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Today, teenage girls are stranded on freezing marshland and call 999 | 0:00:02 | 0:00:06 | |
as hypothermia sets in. | 0:00:06 | 0:00:08 | |
GIRL SPEAKS FRANTICALLY | 0:00:08 | 0:00:10 | |
OPERATOR RESPONDS | 0:00:15 | 0:00:17 | |
Drive-by danger - a burger van is reduced to ash | 0:00:24 | 0:00:28 | |
and the gas cylinders it's carrying could now explode straight into speeding traffic. | 0:00:28 | 0:00:33 | |
Hello and welcome to Real Rescues. Already this morning, | 0:00:56 | 0:01:00 | |
16,000 emergency 999 calls have come into control rooms like this up and down the country. | 0:01:00 | 0:01:05 | |
In Southampton, two million people rely on the men and women in this police control room alone. | 0:01:05 | 0:01:10 | |
The controllers speak directly to officers to coordinate | 0:01:10 | 0:01:14 | |
and get the right unit to the right place as fast as possible. | 0:01:14 | 0:01:17 | |
-Let's see an example of that. Andrea, are you OK to talk? -Yes. | 0:01:17 | 0:01:21 | |
Something happened yesterday, didn't it? A gas leak. | 0:01:21 | 0:01:24 | |
We've got a supermarket that's under renovation at the moment, | 0:01:24 | 0:01:27 | |
and they had a gas leak, so police attended to assist with coordination. | 0:01:27 | 0:01:31 | |
We had to close off some roads and assist people back to their cars. | 0:01:31 | 0:01:35 | |
-Potentially a dangerous situation. -Yes. -How did everybody get home? | 0:01:35 | 0:01:39 | |
Most people were OK, but the ones with vehicles parked close to the gas leak, | 0:01:39 | 0:01:44 | |
we had to assist with some taxis to get them home. | 0:01:44 | 0:01:47 | |
-And it was all wrapped up in about four hours? -And the store re-opened. | 0:01:47 | 0:01:52 | |
Here's an embarrassing thing. The garage engineer is delivering | 0:01:52 | 0:01:56 | |
a customer's car after it's been fixed. Then this happens. | 0:01:56 | 0:01:59 | |
SIREN WAILS | 0:02:02 | 0:02:04 | |
Alex Dale is quickly making his way north on the busy A3. | 0:02:04 | 0:02:08 | |
It's been reported that a car has lost control at speed | 0:02:08 | 0:02:11 | |
and rolled several times. | 0:02:11 | 0:02:14 | |
Slight confusion as to whether the vehicle is still on the road | 0:02:14 | 0:02:17 | |
or whether it's gone into the bush. We'll be the first one there, | 0:02:17 | 0:02:21 | |
so we'll see what we've got. | 0:02:21 | 0:02:23 | |
It's a drizzly afternoon and visibility is low. | 0:02:23 | 0:02:25 | |
Alex spots a parked Highways Agency truck. | 0:02:25 | 0:02:28 | |
It must be the site of the accident. | 0:02:28 | 0:02:31 | |
Mike Echo three zero, stay six. It's on the near-side verge. | 0:02:31 | 0:02:35 | |
He's gone into the bushes there. There's Highways in attendance. | 0:02:35 | 0:02:39 | |
The road's not blocked. It's all over on the hard shoulder. | 0:02:39 | 0:02:43 | |
I'll update you shortly. | 0:02:43 | 0:02:45 | |
-Injured in any way? Need us to get help? -No, I'm fine. | 0:02:45 | 0:02:49 | |
There to meet Alex on the roadside is Alan. | 0:02:49 | 0:02:51 | |
Behind him is the car he was driving. | 0:02:51 | 0:02:53 | |
It looks like it's just been thrown into the bushes. | 0:02:53 | 0:02:57 | |
I was doing 60 mile an hour and suddenly the back end overtook me. | 0:02:57 | 0:03:01 | |
-Right. -Something went. I don't know what. | 0:03:01 | 0:03:03 | |
It rolled the first time. I let go, held myself | 0:03:03 | 0:03:06 | |
and waited for it to stop. That was it. | 0:03:06 | 0:03:09 | |
The violent spin sent the car hurtling into thick undergrowth | 0:03:09 | 0:03:14 | |
where it came to rest. Alex is amazed | 0:03:14 | 0:03:16 | |
that Alan is both unhurt and unfazed by what's happened. | 0:03:16 | 0:03:20 | |
-I think... -ALEX LAUGHS | 0:03:21 | 0:03:23 | |
I'm sorry. I shouldn't laugh. It's a bizarre place to park, isn't it? | 0:03:23 | 0:03:27 | |
It turns out this is not Alan's car. He's chief engineer | 0:03:29 | 0:03:32 | |
at a firm that reconditions gearboxes. | 0:03:32 | 0:03:35 | |
He was taking the car back to its owner after having work done. | 0:03:35 | 0:03:38 | |
This could take some explaining. | 0:03:38 | 0:03:41 | |
The accident was called in as serious, | 0:03:48 | 0:03:50 | |
so Control has sent a paramedic to check Alan for hidden injuries. | 0:03:50 | 0:03:54 | |
Gentleman says he's not hurt. If you want to have a look at him... | 0:03:54 | 0:03:59 | |
Yeah, yeah. Of course, yeah. | 0:04:04 | 0:04:06 | |
He said to me, he said, "They call me Lucky Al." | 0:04:06 | 0:04:09 | |
HE LAUGHS | 0:04:09 | 0:04:12 | |
He's rolled the car at least twice, and he's stepped out | 0:04:12 | 0:04:16 | |
without a scratch on him. A very fortunate man. | 0:04:16 | 0:04:18 | |
I was minding my own business at 60 mile an hour, | 0:04:18 | 0:04:22 | |
and all of a sudden there was a bang, and the back end came round. | 0:04:22 | 0:04:26 | |
I thought, "This is going to hurt." It was an instant. | 0:04:26 | 0:04:30 | |
There wasn't any indication or build-up to it. | 0:04:30 | 0:04:33 | |
It was just instant. My survival instincts kicked in | 0:04:33 | 0:04:37 | |
and I knew to hold myself rather than the steering wheel | 0:04:37 | 0:04:40 | |
-because the wheel wasn't going to be doing anything. -Being in the trade, | 0:04:40 | 0:04:43 | |
Alan has already organised the recovery of the vehicle. | 0:04:43 | 0:04:46 | |
-Will your company break the news? -They've already done that. -OK. | 0:04:46 | 0:04:51 | |
-That's what you pay your insurance for. -OK. | 0:04:51 | 0:04:54 | |
He's also been in touch with his partner, Jan, who's just arrived. | 0:04:54 | 0:04:58 | |
Hello! He's OK. He's just been checked over, yeah. | 0:04:58 | 0:05:02 | |
He's had a bit of a turn, because the car has had a turn itself. | 0:05:02 | 0:05:06 | |
He's gone over, but he's not hurt. | 0:05:06 | 0:05:08 | |
He's just having a check as a precaution. Hey, you're in trouble. | 0:05:08 | 0:05:12 | |
Recovery's at the scene, and Alan's free to go. | 0:05:19 | 0:05:22 | |
But he needs to satisfy his professional curiosity | 0:05:22 | 0:05:25 | |
and find out what caused his dramatic exit from the road. | 0:05:25 | 0:05:28 | |
I've had closer near-death experiences than this one, | 0:05:28 | 0:05:31 | |
but something like this wakens you up and says, | 0:05:31 | 0:05:34 | |
"Life can get pretty tough at times." | 0:05:34 | 0:05:37 | |
But to walk away without a scratch... Nothing. | 0:05:37 | 0:05:39 | |
It's amazing. Truly amazing. | 0:05:39 | 0:05:42 | |
Now the car's up the right way, they can investigate what might have happened. | 0:05:48 | 0:05:53 | |
It could be a blow-out, or one of those unexplainable things. | 0:06:02 | 0:06:06 | |
That's it as far as I'm concerned. No other reason to investigate. OK? | 0:06:06 | 0:06:11 | |
That's what we'll record on our system. | 0:06:11 | 0:06:13 | |
-No blood or broken bones. Thanks for your help. -All right. | 0:06:13 | 0:06:17 | |
After a quick repair to the only casualty, both Alex and Alan can head off. | 0:06:19 | 0:06:23 | |
The sun is setting on a freezing January day. | 0:06:25 | 0:06:28 | |
A call comes through to the Norfolk police control room. Two teenage girls have been stranded | 0:06:28 | 0:06:33 | |
for three hours on the remote marshes that line the cold North Sea coast. | 0:06:33 | 0:06:36 | |
It soon becomes clear the girls' lives are in danger. | 0:06:36 | 0:06:40 | |
This is their actual 999 call. | 0:06:40 | 0:06:43 | |
GIRL SPEAKS FRANTICALLY | 0:06:45 | 0:06:48 | |
Controller Ruth Walters notifies police air-support to start searching the marshes. | 0:08:11 | 0:08:17 | |
Now she needs to get back in contact with the girls. | 0:08:17 | 0:08:20 | |
RUTH SPEAKS | 0:08:20 | 0:08:23 | |
GIRL REPLIES | 0:08:23 | 0:08:26 | |
It's now dusk. Police helicopter Oscar India 99 | 0:08:32 | 0:08:36 | |
has been scrambled from its Norwich base. | 0:08:36 | 0:08:40 | |
This featureless marshland is a difficult area to search. | 0:08:50 | 0:08:54 | |
Call-taker Ruth needs the girls to help themselves. | 0:08:54 | 0:08:58 | |
The police observer uses the camera's infrared to scour the landscape, | 0:09:14 | 0:09:19 | |
looking for any sign of a bright heat source. | 0:09:19 | 0:09:23 | |
Finally they spot some movement on the horizon. | 0:09:45 | 0:09:48 | |
Waving a scarf, her brightest piece of clothing, has left Rose exhausted. | 0:10:07 | 0:10:11 | |
Ill with hypothermia, her friend Jessie lies on the floor, | 0:10:11 | 0:10:16 | |
tearful and without the energy to stand. | 0:10:16 | 0:10:19 | |
JESSIE SOBS ROSE SHOUTS IN PANIC | 0:10:19 | 0:10:22 | |
Well, thanks to you and your amazing work, they were all right. | 0:10:50 | 0:10:54 | |
-Yeah, thankfully. -Well done. I know, watching it, | 0:10:54 | 0:10:58 | |
it's very emotional for you now. When you put down the phone, what was it like? | 0:10:58 | 0:11:02 | |
I've got all my colleagues around me who can hear this going on, | 0:11:02 | 0:11:06 | |
who were behind the scenes, helping get other emergency services out | 0:11:06 | 0:11:11 | |
as well, but it was quite an adrenaline rush. | 0:11:11 | 0:11:14 | |
It's not often we rescue people in the police. | 0:11:14 | 0:11:17 | |
-And that took you back, didn't it? -Yes, and I felt a bit tearful, | 0:11:17 | 0:11:21 | |
as I have just now, and just, you know, relieved | 0:11:21 | 0:11:25 | |
that we did in fact find them, because it is such an enormous area of marshland. | 0:11:25 | 0:11:30 | |
It really makes it clear, when you see those pictures, | 0:11:30 | 0:11:33 | |
-how large that area... -Yes. -How was it that you found them? | 0:11:33 | 0:11:36 | |
Initially I know, from listening to the call, | 0:11:36 | 0:11:39 | |
Jessie had said that she was on Morston Marsh. | 0:11:39 | 0:11:42 | |
I've lived in Norfolk most of my life, but I didn't know exactly where that was. | 0:11:42 | 0:11:47 | |
I also, when I spoke to Rose, asked for an address, | 0:11:47 | 0:11:49 | |
looked it up on a map, worked it out from there where they would be. | 0:11:49 | 0:11:53 | |
There's so many things in that, but the key thing was that pink scarf. | 0:11:53 | 0:11:57 | |
You told her to wave it. That kind of saved her life. | 0:11:57 | 0:12:01 | |
Yeah. Because I didn't realise outside how dark it was getting, | 0:12:01 | 0:12:04 | |
I asked for a description of their clothing, | 0:12:04 | 0:12:07 | |
also to make sure they were wearing enough to keep as warm as possible. | 0:12:07 | 0:12:11 | |
We know as well that they were walking their dogs, | 0:12:11 | 0:12:14 | |
and one of the helicopter crewmen stayed with those dogs. | 0:12:14 | 0:12:18 | |
-They're tiny things, but they could have been useful as well. -Yes, | 0:12:18 | 0:12:22 | |
and my brain is trained to retain information it needs. | 0:12:22 | 0:12:26 | |
Initially I didn't think walking the dogs was important, | 0:12:26 | 0:12:29 | |
but if I'd realised, I'd have told them to lift the dogs up out of the snow! | 0:12:29 | 0:12:33 | |
-Fantastic work. Thank you for coming to talk to us about it. -Thank you. | 0:12:33 | 0:12:37 | |
You really helped them. Thank you. | 0:12:37 | 0:12:40 | |
How do you like your burgers? Very well done? | 0:12:42 | 0:12:44 | |
That's the only option when Halil's roadside caff catches fire, | 0:12:44 | 0:12:48 | |
but this is no laughing matter. His fast-food van is alight, | 0:12:48 | 0:12:51 | |
and a set of gas canisters could soon explode | 0:12:51 | 0:12:55 | |
right in the path of speeding traffic. | 0:12:55 | 0:12:57 | |
SIREN WAILS | 0:12:57 | 0:12:59 | |
Traffic cop Steve Wootton has been called to a dramatic incident | 0:13:03 | 0:13:07 | |
on the side of the A3. A burger van's on fire in the lay-by. | 0:13:07 | 0:13:12 | |
There's talk of a gas cylinder next to it, | 0:13:12 | 0:13:16 | |
so we've obviously got the risk of a fire with a gas cylinder, | 0:13:16 | 0:13:19 | |
which isn't very good, so we'll check it out. | 0:13:19 | 0:13:22 | |
It could have implications for everyone travelling on this stretch of road. | 0:13:22 | 0:13:26 | |
Depending on how bad the fire is, we may have to close off the southbound | 0:13:26 | 0:13:31 | |
at the Ham Barn roundabout, cos it could cause major problems on the A3 | 0:13:31 | 0:13:35 | |
and if it's very serious, we might consider the northbound as well. | 0:13:35 | 0:13:39 | |
In fact I can see the smoke from here. | 0:13:39 | 0:13:42 | |
Two fire tenders are already in action. | 0:13:42 | 0:13:46 | |
The Highways Agency has coned off the inside lane | 0:13:48 | 0:13:52 | |
to protect the fire-fighters as they work. | 0:13:52 | 0:13:55 | |
There's very little left of the blazing burger van. | 0:13:57 | 0:14:00 | |
Owner Halil was changing his cylinders | 0:14:01 | 0:14:04 | |
when the gas ignited all around him. He managed to escape, | 0:14:04 | 0:14:07 | |
and is now being looked after by the fire-fighters | 0:14:07 | 0:14:10 | |
as they wait for an ambulance to arrive. | 0:14:10 | 0:14:13 | |
Lorry driver Ludovico had a lucky escape. | 0:14:13 | 0:14:16 | |
He was at the burger van after stopping in the lay-by for a break. | 0:14:16 | 0:14:20 | |
He saw it all happen. | 0:14:20 | 0:14:22 | |
He was checking to see why his cooker wasn't working, | 0:14:22 | 0:14:25 | |
and he was checking to see if there was gas there, and gas started spraying out. | 0:14:25 | 0:14:30 | |
He went to turn it off, and it just... This big fireball came, | 0:14:30 | 0:14:34 | |
and I just moved back, started running backwards. | 0:14:34 | 0:14:37 | |
But that thing just went up so quick, you know? | 0:14:37 | 0:14:41 | |
It was shocking, basically, you know? | 0:14:41 | 0:14:43 | |
I reversed back in case it set that on fire. It's got a full tank | 0:14:43 | 0:14:47 | |
of diesel, so I had to make sure I moved it back. | 0:14:47 | 0:14:51 | |
The watch manager from Petersfield station, Ian Burrows, | 0:14:51 | 0:14:54 | |
is directing his crews alongside group manager Ian Gray, who's just arrived. | 0:14:54 | 0:14:59 | |
They've serious concerns about the gas cylinders. | 0:14:59 | 0:15:02 | |
If they get hot enough, they could explode. | 0:15:02 | 0:15:05 | |
We've got two - one there, and it's confirmed one inside. | 0:15:05 | 0:15:08 | |
So I'm just going to get a monitor put on that, because I'm not going anywhere near that. | 0:15:08 | 0:15:13 | |
When LPG heats up, there are no signs or symptoms | 0:15:13 | 0:15:16 | |
of when it's going to become a projectile hazard. | 0:15:16 | 0:15:19 | |
It will just all of a sudden explode. | 0:15:19 | 0:15:21 | |
There's no direct path of flight that it will take, so it could come back towards you, maim people, | 0:15:21 | 0:15:26 | |
and the velocity and speed of the actual fragmentations | 0:15:26 | 0:15:30 | |
can pierce the skin and cause major damage. | 0:15:30 | 0:15:33 | |
Steve needs to know how close the passing traffic can safely go. | 0:15:33 | 0:15:37 | |
I'm quite happy that you keep one lane there. | 0:15:37 | 0:15:40 | |
Get some cones on this section here, and cones right down the side. | 0:15:40 | 0:15:44 | |
-It's not acetylene, so... -No. | 0:15:44 | 0:15:47 | |
There's no mains water in the lay-by, so Ian's team have to use their own supply sparingly | 0:15:47 | 0:15:52 | |
until their large water carrier arrives. | 0:15:52 | 0:15:55 | |
'The plan of attack was to cool the cylinders using copious amounts of water.' | 0:15:55 | 0:15:59 | |
If you imagine that we have a thermos flask full of tea or coffee, | 0:15:59 | 0:16:02 | |
and it's hot inside, if you wanted to cool that down, | 0:16:02 | 0:16:05 | |
you'd have to immerse that flask in cold water to eventually cool down the inner parts. | 0:16:05 | 0:16:10 | |
They keep a constant check on the temperatures of the cylinders. | 0:16:10 | 0:16:14 | |
We've got a thermal imager. They're checking the heat coming off there. | 0:16:14 | 0:16:18 | |
We've put one lane in initially. If there's too much heat, | 0:16:18 | 0:16:21 | |
we'll have to close the road off, but they're just checking, and we'll go from there. | 0:16:21 | 0:16:27 | |
The water carrier has now arrived. | 0:16:27 | 0:16:29 | |
Steve has gone to close down the southbound side | 0:16:29 | 0:16:32 | |
of this busy A road altogether, so that the fire-fighters | 0:16:32 | 0:16:36 | |
can really blast the flames with water from all angles. | 0:16:36 | 0:16:39 | |
'After we'd cooled the red cylinder, I then asked the fire-fighters | 0:16:46 | 0:16:50 | |
'to make inroads into the internal LPGs, which wasn't easy to get at.' | 0:16:50 | 0:16:55 | |
Once they were safe, I was happy for the fire-fighters to continue work | 0:16:55 | 0:16:59 | |
turning over the fibreglass burger van. | 0:16:59 | 0:17:01 | |
The ambulance has turned up to treat Halil's injuries. | 0:17:03 | 0:17:06 | |
His reddened face shows what a narrow escape he's had. | 0:17:06 | 0:17:09 | |
He's got burns to his face where the canister exploded, | 0:17:09 | 0:17:13 | |
so he's being treated by ambulance now. | 0:17:13 | 0:17:15 | |
We've got the remains of the burger van there. We're sorting out the recovery of it, | 0:17:15 | 0:17:20 | |
removing it and getting it recovered, and the A3's open again. | 0:17:20 | 0:17:24 | |
They've managed to cool the cylinders right down, so they're no longer a danger. | 0:17:24 | 0:17:30 | |
There's virtually nothing left of the van, | 0:17:30 | 0:17:32 | |
but they've got to clear it away from the middle of the lay-by. | 0:17:32 | 0:17:36 | |
Steve thinks it might still be towable. | 0:17:36 | 0:17:39 | |
They take a shovel to the rest of the mess, including some rather overdone burgers. | 0:17:47 | 0:17:53 | |
We saw fire-fighters using thermal-imaging cameras there, | 0:17:53 | 0:17:57 | |
or TICs, they're known as, to check the heat of the gas cylinders. | 0:17:57 | 0:18:01 | |
They are an essential part of the fire engine's kit. | 0:18:01 | 0:18:04 | |
Earlier, St Mary's station manager Dave Graham showed me exactly why. | 0:18:04 | 0:18:09 | |
Here we are at Number 1, the Car Park, with Dave Graham. | 0:18:09 | 0:18:12 | |
We'll pretend you've had a call about a fire in this building. | 0:18:12 | 0:18:16 | |
It looks fine to me, but you've got equipment which shows it's not. | 0:18:16 | 0:18:20 | |
Traditionally we would have felt the door with the back of a hand, | 0:18:20 | 0:18:24 | |
a rough indication before we entered. | 0:18:24 | 0:18:26 | |
But now we can use this. As you can see, the top of the door, | 0:18:26 | 0:18:30 | |
ambient temperature is 21 degrees, and the door is 20 degrees. | 0:18:30 | 0:18:34 | |
-So that's fine. -That's safe. Now you move down, | 0:18:34 | 0:18:38 | |
and you can see the red, which indicates higher temperature. | 0:18:38 | 0:18:41 | |
-Yeah. -You get to there and you're now talking around... | 0:18:41 | 0:18:45 | |
It goes up to 50 degrees. So on the left is 21 degrees, | 0:18:45 | 0:18:50 | |
and on the right, that's telling you what's behind that door. | 0:18:50 | 0:18:53 | |
-So what would you guess, then? -I would say there, | 0:18:53 | 0:18:56 | |
with the difference in temperature, you've got quite a serious fire, | 0:18:56 | 0:19:01 | |
or something very hot very close to the door, at a low level. | 0:19:01 | 0:19:05 | |
And we can measure how close that fire is. We set this up for you | 0:19:05 | 0:19:08 | |
so you can demonstrate, and if you come round here... | 0:19:08 | 0:19:12 | |
It's quite a different temperature, isn't it? | 0:19:12 | 0:19:14 | |
-We're talking nearly 500 degrees. -So that's really helpful. | 0:19:14 | 0:19:18 | |
It can effectively see through doors. What else do you use it for? | 0:19:18 | 0:19:22 | |
Primarily it was designed to locate casualties | 0:19:22 | 0:19:25 | |
in smoke-filled buildings. We go in, our vision's obscured. | 0:19:25 | 0:19:29 | |
This can cut through the smoke and see the temperature given off by the casualty. | 0:19:29 | 0:19:34 | |
You get a great picture of where they are and find them very easily. | 0:19:34 | 0:19:37 | |
We use them to make sure cylinders are cool before we move them, | 0:19:37 | 0:19:42 | |
and after we put a fire out, it's important to check for hot spots | 0:19:42 | 0:19:46 | |
to ensure that there's no burning embers, so we don't get recalled. | 0:19:46 | 0:19:50 | |
So does this piece of equipment save lives? | 0:19:50 | 0:19:53 | |
Yes, it does, especially in large open spaces or in houses. | 0:19:53 | 0:19:58 | |
You can find casualties a lot quicker than you would through traditional methods | 0:19:58 | 0:20:02 | |
so you can get the casualty fresh air and first aid quicker. | 0:20:02 | 0:20:06 | |
And you know before you go in what it's like. I'll let you do what you do best, which is put it out. | 0:20:06 | 0:20:11 | |
-I'll hold this very expensive piece of equipment. Good luck! -Thank you. | 0:20:11 | 0:20:15 | |
I'm going to stand well back. SHE LAUGHS | 0:20:15 | 0:20:18 | |
Thank you! | 0:20:18 | 0:20:20 | |
Still to come on Real Rescues - kid gloves are needed | 0:20:25 | 0:20:29 | |
for this little boy. Not only could he have a damaged spine | 0:20:29 | 0:20:32 | |
from somersaulting down a staircase, but Daniel suffers from fits, | 0:20:32 | 0:20:37 | |
and they come without warning. | 0:20:37 | 0:20:39 | |
21st-century police cars carry a lot of kit - | 0:20:41 | 0:20:44 | |
computers, video cameras, black-box recorders, | 0:20:44 | 0:20:47 | |
automatic number-plate recognition and GPS satellite tracking. | 0:20:47 | 0:20:51 | |
But it was all left behind recently when police turned back time | 0:20:51 | 0:20:56 | |
to arrest two burglars in this vehicle, the old SDI. | 0:20:56 | 0:20:59 | |
You might recognise this from a few years back. | 0:20:59 | 0:21:02 | |
We'll have a chat about the car and what went on. Come and join us. | 0:21:02 | 0:21:06 | |
This is Dave Butler and crew. Would you introduce your colleagues? | 0:21:06 | 0:21:10 | |
That's Sergeant Neil Roberts, PC Ian Scott, and I'm PC Dave Butler | 0:21:10 | 0:21:14 | |
from Ruislip safe-neighbourhood teams. | 0:21:14 | 0:21:17 | |
But you're in an old uniform as well. They've changed a bit! | 0:21:17 | 0:21:20 | |
They have. It's a period uniform, but we still get issued these tunics | 0:21:20 | 0:21:24 | |
-and wear them for court. -Oh, do you? They're like a formal dress for - | 0:21:24 | 0:21:28 | |
-For a formal occasion. -Tell us how it came about | 0:21:28 | 0:21:30 | |
that this lovely old police car, that went out of service... | 0:21:30 | 0:21:33 | |
-How many years ago? -1987. | 0:21:33 | 0:21:36 | |
How come you ended up making an arrest in this? | 0:21:36 | 0:21:39 | |
We were taking it to a charity event, one of many classic police cars | 0:21:39 | 0:21:43 | |
that I own, and we received a call on our personal radios, | 0:21:43 | 0:21:47 | |
from a colleague asking for assistance, | 0:21:47 | 0:21:50 | |
who had three burglars who made off from him | 0:21:50 | 0:21:53 | |
up some local roads, so Sergeant Roberts, who's an advanced driver | 0:21:53 | 0:21:57 | |
with the Metropolitan Police, decided to take this old girl, | 0:21:57 | 0:22:01 | |
as it was the only police vehicle we had available at the time, | 0:22:01 | 0:22:04 | |
-to the assistance call. -Right. -So we made haste, | 0:22:04 | 0:22:08 | |
ended up detaining one, | 0:22:08 | 0:22:10 | |
and then eventually detaining the other two in someone's front garden. | 0:22:10 | 0:22:14 | |
Were they surprised to be arrested by this? It's like going back in time. | 0:22:14 | 0:22:18 | |
Yeah. They did think we were filming, but they thought we were serious | 0:22:18 | 0:22:22 | |
-when we put their hands behind their backs. -I imagine they did! | 0:22:22 | 0:22:25 | |
What's it like to drive? They were a bit loose in the rear end. | 0:22:25 | 0:22:29 | |
-I think they were a nice car. -Really? -Yeah. | 0:22:29 | 0:22:32 | |
You've got to drive them with respect, like any motor car, | 0:22:32 | 0:22:36 | |
but especially an old one. This car hasn't got powered steering. | 0:22:36 | 0:22:40 | |
-Yeah, it was a joy to drive. -Scotty, do you like these? | 0:22:40 | 0:22:43 | |
-They had a bit more character. -You felt you were in a real car. | 0:22:43 | 0:22:46 | |
When I was operating these in the late '80s, early '90s, | 0:22:46 | 0:22:50 | |
and I was involved in a vehicle pursuit in one of these - | 0:22:50 | 0:22:52 | |
-fantastic cars. -I made a mistake that a lot of people did. | 0:22:52 | 0:22:56 | |
I called it the SDI. In fact it was the SD1. | 0:22:56 | 0:22:58 | |
-It is, yeah. The SD1. Common mistake. -Big 3.5 engine. | 0:22:58 | 0:23:01 | |
Three-and-a-half litre engine, top speed of about 132. | 0:23:01 | 0:23:05 | |
Beautiful old thing, isn't it? If you're hankering for the days | 0:23:05 | 0:23:08 | |
of old police cars, later we'll be talking you through these - | 0:23:08 | 0:23:12 | |
yes, even this one was a police car - and taking you through some of their stories. | 0:23:12 | 0:23:16 | |
Let's find out about one of the recent calls that came in here. | 0:23:16 | 0:23:20 | |
-Sarah, are you busy at the moment? -No, I'm not. | 0:23:20 | 0:23:23 | |
Somebody thought they'd seen somebody go over the edge of a cliff. | 0:23:23 | 0:23:27 | |
That's right. When I was on the New Forest desk one evening, | 0:23:27 | 0:23:30 | |
part of it covers an area called Milford on Sea. | 0:23:30 | 0:23:34 | |
Very nice for walks, lots of dog-walkers there, | 0:23:34 | 0:23:37 | |
but with quite a sheer drop, er, some cliffs. | 0:23:37 | 0:23:41 | |
And a member of the public thought he saw a chap - | 0:23:41 | 0:23:44 | |
he didn't see him jump off but he saw him go down a dip | 0:23:44 | 0:23:48 | |
-and not come out the other side. -Which you took very seriously, | 0:23:48 | 0:23:51 | |
-but he was OK, wasn't he? -He was fine. | 0:23:51 | 0:23:53 | |
It took us quite a while to figure out what had happened, | 0:23:53 | 0:23:57 | |
and we re-enacted it with one of the officers going down the path | 0:23:57 | 0:24:02 | |
that the dog-walker had taken, and the member of the public could see, | 0:24:02 | 0:24:06 | |
-"That's where he was and now he's gone out of view." -Down in the dip. | 0:24:06 | 0:24:10 | |
The officer had come back up, and the witness hadn't see that. | 0:24:10 | 0:24:14 | |
-Phew! -We had to get all the services out, and the coastguard, | 0:24:14 | 0:24:17 | |
-to make sure he hadn't fallen down. -Thank goodness! Thank you. | 0:24:17 | 0:24:21 | |
Thank you. | 0:24:21 | 0:24:22 | |
When a cat gets stuck up a tree or on a rooftop, | 0:24:25 | 0:24:28 | |
rescue specialists may be called out, but they know only too well | 0:24:28 | 0:24:32 | |
that a frightened animal can behave unexpectedly, as we've seen before on Real Rescues. | 0:24:32 | 0:24:37 | |
You may remember seeing this happen when rescue specialist Anton Philips | 0:24:37 | 0:24:42 | |
went to the aid of a cat trapped in a tree for three days. | 0:24:42 | 0:24:45 | |
Don't stand under it. It will urinate, more than likely. As it is. | 0:24:45 | 0:24:50 | |
Anton's colleague Buster Brown was drenched in cat pee. | 0:24:50 | 0:24:55 | |
And when Jim Green tried to reach Bobby the cat, he had other ideas. | 0:24:56 | 0:25:01 | |
-There he goes. He's off now, the... -He's gone! | 0:25:01 | 0:25:04 | |
They never understand you just want to help, do they? | 0:25:04 | 0:25:07 | |
So when emergency services are called out to rescue the Black Shadow, | 0:25:07 | 0:25:10 | |
it was not without some trepidation. | 0:25:10 | 0:25:13 | |
One-year-old Shadow is perched on the gable of the neighbour's house. | 0:25:15 | 0:25:19 | |
It's the highest point of the roof, and he's been there all night. | 0:25:19 | 0:25:23 | |
He may have found a way up, but now it's looking like a very long way down. | 0:25:23 | 0:25:28 | |
Yes, please. Non-emergency response, obviously. | 0:25:28 | 0:25:30 | |
OK. Thanks very much for that. | 0:25:30 | 0:25:32 | |
Hampshire fire-and-rescue specialist Colin Horwood has called in a little help. | 0:25:32 | 0:25:37 | |
We've got a water-tender ladder coming out. | 0:25:37 | 0:25:40 | |
Put that up, bring him down, give him some water, and hopefully all will be well. | 0:25:40 | 0:25:44 | |
He's not happy, or he'd be making efforts to come down. | 0:25:44 | 0:25:47 | |
His ears have dropped down a bit. He's not as happy as he should be. | 0:25:47 | 0:25:52 | |
Um, if he's been up there 25 hours, he's certainly thirsty, | 0:25:52 | 0:25:57 | |
so the sooner we get him down, the better. | 0:25:57 | 0:26:00 | |
To the untrained eye, this young cat may look relaxed, | 0:26:01 | 0:26:04 | |
-but if he could move, he would. -He obviously wants to come down. | 0:26:04 | 0:26:08 | |
He's just not brave enough to do it. | 0:26:08 | 0:26:11 | |
As they await the fire crew, Colin discusses ladder tactics | 0:26:11 | 0:26:14 | |
with RSPCA officer Darren Woodruff and Shadow's owners. | 0:26:14 | 0:26:19 | |
If they can pop one up here and get him, that'd be great. | 0:26:19 | 0:26:22 | |
Um, it's not the easiest of pitches. | 0:26:22 | 0:26:26 | |
Shadow now appears to be clinging on to the roof. | 0:26:26 | 0:26:28 | |
But it should all be over soon. His rescuers have arrived. | 0:26:28 | 0:26:32 | |
Hello, there. | 0:26:34 | 0:26:36 | |
No, he's been up there over a day. | 0:26:36 | 0:26:39 | |
The fire crew want to double-check there's no other access | 0:26:39 | 0:26:42 | |
before they clamber onto the roof. | 0:26:42 | 0:26:44 | |
I'll show you how he got... Round the back here... | 0:26:44 | 0:26:47 | |
No, nothing like that. He's hopped on the garage and off up the roof, | 0:26:49 | 0:26:53 | |
and there he is. | 0:26:53 | 0:26:54 | |
The fire crew opt for a roof ladder to get Shadow. | 0:26:57 | 0:27:00 | |
The plan from the crew is to pitch a short ladder | 0:27:00 | 0:27:04 | |
just under the gutter here, and put a roof ladder up behind Shadow, | 0:27:04 | 0:27:08 | |
and we'll try and catch him that way. If he wanders off down the back, he won't hurt himself, | 0:27:08 | 0:27:13 | |
because there's a reasonable pitch on the roof, | 0:27:13 | 0:27:15 | |
and the garage goes along behind, so we'll see what happens. | 0:27:15 | 0:27:20 | |
The rescue gets underway, and Shadow starts taking notice. | 0:27:23 | 0:27:28 | |
The task of getting the cat has fallen to fire-fighter Nick Brickett. | 0:27:28 | 0:27:32 | |
With both ladders in place, he just needs something familiar | 0:27:32 | 0:27:36 | |
to help bring Shadow back down to earth. | 0:27:36 | 0:27:38 | |
-Do you want his basket or anything? -I probably will do, then, yeah. | 0:27:38 | 0:27:42 | |
With everything in place, Shadow seems to be paying attention, | 0:27:42 | 0:27:46 | |
but, as Nick approaches Shadow, he looks like he's suddenly found some courage. | 0:27:46 | 0:27:50 | |
Is he coming round to say hello? | 0:27:50 | 0:27:53 | |
Nick is in position, but Shadow doesn't know which way to turn. | 0:27:57 | 0:28:01 | |
This cat senses danger, not a rescuer. | 0:28:01 | 0:28:05 | |
The cat couldn't get further from Nick if he tried. | 0:28:06 | 0:28:10 | |
Coaxing isn't doing much good. Colin has some advice. | 0:28:10 | 0:28:13 | |
That's it. Scruff of the neck if you can get it, mate. | 0:28:13 | 0:28:17 | |
Just grab him by the scruff of the neck. | 0:28:17 | 0:28:19 | |
That's it. Pick him up. | 0:28:19 | 0:28:22 | |
Shadow has decided to dig his claws in so much | 0:28:22 | 0:28:26 | |
that he might bring the roof down - well, a part of it. | 0:28:26 | 0:28:29 | |
But Nick gets the better of him, and as his owners watch on, | 0:28:33 | 0:28:38 | |
Shadow is put back in his basket. | 0:28:38 | 0:28:41 | |
-Have you got him? -Yeah. | 0:28:41 | 0:28:43 | |
OK. | 0:28:43 | 0:28:44 | |
All right. Well done, gents. Thank you. And ladies. There you go. | 0:28:44 | 0:28:50 | |
Darren is not taking any chances. Shadow will be freed | 0:28:50 | 0:28:53 | |
inside the safety of his own home. | 0:28:53 | 0:28:56 | |
Back in his familiar environment, Shadow appears none the worse | 0:28:59 | 0:29:02 | |
for his night on the neighbours' tiles. | 0:29:02 | 0:29:05 | |
We've all done it - your mind wanders for a moment and before you know it, | 0:29:08 | 0:29:11 | |
you've walked into something, slipped or tripped over. Not good news, | 0:29:11 | 0:29:15 | |
particularly if you fall face-first. | 0:29:15 | 0:29:18 | |
Paramedic John Ayling and his colleague Tom Davies | 0:29:19 | 0:29:22 | |
are heading out to an emergency at the funfair on Hayling Island. | 0:29:22 | 0:29:26 | |
All they know is, a woman has fallen and suffered facial injuries. | 0:29:26 | 0:29:30 | |
People that fall, if they don't get their hands out, | 0:29:30 | 0:29:33 | |
will generally damage their nose, sometimes their forehead | 0:29:33 | 0:29:37 | |
or their jaw, so it could be anything from a small laceration | 0:29:37 | 0:29:41 | |
or incision to a broken nose, potentially broken jaw or teeth. | 0:29:41 | 0:29:46 | |
The injured woman is already being treated by a rapid-response driver. | 0:29:46 | 0:29:51 | |
Because the island is a tricky place to get to, | 0:29:51 | 0:29:54 | |
he's bringing her to a rendezvous with the ambulance. | 0:29:54 | 0:29:57 | |
They arrive to find a battered, bruised and bloodstained Delia | 0:29:57 | 0:30:01 | |
in the back of the car. | 0:30:01 | 0:30:03 | |
Hello, Delia. My name's John. | 0:30:03 | 0:30:05 | |
Her injuries are very noticeable, but she's determined not to behave like an invalid. | 0:30:05 | 0:30:10 | |
-I'm OK. -Yeah? You happy if we take a walk to the ambulance? | 0:30:10 | 0:30:14 | |
-I'll come the other side. -Were you knocked out at all, my love? | 0:30:14 | 0:30:18 | |
No, I wasn't. | 0:30:18 | 0:30:21 | |
It's as important to find out why a patient fell as it is to treat the injuries. | 0:30:21 | 0:30:26 | |
OK. Nice and easy, Delia. There we go. | 0:30:26 | 0:30:28 | |
You take that young man's hand. | 0:30:28 | 0:30:31 | |
John runs through all the questions to make sure | 0:30:31 | 0:30:34 | |
there was no other reason for her fall. | 0:30:34 | 0:30:36 | |
-So you remember everything that happened to you? -Yes. | 0:30:36 | 0:30:39 | |
And it was just a trip on the pavement? You didn't feel unwell? | 0:30:39 | 0:30:43 | |
-No, I didn't feel unwell. -I'll just pop that on your finger. | 0:30:43 | 0:30:46 | |
Just relax. Are you normally fit and well? | 0:30:46 | 0:30:49 | |
-Yeah, except for two bionic knees. -OK. No worries. | 0:30:49 | 0:30:52 | |
John is checking her blood pressure as he takes a closer look at the injury. | 0:30:52 | 0:30:57 | |
-Is it all right if I have a look at this wound on your head? -Yeah. | 0:30:57 | 0:31:01 | |
-OK. -It's just a headache. -Oh, right. Yeah, I see it. OK. | 0:31:01 | 0:31:05 | |
-No worries. -OK? -Yeah, just so we know what we're dealing with. | 0:31:05 | 0:31:09 | |
You've got a nice cut half an inch long across the top of your nose, | 0:31:09 | 0:31:13 | |
-and a very large bump here. -I've got a headache from that. | 0:31:13 | 0:31:17 | |
-Absolutely. That's quite big. -I can feel that, | 0:31:17 | 0:31:20 | |
-because I went crack down on it. -OK. No worries. | 0:31:20 | 0:31:22 | |
-Your hands feel all right? -Fine. -You didn't get them out? | 0:31:22 | 0:31:26 | |
-Your face broke your fall? -I didn't have time to get my hands down. | 0:31:26 | 0:31:29 | |
Is it all right if I touch the front of your face, Delia? | 0:31:29 | 0:31:32 | |
Anyone who's had a blow like that to the face and nose, | 0:31:32 | 0:31:36 | |
we need to check the cheekbone's all right as well, if that's OK. | 0:31:36 | 0:31:39 | |
John is concerned that she may have fractured other bones in her face. | 0:31:39 | 0:31:44 | |
-Does that all feel all right? -Yeah. | 0:31:44 | 0:31:46 | |
-How does your jaw feel? -Fine. | 0:31:46 | 0:31:49 | |
OK. Can you just open it for me? And close. | 0:31:49 | 0:31:52 | |
Marvellous. That's great. Lovely. | 0:31:52 | 0:31:54 | |
As they head for the hospital, | 0:31:54 | 0:31:57 | |
John doesn't think Delia's broken anything, | 0:31:57 | 0:32:00 | |
but the swelling is really beginning to develop. | 0:32:00 | 0:32:03 | |
-Your forehead's hit the ground first. -I heard that go. | 0:32:03 | 0:32:06 | |
-It's a big lump. -I heard that crack. I thought, "Oh, God!" | 0:32:06 | 0:32:10 | |
Fortunately it's one of the hardest parts of the body. It's designed to protect you. | 0:32:10 | 0:32:15 | |
She's reassured, but nevertheless remains a reticent patient. | 0:32:15 | 0:32:19 | |
-Blue lights! -I know! How embarrassing! | 0:32:19 | 0:32:23 | |
Well, no. That's why they're called accidents. | 0:32:23 | 0:32:25 | |
-It happens to people. -I worry about my husband, | 0:32:25 | 0:32:29 | |
-and it's me that goes over. -Yeah, I know. | 0:32:29 | 0:32:31 | |
But there's moral support for Delia at the hospital. | 0:32:31 | 0:32:34 | |
Your daughter's here, Delia. | 0:32:34 | 0:32:36 | |
Word's got out that you've been creating a fuss. | 0:32:36 | 0:32:39 | |
You all right there? You sure? | 0:32:39 | 0:32:42 | |
-Yeah. -OK. There's a yellow bar on your right. | 0:32:42 | 0:32:44 | |
-If you're going to fall, head for the young lad. -Will he catch me? | 0:32:44 | 0:32:48 | |
He'll have a go. | 0:32:48 | 0:32:49 | |
At A&E, X-rays reveal she hadn't broken anything, | 0:32:49 | 0:32:53 | |
but she needed eight stitches and developed two very impressive black eyes. | 0:32:53 | 0:32:58 | |
-Oh, Delia, you really hurt yourself! -I did. | 0:33:00 | 0:33:03 | |
-You didn't want to go out with those black eyes. How long did you stay at home for? -A fortnight. | 0:33:03 | 0:33:08 | |
-Really? -Yeah. -And how are you feeling now? | 0:33:08 | 0:33:10 | |
-Fine. -It was about three months ago, wasn't it? -Yes. | 0:33:10 | 0:33:14 | |
You weren't worried about yourself. You were worried about your husband. | 0:33:14 | 0:33:18 | |
-Yeah. -Why is that? -He's got Parkinson's, | 0:33:18 | 0:33:20 | |
-and he couldn't come into the paramedic's car. -Right. | 0:33:20 | 0:33:24 | |
-I didn't know what to do with him! -But somebody helped you out. -Yes. | 0:33:24 | 0:33:28 | |
A young lady called Mary. She took him off. | 0:33:28 | 0:33:31 | |
She said, "Don't worry about him. I'll get him a cup of tea." | 0:33:31 | 0:33:34 | |
-Yes, she was very, very kind. -And she looked after him? -Yes. | 0:33:34 | 0:33:39 | |
-Have you been able to thank her? -I took flowers and chocolates to her | 0:33:39 | 0:33:43 | |
but I couldn't trace her. She wasn't in, so we left it with a neighbour. | 0:33:43 | 0:33:47 | |
Let's hope she's watching, and you can say thank you to her here. | 0:33:47 | 0:33:50 | |
-Thank you, Mary, very much. -And you were going out walking | 0:33:50 | 0:33:53 | |
-because you've got these bionic knees. And they're all right? -Yes. | 0:33:53 | 0:33:57 | |
Good. I'm glad you're safe and well. Take care when you leave here. | 0:33:57 | 0:34:01 | |
I will, thank you. | 0:34:01 | 0:34:04 | |
Now, kids can run rings around their parents, | 0:34:04 | 0:34:08 | |
but when this little boy performs a somersault down his staircase, | 0:34:08 | 0:34:11 | |
it inevitably ends in tears. But there is an added problem. | 0:34:11 | 0:34:15 | |
Daniel has fits when he's upset. | 0:34:15 | 0:34:17 | |
Ross Smith is heading out to the home of a young boy | 0:34:25 | 0:34:28 | |
who's tumbled down the stairs. The six year old may have fallen | 0:34:28 | 0:34:31 | |
from quite a height, as he's reported to be in a lot of pain. | 0:34:31 | 0:34:35 | |
Anything above a metre, or five steps, | 0:34:35 | 0:34:38 | |
will indicate that we need to consider neck problems, | 0:34:38 | 0:34:42 | |
or C-spine problems, as we call it, or back problems. | 0:34:42 | 0:34:45 | |
It's likely that this lad is going to have to go into hospital for further assessment. | 0:34:45 | 0:34:50 | |
-Hello! -Hello. -Hi. It's the ambulance service. | 0:34:55 | 0:34:58 | |
Daniel is still lying where he landed. | 0:34:58 | 0:35:01 | |
His worried mum, Helen, saw him hurtle through the air. | 0:35:01 | 0:35:04 | |
We was just sat in the kitchen. We see him somersault in the air... | 0:35:04 | 0:35:08 | |
-Oh, dear! -..hit the floor, hit the radiator, | 0:35:08 | 0:35:11 | |
and he's complaining of back pain. | 0:35:11 | 0:35:14 | |
Righty-oh. Hello, mate! My name's Ross. I'm an ambulance man. | 0:35:14 | 0:35:18 | |
How you feeling, mate? Are you a bit upset? | 0:35:18 | 0:35:21 | |
Oh, don't worry. It's going to be OK. I'll look after you. | 0:35:21 | 0:35:24 | |
-HE WAILS INCOHERENTLY -I don't want to be on my own! | 0:35:24 | 0:35:28 | |
No, no, no. Mummy's going to be with you, mate. | 0:35:28 | 0:35:32 | |
Calm down, otherwise you're going to have a fit. Calm down. | 0:35:32 | 0:35:35 | |
-It'll be fine. Mummy will be with you. -Yeah. | 0:35:35 | 0:35:38 | |
See? No-one's going to leave you alone. | 0:35:38 | 0:35:41 | |
Daniel suffers from seizures, and his GP has given the family oxygen | 0:35:41 | 0:35:45 | |
to help prevent them. Stress can bring on an attack, | 0:35:45 | 0:35:48 | |
so Ross has to take extra care in getting any details. | 0:35:48 | 0:35:52 | |
What I need you to do is really be brave for me, OK? | 0:35:52 | 0:35:56 | |
-Can you tell me what happened? -I was on the middle of the stairs, | 0:35:56 | 0:36:01 | |
but I didn't... I didn't do something. | 0:36:01 | 0:36:04 | |
Don't worry. You're not in trouble. I just want to help you. | 0:36:04 | 0:36:08 | |
OK? So you was on the middle of the stairs, and then you fell down? | 0:36:08 | 0:36:12 | |
Did you bang your head when you came down? | 0:36:12 | 0:36:14 | |
Did you? Ahh! What did you bang it on? This? | 0:36:14 | 0:36:17 | |
You didn't damage it, did you? I'll just check to make sure. | 0:36:17 | 0:36:21 | |
No, that's all right. Did you damage your head, then, anywhere? | 0:36:21 | 0:36:25 | |
Whereabouts? Can you point to it for me? | 0:36:25 | 0:36:28 | |
Oh, let me have a little look. | 0:36:28 | 0:36:31 | |
Have you got any pain in your little neck? Down here? | 0:36:31 | 0:36:35 | |
Or in your back? Does that hurt as well? What we're going to do, | 0:36:35 | 0:36:39 | |
we're going to take you to see a doctor, | 0:36:39 | 0:36:41 | |
to make sure your head and neck is OK, and Mummy will come with you. | 0:36:41 | 0:36:45 | |
You're going to have a trip in the ambulance. What do you reckon? | 0:36:45 | 0:36:49 | |
You'll like that, won't you? You're smiling now. | 0:36:49 | 0:36:51 | |
Can I have a look at your side to see where it hurts? Is that OK? | 0:36:51 | 0:36:55 | |
Ross's kid-glove approach appears to be working, | 0:36:55 | 0:36:58 | |
and Daniel lets him examine him. | 0:36:58 | 0:37:01 | |
Wriggle your little toes for me. Can you do that? | 0:37:01 | 0:37:04 | |
They're not cheesy feet, are they? Eh? Eh? Cheesy feet? | 0:37:04 | 0:37:08 | |
Can you feel my hand here? You can feel that? | 0:37:08 | 0:37:11 | |
OK. Everything's going to be OK, Daniel. All right? I promise you. | 0:37:13 | 0:37:17 | |
The ambulance crew have arrived. | 0:37:17 | 0:37:19 | |
Daniel may seem more relaxed, but he could still have a spinal injury. | 0:37:19 | 0:37:23 | |
Ross needs to get him out of the cramped hallway, yet keep him as straight as possible. | 0:37:23 | 0:37:28 | |
We've got a piece of equipment we use if people are sitting | 0:37:28 | 0:37:32 | |
in the driving seat, that's been involved in a traffic collision. | 0:37:32 | 0:37:35 | |
That would be perfect for Daniel here. | 0:37:35 | 0:37:37 | |
They use a device called a KED. It's normally strapped to an injured adult's back to stabilise it, | 0:37:37 | 0:37:43 | |
but because Daniel is so small, it can be wrapped around his entire body. | 0:37:43 | 0:37:48 | |
-Stand to attention like a soldier. -A very brave soldier. | 0:37:48 | 0:37:51 | |
He is. He's excellent. He's being a good boy, aren't you? | 0:37:51 | 0:37:55 | |
-How old are you? -Six. | 0:37:55 | 0:37:58 | |
Six! Wow. | 0:37:58 | 0:38:00 | |
Daniel seems to be quite enjoying the experience of looking a bit like some kind of superhero. | 0:38:00 | 0:38:05 | |
-Ready? On your lifts. -One, two, three. | 0:38:05 | 0:38:08 | |
That's it. Perfect. | 0:38:08 | 0:38:11 | |
Helen will stay by Daniel's side in the ambulance. | 0:38:11 | 0:38:15 | |
-I'm here, little man. -He's doing really well, Helen. | 0:38:15 | 0:38:18 | |
-You must be proud of him. -Mum's got you some socks. | 0:38:18 | 0:38:21 | |
Daniel seems to be perking up. The team have taken great care with him, | 0:38:21 | 0:38:25 | |
and Ross is confident that his visit to hospital will be a short one. | 0:38:25 | 0:38:30 | |
We can't take any chances with these sort of injuries at all. | 0:38:30 | 0:38:33 | |
I'm sure he'll be at home later, with pain-relief advice and rest. | 0:38:33 | 0:38:37 | |
I think he's going to be fine, but we're taking the right precautions | 0:38:37 | 0:38:40 | |
to make sure he's going to be. | 0:38:40 | 0:38:43 | |
And after a couple of checks, Daniel was absolutely fine. | 0:38:43 | 0:38:47 | |
Nick, the car you're with used to be called a jam sandwich! | 0:38:47 | 0:38:50 | |
It did, actually. The SD1 was called a jam sandwich, | 0:38:50 | 0:38:53 | |
for obvious reasons. Jam down the middle, white on top and bottom. | 0:38:53 | 0:38:57 | |
But look at these chaps here, stood by the cars, | 0:38:57 | 0:39:00 | |
the old uniforms. They're all available for pantomime. | 0:39:00 | 0:39:04 | |
-HE LAUGHS -They could do weddings, | 0:39:04 | 0:39:06 | |
with some of these. Come and have a look, | 0:39:06 | 0:39:10 | |
because I want to compare the older with the new. | 0:39:10 | 0:39:13 | |
Look at that. The uniform's changed as well. Isn't that incredible? | 0:39:13 | 0:39:17 | |
This is a much older one. Steve's going to talk us through here, | 0:39:17 | 0:39:22 | |
-Steve Woodward. How old is this one? -1965. | 0:39:22 | 0:39:26 | |
And it's a workhorse, pretty much like this car now? | 0:39:26 | 0:39:29 | |
This is the forerunner to the BMW you see in the background. | 0:39:29 | 0:39:33 | |
And this caused a bit of a furore when it first came in? | 0:39:33 | 0:39:36 | |
Yes. It was the first foreign vehicle to be used | 0:39:36 | 0:39:39 | |
-by the British police force. -And did it work? -It did. | 0:39:39 | 0:39:42 | |
It laid the foundation to the relationship we've had for 40 years. | 0:39:42 | 0:39:46 | |
With all kinds of different manufacturers. | 0:39:46 | 0:39:49 | |
Can we have a buzz on the bell? The bell was completely different | 0:39:49 | 0:39:52 | |
-in the old days. -ALARM-STYLE BELL RINGS | 0:39:52 | 0:39:55 | |
Isn't that incredible? Isn't that extraordinary? | 0:39:55 | 0:39:58 | |
We'll move on to the old Austin...1100? 1300. | 0:39:58 | 0:40:01 | |
-1300. -There was a sport version with a bigger engine, | 0:40:01 | 0:40:05 | |
-for extra power. -STEVE LAUGHS | 0:40:05 | 0:40:07 | |
-And these were the ones that they'd call panda cars? -Yes. | 0:40:07 | 0:40:11 | |
It was a concept devised by Lancashire Constabulary, | 0:40:11 | 0:40:14 | |
in 1965 again. | 0:40:14 | 0:40:16 | |
Why panda car? | 0:40:16 | 0:40:19 | |
Well, the colour scheme was imported from Chicago, | 0:40:19 | 0:40:22 | |
and when the press got hold of it, all the photographs in the paper | 0:40:22 | 0:40:26 | |
-were in black and white. -So although it's blue and white, | 0:40:26 | 0:40:30 | |
in the papers they were black and white. Did they make some like that? | 0:40:30 | 0:40:34 | |
A few years later, the Home Office experimented with black and white | 0:40:34 | 0:40:38 | |
-for a while, but it didn't catch on. -I remember these when I was young, | 0:40:38 | 0:40:41 | |
-so these had a fair old run. -Yeah, from '65 right through to 1980. | 0:40:41 | 0:40:45 | |
By 1980, if you were sent out in one of these, | 0:40:45 | 0:40:48 | |
-you weren't top of the list of car allocations. -Er, no. | 0:40:48 | 0:40:51 | |
-That's where you started. -Did you drive one? | 0:40:51 | 0:40:54 | |
-Not these. The Mini 850s I did. -Did you? -Mm-hm. | 0:40:54 | 0:40:57 | |
Lovely. Thank you. And now we move on to this. | 0:40:57 | 0:41:00 | |
This is extraordinary. There's a special story about why they brought in this sports car. | 0:41:00 | 0:41:05 | |
-It was to do with motorbikes. -It was, yeah. | 0:41:05 | 0:41:08 | |
The Met Police, in 1959, '60, had a real problem with the ton-up boys, | 0:41:08 | 0:41:11 | |
caff racers. It was a new craze then, | 0:41:11 | 0:41:14 | |
where they'd get on their Triumphs and Nortons and BSAs | 0:41:14 | 0:41:19 | |
and race from the local cafe, round a few roundabouts | 0:41:19 | 0:41:22 | |
and back to the cafe before the record stopped on the jukebox. | 0:41:22 | 0:41:26 | |
And nothing fast enough to keep up, so they introduced the Daimler Dart. | 0:41:26 | 0:41:30 | |
-Top speed was... -123 miles an hour. -That's unbelievable, isn't it? | 0:41:30 | 0:41:34 | |
And it's just such a beauty! This must be the ultimate | 0:41:34 | 0:41:38 | |
for any policeman, to be given this as your police car... | 0:41:38 | 0:41:42 | |
I would have driven it with an extremely large grin on my face. | 0:41:42 | 0:41:45 | |
Do you want to hear it? It's also got a bell. What marks it out | 0:41:45 | 0:41:49 | |
-is the bell on the front. Pan down. -ALARM-STYLE BELL RINGS | 0:41:49 | 0:41:53 | |
That's beautiful. How would you know, if you were on a bike, | 0:41:54 | 0:41:58 | |
that this was a police car chasing you? Apart from the bell... | 0:41:58 | 0:42:01 | |
The officers had to drive with their hats on at all times. | 0:42:01 | 0:42:05 | |
They'd need an elastic band, otherwise it wouldn't keep on! | 0:42:05 | 0:42:09 | |
-And the hood down, even in the rain. -Even in the rain? | 0:42:09 | 0:42:13 | |
Fantastic. Louise, which one would you like to take a whizz in | 0:42:13 | 0:42:16 | |
-after the show? -It's obvious. The Daimler. | 0:42:16 | 0:42:19 | |
You would go with the Daimler Dart? A lot of the girls in the crew | 0:42:19 | 0:42:22 | |
-quite like the old Panda, the Austin. -No. | 0:42:22 | 0:42:25 | |
-I want speed. -OK. We'll set it up for you. | 0:42:25 | 0:42:28 | |
I've just been speaking to Pete over there. It's his birthday, | 0:42:28 | 0:42:31 | |
and he remembers those Panda cars. That's all we have time for. | 0:42:31 | 0:42:35 | |
See you next time. Goodbye for now. | 0:42:35 | 0:42:37 | |
ALARM-STYLE BELL RINGS | 0:42:45 | 0:42:48 | |
Subtitles by Red Bee Media Ltd | 0:42:49 | 0:42:53 | |
E-mail [email protected] | 0:42:53 | 0:42:57 | |
. | 0:42:57 | 0:42:58 |