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Today on Real Rescues... A fire burns on the 12th floor of university accommodation. | 0:00:02 | 0:00:06 | |
Guys, I need you all out the way, over there. | 0:00:06 | 0:00:08 | |
A student fears her friend could still be inside. | 0:00:08 | 0:00:12 | |
A distraught 999 call after a toddler plunges 20 feet. | 0:00:19 | 0:00:23 | |
It's all happened too quickly for the boy's father. | 0:00:28 | 0:00:30 | |
I don't think I will forgive myself for leaving the window open. | 0:00:30 | 0:00:34 | |
And a pony is trapped six feet down after a muddy sinkhole opens up beneath it. | 0:00:35 | 0:00:40 | |
Stay where you are a minute. He's stressing on you. | 0:00:40 | 0:00:43 | |
Hello and welcome to Real Rescues | 0:01:01 | 0:01:03 | |
and to the work of Britain's emergency services. | 0:01:03 | 0:01:07 | |
Let's get started. In the middle of the night, a high-rise building has caught fire | 0:01:07 | 0:01:10 | |
and inside are hundreds of young people. | 0:01:10 | 0:01:12 | |
With the fire alarm screeching and people flooding out, | 0:01:12 | 0:01:15 | |
firefighters have to work out how many people are still inside. | 0:01:15 | 0:01:19 | |
Hampshire Fire and Rescue Control Room... | 0:01:22 | 0:01:24 | |
An emergency call has come in from a high-rise building. | 0:01:24 | 0:01:28 | |
It's student accommodation, a large block of flats. | 0:01:42 | 0:01:46 | |
It's potentially a very difficult fire to tackle. | 0:01:46 | 0:01:50 | |
Green Watch from St Mary's Station is one of the first crews on scene. | 0:01:51 | 0:01:57 | |
It's the early hours of the morning and hundreds of students are milling around in their night clothes. | 0:02:00 | 0:02:05 | |
Accounting for all the students is going to be a problem. | 0:02:08 | 0:02:10 | |
Entering the building has major risks. | 0:02:14 | 0:02:17 | |
There's no sign of smoke from the outside, | 0:02:17 | 0:02:19 | |
but it's reported that a fire is raging on the 12th floor. | 0:02:19 | 0:02:22 | |
The students are still dazed and are too close to the building. | 0:02:22 | 0:02:26 | |
Watch manager Sean Foster secures the area. | 0:02:26 | 0:02:29 | |
Guys, I need you all out the way, over there. | 0:02:29 | 0:02:31 | |
Guys, get out of there! | 0:02:31 | 0:02:34 | |
Now the students are clear, | 0:02:34 | 0:02:35 | |
the first job is to get water to the dry riser... | 0:02:35 | 0:02:40 | |
..a pipe that can be used to pump water to every floor of the building. | 0:02:40 | 0:02:45 | |
Crew manager Steve Evans and three firefighters are first inside. | 0:02:53 | 0:02:57 | |
They can't risk using the lift and have to heave their heavy kit up 12 flights of stairs. | 0:03:01 | 0:03:06 | |
As they arrive on the landing, | 0:03:09 | 0:03:12 | |
they confirm the fire is in flat 1201. | 0:03:12 | 0:03:14 | |
Heavy smoke is already escaping into the corridor. | 0:03:14 | 0:03:18 | |
They need breathing apparatus before they can go any nearer. | 0:03:18 | 0:03:21 | |
Alex Spreadbury and Charlie Quinn get kitted up. | 0:03:27 | 0:03:29 | |
They'll make up the first BA Team. | 0:03:29 | 0:03:32 | |
It's their job to enter the burning flat. | 0:03:32 | 0:03:34 | |
They complete their final checks. | 0:03:39 | 0:03:41 | |
Their names are registered and so is the time on the control board by Rich Green. | 0:03:41 | 0:03:45 | |
It's a routine part of maintaining safety. | 0:03:45 | 0:03:48 | |
While they wait for the water jets to be set up, | 0:03:48 | 0:03:51 | |
they want to get a look at what they might be up against. | 0:03:51 | 0:03:54 | |
With a thermal imaging camera, they can detect heat behind the door of the flat. | 0:03:54 | 0:03:59 | |
We don't know how long the fire's been burning in that compartment, | 0:03:59 | 0:04:04 | |
so, basically, you're introducing oxygen into a compartment | 0:04:04 | 0:04:08 | |
that hasn't had oxygen for an unknown amount of time, | 0:04:08 | 0:04:11 | |
so by introducing that oxygen into the compartment, you could cause a backdraft, | 0:04:11 | 0:04:15 | |
so we're using techniques when we're opening the door | 0:04:15 | 0:04:19 | |
to check the door, check what's coming out of the door. | 0:04:19 | 0:04:21 | |
As Alex and Charlie measure the heat, | 0:04:21 | 0:04:25 | |
outside the building, there's suddenly news from one of the students. | 0:04:25 | 0:04:30 | |
She can't get hold of her flatmate. | 0:04:30 | 0:04:33 | |
Is someone in 1202? Is there someone in there still? | 0:04:35 | 0:04:39 | |
..priorities change as the firefighters' search for the student intensifies. | 0:04:41 | 0:04:46 | |
PHONE RINGS | 0:04:55 | 0:04:56 | |
Ambulance Service. | 0:04:56 | 0:04:58 | |
It's a busy Saturday evening in the South Western Ambulance call centre in Exeter. | 0:04:58 | 0:05:02 | |
Ali Newcombe has just taken a 999 call from a worried grandmother. | 0:05:02 | 0:05:07 | |
The Fernando family has been enjoying a day in the sun, | 0:05:18 | 0:05:20 | |
but it's the children's bedtime and, suddenly, everything changes. | 0:05:20 | 0:05:24 | |
I went to get their bedtime story, they went in to go and play with their dad | 0:05:24 | 0:05:28 | |
and that's when it all happened. | 0:05:28 | 0:05:31 | |
Dad Anthony has no idea that the bedroom window is open. | 0:05:31 | 0:05:35 | |
I thought the window was shut. I couldn't see the window because of the curtain, | 0:05:35 | 0:05:39 | |
we pulled the curtain because the sun was coming through. | 0:05:39 | 0:05:42 | |
Suddenly Jay said, "Daddy, Leo's outside." | 0:05:42 | 0:05:46 | |
Anthony saw him hanging onto the window sill for a second. | 0:05:46 | 0:05:49 | |
He opened the curtain, I can see the fingers, | 0:05:49 | 0:05:53 | |
and... that's it, he gone. | 0:05:53 | 0:05:57 | |
I heard Anthony scream, "Leo!" | 0:05:57 | 0:05:59 | |
I got closer to the bedroom and I heard him screaming, "Oh, my God!" | 0:05:59 | 0:06:03 | |
As I opened the bedroom door, he shouted, "He's fallen out the window." | 0:06:03 | 0:06:08 | |
Two-year-old Leo has plummeted 20 feet | 0:06:08 | 0:06:10 | |
onto the concrete patio below. | 0:06:10 | 0:06:13 | |
His terrified mum Emma shouts to her own mother to dial 999. | 0:06:13 | 0:06:18 | |
My heart was in my mouth and I ran straight down the stairs shouting, "Phone an ambulance!" | 0:06:18 | 0:06:22 | |
I could hear him crying and that's all I could really hear. | 0:06:39 | 0:06:44 | |
To call-handler Ali, the sound of crying is a good sign. | 0:06:44 | 0:06:47 | |
I'm a mum and you're immediately sure that the worst has not happened. | 0:06:47 | 0:06:50 | |
Ali's advice not to move Leo is to prevent exacerbating any hidden spinal or neck injuries, | 0:06:56 | 0:07:03 | |
but it's too late. | 0:07:03 | 0:07:04 | |
I didn't even think about not moving him, or any broken bones, | 0:07:04 | 0:07:08 | |
I just - mother's instinct - grabbed him | 0:07:08 | 0:07:10 | |
and ran back upstairs. | 0:07:10 | 0:07:12 | |
He had blood coming out of his nose | 0:07:12 | 0:07:15 | |
and the blood was all down his face and in his eyes. | 0:07:15 | 0:07:18 | |
Paramedic Lee Hilton is the first person to assess Leo's injuries. | 0:07:18 | 0:07:24 | |
He had this lump on his forehead, which was a soft tissue swelling. | 0:07:24 | 0:07:27 | |
There was no evidence to suggest a skull fracture. | 0:07:27 | 0:07:30 | |
His potential of injuries, aside from having a brain injury, | 0:07:30 | 0:07:34 | |
would've been neck, back injuries, pelvic, abdominal or chest injuries. | 0:07:34 | 0:07:38 | |
Incredibly, test results at the hospital were nothing but good news. | 0:07:38 | 0:07:43 | |
All the scans were clear. | 0:07:43 | 0:07:44 | |
There was no evidence of any brain injury, no evidence of bleeding, | 0:07:44 | 0:07:49 | |
no evidence of brain swelling, | 0:07:49 | 0:07:51 | |
and so it did confirm that the only injury was this swelling on his forehead, | 0:07:51 | 0:07:55 | |
so an incredibly lucky 23 month old. | 0:07:55 | 0:07:58 | |
The doctors and nurses were astounded. | 0:07:58 | 0:08:01 | |
They couldn't believe that he hadn't had a serious injury at all. | 0:08:01 | 0:08:05 | |
So, how did Leo survive a fall of over 20 feet? | 0:08:05 | 0:08:09 | |
It was mentioned to us - | 0:08:09 | 0:08:11 | |
and I think it was important - that because he wasn't frightened, | 0:08:11 | 0:08:13 | |
he didn't tense up and he just fell quite floppy. | 0:08:13 | 0:08:18 | |
And it seems that the inspiration for Leo's unplanned take-off | 0:08:18 | 0:08:22 | |
may've been his favourite film character. | 0:08:22 | 0:08:24 | |
TOY BUZZ: "To infinity and beyond!" | 0:08:24 | 0:08:28 | |
He likes to jump off things and shout "And beyond!" | 0:08:28 | 0:08:31 | |
He absolutely loves Toy Story. | 0:08:31 | 0:08:33 | |
Buzz Lightyear's his favourite and his big brother's favourite, as well. | 0:08:33 | 0:08:37 | |
Maybe that was why he jumped out the window. I recall Buzz Lightyear jumping out a window! | 0:08:37 | 0:08:41 | |
Hopefully, now he knows he can't fly, he won't do it again! | 0:08:41 | 0:08:45 | |
Leo's now back at home with his very relieved parents, | 0:08:45 | 0:08:49 | |
who are still haunted by the events of that day. | 0:08:49 | 0:08:52 | |
When I saw him, I thought he was dead. | 0:08:52 | 0:08:56 | |
That's something I don't think I'll ever forget. | 0:08:56 | 0:09:02 | |
I don't think I'll ever, I don't know, | 0:09:02 | 0:09:05 | |
forgive myself for leaving the window open. | 0:09:05 | 0:09:08 | |
However, Anthony and Emma have made sure | 0:09:08 | 0:09:11 | |
that Leo won't be tempted to jump to infinity and beyond ever again. | 0:09:11 | 0:09:16 | |
As soon as we came home, we got double locks put on all the windows. | 0:09:16 | 0:09:20 | |
We've really taken every measure possible to make sure he's safe now | 0:09:21 | 0:09:24 | |
and he won't be opening the window again like that. | 0:09:24 | 0:09:28 | |
In a call centre like this communication is the key, | 0:09:32 | 0:09:34 | |
but you'd be surprised how many people come through to speak to operators | 0:09:34 | 0:09:38 | |
who can't necessarily speak. | 0:09:38 | 0:09:40 | |
If Brigitte is free... Yes. | 0:09:40 | 0:09:43 | |
Did I overhear you saying to someone, | 0:09:43 | 0:09:45 | |
"If you can't speak, tap the phone." Yes. | 0:09:45 | 0:09:48 | |
What's going on there? Why would they not be able to speak but still tap the phone. | 0:09:48 | 0:09:53 | |
There's so many different reasons, but the pros and cons is that | 0:09:53 | 0:09:56 | |
maybe it's accidental, it's inside your pocket. | 0:09:56 | 0:09:59 | |
So you might get an accidental 999 call. | 0:09:59 | 0:10:01 | |
Or if they actually can't speak, so it's not safe for them to do so. | 0:10:01 | 0:10:05 | |
There could be somebody around them, that they just want the police but they just can't speak, | 0:10:05 | 0:10:10 | |
so we prompt them by saying, "If you're unable to speak, tap the keypad for me." | 0:10:10 | 0:10:14 | |
That makes sense if someone's terrified. People can go catatonic but still be able to dial a number. | 0:10:14 | 0:10:20 | |
Is there some way you can get a response? What would you ask them to do, tap the keyboard? | 0:10:20 | 0:10:24 | |
Tap the keypad so at least we know they are responding | 0:10:24 | 0:10:27 | |
and that they still want us to stay on the line, | 0:10:27 | 0:10:29 | |
so that is the procedure that we would follow. | 0:10:29 | 0:10:31 | |
OK, so that's if someone's in danger. | 0:10:31 | 0:10:34 | |
What if someone's ill? Give us an example of a call like that. | 0:10:34 | 0:10:38 | |
An elderly gentleman called through who was unable to speak, whether for a medical reason or not, | 0:10:38 | 0:10:43 | |
and his communication was grunting. | 0:10:43 | 0:10:47 | |
So he did a series of grunts. I was perplexed at the beginning to find out what's going on, | 0:10:47 | 0:10:52 | |
and, erm, through his grunts, | 0:10:52 | 0:10:57 | |
we got a location of whereabouts he was in an area | 0:10:57 | 0:11:00 | |
and I asked, "Are you in a nursing home?" to which case, his grunt changed. | 0:11:00 | 0:11:04 | |
That's quite clever. It was an acceptance grunt to say yes. | 0:11:04 | 0:11:07 | |
So you asked closed questions. Closed questions, narrowed it down, | 0:11:07 | 0:11:10 | |
used Google Maps to try and find a list of nursing homes in that area, | 0:11:10 | 0:11:14 | |
even to the point of, to describe the nursing home, we went onto Google Maps again, | 0:11:14 | 0:11:19 | |
so looked at the front and said, | 0:11:19 | 0:11:22 | |
"Is this what your nursing home looks like from the front?" | 0:11:22 | 0:11:24 | |
and, again, the acceptance grunt, it's a different kind of grunt. | 0:11:24 | 0:11:27 | |
I can see that. But why isn't there someone in the home? Why isn't he ringing his alarm? | 0:11:27 | 0:11:32 | |
As it transpired afterwards, because we don't know that, | 0:11:32 | 0:11:34 | |
that's not important, I've got to deal with it at that moment in time, | 0:11:34 | 0:11:38 | |
it was just the fact that you have the panic buttons... Yes. | 0:11:38 | 0:11:41 | |
..it was too far away, | 0:11:41 | 0:11:43 | |
but his mobile phone, which he hadn't used before, | 0:11:43 | 0:11:46 | |
then he dialled 999 | 0:11:46 | 0:11:49 | |
because he was in agony and needed his medication. | 0:11:49 | 0:11:52 | |
So that was... And you were able to get that to him? Yes. | 0:11:52 | 0:11:55 | |
If you get a call through and you don't get a response, you'll stay on for a while, then? | 0:11:55 | 0:11:59 | |
As long as we can, until we can understand, you know... | 0:11:59 | 0:12:02 | |
Sometimes you can tell whether it is a silent call, | 0:12:02 | 0:12:05 | |
as in, it's inside someone's phone, but we still have to get in contact with them. | 0:12:05 | 0:12:09 | |
We still have to remain on the phone as much as we can. That's reassuring. | 0:12:09 | 0:12:13 | |
If you dial 999, if you're in danger but you can't speak, | 0:12:13 | 0:12:16 | |
when the operator answers... Yes. | 0:12:16 | 0:12:18 | |
..if you tap your keyboard, they know that you are in difficulty. | 0:12:18 | 0:12:21 | |
That's quite interesting to know. Smashing. Thank you very much. You're welcome. | 0:12:21 | 0:12:25 | |
It's before 6am in Somerset. | 0:12:31 | 0:12:34 | |
A rescue operation is under way in thick mud to save a 16-year-old horse. | 0:12:34 | 0:12:38 | |
There's more control on this one. | 0:12:38 | 0:12:40 | |
The animal, Harvey, is stuck fast. The ground has opened up beneath him. | 0:12:40 | 0:12:44 | |
There's a fork there if you want it. | 0:12:44 | 0:12:46 | |
Devon and Somerset Fire Service Animal Rescue Team | 0:12:46 | 0:12:49 | |
are digging out the mud, to try to attach straps. | 0:12:49 | 0:12:54 | |
An hour has passed since Harvey's owner Phoebe woke up to the sound of other horses whinnying. | 0:12:54 | 0:12:59 | |
I knew something was wrong immediately. | 0:12:59 | 0:13:01 | |
As soon as I heard the first neigh, I was bolt upright in bed. | 0:13:01 | 0:13:04 | |
I jumped out of bed, threw on any clothes | 0:13:04 | 0:13:06 | |
and just grabbed a torch and ran down to the fields. | 0:13:06 | 0:13:10 | |
And I couldn't see my horse Harvey and I didn't know where he'd gone | 0:13:10 | 0:13:15 | |
because it literally was like he'd vanished. | 0:13:15 | 0:13:17 | |
As I got closer, I sort of saw that there was a massive trench underneath the fence | 0:13:17 | 0:13:24 | |
and Harvey was just at the bottom of it. | 0:13:24 | 0:13:26 | |
I could see he was struggling | 0:13:26 | 0:13:28 | |
and I just presumed that he was struggling to get up | 0:13:28 | 0:13:32 | |
and he couldn't get up because he'd broken all of his legs or one of his legs or something. | 0:13:32 | 0:13:36 | |
You could hear his heart thumping so loudly. | 0:13:36 | 0:13:40 | |
I thought, "OK, he might not have a broken leg | 0:13:40 | 0:13:42 | |
"but he might die of a heart attack from the stress." | 0:13:42 | 0:13:45 | |
The rescue plan is to lift Harvey out. | 0:13:45 | 0:13:48 | |
First, the team from Bridgwater have to get straps underneath. | 0:13:48 | 0:13:53 | |
But the horse is almost up to its shoulders in mud. | 0:13:53 | 0:13:56 | |
It's far worse than Incident Commander Mike Cross had expected. | 0:13:56 | 0:14:02 | |
I was quite shocked and surprised to see it in such a deep hole. | 0:14:02 | 0:14:06 | |
I was expecting it to be in some mud. | 0:14:06 | 0:14:09 | |
Looking down into the hole, it's like it's sat on a lump of jelly | 0:14:09 | 0:14:13 | |
and every time the horse moved, | 0:14:13 | 0:14:15 | |
the whole ground was floating underneath it. | 0:14:15 | 0:14:18 | |
Before the fire crews could start working around Harvey, he had to be sedated, | 0:14:18 | 0:14:22 | |
a precarious job for vet Emma Hamilton. | 0:14:22 | 0:14:25 | |
Hold up. Stay where you are a minute. He's stressing on you. | 0:14:25 | 0:14:31 | |
'We wouldn't let her into the danger zone, so we gave her the right equipment.' | 0:14:31 | 0:14:35 | |
We fitted her up with one of our rescue helmets, a harness, | 0:14:35 | 0:14:38 | |
and when she goes into the hole, we make sure, if anything goes wrong, we can pull her out. | 0:14:38 | 0:14:44 | |
It's now safe for the fire crews to dig around the animal | 0:14:44 | 0:14:47 | |
and pass the straps underneath his body. | 0:14:47 | 0:14:50 | |
The sedation is preventing Harvey from struggling, | 0:14:50 | 0:14:53 | |
but the animal's weight means he's sinking deeper into the sticky clay. | 0:14:53 | 0:14:58 | |
We used a probe, | 0:14:58 | 0:15:00 | |
which is a metal band which pushes under the side of the horse. | 0:15:00 | 0:15:04 | |
We push it through to the bottom, try and reach it from the other side and pull it through. | 0:15:04 | 0:15:09 | |
We use that to pull the harness through. They were really struggling to get it through. | 0:15:09 | 0:15:14 | |
It's slow, difficult work and the team are against the clock. | 0:15:14 | 0:15:18 | |
Once the sedation runs out, it's too dangerous to be this close to Harvey. | 0:15:18 | 0:15:22 | |
Harvey's head is so close to the bank, | 0:15:31 | 0:15:33 | |
a towel has been placed over his eye to protect it. | 0:15:33 | 0:15:37 | |
At last, the straps are in place. | 0:15:38 | 0:15:40 | |
They need to get Harvey out as soon as possible. | 0:15:40 | 0:15:44 | |
There's more control on this one. | 0:15:44 | 0:15:47 | |
Do you think we could actually lift the horse? | 0:15:47 | 0:15:50 | |
Neighbouring farmer Philip is on site. | 0:15:50 | 0:15:53 | |
He's offered his powerful tractor to lift the animal. | 0:15:53 | 0:15:56 | |
It's like a mini crane and you can put forks or any attachment on the end. | 0:15:56 | 0:16:00 | |
On this one, we just had a hook that we could attach our slings to. | 0:16:00 | 0:16:04 | |
We carry what we call a Hampshire harness. | 0:16:04 | 0:16:07 | |
This is specially designed by Hampshire Fire and Rescue | 0:16:07 | 0:16:10 | |
and it's large animal-rescue harness, which makes it really safe. | 0:16:10 | 0:16:15 | |
It's skilful, precise work. | 0:16:15 | 0:16:17 | |
Farmer Philip can't afford to get too close to the edge. | 0:16:17 | 0:16:20 | |
The bank is sodden and could collapse under the machine's weight. | 0:16:20 | 0:16:24 | |
Go there! | 0:16:24 | 0:16:26 | |
The harness is safely connected. The lift can begin. | 0:16:26 | 0:16:29 | |
Carefully, they inch him up. | 0:16:29 | 0:16:32 | |
Can you come this way? MACHINES DROWNS OUT SPEECH | 0:16:32 | 0:16:36 | |
Only now will they discover the extent of any injuries to his limbs. | 0:16:36 | 0:16:41 | |
I was just worried, because there must've been such a suction formed on his legs | 0:16:41 | 0:16:45 | |
that just pulling him up out of it must've been really harsh on his limbs | 0:16:45 | 0:16:51 | |
and I thought, "If he has got a broken leg, that's going to make it worse." | 0:16:51 | 0:16:54 | |
We were desperately looking at his legs | 0:16:54 | 0:16:56 | |
to see if anything was hanging off or anything. | 0:16:56 | 0:16:59 | |
So far so good. Harvey is not making any attempt to free himself. | 0:16:59 | 0:17:05 | |
Whoa! Whoa, whoa, whoa, stop! | 0:17:05 | 0:17:07 | |
Farmer Philip reverses the tractor away from the hole. | 0:17:07 | 0:17:11 | |
Once the horse was lifted, it was a bit of a surreal moment | 0:17:11 | 0:17:15 | |
because you see it coming up in the field, suspended in a harness. | 0:17:15 | 0:17:19 | |
HORSE WHINNIES | 0:17:19 | 0:17:22 | |
Hovering over firmer ground, Harvey can now be lowered. | 0:17:22 | 0:17:25 | |
It's a crucial moment. | 0:17:25 | 0:17:27 | |
If any of his limbs are broken, he'll not be able to take his own weight. | 0:17:27 | 0:17:30 | |
Normally with horses, when they're sedated, | 0:17:30 | 0:17:32 | |
they can sort of stumble or fall over, | 0:17:32 | 0:17:35 | |
and I thought, "If he has got a broken leg, this is when he's going to fall down." | 0:17:35 | 0:17:39 | |
Everything is now up to Harvey. | 0:17:41 | 0:17:44 | |
He's standing, but the straps are still bearing most of his weight. | 0:17:48 | 0:17:52 | |
The vet, again, was on the ball. | 0:17:52 | 0:17:54 | |
She gave him a prod in the right place to make sure she woke him up! | 0:17:54 | 0:17:58 | |
Vet Emma can see no obvious injury. It's time to release the straps. | 0:17:58 | 0:18:03 | |
So he sort of stumbled and everyone was sort of silent, just watching and waiting. | 0:18:03 | 0:18:08 | |
Luckily, he found his feet. | 0:18:08 | 0:18:10 | |
Once the harness was released, it was such a good thing to see. | 0:18:10 | 0:18:13 | |
He was standing and responding to the owner and the vet. | 0:18:13 | 0:18:16 | |
It was a good result. | 0:18:16 | 0:18:18 | |
Vet Emma can now take an even closer look at Harvey's limbs. | 0:18:18 | 0:18:23 | |
And Phoebe can at last reassure her horse | 0:18:24 | 0:18:27 | |
after his freak morning accident. | 0:18:27 | 0:18:29 | |
I think that what must've happened was that the stream at the bottom of the hill | 0:18:29 | 0:18:33 | |
had sort of eroded in a bit, | 0:18:33 | 0:18:36 | |
and with the really dry weather and then the torrential downpour, | 0:18:36 | 0:18:40 | |
it must've weakened the earth | 0:18:40 | 0:18:42 | |
and he must've been at the wrong place at the wrong time. | 0:18:42 | 0:18:45 | |
After a good hose down, Harvey is finally free of his muddy ordeal. | 0:18:48 | 0:18:52 | |
He was just really, really stiff afterwards | 0:18:52 | 0:18:55 | |
and I think a bit shell-shocked. | 0:18:55 | 0:18:58 | |
I was terrified that he would have some kind of behavioural problem | 0:18:58 | 0:19:01 | |
or emotional disorder afterwards, | 0:19:01 | 0:19:05 | |
but luckily, he seems to be absolutely fine and making a full recovery. | 0:19:05 | 0:19:09 | |
Coming up on Real Rescues... | 0:19:16 | 0:19:18 | |
Paramedics treat a man who collapses in front of them. | 0:19:18 | 0:19:21 | |
The indications are that he could be having a stroke. | 0:19:21 | 0:19:24 | |
All right, darling? Yeah, fine. | 0:19:24 | 0:19:25 | |
You just had another little funny episode. | 0:19:25 | 0:19:28 | |
It's a worrying time for his family. | 0:19:28 | 0:19:32 | |
And a car crashes into a woman's house | 0:19:32 | 0:19:35 | |
moments after she walks through the door. | 0:19:35 | 0:19:37 | |
I was in the office and I just heard a loud bang. | 0:19:37 | 0:19:41 | |
It was really scary. | 0:19:41 | 0:19:43 | |
In Southampton, a fire is burning on the 12th floor of a student block of flats. | 0:19:49 | 0:19:54 | |
A text has just come through from a student off the site. | 0:19:54 | 0:19:57 | |
She can't get hold of her flatmate and worries that she's still in the building. | 0:19:57 | 0:20:02 | |
The missing girl lives next to the flat where the fire has broken out. | 0:20:05 | 0:20:09 | |
Is someone in 1202? Is there someone in there still? | 0:20:09 | 0:20:13 | |
Crew manager Steve Evans has to quickly change priorities. | 0:20:22 | 0:20:25 | |
We can't concentrate solely on fire-fighting. | 0:20:25 | 0:20:29 | |
We have to divert some of our resources | 0:20:29 | 0:20:31 | |
to searching the floor areas. | 0:20:31 | 0:20:33 | |
Water jets have now reached the 12th floor. | 0:20:33 | 0:20:36 | |
While one team searches for the missing student, | 0:20:36 | 0:20:39 | |
the first firefighters to go in, Alex and Charlie, | 0:20:39 | 0:20:41 | |
are now out and have an update on the fire. | 0:20:41 | 0:20:46 | |
You open the door a little bit, observe what comes out through the crack in the door, | 0:20:47 | 0:20:51 | |
and that night, just cold but very black smoke came out, | 0:20:51 | 0:20:56 | |
which indicates it hadn't had oxygen for a long time. | 0:20:56 | 0:20:58 | |
So then you move into the compartment, | 0:20:58 | 0:21:00 | |
but introducing water into the compartment to disperse the gases | 0:21:00 | 0:21:05 | |
and to cool any heat that may be in there. | 0:21:05 | 0:21:07 | |
Water fills the jet hoses on the 12th floor. | 0:21:07 | 0:21:12 | |
The second team, with breathing apparatus, | 0:21:12 | 0:21:14 | |
enters the neighbouring flat to search for the missing student. | 0:21:14 | 0:21:18 | |
Down on level nine, a control centre has been set up. | 0:21:19 | 0:21:23 | |
Rich Green waits for the news from the BA crew. | 0:21:23 | 0:21:26 | |
RADIO COMMS | 0:21:26 | 0:21:29 | |
It's hard to believe that anyone wouldn't hear the fire alarm. | 0:21:32 | 0:21:35 | |
If there is still someone in the flat, | 0:21:35 | 0:21:38 | |
they could've been overcome by smoke and unconscious. | 0:21:38 | 0:21:41 | |
Paramedic Chris Crosby has arrived, ready to give emergency treatment | 0:21:41 | 0:21:45 | |
IF the missing student is found. | 0:21:45 | 0:21:48 | |
The BA crew has tracked the fire to the flat kitchen. | 0:21:50 | 0:21:53 | |
Before they tackle it, they want to be sure no-one is in this flat either. | 0:21:53 | 0:21:58 | |
I searched the bedrooms before we went in, | 0:21:58 | 0:22:00 | |
because we knew where the fire compartment was | 0:22:00 | 0:22:03 | |
so we had a quick look round into the sleeping accommodation before we went to the kitchen. | 0:22:03 | 0:22:09 | |
With the fire under control, the next job is to clear the flat of toxic smoke. | 0:22:13 | 0:22:18 | |
Red control to red one, permission granted. | 0:22:20 | 0:22:24 | |
The girl still hasn't been found. | 0:22:24 | 0:22:27 | |
Steve orders another crew to help. | 0:22:27 | 0:22:29 | |
Request two more BA to the ninth floor. | 0:22:29 | 0:22:32 | |
Red control, go ahead. | 0:22:32 | 0:22:34 | |
Finally, after a very thorough search... | 0:22:34 | 0:22:36 | |
The missing student emerges. | 0:22:52 | 0:22:55 | |
Paramedic Chris is going to give her a health check. | 0:22:55 | 0:22:59 | |
It was Adam Bundle who found the student. | 0:22:59 | 0:23:02 | |
I went through all the rooms | 0:23:02 | 0:23:03 | |
and then I went into the first room, | 0:23:03 | 0:23:07 | |
and, like a gerbil, all tucked up under her blanket, hiding away, | 0:23:07 | 0:23:11 | |
found the person who was missing, completely oblivious that there was a fire. | 0:23:11 | 0:23:15 | |
Very deep sleep. I was literally shaking her shoulder and no movement at all. | 0:23:15 | 0:23:22 | |
And then suddenly, she came round, quite shocked, | 0:23:22 | 0:23:24 | |
looking at me as if I was her mum waking her up for school. | 0:23:24 | 0:23:27 | |
The first thing student Elyse does is text her worried flatmate | 0:23:27 | 0:23:31 | |
to say she's out and safe, | 0:23:31 | 0:23:34 | |
not quite believing she slept through the alarm. | 0:23:34 | 0:23:38 | |
It took me a few minutes to adjust | 0:23:38 | 0:23:40 | |
and to realise that there was someone in my room shaking me awake. | 0:23:40 | 0:23:43 | |
After the initial realising what was going on, | 0:23:43 | 0:23:47 | |
it wasn't really particularly scary, it was more trying to find out because it was a bit chaotic, | 0:23:47 | 0:23:52 | |
so it was very disorientating, is probably the best word for it. | 0:23:52 | 0:23:57 | |
Inside the neighbouring flat, it's become clear how close to danger Elyse was. | 0:23:57 | 0:24:03 | |
The fire, on a sofa, had reached an intense heat | 0:24:03 | 0:24:06 | |
and filled the flat with hot, poisonous gases. | 0:24:06 | 0:24:11 | |
All right? Cheers, mate, good. | 0:24:11 | 0:24:13 | |
The team that fought the fire, Alex and Charlie, are cooling off. | 0:24:13 | 0:24:16 | |
Have you got a drink on you? | 0:24:16 | 0:24:18 | |
The last room we got to was the kitchen, which was the affected room. | 0:24:18 | 0:24:23 | |
Right in the corner, the farthest part of the flat, was a sofa showing flames, | 0:24:23 | 0:24:29 | |
slow and smouldering, so lots of smoke rather than lots of heat, | 0:24:29 | 0:24:32 | |
although the windows have cracked, so it must've got quite hot at one point. | 0:24:32 | 0:24:37 | |
If the windows had cracked, the fire would've had a real good supply of oxygen | 0:24:37 | 0:24:43 | |
and it may've become more serious. | 0:24:43 | 0:24:46 | |
I feel very lucky because it could've ended up a lot worse than it did. | 0:24:46 | 0:24:51 | |
I wasn't actually in the flat where the fire was. I was next door to it. | 0:24:51 | 0:24:55 | |
The fire service believe the most likely cause of the blaze | 0:24:55 | 0:24:58 | |
was a naked flame or discarded cigarette. | 0:24:58 | 0:25:02 | |
The management company who run the building are going to reiterate fire safety. | 0:25:02 | 0:25:07 | |
It's been a good job for Green Watch. | 0:25:07 | 0:25:09 | |
The fire was contained to one room, nobody was harmed | 0:25:09 | 0:25:12 | |
and the building has survived. | 0:25:12 | 0:25:15 | |
The students should now all be able to get back to bed | 0:25:15 | 0:25:18 | |
and catch up on their sleep after their early rude awakening. | 0:25:18 | 0:25:23 | |
PCs Ray McNaught and Neil Stevenson have just started their shift on the roads of Milton Keynes. | 0:25:31 | 0:25:37 | |
We just had a report of a two-vehicle collision. | 0:25:37 | 0:25:40 | |
It's coming in as an injury, but we're not sure until we get there what we're going to find. | 0:25:40 | 0:25:47 | |
It's back there. | 0:25:47 | 0:25:49 | |
It's looking like one car has gone into the back of the other. | 0:25:50 | 0:25:54 | |
Do we need an ambulance? | 0:25:54 | 0:25:56 | |
Any sign of neck pain could indicate serious injury, | 0:25:59 | 0:26:03 | |
so the two occupants must keep as still as possible until the ambulance arrives. | 0:26:03 | 0:26:08 | |
It makes interviewing difficult. | 0:26:08 | 0:26:10 | |
Don't turn your head. Just keep looking forward. | 0:26:10 | 0:26:14 | |
You've both got your phones. Is everyone calling you? | 0:26:14 | 0:26:17 | |
I don't understand how the woman hit us so hard. No. | 0:26:17 | 0:26:20 | |
She hit us so hard, both our sunglasses flew off! | 0:26:20 | 0:26:24 | |
It's quite surprising, just any sort of impact to the rear of your car | 0:26:24 | 0:26:29 | |
will feel like some sort of major impact. | 0:26:29 | 0:26:32 | |
We'll sort out everything, we'll give you all her details. | 0:26:32 | 0:26:35 | |
Have you got your licence on you? I do, yeah, the pink part. | 0:26:35 | 0:26:40 | |
Where is it? It's in my bag, down here. | 0:26:40 | 0:26:43 | |
Do you mind me looking in your bag? | 0:26:43 | 0:26:46 | |
Ooh, nice handbag! My monkey bag! I can't believe this. | 0:26:46 | 0:26:51 | |
Stay there. Keep looking forward. Don't move too much. | 0:26:51 | 0:26:54 | |
The ambulance will be here as soon as possible. | 0:26:54 | 0:26:57 | |
If no-one is hurt in a collision, | 0:26:57 | 0:27:00 | |
the police may leave drivers to sort it out with their insurance companies. | 0:27:00 | 0:27:03 | |
But with potential injuries, they need to gather evidence | 0:27:03 | 0:27:06 | |
in case the crash has to go to court. | 0:27:06 | 0:27:09 | |
They were saying there was lots of cars and they were wanting to get into the middle lane. | 0:27:09 | 0:27:13 | |
But should you go up there and try and go in? I don't know. | 0:27:13 | 0:27:17 | |
Do you want some photographs? | 0:27:17 | 0:27:19 | |
May as well. I'll do them. | 0:27:19 | 0:27:21 | |
An ambulance has now arrived at the scene. | 0:27:24 | 0:27:26 | |
The crew want to take a look at the damage to the cars. | 0:27:26 | 0:27:30 | |
It gives them an idea of the impact and what injuries that could cause. | 0:27:32 | 0:27:38 | |
I'll just have a look at the damage. | 0:27:38 | 0:27:40 | |
The lady said maybe about five miles per hour, possibly. | 0:27:40 | 0:27:44 | |
TRAFFIC DROWNS OUT SPEECH | 0:27:44 | 0:27:46 | |
The collision happened at crawling pace. | 0:27:46 | 0:27:48 | |
It's unlikely driver Patricia and daughter Toyah have suffered a major impact, | 0:27:48 | 0:27:53 | |
but they're complaining of neck pain | 0:27:53 | 0:27:55 | |
so the paramedics must treat for the worst. | 0:27:55 | 0:27:59 | |
Although both women have been out of the car and walking, | 0:28:00 | 0:28:03 | |
that doesn't necessarily rule out injury. | 0:28:03 | 0:28:06 | |
The woman said they'd both been out and walking about | 0:28:06 | 0:28:09 | |
and then, I think, when the shock or whatever has kicked in, | 0:28:09 | 0:28:13 | |
they've got back in the car. | 0:28:13 | 0:28:15 | |
Luckily, they can get both women out without cutting the car. | 0:28:15 | 0:28:19 | |
Do you need an extra pair of hands? | 0:28:23 | 0:28:25 | |
Do you want to swap so you can start getting some stuff? | 0:28:25 | 0:28:29 | |
First, Ray has to climb in the backseat with the shopping. | 0:28:29 | 0:28:32 | |
Ooh, yeah! I'm feeling a bit peckish! | 0:28:32 | 0:28:36 | |
Is it a birthday, is it? | 0:28:36 | 0:28:38 | |
Ooh, look. | 0:28:38 | 0:28:40 | |
There's some crumpets, as well. Who likes crumpets? | 0:28:40 | 0:28:42 | |
A second ambulance has arrived. Only one patient can be carried in each vehicle. | 0:28:42 | 0:28:46 | |
Everything is ready to get them out of the car. | 0:28:46 | 0:28:49 | |
Both women now have collars in place. | 0:28:49 | 0:28:52 | |
They're safe to be moved to a long board, each one adjusted so it's the right fit. | 0:28:52 | 0:28:56 | |
Patricia has contacted relatives to let them know what's happened. | 0:29:00 | 0:29:04 | |
My brother lives in Milton Keynes and he's on his way. | 0:29:04 | 0:29:07 | |
With the board adjusted to the right length, | 0:29:07 | 0:29:09 | |
they're ready to get Toyah out of the car first. | 0:29:09 | 0:29:13 | |
Very slowly, she's supported | 0:29:14 | 0:29:16 | |
as she moves herself out of the seat. | 0:29:16 | 0:29:19 | |
As soon as she's upright, the board is placed behind her | 0:29:32 | 0:29:35 | |
and she is carefully lowered backwards. | 0:29:35 | 0:29:38 | |
All is going to plan, until one of the paramedics suffers some damage. | 0:29:41 | 0:29:46 | |
You've split Andy's trousers! My trousers have just split! | 0:29:46 | 0:29:49 | |
I split mine yesterday, don't worry about it! | 0:29:49 | 0:29:52 | |
Although the mood is light, they take no risks with Toyah's neck. | 0:29:53 | 0:29:56 | |
Foam wedges are placed on either side to keep it immobilised. | 0:29:56 | 0:30:00 | |
Are you all right there? Yes. Ready, steady, lift. | 0:30:00 | 0:30:04 | |
Finally secured, Toyah's lifted to the stretcher and into the ambulance. | 0:30:04 | 0:30:09 | |
Mum Patricia is still in the car, with Ray still supporting her head. | 0:30:09 | 0:30:14 | |
Very gently, she swings around and slowly emerges from the driver's seat. | 0:30:14 | 0:30:19 | |
The board is put into place and she's safely on the ground. | 0:30:19 | 0:30:23 | |
Ray and Neil replace the shopping that had to be dumped at the side road. | 0:30:24 | 0:30:29 | |
Are you keeping the cakes? We'd love to. | 0:30:29 | 0:30:33 | |
As Patricia is secured on the stretcher, | 0:30:33 | 0:30:35 | |
her brother Alan, a non-driver, arrives. | 0:30:35 | 0:30:39 | |
Your holiday's out the window, girl. No, it isn't. | 0:30:39 | 0:30:41 | |
The keys are on the dash, Alan. They're what? | 0:30:41 | 0:30:44 | |
They keys are on the dash. The keys? I know you can't drive it - I ain't going near it! | 0:30:44 | 0:30:48 | |
No, you need to empty it. I got Martin to bring me down. You need to empty it. | 0:30:48 | 0:30:53 | |
No problem. There's cakes or something. | 0:30:53 | 0:30:55 | |
There's loads of stuff. Anyone want a cake? | 0:30:55 | 0:30:59 | |
She's buying cakes for everybody. | 0:30:59 | 0:31:01 | |
Patricia and Toyah are off to hospital. | 0:31:01 | 0:31:05 | |
Ray moves the car to the nearest car park, taking a rather unorthodox route. | 0:31:08 | 0:31:13 | |
Later, | 0:31:18 | 0:31:19 | |
Neil gets to see the spectacular results of a car going off-road. | 0:31:19 | 0:31:24 | |
Look at the crack in the inside edge. Oh, yeah. | 0:31:24 | 0:31:28 | |
This is Karen, who's an administrator now, | 0:31:32 | 0:31:34 | |
but you used to be on the beats... I did. | 0:31:34 | 0:31:36 | |
..and has, well, tell us about | 0:31:36 | 0:31:39 | |
a real Starsky & Hutch-style chase that happened. | 0:31:39 | 0:31:43 | |
Near a river. A river. The river in Oxford, just outside Oxford, | 0:31:43 | 0:31:48 | |
where there was a burglary in progress. | 0:31:48 | 0:31:50 | |
Myself and my partner ended up near a remote cottage, | 0:31:50 | 0:31:55 | |
couldn't drive to it, so I got out, was met by the householder, a bit flustered, | 0:31:55 | 0:32:00 | |
"He's just run off." | 0:32:00 | 0:32:02 | |
This offender had run across a bridge, across the river. | 0:32:02 | 0:32:06 | |
I wasn't going to run after him, | 0:32:06 | 0:32:09 | |
he was far too far in front of me, | 0:32:09 | 0:32:13 | |
but there was a bike against the fence so I said, "Whose bike is this?" | 0:32:13 | 0:32:16 | |
Somebody said, "It's mine." I said, "Can I borrow it?" So I was on the bike! | 0:32:16 | 0:32:21 | |
Luckily, you can cycle up the towpath on that part of the river. He was on the other side. | 0:32:21 | 0:32:26 | |
You're hurtling along on a bike... I'm on one side of the river. | 0:32:26 | 0:32:29 | |
He's legging it away on foot. He's on the other side, on foot. | 0:32:29 | 0:32:32 | |
Now, the bank was quite wide there | 0:32:32 | 0:32:36 | |
so he had quite a distance to do to get undercover, | 0:32:36 | 0:32:38 | |
to try and seek some cover and get out the way, and I managed to catch up with him. | 0:32:38 | 0:32:43 | |
As luck would happen, and it was pure luck, | 0:32:43 | 0:32:46 | |
the helicopter was in the area. | 0:32:46 | 0:32:48 | |
So the helicopter was directed in | 0:32:48 | 0:32:50 | |
and he was arrested by the police officers on the helicopter. | 0:32:50 | 0:32:55 | |
The helicopter landed to get him? Yes, the helicopter landed. | 0:32:55 | 0:32:58 | |
They called out to him first and he ended up on the ground, | 0:32:58 | 0:33:01 | |
well, safety, as much as anything because you've got to know where everybody is on the ground. | 0:33:01 | 0:33:07 | |
I love this chase. It's extremely low-tech... | 0:33:07 | 0:33:11 | |
Very low-tech! ..and extremely hi-tec! Yes! | 0:33:11 | 0:33:13 | |
The two things came together quite nicely. | 0:33:13 | 0:33:15 | |
Were you able to direct in the helicopter? I did. Oh, yes, absolutely. | 0:33:15 | 0:33:18 | |
Although there were a few people on the bank, it wasn't very busy, | 0:33:18 | 0:33:22 | |
but obviously, I was directing them to where I could see the offender. | 0:33:22 | 0:33:27 | |
I had a lovely view because I had a view of the whole bank from the other side. | 0:33:27 | 0:33:31 | |
Do you miss that, now that you're flying a desk? A bit! | 0:33:31 | 0:33:35 | |
Do you really? A little bit! I'm not surprised! | 0:33:35 | 0:33:37 | |
Thank you for telling us about the chase. You're very welcome. | 0:33:37 | 0:33:40 | |
SIRENS WAIL | 0:33:43 | 0:33:46 | |
Mid-summer in Portsmouth | 0:33:46 | 0:33:47 | |
and an ambulance is heading to an emergency | 0:33:47 | 0:33:49 | |
at one of the city's most famous landmarks. | 0:33:49 | 0:33:52 | |
On board, paramedic Jane Peters and technician Stacy Blackmore... | 0:33:52 | 0:33:57 | |
Inside the tower, a family has been given refuge in an office | 0:34:00 | 0:34:03 | |
after Dad Eric started behaving oddly. | 0:34:03 | 0:34:06 | |
What's happened, darling? Can you remember? | 0:34:06 | 0:34:08 | |
We were just driving this thing along | 0:34:08 | 0:34:11 | |
and it wouldn't... I couldn't control it. | 0:34:11 | 0:34:14 | |
What do you suffer with, then? I started to have strokes. | 0:34:14 | 0:34:17 | |
I had one in this right arm. | 0:34:17 | 0:34:19 | |
I lost the use of it for a while. Right. | 0:34:19 | 0:34:22 | |
Eventually, I've had five strokes. OK. | 0:34:22 | 0:34:24 | |
Paramedic Jane is cautious not to jump to conclusions. | 0:34:24 | 0:34:27 | |
This might not necessarily be another stroke. | 0:34:27 | 0:34:31 | |
Did you feel a little bit confused at the time? Yes. Yeah. | 0:34:31 | 0:34:35 | |
Eric's blood-sugar levels are on the low side. | 0:34:35 | 0:34:38 | |
Jane wants to see if his blood pressure gives any more clues. | 0:34:38 | 0:34:41 | |
190 over 100, so that's a little bit up. | 0:34:41 | 0:34:46 | |
It's a bit high, which could indicate a stroke, | 0:34:46 | 0:34:48 | |
so Jane needs to check for any one-sided weakness. | 0:34:48 | 0:34:52 | |
Give me a nice smile. That's lovely. | 0:34:52 | 0:34:55 | |
You just wanted to get me on the good side! | 0:34:55 | 0:34:58 | |
The next thing I'll ask you to do, Eric, if you can close your eyes for me | 0:34:58 | 0:35:03 | |
and put your hands straight out in front and try and keep them... | 0:35:03 | 0:35:06 | |
He won't raise this arm. That's sort of as you normally would do it? OK. | 0:35:06 | 0:35:11 | |
Right, with your eyes closed, | 0:35:11 | 0:35:13 | |
can you touch the tip of your nose with that forefinger? | 0:35:13 | 0:35:18 | |
Lovely. Can you do it with the other hand? | 0:35:21 | 0:35:25 | |
Do you have difficulty raising that? This arm. OK. | 0:35:25 | 0:35:29 | |
It's looking more likely that Eric has had a small stroke. | 0:35:29 | 0:35:32 | |
I think you've had another little TIA event today. | 0:35:32 | 0:35:36 | |
That's what's happened. | 0:35:36 | 0:35:38 | |
But I think you've recovered really well. | 0:35:38 | 0:35:42 | |
I'm feeling better now. | 0:35:42 | 0:35:45 | |
100 percent? Not 100, | 0:35:45 | 0:35:47 | |
but I'm feeling a lot better than when I came in here. | 0:35:47 | 0:35:51 | |
He's recovered so well, he can't resist ribbing son Tim | 0:35:51 | 0:35:55 | |
when he gets the family's holiday address wrong. | 0:35:55 | 0:35:57 | |
We're staying in Chichester. No, in Christchurch. Christchurch! | 0:35:57 | 0:36:01 | |
OK. Chichester! What's the matter with him? | 0:36:01 | 0:36:05 | |
Better have him checked out! | 0:36:05 | 0:36:07 | |
Eric seems to be fine and the crew's about to leave. | 0:36:07 | 0:36:11 | |
All of a sudden, Eric doesn't seem with it any more. | 0:36:11 | 0:36:13 | |
All right, darling? Yeah, fine. | 0:36:13 | 0:36:15 | |
You just had another little funny episode. | 0:36:15 | 0:36:18 | |
I've had them for years. | 0:36:18 | 0:36:20 | |
I know, but I don't like it when it happens in front of me again. | 0:36:20 | 0:36:24 | |
We're just going to give you a little bit of oxygen to try and perk you up, clear your head a bit. | 0:36:24 | 0:36:29 | |
This second episode means Eric will definitely need a trip to hospital. | 0:36:29 | 0:36:33 | |
You'll come with us. | 0:36:33 | 0:36:34 | |
Bless him. | 0:36:34 | 0:36:37 | |
Eric's family are now feeling very worried. | 0:36:39 | 0:36:41 | |
They're all very concerned about what might be going on. | 0:36:41 | 0:36:45 | |
Come towards Tim a little bit. | 0:36:45 | 0:36:47 | |
He worried about me, this boy. Course he does! He's allowed to. | 0:36:47 | 0:36:51 | |
Come to the left, Dad. | 0:36:51 | 0:36:54 | |
Here we go! Thank you very much for all your help. | 0:36:55 | 0:36:59 | |
They soon get Eric in the ambulance, | 0:36:59 | 0:37:01 | |
not what he expected on the family holiday to the south coast. | 0:37:01 | 0:37:05 | |
But he's a man who likes to look on the bright side. | 0:37:05 | 0:37:07 | |
Can I undo a button? Oh, you devil! I know! I know! | 0:37:07 | 0:37:12 | |
Happy with that. Blood pressure's all right? | 0:37:12 | 0:37:15 | |
158-74 now. That's good. That's better, isn't it? | 0:37:15 | 0:37:18 | |
Jane gives him some glucose to improve his low blood-sugar levels. | 0:37:18 | 0:37:23 | |
The family were about to stop for lunch when Eric's behaviour changed. | 0:37:23 | 0:37:26 | |
We were going to walk to the Mary Rose. | 0:37:26 | 0:37:29 | |
I said to him, "Shall we have something to eat now?" | 0:37:29 | 0:37:33 | |
He said yes, but he was sort of... gone. | 0:37:33 | 0:37:37 | |
But Eric does have a knack of bouncing back, and quickly. | 0:37:37 | 0:37:40 | |
Did you hear that, Stace? Very good! | 0:37:44 | 0:37:46 | |
He said, "Oh, my God! Now she's going forwards." | 0:37:46 | 0:37:49 | |
As they arrive at the hospital in Portsmouth, everything seems to be going back to normal. | 0:37:49 | 0:37:53 | |
We're just pulling into the hospital, Eric. | 0:37:53 | 0:37:56 | |
We'll hear later whether that's true. | 0:37:56 | 0:37:59 | |
How do you feel? I feel fine. Good. | 0:38:01 | 0:38:04 | |
That's what we like to hear. | 0:38:04 | 0:38:07 | |
I'm coming! | 0:38:07 | 0:38:09 | |
In Milton Keynes, traffic police Ray McNaught and Neil Stevenson | 0:38:17 | 0:38:21 | |
have been dealing with a two-car collision on a busy junction. | 0:38:21 | 0:38:24 | |
The two women suspected of being injured in the collision are on their way to hospital | 0:38:24 | 0:38:28 | |
and Ray is still needed at the scene. | 0:38:28 | 0:38:31 | |
But Neil is following up on an unusual call they received earlier. | 0:38:31 | 0:38:35 | |
There's a report of a car gone into a house | 0:38:35 | 0:38:39 | |
on an estate in Milton Keynes. | 0:38:39 | 0:38:42 | |
That's all we know. It's an injury accident at the moment. | 0:38:42 | 0:38:45 | |
Neil makes his way to the house. | 0:38:47 | 0:38:49 | |
The car has gone straight into the front wall. | 0:38:53 | 0:38:56 | |
Ray's colleague, Dave Morgan, is already at the scene. | 0:38:56 | 0:38:59 | |
An ambulance has taken the car's driver to hospital, | 0:38:59 | 0:39:02 | |
suffering, not surprisingly, from shock. | 0:39:02 | 0:39:05 | |
Look at the crack on the inside edge. Oh, yeah. | 0:39:05 | 0:39:10 | |
BACKGROUND CHATTER | 0:39:10 | 0:39:12 | |
The impact has been so hard, the front end of the car has penetrated the wall. | 0:39:12 | 0:39:17 | |
There are cracks going all the way up on the outside | 0:39:17 | 0:39:20 | |
and the inside. | 0:39:20 | 0:39:22 | |
The other side of that wall is the staircase | 0:39:22 | 0:39:25 | |
and it's moved the staircase away from the wall. | 0:39:25 | 0:39:27 | |
The tenant, Flaviana, | 0:39:27 | 0:39:30 | |
had stepped through the front door just moments before. | 0:39:30 | 0:39:33 | |
I was in the office and I just heard a brake | 0:39:33 | 0:39:37 | |
and a very bang, a loud bang, | 0:39:37 | 0:39:40 | |
and, er, and then I came out to see what happened. | 0:39:40 | 0:39:44 | |
It was just a very strong noise. | 0:39:44 | 0:39:48 | |
Actually, I hadn't realised what happened | 0:39:48 | 0:39:51 | |
until the ambulance arrived and they were checking the lady, the driver, | 0:39:51 | 0:39:56 | |
so only after that, I could relax and see what happened | 0:39:56 | 0:40:01 | |
and, er, see the extent of the damage! | 0:40:01 | 0:40:04 | |
The outside wall and Flaviana's car have been hit, | 0:40:04 | 0:40:08 | |
but the inside of the house has also been affected. | 0:40:08 | 0:40:12 | |
The staircase block moved a little bit | 0:40:12 | 0:40:14 | |
and, er, the cupboard under the staircase, | 0:40:14 | 0:40:19 | |
all that was in it came out! | 0:40:19 | 0:40:23 | |
The door opened and everything was out. | 0:40:23 | 0:40:26 | |
Flaviana is remarkably relaxed about the incident, | 0:40:27 | 0:40:29 | |
but other occupants of the house weren't so laidback. | 0:40:29 | 0:40:33 | |
The poor thing was my dog! She was upstairs! | 0:40:33 | 0:40:37 | |
She heard the noise and was crying | 0:40:37 | 0:40:40 | |
and peering downstairs to see what happened! | 0:40:40 | 0:40:44 | |
The fire crew have already been and declared the house structurally safe | 0:40:44 | 0:40:48 | |
so there's nothing more for Neil to do. | 0:40:48 | 0:40:50 | |
For Flaviana, there's going to be a lot of disruption | 0:40:50 | 0:40:54 | |
before her house is back to normal. | 0:40:54 | 0:40:57 | |
After a sudden collapse during his south coast holiday, | 0:41:05 | 0:41:08 | |
Eric spent two days in hospital being thoroughly checked out. | 0:41:08 | 0:41:11 | |
The good news is, he didn't suffer another stroke. | 0:41:11 | 0:41:15 | |
Back home in Essex, his own GP diagnosed a mild infection. | 0:41:15 | 0:41:19 | |
That, combined with the summer heat, was enough to give him a funny turn. | 0:41:19 | 0:41:23 | |
Eric hasn't had any more episodes and is feeling fully recovered. | 0:41:23 | 0:41:27 | |
The police took no action against the driver | 0:41:29 | 0:41:31 | |
who went into the back of a car in Milton Keynes. | 0:41:31 | 0:41:35 | |
Mum and daughter, Patricia and Toyah, had whiplash | 0:41:35 | 0:41:39 | |
after their rear-end shunt at a junction. | 0:41:39 | 0:41:42 | |
Both are now recovering well. | 0:41:42 | 0:41:44 | |
There were no charges against the driver whose car ended up embedded in the front of a house, | 0:41:44 | 0:41:48 | |
but there was significant damage inside the property. | 0:41:48 | 0:41:52 | |
Tenant Flaviana is still living with the consequences. | 0:41:52 | 0:41:56 | |
The biggest part damaged is the staircase. | 0:41:56 | 0:42:00 | |
So the staircase moved towards the hall when the car hit the wall | 0:42:00 | 0:42:05 | |
and then, as a result, you can see the cracks. | 0:42:05 | 0:42:08 | |
I think to repair this, | 0:42:08 | 0:42:10 | |
they will need to demolish the whole staircase and repair the blockwork. | 0:42:10 | 0:42:16 | |
Definitely we'll need to move out of the house when the repairs are done. | 0:42:16 | 0:42:20 | |
But it's not just the damage to the bricks and mortar that's still affecting Flaviana. | 0:42:20 | 0:42:24 | |
It was really scary. I'd just arrived home. | 0:42:24 | 0:42:28 | |
I had just closed the door and was walking towards the office when I heard the noise. | 0:42:28 | 0:42:33 | |
If she did this earlier, I would be pinned on the wall! | 0:42:33 | 0:42:39 | |
Definitely something was, er, watching over me that day! | 0:42:39 | 0:42:44 | |
Once again, we've seen today that the emergency services are there, | 0:42:49 | 0:42:53 | |
ready and waiting, in our moments of greatest need. | 0:42:53 | 0:42:56 | |
That's it for today's Real Rescues. See you next time. | 0:42:56 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:00 | 0:43:03 |