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Today, just days after starting his new job on a building site, | 0:00:02 | 0:00:05 | |
Simon traps his hand under an iron girder. | 0:00:05 | 0:00:08 | |
He pulls his glove off and realises something's seriously wrong. | 0:00:08 | 0:00:12 | |
-I just don't want to see it again. -OK. | 0:00:12 | 0:00:14 | |
It's all wrapped up at the moment, so you're not going to. | 0:00:14 | 0:00:18 | |
And the 14-year-old that escapes a house fire and raises the alarm. | 0:00:18 | 0:00:22 | |
Where's my child? Where's my baby? | 0:00:22 | 0:00:24 | |
Your daughter? She's up there. | 0:00:24 | 0:00:27 | |
'Mum's relieved to find her daughter safe but horrified to find she's lost her home.' | 0:00:28 | 0:00:34 | |
Welcome to Real Rescues. We're in South Central Ambulance Control. | 0:00:58 | 0:01:02 | |
Yes, and we were just talking about the fact that | 0:01:02 | 0:01:05 | |
the people who do their jobs here do an extraordinary job. | 0:01:05 | 0:01:07 | |
We do what we do and go home, you do what you do and go home... | 0:01:07 | 0:01:10 | |
-But they make a difference. -A huge difference. | 0:01:10 | 0:01:13 | |
Come through this way. We're going to have a chat with Julie, who hasn't got her headset on. | 0:01:13 | 0:01:18 | |
We're talking about how you can make a genuine difference to people's lives with these calls. | 0:01:18 | 0:01:23 | |
-You had one recently. -That's right. We got a call from a golf course | 0:01:23 | 0:01:28 | |
for a young gentleman that had been taken ill. | 0:01:28 | 0:01:31 | |
Short of breath, chest pains. | 0:01:31 | 0:01:33 | |
Luckily, I had a first responder who attended to this gentleman in three minutes. | 0:01:33 | 0:01:38 | |
So we are very privileged to have people like that in the community. | 0:01:38 | 0:01:43 | |
Three minutes is extraordinary. You can actually get to someone that quick. | 0:01:43 | 0:01:46 | |
-It massively increases their chances of survival. He was having a heart attack. -Yes. | 0:01:46 | 0:01:52 | |
Do you go home... This is difficult for you to say, | 0:01:52 | 0:01:55 | |
but do you not go home and think, "Wow, I saved someone's life today"? | 0:01:55 | 0:02:00 | |
-Yeah. Yeah, it is good. -Is it not the coolest job in the world? | 0:02:00 | 0:02:04 | |
It is the coolest job in the world. It is. It does make a difference. | 0:02:04 | 0:02:07 | |
We are not actually on scene with these patients but we know the people we're sending to them | 0:02:07 | 0:02:12 | |
are giving these people the best chance that they possibly can give. | 0:02:12 | 0:02:15 | |
Extraordinary. Makes it all the more annoying when people misuse the service and waste people's time. | 0:02:15 | 0:02:22 | |
Simon has just started his new job on a building site. | 0:02:23 | 0:02:25 | |
He's shifting heavy iron girders when suddenly his hand gets caught. | 0:02:25 | 0:02:30 | |
Quickly, he pulls it out of the way, but it's not quickly enough. | 0:02:30 | 0:02:34 | |
SIREN WAILS | 0:02:34 | 0:02:36 | |
'Dan Major is working alone in the rapid-response car. | 0:02:36 | 0:02:40 | |
'It's a warm summer day and a call has come through about an accident | 0:02:40 | 0:02:43 | |
'on a building site.' | 0:02:43 | 0:02:45 | |
We're going to a male who's apparently trapped his finger | 0:02:45 | 0:02:50 | |
and possibly amputated it. | 0:02:50 | 0:02:55 | |
If we're able to find the finger then we'll try and keep it with the patient | 0:02:55 | 0:02:59 | |
and try and keep it cool if we can | 0:02:59 | 0:03:03 | |
and hopefully try and get it back to the hospital | 0:03:03 | 0:03:06 | |
as quickly as possible. | 0:03:06 | 0:03:08 | |
'Dan arrives at the site to see an emergency co-responder from the fire service is already there. | 0:03:08 | 0:03:13 | |
'He finds Simon sitting where the accident happened. | 0:03:13 | 0:03:16 | |
'His hand is bloodied and he's shaking from the trauma.' | 0:03:16 | 0:03:20 | |
-OK, how old are you, mate? -26. | 0:03:20 | 0:03:23 | |
'He's lost part of the ring finger on his right hand | 0:03:23 | 0:03:27 | |
'after he trapped it under a metal beam. | 0:03:27 | 0:03:30 | |
'The missing tip was found in the glove.' | 0:03:30 | 0:03:32 | |
What he'd actually done was trapped it between two iron girders. | 0:03:32 | 0:03:36 | |
He had a glove on at the time. | 0:03:36 | 0:03:39 | |
As the girders have come down onto his hand, | 0:03:39 | 0:03:42 | |
he's pulled his hand away, his hand has come away, | 0:03:42 | 0:03:45 | |
but it's left the glove and the digit of the finger left inside the glove, trapped. | 0:03:45 | 0:03:50 | |
'All Simon's concentration is focused on dealing with the pain, | 0:03:50 | 0:03:54 | |
'but he tries to answer Dan's questions.' | 0:03:54 | 0:03:57 | |
Simon, is it fairly clean? | 0:03:57 | 0:04:00 | |
-Or have you not really looked at it? -Yeah, it is, I think. | 0:04:00 | 0:04:03 | |
It is fairly clean. So it was underneath that? | 0:04:03 | 0:04:05 | |
-On the lorry. -On the lorry, was it? So it wasn't in dirt... | 0:04:05 | 0:04:09 | |
I'm just going to pop a blanket round you, my friend. All right? | 0:04:15 | 0:04:18 | |
'Colin has already given him oxygen.' | 0:04:18 | 0:04:20 | |
Bit of TLC, really, just to calm him down, try and reassure him | 0:04:20 | 0:04:26 | |
that help was there and further help was on its way, basically. | 0:04:26 | 0:04:31 | |
'Dan immediately sends Simon's workmate to get the analgesic gas.' | 0:04:33 | 0:04:38 | |
Can you do us a favour? Could you run to the back of the Volvo, | 0:04:38 | 0:04:40 | |
there's an orange bag in there. Could you grab that for us? | 0:04:40 | 0:04:44 | |
'They have to keep the arm upright to limit the blood loss.' | 0:04:44 | 0:04:48 | |
This is going to go tight on this arm, do your blood pressure. | 0:04:48 | 0:04:51 | |
'Simon is breathing very quickly from the panic and pain. | 0:04:51 | 0:04:54 | |
'Fire officer Colin tries to calm him.' | 0:04:54 | 0:04:58 | |
I know it's hard, mate. Just try and slow your breathing down a little bit. | 0:04:58 | 0:05:03 | |
When you go into shock, your body goes into that period | 0:05:03 | 0:05:07 | |
where you do breathe very fast and quick, | 0:05:07 | 0:05:10 | |
you could start to go into hyperventilation. | 0:05:10 | 0:05:13 | |
So try and get them to slow their breathing down, | 0:05:13 | 0:05:16 | |
cos once their breathing is slowed, they come back to more of a norm. | 0:05:16 | 0:05:20 | |
'They have to put a sterile dressing on. | 0:05:23 | 0:05:26 | |
'There is a high risk of infection. | 0:05:26 | 0:05:28 | |
'Dan also has to think about protecting the missing part of the finger.' | 0:05:28 | 0:05:32 | |
This is the finger, is it? It's still there. | 0:05:34 | 0:05:38 | |
Wrap it in some cloth and then put it by the ice. | 0:05:38 | 0:05:41 | |
Put it in some of that saline, as well, stop it drying out. | 0:05:41 | 0:05:47 | |
'They wrap the missing part of the finger and keep it safe | 0:05:47 | 0:05:50 | |
'as Dan gives Simon some pain relief.' | 0:05:50 | 0:05:53 | |
All right, I'll give you some gas and air. All right? | 0:05:53 | 0:05:57 | |
What you need to do is take it in this hand | 0:05:59 | 0:06:02 | |
and take some deep breaths in on it. | 0:06:02 | 0:06:05 | |
After about six to ten, it'll really start kicking in. | 0:06:05 | 0:06:08 | |
'With his hand bandaged and the wound out of sight, | 0:06:08 | 0:06:11 | |
'Simon already appears to be a little more comfortable.' | 0:06:11 | 0:06:15 | |
-I just don't want to see it again. -OK. -It's all wrapped up. | 0:06:15 | 0:06:18 | |
It's all wrapped up at the moment. | 0:06:18 | 0:06:21 | |
'The Entonox is helping take the edge off the pain.' | 0:06:21 | 0:06:25 | |
What's your pain score now, if it was ten out of ten? Has it eased off a bit? | 0:06:25 | 0:06:28 | |
-Six. -Six. | 0:06:28 | 0:06:31 | |
-Wonderful. -Just throbbing away. | 0:06:31 | 0:06:34 | |
'An ambulance crew has arrived. Dan updates them.' | 0:06:34 | 0:06:38 | |
We've got the finger, which has been kept... It was in the glove. | 0:06:38 | 0:06:41 | |
It's been retrieved, it's been kept sterile. It's in a bandage soaked in saline now in there. | 0:06:41 | 0:06:46 | |
'Simon is calm enough to walk to the ambulance. | 0:06:46 | 0:06:49 | |
'All the time, his hand is kept in the air to stem the blood loss. | 0:06:49 | 0:06:53 | |
'He'll discover at hospital if the missing tip can be reattached. | 0:06:53 | 0:06:56 | |
'Dan's done his best, but is unsure if it's in good enough condition.' | 0:06:56 | 0:07:00 | |
They couldn't get the glove out until they had landed the beams back on the ground, | 0:07:00 | 0:07:06 | |
so there's quite a lot of crush injury to the fingertip, | 0:07:06 | 0:07:09 | |
but it's above his joint, so with any luck, they might be able to reconstruct something for him. | 0:07:09 | 0:07:15 | |
Hopefully, he'll still be able to use most of his finger. | 0:07:15 | 0:07:19 | |
Unfortunately, Simon's finger was too badly crushed to be reattached. | 0:07:20 | 0:07:24 | |
In fact, they had no choice but to amputate it further, down to the knuckle. Nick. | 0:07:24 | 0:07:29 | |
That's terrible, isn't it? I just feel so much for builders. | 0:07:29 | 0:07:32 | |
OK, a 14-year-old girl is at home alone when a small candle starts a fire. | 0:07:32 | 0:07:37 | |
She runs out and raises the alarm. In minutes, firefighters in breathing apparatus | 0:07:37 | 0:07:41 | |
are tackling the blaze. But they need help. | 0:07:41 | 0:07:43 | |
A second crew is dispatched and we're with them. | 0:07:43 | 0:07:46 | |
'Green Watch are heading out to help another crew tackling a fire in a flat.' | 0:07:52 | 0:07:56 | |
It's a fire in a first-floor bedroom. | 0:07:58 | 0:08:01 | |
At the moment, they've got two breathing apparatus wearers, | 0:08:01 | 0:08:04 | |
a hose reel and a covering jet in use, | 0:08:04 | 0:08:07 | |
so it seems to be a go-in job by all accounts. | 0:08:07 | 0:08:10 | |
Right here, right again. | 0:08:10 | 0:08:12 | |
It's five-four-whisky-lima in attendance. | 0:08:13 | 0:08:16 | |
'At the scene, Sean meets crew manager Daryl. | 0:08:17 | 0:08:22 | |
'The flames have ripped through this upper-floor flat. | 0:08:22 | 0:08:26 | |
'Hightown crews arrived first. Richard Cocklin and Rob Blackman went in to tackle the fire head-on.' | 0:08:26 | 0:08:32 | |
We opened up the door. Immediately, lots of thick, black smoke | 0:08:32 | 0:08:36 | |
coming out of the front door, visibility was zero. | 0:08:36 | 0:08:39 | |
There was a lot of heat, so we didn't want to go in straight away. | 0:08:39 | 0:08:42 | |
We gas-cooled from the door with our water jets, | 0:08:42 | 0:08:45 | |
pulsing it into the gas, and we proceeded into the building. | 0:08:45 | 0:08:48 | |
It was a large fire. The whole living room was involved. | 0:08:48 | 0:08:52 | |
It took about 15 minutes before it was properly all out | 0:08:52 | 0:08:56 | |
and we were happy that we could send a message back to engine control. | 0:08:56 | 0:09:00 | |
'The fire is out, but they need to make sure it doesn't reignite.' | 0:09:00 | 0:09:06 | |
I've got a team in that loft space checking that, two lads putting out the fire. | 0:09:06 | 0:09:10 | |
-Could you two go in the loft space of that one? -Yeah, no worries. | 0:09:10 | 0:09:13 | |
'Paul O'Donovan and Rich Green head up into the roof space | 0:09:13 | 0:09:17 | |
'to check nothing's still alight. | 0:09:17 | 0:09:19 | |
'They have to rule out any chance of the fire spreading to neighbouring properties. | 0:09:19 | 0:09:24 | |
'A 14-year-old girl was in the flat but escaped to raise the alarm when the fire broke out. | 0:09:25 | 0:09:30 | |
'Racing back home, her distraught mother Rochelle has no idea whether her daughter got out safely.' | 0:09:30 | 0:09:37 | |
Where's my child? Where's my baby? | 0:09:37 | 0:09:40 | |
Your daughter? She's up there. | 0:09:40 | 0:09:42 | |
MUFFLED SOBS | 0:09:43 | 0:09:46 | |
-Have you...? -I'll stay, yeah. | 0:09:52 | 0:09:54 | |
WOMAN SOBS | 0:09:56 | 0:09:58 | |
'Rochelle is overcome with both relief and horror at what might have been.' | 0:09:58 | 0:10:03 | |
All right, calm, calm. | 0:10:03 | 0:10:05 | |
Calm down. It's all right. It's all right. All right, all right. | 0:10:05 | 0:10:10 | |
Rochelle was obviously very distressed because she realised it was her property involved | 0:10:10 | 0:10:15 | |
and she thought her daughter was still inside. | 0:10:15 | 0:10:18 | |
SHE SOBS Your daughter's fine. | 0:10:18 | 0:10:22 | |
'A neighbour and Sean try their best to console her. | 0:10:22 | 0:10:25 | |
-She's all right. -She's shaken up, but she's fine, which is the main thing. | 0:10:25 | 0:10:29 | |
-She's a tough cookie. -Your daughter's fine. | 0:10:29 | 0:10:32 | |
-It's material stuff up there. -Yeah, it is. | 0:10:32 | 0:10:36 | |
Part of our role is not only to fight the fire and prevent damage, | 0:10:36 | 0:10:40 | |
but also, dare I say it, the fluffy bunny side, | 0:10:40 | 0:10:44 | |
to show some compassion to the public is important. | 0:10:44 | 0:10:47 | |
People are at their most needy and they need our support. | 0:10:47 | 0:10:51 | |
Come on, calm down. | 0:10:51 | 0:10:53 | |
'The fire crews have now thoroughly cooled the burned flat | 0:10:53 | 0:10:57 | |
'and are starting to salvage possessions. | 0:10:57 | 0:11:00 | |
'Rochelle is worried about the family's pet rats and lizards.' | 0:11:00 | 0:11:04 | |
With animals involved, we'll always try to save an animal. | 0:11:04 | 0:11:07 | |
In this instance, unfortunately, one cage of rats has passed away. | 0:11:07 | 0:11:12 | |
But we were still able to save another cage and the lizards, and that was a comfort to Rochelle. | 0:11:12 | 0:11:17 | |
'In just minutes, Rochelle's life has been turned upside down. | 0:11:17 | 0:11:21 | |
'Although they are both safe, she and her daughter are now effectively homeless. | 0:11:21 | 0:11:26 | |
'It's a lot to deal with.' | 0:11:26 | 0:11:28 | |
What we're going to do is, we've got a victim support unit to give you advice. | 0:11:28 | 0:11:33 | |
You can go in there, sit down, try and gather your thoughts. | 0:11:33 | 0:11:37 | |
They will help you with the next stages of what you need to do. | 0:11:37 | 0:11:41 | |
The support unit is a unit, a bit like a motor home. | 0:11:41 | 0:11:45 | |
They come to the incidents and they're trained counsellors. | 0:11:45 | 0:11:49 | |
They'll speak to the occupants or the residents and offer them guidance | 0:11:49 | 0:11:53 | |
in simple things, like how to contact your insurance company. | 0:11:53 | 0:11:56 | |
And they arrange accommodation, if they need alternative accommodation. | 0:11:56 | 0:12:00 | |
-At least you're insured. -You're insured. -A lot of people aren't even insured. | 0:12:00 | 0:12:05 | |
Do you know where your policies are? | 0:12:05 | 0:12:08 | |
All right. We'll see if we can find those. | 0:12:08 | 0:12:11 | |
'The family will get all the help they need to pick up the pieces. | 0:12:13 | 0:12:17 | |
'Assisted by the fire support unit, both Rochelle and her daughter will be found temporary accommodation | 0:12:17 | 0:12:23 | |
'until life can get back to normal.' | 0:12:23 | 0:12:25 | |
The emotion that woman went through and the psychological damage. | 0:12:26 | 0:12:31 | |
We're here to talk to Mark Ainsworth-Smith about carbon monoxide, a by-product of fires. | 0:12:31 | 0:12:38 | |
-In the old days, you used to just put people in the ambulance and send them to hospital. -Yeah. | 0:12:38 | 0:12:43 | |
But now you've got a mobile kit. Why is that? | 0:12:43 | 0:12:45 | |
We've got a new piece of equipment that very accurately measures carbon monoxide. | 0:12:45 | 0:12:49 | |
It's a lethal gas. It's known as the silent killer. | 0:12:49 | 0:12:52 | |
We have a very effective way of monitoring at scene | 0:12:52 | 0:12:55 | |
so we can decide exactly how urgently people need to be treated or if they need a hospital. | 0:12:55 | 0:12:59 | |
So they're trying to take the pressure off hospitals. If you do this test, you're OK to go home. | 0:12:59 | 0:13:04 | |
Yeah. A significant number of our house fires we have more than one patient involved in, | 0:13:04 | 0:13:09 | |
sometimes 20 or 30, and by doing this, we can screen those patients at the scene | 0:13:09 | 0:13:13 | |
-and sometimes they don't need to go to hospital. -I'm going to have a go. | 0:13:13 | 0:13:17 | |
We're going to test it, just to show you how it works. | 0:13:17 | 0:13:20 | |
If I'd come out of a fire, you would say? | 0:13:20 | 0:13:23 | |
OK, what we have here is a clever bit of kit. | 0:13:23 | 0:13:26 | |
-I'm going to need you to hold your breath for about 15 seconds. -Right. | 0:13:26 | 0:13:30 | |
Then when it gets to 0, blow slowly and gently into it, | 0:13:30 | 0:13:33 | |
-and we should get a very accurate reading of your carbon monoxide level. -You set it going | 0:13:33 | 0:13:37 | |
and in the countdown, I'll ask you a question. | 0:13:37 | 0:13:40 | |
There we go. I need you to try and hold your breath. | 0:13:40 | 0:13:43 | |
Some patients struggle to hold their breath for 15 seconds, so we can change that. | 0:13:43 | 0:13:47 | |
You can also get carbon monoxide poisoning from boilers in houses. | 0:13:47 | 0:13:51 | |
But you say silent killer, so what things should you look out for that are signs you might be damaged? | 0:13:51 | 0:13:56 | |
Other things you might notice are, a lot of patients with carbon monoxide poisoning complain of a headache. | 0:13:56 | 0:14:02 | |
90 percent do. Sometimes they present with fatigue, lethargy. | 0:14:02 | 0:14:05 | |
That should be fine. | 0:14:05 | 0:14:08 | |
And they sometimes complain of really severe symptoms, such as chest pain and even have fits. | 0:14:08 | 0:14:14 | |
There we go, here's the details. I don't know if you can see this. | 0:14:14 | 0:14:17 | |
What we show here is that you've blown 1.7 percent carboxyhaemoglobin. | 0:14:17 | 0:14:21 | |
That sounds complicated, but what that says is, if you'd just been pulled from a house fire, | 0:14:21 | 0:14:26 | |
we would be safely able to discharge you at scene. | 0:14:26 | 0:14:28 | |
-Anybody with a level greater than four percent automatically goes to hospital. -OK. | 0:14:28 | 0:14:33 | |
Great that you can ease the pressure on hospitals. The symptoms seem very general, | 0:14:33 | 0:14:37 | |
-very difficult to narrow down. -This is a real issue for us. | 0:14:37 | 0:14:40 | |
Sometimes you can present with minor ailments. Flu is a very common symptom. | 0:14:40 | 0:14:44 | |
Sometimes, all members of the family will complain of flu symptoms. | 0:14:44 | 0:14:48 | |
And sometimes people get a terrible headache, they go to work and their symptoms resolve, | 0:14:48 | 0:14:53 | |
-then when they go back home, symptoms reoccur. -Interesting point. | 0:14:53 | 0:14:57 | |
If you get headaches at home and you go to work and it eases up, then when you get home it comes on again, | 0:14:57 | 0:15:02 | |
you might need to get your boiler checked. | 0:15:02 | 0:15:05 | |
Thank you very much. Louise, you have a case in point. | 0:15:05 | 0:15:09 | |
Yes. They had to use this kit on Steph, a call-taker here, | 0:15:09 | 0:15:12 | |
but you were in your house, you lit a candle, you went downstairs. What happened? | 0:15:12 | 0:15:17 | |
I went downstairs to get my inhaler and ran back up the stairs | 0:15:17 | 0:15:20 | |
and wondered what the smell was. | 0:15:20 | 0:15:22 | |
-And you shut your bedroom door. -Went back in the bedroom, shut the door | 0:15:22 | 0:15:26 | |
and realised a dressing gown was on fire on the back of the door. | 0:15:26 | 0:15:29 | |
-And you were trapped in your bedroom. -I was. -How did you get out? | 0:15:29 | 0:15:32 | |
To be honest, I don't really know. I just thought, "I need to get out." | 0:15:32 | 0:15:36 | |
I reached for the handle and the next thing I know, my brother was pulling my arm out. | 0:15:36 | 0:15:40 | |
-He'd heard you. But that was unusual. -He heard me shouting, | 0:15:40 | 0:15:43 | |
but normally he sleeps with his iPod headphones in, | 0:15:43 | 0:15:46 | |
but this day he didn't, so he heard me shouting and calling for him | 0:15:46 | 0:15:50 | |
and he was there at the door and pulled me out. | 0:15:50 | 0:15:52 | |
Which is incredibly lucky. Tell us about the damage to the house. | 0:15:52 | 0:15:56 | |
The whole of the upstairs was damaged. | 0:15:56 | 0:15:58 | |
My bedroom has been completely damaged by fire. | 0:15:58 | 0:16:01 | |
Mum and Dad's and Simon's and the bathroom are smoke-damaged. | 0:16:01 | 0:16:04 | |
-And I know that all your clothes went except for this! -My uniform. | 0:16:04 | 0:16:08 | |
It was downstairs, so everything but my uniform. | 0:16:08 | 0:16:11 | |
-OK. You had a really lucky escape. -Very lucky. | 0:16:11 | 0:16:14 | |
And they used that kit on you, didn't they, and you were OK. | 0:16:14 | 0:16:17 | |
Yeah, me and my brother both blew in the tube and we were fine. | 0:16:17 | 0:16:20 | |
I noticed in the film, the emotion when she got home | 0:16:20 | 0:16:24 | |
and she thought she'd lost, first of all her daughter and then realised she was OK, the relief then, | 0:16:24 | 0:16:29 | |
but also the loss of possessions and things. | 0:16:29 | 0:16:31 | |
-Of all the things that you lost, which was pretty much everything, what do you miss the most? -My bed. | 0:16:31 | 0:16:36 | |
-Really, the bed? -Yeah. -Why? | 0:16:36 | 0:16:39 | |
-Cos I love my bed. -THEY LAUGH | 0:16:39 | 0:16:41 | |
Aww! To be fair, I know exactly what you mean. I feel the same way. | 0:16:41 | 0:16:45 | |
I struggle to get out of it every single morning. Thank you very much. | 0:16:45 | 0:16:48 | |
Now, very often, the properties either side of a fire are checked because where smoke goes, | 0:16:48 | 0:16:53 | |
fire usually follows. Louise went to the fire service's headquarters to see for herself how that happens. | 0:16:53 | 0:17:00 | |
What we've got here is an incredibly sophisticated piece of equipment. | 0:17:00 | 0:17:03 | |
It's a model of a block of flats. We've got Nigel, who will operate it. | 0:17:03 | 0:17:07 | |
-Malky here, as well. This is what you use to train firefighters, isn't it? -Yes. | 0:17:07 | 0:17:11 | |
-What's going on today? -We've got a basement. | 0:17:11 | 0:17:15 | |
Orange glow in the corner replicates the fire | 0:17:15 | 0:17:17 | |
and we've got the basement full of smoke. | 0:17:17 | 0:17:20 | |
Call it smoke, but it's dangerous stuff. | 0:17:20 | 0:17:23 | |
Very dangerous. Smoke's a bit of a fluffy name for it, really. | 0:17:23 | 0:17:26 | |
It's highly toxic, super-heated fire gases. | 0:17:26 | 0:17:30 | |
-And very, very dangerous. -Very dangerous. -And what's really interesting, if we open the doors, | 0:17:30 | 0:17:35 | |
is that the fire is there but, actually, | 0:17:35 | 0:17:38 | |
it might be these people sleeping in their beds up here in this flat | 0:17:38 | 0:17:42 | |
-that are most in danger. -Yes. -So what happens? | 0:17:42 | 0:17:44 | |
Through doors being left open, doors being burnt through, | 0:17:44 | 0:17:48 | |
hidden voids within the building, | 0:17:48 | 0:17:50 | |
the smoke can quickly travel up through the route of least resistance | 0:17:50 | 0:17:55 | |
and fill up another compartment within the building. | 0:17:55 | 0:17:58 | |
And you can see here, cos Nigel's just opened that door. Here it comes. | 0:17:58 | 0:18:01 | |
-Going straight up the stairwell. -Very quickly it'll fill the stairwell | 0:18:01 | 0:18:06 | |
with the fire gases, and any adjacent doors that are left open, | 0:18:06 | 0:18:11 | |
-their compartments will quickly fill. -You can see, as we're doing that, it's going up the stairs here | 0:18:11 | 0:18:16 | |
and its gently but very dangerously just beginning to go into that bedroom. | 0:18:16 | 0:18:21 | |
What would you do when you arrive at a scene like that? You know where the fire is. | 0:18:21 | 0:18:26 | |
-What would you be doing? -Ideally, we want to close down the fire compartment, | 0:18:26 | 0:18:31 | |
get rid of as much of the fire gases as we can by using tactical ventilation and search for people. | 0:18:31 | 0:18:37 | |
How would you do that? Because you wouldn't be able to walk though there. | 0:18:37 | 0:18:41 | |
By way of fans. We'll open up the building | 0:18:41 | 0:18:43 | |
and chase the smoke out of the building | 0:18:43 | 0:18:47 | |
-through the route that we feel is... -Show me what you might do here. | 0:18:47 | 0:18:50 | |
The team here, with the fire in the basement, would close off the fire compartment, | 0:18:50 | 0:18:55 | |
we'll create an outlet, create an inlet... | 0:18:55 | 0:18:59 | |
-Turn on these massive fans. -Turn on the fans. -And, wow, look at that! Goes straight out the top. | 0:18:59 | 0:19:05 | |
And you can see how quickly it might clear a whole stairwell. | 0:19:05 | 0:19:09 | |
Yes. So as that's happening, we would now have teams coming in, | 0:19:09 | 0:19:13 | |
chasing the gases through to search the compartments. | 0:19:13 | 0:19:16 | |
And make sure everybody's OK. | 0:19:16 | 0:19:18 | |
And you can see very quickly in this model how, if there was a fire in one house, | 0:19:18 | 0:19:22 | |
it might be a house in a terrace three or four doors down that could burn down. | 0:19:22 | 0:19:27 | |
Yeah, the older style terrace, where they have a common roof void, | 0:19:27 | 0:19:31 | |
it's not unknown for a fire to start in one compartment of one house | 0:19:31 | 0:19:36 | |
and a house three or four doors down is the one that's... | 0:19:36 | 0:19:40 | |
-Because of these gases that are going through. -Yeah. -What can we do to help ourselves? | 0:19:40 | 0:19:45 | |
Simple things. Shutting doors when you go out to work, | 0:19:45 | 0:19:48 | |
when you go to bed at night, shut the doors, so you're breaking your house down into compartments. | 0:19:48 | 0:19:53 | |
-Like this. -Yeah. -Thank you very much. Thank you, Nigel. You can put your fire out now. Thank you. | 0:19:53 | 0:19:59 | |
Makes you realise, as well, if you have a loft conversion, | 0:19:59 | 0:20:02 | |
how the smoke can get round the sides and up and into the house next door. | 0:20:02 | 0:20:07 | |
So is he saying that smoke is high-temperature gases? | 0:20:07 | 0:20:13 | |
Absolutely. Steph, that happened to you, didn't it? | 0:20:13 | 0:20:16 | |
Your room was at the front and in the bathroom... | 0:20:16 | 0:20:19 | |
In the bathroom, hanging on the shower were some scrunchies that you wash yourself with, | 0:20:19 | 0:20:25 | |
they were completely melted to the shower box. | 0:20:25 | 0:20:29 | |
-But there was no fire in that bathroom. -Just smoke. | 0:20:29 | 0:20:31 | |
-So it's just literally the heated gases. -The heated gases | 0:20:31 | 0:20:35 | |
went right to the other side of the house and melted the shower? | 0:20:35 | 0:20:38 | |
All the cable on the blind in the bathroom had completely melted, | 0:20:38 | 0:20:42 | |
-all the slats on the blind... -And toothbrushes, everything. | 0:20:42 | 0:20:45 | |
-All the toothbrushes had melted. -Isn't that extraordinary? | 0:20:45 | 0:20:48 | |
-What was the temperature? -700 degrees. | 0:20:48 | 0:20:51 | |
-Really hot. -Wow. | 0:20:51 | 0:20:54 | |
You really do need to have some kind of system worked out to get out of your house | 0:20:54 | 0:21:00 | |
and have a think about shutting your doors at night, make sure your fire alarm systems work. | 0:21:00 | 0:21:05 | |
-And remember that smoke is really dangerous. -That's the one that does the damage. | 0:21:05 | 0:21:09 | |
Still to come on Real Rescues, Kevin and Laura are heading to hospital | 0:21:11 | 0:21:15 | |
but their baby won't wait to be born. | 0:21:15 | 0:21:18 | |
And keeping a stiff upper lip, Diane's trying not to show it, | 0:21:28 | 0:21:32 | |
but a fall in the kitchen has landed her not only on a hard floor, but also in a serious amount of pain. | 0:21:32 | 0:21:38 | |
You've got what we call a dinner fork deformity. You've definitely broken it. You have, definitely. | 0:21:38 | 0:21:43 | |
Paramedics often ask patients to score their pain out of ten. | 0:21:46 | 0:21:50 | |
It's a very useful way to find out just how bad an injury is, | 0:21:50 | 0:21:53 | |
especially with patients like Diane, who really doesn't like to make a fuss. | 0:21:53 | 0:21:58 | |
SIREN WAILS | 0:21:58 | 0:22:01 | |
'Emergency care practitioner Mark Ainsworth-Smith is working alone | 0:22:01 | 0:22:06 | |
'in the rapid response vehicle when he's called to a 79-year-old woman who's fallen over.' | 0:22:06 | 0:22:11 | |
-My name's Mark. What are you up to? -I fell over in the kitchen. | 0:22:12 | 0:22:17 | |
'Diane Seddon tripped up just as she was about to start making lunch | 0:22:17 | 0:22:21 | |
'and now her wrist is in agony.' | 0:22:21 | 0:22:24 | |
-Were you unconscious or do you think you remember everything that happened? -I remember pretty well. | 0:22:24 | 0:22:29 | |
-I was starting to do dinner. -OK. All right. | 0:22:29 | 0:22:33 | |
-We're just going to check with the top of your head. Where did you bang it? -At the top. | 0:22:33 | 0:22:37 | |
-I'm just going to check your neck now. Have you got any pain in your neck? -No. | 0:22:37 | 0:22:41 | |
'Diane's husband, Alan, raised the alarm.' | 0:22:41 | 0:22:44 | |
I heard her call. I was in there and I came straight out. | 0:22:44 | 0:22:47 | |
-OK. Fantastic. -And I can't get her up, she's too heavy. | 0:22:47 | 0:22:51 | |
You've done the right thing not moving her, cos if she'd hurt her hips, it'd be a disaster. | 0:22:51 | 0:22:55 | |
'As he gets on with checking Diane's blood pressure, Mark also makes sure that she has no memory loss.' | 0:22:55 | 0:23:01 | |
-I'm just going to ask you a couple of silly questions. Can you tell me what day it is? -Friday. | 0:23:01 | 0:23:06 | |
-OK. What month are we in right now? -August. | 0:23:06 | 0:23:09 | |
Yep. Fantastic. OK, that's great. | 0:23:09 | 0:23:12 | |
If you were going to score it, ten's the worst pain you can ever imagine | 0:23:12 | 0:23:16 | |
-and nought is no pain, how bad is it at the moment? -Nine. -Really? OK. | 0:23:16 | 0:23:20 | |
-Dreadful. -Is it all in your wrist? -Yes. | 0:23:20 | 0:23:22 | |
'From the shape of Diane's wrist, Mark is in no doubt about the injury.' | 0:23:23 | 0:23:29 | |
You've got what we call a dinner fork deformity. You've definitely broken it. | 0:23:29 | 0:23:33 | |
You have, definitely. | 0:23:33 | 0:23:36 | |
'Diane also suffers from epilepsy, which often causes her to shake, but nowhere near as badly as this. | 0:23:36 | 0:23:43 | |
'The constant movement is adding to the pain.' | 0:23:43 | 0:23:45 | |
-You didn't have a fit today or anything like that? -No. | 0:23:45 | 0:23:48 | |
'But her blood pressure is giving cause for concern.' | 0:23:48 | 0:23:51 | |
It's 200 on 100, so it's pretty high. | 0:23:51 | 0:23:55 | |
I think that's shock, isn't it, more than anything? | 0:23:55 | 0:23:57 | |
-Yeah, and the sight of us, as well, that never helps. -No, that's a relief. | 0:23:57 | 0:24:02 | |
Have you got any pains in your hips at all? | 0:24:02 | 0:24:04 | |
-In my left buttock, I've got pain. -Have you? | 0:24:04 | 0:24:07 | |
'Hip injuries are extremely serious for the elderly | 0:24:07 | 0:24:10 | |
'and a fracture would be worrying for Diane.' | 0:24:10 | 0:24:12 | |
Are you able to lift this leg off the floor for me? | 0:24:12 | 0:24:15 | |
-Can you try... -No, I can't. I can't get it up. | 0:24:15 | 0:24:18 | |
Can I just gently move it? I'll be very gentle. | 0:24:18 | 0:24:20 | |
Does that hurt in your groins at all? | 0:24:20 | 0:24:23 | |
-Slightly, yes. No, no, don't, please. -OK. That's fine. | 0:24:23 | 0:24:28 | |
-And how about this side? -That side seems to be OK. | 0:24:28 | 0:24:30 | |
-So a little bit of pain. And is it actually in the hip itself? -Yes. | 0:24:30 | 0:24:34 | |
Is it? OK. Well, we can get that sorted out. | 0:24:34 | 0:24:37 | |
-'Diane will definitely need to go to hospital.' -They're going to send us as ambulance shortly. | 0:24:37 | 0:24:42 | |
'He puts her arm in a sling to limit the shaking and help ease her broken wrist.' | 0:24:42 | 0:24:48 | |
-Is that helping the pain at all? -At the moment, yes. | 0:24:48 | 0:24:52 | |
Is it? It's helping a bit. OK. So it was nine out of ten, how much is it now? | 0:24:52 | 0:24:56 | |
-About seven. -So still pretty bad. | 0:24:56 | 0:24:59 | |
'And gas and air should take the soreness down even more.' | 0:24:59 | 0:25:02 | |
With your good arm, I want you to bring your hand up and I want you to hold onto that | 0:25:02 | 0:25:06 | |
and insert that into your mouth. Then breathe in and out and when you hear a whistle, it's working, OK? | 0:25:06 | 0:25:11 | |
Big breath. That's it. Brilliant. That's the noise we want to hear. | 0:25:11 | 0:25:15 | |
Have a few puffs on that and let's see. | 0:25:15 | 0:25:18 | |
Is that helping yet? | 0:25:21 | 0:25:24 | |
-A little bit. It's terribly painful. -OK. | 0:25:24 | 0:25:27 | |
'Mark uses a pillow to add further support.' | 0:25:27 | 0:25:31 | |
-Is that better? -Yes, much. -Much better. | 0:25:32 | 0:25:35 | |
If you were going to score your pain, it was nine out of ten, how bad is it now? | 0:25:35 | 0:25:39 | |
-About six out of ten. -So it's still pretty significant. | 0:25:39 | 0:25:43 | |
Why don't you have a few more deep puffs on that? | 0:25:43 | 0:25:45 | |
'While Mark is chatting to Diane to take her mind off the pain, | 0:25:45 | 0:25:49 | |
'he discovers that she used to be a nurse.' | 0:25:49 | 0:25:52 | |
-Where were you a nurse? -Southampton Children's Hospital. -OK. Brilliant. | 0:25:52 | 0:25:56 | |
-It's pulled down now. -Where was that, then? | 0:25:56 | 0:25:58 | |
-Shirley. Winchester Road. -Oh, yeah, I know it well. Gosh. | 0:25:58 | 0:26:02 | |
You seem a little bit brighter now. If you need some painkillers, just use that gas. | 0:26:02 | 0:26:07 | |
'The ambulance crew arrive to take Diane to hospital.' | 0:26:07 | 0:26:10 | |
This is Diane. She's a very nearly 80-year-old lady. | 0:26:10 | 0:26:15 | |
Basically, she fell, landed on her left wrist, but she's also banged the back of her head. | 0:26:15 | 0:26:19 | |
She wasn't unconscious, she remembers it all. She's also injured her left hip. | 0:26:19 | 0:26:24 | |
'The kitchen is too small to use a stretcher, | 0:26:24 | 0:26:26 | |
'so they bring in a special chair to carry Diane out of the house.' | 0:26:26 | 0:26:31 | |
-What my colleague's going to do, he's going to come behind you and hold onto this wrist. -Right. | 0:26:31 | 0:26:35 | |
Keep this one where it is. | 0:26:35 | 0:26:39 | |
And we're going to lift you up and put you in this chair. | 0:26:39 | 0:26:41 | |
-All right? -Yes. | 0:26:41 | 0:26:43 | |
One, two, three. | 0:26:43 | 0:26:45 | |
-Thank you. -Well done! -Thank you. That was good, wasn't it? -He's very strong, isn't he? | 0:26:47 | 0:26:52 | |
'If she's broken her hip, it'll be a long road to recovery for her, | 0:26:52 | 0:26:55 | |
'but Mark's hopeful all will be well.' | 0:26:55 | 0:26:58 | |
You might have escaped without breaking it, I think. That's my gut feeling. | 0:26:58 | 0:27:02 | |
'She'll need X-rays on both her wrist and her hip | 0:27:02 | 0:27:06 | |
'to assess the full extent of her injuries.' | 0:27:06 | 0:27:08 | |
Poor Diane. Although she did break her wrist, fortunately, she didn't fracture her hip | 0:27:10 | 0:27:14 | |
and she is recovering well. Nick. | 0:27:14 | 0:27:17 | |
Thank you. I thought we'd pop over the see Claire to talk about another thing with the emergency services. | 0:27:17 | 0:27:24 | |
Are you able to...? You are. Good. I was checking to see if you were on a call. | 0:27:24 | 0:27:27 | |
Finding people can really slow up emergency services, can't it? | 0:27:27 | 0:27:31 | |
Yeah. If it's a new build, for example, | 0:27:31 | 0:27:34 | |
it's hard to get the address in, cos our system might not be updated. | 0:27:34 | 0:27:38 | |
Of course. So you really want to say you're coming off another older road. | 0:27:38 | 0:27:43 | |
Yeah, so people need to be aware of what roads are around them. | 0:27:43 | 0:27:46 | |
-Numbers, as well. I noticed the other day when I was looking for a friend's house, no numbers. -No. | 0:27:46 | 0:27:51 | |
It'd be helpful if they were a bit clearer and bigger. | 0:27:51 | 0:27:54 | |
And if they know what cars they've got and what colour and things, | 0:27:54 | 0:27:58 | |
it's good to tell us which cars are outside, | 0:27:58 | 0:28:00 | |
-just so we have an idea of what to look for. -There you go. | 0:28:00 | 0:28:03 | |
Thank you very much. If you want to be rescued or for emergency services to be able to get to you, | 0:28:03 | 0:28:08 | |
you need to make sure that your building has a number on it so it can be identified. | 0:28:08 | 0:28:12 | |
Right, when Laura was expecting her third baby, husband Kevin was ready for anything. | 0:28:12 | 0:28:16 | |
He planned the route to hospital and packed the overnight bag. | 0:28:16 | 0:28:19 | |
But when they took a last-minute detour to the local pub car park, | 0:28:19 | 0:28:24 | |
it wasn't to wet the baby's head. | 0:28:24 | 0:28:26 | |
Mm! The ambulance crew left as soon as Kevin gave the address of the pub, but will they make it in time? | 0:29:59 | 0:30:05 | |
Or will Kevin have to deliver this baby himself? | 0:30:05 | 0:30:08 | |
We'll find out in a little while. | 0:30:08 | 0:30:10 | |
Now, here's a part of the fire service you may never have heard of. | 0:30:10 | 0:30:13 | |
They are called Urban Search and Rescue. On the news, when there's a disaster, | 0:30:13 | 0:30:17 | |
we see teams from around the world go to assist. But how do they train? | 0:30:17 | 0:30:21 | |
In a military fort near Portsmouth, they staged a huge earthquake scenario. | 0:30:21 | 0:30:26 | |
Joe Crowley was in the thick of the action. | 0:30:26 | 0:30:28 | |
'In this exercise, there's just been an earthquake in Hampshire.' | 0:30:30 | 0:30:34 | |
HE YELLS | 0:30:34 | 0:30:36 | |
'A five-storey block of flats full of people has collapsed. | 0:30:36 | 0:30:40 | |
'Local firefighters are the first in.' | 0:30:41 | 0:30:45 | |
CHOATIC SHOUTING | 0:30:45 | 0:30:47 | |
Mark, you're a serving fire officer. | 0:30:47 | 0:30:49 | |
This is chaos. What are the guys thinking as they approach this? | 0:30:49 | 0:30:53 | |
Everything that's going on at the moment is designed to distract them | 0:30:53 | 0:30:56 | |
from their proper task, and that is to assess the situation. | 0:30:56 | 0:31:00 | |
There's so many things going on, going through the officer in charge's mind, | 0:31:00 | 0:31:04 | |
he needs to do triage, get the walking casualties away from the incident, | 0:31:04 | 0:31:08 | |
sort out the people that are out of control, | 0:31:08 | 0:31:11 | |
get first aid to as many casualties as he can deal with, | 0:31:11 | 0:31:16 | |
and at the moment, he's got about ten people. This is just far beyond his control at the moment. | 0:31:16 | 0:31:21 | |
He's got to stay incredibly calm. I'm struggling to hear myself think and these guys have got a lot to do. | 0:31:21 | 0:31:26 | |
Yeah, they've got it all to do. This just blows your mind. | 0:31:26 | 0:31:30 | |
I mean, you've got a burning van which is blocking their route in. | 0:31:30 | 0:31:33 | |
That's designed just to distract them. They haven't got time to worry about burning vans. | 0:31:33 | 0:31:38 | |
And as more people arrive on this scene, what are they going to be doing? | 0:31:38 | 0:31:42 | |
-Where are they going to direct their energies? -They need to get the walking wounded away | 0:31:42 | 0:31:47 | |
so they can start burrowing in amongst it and find the casualties trapped within the building. | 0:31:47 | 0:31:52 | |
While this is going on, there are other sites. There's so much to do. | 0:31:52 | 0:31:56 | |
-So this is the tip of the iceberg. -We haven't started yet. -Oh, blimey. | 0:31:56 | 0:31:59 | |
'Once the walking wounded have been taken away, they have to start pinpointing | 0:32:03 | 0:32:07 | |
'the location of anyone still trapped. | 0:32:07 | 0:32:10 | |
'That's where the search and rescue dogs come in.' | 0:32:10 | 0:32:14 | |
Mick, what are you going to do now with the dog? | 0:32:14 | 0:32:17 | |
Well, the wind's going in that direction, | 0:32:17 | 0:32:19 | |
so I'll start him off down the bottom there, | 0:32:19 | 0:32:22 | |
send him over the pile | 0:32:22 | 0:32:24 | |
-and just let him do a search. -OK. | 0:32:24 | 0:32:27 | |
-And what should he be picking up on? A scent? -Live human scent. | 0:32:27 | 0:32:30 | |
-DOG BARKS -He's sussing it out now. He's picked up a scent. | 0:32:42 | 0:32:45 | |
When he gives out one bark, I know he's picked up on a scent. Go find. | 0:32:45 | 0:32:49 | |
He's just trying to sort out the strongest part of it. | 0:32:49 | 0:32:52 | |
DOG BARKS | 0:32:52 | 0:32:54 | |
Show me. Good boy! | 0:32:54 | 0:32:58 | |
-Come on, then! -And that's the reward. -That's his reward, yeah. | 0:32:58 | 0:33:01 | |
-He's found something. He likes it a lot! -Good boy! Good boy. | 0:33:01 | 0:33:07 | |
DOG BARKS Good boy! Good boy! | 0:33:07 | 0:33:11 | |
There's one in the back of the car and one there so far. | 0:33:11 | 0:33:14 | |
How reliant are we at this stage on the dog finding these humans trapped beneath the rubble? | 0:33:14 | 0:33:21 | |
We've got an idea of some casualties | 0:33:21 | 0:33:24 | |
but you can imagine, there's a lot of voids | 0:33:24 | 0:33:26 | |
-and a lot of areas we can't get into. -In a live situation, | 0:33:26 | 0:33:30 | |
maybe there's after shocks, all sorts, and you might not be able to rely on technology, | 0:33:30 | 0:33:35 | |
-so this is the full complement. -Yeah. | 0:33:35 | 0:33:37 | |
-He's found a third person. -Yes. -That's what the barking indicates. | 0:33:37 | 0:33:41 | |
Mark, we look like we're at the cutting edge of things now. What's going on? | 0:33:52 | 0:33:56 | |
Now the members of the Urban Search and Rescue team have arrived. | 0:33:56 | 0:34:00 | |
They're drilling a hole through the road surface, | 0:34:00 | 0:34:03 | |
because they know the road is pancaked onto the road below | 0:34:03 | 0:34:06 | |
and they know there's cars with people trapped underneath. | 0:34:06 | 0:34:09 | |
Once they've drilled a small bore hole through, | 0:34:09 | 0:34:12 | |
they can put optical and listening devices down through the hole to find out what's underneath. | 0:34:12 | 0:34:17 | |
They've turned the generator off. Why is that? | 0:34:18 | 0:34:20 | |
Because they've got one of their listening devices into the hole | 0:34:20 | 0:34:24 | |
and they're listening for any signs of movements underneath the ground. | 0:34:24 | 0:34:27 | |
-This is a level of silence now, so they can listen out for any movement. -Yeah. Shh. | 0:34:27 | 0:34:33 | |
When you were driving along the road... Steve? | 0:34:34 | 0:34:37 | |
When you were driving along and the road collapsed, did your car stay in line with the road or did it twist? | 0:34:37 | 0:34:43 | |
You blacked out, did you? All right. | 0:34:44 | 0:34:46 | |
I heard them speaking to someone, so have they made contact with someone below the road surface? | 0:34:46 | 0:34:51 | |
Yeah, it sounds like they've managed to locate somebody beneath the road | 0:34:51 | 0:34:55 | |
and they're trying to find out exactly where they are. | 0:34:55 | 0:34:59 | |
I've got to say, coming back to the exercise, it's phenomenal. | 0:34:59 | 0:35:02 | |
You wouldn't believe anyone was under here, but they've got to treat it seriously | 0:35:02 | 0:35:06 | |
-and they have managed to get a live casualty under there. -Chances are, there's more than one. | 0:35:06 | 0:35:11 | |
They got it down there, they're listening again. | 0:35:11 | 0:35:14 | |
Absolutely fascinating. Joe is here and a couple of the guys from the exercise. | 0:35:18 | 0:35:22 | |
Clearly you've just left. Simon and Neil, I know you've been really busy. | 0:35:22 | 0:35:26 | |
We saw them locate people underneath that tarmac. What happened next? | 0:35:26 | 0:35:30 | |
They have to get them out, so it's either a clean breach or a dirty breach | 0:35:30 | 0:35:33 | |
to dig through the tarmac. Simon, you work for Urban Search and Rescue. That's your job. | 0:35:33 | 0:35:38 | |
How are you going to do it with this kit? | 0:35:38 | 0:35:40 | |
We've got various bits of kit. | 0:35:40 | 0:35:42 | |
It depends very much on what we're going through. | 0:35:42 | 0:35:45 | |
We have a diamond chainsaw, which cuts through concrete. | 0:35:45 | 0:35:48 | |
We have a standard breaker there, which will break through concrete. | 0:35:48 | 0:35:51 | |
What we use depends on the situation, | 0:35:51 | 0:35:54 | |
where that casualty is in relation to where we're breaking through. | 0:35:54 | 0:35:57 | |
We decide where to break through and then we choose the piece of equipment to do that job. | 0:35:57 | 0:36:02 | |
Clean, dirty breach, what does that mean? | 0:36:02 | 0:36:04 | |
What we don't want to do is break through and damage that casualty any further. | 0:36:04 | 0:36:08 | |
So we do a clean breach, which means bringing all the concrete out away from the casualty. | 0:36:08 | 0:36:13 | |
-OK. -And we choose the bit of equipment specially to do that. | 0:36:13 | 0:36:16 | |
-Neil, am I right in thinking you like triangles when you do this? -We like triangles. | 0:36:16 | 0:36:20 | |
We tend to prefer to cut a triangle for several reasons. | 0:36:20 | 0:36:25 | |
One is time. Three sides are quicker to cut than four, | 0:36:25 | 0:36:28 | |
so we're getting through more quickly to the casualty. That's one of the main reasons. | 0:36:28 | 0:36:32 | |
The other one is if we're going through a wall, if we cut a triangle this way, | 0:36:32 | 0:36:36 | |
with the point at the top, the hole we've cut is more stable. | 0:36:36 | 0:36:40 | |
If we cut a square, we've got the potential of this part of the hole falling in | 0:36:40 | 0:36:44 | |
-and creating more problems. -What I'm really impressed by talking to you is | 0:36:44 | 0:36:48 | |
you've got all this kit here, but actually, | 0:36:48 | 0:36:51 | |
simple stuff can really help, can't it? | 0:36:51 | 0:36:54 | |
Your eyes and ears. What do you do? | 0:36:54 | 0:36:56 | |
We use the phrase "the mark-one eyeball." | 0:36:56 | 0:36:59 | |
It's very easy to think you've got to use all this expensive gear, | 0:36:59 | 0:37:02 | |
but just by looking, you might be able to pick something out. We'll take a handheld digital camera. | 0:37:02 | 0:37:08 | |
If you put that inside and just push the button, | 0:37:08 | 0:37:11 | |
you've got a photograph to study. The flash will have lit that whole area up | 0:37:11 | 0:37:15 | |
and you can just take that away and look at it, rather than study the search cameras. | 0:37:15 | 0:37:20 | |
So simple stuff can really work well. | 0:37:20 | 0:37:23 | |
Another thing on watching that was this is risky stuff for you as rescuers, as well, isn't it? | 0:37:23 | 0:37:29 | |
It can be, yeah, but we train for it. | 0:37:29 | 0:37:33 | |
It's a team process and we're always looking out for each other, we're trained to look for those risks | 0:37:33 | 0:37:38 | |
and it's all an extension of the fire brigade, which is all about protecting ourselves | 0:37:38 | 0:37:43 | |
whilst we're saving a casualty. So it's all risk assessed. | 0:37:43 | 0:37:47 | |
I know you've had a really busy time, so I'm going to let you go and have a cup of tea. Thank you. | 0:37:47 | 0:37:53 | |
Earlier, we heard an emergency unfolding in the Percy Hobbs Pub car park. | 0:37:55 | 0:38:00 | |
Laura's in labour and husband Kevin has made a 999 call to Ambulance Control. | 0:38:00 | 0:38:04 | |
He's hoping he won't end up having to be the midwife. | 0:38:04 | 0:38:08 | |
WOMAN SCREAMS | 0:39:25 | 0:39:28 | |
WOMAN SCREAMS | 0:39:31 | 0:39:33 | |
Shall I introduce you to everybody? We've got everybody from the story. | 0:40:08 | 0:40:12 | |
We've got Ian and Lisa, we've got Kevin here with Holly, who we haven't met up till now. | 0:40:12 | 0:40:19 | |
She's obviously sister to Emily here, who is how old now? | 0:40:19 | 0:40:23 | |
7 weeks today. | 0:40:23 | 0:40:25 | |
Normally, I would start with you and the baby, cos you did all the work, | 0:40:25 | 0:40:29 | |
-but I have never heard anyone so frightened. -I was terrified! | 0:40:29 | 0:40:33 | |
-You really did not want to be having to do it. -No, not at all. | 0:40:33 | 0:40:37 | |
How did you get yourself into that situation? | 0:40:37 | 0:40:39 | |
Because I thought that women go through 24 hours of labour pains before it all finally happens. | 0:40:39 | 0:40:46 | |
I think, during the day, I was having twinges | 0:40:46 | 0:40:48 | |
and things were going on, | 0:40:48 | 0:40:50 | |
but I just put them to the back of my head cos I had two other children to look after, as well. | 0:40:50 | 0:40:56 | |
And then it got to the evening and it was getting quite bad by then. | 0:40:56 | 0:41:02 | |
My husband had gone back to work, we had quite a busy evening at the pub where we live and work | 0:41:02 | 0:41:08 | |
and I phoned down all the time saying, "Kev, I think we need to go to hospital" | 0:41:08 | 0:41:13 | |
and he kept saying, "Oh, no, it's fine, I've got a busy restaurant at the moment." | 0:41:13 | 0:41:17 | |
-I'll just do another four! -That's it, yeah. -Is that what it was? -Yeah, exactly that. | 0:41:17 | 0:41:21 | |
-I bet you wish you'd left a few minutes earlier! -Yeah. | 0:41:21 | 0:41:24 | |
So it became apparent halfway there that you weren't going to make it. Listening to you, Ian, in the phone, | 0:41:24 | 0:41:30 | |
frightening or any amazing experience when you have to help someone through that? | 0:41:30 | 0:41:35 | |
Amazing for me. Absolutely. I think the biggest surprise I had | 0:41:35 | 0:41:38 | |
was the relief on Kevin's face. | 0:41:38 | 0:41:40 | |
I don't think I've ever seen anyone quite fold in the way he did. | 0:41:40 | 0:41:44 | |
-THEY LAUGH -It was like a mini collapse. | 0:41:44 | 0:41:46 | |
-He was pleased to see us. -Absolutely. | 0:41:46 | 0:41:49 | |
And, Lisa, you've delivered how many babies in your time? | 0:41:49 | 0:41:53 | |
About ten over the last 15 years. | 0:41:53 | 0:41:56 | |
When was the last time before this little one came along? | 0:41:56 | 0:41:59 | |
-Ten years ago. -Did you mention that when you arrived? -Oh, no. -THEY LAUGH | 0:41:59 | 0:42:04 | |
-Were you a little bit nervous? -It's always quite daunting for a paramedic, | 0:42:04 | 0:42:09 | |
because, potentially, you've got two patients, so... | 0:42:09 | 0:42:13 | |
All right. Amazing. Thank you very much for coming to chat to us | 0:42:13 | 0:42:17 | |
and lovely to meet Emily. | 0:42:17 | 0:42:19 | |
Even that makes me feel nervous. No calls about babies so far this morning. | 0:42:19 | 0:42:24 | |
And actually, for a call-taker to count as a baby being born, | 0:42:24 | 0:42:28 | |
they have to talk the dad or whoever it is through. | 0:42:28 | 0:42:31 | |
The baby has to arrive before the paramedics arrive for it to count as a baby being born on their call. | 0:42:31 | 0:42:37 | |
Did you look at her? Isn't she cute? She's cute! I don't want another one, though. | 0:42:37 | 0:42:41 | |
-Me, neither. -Maybe I do. I don't know. -See you soon for more Real Rescues. | 0:42:41 | 0:42:47 | |
Subtitles by Red Bee Media Ltd | 0:42:49 | 0:42:53 | |
E-mail [email protected] | 0:42:53 | 0:42:57 | |
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