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Lucy has heart-attack symptoms, but she's only seven! | 0:00:02 | 0:00:04 | |
Her pulse is racing at 255 beats a minute, | 0:00:04 | 0:00:08 | |
three times faster than normal. | 0:00:08 | 0:00:11 | |
It's really rapid. I mean, at least she feels well. | 0:00:11 | 0:00:14 | |
She's a good colour, well perfused, | 0:00:14 | 0:00:16 | |
but she needs to be monitored by the nursing team and doctors. | 0:00:16 | 0:00:20 | |
And police with tracker dogs call in air support. | 0:00:20 | 0:00:24 | |
They're searching for a missing man, and they fear he may not survive the night. | 0:00:24 | 0:00:28 | |
"Yeah. This is... | 0:00:28 | 0:00:30 | |
extremely thick, er... | 0:00:30 | 0:00:32 | |
undergrowth, | 0:00:32 | 0:00:34 | |
and a tree. I'm trying to get my torch into it. Over." | 0:00:34 | 0:00:37 | |
Hello and welcome to Real Rescues. | 0:01:01 | 0:01:04 | |
We're at Hampshire Police control headquarters Charlie One. | 0:01:04 | 0:01:07 | |
They take over a quarter of a million emergency calls every year. | 0:01:07 | 0:01:10 | |
Different controllers have different specialisms. That's forensics. | 0:01:10 | 0:01:14 | |
They're taking calls at the moment. And behind me, | 0:01:14 | 0:01:17 | |
that's the Eastleigh. They deal with the airport. | 0:01:17 | 0:01:21 | |
Those big screens there are the motorway desk. | 0:01:21 | 0:01:23 | |
It's clear at the moment even though it's raining. A really important one. | 0:01:23 | 0:01:27 | |
Can you see Phil Jones, with the headphones on? He's the inspector, | 0:01:27 | 0:01:31 | |
and he's in charge of everything that goes on here. | 0:01:31 | 0:01:33 | |
But it's not just police emergencies on the show today. | 0:01:33 | 0:01:36 | |
Now we have an unusual and worrying call for the ambulance service. | 0:01:36 | 0:01:40 | |
The symptoms being described are very familiar, | 0:01:40 | 0:01:43 | |
but it's the age of the person suffering them that's causing concern. | 0:01:43 | 0:01:47 | |
SIREN WAILS | 0:01:48 | 0:01:50 | |
A 999 callout to a patient with chest pains | 0:01:50 | 0:01:54 | |
is nothing unusual for Julian Wensley-Smith. | 0:01:54 | 0:01:57 | |
But today the patient is only seven years old. | 0:01:57 | 0:02:01 | |
It's quite unusual to get a child that young | 0:02:02 | 0:02:05 | |
experiencing chest pains and palpitations. | 0:02:05 | 0:02:08 | |
It's not something that comes through too often, | 0:02:08 | 0:02:11 | |
so I'm wondering if there's any previous history, | 0:02:11 | 0:02:14 | |
or it could be a new episode of something, | 0:02:14 | 0:02:17 | |
never had this problem before. | 0:02:17 | 0:02:19 | |
The patient, Lucy, looks bright and alert, | 0:02:25 | 0:02:27 | |
but Julian immediately spots her racing pulse. | 0:02:27 | 0:02:30 | |
It's so fast it's making one of the main arteries bulge in her neck. | 0:02:30 | 0:02:34 | |
Lucy is calm enough to tell Julian what happened. | 0:02:36 | 0:02:39 | |
Out in the playground doing routines for Mr Petrie, | 0:02:39 | 0:02:43 | |
and when I was running around, it just started. | 0:02:43 | 0:02:46 | |
Oh, OK. What happened? What started? You tell me. | 0:02:46 | 0:02:50 | |
-My palpitations. -OK. You point and show me where. | 0:02:50 | 0:02:53 | |
-There. -Right in there. OK. | 0:02:53 | 0:02:56 | |
It's the seventh time this has happened to Lucy | 0:02:56 | 0:02:59 | |
in the last two years. Her mum brings Julian up to date. | 0:02:59 | 0:03:03 | |
Well, for some reason her heart rate goes ballistic. | 0:03:03 | 0:03:06 | |
-Super-duper quick? -Yes. | 0:03:06 | 0:03:08 | |
And she's had a monitor for a week. | 0:03:08 | 0:03:11 | |
She's had a sticky-on monitor for 24 hours, | 0:03:11 | 0:03:14 | |
and they haven't been able to catch anything happening to her. | 0:03:14 | 0:03:18 | |
So although Lucy's been thoroughly checked out at the hospital, | 0:03:18 | 0:03:21 | |
no-one has ever been able to get an electrocardiograph | 0:03:21 | 0:03:25 | |
or ECG reading of her heart rate during one of these episodes. | 0:03:25 | 0:03:29 | |
There's a chance Julian can do that now. | 0:03:29 | 0:03:32 | |
Look at you! You know exactly what's coming, don't you? | 0:03:32 | 0:03:35 | |
-MUM LAUGHS -ECG. | 0:03:35 | 0:03:37 | |
Yeah, that's right. This is the real cold one. | 0:03:37 | 0:03:40 | |
-Oh! -Told you. | 0:03:40 | 0:03:42 | |
The ECG machine should be able to provide vital information | 0:03:42 | 0:03:45 | |
about what's going on in Lucy's heart. | 0:03:45 | 0:03:48 | |
And pop your hands down by your side. That's great. | 0:03:48 | 0:03:52 | |
-AUTOMATED ECG VOICE -"Do not touch the patient." | 0:03:52 | 0:03:55 | |
But just when they need it, Julian can't get a reading. | 0:03:56 | 0:03:59 | |
There's interference from somewhere. | 0:03:59 | 0:04:01 | |
And he doesn't have any more luck with counting her pulse. | 0:04:01 | 0:04:05 | |
It's been as high as 260 beats per minute in previous episodes. | 0:04:05 | 0:04:09 | |
It's going too fast to count. | 0:04:09 | 0:04:12 | |
I would expect, with a child of Lucy's age, | 0:04:13 | 0:04:16 | |
to see a heart rate, really, | 0:04:16 | 0:04:19 | |
sort of 90, 110. | 0:04:19 | 0:04:22 | |
For her heart rate to be going well over 200, | 0:04:22 | 0:04:26 | |
it was almost three times faster than what it should have been. | 0:04:26 | 0:04:30 | |
Julian tries to get an ECG reading | 0:04:30 | 0:04:32 | |
using larger pads. | 0:04:32 | 0:04:35 | |
Just put that one on your back. | 0:04:35 | 0:04:37 | |
Ow! | 0:04:37 | 0:04:39 | |
It hurts. | 0:04:39 | 0:04:41 | |
Well done! Done. | 0:04:41 | 0:04:43 | |
Good. You're a very good patient, you know that? | 0:04:43 | 0:04:46 | |
You're a very cool, calm patient. | 0:04:46 | 0:04:48 | |
"Analysing heart rhythm." | 0:04:48 | 0:04:50 | |
Ignore what the machine says, OK? | 0:04:50 | 0:04:54 | |
It says all sorts of weird and wonderful things. | 0:04:54 | 0:04:56 | |
But it still doesn't give a useful reading. | 0:04:58 | 0:05:01 | |
Lucy's sister Meggan is waiting to let in the ambulance crew | 0:05:01 | 0:05:05 | |
who are on their way. They carry more equipment | 0:05:05 | 0:05:08 | |
which can measure the electrical responses of the heart. | 0:05:08 | 0:05:11 | |
Apart from the pain in her chest, | 0:05:11 | 0:05:13 | |
Lucy is also complaining that she's feeling short of breath. | 0:05:13 | 0:05:17 | |
-What's that? -Oxygen. | 0:05:17 | 0:05:19 | |
Let's just see if we just... If you feel a bit short of breath, | 0:05:19 | 0:05:23 | |
let's see if we can improve the way you're feeling slightly. | 0:05:23 | 0:05:27 | |
All right? It just goes... | 0:05:27 | 0:05:29 | |
There. There. | 0:05:29 | 0:05:31 | |
Well done, you. Is that all right? How's that feel? | 0:05:31 | 0:05:34 | |
-A bit better. -OK. Good. Let's just see how it goes. | 0:05:34 | 0:05:37 | |
We'll just leave it on for a short time. | 0:05:37 | 0:05:39 | |
The oxygen helps, but Lucy's racing pulse remains a bit of a mystery. | 0:05:39 | 0:05:44 | |
It's really rapid. I mean, at least she feels well. | 0:05:44 | 0:05:48 | |
She's a good colour. She's well perfused, but it needs monitoring. | 0:05:48 | 0:05:51 | |
Whilst it's going as quick as that, she needs to be monitored | 0:05:51 | 0:05:55 | |
by the nursing team and doctors. | 0:05:55 | 0:05:57 | |
Lucy still has pains in her chest, but she's staying remarkably calm. | 0:05:57 | 0:06:02 | |
OK. I think what we'll do is, we will pop you onto the ambulance | 0:06:02 | 0:06:07 | |
in a minute, all right? They're on their way. | 0:06:07 | 0:06:09 | |
I think we'll do another ECG | 0:06:09 | 0:06:12 | |
with all the stickers across your chest, | 0:06:12 | 0:06:14 | |
and then we'll pop you up to the hospital | 0:06:14 | 0:06:17 | |
and hopefully later on today you'll come back home. | 0:06:17 | 0:06:20 | |
All right? | 0:06:20 | 0:06:22 | |
-Fingers crossed, eh? You getting fed up with this now, are you? -No. | 0:06:22 | 0:06:26 | |
You taking it all in your stride? Brilliant. | 0:06:26 | 0:06:30 | |
It's a lot for a seven year old to deal with, | 0:06:30 | 0:06:32 | |
but Lucy is coping extremely well. | 0:06:32 | 0:06:35 | |
The ambulance arrives, and Julian hands over to paramedic Carol Cole. | 0:06:40 | 0:06:45 | |
-You alright? -Yeah. You? -For a year and a half now, | 0:06:45 | 0:06:48 | |
she's been experiencing... Yeah. Periods of palpitations. | 0:06:48 | 0:06:52 | |
She's been under all the specialists at the General. | 0:06:52 | 0:06:55 | |
They cannot find the cause. | 0:06:55 | 0:06:58 | |
-They said if it happens, 999, try and catch it. -Yeah. | 0:06:58 | 0:07:01 | |
-Bit of a mystery, then? -Yeah. You're a bit of a mystery, aren't you? | 0:07:01 | 0:07:05 | |
Mum and Meggan are going to travel with Lucy in the ambulance. | 0:07:05 | 0:07:08 | |
Right. | 0:07:10 | 0:07:11 | |
Before they leave, there's great news. | 0:07:11 | 0:07:14 | |
Lucy's heart rate is suddenly back to normal. | 0:07:14 | 0:07:17 | |
You see this here? It's showing your heart rate's slowed right down. | 0:07:17 | 0:07:22 | |
I can't feel it, either. That's really good. | 0:07:22 | 0:07:26 | |
The palpitations appear to have stopped, | 0:07:26 | 0:07:28 | |
to everyone's immense relief. | 0:07:28 | 0:07:31 | |
This time Lucy's attack has lasted for just over an hour, | 0:07:31 | 0:07:35 | |
much shorter than before. | 0:07:35 | 0:07:37 | |
That's a normal heart rate for someone your age. That's good. | 0:07:37 | 0:07:40 | |
So it's gone back to normal. | 0:07:40 | 0:07:43 | |
It's just frustrating that they didn't get that ECG reading. | 0:07:43 | 0:07:46 | |
The hospital are desperately wanting to capture this rapid heart rate | 0:07:46 | 0:07:51 | |
on an ECG, and we were probably two minutes away from achieving that. | 0:07:51 | 0:07:57 | |
So in one sense, you know, we are very pleased | 0:07:57 | 0:08:01 | |
that Lucy's heart rate has slowed down and she's feeling better, | 0:08:01 | 0:08:06 | |
but in the other sense we're slightly disappointed | 0:08:06 | 0:08:09 | |
in that we missed an opportunity to capture this, | 0:08:09 | 0:08:12 | |
and obviously that would have been quite useful to the doctors. | 0:08:12 | 0:08:16 | |
She'll now be checked over again in hospital, | 0:08:16 | 0:08:20 | |
and Julian can get off to his next case. | 0:08:20 | 0:08:22 | |
Very nice to meet you. You were a very good patient. Well done. | 0:08:22 | 0:08:25 | |
You're a credit to your mum. See you later. | 0:08:25 | 0:08:28 | |
Lucy suffered an identical attack one week on. | 0:08:30 | 0:08:34 | |
That time paramedics were able to get an ECG in time, | 0:08:34 | 0:08:37 | |
so we'll find out exactly what's causing it later. | 0:08:37 | 0:08:40 | |
And from one emergency service to another. | 0:08:40 | 0:08:43 | |
£100,000 worth of hay has caught fire in a huge barn, | 0:08:44 | 0:08:47 | |
right next to a herd of young bulls. The fire crew soon realise | 0:08:47 | 0:08:50 | |
that simply putting out the flames is not going to be enough. | 0:08:50 | 0:08:54 | |
SIREN WAILS | 0:08:54 | 0:08:55 | |
Hampshire Fire and Rescue have been called to a fire at a remote farm. | 0:08:55 | 0:08:59 | |
A hay barn is burning fiercely. | 0:08:59 | 0:09:02 | |
En route I could see the smoke plume as soon as I left the fire station. | 0:09:03 | 0:09:08 | |
Four fire engines, one special-equipment unit | 0:09:08 | 0:09:10 | |
and two water carriers arrive to find a ferocious fire. | 0:09:10 | 0:09:14 | |
450 tons of hay are alight. | 0:09:18 | 0:09:20 | |
But this is a beef farm, and nearly 200 valuable animals are in danger. | 0:09:20 | 0:09:25 | |
When the fire started, half the bulls were in the pen | 0:09:26 | 0:09:29 | |
closest to the flames. They had to be moved straight away. | 0:09:29 | 0:09:33 | |
The radiating heat coming across can be up to 1,000 degrees. | 0:09:34 | 0:09:38 | |
Now, that would then start to burn the skin of the bulls. | 0:09:38 | 0:09:41 | |
They would then get agitated, knock the fence down | 0:09:41 | 0:09:44 | |
and then stampede where we are. | 0:09:44 | 0:09:47 | |
But now, with two rival herds in the same pen, | 0:09:47 | 0:09:50 | |
there's a new danger. | 0:09:50 | 0:09:52 | |
The two herds didn't get on together. | 0:09:52 | 0:09:55 | |
All the bulls were fighting each other from the different herds. | 0:09:55 | 0:09:59 | |
One farm worker has already had a narrow escape. | 0:09:59 | 0:10:02 | |
One of the farm workers, who weighed 18 stone, was thrown out the pen | 0:10:02 | 0:10:06 | |
by one of the bulls, and over the fence. | 0:10:06 | 0:10:09 | |
Control have sent in their animal-rescue specialists. | 0:10:09 | 0:10:12 | |
They're experts at handling animals in distress and danger. | 0:10:12 | 0:10:16 | |
There's no way on earth, if a beef bull starts to charge, | 0:10:16 | 0:10:19 | |
you're going to have any way of stopping it. I have to make sure | 0:10:19 | 0:10:22 | |
all the firefighters are aware that they're not to go near the cattle, | 0:10:22 | 0:10:26 | |
and also that they must make sure they've got safe egress | 0:10:26 | 0:10:30 | |
should any of the animals jump out of the cattle shed. | 0:10:30 | 0:10:33 | |
For the moment the bulls aren't going anywhere. | 0:10:33 | 0:10:35 | |
They can't be let into the field because they have a special diet, | 0:10:35 | 0:10:39 | |
and eating grass could be fatal. | 0:10:39 | 0:10:41 | |
The firefighters are doing all they can to protect the farmer's livelihood. | 0:10:44 | 0:10:48 | |
It means they aren't going to attempt to put the fire out. | 0:10:48 | 0:10:51 | |
Too much water could have a devastating consequence. | 0:10:51 | 0:10:54 | |
The reason we do not put the fire out is, | 0:10:56 | 0:10:59 | |
the farmer is left with several tons of wet hay, | 0:10:59 | 0:11:02 | |
and the animals will not touch it, so you've got to dispose of it. | 0:11:02 | 0:11:05 | |
So the easiest thing is to let it burn controlled. | 0:11:05 | 0:11:08 | |
In fact they even help the flames along. | 0:11:08 | 0:11:11 | |
These two positive-pressure ventilation fans in the door | 0:11:12 | 0:11:16 | |
are to encourage the fire to go, and that meant the fire burned quicker, | 0:11:16 | 0:11:20 | |
which meant we would be at the farm less time | 0:11:20 | 0:11:24 | |
and be less stress for the bulls. | 0:11:24 | 0:11:27 | |
All the time they have to hope against hope the wind doesn't change direction. | 0:11:27 | 0:11:31 | |
If the flames and smoke head over to the cattle shed, | 0:11:31 | 0:11:34 | |
the farmer will be forced to make a terrible decision. | 0:11:34 | 0:11:37 | |
We couldn't put them into pasture. We couldn't move them anywhere | 0:11:37 | 0:11:41 | |
from where they were, so the only means of controlling the hazard | 0:11:41 | 0:11:46 | |
is to have the animals humanely shot, | 0:11:46 | 0:11:49 | |
and those plans were being drawn up all the time the fire was burning. | 0:11:49 | 0:11:52 | |
The heat is so intense, it's beginning to set fire to other parts of the farm. | 0:11:54 | 0:11:59 | |
It spread across the tracks. There was a fence alongside it, as well, | 0:11:59 | 0:12:03 | |
which caught fire. The trees above were starting to catch fire. | 0:12:03 | 0:12:06 | |
So we laid out some hose reels just to damp them down, | 0:12:06 | 0:12:09 | |
but always conscious of not using too much water. | 0:12:09 | 0:12:13 | |
They're continuing to control the fire, but with limited water supplies. | 0:12:14 | 0:12:18 | |
There are no fire hydrants nearby, so the fire crews have set up a dam in the lane. | 0:12:18 | 0:12:23 | |
The water carriers ferry water back and forth to keep it full. | 0:12:23 | 0:12:27 | |
If we run out six jets, we run out of water within 20 seconds, | 0:12:28 | 0:12:32 | |
so we have to prioritise our actions, | 0:12:32 | 0:12:36 | |
and it basically was to save all the water for a fan spray | 0:12:36 | 0:12:40 | |
between the barn and the bulls. | 0:12:40 | 0:12:43 | |
The fine spray cools down the hot air before it reaches the bulls, | 0:12:43 | 0:12:46 | |
protecting them from the intense heat. | 0:12:46 | 0:12:49 | |
The tactics are working. The wind hasn't changed direction. | 0:12:49 | 0:12:53 | |
Firefighters have surrounded the barn to contain the flames. | 0:12:53 | 0:12:56 | |
They're limiting its spread. | 0:12:56 | 0:12:58 | |
They will have to stay on the farm, monitoring the flames, | 0:12:59 | 0:13:02 | |
for at least 24 hours to ensure the hay burns itself out safely. | 0:13:02 | 0:13:07 | |
It's going to be a long night for the farmer and his valuable herd. | 0:13:07 | 0:13:10 | |
The farmer seemed to be very pleased that we'd saved his cattle. | 0:13:10 | 0:13:16 | |
He was a very nice guy, and he'd lost a summer's work | 0:13:16 | 0:13:20 | |
of hay collecting. But 174 beef bulls at £1,000 apiece, | 0:13:20 | 0:13:24 | |
as far as he was concerned, his main business was intact, | 0:13:24 | 0:13:28 | |
and so he was able to continue his business, and I believe he still is. | 0:13:28 | 0:13:32 | |
Fascinating, and we have Anton with us to talk us through that. | 0:13:35 | 0:13:39 | |
Interesting, I thought, that you treated the animals like hazards, | 0:13:39 | 0:13:43 | |
potential hazards to the firefighters. | 0:13:43 | 0:13:46 | |
Because they're entire bull, they are extremely hazardous. | 0:13:46 | 0:13:49 | |
All right in their own environment on a gentle, calm day, | 0:13:49 | 0:13:53 | |
where there's nothing else going on, but with a barn fire | 0:13:53 | 0:13:56 | |
and 20, 30 firefighters around, their stress levels increase dramatically. | 0:13:56 | 0:14:00 | |
And a bull going rampant is a potential life-threat. | 0:14:00 | 0:14:05 | |
A single bull let out loose is a dangerous hazard | 0:14:05 | 0:14:07 | |
to a firefighter or any person, | 0:14:07 | 0:14:10 | |
but when you've got 175 of them, things could get right out of hand. | 0:14:10 | 0:14:14 | |
I was impressed that you went to such enormous lengths | 0:14:14 | 0:14:17 | |
to try and protect the farmer's livelihood, | 0:14:17 | 0:14:20 | |
rather than just going, "Fire. Put it out, chuck water at it, | 0:14:20 | 0:14:23 | |
-whatever damage." -In that particular scenario, | 0:14:23 | 0:14:26 | |
the barn had to be contained. It is virtually impossible to put a barn fire out | 0:14:26 | 0:14:30 | |
without creating a massive environmental problem with water run-off and that sort of thing. | 0:14:30 | 0:14:35 | |
The run-off you were worried would cause damage to the livestock, | 0:14:35 | 0:14:39 | |
but why didn't you chuck the bulls out into the field? | 0:14:39 | 0:14:42 | |
The water could have caused them to get pneumonia. | 0:14:42 | 0:14:46 | |
Because they're in such a protected environment, | 0:14:46 | 0:14:49 | |
they're not used to being exposed to the elements, | 0:14:49 | 0:14:51 | |
and if they went into a field they'd be eating grass, | 0:14:51 | 0:14:54 | |
and their stomach's simply not developed to take grass. | 0:14:54 | 0:14:57 | |
-Because they're brought up on feed. -On hard feed, concentrate, | 0:14:57 | 0:15:01 | |
-all their lives. -Fascinating! They were aggressive, weren't they? | 0:15:01 | 0:15:05 | |
Because it wasn't that normal day... | 0:15:05 | 0:15:08 | |
But also, because you'd put one lot of bulls | 0:15:08 | 0:15:11 | |
that had never met the other lot all in together... | 0:15:11 | 0:15:14 | |
Despite living a lot together, when you put one tribe in with another | 0:15:14 | 0:15:19 | |
-they went berserk at each other. -You've summed it up perfectly. | 0:15:19 | 0:15:22 | |
The tribal thing kicks in. Those bulls would have been bought in | 0:15:22 | 0:15:25 | |
at three months old, so they're in effect young boys. | 0:15:25 | 0:15:28 | |
They're then raised for perhaps 12, 13, 14 months. | 0:15:28 | 0:15:32 | |
They go from 100 kilos to 500 to 600 kilos. | 0:15:32 | 0:15:35 | |
The testosterone level rises dramatically, | 0:15:35 | 0:15:38 | |
and within their own herd there is a pecking order. | 0:15:38 | 0:15:41 | |
-There is within every species. -When you put them all together, | 0:15:41 | 0:15:44 | |
-they were sorting it out. -Certainly. A massive fight then kicks off. | 0:15:44 | 0:15:48 | |
Fantastic! It's just like Saturday night on Southampton high street | 0:15:48 | 0:15:52 | |
with all the football supporters from different teams. | 0:15:52 | 0:15:55 | |
Young men, too much testosterone. The animal kingdom's the same! | 0:15:55 | 0:15:58 | |
Thank you, Anton. Louise? | 0:15:58 | 0:16:00 | |
Not all animal rescues are as serious as dealing with those bulls. | 0:16:00 | 0:16:04 | |
Sarah's got a story about a more prickly customer. You OK to talk? | 0:16:04 | 0:16:08 | |
-Yes. -You've got a story about a hedgehog | 0:16:08 | 0:16:10 | |
which was caught on CCTV with a bit of a problem. What was going on? | 0:16:10 | 0:16:14 | |
It was ever so sweet. Often we see things on the cameras here, | 0:16:14 | 0:16:17 | |
and one evening we saw a hedgehog run into a spot of bother. | 0:16:17 | 0:16:20 | |
He had got his little snout stuck in a Styrofoam cup. | 0:16:20 | 0:16:24 | |
We watched him for a few minutes, and he wasn't getting out of it, | 0:16:24 | 0:16:28 | |
so we thought, "We have to do something about this." | 0:16:28 | 0:16:31 | |
We called up one of the police officers in the area. It was a quiet night, | 0:16:31 | 0:16:34 | |
so there was nothing going on. We explained the problem, | 0:16:34 | 0:16:38 | |
and we watched a few minutes later as they turned up. | 0:16:38 | 0:16:40 | |
The blue lights were flashing. I don't know if the sirens were going | 0:16:40 | 0:16:44 | |
because we haven't got sound. They got out with their high-visibility jackets on, hats, | 0:16:44 | 0:16:49 | |
-coned off the road... -Coned it off. -Did everything. | 0:16:49 | 0:16:51 | |
We were all laughing. Had a bit of a look at the hedgehog, | 0:16:51 | 0:16:54 | |
then just gently took the cup off its little nose, and it ran away, | 0:16:54 | 0:16:58 | |
-and we all cheered in here. -It was a quiet night. | 0:16:58 | 0:17:01 | |
-That's why you sent them. -That's right. -Was he OK? | 0:17:01 | 0:17:04 | |
-Yes, he was fine. -Thank you! -Thanks. | 0:17:04 | 0:17:06 | |
When Rachel Southgate was frantically trying to help her husband | 0:17:06 | 0:17:10 | |
after a seizure, Rachel asked her five-year-old son to bring her the phone. | 0:17:10 | 0:17:14 | |
But to help his mum, Jamie goes one step further | 0:17:14 | 0:17:17 | |
and calls 999 himself. | 0:17:17 | 0:17:20 | |
JAMIE TALKS TO OPERATOR | 0:17:20 | 0:17:22 | |
RACHEL SPEAKS | 0:19:07 | 0:19:09 | |
You heard the voice. Here he is. Jamie's here with us. Good work! | 0:19:29 | 0:19:33 | |
Had you been practising for that? | 0:19:33 | 0:19:36 | |
No. I just did it! | 0:19:36 | 0:19:38 | |
You'd told him before, hadn't you, how to dial 999? | 0:19:38 | 0:19:41 | |
You didn't expect he'd have to do that, though. | 0:19:41 | 0:19:44 | |
We weren't sure he'd be able to do it if he needed to, | 0:19:44 | 0:19:47 | |
but obviously he proved us wrong. He was very good. | 0:19:47 | 0:19:50 | |
What was it like when the ambulance arrived? | 0:19:50 | 0:19:52 | |
-How did it arrive? Was it quick? -Yeah. It was... It was shot | 0:19:52 | 0:19:56 | |
right to the house! It was shot! | 0:19:56 | 0:20:00 | |
-Quickly to the house? -It could be shot straight into the computer. | 0:20:01 | 0:20:06 | |
-Really? It was that fast? -Yeah! | 0:20:06 | 0:20:09 | |
It went shot! | 0:20:09 | 0:20:11 | |
You'd been practising about the 999. | 0:20:11 | 0:20:14 | |
-When you called, were they very quick answering the phone? -Mm, yeah. | 0:20:14 | 0:20:17 | |
-Yeah? -It just rang, then they answered it, | 0:20:17 | 0:20:23 | |
then I said them words... | 0:20:23 | 0:20:25 | |
And you knew where you lived and you knew James's name, as well. | 0:20:25 | 0:20:29 | |
-Yeah. -Very good. James, what do you think of what he did? | 0:20:29 | 0:20:33 | |
-You were in a serious situation. -I didn't know what was happening, | 0:20:33 | 0:20:36 | |
obviously, but I think it's absolutely amazing | 0:20:36 | 0:20:39 | |
for what a five year old can do, and ring an ambulance, | 0:20:39 | 0:20:43 | |
and obviously I've just heard the call now. | 0:20:43 | 0:20:46 | |
To say what he said, and just absolutely... | 0:20:46 | 0:20:49 | |
-It was so clear, as well! -It was, and how he knew the address, | 0:20:49 | 0:20:53 | |
-and absolutely everything. -And just tell us quickly - | 0:20:53 | 0:20:57 | |
-you've found out now what's wrong with you. -Yeah, a form of epilepsy, | 0:20:57 | 0:21:01 | |
and it could have been brought on by... I had viral meningitis. | 0:21:01 | 0:21:06 | |
-As a mum, are you... He's a talkative chap, aren't you, Jamie? -Yeah. | 0:21:06 | 0:21:10 | |
-Are you impressed by what he did? -Very. Very proud of him. | 0:21:10 | 0:21:13 | |
-Excellent. -It's wonderful. | 0:21:13 | 0:21:15 | |
Jamie, you've told everybody at school about this now. | 0:21:15 | 0:21:18 | |
-Yeah, in assembly. -What did you tell them? | 0:21:18 | 0:21:22 | |
Told them that my stepdad was poorly, | 0:21:22 | 0:21:25 | |
and he collapsed, | 0:21:25 | 0:21:28 | |
-but Miss Higley done it first, though. -Yeah. | 0:21:28 | 0:21:32 | |
And you really helped to save him, didn't you? | 0:21:32 | 0:21:35 | |
Yeah. And then, after Miss Higley done it, | 0:21:35 | 0:21:39 | |
I just came right out to the front and then told everybody, | 0:21:39 | 0:21:42 | |
-and it freaked me out! -Did it? THEY LAUGH | 0:21:42 | 0:21:46 | |
Do you want to be an ambulance driver? | 0:21:46 | 0:21:49 | |
Because the ambulance went very fast. What do you want to be, then? | 0:21:49 | 0:21:53 | |
-Fireman. -Do you? Well, we've got something you might like. | 0:21:53 | 0:21:56 | |
Have a look at this. For being so brave... | 0:21:56 | 0:21:59 | |
-Oh, wow! -Thank you very much, all of you, for coming in. | 0:21:59 | 0:22:03 | |
Are you going to put it on? Brilliant. Good luck to you, Jamie. | 0:22:03 | 0:22:07 | |
Still to come on Real Rescues - who'd have thought watering the garden was so dangerous? | 0:22:12 | 0:22:17 | |
I just felt so abandoned in this water, | 0:22:17 | 0:22:20 | |
and it was oozing round me and I couldn't get out of it. | 0:22:20 | 0:22:25 | |
I just was amazed that I was in such a predicament | 0:22:25 | 0:22:29 | |
all from my own doing. | 0:22:29 | 0:22:31 | |
And the very long arm of the law. He doesn't know it yet, | 0:22:31 | 0:22:35 | |
but this man is being followed by a police spotter plane | 0:22:35 | 0:22:37 | |
and it's all to do with a pair of bolt-cutters he's carrying. | 0:22:37 | 0:22:41 | |
Er, we're going to see if we can... We can. Andrea's off the phone. | 0:22:44 | 0:22:48 | |
She's just taken... or had a very interesting call in... | 0:22:48 | 0:22:51 | |
Acting Sergeant, by the way, in case you were wondering. | 0:22:51 | 0:22:55 | |
-..er, about a robbery. -That's correct, yeah. | 0:22:55 | 0:22:58 | |
We've had a call in that, basically, a male's entered a bank, | 0:22:58 | 0:23:03 | |
and he's threatened staff, saying he's got a weapon, | 0:23:03 | 0:23:06 | |
and he's also demanded money from them. | 0:23:06 | 0:23:08 | |
They've given him money, he's now left the bank, | 0:23:08 | 0:23:12 | |
and we've got reports that he's thrown all the money in the air, | 0:23:12 | 0:23:16 | |
and two members of the public are restraining him, waiting for police to arrive. | 0:23:16 | 0:23:20 | |
A citizen's arrest, holding him down! | 0:23:20 | 0:23:22 | |
We're en route to attend, but that's the report we've got at the moment. | 0:23:22 | 0:23:27 | |
-Fantastic. Can we come back to you? -Yes. -It's all going on in here! | 0:23:27 | 0:23:31 | |
Thank you very much. Right. We'll move on in the meantime. | 0:23:31 | 0:23:35 | |
A man is reported missing with serious injuries somewhere deep in Hampshire woodland. | 0:23:35 | 0:23:39 | |
They're worried he's a risk to himself and doesn't want to be found. | 0:23:39 | 0:23:43 | |
Boxer One Zero, the police spotter plane, is launched. | 0:23:43 | 0:23:46 | |
Dog-handlers on the ground are in contact with the crew. | 0:23:46 | 0:23:48 | |
The search is on. | 0:23:48 | 0:23:50 | |
It's late at night, and the air-support crew is using its thermal-imaging camera | 0:23:55 | 0:24:00 | |
to search for unlikely heat sources on the ground. | 0:24:00 | 0:24:03 | |
As they fly over a heavily wooded area | 0:24:03 | 0:24:06 | |
close to where the man has gone missing, they spot something. | 0:24:06 | 0:24:09 | |
"Yeah. We found a heat source which is near to Ash Road, | 0:24:09 | 0:24:12 | |
which we can't distinguish. We need to get it looked at." | 0:24:12 | 0:24:16 | |
"It's about 20 yards into the woodland, though." | 0:24:16 | 0:24:19 | |
At this stage it's impossible to say whether or not the heat source | 0:24:20 | 0:24:24 | |
is a person. They need the police and search dog on the ground | 0:24:24 | 0:24:28 | |
to move in closer, but they're working in darkness | 0:24:28 | 0:24:31 | |
and can see very little through the trees and dense undergrowth. | 0:24:31 | 0:24:34 | |
"Yeah. One Zero to the dog unit." | 0:24:34 | 0:24:37 | |
"Immediately to your left, about 20 feet. Over." | 0:24:37 | 0:24:41 | |
"You're moving away from it. It's behind you." | 0:24:41 | 0:24:43 | |
With clear vision of both the target and the dog team, | 0:24:45 | 0:24:48 | |
the air-support team can guide the handler towards his goal. | 0:24:48 | 0:24:52 | |
"One Zero to the dog unit. Two feet to your left, | 0:24:52 | 0:24:55 | |
and you're almost upon it. Over." | 0:24:55 | 0:24:57 | |
"Yeah. This is extremely thick, er... | 0:24:57 | 0:25:01 | |
undergrowth, and, er...a tree." | 0:25:01 | 0:25:04 | |
"I'm trying to get my torch into it. Over." | 0:25:04 | 0:25:07 | |
"Yeah. You're almost looking directly at the heat source." | 0:25:07 | 0:25:10 | |
They're almost on top of the target, but just can't see or get to it | 0:25:10 | 0:25:14 | |
through the dense brambles. | 0:25:14 | 0:25:16 | |
"It appears, if you come back out onto the communal parking area | 0:25:16 | 0:25:20 | |
and then go three feet to your left, there seems to be a way in there." | 0:25:20 | 0:25:25 | |
It's a frustrating job for dog and handler. | 0:25:26 | 0:25:30 | |
"Yeah. I can't, um..." | 0:25:32 | 0:25:35 | |
"It's totally thick. I'm going to call in my dog | 0:25:35 | 0:25:38 | |
and try and get in myself." | 0:25:38 | 0:25:41 | |
"Go ahead." | 0:25:42 | 0:25:44 | |
"I should be about on it now, shouldn't I?" | 0:25:44 | 0:25:47 | |
"It's about six feet ahead of you." | 0:25:47 | 0:25:50 | |
"Seems to be underneath a fallen tree or a branch. Over." | 0:25:52 | 0:25:56 | |
The policeman on the ground has finally made it through - | 0:25:56 | 0:25:59 | |
and this is no false alert. | 0:25:59 | 0:26:01 | |
"Can I have an ambulance urgently? Over." | 0:26:01 | 0:26:04 | |
"Can you get me an officer here with a first-aid kit immediately?" | 0:26:04 | 0:26:08 | |
"Roger." | 0:26:08 | 0:26:09 | |
"Any officer with a first-aid kit, please." | 0:26:09 | 0:26:12 | |
A first-aider on the ground moves in immediately. | 0:26:12 | 0:26:16 | |
Within minutes an ambulance will be on-site to take the injured man to hospital, | 0:26:16 | 0:26:20 | |
but without the help of the air-support unit, | 0:26:20 | 0:26:22 | |
he could have been out in the woods all night, with devastating consequences. | 0:26:22 | 0:26:27 | |
"Thank you very much for your assistance. Very grateful. Over." | 0:26:27 | 0:26:30 | |
The man made a full recovery from his injuries. | 0:26:31 | 0:26:35 | |
-This is Andy Sparshott, who was on that operation. -Hi. | 0:26:35 | 0:26:38 | |
Fascinating thing, that you could get so close, | 0:26:38 | 0:26:41 | |
especially with the dog-handler, | 0:26:41 | 0:26:43 | |
and the guys on the ground not know they were right next to the person | 0:26:43 | 0:26:48 | |
-they were looking for. -That's correct. | 0:26:48 | 0:26:50 | |
We're using thermal imagery to see this thermal return, | 0:26:50 | 0:26:53 | |
within this wooded area. We didn't realise ourselves | 0:26:53 | 0:26:57 | |
how dense the wooded area was, and we're trying to direct the handler | 0:26:57 | 0:27:00 | |
to the heat source we're seeing, and it wasn't till the handler | 0:27:00 | 0:27:04 | |
got down on all fours and climbed in through the woods that we realised how dense it was. | 0:27:04 | 0:27:08 | |
Why didn't the dog smell him, know where he was? | 0:27:08 | 0:27:11 | |
The way the dogs work, they're either picking up the scent | 0:27:11 | 0:27:15 | |
of the route the person would have taken through the woods, | 0:27:15 | 0:27:18 | |
or they're picking up the scent of their clothing, or what have you. | 0:27:18 | 0:27:23 | |
We think that we just directed the dog-handler into a different route. | 0:27:23 | 0:27:26 | |
-So the dog never crossed the scent path. -No. | 0:27:26 | 0:27:29 | |
-Oh, I see. -Actually, the dog-handler was sent through a car park | 0:27:29 | 0:27:34 | |
to the edge of the wood, where we saw this heat source. | 0:27:34 | 0:27:37 | |
Looking at that one that you were doing there, | 0:27:37 | 0:27:40 | |
it looked more like a sheep. It was a blob. | 0:27:40 | 0:27:42 | |
How could you tell it was a person? Doesn't a sheep look the same? | 0:27:42 | 0:27:46 | |
That's the difficulty. Looking at a stationary thermal object, | 0:27:46 | 0:27:50 | |
when you have overhanging trees, | 0:27:50 | 0:27:53 | |
that thermal return is an obscure shape. | 0:27:53 | 0:27:56 | |
So if it was somebody walking through the woods, | 0:27:56 | 0:27:59 | |
we'd be able to tell, but if it is stationary, | 0:27:59 | 0:28:02 | |
sometimes it is difficult to determine | 0:28:02 | 0:28:05 | |
whether it is a deer or another animal or even a compost heap, | 0:28:05 | 0:28:08 | |
because compost heaps are, er, a non-uniform shape, | 0:28:08 | 0:28:12 | |
-they give off heat... -Have you ever directed anyone | 0:28:12 | 0:28:16 | |
-to something... -Yes. Unfortunately I have to claim that I have. | 0:28:16 | 0:28:20 | |
A colleague who I was on patrol with, who's now a dog-handler, | 0:28:20 | 0:28:24 | |
and he's gone on to the dog unit and I've gone on to the aeroplane, | 0:28:24 | 0:28:28 | |
we both were sent to a burglary incident | 0:28:28 | 0:28:31 | |
where the offender was jumping somebody's back gardens. | 0:28:31 | 0:28:34 | |
The burglar was contained within the rear garden of one house, | 0:28:34 | 0:28:37 | |
which we were flying round. I was on the thermal-imagery camera, | 0:28:37 | 0:28:41 | |
and saw this heat source secreted between a swinging garden hammock | 0:28:41 | 0:28:45 | |
-and the back fence. -Obviously someone hiding. | 0:28:45 | 0:28:47 | |
Of course. Again, you know, your mind's playing games with you. | 0:28:47 | 0:28:51 | |
-What was it? -I was convinced, and it turned out to be the family rabbit. | 0:28:51 | 0:28:55 | |
So thankfully the police dog was on a lead. | 0:28:55 | 0:28:59 | |
Or it would have had it for lunch. Fascinating stuff. | 0:28:59 | 0:29:02 | |
In case you're wondering how they don't send them over cliffs, | 0:29:02 | 0:29:05 | |
-you've got maps so you can be sure. -We've got mapping in the aircraft | 0:29:05 | 0:29:09 | |
so we can tell where the camera is looking | 0:29:09 | 0:29:11 | |
-on the mapping. -All right. -We know what wooded area we're looking at. | 0:29:11 | 0:29:15 | |
We've run out of time. New information to find out. | 0:29:15 | 0:29:18 | |
Thank you, Andy. We've got to move on now, unfortunately. | 0:29:18 | 0:29:21 | |
Yes. Earlier on, we saw seven- year-old Lucy's heart racing along | 0:29:21 | 0:29:25 | |
at over 200 beats per minute, and you can see the pulse in her neck. | 0:29:25 | 0:29:29 | |
Lucy's here, with Meggan, her sister, and her mum. | 0:29:29 | 0:29:33 | |
-And you're feeling much better today, aren't you? -Yeah. -Thank goodness! | 0:29:33 | 0:29:36 | |
Lucy had the same problem a week later, but this time | 0:29:36 | 0:29:39 | |
doctors were able to record her heart rhythms, as I found out. | 0:29:39 | 0:29:43 | |
I'm with Lucy's doctor, Dr Roman. This is an example, isn't it, | 0:29:43 | 0:29:47 | |
-of Lucy's heart when it's normal. -Yes. This is an electrocardiogram | 0:29:47 | 0:29:51 | |
of Lucy's heart during a normal rhythm. | 0:29:51 | 0:29:53 | |
So we can compare that to what it might look like | 0:29:53 | 0:29:56 | |
-during an episode, which is quite different. -Yes. | 0:29:56 | 0:29:59 | |
This is a very abnormal cardiac tracing, | 0:29:59 | 0:30:02 | |
or electrocardiogram, which shows the heart is racing along | 0:30:02 | 0:30:05 | |
at around 240 to 280 beats per moment...er, per minute. | 0:30:05 | 0:30:10 | |
This is not something for... The heart shouldn't be able to do this. | 0:30:10 | 0:30:14 | |
This suggests that her heart has an abnormal electric pathway, | 0:30:14 | 0:30:17 | |
and this is a very abnormal, narrow, complex tachycardia. | 0:30:17 | 0:30:22 | |
So you've measured it on this machine. | 0:30:22 | 0:30:25 | |
Is it dangerous for her? She was feeling pain | 0:30:25 | 0:30:27 | |
-and was quite worried by it, wasn't she? -Yes. | 0:30:27 | 0:30:30 | |
It's not dangerous, in that this is something very treatable. | 0:30:30 | 0:30:35 | |
It is dangerous if it was to remain unchecked for many hours | 0:30:35 | 0:30:39 | |
or a few days. It can affect the heart function. | 0:30:39 | 0:30:41 | |
But usually this is very well tolerated in a very young child. | 0:30:41 | 0:30:45 | |
This is an eminently treatable condition, | 0:30:45 | 0:30:48 | |
and in Lucy's case we've started drug therapy. | 0:30:48 | 0:30:51 | |
She's on a beta-blocker. | 0:30:51 | 0:30:53 | |
And in the meantime, when she has these...? | 0:30:53 | 0:30:56 | |
We will obviously monitor how many she has. | 0:30:56 | 0:30:59 | |
We hope that she never has any long runs | 0:30:59 | 0:31:01 | |
of abnormal electric pathway, | 0:31:01 | 0:31:03 | |
and we hope that she'll be well controlled on medication. | 0:31:03 | 0:31:07 | |
But the outlook is quite good. The prognosis is good, | 0:31:07 | 0:31:10 | |
-and I'm sure she'll be fine in the long term. -OK. Thank you. | 0:31:10 | 0:31:14 | |
That's good news, that you're going to be OK, Lucy. | 0:31:14 | 0:31:17 | |
Tell us a bit about these attacks. What does it feel like to you? | 0:31:17 | 0:31:20 | |
It feels quite... | 0:31:20 | 0:31:23 | |
scaring to me, because deep down, I'm not used to it, not yet. | 0:31:23 | 0:31:27 | |
But quite up in my body, I'm used to it. | 0:31:27 | 0:31:32 | |
When I'm used to it, I feel quite OK, | 0:31:32 | 0:31:35 | |
but when I'm not, I just feel...bleh! Gross. | 0:31:35 | 0:31:38 | |
Watching the film, you can see the pulse in her neck. | 0:31:38 | 0:31:42 | |
-It's got to be frightening as a mum. -It is scary, | 0:31:42 | 0:31:45 | |
because I don't know what she feels. | 0:31:45 | 0:31:47 | |
I don't know what she's going through. | 0:31:47 | 0:31:50 | |
I can only keep her calm and deal with the situation as it's happening. | 0:31:50 | 0:31:53 | |
And that day when we were filming, you were off sick from school! | 0:31:53 | 0:31:57 | |
-It must be worrying for you too. -It was, because I wasn't with it | 0:31:57 | 0:32:01 | |
on that day, and I was calling up everybody, | 0:32:01 | 0:32:03 | |
telling them what was going on, and it was really quite scary for me. | 0:32:03 | 0:32:07 | |
-Are you getting used to it now? -Um, sort of. Yes and no. | 0:32:07 | 0:32:11 | |
-What's the "no" bit? -The "no" bit is... | 0:32:11 | 0:32:15 | |
..part of it is telling me to try, stop it, | 0:32:15 | 0:32:19 | |
but the other half of my body is trying to ignore it. | 0:32:19 | 0:32:23 | |
-So I can't really do it, so... -It's a really tough one, isn't it? | 0:32:23 | 0:32:26 | |
-It's not life-threatening, is it? She can live with it. -Yes. | 0:32:26 | 0:32:30 | |
-How does it affect everyday life? -It doesn't, because we don't let it. | 0:32:30 | 0:32:33 | |
We don't know...what brings them on, so we spoke to Dr Roman. | 0:32:33 | 0:32:40 | |
He said we don't have to stop her doing anything. | 0:32:40 | 0:32:43 | |
She can do any activity she wants to do. | 0:32:43 | 0:32:45 | |
It's just that you tend to keep a special eye just in case. | 0:32:45 | 0:32:49 | |
That's good news. Thanks for coming in. I'm glad you feel OK today. | 0:32:49 | 0:32:53 | |
Thank you. Now, we're used to adrenaline-pumped activities | 0:32:53 | 0:32:56 | |
like hang-gliding or rock-climbing leading to emergency calls here on Real Rescues, | 0:32:56 | 0:33:01 | |
but who'd have thought that watering your garden could be dangerous? | 0:33:01 | 0:33:05 | |
Ambulance crew Rebecca Slone and Anita Hart | 0:33:08 | 0:33:11 | |
are heading out to rescue a woman in her 70s | 0:33:11 | 0:33:13 | |
who's fallen down her stairs. | 0:33:13 | 0:33:16 | |
Rapid-response paramedic Steve Mitchell has already arrived. | 0:33:17 | 0:33:21 | |
-She is outside. -This is the lovely Jean. | 0:33:21 | 0:33:24 | |
-Hello, Jean! -Lovely 73-year-old lady. | 0:33:24 | 0:33:26 | |
As you can see, she's coming down the stairs to water the plants, | 0:33:26 | 0:33:30 | |
clutching a watering can. She's managed... She nearly got there. | 0:33:30 | 0:33:35 | |
She's got to the bottom or second-last step, slipped, | 0:33:35 | 0:33:38 | |
-and we think her left foot's got caught... -Ooh! | 0:33:38 | 0:33:41 | |
..under there. | 0:33:41 | 0:33:43 | |
Jean caught her ankle in her stair lift. | 0:33:43 | 0:33:46 | |
Luckily neighbours heard her and raised the alarm. | 0:33:46 | 0:33:49 | |
Jean was carrying a two-gallon watering can down the stairs | 0:33:49 | 0:33:52 | |
when she fell. She ended up stranded as well as completely soaked through. | 0:33:52 | 0:33:57 | |
I just felt so abandoned in this water, | 0:33:57 | 0:34:01 | |
you know, and it was oozing round me and I couldn't get out of it. | 0:34:01 | 0:34:06 | |
'I just was amazed that I was in such a predicament | 0:34:06 | 0:34:09 | |
'all from my own doing!' | 0:34:09 | 0:34:13 | |
Dandy, Jean's little dog, has been by her side ever since she fell. | 0:34:13 | 0:34:17 | |
He was obviously standing guard, you know. | 0:34:17 | 0:34:20 | |
He just didn't want to go. He wanted to go to the hospital with me, | 0:34:20 | 0:34:24 | |
but I couldn't take Dandy with me. | 0:34:24 | 0:34:27 | |
It looks like Jean's ankle might be broken. | 0:34:27 | 0:34:29 | |
The paramedics need to immobilise it before they move her. | 0:34:29 | 0:34:33 | |
I'll put a splint there. It's one of those that sucks the air out | 0:34:33 | 0:34:36 | |
and goes hard. All right? | 0:34:36 | 0:34:38 | |
Splint in place, they can now get Jean out of the wet | 0:34:38 | 0:34:41 | |
and onto the stretcher. | 0:34:41 | 0:34:43 | |
Stretcher here, then stand up on the good leg? | 0:34:43 | 0:34:46 | |
My cunning plan was, | 0:34:46 | 0:34:49 | |
maybe across there somehow, | 0:34:49 | 0:34:52 | |
and then hopefully stand on the good one. | 0:34:52 | 0:34:55 | |
-Little bit of a... -Bit of a hop, twist and jump. -Dancer's spin. | 0:34:55 | 0:34:59 | |
After feeling so helpless, Jean is very relieved to be safe in the dry. | 0:35:01 | 0:35:05 | |
-Can you feel it? -Oh, I'm feeling fine. | 0:35:05 | 0:35:08 | |
You're not supposed to be enjoying yourself. Pretend to look sick! | 0:35:08 | 0:35:11 | |
When I got on the stretcher, | 0:35:11 | 0:35:14 | |
that was the most amazing feeling of relief. | 0:35:14 | 0:35:17 | |
It was a release from being imprisoned in that little space, you know? | 0:35:17 | 0:35:23 | |
Once on board, Rebecca can carry out some routine tests | 0:35:23 | 0:35:27 | |
before they head off to the hospital. | 0:35:27 | 0:35:29 | |
Jean realises that her trip is going to become something of a talking point. | 0:35:29 | 0:35:34 | |
-You'll be the talk of the town. -The highlight of the coffee morning! | 0:35:34 | 0:35:38 | |
-Oh, you'll be the star. Get them all to sign your cast. -I will! | 0:35:40 | 0:35:45 | |
THEY LAUGH | 0:35:45 | 0:35:47 | |
The last time Jean was in hospital was when her son was born, | 0:35:51 | 0:35:54 | |
and he is nearly 50! I bet there've been a few changes since then. Nick. | 0:35:54 | 0:35:58 | |
Thank you. I wanted to catch up on the call that we had earlier | 0:35:58 | 0:36:02 | |
with Andrea here. The bank robbery - last we heard, | 0:36:02 | 0:36:05 | |
members of the public jumped all over this person. | 0:36:05 | 0:36:09 | |
That's correct. Officers attended and apprehended the male, and he's now in custody. | 0:36:09 | 0:36:13 | |
-Good! And everybody all right? Nobody hurt? -No-one at all, | 0:36:13 | 0:36:16 | |
-and there was no weapon. -How do you feel about people having a go? | 0:36:16 | 0:36:19 | |
We encourage members of the public not to get involved with people | 0:36:19 | 0:36:23 | |
that are possibly dangerous, so the best thing to do is dial 999 | 0:36:23 | 0:36:27 | |
-and inform us. -However, they did good, didn't they? | 0:36:27 | 0:36:30 | |
-Very good, yes. -Smashing. Thank you, Andrea. | 0:36:30 | 0:36:33 | |
That's exciting this morning, isn't it? OK. | 0:36:33 | 0:36:35 | |
We're returning now to the police air-support unit. | 0:36:35 | 0:36:38 | |
They've launched their plane to look for a man who's escaped custody, | 0:36:38 | 0:36:42 | |
and when a 999 call comes in from a tool-hire company, | 0:36:42 | 0:36:45 | |
it could be just the piece of information the police need. | 0:36:45 | 0:36:48 | |
Once in the air, they quickly zoom in on this man. | 0:36:51 | 0:36:53 | |
The bolt-cutters he's just hired are nearly as big as he is. | 0:36:53 | 0:36:57 | |
There's no mistaking him, but he has no idea he's been spotted | 0:37:00 | 0:37:04 | |
by police overhead. | 0:37:04 | 0:37:07 | |
The bolt-cutters are the largest the hire-company provides. | 0:37:12 | 0:37:15 | |
The police believe there's a good chance it could have something to do with the handcuffed escapee. | 0:37:15 | 0:37:21 | |
The police plane follows his every move and passes all the details | 0:37:21 | 0:37:25 | |
down to officers on the ground, but the man is still completely unaware | 0:37:25 | 0:37:29 | |
he's in their sights. | 0:37:29 | 0:37:32 | |
The bolt-cutters must be getting heavy, | 0:37:39 | 0:37:41 | |
but this man is clearly on a mission, with no time to lose. | 0:37:41 | 0:37:45 | |
As he reaches a crossroads, he seems to be a bit lost. | 0:37:53 | 0:37:57 | |
With the help of some new directions, he sets off once more. | 0:38:10 | 0:38:14 | |
The man is now retracing his steps. | 0:38:27 | 0:38:30 | |
He's clearly not taking the bolt-cutters home. | 0:38:30 | 0:38:33 | |
It's looking likely they're destined for someone in need. | 0:38:33 | 0:38:37 | |
The police are hoping he'll lead them straight to the man in handcuffs. | 0:38:37 | 0:38:40 | |
He's so intent on the task in hand, | 0:38:52 | 0:38:54 | |
he doesn't even notice the police car | 0:38:54 | 0:38:57 | |
that's been called into the area to monitor him. | 0:38:57 | 0:39:00 | |
He's now made contact with a woman who seems to be waiting for him. | 0:39:04 | 0:39:09 | |
As ground units close in on the pair, | 0:39:15 | 0:39:18 | |
a plainclothes officer makes his move. | 0:39:18 | 0:39:20 | |
And there he is - the escaped man in handcuffs. | 0:39:36 | 0:39:39 | |
Far from getting his hands freed, | 0:39:47 | 0:39:50 | |
this man is heading straight back to custody. | 0:39:50 | 0:39:54 | |
Andy, who was the cameraman in the plane at the time of that incident. | 0:40:01 | 0:40:04 | |
It's extraordinary to watch. What I thought was fascinating, | 0:40:04 | 0:40:08 | |
apart from "Can I have a pair of cutters about this big, please"... | 0:40:08 | 0:40:11 | |
He must have gone into the hire store. | 0:40:11 | 0:40:14 | |
But because you were able to watch, | 0:40:14 | 0:40:17 | |
you were able to keep everybody in, like, a moving disc around him, | 0:40:17 | 0:40:21 | |
so wherever he went, you kept the police outside it. | 0:40:21 | 0:40:24 | |
We'd engineered that. We knew that there was a previous incident, | 0:40:24 | 0:40:28 | |
the guy that had escaped custody with the handcuffs. | 0:40:28 | 0:40:30 | |
There was a call about somebody with a huge pair of bolt-croppers, | 0:40:30 | 0:40:34 | |
and when you get airborne and see the image of this person, | 0:40:34 | 0:40:38 | |
you didn't think they were going to be that big. | 0:40:38 | 0:40:41 | |
But we knew he was going to take us to the guy that had escaped, | 0:40:41 | 0:40:45 | |
so we'd told the police officers in the area to stay well away. | 0:40:45 | 0:40:49 | |
We had visual on the guy with the bolt-croppers, | 0:40:49 | 0:40:51 | |
-and he took us to the escapee. -How come he didn't know? | 0:40:51 | 0:40:55 | |
Why doesn't he think, "Why is that plane following me?" | 0:40:55 | 0:40:58 | |
I think it's because he's more conscious | 0:40:58 | 0:41:01 | |
that he's got a big pair of bolt-croppers, | 0:41:01 | 0:41:03 | |
and he doesn't want to be spotted by any police driving around, | 0:41:03 | 0:41:07 | |
or he knows he's going to get stopped. | 0:41:07 | 0:41:09 | |
So he was looking around for police officers | 0:41:09 | 0:41:12 | |
-rather than being aware there was a plane. -How high up, though? | 0:41:12 | 0:41:15 | |
-2,000 feet. -Great pictures, there, from 2,000 feet. | 0:41:15 | 0:41:19 | |
I tell you what - we can find out how loud it sounds, | 0:41:19 | 0:41:22 | |
because on the monitor here, we've got live feed | 0:41:22 | 0:41:24 | |
from the spotter plane on patrol and overhead, | 0:41:24 | 0:41:27 | |
and a very suspicious character is on the screen, looking back up. | 0:41:27 | 0:41:31 | |
That's our Louise outside. Can you see them? Can you hear them? | 0:41:31 | 0:41:35 | |
I can, but if I was doing my shopping or getting into my car, | 0:41:35 | 0:41:39 | |
I wouldn't bother looking up. But also, they've been doing wide circles | 0:41:39 | 0:41:43 | |
for the last couple of minutes or so, and I would never assume | 0:41:43 | 0:41:46 | |
that they could see me on the ground, because I can't see them clearly | 0:41:46 | 0:41:50 | |
at all up there. And they can see me, can they? | 0:41:50 | 0:41:53 | |
We can see you absolutely and totally clearly. | 0:41:53 | 0:41:56 | |
It's now panning across to the rest of the crew. | 0:41:56 | 0:41:58 | |
I understand a job's come in. Would you like to let them know on the radio and tell them they're free? | 0:41:58 | 0:42:03 | |
-Apparently a call has just come in. -Fox One Zero from Charlie One. | 0:42:03 | 0:42:07 | |
-Thank them very much from us. -OK. You're welcome. | 0:42:07 | 0:42:10 | |
Extraordinary that you can be far up in the sky, looking down, and get such clear pictures. | 0:42:10 | 0:42:14 | |
-You're free to resume. Thanks. -There you go. | 0:42:14 | 0:42:17 | |
-"Thank you, Fox One Zero Fox." -And there they go. | 0:42:17 | 0:42:21 | |
So what happened in the end with this guy? | 0:42:21 | 0:42:24 | |
The bolt-cropper man was stopped as he approached some flats. | 0:42:24 | 0:42:27 | |
We knew the guy that had escaped custody was within those flats, within the communal stairwell area. | 0:42:27 | 0:42:33 | |
The plainclothes guy asked the woman, zoomed round the corner | 0:42:33 | 0:42:36 | |
-and grabbed him. -We got the bolt-cropper guy. | 0:42:36 | 0:42:40 | |
The guy that had escaped lawful custody was re-arrested | 0:42:40 | 0:42:43 | |
for the criminal-damage incident that he'd originally committed, | 0:42:43 | 0:42:47 | |
-but a more serious offence of escaping custody. -Fantastic kit. | 0:42:47 | 0:42:51 | |
-Remember, Louise - they're watching you. -Thanks, Nick. | 0:42:51 | 0:42:54 | |
More from Real Rescues next time. Goodbye! | 0:42:54 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:43:05 | 0:43:09 | |
E-mail [email protected] | 0:43:09 | 0:43:13 |