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Today on Real Rescues: | 0:00:00 | 0:00:01 | |
using battlefield skills, medics fight to save the life of an injured biker. | 0:00:01 | 0:00:06 | |
From my experience in Afghanistan and Iraq, | 0:00:06 | 0:00:09 | |
serious injuries of this nature do bleed. | 0:00:09 | 0:00:12 | |
So I applied tourniquets to both his hand and his leg. | 0:00:12 | 0:00:16 | |
And the two-year-old boy who's locked himself in his parents' car | 0:00:16 | 0:00:19 | |
and will hand over everything but the keys! | 0:00:19 | 0:00:22 | |
Jack, can you get the keys for me, please? | 0:00:22 | 0:00:26 | |
Hello. Welcome to Real Rescues. | 0:00:50 | 0:00:52 | |
We're in one of the busiest police control rooms in the country. | 0:00:52 | 0:00:56 | |
We're used to dealing with call centres, but this one is vital. | 0:00:56 | 0:00:59 | |
This one could save your life. | 0:00:59 | 0:01:01 | |
Just before we started the programme, there was an incident here. | 0:01:01 | 0:01:05 | |
Yes, and the whole atmosphere in the place changed. | 0:01:05 | 0:01:08 | |
Everybody becomes very serious. | 0:01:08 | 0:01:10 | |
-Very busy. -Very tuned in. | 0:01:10 | 0:01:11 | |
There was an incident where somebody was armed and attacked somebody. | 0:01:11 | 0:01:15 | |
-They believed they needed to send an... -Armed Response Unit. | 0:01:15 | 0:01:19 | |
The call came in over here on the desk by the motorways there. | 0:01:19 | 0:01:23 | |
The lady took the call over there. | 0:01:23 | 0:01:26 | |
And then it was picked up by the area that deals with that area. | 0:01:26 | 0:01:30 | |
Having cleared up that incident, there's another one going on now. | 0:01:30 | 0:01:34 | |
That's Inspector Phil who's in charge of the control room today. | 0:01:34 | 0:01:38 | |
He's shouting over to the other desk because they have another serious incident. | 0:01:38 | 0:01:42 | |
-So we won't talk to them for the moment. -This is an extraordinary place to be. | 0:01:42 | 0:01:47 | |
We'll keep out of their way for the next few minutes. | 0:01:47 | 0:01:50 | |
The medical techniques used to treat injured soldiers in Iraq and Afghanistan | 0:01:50 | 0:01:54 | |
are influencing the way accident victims are helped back home. | 0:01:54 | 0:01:57 | |
Those skills are very much needed when a doctor fights to save a life and a limb. | 0:01:57 | 0:02:02 | |
It's late rush hour and PC Alex Dale is on duty. | 0:02:06 | 0:02:09 | |
There's a report of an accident in an area of Portsmouth | 0:02:09 | 0:02:13 | |
with at least one injury. | 0:02:13 | 0:02:16 | |
There's been mention on the radio | 0:02:16 | 0:02:18 | |
of a person with fractures, still in the road. | 0:02:18 | 0:02:20 | |
He arrives to find a motorcyclist lying on his back in the road. | 0:02:28 | 0:02:32 | |
It's clear straightaway that he's suffered very serious leg injuries. | 0:02:32 | 0:02:36 | |
Rapid Response paramedic Pete Hackett is on the scene. | 0:02:36 | 0:02:39 | |
An emergency doctor has been called as well. | 0:02:39 | 0:02:43 | |
A couple saw Darren hit the ground. | 0:02:43 | 0:02:45 | |
We just saw the guy fall out of the sky | 0:02:45 | 0:02:47 | |
then the motorbike came flying into my car and bounced off it. | 0:02:47 | 0:02:51 | |
Graham jumped out and ran over. | 0:02:51 | 0:02:53 | |
And the ladies came along. | 0:02:53 | 0:02:55 | |
They sat with him while I phoned the ambulance. | 0:02:55 | 0:02:58 | |
Fingers crossed he's OK. I know he's hurt his knee but fingers crossed he's OK. | 0:02:58 | 0:03:03 | |
Darren is desperately trying to see what's happened to his leg. | 0:03:03 | 0:03:07 | |
Dr Brando Tamayo is the emergency doctor on call. | 0:03:14 | 0:03:18 | |
He arrives and immediately realises the injuries to Darren's leg are very serious indeed. | 0:03:18 | 0:03:23 | |
But he tries to calm him. | 0:03:23 | 0:03:24 | |
It was fairly clear that this was likely to be very significant. | 0:03:32 | 0:03:36 | |
He had a large hole in his jeans | 0:03:36 | 0:03:38 | |
with a large amount of disruption underneath. | 0:03:38 | 0:03:41 | |
You could see bare flesh where his kneecap used to be. | 0:03:41 | 0:03:45 | |
You could see some elements of broken bone inside. | 0:03:45 | 0:03:48 | |
The nerves, the blood vessels, arteries, veins that supply the lower leg | 0:03:48 | 0:03:52 | |
go through that area. | 0:03:52 | 0:03:54 | |
If you disturb it, you potentially threaten the whole leg. | 0:03:54 | 0:03:58 | |
The paramedic, Pete Hackett, has prepared Darren for intravenous pain relief. | 0:04:01 | 0:04:06 | |
Pete had already put a cannula in his arm. | 0:04:06 | 0:04:08 | |
That allowed me to give him powerful drugs, | 0:04:08 | 0:04:10 | |
more potent than morphine and very quick acting. | 0:04:10 | 0:04:13 | |
Darren is lying quite close to his motorcycle | 0:04:13 | 0:04:16 | |
so it was not a very high-speed accident. | 0:04:16 | 0:04:18 | |
However, he's also suffered dreadful injuries to his hand. | 0:04:18 | 0:04:22 | |
I didn't take the glove off because you can cause injuries | 0:04:22 | 0:04:25 | |
by taking clothing off when you don't need to. | 0:04:25 | 0:04:28 | |
But by looking through the glove material which was damaged, | 0:04:28 | 0:04:32 | |
I could see blood and significant tissue disruption | 0:04:32 | 0:04:36 | |
and at least the loss of two fingers, | 0:04:36 | 0:04:38 | |
or partial loss of two fingers. | 0:04:38 | 0:04:40 | |
An ambulance has arrived to take Darren to the hospital. | 0:04:40 | 0:04:44 | |
With such serious wounds, it is not just the limb that is under threat but potentially Darren's life. | 0:04:47 | 0:04:52 | |
In my experience in Afghanistan and Iraq, serious injuries of this nature do bleed. | 0:04:52 | 0:04:57 | |
Not necessarily at the instant they occur, but after a period of time, | 0:04:57 | 0:05:01 | |
the spasm in the blood vessels that have been damaged goes away | 0:05:01 | 0:05:05 | |
and it starts to bleed. | 0:05:05 | 0:05:06 | |
So I applied tourniquets to both his hand and his leg. | 0:05:06 | 0:05:10 | |
Darren has now received the strongest painkiller. | 0:05:10 | 0:05:13 | |
But his leg must be straightened before he's loaded into the ambulance. | 0:05:13 | 0:05:17 | |
Aghhh! | 0:05:17 | 0:05:18 | |
Arteries and veins work best in the anatomical position they were designed to be in. | 0:05:18 | 0:05:25 | |
Which is the leg straight. | 0:05:25 | 0:05:26 | |
The injuries are so severe, | 0:05:26 | 0:05:29 | |
Dr Brando is preparing Darren on the roadside for surgery at hospital. | 0:05:29 | 0:05:33 | |
The aim is to get him straight into the operating theatre. | 0:05:33 | 0:05:37 | |
Darren is so badly injured, his leg and possibly his life are in danger. | 0:05:37 | 0:05:41 | |
As you'll see, the medics can't relax. | 0:05:41 | 0:05:44 | |
Their emergency skills are needed even in the ambulance. | 0:05:44 | 0:05:47 | |
Just to let you know, the armed response is still ongoing. | 0:05:48 | 0:05:52 | |
They're dealing with the situation. | 0:05:52 | 0:05:54 | |
If we get any details of what's going on | 0:05:54 | 0:05:56 | |
and what's causing the police to be so much on their game we'll let you know. | 0:05:56 | 0:06:01 | |
Moving on. The Hampshire Police spotter plane | 0:06:01 | 0:06:03 | |
is a resource that can be called upon by any officer on the ground. | 0:06:03 | 0:06:07 | |
Louise has been to meet the crew and hear about a race against time | 0:06:07 | 0:06:11 | |
to find a missing man. | 0:06:11 | 0:06:12 | |
This here is the police spotter plane. Mark works for the Air Support Unit. | 0:06:12 | 0:06:17 | |
You've got some amazing equipment. Show me the cameras that do the work - with you in control. | 0:06:17 | 0:06:22 | |
On the front is the 360-degree camera system that we use. | 0:06:22 | 0:06:25 | |
It's equipped with three types of camera. | 0:06:25 | 0:06:28 | |
One is a thermal image camera | 0:06:28 | 0:06:30 | |
which we tend to use at night. | 0:06:30 | 0:06:32 | |
And we have a normal video camera which we can zoom in and out | 0:06:32 | 0:06:35 | |
and a fixed zoom, colour zoom. | 0:06:35 | 0:06:37 | |
And these pictures can be broadcast live into the control room. | 0:06:37 | 0:06:41 | |
We down-link them from the aircraft to the control room. | 0:06:41 | 0:06:44 | |
And you can take charge of an incident if you're involved in it? | 0:06:44 | 0:06:47 | |
With most incidents, when we get overhead, we take over command from the control room. | 0:06:47 | 0:06:52 | |
We're better able to deploy resources where they're needed. | 0:06:52 | 0:06:55 | |
Let's have a look at some of the vital work they do from this aircraft. | 0:06:55 | 0:06:59 | |
An elderly man had gone missing for 24 hours and they went out to find him. | 0:06:59 | 0:07:04 | |
The New Forest in Hampshire. Spotter plane Boxer 1-0 | 0:07:11 | 0:07:16 | |
is looking for a vulnerable man in his late 60s who's been missing all night. | 0:07:16 | 0:07:20 | |
He left his care home for his daily walk and never came back. | 0:07:21 | 0:07:25 | |
A search was carried out but was called off at three in the morning. | 0:07:27 | 0:07:31 | |
They're now back out again. | 0:07:31 | 0:07:33 | |
PC Andy Sparshott is on board. | 0:07:33 | 0:07:35 | |
He knows the longer the man remains lost, | 0:07:35 | 0:07:38 | |
the less likely he is to be found alive. | 0:07:38 | 0:07:40 | |
He'd been missing 13 hours. | 0:07:43 | 0:07:45 | |
He's been out overnight, so your fears are | 0:07:45 | 0:07:48 | |
that you're going to find him too late. | 0:07:48 | 0:07:51 | |
You're going to find him and by the time you get to him, | 0:07:51 | 0:07:54 | |
the exposure of being outside has resulted in him losing his life. | 0:07:54 | 0:08:00 | |
Andy is controlling the plane's immensely powerful camera. | 0:08:00 | 0:08:03 | |
It can read a number plate from a height of 2,000 feet. | 0:08:03 | 0:08:07 | |
But it's a huge area to search. | 0:08:08 | 0:08:11 | |
The area we worked out to be 23 square miles. | 0:08:11 | 0:08:15 | |
To find a person in a 23-square-mile area is like looking for a needle in a haystack. | 0:08:15 | 0:08:21 | |
The person could be anywhere within that area. | 0:08:21 | 0:08:24 | |
Below them, people are going about their daily activities, | 0:08:24 | 0:08:28 | |
unaware that in this scenic landscape, | 0:08:28 | 0:08:30 | |
somebody might be in distress. | 0:08:30 | 0:08:32 | |
With painstaking care, the team investigates anything that moves, | 0:08:34 | 0:08:39 | |
every bright or strange object they see. | 0:08:39 | 0:08:41 | |
So far, nothing. | 0:08:48 | 0:08:50 | |
But then, after half an hour, | 0:08:50 | 0:08:51 | |
something catches the corner of Andy's eye. | 0:08:51 | 0:08:54 | |
I get the glimpse of something on the edge of this pond | 0:08:55 | 0:08:59 | |
which is a different colour. | 0:08:59 | 0:09:01 | |
'Boxer 1-0. We think we've located a male. Stand by for location.' | 0:09:01 | 0:09:05 | |
Amazingly, they've found him. | 0:09:07 | 0:09:10 | |
'Boxer 1-0. We can confirm we have a male. He's lying on his back | 0:09:11 | 0:09:14 | |
'on the edge of a small pond. He's waving, so he is moving.' | 0:09:14 | 0:09:18 | |
My heart skipped a beat. Straightaway, | 0:09:18 | 0:09:22 | |
it was euphoria. | 0:09:22 | 0:09:24 | |
Shouting out, "I've got him! I've found him!" | 0:09:24 | 0:09:28 | |
The man is conscious and breathing but he's been out all night | 0:09:28 | 0:09:32 | |
and is lying in water. | 0:09:32 | 0:09:34 | |
He could be in a fragile condition. | 0:09:34 | 0:09:36 | |
They want to get emergency services to him as soon as possible. | 0:09:36 | 0:09:40 | |
'Unit two, it's on Long Cross Plain.' | 0:09:40 | 0:09:43 | |
'Delta 149. We'll get a unit out to them. Thank you.' | 0:09:44 | 0:09:48 | |
Pilot John Harding flies lower over the man | 0:09:48 | 0:09:51 | |
to try and let him know he's been spotted. | 0:09:51 | 0:09:53 | |
'1-0. There is a track that runs off the main road there | 0:09:53 | 0:09:58 | |
'that vehicles can come down through.' | 0:09:58 | 0:10:00 | |
'Can I have an ambulance to this location also, please?' | 0:10:00 | 0:10:03 | |
In this terrain where the roads and tracks can seem indistinguishable, | 0:10:04 | 0:10:10 | |
the spotter plane comes into its own. From above, | 0:10:10 | 0:10:13 | |
the team can direct the forces on the ground | 0:10:13 | 0:10:15 | |
to an exact location, | 0:10:15 | 0:10:17 | |
saving valuable time. | 0:10:17 | 0:10:19 | |
'Continue driving up the road. You've still got a little way to go. Over.' | 0:10:19 | 0:10:23 | |
'Is it further up?' | 0:10:25 | 0:10:28 | |
'Continue through the crossroads | 0:10:28 | 0:10:31 | |
'150 metres up on the left hand side | 0:10:31 | 0:10:35 | |
'is a further gravel track with a small silver hatchback parked in it. | 0:10:35 | 0:10:39 | |
'You need to turn left on that track. Over.' | 0:10:39 | 0:10:41 | |
'Yes. Left there. Left there.' | 0:10:43 | 0:10:45 | |
The two policemen first to the scene are guided straight to the casualty. | 0:10:52 | 0:10:56 | |
'Less than 100 metres and he's on the far side of the pond | 0:10:56 | 0:10:59 | |
'as you will see him.' | 0:10:59 | 0:11:01 | |
To just see that image of him lying on the ground | 0:11:04 | 0:11:08 | |
and the fact we'd found him and he's still alive, he's waving his arms. | 0:11:08 | 0:11:12 | |
It was just absolute elation. | 0:11:12 | 0:11:14 | |
Paramedics are also on their way. | 0:11:14 | 0:11:17 | |
The police get the man out of the water and start to warm him up. | 0:11:17 | 0:11:21 | |
His lonely ordeal is over. | 0:11:25 | 0:11:27 | |
Mark, there must be an incredible sense of relief when you find somebody like that man | 0:11:31 | 0:11:36 | |
-who was in quite a lot of danger. -Indeed. | 0:11:36 | 0:11:38 | |
It was a 24-hour operation, really, | 0:11:38 | 0:11:40 | |
and it was nice to find the gentleman. | 0:11:40 | 0:11:43 | |
And he was safe and well. | 0:11:43 | 0:11:44 | |
You also have a story about a little boy who is autistic and got into trouble. | 0:11:44 | 0:11:49 | |
A five-year-old autistic lad ran off from his parents. He had an attraction to water. | 0:11:49 | 0:11:53 | |
A similar area to where that gentleman was. | 0:11:53 | 0:11:56 | |
We found him in a pond, up to his knees, drinking the water. | 0:11:56 | 0:11:59 | |
At great risk to himself. If he'd tripped and fallen in, the situation could have been different. | 0:11:59 | 0:12:04 | |
-So by spotting him from this plane, you saved his life. -Effectively, yes. | 0:12:04 | 0:12:08 | |
The thing about this plane is any officer can call you up and ask for help. | 0:12:08 | 0:12:13 | |
They can, yes. Mostly, the requests come through the control room. | 0:12:13 | 0:12:16 | |
But we do have our own channel where any officer can call us up and request our services. | 0:12:16 | 0:12:22 | |
-Do you get called out for all sorts of things? -Yes. | 0:12:22 | 0:12:25 | |
Not just missing people. Criminal incidents as well. Tell me about that later. | 0:12:25 | 0:12:29 | |
-And you've promised to take me flying to see how it works. -Yes. | 0:12:29 | 0:12:33 | |
We're in the air later on, following a man so desperate to escape the police | 0:12:35 | 0:12:39 | |
he jumps off a cliff. And I can give you an update on what's going on. | 0:12:39 | 0:12:43 | |
We've had an Armed Response Unit sent out before the programme. | 0:12:43 | 0:12:47 | |
As we started the programme, another incident kicked off. We have some information. | 0:12:47 | 0:12:51 | |
The call is being handled by that desk with the supervisors working with the call taker. | 0:12:51 | 0:12:56 | |
On this side, the inspector is considering what to do next. | 0:12:56 | 0:13:00 | |
He has already sent out the Armed Response Unit. That's the second time inside an hour, locally. | 0:13:00 | 0:13:07 | |
So a lot going on here for the guys to think about. | 0:13:07 | 0:13:11 | |
In the meantime, we'll move on. Louise? | 0:13:11 | 0:13:14 | |
I'm on this side to keep out of their way while they deal with that. | 0:13:14 | 0:13:17 | |
Now, forensics. Something happened earlier that Sarah can tell me about. | 0:13:17 | 0:13:22 | |
-You're not busy? -Hi. -A security guard had a problem with ten people. What was going on? | 0:13:22 | 0:13:27 | |
I believe he was on site, and ten men came and bundled him into a corner | 0:13:27 | 0:13:33 | |
and stole £3,000-worth of copper piping from the site. | 0:13:33 | 0:13:36 | |
OK. A serious incident. Why has forensics been called in? | 0:13:36 | 0:13:39 | |
We've been called in because copper piping is a nice shiny surface. | 0:13:39 | 0:13:44 | |
If we recover it, we might find prints on it. Also, there was a tyre print left in some mud. | 0:13:44 | 0:13:49 | |
We don't normally attend for tyre prints, vehicle marks, | 0:13:49 | 0:13:53 | |
unless there's a vehicle involved and there was a vehicle tagged in the area. | 0:13:53 | 0:13:58 | |
-OK. -So if we can track that down. -You take an imprint of the tyre? -They've taken photos, I believe. | 0:13:58 | 0:14:03 | |
We put a scale rule next to it to say how big it is and everything. | 0:14:03 | 0:14:07 | |
If they can track the vehicle down, they can match it to the tyre print on the photo. | 0:14:07 | 0:14:13 | |
-So that, with the copper piping, who knows what will happen? -Yeah. | 0:14:13 | 0:14:16 | |
As we saw earlier, a motorcyclist has hit a car and is seriously injured. | 0:14:16 | 0:14:20 | |
Both a Rapid Response paramedic and a critical care doctor are on the scene. | 0:14:20 | 0:14:25 | |
The victim has been given the strongest painkiller possible | 0:14:25 | 0:14:28 | |
but straightening his leg proves difficult. | 0:14:28 | 0:14:31 | |
Aghhh! | 0:14:31 | 0:14:32 | |
They now need to get him to hospital. | 0:14:33 | 0:14:35 | |
Darren's leg is so badly injured, his limb and possibly his life, are in danger. | 0:14:37 | 0:14:42 | |
Critical care doctor Brando Tamayo has given him the strongest pain relief. | 0:14:42 | 0:14:47 | |
His leg is now in the correct position, in a splint. | 0:14:48 | 0:14:51 | |
The next step is getting him into the ambulance. | 0:14:51 | 0:14:54 | |
One, two, three. | 0:14:54 | 0:14:55 | |
They gently roll him onto a scoop stretcher. | 0:14:55 | 0:14:59 | |
This is used when the patient can endure only minimum movement. | 0:14:59 | 0:15:02 | |
He's now ready to go to hospital, but he's not out of danger. | 0:15:06 | 0:15:10 | |
Dr Brando will travel with him. | 0:15:10 | 0:15:12 | |
Meanwhile, PC Alex gets on with the police investigation. | 0:15:14 | 0:15:18 | |
He talks to the driver of the car which was in collision with Darren. | 0:15:18 | 0:15:22 | |
What happened? | 0:15:22 | 0:15:24 | |
The car and the bike were going in opposite directions and collided at a turning. | 0:15:24 | 0:15:28 | |
The driver is very shaken after Darren bounced off his bonnet. | 0:15:28 | 0:15:32 | |
Alex's colleague, Sergeant Scott Davison, clears up the debris from the road. | 0:15:32 | 0:15:37 | |
As you can see, | 0:15:37 | 0:15:39 | |
there's blood down there from the motorcyclist. | 0:15:39 | 0:15:42 | |
I'll remove anything bloodstained or medical so kids don't get hold of it. | 0:15:42 | 0:15:46 | |
Meanwhile, on the way to hospital, Brando's fears about Darren's wounds are realised. | 0:15:46 | 0:15:51 | |
As soon as we got him into the ambulance, the spasm in the blood vessels relaxed. | 0:15:51 | 0:15:55 | |
His knee started to bleed. I tightened the tourniquet at that point, | 0:15:55 | 0:16:00 | |
stopped the bleeding and so stopped any potential for him losing his life related to blood loss. | 0:16:00 | 0:16:06 | |
Back at the roadside, PC Alex has finished routine tests | 0:16:06 | 0:16:10 | |
which are carried out on every driver involved in an accident. | 0:16:10 | 0:16:14 | |
He's passed everything we've done. He's not been drinking or on anything. | 0:16:14 | 0:16:18 | |
But he is understandably upset about what's happened. | 0:16:18 | 0:16:22 | |
Recovery has arrived to take Darren's motorbike away. | 0:16:22 | 0:16:25 | |
Alex has gathered all the evidence for his investigation. | 0:16:25 | 0:16:29 | |
I have to make sure it's documented correctly. | 0:16:29 | 0:16:31 | |
Gather all the stuff the other officers have. | 0:16:31 | 0:16:34 | |
They've all got stuff - photos, or spoken to witnesses. | 0:16:34 | 0:16:37 | |
Make sure it's collected together. | 0:16:37 | 0:16:39 | |
We'll look at it tomorrow when we have an idea of what the guy's injuries are. Take it from there. | 0:16:39 | 0:16:45 | |
Darren and Dr Tamayo have joined us. | 0:16:46 | 0:16:49 | |
Firstly, how's the leg? It looked pretty horrific. | 0:16:49 | 0:16:52 | |
It's coming on very well, Nick. | 0:16:52 | 0:16:54 | |
-Can we see the scar? -You can if you want to see it! | 0:16:54 | 0:16:57 | |
Quite substantial. Got much movement in the leg? | 0:16:57 | 0:17:00 | |
I've got about 60-degree motion in the knee at the moment. | 0:17:00 | 0:17:03 | |
That's not bad, is it? | 0:17:03 | 0:17:05 | |
-Five months. -Yes, it's slow progress, isn't it? | 0:17:05 | 0:17:09 | |
-And you lost a couple of fingers? -Yes. | 0:17:09 | 0:17:12 | |
-Which is a problem because you work in... -IT. -IT. | 0:17:12 | 0:17:16 | |
Are you managing to retrain, or finding it difficult? | 0:17:16 | 0:17:19 | |
A bit difficult because you miss certain keys on the keyboard! | 0:17:19 | 0:17:22 | |
-I see. Do you get like the ghost... -Phantom fingers, yeah. | 0:17:22 | 0:17:27 | |
I could swear blind my fingers were there. | 0:17:27 | 0:17:30 | |
-So you're moving as if to type, and missing the keys. -Yeah. | 0:17:30 | 0:17:34 | |
A complication I hadn't thought of. Looking back at the film, and that evening, | 0:17:34 | 0:17:38 | |
-do you remember much of it? -Absolutely nothing. | 0:17:38 | 0:17:41 | |
What's it like to see it and see everybody looking after you? | 0:17:41 | 0:17:45 | |
A bit surreal. But obviously grateful for all the help that was there. | 0:17:45 | 0:17:49 | |
We can take a look at some of your x-rays. | 0:17:49 | 0:17:51 | |
Not being medical, Dr Tamayo, which bit is that? | 0:17:51 | 0:17:54 | |
That's the femur and the screws are holding it together. | 0:17:54 | 0:17:59 | |
-So he'd shattered it. -Shattered the top part of the knee. | 0:17:59 | 0:18:02 | |
-That's the...shin bone? -That's the mid shin bone. | 0:18:02 | 0:18:05 | |
There are two breaks. Both bones in the lower leg. | 0:18:05 | 0:18:08 | |
Yes, the little bone, bottom right. And the next one? | 0:18:08 | 0:18:11 | |
This is how you mend a shin bone. Or one of the ways. | 0:18:11 | 0:18:16 | |
There's a substantial bit of metalwork there, | 0:18:16 | 0:18:19 | |
holding the tibia together. | 0:18:19 | 0:18:21 | |
The smaller bone will knit together, if it's in the right position. | 0:18:21 | 0:18:25 | |
-It seems to have done the job. You lost part of your kneecap? -About 40%. -40%. | 0:18:25 | 0:18:30 | |
-Has that made a difference? -Obviously with mobility. Walking and stairs. | 0:18:30 | 0:18:36 | |
I imagine that's a problem. | 0:18:36 | 0:18:38 | |
You're not considering going back on a motorbike again? | 0:18:38 | 0:18:42 | |
-Hmm... -You sort of are? -Pass! | 0:18:42 | 0:18:44 | |
So at first it's, "I'm never going back on a bike" and now... | 0:18:44 | 0:18:48 | |
No, since Day One, I wanted to get back on the bike. | 0:18:48 | 0:18:51 | |
-Yeah. -OK. Dr Tamayo, talk us through... What was fascinating for me, | 0:18:51 | 0:18:57 | |
you have a military background. The navy. | 0:18:57 | 0:18:59 | |
-I was navy up to about 19 days ago. -As recently as that? | 0:18:59 | 0:19:04 | |
-Yes. -OK. And you were often ferrying the injured troops away from the front line by helicopter? | 0:19:04 | 0:19:11 | |
Yes, in the last few years I've done tours in Afghanistan with the helicopter-based ambulance service. | 0:19:11 | 0:19:17 | |
There's talk now in the medical community | 0:19:17 | 0:19:20 | |
about how some of the techniques from war knowledge are coming back. | 0:19:20 | 0:19:23 | |
One of them is tourniquets, which had gone out of fashion. | 0:19:23 | 0:19:27 | |
-It's come back? -Indeed. Tourniquets have been around for a long time | 0:19:27 | 0:19:31 | |
but they lost favour in the '70s and '80s in civilian practice. | 0:19:31 | 0:19:35 | |
The workload we've had in Afghanistan and Iraq means we've revisited their use | 0:19:35 | 0:19:39 | |
and they've been absolutely life-saving in serious injuries | 0:19:39 | 0:19:43 | |
-where blood loss is significant. -You used it with Darren. | 0:19:43 | 0:19:46 | |
Indeed. I put them on in case I needed to use them | 0:19:46 | 0:19:50 | |
and once he started to bleed, I tightened them to stop him losing blood. | 0:19:50 | 0:19:54 | |
-And there's a new kind of chemical... -In the last few years, | 0:19:54 | 0:19:59 | |
-It's like a pad. -One way the military have looked at things | 0:19:59 | 0:20:04 | |
is you stop the bleeding using a tourniquet device. This is a military tourniquet. | 0:20:04 | 0:20:10 | |
But there are other things. Special dressings. Granule forms | 0:20:10 | 0:20:15 | |
or a dressing here, you may be able to whiff a bit of sea air. | 0:20:15 | 0:20:20 | |
-Very sea... -A fishy smell. | 0:20:20 | 0:20:23 | |
-Yeah. -It's made from the skeleton of crustaceans. | 0:20:23 | 0:20:27 | |
The material itself actually prompts the blood to clot. | 0:20:27 | 0:20:31 | |
So it's novel. We shouldn't use it except for major injuries | 0:20:31 | 0:20:36 | |
-and it can be life-saving in those areas. -In a life-threatening situation. | 0:20:36 | 0:20:42 | |
Fascinating work. Amazing that you give your time to do this | 0:20:42 | 0:20:47 | |
because it's voluntary as well. | 0:20:47 | 0:20:49 | |
-You must be chuffed to bits that these people are around. -Absolute respect for them. | 0:20:49 | 0:20:54 | |
-Brilliant. Nice to see you looking a lot better. Thank you very much for coming in. -Thank you. | 0:20:54 | 0:20:59 | |
Still to come on Real Rescues: | 0:21:01 | 0:21:03 | |
the man who thought it worth jumping off a cliff to escape police. | 0:21:03 | 0:21:06 | |
'We think it's a 30-foot drop. | 0:21:06 | 0:21:09 | |
'The crew on the aircraft think this guy is in serious trouble.' | 0:21:09 | 0:21:13 | |
And the milkman who made an unusual discovery on his morning rounds. | 0:21:13 | 0:21:17 | |
Now, if you've got one, you'll know it's difficult to get a two-year-old to do as they're told. | 0:21:31 | 0:21:37 | |
When he's locked himself in your car and he's holding the keys, | 0:21:37 | 0:21:41 | |
what's your next move? | 0:21:41 | 0:21:43 | |
It's early evening. Green Watch respond to a call from an anxious parent. | 0:21:45 | 0:21:50 | |
We're going to West Quay shopping centre. | 0:21:50 | 0:21:53 | |
We've got a child locked in a car | 0:21:53 | 0:21:55 | |
so we've got an emergency response just in case. They're in distress. | 0:21:55 | 0:21:59 | |
Can you confirm it is level seven, please? Over. | 0:22:02 | 0:22:05 | |
Seven flights later, they're greeted by a sheepish Lee and Lisa. | 0:22:08 | 0:22:12 | |
Hello. | 0:22:12 | 0:22:14 | |
That's all right. | 0:22:17 | 0:22:18 | |
He's in the front. Right. | 0:22:20 | 0:22:22 | |
We wanted him to press the button on the key fob, but he's chucked them down the side. | 0:22:22 | 0:22:27 | |
They accidentally let the door close behind them, | 0:22:27 | 0:22:30 | |
leaving the key fob on the seat for their son Jack to press and lock himself in. | 0:22:30 | 0:22:35 | |
Jack, can you get the keys for me, please? | 0:22:35 | 0:22:38 | |
For the past half hour, his parents have been trying to get the two-year-old to release himself. | 0:22:38 | 0:22:43 | |
Lee's part-time job meant he was keen to avoid calling the fire service. | 0:22:43 | 0:22:48 | |
-Retained in Fordingbridge? -I am, yeah. | 0:22:52 | 0:22:54 | |
This will be back there before you are! | 0:22:54 | 0:22:56 | |
Jack has dropped the key fob somewhere in the front. | 0:22:57 | 0:23:00 | |
To minimise Lee's repair bill and any distress to Jack, | 0:23:00 | 0:23:04 | |
the crew hope that if he can press the central locking release on the console of the car, | 0:23:04 | 0:23:09 | |
they'll be able to get in. | 0:23:09 | 0:23:11 | |
Push the button! | 0:23:11 | 0:23:13 | |
Jack, press the button. | 0:23:13 | 0:23:15 | |
Push the button in the middle. | 0:23:15 | 0:23:17 | |
Next one. Next one! | 0:23:17 | 0:23:20 | |
-The other one. -The one next to it. -Push the next button. | 0:23:20 | 0:23:23 | |
He could kneel on it if we get lucky. | 0:23:23 | 0:23:26 | |
He's not in any distress. I'm not in a hurry to cause any damage to the car. | 0:23:26 | 0:23:30 | |
So we'll wait for a few minutes. | 0:23:30 | 0:23:32 | |
To help the rescue effort, Jack's gran and auntie have arrived. | 0:23:32 | 0:23:37 | |
Jack! | 0:23:38 | 0:23:40 | |
Jack, are you going to push the button? | 0:23:41 | 0:23:43 | |
-Got the keys? -Push the button, Jack. | 0:23:43 | 0:23:46 | |
But so far, Jack's only succeeded in pushing the hazard lights on and off. | 0:23:46 | 0:23:50 | |
All the indications suggest this could go on for a long time. | 0:23:50 | 0:23:54 | |
Jack, push the button. | 0:23:56 | 0:23:58 | |
No? Not interested? | 0:23:58 | 0:24:00 | |
I'm trying so hard not to laugh. | 0:24:00 | 0:24:02 | |
That's it. Good boy! | 0:24:02 | 0:24:04 | |
At least Jack's not upset by the fuss. | 0:24:08 | 0:24:10 | |
In fact, it all seems like one big game to him! | 0:24:10 | 0:24:13 | |
Time passes and Jack's parents get more anxious at not being able to reach him. | 0:24:17 | 0:24:22 | |
The crew decide that they have no choice but to damage the car. | 0:24:22 | 0:24:26 | |
I'm just taking the window out so that when we break it, | 0:24:26 | 0:24:30 | |
it'll stay in one piece and we'll be able to lift it out without damaging the little chap in the car. | 0:24:30 | 0:24:35 | |
With Jack safely distracted and a few sharp taps from a special tool called a ketch, | 0:24:36 | 0:24:41 | |
they can break and pull out the glass in one go. | 0:24:41 | 0:24:44 | |
Jack, what's this? | 0:24:44 | 0:24:46 | |
But pulling up the lock on the back door fails to open it. | 0:24:46 | 0:24:49 | |
Please pop up! | 0:24:49 | 0:24:52 | |
I've even got the button. Would you believe it? | 0:24:52 | 0:24:55 | |
Next, a slightly different use for a ceiling hook | 0:24:55 | 0:24:58 | |
as they try once more to push that button. | 0:24:58 | 0:25:00 | |
That's it. Go on. Back a bit. | 0:25:00 | 0:25:03 | |
-Go on. -Push down. Press down. | 0:25:03 | 0:25:05 | |
You're pressing it down, but it isn't doing it. | 0:25:06 | 0:25:09 | |
The button doesn't work. | 0:25:10 | 0:25:12 | |
To open this car without causing even more damage, | 0:25:12 | 0:25:16 | |
they must get hold of those keys. | 0:25:16 | 0:25:19 | |
We don't know where the keys are. | 0:25:19 | 0:25:22 | |
To encourage Jack to search, they use a touch of bribery. | 0:25:22 | 0:25:25 | |
Pull the handle. | 0:25:25 | 0:25:26 | |
-Jack, do you want to go and get an ice cream? -Yeah! | 0:25:26 | 0:25:29 | |
-Can you try and find Daddy's keys, please? -Yeah. | 0:25:29 | 0:25:32 | |
(INAUDIBLE) | 0:25:32 | 0:25:34 | |
Chocolate? OK. What about down by Daddy's coat? Are they down there? | 0:25:34 | 0:25:38 | |
Having set his terms, | 0:25:38 | 0:25:40 | |
Jack scurries off and brings back... | 0:25:40 | 0:25:42 | |
a mini basketball. | 0:25:42 | 0:25:44 | |
Jack, can you get the keys for me, please? | 0:25:45 | 0:25:49 | |
When his next attempt yields a toy car, | 0:25:50 | 0:25:52 | |
all hope appears lost. | 0:25:52 | 0:25:55 | |
But then a tantalising glint of metal on the floor catches Lee's eye. | 0:25:55 | 0:26:00 | |
-Jack, can you see them there? Yeah, there they are. -Where? -Under the seat. | 0:26:00 | 0:26:04 | |
Having fashioned a make-shift fishing rod, | 0:26:04 | 0:26:07 | |
Paul Sheppard attempts to hook out the keys. | 0:26:07 | 0:26:10 | |
A successful catch. Finally, | 0:26:11 | 0:26:13 | |
Jack can be freed from his automotive prison. | 0:26:13 | 0:26:16 | |
Ah, you're out! | 0:26:16 | 0:26:18 | |
Oh, my God. You're boiling. | 0:26:18 | 0:26:21 | |
What have you been doing in there? | 0:26:23 | 0:26:25 | |
-JACK: -I stuck! I stuck! -You were stuck! | 0:26:25 | 0:26:29 | |
Thankfully, unlike Dad's car, | 0:26:29 | 0:26:32 | |
Jack seems none the worse for his experience. | 0:26:32 | 0:26:35 | |
I think you've got to try and see the funny side of it | 0:26:35 | 0:26:38 | |
and just hope that it never happens again! | 0:26:38 | 0:26:41 | |
I'll get a spare key. | 0:26:41 | 0:26:42 | |
Yeah, get a spare key and always keep the keys on me and don't put them on the seat. | 0:26:42 | 0:26:48 | |
It's asking for trouble. | 0:26:48 | 0:26:50 | |
Green Watch can now head back to their base, | 0:26:50 | 0:26:53 | |
leaving behind one fireman who's in no hurry to get back to his. | 0:26:53 | 0:26:58 | |
-I don't think I'll hear the end of this down the station! -No! | 0:26:58 | 0:27:02 | |
-Say goodbye to the nee-noos. -Bye-bye nee-noos! | 0:27:02 | 0:27:05 | |
-Bye-bye nee-noos! -Bye-bye nee-noos. | 0:27:05 | 0:27:07 | |
Good boy! | 0:27:07 | 0:27:08 | |
Finally. And he was really happy, wasn't he? | 0:27:08 | 0:27:11 | |
We've seen many trapped youngsters on Real Rescues. | 0:27:11 | 0:27:14 | |
Down a hole... | 0:27:14 | 0:27:16 | |
Another stuck in a car. | 0:27:16 | 0:27:18 | |
Kateleigh, listen! | 0:27:18 | 0:27:20 | |
And even in a super loo! | 0:27:20 | 0:27:22 | |
Oh, you've done it. Well done, mate! | 0:27:22 | 0:27:24 | |
Alex, you've had to deal with young people in similar situations. | 0:27:26 | 0:27:30 | |
When you know a youngster is involved, how do you approach it? | 0:27:30 | 0:27:33 | |
Firstly, we try to reassure the parents | 0:27:33 | 0:27:36 | |
and obviously our initial concern is the safety of the child involved. | 0:27:36 | 0:27:41 | |
You're quite intimidating when you've got your fire-fighter's outfit on. | 0:27:41 | 0:27:45 | |
Do you just tone it down a bit, or what is it? | 0:27:45 | 0:27:48 | |
Yeah, we'll take our helmet off and try and strike a rapport with the child. | 0:27:48 | 0:27:53 | |
"Hi, my name's Alex. What's your name?", that sort of thing. | 0:27:53 | 0:27:56 | |
Tell me about one incident. You had a child who was stuck between two houses. | 0:27:56 | 0:28:01 | |
-How had they got there? -They'd been playing on the roof and fell between the two houses. | 0:28:01 | 0:28:05 | |
They became trapped between the two walls. | 0:28:05 | 0:28:08 | |
So we had to gain access by taking bricks out of one wall. | 0:28:08 | 0:28:12 | |
-They must have been pretty scared? -They were scared. | 0:28:12 | 0:28:15 | |
We chatted to them all the time, trying to keep their spirits up. | 0:28:15 | 0:28:20 | |
You literally had to take down a brick wall to get them out. | 0:28:20 | 0:28:23 | |
You mentioned parents there. Sometimes they panic, sometimes they don't. | 0:28:23 | 0:28:27 | |
-What do you do? -Some parents can become quite distressed | 0:28:27 | 0:28:32 | |
but we try and include them in anything we do. | 0:28:32 | 0:28:35 | |
Because they can be really helpful. And the child can respond better or worse depending on the parents! | 0:28:35 | 0:28:42 | |
You saw Jack at the end, he was waving goodbye to the nee-noos. | 0:28:42 | 0:28:45 | |
Is that your thing? You want them to have a good impression. | 0:28:45 | 0:28:49 | |
Yes, because any incident like that can be really traumatic. | 0:28:49 | 0:28:52 | |
But if we can make it light-hearted, a bit of a joke, and fun, | 0:28:52 | 0:28:56 | |
-and leave them smiling, it leaves us with a smile too. -And bribery sometimes works? | 0:28:56 | 0:29:02 | |
Yeah. If you can open that door, we'll give you an ice cream. | 0:29:02 | 0:29:06 | |
-Come and see the blue lights on the fire engine. It all works. -Brilliant. | 0:29:06 | 0:29:11 | |
Now back to the work of the police Air Support Unit. | 0:29:11 | 0:29:14 | |
A stolen car is being tracked from the air. | 0:29:14 | 0:29:17 | |
It ends with its desperate driver risking his life. | 0:29:17 | 0:29:20 | |
It's late at night, and the stolen car is tearing through the streets of Portsmouth. | 0:29:23 | 0:29:27 | |
-AIR SUPPORT: -Vehicle is doing 72 miles per hour. 40 mph limit. | 0:29:27 | 0:29:31 | |
Two police cars are in hot pursuit. | 0:29:31 | 0:29:34 | |
They have to perform a tense balancing act. | 0:29:34 | 0:29:36 | |
If they get too close to the stolen vehicle, the greater the risk of it crashing | 0:29:36 | 0:29:41 | |
and endangering the lives of the general public. | 0:29:41 | 0:29:44 | |
Boxer 1-0. It's through the lights which we believe are red. | 0:29:44 | 0:29:47 | |
Right, right, right. | 0:29:47 | 0:29:48 | |
But with the car fixed in the spotter plane's sights, | 0:29:48 | 0:29:52 | |
it allows the police drivers to keep a safe distance. | 0:29:52 | 0:29:55 | |
Subject vehicle is slowing. | 0:29:55 | 0:29:57 | |
Turn right, right, right. | 0:29:57 | 0:29:59 | |
The driver clearly knows the area and pulls into a network of residential streets | 0:29:59 | 0:30:04 | |
in a bid to shake off his pursuers. | 0:30:04 | 0:30:06 | |
From above, it looks like a surreal computer game. | 0:30:06 | 0:30:09 | |
But up in the sky, police observer Mark Arnold can help direct his fellow officers | 0:30:09 | 0:30:14 | |
through the maze and stay on the trail of the thieves. | 0:30:14 | 0:30:17 | |
Subject vehicle approaches junction with Portsdown Hill Road. | 0:30:17 | 0:30:22 | |
It's a right, right, right. | 0:30:22 | 0:30:24 | |
The chase continues into a more rural area | 0:30:24 | 0:30:28 | |
and a tight road that winds through the fields. | 0:30:28 | 0:30:31 | |
However, the driver's luck is about to run out. | 0:30:31 | 0:30:34 | |
Losing control, he goes straight into the path of an oncoming car. | 0:30:34 | 0:30:38 | |
Thankfully, the blow is only a glancing one, | 0:30:40 | 0:30:43 | |
but the damage is enough for the car to finally come to a halt. | 0:30:43 | 0:30:47 | |
The passenger has given up, though the driver has other ideas and bolts into the surrounding countryside. | 0:30:47 | 0:30:53 | |
The driver is out of the vehicle, to the offside. | 0:30:53 | 0:30:58 | |
It's now become a foot chase. | 0:30:58 | 0:31:00 | |
Mark, you were onboard the aircraft as this whole incident was unfolding. | 0:31:03 | 0:31:08 | |
We can hear your voice. | 0:31:08 | 0:31:09 | |
Explain a couple of things. His car, on the thermal imaging, was brighter than anybody else's. | 0:31:09 | 0:31:15 | |
Yes, the reason for that is the way thermal imaging works. | 0:31:15 | 0:31:18 | |
The hotter the item, the whiter it is. | 0:31:18 | 0:31:20 | |
So on his car, the tyres were hot cos he'd been screeching around, | 0:31:20 | 0:31:24 | |
-and you can see the engine through the bonnet. -Was it a tricky pursuit? | 0:31:24 | 0:31:28 | |
It was to start with, cos it started in an inner city area. | 0:31:28 | 0:31:31 | |
The street names were difficult. | 0:31:31 | 0:31:33 | |
-Once it got out onto the hilltop, it was easy. -Much easier. | 0:31:33 | 0:31:37 | |
Boxer 1-0 is with the driver. He continues down the hill | 0:31:39 | 0:31:42 | |
towards the chalk pits. | 0:31:42 | 0:31:45 | |
The spotter plane's thermal imaging camera easily picks up the body heat of the man | 0:31:45 | 0:31:49 | |
as he makes his way through the dark undergrowth. | 0:31:49 | 0:31:52 | |
Boxer 1-0. The driver is at the top of the chalk pits. | 0:31:52 | 0:31:57 | |
He's running perilously close to a cliff with a 100-foot drop into a quarry. | 0:31:57 | 0:32:03 | |
Mark helps protect the officers on the ground | 0:32:03 | 0:32:06 | |
by warning them to go slow. | 0:32:06 | 0:32:07 | |
The fugitive is now heading straight for the cliff edge. | 0:32:07 | 0:32:11 | |
Boxer 1-0. The subject man is now gingerly trying to go over the edge of the chalk pits. | 0:32:11 | 0:32:19 | |
The man seems to know the location | 0:32:19 | 0:32:21 | |
and has found a section that isn't too steep. | 0:32:21 | 0:32:23 | |
Trying to locate the man. I think he's gone over the edge of the chalk pits. | 0:32:23 | 0:32:28 | |
He's gradually making his way down on his backside down to the bottom of the chalk pits, | 0:32:28 | 0:32:32 | |
towards Lime Grove. | 0:32:32 | 0:32:34 | |
The plane's crew tell the men on the ground to hold back. | 0:32:34 | 0:32:37 | |
I suggest no-one tries from the Portsdown Hill end. It's too dangerous. | 0:32:37 | 0:32:42 | |
Instead, they arrange to send a unit to intercept him at the bottom. | 0:32:42 | 0:32:46 | |
We've got four officers. Can you guide us in, please? | 0:32:46 | 0:32:49 | |
-We'll try and locate you. -We're next to one of the pylons. | 0:32:49 | 0:32:53 | |
But suddenly, the man slips. | 0:32:55 | 0:32:57 | |
He's fallen a long distance straight down | 0:32:57 | 0:33:01 | |
and looks to be in a bad way. | 0:33:01 | 0:33:03 | |
If we look again at those pictures of him falling off the cliff, | 0:33:03 | 0:33:07 | |
what were you thinking? | 0:33:07 | 0:33:09 | |
We think it's about a 30-foot drop, | 0:33:09 | 0:33:12 | |
so the crew were thinking, "This guy's in serious trouble." | 0:33:12 | 0:33:15 | |
But amazingly, he got himself up and carried on. | 0:33:15 | 0:33:19 | |
-As we'll see, it wasn't over yet. -One of the longest pursuits I've been on. | 0:33:19 | 0:33:23 | |
The man is conscious and has staggered to his feet. | 0:33:24 | 0:33:27 | |
Male is now walking out into the open. Appears quite dazed. | 0:33:27 | 0:33:31 | |
I suggest you pick the pace up, guys. | 0:33:33 | 0:33:35 | |
He's a little way ahead and coming out into the open now. | 0:33:35 | 0:33:39 | |
But he gets a burst of energy as he sees three officers haring towards him. | 0:33:39 | 0:33:44 | |
Our male is now running in the general direction of Leominster. | 0:33:44 | 0:33:49 | |
He heads for a labyrinth of houses and gardens. | 0:33:49 | 0:33:53 | |
It may be dark, but there's no escaping the camera's-eye-view from the spotter plane. | 0:33:53 | 0:33:59 | |
Male is now left, left, left behind a vehicle, trying to climb a fence. | 0:34:00 | 0:34:04 | |
As he clambers over, they grab his leg, but he briefly evades capture. | 0:34:05 | 0:34:10 | |
Leaping another fence, he stumbles and the police have finally got their man. | 0:34:10 | 0:34:15 | |
With guidance from the spotter plane, his reckless run has finally been brought to an end | 0:34:16 | 0:34:21 | |
with nobody getting seriously hurt. | 0:34:21 | 0:34:23 | |
A most extraordinary chase. | 0:34:27 | 0:34:29 | |
We've seen it in action, | 0:34:29 | 0:34:30 | |
later in the programme, Louise flies with the police Air Support team | 0:34:30 | 0:34:34 | |
to see the kit they use. Louise. | 0:34:34 | 0:34:36 | |
I was going to talk to Lisa, a controller. | 0:34:36 | 0:34:39 | |
She's been on board that plane for training purposes. | 0:34:39 | 0:34:42 | |
But I can't talk to her as she's taking calls to do with the armed response they have. | 0:34:42 | 0:34:47 | |
We'll talk later. Let's talk about something else. | 0:34:47 | 0:34:49 | |
On Real Rescues, we've heard many 999 calls but this one is something different. | 0:34:49 | 0:34:54 | |
Milkmen are known for witnessing unusual sights in the early morning, | 0:34:54 | 0:34:58 | |
but this one had everybody baffled. | 0:34:58 | 0:35:00 | |
Extraordinary. Now the police have to make their own emergency call. | 0:35:56 | 0:36:00 | |
Well, Craig, there you were, delivering milk, early in the morning | 0:36:55 | 0:36:59 | |
thinking, I understand, "Nothing ever happens to me." | 0:36:59 | 0:37:02 | |
-And you suddenly see something fluffy... -Yeah. | 0:37:02 | 0:37:05 | |
I turned left and immediately thought, "That's a big rabbit." | 0:37:05 | 0:37:08 | |
It obviously wasn't. On closer inspection, it's a kangaroo, | 0:37:08 | 0:37:12 | |
as far as I was aware. | 0:37:12 | 0:37:14 | |
So I saw that, pulled over, put my hazards on | 0:37:14 | 0:37:17 | |
and rubbed my eyes a few times, thinking, "Is this for real or what?" | 0:37:17 | 0:37:22 | |
When you called the police, did you think you were going to be a hoax call? | 0:37:22 | 0:37:27 | |
I think so. It took me a good ten minutes to think, "Who do I phone? | 0:37:27 | 0:37:31 | |
"And who's going to believe me when I tell them anyway?" | 0:37:31 | 0:37:34 | |
I rang the police, thinking, "How do I tell them without saying the word kangaroo? | 0:37:34 | 0:37:39 | |
"As soon as kangaroo comes out, it'll be laughed at." | 0:37:39 | 0:37:42 | |
Then you spent some time trying to look after this kangaroo. | 0:37:42 | 0:37:45 | |
Yes. They said, "Can you keep hold of it, or keep it in sight." | 0:37:45 | 0:37:50 | |
-Again, it sounds like a joke. -Right. | 0:37:50 | 0:37:52 | |
I've never been near a kangaroo before, so I don't know how they react to humans. | 0:37:52 | 0:37:56 | |
I didn't want to get too close in case it kicked me or, I don't know! | 0:37:56 | 0:38:00 | |
You didn't go too close. Did you chase it on foot, or..? | 0:38:00 | 0:38:03 | |
Yes, it went away from my milk van. So I chased it down the road. | 0:38:03 | 0:38:10 | |
I thought, "If this gets out of my sight, and the police turn up, | 0:38:10 | 0:38:13 | |
"and say, 'Where's this kangaroo?' I'll be like, well... | 0:38:13 | 0:38:17 | |
-"G'day!" -Right. | 0:38:17 | 0:38:19 | |
So he was eventually caught. He/she was eventually caught. | 0:38:19 | 0:38:23 | |
-Eventually I was able to corner it. -With the float? With the milk float? -Yes. | 0:38:23 | 0:38:29 | |
When the police got there, fortunately it bounced in front of the car | 0:38:29 | 0:38:33 | |
and I just said to them, "Do you believe me now?" | 0:38:33 | 0:38:37 | |
They were in hysterics at that time. | 0:38:37 | 0:38:39 | |
Where did it go back to? It had a happy home. | 0:38:39 | 0:38:41 | |
Yes, it was from a care home not far from the site where I found it. | 0:38:41 | 0:38:46 | |
It was on the road outside, at first. | 0:38:46 | 0:38:49 | |
-Not a care home for kangaroos? -No, a care home for old people. | 0:38:49 | 0:38:55 | |
They've got peacocks and goats and all kinds of strange animals. | 0:38:55 | 0:39:00 | |
-Brilliant. I expect lots of people were worried about their milk that day! -Yes, they were. I was late! | 0:39:00 | 0:39:06 | |
Thank you. | 0:39:06 | 0:39:07 | |
One of the more unusual stories on Real Rescues! | 0:39:07 | 0:39:10 | |
Well, we've seen how police Air Support can play a vital role in searches | 0:39:10 | 0:39:14 | |
and it's all down to the sophisticated technology on board, as Louise found out. | 0:39:14 | 0:39:19 | |
I'm now on board Boxer 1-0. Mark is going to show me how it works. | 0:39:26 | 0:39:30 | |
You sit here normally. These are your controls. | 0:39:30 | 0:39:33 | |
Run me through it. You've got this system here. | 0:39:33 | 0:39:35 | |
This works very similar to GPS. It goes right down to house numbers. | 0:39:35 | 0:39:39 | |
We can pick a particular house out. | 0:39:39 | 0:39:41 | |
This is the video screen you've seen, with the camera on the nose. | 0:39:41 | 0:39:45 | |
And these are the controls. Are you going to show me how this works | 0:39:45 | 0:39:49 | |
-and you've found a bus for me. -There's a bus on camera now. | 0:39:49 | 0:39:53 | |
-We're following. -OK. | 0:39:53 | 0:39:54 | |
So in a pursuit scenario, | 0:39:54 | 0:39:57 | |
we would be figuring out what road it's on. | 0:39:57 | 0:40:00 | |
-And we'd relay that to the officers on the ground. -How would you do that? | 0:40:00 | 0:40:04 | |
You see it here and you have a map here. | 0:40:04 | 0:40:06 | |
-There's our plane on the screen there. -Yeah. | 0:40:06 | 0:40:09 | |
-The bus is at a bus stop behind a tree. -Yeah. | 0:40:09 | 0:40:13 | |
There's the camera point. So I can work out the name of the road. | 0:40:13 | 0:40:16 | |
We can zoom in nicely and get some good detail | 0:40:16 | 0:40:19 | |
for the officers on the ground. | 0:40:19 | 0:40:21 | |
-You can say how many people are on the bus, or a car, how many passengers. -That's right. | 0:40:21 | 0:40:26 | |
I'll give you an example of what it's like at night. | 0:40:26 | 0:40:30 | |
-This is a thermal image we've got. -Yes, thermal image works on heat. | 0:40:30 | 0:40:34 | |
The tyres on the bus are white cos they're hot. | 0:40:34 | 0:40:37 | |
The engine is obviously at the back. | 0:40:37 | 0:40:39 | |
That's emitting a lot more heat, so that's why it's glowing white. | 0:40:39 | 0:40:43 | |
-Strangely, it's almost easier to follow it, actually. -It can be. | 0:40:43 | 0:40:47 | |
You do look for something distinguishable on the vehicle. | 0:40:47 | 0:40:50 | |
That is classic, it's a heat signature that we can use. | 0:40:50 | 0:40:53 | |
What's really obvious to me is that you are absolutely key to any ongoing operation | 0:40:53 | 0:40:58 | |
because at night, a pilot can't see where he's going, nor can people on the ground. | 0:40:58 | 0:41:03 | |
-You give what's called the commentary. -We do the commentary. | 0:41:03 | 0:41:06 | |
Naming the road and any hazards and we give the traffic conditions, | 0:41:06 | 0:41:10 | |
flying a particular route that they're going to | 0:41:10 | 0:41:13 | |
so the officers on the ground can use such resolutions as stingers. | 0:41:13 | 0:41:17 | |
-They put that across the road. -Nails across the road to puncture the tyres. | 0:41:17 | 0:41:22 | |
So you're the eyes of the whole operation at that stage. | 0:41:22 | 0:41:25 | |
Tell me a bit about this aircraft. | 0:41:25 | 0:41:28 | |
I don't know how many times we've gone round now, but we've only been looking at it a couple of minutes. | 0:41:28 | 0:41:33 | |
We've been round about nine orbits. | 0:41:33 | 0:41:35 | |
I feel it's making me feel a bit nauseous, to be honest with you! | 0:41:35 | 0:41:40 | |
-Do you guys get used to it? -You do get used to it. We still have our moments. | 0:41:40 | 0:41:45 | |
But after a few months of flying on here, you get the hang of it, | 0:41:45 | 0:41:50 | |
-It's normally fine. -Just for everybody at home, | 0:41:50 | 0:41:53 | |
just in case it gets bad, look behind the seat! | 0:41:53 | 0:41:57 | |
-It's all OK. -Always an available bag! | 0:41:57 | 0:41:59 | |
-Thank you very much. Great work. -No problem. | 0:41:59 | 0:42:02 | |
While we've been making our programme today, we've been watching the police do what they do best. | 0:42:04 | 0:42:10 | |
Inspector Phil Jones is in charge. | 0:42:10 | 0:42:12 | |
Very unusual for you to have two armed response events inside an hour. | 0:42:12 | 0:42:17 | |
Yes. We've had to deploy armed units | 0:42:17 | 0:42:21 | |
to two incidents in the same hour in two parts of the county. | 0:42:21 | 0:42:24 | |
-The first one? -The first one was a male armed with a butcher's knife, | 0:42:24 | 0:42:28 | |
threatening somebody he worked with. | 0:42:28 | 0:42:31 | |
He then left on a pedal cycle into the area. | 0:42:31 | 0:42:35 | |
Armed units went to the area, located him and arrested him. | 0:42:35 | 0:42:38 | |
Which was a good result. | 0:42:38 | 0:42:40 | |
The second one was an altercation between two males. | 0:42:40 | 0:42:43 | |
Both said to be armed, one with a machete and one with a knife. | 0:42:43 | 0:42:46 | |
Again, they went their separate ways into the area. | 0:42:46 | 0:42:49 | |
Armed units were deployed to carry out an area search. | 0:42:49 | 0:42:52 | |
We're still there now looking for them as we speak. | 0:42:52 | 0:42:56 | |
We're relying on basic information from an informant at the moment. | 0:42:56 | 0:43:00 | |
Thank you very much. I'll let you get back to it. | 0:43:00 | 0:43:03 | |
Amazing to see them all absolutely on their game. | 0:43:03 | 0:43:06 | |
Total change of atmosphere as well. | 0:43:06 | 0:43:08 | |
-We'll have more Real Rescues soon. -Goodbye. -Bye! | 0:43:08 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:33 |