 0:17:46 | |
and that's saved the driver from having any sort of serious injuries. | 0:17:46 | 0:17:49 | |
If it had been a smaller car, | 0:17:49 | 0:17:51 | |
there would have been less protection. | 0:17:51 | 0:17:54 | |
I mean, there would have been a lot more damage. | 0:17:54 | 0:17:56 | |
With the black one... | 0:17:56 | 0:17:58 | |
in a way, it's very fortunate the young lady has swerved | 0:17:58 | 0:18:02 | |
to her right a little bit | 0:18:02 | 0:18:05 | |
and the BMW has hit the side of her, | 0:18:05 | 0:18:07 | |
and that's lessened the impact into her car. | 0:18:07 | 0:18:10 | |
If it had been a head-on collision between both cars, | 0:18:10 | 0:18:14 | |
I suspect we'd be looking at quite serious injuries. | 0:18:14 | 0:18:17 | |
There's just a few loose ends to tie up | 0:18:17 | 0:18:19 | |
before they can head back to base. | 0:18:19 | 0:18:22 | |
That's us done now. We're getting the recovery vehicles out. | 0:18:22 | 0:18:26 | |
They're going back to Milton Keynes, a recovery depot there, | 0:18:26 | 0:18:29 | |
and we'll get both ends of the road open to the traffic, | 0:18:29 | 0:18:33 | |
which probably won't be that much at this time of night. | 0:18:33 | 0:18:36 | |
We can get going and I think it's our tea time now. | 0:18:36 | 0:18:40 | |
Still to come on Real Rescues... | 0:18:48 | 0:18:50 | |
..the insect that caused this road accident. | 0:18:51 | 0:18:54 | |
The driver tells police how he lost control at the wheel. | 0:18:54 | 0:18:57 | |
The van driver, who's sitting on the floor, came straight up to me | 0:18:57 | 0:19:00 | |
and he said, "It was my fault. | 0:19:00 | 0:19:03 | |
"A bee came in my window and I flinched, and I swerved, | 0:19:03 | 0:19:06 | |
"and I've hit the car coming the other way." | 0:19:06 | 0:19:08 | |
And Burton the kitten proves he's not such a cool cat | 0:19:08 | 0:19:11 | |
when he gets himself trapped behind a freezer. | 0:19:11 | 0:19:14 | |
CAT MEOWS | 0:19:14 | 0:19:16 | |
Emergency care practitioner Julian Wensley-Smith is heading up the M3. | 0:19:24 | 0:19:29 | |
We're just going off to Chandler's Ford, | 0:19:29 | 0:19:31 | |
just on the outskirts of Southampton. | 0:19:31 | 0:19:33 | |
A 999 call's come in for a man, apparently in his 70s, | 0:19:35 | 0:19:38 | |
with diabetic-related issues, so we're just sort of fighting our way | 0:19:38 | 0:19:42 | |
through the traffic at the moment down the motorway. | 0:19:42 | 0:19:44 | |
SIREN WAILS Should be there in a few minutes. | 0:19:44 | 0:19:47 | |
Doesn't take too long to get there. | 0:19:47 | 0:19:48 | |
Hello? Julian arrives to find Harry, a diabetic of 25 years, | 0:19:48 | 0:19:52 | |
who is breathing but unresponsive. | 0:19:52 | 0:19:55 | |
His wife Rosemary dialled 999. | 0:19:55 | 0:19:57 | |
What's his health been like over the past week? Any coughs, cold, or..? | 0:19:57 | 0:20:00 | |
No. And he's been up to speed on all his medications as prescribed? Yes. | 0:20:00 | 0:20:04 | |
So all the normal routine? Yeah. | 0:20:04 | 0:20:07 | |
Nothing unusual? No. | 0:20:07 | 0:20:10 | |
Harry, that's just a bit of oxygen. | 0:20:10 | 0:20:13 | |
Can you talk to me, Harry? Hello? | 0:20:13 | 0:20:15 | |
You're not feeling 100%, are you? | 0:20:17 | 0:20:19 | |
No, OK. | 0:20:19 | 0:20:20 | |
Just testing Harry's blood sugars at the moment. We know he's a diabetic. | 0:20:20 | 0:20:24 | |
He's got all sorts of other things going on as well. | 0:20:24 | 0:20:27 | |
He is responding to me when I'm speaking to him, | 0:20:27 | 0:20:30 | |
but he's not responding as well as I'd like him to. | 0:20:30 | 0:20:33 | |
Just a matter of doing all his clinical - | 0:20:33 | 0:20:35 | |
little scratch coming, Harry - | 0:20:35 | 0:20:37 | |
doing all his clinical observations first, | 0:20:37 | 0:20:39 | |
to get an idea of what's going on. | 0:20:39 | 0:20:41 | |
And although it's likely his sugar levels are low, we've got | 0:20:42 | 0:20:46 | |
to make sure there's nothing else going on that we're missing. | 0:20:46 | 0:20:49 | |
It's important not to be blinkered and just assume it's diabetes. | 0:20:49 | 0:20:52 | |
So we'll just give him a thorough check through | 0:20:52 | 0:20:54 | |
and see if we can find out what it is. | 0:20:54 | 0:20:57 | |
Julian's initial suspicions are correct. | 0:20:58 | 0:21:01 | |
His sugar levels are low, | 0:21:01 | 0:21:03 | |
and ordinarily we'd try to get somebody to eat something | 0:21:03 | 0:21:05 | |
in the first instance, | 0:21:05 | 0:21:07 | |
because it's the easiest way of getting the sugar levels back up. | 0:21:07 | 0:21:10 | |
So what I'm going to do is just pop up a drip with some glucose in it, | 0:21:10 | 0:21:13 | |
and hopefully we'll just bring him round | 0:21:13 | 0:21:15 | |
in a slow and controlled fashion. | 0:21:15 | 0:21:17 | |
Glucose is a natural energy source | 0:21:17 | 0:21:19 | |
which should raise Harry's sugar levels and consciousness. | 0:21:19 | 0:21:22 | |
Harry, you're just going to feel a scratch in your arm. | 0:21:22 | 0:21:24 | |
Julian needs to administer the glucose via a drip. | 0:21:25 | 0:21:29 | |
It should have an immediate effect. | 0:21:29 | 0:21:31 | |
Well done, you. Look at that - you didn't even flinch. Good man. | 0:21:31 | 0:21:34 | |
Once Harry's a bit more alert and a bit more with us, | 0:21:34 | 0:21:37 | |
we can get him to take on some food | 0:21:37 | 0:21:38 | |
and some carbohydrates that are going to help sustain his sugar levels. | 0:21:38 | 0:21:42 | |
It's still a bit of a mystery, really. | 0:21:42 | 0:21:44 | |
Harry's not one of these people | 0:21:44 | 0:21:45 | |
that ordinarily has problems with his diabetes so, at the moment, | 0:21:45 | 0:21:49 | |
it's a bit of a mystery as to why this has happened. | 0:21:49 | 0:21:52 | |
It only takes a couple of minutes for the glucose to work its magic | 0:21:57 | 0:22:01 | |
and soon Harry is much more alert. | 0:22:01 | 0:22:03 | |
How are we doing, Harry? | 0:22:04 | 0:22:06 | |
How are you feeling? | 0:22:06 | 0:22:07 | |
You able to speak to me? | 0:22:09 | 0:22:10 | |
MUFFLED: Not too bad. Not too bad. | 0:22:12 | 0:22:14 | |
Had better days, haven't you, I guess? | 0:22:14 | 0:22:17 | |
Yeah. Yeah. That's it. | 0:22:17 | 0:22:18 | |
Your job at the moment is just to sit there and look good, all right? | 0:22:18 | 0:22:21 | |
You feeling better? A bit better? | 0:22:21 | 0:22:24 | |
How you feeling? I think so. Yeah, I think so. | 0:22:24 | 0:22:27 | |
Were you aware of my presence when I arrived? Were you aware of me? | 0:22:27 | 0:22:32 | |
I saw you come in. Yep. | 0:22:34 | 0:22:38 | |
And that was all. | 0:22:38 | 0:22:39 | |
That was all, OK. | 0:22:39 | 0:22:41 | |
I don't know what you've been doing. You don't know what I've been up to? | 0:22:41 | 0:22:44 | |
Fine, OK. Do you remember me popping a needle in your arm? | 0:22:44 | 0:22:47 | |
Yeah, you said there'll be like... | 0:22:47 | 0:22:49 | |
Yeah. | 0:22:49 | 0:22:51 | |
..a slight scratch. Yeah, I know. | 0:22:53 | 0:22:55 | |
It's such a lie, isn't it? It's more than just a slight scratch. | 0:22:55 | 0:22:59 | |
I didn't even feel it. | 0:22:59 | 0:23:00 | |
OK. | 0:23:00 | 0:23:02 | |
Your sugar levels were a bit low today... | 0:23:02 | 0:23:04 | |
Most diabetics' blood sugar levels are between five and seven. | 0:23:04 | 0:23:07 | |
Harry's are dangerously below that. | 0:23:07 | 0:23:10 | |
Harry, why do you think that your sugars may have dropped down to two? | 0:23:10 | 0:23:15 | |
I don't know. No. | 0:23:17 | 0:23:19 | |
You haven't done anything, have you? It happens. | 0:23:19 | 0:23:21 | |
Harry seems to have made a really good recovery, | 0:23:21 | 0:23:25 | |
so we've got his sugars up. | 0:23:25 | 0:23:27 | |
His wife is now just making him a cheese sandwich, | 0:23:27 | 0:23:29 | |
so everything's looking good. | 0:23:29 | 0:23:31 | |
Harry tells me that his sugars yo-yo anyway. | 0:23:31 | 0:23:34 | |
Probably refer him back to the GP just so they're aware | 0:23:34 | 0:23:37 | |
and then they can decide where we need to go from there. | 0:23:37 | 0:23:39 | |
Harry seems to be usually in pretty good control of things, | 0:23:39 | 0:23:42 | |
so it's a bit unusual, really. | 0:23:42 | 0:23:44 | |
But we'll refer him on. | 0:23:44 | 0:23:46 | |
Julian waits a few minutes, then tests Harry | 0:23:47 | 0:23:49 | |
to see if his levels have improved. | 0:23:49 | 0:23:51 | |
Here we go, scratch. | 0:23:51 | 0:23:53 | |
It's still low, Harry. It's 3.9. | 0:23:55 | 0:23:59 | |
Oh, it's gone back up. | 0:23:59 | 0:24:00 | |
It's coming up, so we'll give it another few minutes | 0:24:00 | 0:24:03 | |
and we'll test it again. | 0:24:03 | 0:24:05 | |
But I'd certainly like to see it going above five before I leave. | 0:24:05 | 0:24:08 | |
So is that all right? | 0:24:08 | 0:24:09 | |
That's all right. We'll aim for that. | 0:24:09 | 0:24:12 | |
But Harry's not out of danger. | 0:24:13 | 0:24:15 | |
Just moments after eating a sandwich, | 0:24:15 | 0:24:18 | |
his blood sugar levels suddenly drop again. | 0:24:18 | 0:24:20 | |
Nope. Nope? Going down. | 0:24:20 | 0:24:23 | |
Eh?! It's going down. | 0:24:23 | 0:24:24 | |
3.4. | 0:24:24 | 0:24:26 | |
I've got to be honest - your sugar levels were two. Yeah. | 0:24:26 | 0:24:30 | |
I've given you a fair whack of glucose. Yeah. | 0:24:30 | 0:24:34 | |
You've had a good-sized cheese sandwich, a glass of milk. Yeah. | 0:24:34 | 0:24:38 | |
Your sugar levels should be continuing to be going up. | 0:24:38 | 0:24:42 | |
They've gone up a bit, | 0:24:42 | 0:24:44 | |
but not an awful lot considering everything you've had. | 0:24:44 | 0:24:46 | |
Now they're coming back down again. | 0:24:46 | 0:24:48 | |
That's not right. That's not what we're used to seeing. | 0:24:48 | 0:24:52 | |
That's not normal. No, it's not. | 0:24:52 | 0:24:54 | |
Pretty abnormal. No. | 0:24:54 | 0:24:56 | |
Which would suggest to me that maybe there's something going on | 0:24:56 | 0:25:00 | |
that needs further investigation. | 0:25:00 | 0:25:03 | |
It's not what Harry wants to hear. | 0:25:03 | 0:25:06 | |
I'd like just to pop you up to hospital and let them have a look | 0:25:06 | 0:25:08 | |
at you, actually. If I'm honest with you. I'd prefer not to go. Hmm. | 0:25:08 | 0:25:12 | |
It's a big inconvenience, I understand, | 0:25:12 | 0:25:16 | |
but the Ambulance Service pay me to keep patients out of hospital, | 0:25:16 | 0:25:20 | |
so when I'm saying I think you need to go in, | 0:25:20 | 0:25:23 | |
I'm saying it for good reason. | 0:25:23 | 0:25:25 | |
We'll pop you in the front up here, if that's all right. | 0:25:25 | 0:25:27 | |
So, reluctantly, Harry is off to hospital, | 0:25:27 | 0:25:30 | |
but Julian knows that there's no point in taking any risks | 0:25:30 | 0:25:33 | |
with his fluctuating blood sugar levels. | 0:25:33 | 0:25:35 | |
The danger was, if we walked out the house and left Harry there, | 0:25:36 | 0:25:40 | |
if they'd continued to decrease again, | 0:25:40 | 0:25:41 | |
we'd probably end up in exactly the same position | 0:25:41 | 0:25:44 | |
we found ourselves in earlier when Mrs Cowan made the 999 call, so... | 0:25:44 | 0:25:48 | |
Whether there's an underlying issue going on, not too sure, | 0:25:48 | 0:25:52 | |
so we've brought him up to the hospital. | 0:25:52 | 0:25:54 | |
They're going to run some blood tests on him, see what's going on, | 0:25:54 | 0:25:57 | |
and then hopefully they can get him back home ASAP. | 0:25:57 | 0:26:01 | |
We'll have more news later. | 0:26:01 | 0:26:04 | |
Traffic cops Mike Sapwell | 0:26:13 | 0:26:15 | |
and Ian Stevens are racing through the streets of Milton Keynes. | 0:26:15 | 0:26:19 | |
What we're going to is a report of a car-versus-van injury accident. | 0:26:19 | 0:26:25 | |
I don't know any more details than that, actually. | 0:26:26 | 0:26:28 | |
We'll see what we've got when we get there. | 0:26:28 | 0:26:30 | |
Ian has been to the site of this accident many times before. | 0:26:30 | 0:26:33 | |
He knows it could be a bad one. | 0:26:33 | 0:26:35 | |
The road we're going to, it's a national speed limit, | 0:26:35 | 0:26:38 | |
single-carriageway road. | 0:26:38 | 0:26:40 | |
Because people are used to driving on dual carriageways | 0:26:40 | 0:26:42 | |
in Milton Keynes, sometimes people get confused | 0:26:42 | 0:26:44 | |
and think they're still on a dual carriageway | 0:26:44 | 0:26:46 | |
and go to the wrong side of the road. | 0:26:46 | 0:26:48 | |
As a result, we get quite serious collisions on this section. | 0:26:48 | 0:26:51 | |
Oh, Christ. | 0:26:51 | 0:26:53 | |
A van has clipped the side of an oncoming car. | 0:26:55 | 0:26:57 | |
According to the driver, | 0:26:57 | 0:26:59 | |
he lost control after a freak event in the car. | 0:26:59 | 0:27:02 | |
The van driver, who's sitting on the floor, came straight up to me | 0:27:02 | 0:27:05 | |
and he said, "It was my fault. | 0:27:05 | 0:27:08 | |
"A bee came in my window and I flinched and I swerved | 0:27:08 | 0:27:11 | |
"and I've hit the car coming the other way." | 0:27:11 | 0:27:13 | |
The witnesses say that the van was on the wrong side of the road. | 0:27:15 | 0:27:18 | |
What happened, then? | 0:27:18 | 0:27:19 | |
So, pretty much, the car's clipped the kerb. It's just... The van? | 0:27:19 | 0:27:24 | |
Yeah, that's it. | 0:27:24 | 0:27:25 | |
It's just gone, lifted in the air, taken out the sign and... | 0:27:25 | 0:27:29 | |
The sign went flying. | 0:27:29 | 0:27:31 | |
I was looking at the road | 0:27:31 | 0:27:33 | |
and I just saw the van unnaturally swerve straight into it, | 0:27:33 | 0:27:37 | |
like it hit something and then it hit the kerb and bits went flying. | 0:27:37 | 0:27:41 | |
It was pretty much, we had the best view of it. | 0:27:43 | 0:27:46 | |
We were just looking over here as well. | 0:27:46 | 0:27:48 | |
We clocked the kids' seats in the back and we just panicked. | 0:27:48 | 0:27:52 | |
It was heart-stopping. It was unbelievable. | 0:27:52 | 0:27:55 | |
The driver of the other car is in the back of the ambulance. | 0:27:55 | 0:27:58 | |
She's badly shaken, but has escaped injury. | 0:27:58 | 0:28:01 | |
Luckily, her children weren't in the car with her. | 0:28:01 | 0:28:04 | |
He came straight at you, yeah. | 0:28:06 | 0:28:08 | |
No, it's all right. It must have been horrendously shocking for you. | 0:28:11 | 0:28:15 | |
You didn't probably have a lot of time to do that. | 0:28:16 | 0:28:20 | |
She's got bruising | 0:28:26 | 0:28:29 | |
caused by deceleration, | 0:28:29 | 0:28:31 | |
I suppose, caused by the seatbelt going from right to left. | 0:28:31 | 0:28:35 | |
In shock, really. | 0:28:35 | 0:28:37 | |
She wasn't expecting a big white van to come to her side of the road. | 0:28:37 | 0:28:40 | |
Could be worse. | 0:28:40 | 0:28:42 | |
With no serious injuries to either party, | 0:28:42 | 0:28:44 | |
Mike can concentrate on gathering evidence and witness statements, | 0:28:44 | 0:28:48 | |
but before he can interview the van driver, | 0:28:48 | 0:28:50 | |
there's an interesting development. | 0:28:50 | 0:28:52 | |
You're joking me. | 0:28:56 | 0:28:58 | |
Was there really? | 0:28:59 | 0:29:00 | |
I'll give you one for that. | 0:29:04 | 0:29:06 | |
The driver is claiming that he's lost control of the vehicle | 0:29:06 | 0:29:08 | |
because there was a bee flying around in his cab. | 0:29:08 | 0:29:10 | |
It's the first I've ever heard it in all the years I've done the job | 0:29:10 | 0:29:13 | |
and I was a little bit sceptical. | 0:29:13 | 0:29:15 | |
However, as I approached the van, the driver was pointing out | 0:29:15 | 0:29:18 | |
that there is in fact a dead bumblebee in front of the van, so... | 0:29:18 | 0:29:22 | |
A moment's distraction has resulted in a serious crash. | 0:29:22 | 0:29:26 | |
Somehow, both drivers have escaped injury, protected by their cars. | 0:29:26 | 0:29:31 | |
In interview, he said that bees freak him out. | 0:29:31 | 0:29:35 | |
Spiders freak a lot of people out, | 0:29:35 | 0:29:37 | |
bees freak a lot of people out, as do wasps. | 0:29:37 | 0:29:40 | |
We are fight-or-flight animals. | 0:29:40 | 0:29:42 | |
We will either run away from an incident | 0:29:42 | 0:29:44 | |
or we will fight our way out of it. | 0:29:44 | 0:29:46 | |
In this case, | 0:29:48 | 0:29:49 | |
without thinking, he's reacted to the bee's presence... | 0:29:49 | 0:29:52 | |
..and it's caused him to swerve. | 0:29:54 | 0:29:56 | |
Unfortunately, there was a car in front of him | 0:29:56 | 0:29:58 | |
coming the opposite way. | 0:29:58 | 0:29:59 | |
Here's the bee. The culprit of all evil. | 0:30:01 | 0:30:04 | |
I think we can call that "case closed." | 0:30:04 | 0:30:07 | |
We're going to have a chat with Jack | 0:30:10 | 0:30:12 | |
about probably my favourite story ever. | 0:30:12 | 0:30:14 | |
It's about the attack of the killer washing machine. | 0:30:14 | 0:30:17 | |
So this was a 999 call that started with a woman crying | 0:30:17 | 0:30:19 | |
and screaming down the phone, so I switched on straight away, | 0:30:19 | 0:30:22 | |
thinking, "This is going to be really serious." | 0:30:22 | 0:30:24 | |
Managed to calm her down a bit and find out what was going on | 0:30:24 | 0:30:27 | |
and she said, "It's my washing machine, my washing machine." | 0:30:27 | 0:30:29 | |
"OK. What's wrong with your washing machine?" | 0:30:29 | 0:30:31 | |
It turned out that the weights at the top of the washing machine | 0:30:31 | 0:30:34 | |
that stop it moving around had gone, | 0:30:34 | 0:30:36 | |
so she put a load of washing in, turned it on | 0:30:36 | 0:30:37 | |
and it bounced around the kitchen, | 0:30:37 | 0:30:39 | |
so she's run out of the kitchen, actually gone upstairs | 0:30:39 | 0:30:41 | |
and got her kids out of bed, | 0:30:41 | 0:30:43 | |
run out the front door and called the police. | 0:30:43 | 0:30:45 | |
Because she genuinely thinks this washing machine is chasing her? | 0:30:45 | 0:30:48 | |
Scared out of her life. I've never had anyone that scared, | 0:30:48 | 0:30:50 | |
people in real situations, as it were. | 0:30:50 | 0:30:52 | |
What was she thinking? It was a possessed washing machine? | 0:30:52 | 0:30:54 | |
I have no idea, but I had to spend | 0:30:54 | 0:30:56 | |
probably a good 15-20 minutes trying to calm her down. She was outside. | 0:30:56 | 0:30:59 | |
I was talking her through, "We're going to go upstairs, | 0:30:59 | 0:31:01 | |
"put the kids back to bed, walk downstairs." | 0:31:01 | 0:31:03 | |
"I don't want to walk downstairs." | 0:31:03 | 0:31:05 | |
"We'll walk downstairs, go into the kitchen, | 0:31:05 | 0:31:07 | |
"turn the washing machine off by the wall." | 0:31:07 | 0:31:08 | |
Just switch it off by the wall, that'll stop it. | 0:31:08 | 0:31:10 | |
In theory it's a really good idea, but getting her to do that | 0:31:10 | 0:31:13 | |
in that sort of panic was quite a state. | 0:31:13 | 0:31:15 | |
I have to say, I did actually once have a washing machine break | 0:31:15 | 0:31:17 | |
and when the weights go off and they start banging around, | 0:31:17 | 0:31:20 | |
they actually make a terrifying racket. | 0:31:20 | 0:31:22 | |
In the end, you managed to resolve it? Just about, yeah. | 0:31:22 | 0:31:24 | |
We talked her through it, and of course, she was asking me | 0:31:24 | 0:31:27 | |
for plumbers' numbers as well, but obviously, we can't give that out. | 0:31:27 | 0:31:30 | |
So there you go, attack of the killer washing machine. Nice, eh? | 0:31:30 | 0:31:32 | |
Southampton firefighter and animal rescue expert | 0:31:39 | 0:31:42 | |
Anton Phillips has just received a call. | 0:31:42 | 0:31:44 | |
He's on the way to the home of a woman | 0:31:44 | 0:31:47 | |
whose six-week-old pet kitten, Burton, | 0:31:47 | 0:31:49 | |
has just started an impromptu game of hide-and-seek. | 0:31:49 | 0:31:53 | |
He's upside down. | 0:31:56 | 0:31:57 | |
I was upstairs. | 0:32:01 | 0:32:03 | |
Chelsea shouted me, said that the kitten's got caught | 0:32:03 | 0:32:06 | |
down the side of the freezer, so I've come down, and... | 0:32:06 | 0:32:10 | |
Well, all I could hear was him crying | 0:32:12 | 0:32:14 | |
and at that point we couldn't see anything. | 0:32:14 | 0:32:16 | |
We could just hear that he was down the side of the freezer. | 0:32:16 | 0:32:18 | |
'So I was trying to pull the freezer as far over to the side as I could' | 0:32:20 | 0:32:25 | |
to see if I could just, you know, give him enough space | 0:32:25 | 0:32:28 | |
that he could get out, but, obviously, he couldn't | 0:32:28 | 0:32:31 | |
and as I moved it slightly, he yelped a bit. | 0:32:31 | 0:32:34 | |
so I thought, "God, no, that's not the way." | 0:32:34 | 0:32:38 | |
Then we just phoned the fire brigade. | 0:32:38 | 0:32:42 | |
The gap between the wall and the fridge freezer was about an inch. | 0:32:43 | 0:32:46 | |
So really tiny gap, really tiny kitten | 0:32:46 | 0:32:50 | |
and the kitten had gone down and had turned on its back, initially. | 0:32:50 | 0:32:53 | |
So, when I shone the torch down to it, I could see its eyes. | 0:32:53 | 0:32:56 | |
I could see the underside of its paws. | 0:32:56 | 0:32:59 | |
I stood there thinking, "How are we going to get this out | 0:32:59 | 0:33:01 | |
"without doing significant damage to the kitchen | 0:33:01 | 0:33:03 | |
"and, more to the point, without actually damaging the kitten?" | 0:33:03 | 0:33:06 | |
It's not just Anton who's worried about Burton. | 0:33:08 | 0:33:11 | |
The mother is also responding to the anguished cries of her offspring. | 0:33:11 | 0:33:15 | |
CAT MEOWS | 0:33:16 | 0:33:18 | |
I removed most of the stuff off the worktop | 0:33:18 | 0:33:21 | |
and then started to ease the fridge forward from the top | 0:33:21 | 0:33:25 | |
and the kitten then fell into the back of the fridge, | 0:33:25 | 0:33:28 | |
around the compressor. | 0:33:28 | 0:33:30 | |
CAT MEOWS | 0:33:30 | 0:33:31 | |
I then slid the fridge freezer forward and away from the kitten. | 0:33:31 | 0:33:35 | |
Kerrie's daughter Chelsea makes a grab for Burton | 0:33:38 | 0:33:40 | |
and finally the curious cat is free. | 0:33:40 | 0:33:42 | |
Obviously, it was covered in a bit of fluff. | 0:33:44 | 0:33:47 | |
Ordinary fluff that you find behind furniture, | 0:33:48 | 0:33:51 | |
but apart from that, it was in really quite good nick. | 0:33:51 | 0:33:53 | |
And it was then returned to the mother | 0:33:53 | 0:33:55 | |
because it was a very young kitten, only just had its eyes open. | 0:33:55 | 0:33:59 | |
Yeah, he's all good, I think. A bit shaky, but otherwise good, yeah. | 0:33:59 | 0:34:05 | |
Burton may have won his game of hide-and-seek, | 0:34:05 | 0:34:07 | |
but Kerrie's not going to risk losing him again. | 0:34:07 | 0:34:10 | |
I was thinking about leaving the freezer in the middle of the room. | 0:34:10 | 0:34:13 | |
Might be a safer option! | 0:34:14 | 0:34:16 | |
A sweltering July night in London, and the river is packed | 0:34:26 | 0:34:29 | |
with party boats full of people enjoying the long summer's evening. | 0:34:29 | 0:34:33 | |
THEY CHEER | 0:34:37 | 0:34:39 | |
The crew of the Tower lifeboat are on patrol when they get a call | 0:34:39 | 0:34:42 | |
to help a young woman who's been injured | 0:34:42 | 0:34:44 | |
on board one of the pleasure cruises. | 0:34:44 | 0:34:46 | |
The RIB travels along the Thames at full speed, | 0:34:48 | 0:34:50 | |
so radar is vital to show up any hazards in the dark water. | 0:34:50 | 0:34:54 | |
When they arrive, the party is still in full swing. | 0:35:00 | 0:35:04 | |
Volunteer crewmen Colin McCarthy | 0:35:04 | 0:35:06 | |
and Luke Dillon head off in search of the injured woman, | 0:35:06 | 0:35:09 | |
while helmsman Kevin Maynard mans the lifeboat. | 0:35:09 | 0:35:12 | |
Having changed out of her high heels, | 0:35:12 | 0:35:14 | |
the partygoer has cut her foot on broken glass. | 0:35:14 | 0:35:18 | |
There's a lot of blood | 0:35:18 | 0:35:19 | |
and a small piece has become embedded in her heel. | 0:35:19 | 0:35:22 | |
It's clear she's going to need an X-ray. | 0:35:22 | 0:35:24 | |
RNLI crew carry a fully-equipped first aid bag | 0:35:25 | 0:35:28 | |
and with fresh supplies, an off-duty doctor is able to sterilise the cut | 0:35:28 | 0:35:32 | |
before applying a trauma dressing for the trip to A&E. | 0:35:32 | 0:35:36 | |
SHE YELPS IN PAIN | 0:35:36 | 0:35:37 | |
Yeah, it's going to sting, it's going to sting. | 0:35:37 | 0:35:39 | |
You're probably going to need to go to hospital for them | 0:35:39 | 0:35:42 | |
to have a look at it and maybe give it some stitches. | 0:35:42 | 0:35:44 | |
But the question is how to get her to St Thomas' Hospital, | 0:35:44 | 0:35:47 | |
which is a good 45 minutes' walk on two good feet. | 0:35:47 | 0:35:51 | |
The coastguard, along with helmsman Kevin Maynard, | 0:35:51 | 0:35:54 | |
have told the crew not to call | 0:35:54 | 0:35:56 | |
the already overstretched ambulance service. | 0:35:56 | 0:35:59 | |
I'll be totally honest with you, there's no way | 0:35:59 | 0:36:01 | |
you're going to get an ambulance tonight, because they are so busy. | 0:36:01 | 0:36:04 | |
So the best thing for you to do is | 0:36:04 | 0:36:06 | |
we'll give you a hand up onto the pier | 0:36:06 | 0:36:08 | |
and then we'll find a cab | 0:36:08 | 0:36:10 | |
and you can get a cab to St Thomas', | 0:36:10 | 0:36:12 | |
so it's way better to jump into a cab. | 0:36:12 | 0:36:16 | |
Thank you. Thank you. Right, shoes. | 0:36:16 | 0:36:18 | |
Now the woman's foot is dressed and bandaged, | 0:36:18 | 0:36:21 | |
the crewmen get ready to help her to the taxi rank. | 0:36:21 | 0:36:24 | |
Right, are we ready to rock? | 0:36:25 | 0:36:27 | |
We'll just give you a help up to the top, yeah? | 0:36:27 | 0:36:29 | |
If you just sort of hang off the side of us and hobble your way up. | 0:36:29 | 0:36:33 | |
There we go. | 0:36:33 | 0:36:34 | |
OK, are you going to be all right? | 0:36:38 | 0:36:39 | |
You're going to have to do some hopping. | 0:36:39 | 0:36:41 | |
But it soon becomes clear that progress is going to be very slow. | 0:36:41 | 0:36:45 | |
The strong arms of crewmen are needed. | 0:36:45 | 0:36:47 | |
First to step up is Colin. | 0:36:51 | 0:36:53 | |
The Tower station's remit covers emergencies on the river | 0:36:56 | 0:36:59 | |
and the riverbank. | 0:36:59 | 0:37:01 | |
This is proving one of the most demanding for Colin, | 0:37:01 | 0:37:04 | |
in full kit and temperatures reaching 30 degrees. | 0:37:04 | 0:37:08 | |
After a short breather, | 0:37:11 | 0:37:12 | |
it's off again in search of a taxi to hospital. | 0:37:12 | 0:37:15 | |
Finally, they reach the end of the pier. | 0:37:21 | 0:37:24 | |
If you phone for a cab, get them to come down and pick you up here. | 0:37:24 | 0:37:27 | |
Tower of London. Tower of London. Petty Wales. | 0:37:30 | 0:37:34 | |
But there's still a problem. | 0:37:34 | 0:37:36 | |
It's a busy Saturday night | 0:37:36 | 0:37:37 | |
and it seems taxis are almost as busy as ambulances tonight. | 0:37:37 | 0:37:41 | |
However, persistence pays off. | 0:37:51 | 0:37:53 | |
The lengths we go to! | 0:37:55 | 0:37:56 | |
Thank you so much. Here we go. | 0:38:00 | 0:38:02 | |
Thank you. You're really, really kind. | 0:38:03 | 0:38:05 | |
St Thomas', please. | 0:38:05 | 0:38:06 | |
Take it easy. Mind that glass. Well done, girls. | 0:38:08 | 0:38:11 | |
Argue with people to get a cab. | 0:38:12 | 0:38:14 | |
So the young woman bids farewell to her rescuers | 0:38:18 | 0:38:20 | |
and is finally off to hospital for an X-ray on her heel. | 0:38:20 | 0:38:24 | |
It's been a tiring job for the lifeboat crew, but they're soon | 0:38:25 | 0:38:29 | |
back out on the water and heading towards HQ for a well-deserved rest. | 0:38:29 | 0:38:34 | |
Earlier in the programme we saw the RNLI rescuing | 0:38:41 | 0:38:44 | |
the crew of a stricken boat on the Thames. | 0:38:44 | 0:38:46 | |
They arrived just in time to save Imogen, Bee, Tim and Will | 0:38:47 | 0:38:51 | |
seconds before their vintage speedboat sunk. | 0:38:51 | 0:38:54 | |
The group of friends had been on a trip from their barge in Battersea | 0:38:54 | 0:38:58 | |
to Tower Bridge when they hit a wave and the engine broke off. | 0:38:58 | 0:39:01 | |
Looking back, they're just relieved they're still here to tell the tale. | 0:39:01 | 0:39:06 | |
I don't think we had an idea of the danger we really were in. | 0:39:06 | 0:39:09 | |
Yeah, I think that was just ignorance. | 0:39:09 | 0:39:12 | |
I think it was just a bit solemn, really. | 0:39:12 | 0:39:14 | |
It sort of sunk in that we lost our possession, nearly lost our lives. | 0:39:14 | 0:39:17 | |
I'm not surprised. You were so calm. | 0:39:17 | 0:39:19 | |
Being responsible for people almost losing their lives as well. | 0:39:19 | 0:39:23 | |
I think, as a boat owner, it seems fun when you're on it, | 0:39:23 | 0:39:26 | |
but also, you are holding the responsibility | 0:39:26 | 0:39:29 | |
of friends, family, loved ones. | 0:39:29 | 0:39:31 | |
Anything that could happen could have a knock-on effect. | 0:39:31 | 0:39:34 | |
I was elated at first that we'd been rescued, | 0:39:34 | 0:39:37 | |
but afterwards, once it had hit home, I was kind of in shock, | 0:39:37 | 0:39:43 | |
cos I could have lost my friends, lost my girlfriend. | 0:39:43 | 0:39:46 | |
It doesn't bear thinking about, really. | 0:39:48 | 0:39:50 | |
Bee recalls considering swimming back to the bank, | 0:39:52 | 0:39:55 | |
not realising the strength of the currents that could drag her | 0:39:55 | 0:39:58 | |
into the path of the shipping lanes. | 0:39:58 | 0:40:00 | |
My instinct, which was a terrible instinct, | 0:40:00 | 0:40:03 | |
was the thought that I could jump off the boat and swim to the side | 0:40:03 | 0:40:07 | |
and I remember telling Imogen that, you know, | 0:40:07 | 0:40:09 | |
"Why don't I jump off and I take the rope | 0:40:09 | 0:40:11 | |
"and at least I can nudge us in quicker." | 0:40:11 | 0:40:13 | |
And, thank God, she said, "Don't." | 0:40:13 | 0:40:16 | |
I was like, "Just don't risk it. | 0:40:16 | 0:40:18 | |
"It's not worth it cos we just don't know how strong the current is." | 0:40:18 | 0:40:21 | |
So we just stayed on the boat | 0:40:21 | 0:40:23 | |
and just tried to keep it balanced, basically, | 0:40:23 | 0:40:25 | |
and just paddled with our arms | 0:40:25 | 0:40:27 | |
to get to the side. | 0:40:27 | 0:40:30 | |
The four are experienced sailors, but they made a rookie error. | 0:40:30 | 0:40:34 | |
The reason we didn't have lifejackets on | 0:40:34 | 0:40:36 | |
was because it was a bit of a foolish mistake | 0:40:36 | 0:40:38 | |
and we were in a rush. | 0:40:38 | 0:40:40 | |
We didn't get them out the engine room on the barge. | 0:40:40 | 0:40:42 | |
A bit eager to go. Jumped down on the boat and left, really. | 0:40:42 | 0:40:45 | |
The young British tennis player whose car was involved | 0:40:47 | 0:40:50 | |
in a three-car collision on an A road in Buckinghamshire | 0:40:50 | 0:40:53 | |
was taken to Stoke Mandeville Hospital. | 0:40:53 | 0:40:56 | |
She was complaining of leg pain | 0:40:56 | 0:40:58 | |
and cuts to her head after being removed from her smashed-up car. | 0:40:58 | 0:41:02 | |
The first family member to arrive at the scene was her grandfather, Vic. | 0:41:02 | 0:41:05 | |
It couldn't have happened at a worse time. | 0:41:07 | 0:41:10 | |
Claudia was just days away | 0:41:10 | 0:41:11 | |
from starting a prestigious tennis scholarship in the USA. | 0:41:11 | 0:41:15 | |
At hospital, Claudia had X-rays to her chest, head, back and legs, | 0:41:15 | 0:41:20 | |
but her worst injury was to an ear. | 0:41:20 | 0:41:22 | |
A shard of glass from the windscreen had left a very deep cut. | 0:41:22 | 0:41:27 | |
They said there's no broken bones, no serious damage or anything like that. | 0:41:27 | 0:41:30 | |
She had got a cut to her ear | 0:41:30 | 0:41:32 | |
and they were waiting for the plastic surgeon | 0:41:32 | 0:41:34 | |
to come and have a look at that. | 0:41:34 | 0:41:35 | |
Well, the relief from everybody, and just couldn't believe it. | 0:41:35 | 0:41:40 | |
Very thankful, obviously. | 0:41:40 | 0:41:42 | |
The plastic surgeon came up and said, "Yes, it does want doing," | 0:41:42 | 0:41:44 | |
and they put her in on the Thursday afternoon to do it | 0:41:44 | 0:41:48 | |
and we flew out on the Friday morning to Alabama. | 0:41:48 | 0:41:51 | |
So everything was a bit of a chase that last three days. | 0:41:51 | 0:41:55 | |
There were no charges brought | 0:41:55 | 0:41:57 | |
and Claudia is now in Alabama, starting her training. | 0:41:57 | 0:42:00 | |
The bruises made her limp for a week | 0:42:01 | 0:42:03 | |
but by the time we got to America | 0:42:03 | 0:42:05 | |
and settled in and saw the tennis coach out there | 0:42:05 | 0:42:09 | |
and she'd e-mailed him to put him in the picture, | 0:42:09 | 0:42:12 | |
they checked her out and were going to give her loads of physio | 0:42:12 | 0:42:14 | |
and he was going to look after her for the first week | 0:42:14 | 0:42:17 | |
before they really started training. | 0:42:17 | 0:42:19 | |
They couldn't have been more helpful. Brilliant. | 0:42:19 | 0:42:22 | |
Lucky enough, at the end of the day nobody was seriously injured, | 0:42:22 | 0:42:25 | |
including the other drivers. | 0:42:25 | 0:42:26 | |
You can't ask for no more than that. | 0:42:28 | 0:42:30 | |
And diabetic patient Harry Cowan spent several hours in A&E. | 0:42:33 | 0:42:37 | |
If his blood sugar levels had dropped any further, | 0:42:37 | 0:42:40 | |
he was told he could have been in serious danger. | 0:42:40 | 0:42:44 | |
His blood sugar levels were soon stabilised | 0:42:44 | 0:42:46 | |
and Harry is back home now, | 0:42:46 | 0:42:48 | |
where he and his wife are monitoring his diabetes very closely. | 0:42:48 | 0:42:52 | |
Well, that's just about all we have time for. | 0:42:57 | 0:42:59 | |
Once again, we've seen how our emergency services | 0:42:59 | 0:43:01 | |
are looking after us at every turn | 0:43:01 | 0:43:03 | |
and chivalry is alive and well, as we saw earlier with the RNLI. | 0:43:03 | 0:43:07 | |
That's it. We'll see you next time. Bye-bye. | 0:43:07 | 0:43:09 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:18 |