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Today, horror for a mum out on a family bike ride. | 0:00:02 | 0:00:04 | |
Now a whole team of medics are fighting to save her life. | 0:00:04 | 0:00:07 | |
Our plan is to give her some medication, get her stable, | 0:00:07 | 0:00:10 | |
then put her to sleep, take her to hospital, get her head scanned | 0:00:10 | 0:00:14 | |
to see if there's serious damage. | 0:00:14 | 0:00:16 | |
A runaway tanker turns upside down, leaking over 1,000 litres | 0:00:16 | 0:00:20 | |
of hazardous kerosene. But there's a further 5,000 litres | 0:00:20 | 0:00:23 | |
still inside, and it could explode at any moment. | 0:00:23 | 0:00:27 | |
Welcome to Real Rescues. This is the Abingdon control room | 0:00:51 | 0:00:54 | |
for the Thames Valley Police. | 0:00:54 | 0:00:56 | |
Any kind of emergency can come through to this room. | 0:00:56 | 0:00:58 | |
They have all the kit they need to deal with 999 calls, | 0:00:58 | 0:01:01 | |
but we'll see later on how a little local knowledge goes a long way. | 0:01:01 | 0:01:05 | |
But first, cyclist Caroline has crashed head-first | 0:01:05 | 0:01:08 | |
over her handlebars deep in the woods. | 0:01:08 | 0:01:11 | |
She's very distressed, and so badly injured | 0:01:11 | 0:01:13 | |
that she's unable to speak. | 0:01:13 | 0:01:16 | |
Medics have driven as close as they can, | 0:01:16 | 0:01:18 | |
and now they race on foot to help. They know her sudden lack of speech | 0:01:18 | 0:01:21 | |
could mean a serious brain injury. | 0:01:21 | 0:01:24 | |
Forced to leave their vehicle behind, | 0:01:30 | 0:01:32 | |
critical-care doctor Paul Rees | 0:01:32 | 0:01:33 | |
and his colleague, paramedic Brian Hardy | 0:01:33 | 0:01:36 | |
are heading off-road to find a patient | 0:01:36 | 0:01:38 | |
who sounds in a bad way. | 0:01:38 | 0:01:40 | |
We've been called to some woods near Southampton | 0:01:42 | 0:01:44 | |
where a mountain biker has come off their bike. | 0:01:44 | 0:01:47 | |
They've got a head injury and might have significant brain injury, | 0:01:47 | 0:01:50 | |
so we're going to see what can be done before we get them out. | 0:01:50 | 0:01:54 | |
Half a mile later, they reach an extremely distressed Caroline. | 0:01:54 | 0:01:59 | |
She's come off her bike, hitting her head very hard on the ground. | 0:01:59 | 0:02:03 | |
Ambulance medic Gareth is already there, | 0:02:03 | 0:02:06 | |
and Caroline's partner Richard is holding her head | 0:02:06 | 0:02:09 | |
-and attempting to comfort her. -Caroline, I'm a doctor. Hello. | 0:02:09 | 0:02:12 | |
SHE MOANS AND WAILS Open your eyes for me. | 0:02:12 | 0:02:14 | |
Caroline, open your eyes nice and wide. | 0:02:14 | 0:02:16 | |
How are you feeling? SHE MOANS INCOHERENTLY | 0:02:16 | 0:02:19 | |
It's sore on that side. That's OK. | 0:02:19 | 0:02:22 | |
That's something we can... That's something we can fix. | 0:02:22 | 0:02:25 | |
SHE CONTINUES TO MOAN You're having a job speaking. | 0:02:25 | 0:02:28 | |
OK. That's all right. | 0:02:28 | 0:02:30 | |
Incoherent, Caroline can only point to the pain in her face. | 0:02:30 | 0:02:33 | |
Losing the ability to talk is a sign she could have a brain injury. | 0:02:33 | 0:02:38 | |
The speech difficulty might be due to swelling or bleeding in the brain, | 0:02:38 | 0:02:42 | |
in a similar way to a patient having a stroke | 0:02:42 | 0:02:45 | |
might have some speech difficulties. | 0:02:45 | 0:02:47 | |
Pressure, bleeding or swelling in the brain could cause the same symptoms. | 0:02:47 | 0:02:51 | |
With no time to lose, the team get to work. | 0:02:51 | 0:02:54 | |
Get that attached. Get a line in her and we'll see what we need to do. | 0:02:54 | 0:02:59 | |
Information from these tests will be vital | 0:02:59 | 0:03:02 | |
in allowing Paul to decide on the best treatment. | 0:03:02 | 0:03:04 | |
Can you move this arm for me, squeeze my fingers? | 0:03:04 | 0:03:07 | |
Is there some weakness there? SHE MOANS INCOHERENTLY | 0:03:07 | 0:03:10 | |
We're going to lie you flat in a minute, | 0:03:10 | 0:03:12 | |
give you something to make you feel relaxed and take you to hospital. | 0:03:12 | 0:03:16 | |
My plan is to get her flat, | 0:03:16 | 0:03:18 | |
give her some drugs to make her feel less distressed. | 0:03:18 | 0:03:20 | |
Brian takes temporary control of Caroline's head. | 0:03:20 | 0:03:23 | |
As she's lowered, | 0:03:23 | 0:03:25 | |
it's essential her neck and back remain completely straight. | 0:03:25 | 0:03:28 | |
OK. Well done. SHE MOANS | 0:03:28 | 0:03:30 | |
Lovely. Do you mind doing that again? You were doing a very good job. | 0:03:30 | 0:03:34 | |
Just gently support her head. | 0:03:34 | 0:03:37 | |
It's hard to comprehend how a family day out has ended up like this. | 0:03:37 | 0:03:42 | |
Earlier, Caroline had set out on her first-ever bike ride | 0:03:43 | 0:03:47 | |
with Richard and their ten-year-old daughter Cecilia. | 0:03:47 | 0:03:50 | |
Just ten minutes in, things went badly wrong. | 0:03:50 | 0:03:54 | |
Behind her, Richard saw it all, | 0:03:54 | 0:03:56 | |
but could do nothing to stop it happening. | 0:03:56 | 0:03:58 | |
Just before I was setting off to follow them, | 0:03:58 | 0:04:01 | |
I heard Caroline sort of shout, "I can't stop." | 0:04:01 | 0:04:05 | |
Caroline went over the handlebars and landed hard on her face and arm. | 0:04:08 | 0:04:12 | |
She tried to get up, and said, "Let's go home." | 0:04:12 | 0:04:16 | |
And after that, that was the last thing that she said. | 0:04:17 | 0:04:20 | |
Almost immediately she started sort of groaning and wailing, | 0:04:22 | 0:04:26 | |
and pointing to her arm and her eye and her leg, | 0:04:26 | 0:04:30 | |
and scratching on the gravel. | 0:04:30 | 0:04:33 | |
The fact that she wasn't able to talk | 0:04:33 | 0:04:35 | |
and she was just in this incoherent state, | 0:04:35 | 0:04:39 | |
was the most worrying thing, yes. | 0:04:39 | 0:04:41 | |
Two helpful passers-by have taken young Cecilia to one side | 0:04:41 | 0:04:46 | |
while the team treat her mother. | 0:04:46 | 0:04:47 | |
This lady's come off her mountain bike and sustained a head injury. | 0:04:47 | 0:04:51 | |
It's not clear how serious that is. The main problem we're having | 0:04:51 | 0:04:55 | |
is communicating with her, so we'll get her stable, | 0:04:55 | 0:04:58 | |
put her to sleep, take her to hospital, get her head scanned | 0:04:58 | 0:05:01 | |
and see if there's any serious damage. | 0:05:01 | 0:05:03 | |
To safely get Caroline out of the woods, | 0:05:03 | 0:05:06 | |
Paul will have to fully anaesthetise her right here, right now. | 0:05:06 | 0:05:09 | |
It's a procedure that is only attempted in the most serious cases. | 0:05:09 | 0:05:13 | |
The best way to manage a patient with a head injury | 0:05:13 | 0:05:16 | |
and with signs of swelling inside their brain | 0:05:16 | 0:05:18 | |
is to get control of their airway and breathing, | 0:05:18 | 0:05:21 | |
give them the right amount of oxygen and control their blood pressure, | 0:05:21 | 0:05:24 | |
and the only way is to give them a general anaesthetic | 0:05:24 | 0:05:27 | |
and put them onto a breathing machine. | 0:05:27 | 0:05:30 | |
The air ambulance has also been sent for, | 0:05:33 | 0:05:36 | |
but the surrounding trees means it has to land some distance away. | 0:05:36 | 0:05:39 | |
Before he can anaesthetise Caroline, Paul will need the extra hands | 0:05:39 | 0:05:43 | |
of the helicopter crew. | 0:05:43 | 0:05:44 | |
Give them a quick ring and ask them to bring monitoring and drugs | 0:05:44 | 0:05:48 | |
from the helicopter before they leave it. Thanks. | 0:05:48 | 0:05:52 | |
To put Caroline to sleep, they must first get a line into her vein | 0:05:52 | 0:05:55 | |
so they can give drugs. Although she can't speak, | 0:05:55 | 0:05:59 | |
Caroline is managing to communicate with the help of Richard. | 0:05:59 | 0:06:02 | |
Has she got a lot of pain, ask her. | 0:06:02 | 0:06:05 | |
SHE CONTINUES TO MOAN | 0:06:08 | 0:06:11 | |
As Paul administers some fast-acting pain relief, | 0:06:11 | 0:06:14 | |
the paramedics from the air ambulance arrive. | 0:06:14 | 0:06:17 | |
Hello, there, my darling. My name's Vicky. | 0:06:17 | 0:06:20 | |
All right, Caroline. You may feel a little bit queasy. | 0:06:20 | 0:06:24 | |
OK. Just take some nice deep breaths for us. | 0:06:24 | 0:06:27 | |
You're doing really well, my darling. Well done. | 0:06:27 | 0:06:30 | |
The tranquillising effects of the painkiller kick in. | 0:06:32 | 0:06:35 | |
Soothed, Caroline has stopped groaning and trying to speak. | 0:06:35 | 0:06:39 | |
She may be calmer on the surface, | 0:06:39 | 0:06:41 | |
but what's going on inside is still a mystery. | 0:06:41 | 0:06:44 | |
That really is an example of how important | 0:06:44 | 0:06:47 | |
critical-care doctors like Paul are. | 0:06:47 | 0:06:49 | |
He's effectively taking a hospital emergency room out on the road, | 0:06:49 | 0:06:53 | |
and we'll see the incredible level of treatment he can give Caroline | 0:06:53 | 0:06:57 | |
in just a few minutes. Louise. | 0:06:57 | 0:06:59 | |
Kirsten has always managed to shield her son from her epilepsy - | 0:06:59 | 0:07:03 | |
that is, until the day they were alone together at home | 0:07:03 | 0:07:06 | |
and she fell on the floor having a fit in front of him. | 0:07:06 | 0:07:09 | |
Luckily, though, young James had seen an advert on TV | 0:07:09 | 0:07:13 | |
about dialling 999, so he picks up the phone and makes the call | 0:07:13 | 0:07:17 | |
that saves her life. | 0:07:17 | 0:07:19 | |
And remember, this is something he has never seen before. | 0:08:20 | 0:08:23 | |
Despite that, James now tries very hard | 0:08:23 | 0:08:26 | |
to do exactly as he's told, | 0:08:26 | 0:08:28 | |
even resorting to some quite unusual tactics. | 0:08:28 | 0:08:32 | |
Well, Joan, who is the paramedic who arrived with the ambulance | 0:09:55 | 0:09:58 | |
is here with us now, as is James and Kirsten. | 0:09:58 | 0:10:01 | |
James, first of all, well done. That was brilliant. | 0:10:01 | 0:10:04 | |
Just describe to us a bit about what had been happening that day. | 0:10:04 | 0:10:07 | |
Um... | 0:10:07 | 0:10:09 | |
Well, she just went a bit... | 0:10:09 | 0:10:11 | |
She just stood still and then fell on the floor. | 0:10:11 | 0:10:16 | |
OK. And what was she doing when she fell on the floor? | 0:10:16 | 0:10:20 | |
-Shaking. -Shaking. | 0:10:20 | 0:10:23 | |
And how did you know to call 999? | 0:10:23 | 0:10:25 | |
Er, after a stroke advert. | 0:10:25 | 0:10:27 | |
-So there was a stroke advert on the TV? -Yeah. | 0:10:27 | 0:10:30 | |
Brilliant. And what did it show you? | 0:10:30 | 0:10:33 | |
How did you know it was the right thing to do, to call them? | 0:10:33 | 0:10:36 | |
-I don't know. -You don't know. It was brilliant that you knew that. | 0:10:36 | 0:10:40 | |
We'll come to you in a minute, Kirsten. | 0:10:40 | 0:10:43 | |
Joan, the fact that he made that call, | 0:10:43 | 0:10:45 | |
-did he potentially save her life? -He did, yeah. Yeah. | 0:10:45 | 0:10:49 | |
He, um... She was in status epilepticus. | 0:10:49 | 0:10:52 | |
-Which is a very serious... -It is a serious condition | 0:10:52 | 0:10:55 | |
where they don't actually recover from the seizure. | 0:10:55 | 0:10:58 | |
They go back into another seizure and they need medical treatment | 0:10:58 | 0:11:03 | |
-as quickly as possible. -Obviously, while he's on the phone, | 0:11:03 | 0:11:07 | |
-you don't remember any of that. -No. | 0:11:07 | 0:11:09 | |
But he'd given you lots of key bits of information. | 0:11:09 | 0:11:11 | |
-What sort of things did he tell you? -When we first arrived on scene, | 0:11:11 | 0:11:15 | |
we like to get as much history about the patient as possible, | 0:11:15 | 0:11:18 | |
whether there's any conditions she has got. | 0:11:18 | 0:11:20 | |
He was able to tell us she was epileptic. | 0:11:20 | 0:11:23 | |
He was able to tell us where she kept her medication, | 0:11:23 | 0:11:26 | |
which was a great help, able to tell us her name and everything. | 0:11:26 | 0:11:30 | |
And also importantly, you opened the door for them when they arrived. | 0:11:30 | 0:11:34 | |
Had you gone and got yourself dressed? What had you been doing? | 0:11:34 | 0:11:37 | |
Um, I just opened the door in my pyjamas. | 0:11:37 | 0:11:41 | |
-THEY LAUGH -He was incredibly well prepared. | 0:11:41 | 0:11:44 | |
He was. I'm really, really proud of him, | 0:11:44 | 0:11:47 | |
and he did really, really well, I have to say. | 0:11:47 | 0:11:50 | |
I... I am just very, very proud of him. | 0:11:50 | 0:11:53 | |
And you were in a really serious situation, weren't you? | 0:11:53 | 0:11:57 | |
-So very lucky that he managed to do what he did. -Yes. | 0:11:57 | 0:12:00 | |
Yes. Um... I have to say thank you to Joan, | 0:12:00 | 0:12:03 | |
and I have to say that it was unusual | 0:12:03 | 0:12:07 | |
for him to be left alone with me, | 0:12:07 | 0:12:09 | |
and what he did was pretty incredible, | 0:12:09 | 0:12:12 | |
and I'm just very pleased he did the right thing, really. | 0:12:12 | 0:12:19 | |
-And...I don't know. -And proud as well. | 0:12:19 | 0:12:22 | |
What's it like for you to see Kirsten? | 0:12:22 | 0:12:25 | |
When she was in the ambulance, the situation was quite different. | 0:12:25 | 0:12:28 | |
It's been really good to actually find out that she's recovered | 0:12:28 | 0:12:32 | |
-and that she's doing well now. -Brilliant. Thank you very much. | 0:12:32 | 0:12:35 | |
-I know you want to thank the Epilepsy Society as well. -I do. | 0:12:35 | 0:12:38 | |
They've given you lots of help. James, well done. | 0:12:38 | 0:12:41 | |
Thank you very much. | 0:12:41 | 0:12:43 | |
It's amazing. Time and time again, we find out | 0:12:43 | 0:12:46 | |
children are capable of so much more than we think. | 0:12:46 | 0:12:48 | |
What an amazing little boy that is! Moving on, a tanker has turned over | 0:12:48 | 0:12:52 | |
in a country lane, its load of kerosene flooding the road. | 0:12:52 | 0:12:55 | |
It could cause a huge fire and pollute the local water supply. | 0:12:55 | 0:12:58 | |
A call goes out to the emergency services. | 0:12:58 | 0:13:01 | |
Police and fire crews are streaming towards the village | 0:13:01 | 0:13:05 | |
of East Meon. They have a messy situation on their hands. | 0:13:05 | 0:13:09 | |
On its side, a fuel tanker is completely blocking a country lane. | 0:13:13 | 0:13:17 | |
It rolled down the hill after the driver jumped out of the cab | 0:13:17 | 0:13:20 | |
without applying the parking brake. | 0:13:20 | 0:13:22 | |
The impact has also caused its main tank to rupture, | 0:13:22 | 0:13:26 | |
and the kerosene it was carrying is spilling out. | 0:13:26 | 0:13:29 | |
Thankfully nobody has been hurt, but to make sure it stays that way, | 0:13:29 | 0:13:33 | |
fire crews, including group manager Al Murray, | 0:13:33 | 0:13:36 | |
need to deal with the truck's dangerous cargo, | 0:13:36 | 0:13:39 | |
which continues to flow down the road. | 0:13:39 | 0:13:41 | |
It was leaking kerosene out of the lid at the top of the tanker. | 0:13:41 | 0:13:45 | |
Because it was on its side, the lids were supposed to shut off, | 0:13:45 | 0:13:49 | |
but this lid didn't, and it is explosive in large amounts, | 0:13:49 | 0:13:53 | |
and it's the vapours that can ignite. It would create quite a big fireball. | 0:13:53 | 0:13:57 | |
Time for some extra protection. | 0:13:58 | 0:14:00 | |
It's not the most fetching get-up, | 0:14:01 | 0:14:04 | |
but these biohazard suits will allow the firefighters | 0:14:04 | 0:14:07 | |
to get close enough to try and stem the flow of the fuel. | 0:14:07 | 0:14:10 | |
The chemical suits were worn because the fuel oil can be toxic | 0:14:10 | 0:14:15 | |
to a certain extent, if it's in high volumes, | 0:14:15 | 0:14:18 | |
so it can affect your breathing, and if it's on your skin, | 0:14:18 | 0:14:21 | |
it is an irritant as well. | 0:14:21 | 0:14:23 | |
As well as the fear of combustion, | 0:14:24 | 0:14:27 | |
the fire crews are aiming to prevent an environmental disaster. | 0:14:27 | 0:14:30 | |
If the fuel got into the soil, it would get into the water courses, | 0:14:30 | 0:14:34 | |
and that is the drinking water for the people in that area. | 0:14:34 | 0:14:37 | |
But also there was the issue of local fisheries | 0:14:37 | 0:14:40 | |
about half a mile down the road, and the water for the fisheries | 0:14:40 | 0:14:44 | |
is also fed from the underground water courses. | 0:14:44 | 0:14:47 | |
The two firefighters have filled in the leak on the truck, | 0:14:47 | 0:14:51 | |
and, at the lower end of the cordoned-off road, | 0:14:51 | 0:14:54 | |
PC Gerry Lyon is hopeful that the spread of the kerosene | 0:14:54 | 0:14:56 | |
has been curtailed. | 0:14:56 | 0:14:58 | |
Basically they lost about a thousand litres of fuel, | 0:14:58 | 0:15:01 | |
which has now come down the hill and is collecting at its base. | 0:15:01 | 0:15:05 | |
Luckily, with the lanes and the hedges | 0:15:05 | 0:15:09 | |
and burn on the side, it's actually kept on the road, | 0:15:09 | 0:15:12 | |
so there's no drains that we're aware of at the moment. | 0:15:12 | 0:15:15 | |
So it's currently contained, and they have stopped the leaking. | 0:15:15 | 0:15:18 | |
But there's still a lot of fuel inside and outside the tanker. | 0:15:18 | 0:15:22 | |
Effectively it's a bomb waiting to go off, | 0:15:22 | 0:15:24 | |
so they can't take any chances. With the aid of the police helicopter, | 0:15:24 | 0:15:28 | |
Sergeant Paul Diamond has been coordinating the operation | 0:15:28 | 0:15:31 | |
to evacuate local residents. | 0:15:31 | 0:15:33 | |
These aerial photographs show the size of the area | 0:15:33 | 0:15:36 | |
affected by the accident. | 0:15:36 | 0:15:38 | |
At the moment we're just waiting for the experts who've turned up | 0:15:38 | 0:15:42 | |
to assess what they're going to do with the vehicle, | 0:15:42 | 0:15:45 | |
how they're going to get the material, product out, | 0:15:45 | 0:15:48 | |
how they're going to do that without impacting on the environment any more | 0:15:48 | 0:15:51 | |
than has happened at the moment. | 0:15:51 | 0:15:53 | |
The stricken tanker has lost a quarter of its load, | 0:15:53 | 0:15:56 | |
but there's another 5,000 litres of flammable fuel | 0:15:56 | 0:16:00 | |
left inside. Any sparks created by trying to move the vehicle | 0:16:00 | 0:16:04 | |
could potentially ignite it. | 0:16:04 | 0:16:06 | |
They'll tell you how the rescue's going to be implemented, | 0:16:06 | 0:16:10 | |
because if they've got to drag it, | 0:16:10 | 0:16:12 | |
they're looking at vapours and sparks and... | 0:16:12 | 0:16:15 | |
To solve the problem, the oil company send in a special vehicle | 0:16:15 | 0:16:19 | |
to remove the fuel. | 0:16:19 | 0:16:21 | |
Looking at where the vehicle's located | 0:16:21 | 0:16:23 | |
and how difficult it is to get it out, | 0:16:23 | 0:16:25 | |
they're going to cut some holes in the side, | 0:16:25 | 0:16:29 | |
which is now the top of the tanker, and decant the product | 0:16:29 | 0:16:32 | |
out through the top, which is the safest method of getting it. | 0:16:32 | 0:16:35 | |
As darkness draws in, the expert team carefully siphon the fuel out | 0:16:37 | 0:16:41 | |
of the damaged tank and into a new one, | 0:16:41 | 0:16:43 | |
while out of sight, further down the road, | 0:16:43 | 0:16:46 | |
fire crews soak up the fuel with special pads and pumps. | 0:16:46 | 0:16:50 | |
We have got a list of how much is in each tank. | 0:16:50 | 0:16:53 | |
About 3,000 in the other tanks, I think, | 0:16:53 | 0:16:57 | |
so it should take a little less time, | 0:16:57 | 0:16:59 | |
but they need to drill again just to depressurise it. | 0:16:59 | 0:17:02 | |
A few hours later the job is done, | 0:17:04 | 0:17:06 | |
and the vehicle-recovery team can move in to shift the tanker. | 0:17:06 | 0:17:09 | |
Basically all we need to do now is get it righted. | 0:17:09 | 0:17:12 | |
Not a problem. | 0:17:12 | 0:17:14 | |
Using the powerful hydraulic crane, | 0:17:14 | 0:17:16 | |
they meticulously lift and twist the truck inch by inch, | 0:17:16 | 0:17:20 | |
until it's the right way up. | 0:17:20 | 0:17:22 | |
The tanker's now back on its wheels, | 0:17:25 | 0:17:27 | |
and the Highways will keep the road shut till the morning | 0:17:27 | 0:17:31 | |
till a further investigation can be made, | 0:17:31 | 0:17:33 | |
so from our point of view, we're making up and going now. | 0:17:33 | 0:17:36 | |
Late evening, and the now-empty tanker can be towed away. | 0:17:36 | 0:17:40 | |
It's taken all day to sort out the mess, | 0:17:40 | 0:17:44 | |
but finally local residents can get back to their homes | 0:17:44 | 0:17:47 | |
and back to normal. | 0:17:47 | 0:17:49 | |
A delicate and very lengthy operation, | 0:17:49 | 0:17:52 | |
but fortunately a complete success. | 0:17:52 | 0:17:54 | |
Still to come on Real Rescues, | 0:17:57 | 0:17:59 | |
taking the emergency department out on the road. | 0:17:59 | 0:18:02 | |
Dr Paul Rees gives cyclist Caroline intensive medical treatment | 0:18:02 | 0:18:05 | |
right where she fell, buying crucial time | 0:18:05 | 0:18:08 | |
before the journey to hospital. | 0:18:08 | 0:18:10 | |
Once they decided to anaesthetise her, | 0:18:10 | 0:18:13 | |
I realised that it was a fairly serious situation. | 0:18:13 | 0:18:17 | |
And paramedic Chris is treating a broken ankle, | 0:18:17 | 0:18:20 | |
but his patient becomes hysterical. This will take some tough love. | 0:18:20 | 0:18:24 | |
SHE MOANS AND WAILS | 0:18:24 | 0:18:26 | |
Frankie? Right, Frankie, listen to me. | 0:18:26 | 0:18:29 | |
Listen. Put your arms down. Listen. Calm yourself down. OK? | 0:18:29 | 0:18:34 | |
The operators here all have the latest maps and technology | 0:18:36 | 0:18:39 | |
to locate people, but sometimes just a little bit of local knowledge | 0:18:39 | 0:18:43 | |
and quick thinking can make all the difference, | 0:18:43 | 0:18:45 | |
and Lyn has had a call like that from a man who was fitting | 0:18:45 | 0:18:49 | |
near a churchyard, as far as you knew. | 0:18:49 | 0:18:52 | |
-And what did he tell you? -All the information we had | 0:18:52 | 0:18:55 | |
was that a male was fitting in a church in Banbury, | 0:18:55 | 0:18:59 | |
so I put "church" into my computer, | 0:18:59 | 0:19:03 | |
and that came up with six pages, a hundred items. | 0:19:03 | 0:19:07 | |
So you then need to use your local knowledge. | 0:19:07 | 0:19:09 | |
So I had his phone number. I rang him. | 0:19:09 | 0:19:12 | |
Immediately I knew that he'd been away from home for 50 minutes. | 0:19:12 | 0:19:16 | |
Just trying to gauge how far he'd been able to walk. | 0:19:16 | 0:19:19 | |
He didn't have his medication. | 0:19:19 | 0:19:21 | |
All he could see was a clock that was lit up. | 0:19:21 | 0:19:24 | |
-That's not terribly helpful. -No. A clock that was lit up. | 0:19:24 | 0:19:27 | |
I ascertained from him, did he think that he was still in Banbury. | 0:19:27 | 0:19:32 | |
He told me where he was going to. Working on the local knowledge, | 0:19:32 | 0:19:35 | |
and he was still in Banbury, I believed it to be St Mary's Church | 0:19:35 | 0:19:39 | |
in Horsefair, and where he could see, I suppose, it lit up, | 0:19:39 | 0:19:44 | |
would be to the west of Banbury Cross. | 0:19:44 | 0:19:46 | |
And this is because you live near here? | 0:19:46 | 0:19:48 | |
Yes. I know the area. And he gave me one vital bit of information, | 0:19:48 | 0:19:52 | |
that he could see "For sale, to let, with 20 parking spaces", | 0:19:52 | 0:19:57 | |
and within Banbury town centre that's very limited, | 0:19:57 | 0:20:00 | |
so I knew it would be off West Bar Street, | 0:20:00 | 0:20:03 | |
so the units in between were directed, put their sirens on, | 0:20:03 | 0:20:07 | |
and I was listening through the mobile phone, | 0:20:07 | 0:20:10 | |
and we found him laid on the ground behind the veterinary surgery. | 0:20:10 | 0:20:14 | |
And that's just because you know the area so well | 0:20:14 | 0:20:16 | |
-that you can guess where it is. -Yes. Mmm. Yeah. | 0:20:16 | 0:20:19 | |
-Brilliant. I understand you got a commendation for it. -Yes, I did. | 0:20:19 | 0:20:22 | |
-Congratulations. -Thank you. -Thank you. | 0:20:22 | 0:20:25 | |
Now, back to the woods near Southampton | 0:20:25 | 0:20:28 | |
where medics are treating a cyclist who has a serious head injury. | 0:20:28 | 0:20:31 | |
They need to give her a general anaesthetic, | 0:20:31 | 0:20:34 | |
something normally only done in a hospital, | 0:20:34 | 0:20:36 | |
not on a path in the woods. | 0:20:36 | 0:20:39 | |
Led by critical-care doctor Paul Rees, | 0:20:40 | 0:20:43 | |
a group of highly skilled medics from air and ground ambulances | 0:20:43 | 0:20:47 | |
are now treating Caroline in the middle of the wood. | 0:20:47 | 0:20:50 | |
They've been joined by an off-duty A&E nurse, Alan Charter, | 0:20:50 | 0:20:53 | |
-who lives nearby. -Keep your head nice and still. | 0:20:53 | 0:20:56 | |
Caroline is a lot calmer now the painkilling drugs have kicked in, | 0:20:56 | 0:21:00 | |
and that's a comfort for her partner Richard. | 0:21:00 | 0:21:03 | |
As soon as the pain relief came, and I could see she was free of pain, | 0:21:03 | 0:21:07 | |
that was when the kind of relief to me came, | 0:21:07 | 0:21:10 | |
because I knew that then she was no longer in distress. | 0:21:10 | 0:21:13 | |
A local fire crew has cut through a locked gate | 0:21:14 | 0:21:18 | |
to allow an ambulance access to the forest. | 0:21:18 | 0:21:21 | |
Keep you nice and still. Nice and still, that's right. | 0:21:21 | 0:21:25 | |
At this stage it's impossible to know | 0:21:25 | 0:21:27 | |
just how serious a brain injury Caroline may have suffered. | 0:21:27 | 0:21:30 | |
The safest thing to do is treat her as though she has, | 0:21:30 | 0:21:33 | |
and put her to sleep so we can take control of her breathing, | 0:21:33 | 0:21:36 | |
optimise the flow of oxygen to her brain, | 0:21:36 | 0:21:38 | |
get her circulation how we want it and get her off to hospital, | 0:21:38 | 0:21:41 | |
where we can scan her brain. | 0:21:41 | 0:21:43 | |
Caroline is still conscious, but the drugs have eased her pain. | 0:21:43 | 0:21:48 | |
They're now getting everything in place ready to anaesthetise her. | 0:21:48 | 0:21:52 | |
It's something that would normally only be done in hospital. | 0:21:52 | 0:21:55 | |
The procedure has three main phases. First you get the patient prepared, | 0:21:55 | 0:21:59 | |
getting plenty of oxygen into the patient, | 0:21:59 | 0:22:01 | |
making sure you've got access to the circulation by means of drips | 0:22:01 | 0:22:05 | |
so you can give fluid and drugs. The second phase is giving anaesthetic, | 0:22:05 | 0:22:09 | |
a dose of anaesthetic drug into the vein, | 0:22:09 | 0:22:11 | |
followed by a muscle relaxant to make the muscles go floppy | 0:22:11 | 0:22:14 | |
and allow us access to the airway. We then put a tube into the windpipe | 0:22:14 | 0:22:18 | |
and get control of the breathing. Once the tube is in, | 0:22:18 | 0:22:21 | |
the third phase is making the patient stable enough to move, | 0:22:21 | 0:22:24 | |
and then off to hospital. | 0:22:24 | 0:22:27 | |
Richard is just grateful the medics reached her in time. | 0:22:27 | 0:22:31 | |
Once they decided to anaesthetise her, | 0:22:31 | 0:22:34 | |
I realised that it was a fairly serious situation. | 0:22:34 | 0:22:38 | |
But in terms of my own feelings, | 0:22:38 | 0:22:41 | |
I was happy that these guys knew what they were doing, | 0:22:41 | 0:22:45 | |
and that Caroline was in good hands. | 0:22:45 | 0:22:47 | |
OK, ready, steady, lift. | 0:22:47 | 0:22:50 | |
That's it. And ready, steady, move. | 0:22:50 | 0:22:52 | |
With Caroline on a stretcher, Paul briefs everyone on their role | 0:22:56 | 0:22:59 | |
in this delicate operation to give her a general anaesthetic. | 0:22:59 | 0:23:03 | |
Here, Brian. Come round here. If you just do the head from there. | 0:23:03 | 0:23:06 | |
-Immobilise the neck, Vicky. -All right, Caroline. | 0:23:06 | 0:23:09 | |
Just relax, my darling. It's just a mask on your mouth | 0:23:09 | 0:23:12 | |
just to help with your breathing, OK? | 0:23:12 | 0:23:14 | |
Once we've given the muscle relaxant, | 0:23:14 | 0:23:16 | |
the patient will stop breathing by themselves. | 0:23:16 | 0:23:19 | |
We get access to the airway, put the tube in, | 0:23:19 | 0:23:21 | |
make sure it's in the right place, secure it properly | 0:23:21 | 0:23:24 | |
and take over breathing for them. | 0:23:24 | 0:23:27 | |
You got it? Good. Everybody else stay in position. | 0:23:29 | 0:23:32 | |
Thanks. 24. That's fine. Everybody else stay put. | 0:23:32 | 0:23:36 | |
Lovely. And take the CO2. | 0:23:36 | 0:23:38 | |
The tube has been successfully inserted down Caroline's throat. | 0:23:38 | 0:23:42 | |
Now he's in sole control of her breathing, | 0:23:42 | 0:23:45 | |
Paul has to press the bag 12 times every minute | 0:23:45 | 0:23:48 | |
to provide her with air. | 0:23:48 | 0:23:50 | |
What we're doing is giving her a chemically induced coma, | 0:23:50 | 0:23:54 | |
stopping the clock, allowing us some time to stabilise her, | 0:23:54 | 0:23:57 | |
get her to hospital, establish what her injuries are, | 0:23:57 | 0:24:00 | |
then get her definitive surgical treatment for those. | 0:24:00 | 0:24:03 | |
Paramedic Vicky will travel by road ambulance with Paul | 0:24:08 | 0:24:11 | |
to help monitor Caroline's condition. | 0:24:11 | 0:24:14 | |
On the way, they alert A&E | 0:24:14 | 0:24:16 | |
that they're bringing in a very serious trauma case. | 0:24:16 | 0:24:19 | |
We've got a 40-year-old female who's got a blunt head injury | 0:24:19 | 0:24:23 | |
following a fall in some woods. | 0:24:23 | 0:24:25 | |
We're about 20 minutes out from the hospital. | 0:24:25 | 0:24:28 | |
She's GCS 12, some right-sided facial weakness, | 0:24:28 | 0:24:31 | |
right-sided facial injuries, so she's been RSI'd, | 0:24:31 | 0:24:35 | |
intubated and ventilated. | 0:24:35 | 0:24:36 | |
'I've handed Caroline over to the emergency-department team.' | 0:24:43 | 0:24:46 | |
They're stabilising her, and the intensive-care team have come down | 0:24:46 | 0:24:50 | |
to take her to the CT scanner for a brain scan. | 0:24:50 | 0:24:52 | |
If anything there needs an operation, | 0:24:52 | 0:24:55 | |
she'll go straight from the scanner to fix that, | 0:24:55 | 0:24:57 | |
and if not, she'll go up to ICU where they'll look after her. | 0:24:57 | 0:25:01 | |
Inside, Richard must wait to find out what the brain scans will show. | 0:25:01 | 0:25:06 | |
A brain swelling and bleed could mean an injury | 0:25:06 | 0:25:09 | |
that Caroline may never fully recover from. | 0:25:09 | 0:25:12 | |
Richard can recall the consultant's warning. | 0:25:12 | 0:25:15 | |
I remember his comment quite strongly, | 0:25:15 | 0:25:17 | |
that "this will be the longest 24 hours of your life". | 0:25:17 | 0:25:20 | |
And I'm pleased to say that Caroline is well enough to join us here | 0:25:22 | 0:25:26 | |
to talk about that fateful day. | 0:25:26 | 0:25:29 | |
You were quite emotional, watching that. | 0:25:29 | 0:25:31 | |
Yes, very emotional. Very, very. | 0:25:31 | 0:25:34 | |
It was a very frightening thing at the time. | 0:25:34 | 0:25:36 | |
Looking back on it now, it's awoken all those feelings again. | 0:25:36 | 0:25:40 | |
Things I can't remember at all, so to watch it again | 0:25:40 | 0:25:45 | |
-is just a bit scary. -Yes, I'm sure it is. | 0:25:45 | 0:25:48 | |
Um, er... Now, can we ask how you're feeling now, | 0:25:48 | 0:25:52 | |
because you've made an amazing recovery, | 0:25:52 | 0:25:54 | |
given the seriousness of the injury that you had. | 0:25:54 | 0:25:57 | |
But there are still a few problems. | 0:25:57 | 0:25:59 | |
Yes, I do. I have... My throat. I can't actually talk properly, | 0:25:59 | 0:26:03 | |
but this will go eventually, so... | 0:26:03 | 0:26:06 | |
It's not hurting you to talk to us now, is it? | 0:26:06 | 0:26:09 | |
It's fine, as long as you can hear me. | 0:26:09 | 0:26:12 | |
We can hear you very well. You're doing very well. | 0:26:12 | 0:26:14 | |
-And you have problem with one of your eyes? -Yes, | 0:26:14 | 0:26:18 | |
but in time it will recover. | 0:26:18 | 0:26:20 | |
-Have you got no sight, or some? -A little bit of sight. | 0:26:20 | 0:26:23 | |
A little bit of sight. Richard, emotional watching that back. | 0:26:23 | 0:26:27 | |
Both of you finding it emotional, that day. | 0:26:27 | 0:26:29 | |
Difficult to... You said in the film | 0:26:29 | 0:26:32 | |
that you felt confident because they were so good at their jobs, | 0:26:32 | 0:26:35 | |
but there is a feeling of helplessness. | 0:26:35 | 0:26:38 | |
There is, but as I said in the film, you're in expert hands. | 0:26:38 | 0:26:43 | |
The people are there looking after Caroline, | 0:26:43 | 0:26:46 | |
and that kind of gives you confidence | 0:26:46 | 0:26:48 | |
that everything that can go wrong has already gone wrong, | 0:26:48 | 0:26:52 | |
and from that point on everything can just get better. | 0:26:52 | 0:26:54 | |
Let's move forward. Let's think in positive terms as well, | 0:26:54 | 0:26:58 | |
because the people who looked after you were amazing. | 0:26:58 | 0:27:01 | |
-This is not the first time that we've met. -No. | 0:27:01 | 0:27:03 | |
-I met you nine and a half years ago. -When I was pregnant with Cecilia. | 0:27:03 | 0:27:08 | |
And here it is. Let me show you this. | 0:27:08 | 0:27:11 | |
I'm coming round this side to introduce you to Caroline | 0:27:11 | 0:27:14 | |
and Sue of course, Sue Marshall. Morning. How are you? | 0:27:14 | 0:27:17 | |
-Not bad. -Can we have a listen to your baby as well? | 0:27:17 | 0:27:20 | |
-Yeah, you can. -Listen. -HEARTBEAT PULSES OVER MONITOR | 0:27:20 | 0:27:23 | |
Extraordinary! | 0:27:23 | 0:27:25 | |
On City Hospital, I met you when you were suffering with pre-eclampsia, | 0:27:25 | 0:27:28 | |
and we were all very worried about whether the baby was going to be OK. | 0:27:28 | 0:27:32 | |
Would you like to meet the baby? Come in, Cecilia. | 0:27:32 | 0:27:35 | |
Come and join us over here. This is Cecilia, who's now... | 0:27:35 | 0:27:39 | |
Let's show you a picture of you when you were little. | 0:27:39 | 0:27:41 | |
-There we go. That's you! -Oh, you're sweet. | 0:27:41 | 0:27:46 | |
Amazing. Mother and baby. You guys look great. | 0:27:46 | 0:27:49 | |
I looked a lot younger. What happened to me in nine years? | 0:27:49 | 0:27:53 | |
-Look how big I was, though! -Really? -I was three times bigger then. | 0:27:53 | 0:27:57 | |
Cycling has become a bit of a family thing. | 0:27:57 | 0:28:00 | |
-Will you be doing it again? -Definitely not. | 0:28:00 | 0:28:03 | |
-Definitely not. -Definitely not more cycling. | 0:28:03 | 0:28:05 | |
-How about horse-riding? -I did fall, so definitely not. | 0:28:05 | 0:28:09 | |
-You've fallen off a horse as well? -Yes. | 0:28:09 | 0:28:12 | |
Obviously on foot is the only way forward. | 0:28:12 | 0:28:14 | |
-Yes? -Oh, I may try car races, | 0:28:14 | 0:28:18 | |
so I'll keep on my car and walking. | 0:28:18 | 0:28:22 | |
Thanks. Nice to meet you, Cecilia. We never got to talk before. | 0:28:22 | 0:28:26 | |
-No. -All right. Thanks. -Thank you. | 0:28:26 | 0:28:28 | |
Rescuing a trapped horse is often dangerous for the horse, | 0:28:28 | 0:28:32 | |
but more so for the crews trying to help. | 0:28:32 | 0:28:34 | |
On this callout for the animal-rescue specialists, | 0:28:34 | 0:28:36 | |
there's an added complication, because it soon becomes clear | 0:28:36 | 0:28:40 | |
that this horse is heavily pregnant. | 0:28:40 | 0:28:42 | |
This pony's distress is clearly visible. | 0:28:42 | 0:28:46 | |
She's shaking and soaked to the skin. | 0:28:46 | 0:28:49 | |
No-one knows how she ended up in this newly dug clay pit, | 0:28:49 | 0:28:53 | |
or how long she's been there. | 0:28:53 | 0:28:55 | |
It could have been all night. | 0:28:56 | 0:28:58 | |
West Sussex Fire Service have been called in to try and get her out. | 0:29:00 | 0:29:03 | |
First consideration is always the simplest method. | 0:29:05 | 0:29:08 | |
Is it possible to, say, dig out one side of the hole | 0:29:08 | 0:29:11 | |
so that we can simply lead the horse out? | 0:29:11 | 0:29:14 | |
Although there was an excavator on site | 0:29:14 | 0:29:16 | |
that had been used to dig the hole, the size of the hole meant | 0:29:16 | 0:29:19 | |
bringing the excavator bucket in very close to the horse. | 0:29:19 | 0:29:22 | |
The pony's called Poppy, and there's every chance | 0:29:22 | 0:29:25 | |
the attempt to get her out will distress her further. | 0:29:25 | 0:29:28 | |
The West Sussex team have had to call on their Hampshire neighbours | 0:29:28 | 0:29:32 | |
who will arrive with their specially adapted crane | 0:29:32 | 0:29:35 | |
to try and lift Poppy onto dry land. | 0:29:35 | 0:29:37 | |
The pony seems very calm now, but a lot is about to happen, | 0:29:37 | 0:29:42 | |
and she could easily get stressed and kick out. | 0:29:42 | 0:29:45 | |
She'll need to be sedated to make her safe to work around. | 0:29:45 | 0:29:48 | |
Vet Stuart Wallis needs to get very close | 0:29:48 | 0:29:52 | |
to inject right into a vein. | 0:29:52 | 0:29:54 | |
'I climbed down into the water, and she gave a little bit of a...' | 0:29:54 | 0:29:57 | |
She looked like she wanted to climb out of the ditch, | 0:29:57 | 0:30:00 | |
and I was worried I might get squashed, | 0:30:00 | 0:30:03 | |
but she settled very quickly and allowed me to clean her neck | 0:30:03 | 0:30:06 | |
and get the injection in. | 0:30:06 | 0:30:08 | |
It's impossible for Stuart to examine Poppy's legs | 0:30:08 | 0:30:12 | |
under the water, so he's also giving her some painkiller | 0:30:12 | 0:30:15 | |
in case she injured herself when she fell. | 0:30:15 | 0:30:18 | |
By now Poppy's owner has been contacted, | 0:30:18 | 0:30:21 | |
and there's a complication. This mare is pregnant, | 0:30:21 | 0:30:24 | |
with just over a month to go. | 0:30:24 | 0:30:26 | |
Luckily the drugs she's been given so far | 0:30:26 | 0:30:28 | |
are no danger to the unborn foal. | 0:30:28 | 0:30:31 | |
But the fire crews will have to be very careful | 0:30:34 | 0:30:37 | |
how they place the lifting straps around her. | 0:30:37 | 0:30:40 | |
There are only two positions you can safely hold a horse, | 0:30:40 | 0:30:44 | |
and one is to put the strap in underneath the armpits, | 0:30:44 | 0:30:47 | |
so the very front of the chest, and the second is as far back | 0:30:47 | 0:30:50 | |
near the hips as you possibly can, and in those two positions, | 0:30:50 | 0:30:53 | |
you don't cause any undue compression of the abdomen or the chest. | 0:30:53 | 0:30:57 | |
The clay in the water will make it difficult to use their usual tools | 0:30:57 | 0:31:01 | |
to guide the strops into position, | 0:31:01 | 0:31:03 | |
but luckily they've got the long arm of the fire service on their side. | 0:31:03 | 0:31:07 | |
Mick, very tall guy, very long arms, | 0:31:07 | 0:31:10 | |
was able to safely get in quite close to where the horse was, | 0:31:10 | 0:31:14 | |
and actually use his hands to pass the strops underneath the horse | 0:31:14 | 0:31:18 | |
and get them in place that way. | 0:31:18 | 0:31:20 | |
Just extend it. | 0:31:22 | 0:31:24 | |
Strops in place, the crane can now be brought close | 0:31:24 | 0:31:27 | |
and attached ready for the lift. | 0:31:27 | 0:31:29 | |
It's a tense moment as Poppy starts to come up. | 0:31:33 | 0:31:36 | |
'The difficulty comes as soon as you start to lift.' | 0:31:36 | 0:31:39 | |
There's a tendency for the straps to slip. | 0:31:39 | 0:31:42 | |
The rigid yellow bar should help keep Poppy balanced | 0:31:42 | 0:31:46 | |
as she's lifted high over the bushes, | 0:31:46 | 0:31:48 | |
and despite being almost 15 feet in the air, | 0:31:48 | 0:31:51 | |
remarkably there's no sign of panic from this mum-to-be. | 0:31:51 | 0:31:55 | |
It's the first chance Stuart has had to examine Poppy's legs. | 0:31:55 | 0:31:58 | |
If they're injured and she can't stand, | 0:31:58 | 0:32:00 | |
she could just crash to the floor when she's released. | 0:32:00 | 0:32:03 | |
The last thing I wanted her to do was either fall over | 0:32:03 | 0:32:06 | |
or half lie down, then try and stand up and cause herself more harm. | 0:32:06 | 0:32:12 | |
And also I was concerned that, although the straps are OK, | 0:32:12 | 0:32:15 | |
they are putting pressure on where the foal is, | 0:32:15 | 0:32:18 | |
and we don't want to have too much pressure on there for too long. | 0:32:18 | 0:32:21 | |
'So we just paused her there for a couple of seconds. | 0:32:21 | 0:32:24 | |
'She showed no inclination to want to take her weight whatsoever. | 0:32:24 | 0:32:27 | |
'Looking at her head and eye, she was still very sleepy and placid.' | 0:32:27 | 0:32:31 | |
He finds no sign of serious leg injuries, | 0:32:33 | 0:32:36 | |
but Poppy doesn't seem to want to support herself. | 0:32:36 | 0:32:39 | |
Er, no. Right down, right down. Right down. | 0:32:39 | 0:32:43 | |
So Stuart decides it's safest to lie her down. | 0:32:43 | 0:32:46 | |
'She was very cold in her extremities, her nose and ears.' | 0:32:46 | 0:32:50 | |
So at that point I was thinking about things | 0:32:50 | 0:32:52 | |
that we now needed to do to resuscitate her, | 0:32:52 | 0:32:56 | |
because if she showed no inclination to try and stand | 0:32:56 | 0:32:59 | |
after about 15 to 20 minutes, then it was going to be hypothermia | 0:32:59 | 0:33:03 | |
that was stopping her from wanting to fully recover. | 0:33:03 | 0:33:06 | |
The next few hours will be critical for Poppy and her unborn foal. | 0:33:10 | 0:33:14 | |
She'll be rubbed down and kept warm, | 0:33:14 | 0:33:16 | |
but she will need to get back on her feet | 0:33:16 | 0:33:19 | |
if she and the foal are to have a chance of survival. | 0:33:19 | 0:33:23 | |
And if you're wondering how Poppy is now, | 0:33:23 | 0:33:26 | |
she's a very proud mum | 0:33:26 | 0:33:28 | |
with a fit and healthy foal. | 0:33:28 | 0:33:30 | |
Ahh! Now, moving on - | 0:33:33 | 0:33:34 | |
Thames Valley Police cover 196 miles of motorway, | 0:33:34 | 0:33:37 | |
more than any other force. This is Inspector Pete Edwards. | 0:33:37 | 0:33:40 | |
He's the one in control when there's a major incident. | 0:33:40 | 0:33:43 | |
We've noticed, when an incident kicks off in a control room, | 0:33:43 | 0:33:47 | |
-there's a sudden change in atmosphere. -That's correct. | 0:33:47 | 0:33:50 | |
Say, for example... Let's pick an incident between junctions 10 and 11 | 0:33:50 | 0:33:54 | |
on the M4, which you can see behind us here. | 0:33:54 | 0:33:56 | |
A big articulated lorry has gone across the central reservation, | 0:33:56 | 0:34:00 | |
and 30, 40 cars were involved. What's the first indication you get? | 0:34:00 | 0:34:03 | |
The first indication is a screen up there on the wall | 0:34:03 | 0:34:06 | |
which indicates when calls are starting to come in on the 3-9, | 0:34:06 | 0:34:10 | |
-emergency calls. -Zero means nobody's waiting at the moment. | 0:34:10 | 0:34:13 | |
-That'll bounce up - what? Ten, 15 calls? -Absolutely. | 0:34:13 | 0:34:16 | |
You'll soon see that change. We're next to some call-takers here. | 0:34:16 | 0:34:20 | |
You'll soon hear the chatter as they type the keyboards, | 0:34:20 | 0:34:23 | |
take details from the people reporting an emergency, | 0:34:23 | 0:34:26 | |
and whilst they're taking those details, | 0:34:26 | 0:34:29 | |
this will get moved over to the operators on the motorway desk. | 0:34:29 | 0:34:34 | |
So you've got them taking details of an incident here, | 0:34:34 | 0:34:38 | |
and they'll read the details of the incident | 0:34:38 | 0:34:40 | |
and start to call up roads-policing officers close to that location. | 0:34:40 | 0:34:44 | |
They'll see the maps and send people there as quickly as possible. | 0:34:44 | 0:34:48 | |
And you want to get a look at it as soon as possible. | 0:34:48 | 0:34:50 | |
They can use the cameras, which are all over the motorway. | 0:34:50 | 0:34:53 | |
Would you look to see if you could get a helicopter up? | 0:34:53 | 0:34:57 | |
There's a whole host of things, including the helicopter. | 0:34:57 | 0:35:00 | |
We'll inform people from all different services - | 0:35:00 | 0:35:03 | |
ambulance, fire service, Highways Agency, | 0:35:03 | 0:35:05 | |
who work on the same channel as us, so we'll inform them. | 0:35:05 | 0:35:08 | |
Myself, when I'm situated in the corner of the control room... | 0:35:08 | 0:35:12 | |
That's the inspector's desk. You've got your own feed for pictures. | 0:35:12 | 0:35:16 | |
There's an empty desk. I've always wondered what goes on here. | 0:35:16 | 0:35:19 | |
It's reserved for when we have a major incident, | 0:35:19 | 0:35:22 | |
so you start to have people move from other locations, | 0:35:22 | 0:35:25 | |
to have an incident channel to deal with it. | 0:35:25 | 0:35:27 | |
That's what happens. The place comes to life | 0:35:27 | 0:35:30 | |
-the moment something comes in. Thank you very much. -Thank you. | 0:35:30 | 0:35:34 | |
I'm in the custody suite a couple of floors below Nick right now, | 0:35:35 | 0:35:39 | |
with Inspector Mary Cooper, who's in charge. | 0:35:39 | 0:35:42 | |
-And you've got about 30 cells. -Correct, yeah. | 0:35:42 | 0:35:44 | |
You run this now, but you've had to rescue people | 0:35:44 | 0:35:47 | |
-before you arrested them. -Yes, and I think that's quite common. | 0:35:47 | 0:35:51 | |
When I was a sergeant, we had an incident | 0:35:51 | 0:35:54 | |
whereby some offenders did what's known as a vamoose burglary. | 0:35:54 | 0:35:58 | |
A vamoose burglary? What did they do? | 0:35:58 | 0:36:00 | |
At the same time as burgling the house | 0:36:00 | 0:36:03 | |
they stole the car. And we had intelligence. | 0:36:03 | 0:36:06 | |
-We suspected who it might be, so we... -Did a stakeout. | 0:36:06 | 0:36:09 | |
-Exactly. -Found them, and they all ran off in different directions. | 0:36:09 | 0:36:13 | |
Exactly. And myself and my team, we followed different groups, | 0:36:13 | 0:36:18 | |
and myself and the dog handler followed one along the canal bank, | 0:36:18 | 0:36:22 | |
and he disappeared. And we were sort of almost giving up, | 0:36:22 | 0:36:27 | |
and then we heard some cries, and he'd actually jumped into the canal. | 0:36:27 | 0:36:30 | |
So you've got to pull him out, I guess. | 0:36:30 | 0:36:33 | |
Well, yes, because it was very cold, it was deep, and he couldn't swim, | 0:36:33 | 0:36:37 | |
so he was actually struggling. So first of all we got him out, | 0:36:37 | 0:36:41 | |
then obviously the ambulance attended and confirmed he was OK, | 0:36:41 | 0:36:45 | |
-and then he was arrested. -Thank you very much! | 0:36:45 | 0:36:48 | |
Things have moved on since you first started here. | 0:36:48 | 0:36:51 | |
This is called the documentation room. Beth is in here. | 0:36:51 | 0:36:54 | |
When Mary first started, this is how they used to do fingerprints, | 0:36:54 | 0:36:58 | |
on a piece of paper, but you don't do that any more. | 0:36:58 | 0:37:01 | |
-No. -Very sophisticated computer. | 0:37:01 | 0:37:03 | |
A little bit earlier you took my fingerprints. | 0:37:03 | 0:37:06 | |
What I'm interested in, you took the sides of my hand, didn't you? | 0:37:06 | 0:37:09 | |
You can see them here. Why did you do that? | 0:37:09 | 0:37:12 | |
That part of the hand is what I call peeping-Tom hands. | 0:37:12 | 0:37:15 | |
That part is what's left on the glass if somebody's looking in. | 0:37:15 | 0:37:19 | |
-It sounds silly, but it's incredibly useful. -Yes. | 0:37:19 | 0:37:22 | |
Brilliant. Thank you. I hope you're going to take them off the computer! | 0:37:22 | 0:37:26 | |
-Yes. -OK. | 0:37:26 | 0:37:28 | |
A case of tough love now. | 0:37:28 | 0:37:30 | |
17-year-old Frankie has a minor injury, | 0:37:30 | 0:37:33 | |
but it very quickly gets too much for her. | 0:37:33 | 0:37:35 | |
Some stern words are going to be needed to talk her round. | 0:37:35 | 0:37:39 | |
Paramedic Chris Kirby is taking details from Control | 0:37:41 | 0:37:44 | |
about a teenage girl who's fallen over. | 0:37:44 | 0:37:47 | |
Do you want us to go on red, if she's in that much pain? OK. | 0:37:47 | 0:37:51 | |
Technician Jason Harrap gets going on blue lights. | 0:37:51 | 0:37:54 | |
SIREN WAILS | 0:37:54 | 0:37:57 | |
The girl's in a lot of pain with her ankle. | 0:37:57 | 0:38:00 | |
They need to get there quickly to make sure there's no threat to her foot. | 0:38:00 | 0:38:03 | |
Looks like the second left past the college. | 0:38:03 | 0:38:06 | |
They find Frankie crumpled on the pavement | 0:38:10 | 0:38:13 | |
in the care of a police community officer. | 0:38:13 | 0:38:15 | |
-When you fell, you didn't bang your head or anything? -No. | 0:38:15 | 0:38:19 | |
And the reason you fell over was mechanical, was it? | 0:38:19 | 0:38:22 | |
-I don't know. I... -You tripped over that. OK. | 0:38:22 | 0:38:25 | |
Where's most of the pain? | 0:38:25 | 0:38:27 | |
Right down at the bottom. Any pains in your knee at all? | 0:38:27 | 0:38:31 | |
I'm just going to feel down your leg. You tell me where the pain starts. | 0:38:31 | 0:38:35 | |
-Just say "now". -There. | 0:38:35 | 0:38:37 | |
-On that bit? -Yeah. -OK. All right. | 0:38:37 | 0:38:40 | |
-The 17 year old is very upset. -I have phoned her mum. | 0:38:40 | 0:38:44 | |
Her mum is aware. She will meet her at the hospital. | 0:38:44 | 0:38:48 | |
Right. OK. | 0:38:48 | 0:38:49 | |
Frankie is scoring her pain highly, putting it at nine out of ten. | 0:38:49 | 0:38:53 | |
To make her more comfortable, Chris administers gas and air. | 0:38:53 | 0:38:56 | |
Breathe through the tube, deep into your lungs. | 0:38:56 | 0:38:58 | |
But breathe normally, OK? Don't hyperventilate. | 0:38:58 | 0:39:01 | |
And slowly out through your nose. Big breath down. | 0:39:01 | 0:39:04 | |
That's going to make you feel a little bit wobbly, | 0:39:04 | 0:39:07 | |
but it'll take the edge off the pain you've got in your leg. | 0:39:07 | 0:39:10 | |
The next step is getting her on the trolley. | 0:39:10 | 0:39:13 | |
One, two, three... OK. Lovely. | 0:39:13 | 0:39:15 | |
Lovely. There we are. | 0:39:15 | 0:39:18 | |
Once she's up, the effect of the gas suddenly leads to a change in mood. | 0:39:18 | 0:39:22 | |
-My trousers! -SHE LAUGHS | 0:39:22 | 0:39:25 | |
-OK. You got her? -Hop to the left. | 0:39:26 | 0:39:28 | |
We can't hold you here. That's it, love. | 0:39:28 | 0:39:31 | |
Well done. | 0:39:31 | 0:39:33 | |
Has that taken the edge off any of the pain? It has? Good girl. | 0:39:33 | 0:39:37 | |
In the ambulance, Chris takes a closer look at the ankle. | 0:39:37 | 0:39:40 | |
Well done. Brilliant. Keep going, darling. | 0:39:40 | 0:39:44 | |
Keep going. SHE SOBS | 0:39:44 | 0:39:46 | |
Right. Just drop your leg down for me. | 0:39:46 | 0:39:49 | |
It's swollen, and will need X-rays at the hospital. | 0:39:49 | 0:39:53 | |
But it's Frankie's reaction which is worrying Chris more. | 0:39:53 | 0:39:57 | |
-I want my mum! -I know you do, hon. | 0:39:57 | 0:39:59 | |
SHE SOBS Frankie, listen, darlin'. | 0:39:59 | 0:40:01 | |
You're quite safe, all right? You're quite safe. | 0:40:01 | 0:40:05 | |
The influence of the gas, and the shock of the pain, | 0:40:05 | 0:40:07 | |
is becoming too much for her. She's getting overwrought. | 0:40:07 | 0:40:11 | |
-A little tough love is required. -SHE WAILS | 0:40:11 | 0:40:14 | |
Frankie? Right. Frankie? Listen to me. | 0:40:14 | 0:40:16 | |
Listen. Put your arms down. Right. Listen. Calm yourself down. | 0:40:16 | 0:40:21 | |
-OK. -Mm-hm! | 0:40:21 | 0:40:22 | |
All you've done, all right, is at very most... | 0:40:22 | 0:40:25 | |
done a small fracture in your ankle, at very least a sprain. All right? | 0:40:25 | 0:40:28 | |
-OK. -There's no need to get yourself worked up | 0:40:28 | 0:40:31 | |
to the point where you go hysterical. You're quite safe. | 0:40:31 | 0:40:35 | |
You're in a nice warm ambulance. Nobody's going to hurt you. | 0:40:35 | 0:40:38 | |
OK? We're here to look after you, OK? | 0:40:38 | 0:40:40 | |
You couldn't be anywhere safer than where you are now. | 0:40:40 | 0:40:43 | |
All right? Mum's going to meet us at the hospital. | 0:40:43 | 0:40:46 | |
All right? She'll be there to help you. | 0:40:46 | 0:40:49 | |
It seems to do the trick. Jason gives her some more painkillers | 0:40:49 | 0:40:53 | |
while Chris puts the ankle in a splint. | 0:40:53 | 0:40:55 | |
This is going to support your leg, so when it's moving around | 0:40:55 | 0:40:59 | |
-when we're driving, it won't hurt. -All right? | 0:40:59 | 0:41:02 | |
At very most, all right, like I said, it could be a tiny fracture. | 0:41:02 | 0:41:06 | |
But you're moving it, all right, which is all good signs. | 0:41:08 | 0:41:11 | |
Moments later, and Frankie is much more relaxed. | 0:41:14 | 0:41:17 | |
The painkillers and Chris's jokes turn her tears to laughter. | 0:41:17 | 0:41:20 | |
Can I take my hair clip out, because it's really... | 0:41:20 | 0:41:23 | |
Jason will do your hair if you want. He used to be a hairdresser. | 0:41:23 | 0:41:27 | |
-SHE LAUGHS -What did you say that for? | 0:41:27 | 0:41:30 | |
We can make some money on the side. Just go with it. | 0:41:30 | 0:41:33 | |
She's under the Entonox. She won't know the difference. | 0:41:33 | 0:41:36 | |
I promise you we really are ambulance people. | 0:41:38 | 0:41:41 | |
-How much pain are you in now? -Hardly any. | 0:41:41 | 0:41:44 | |
-So we're doing our job right, are we? -Yeah. | 0:41:44 | 0:41:47 | |
Are you sure you don't want your hair doing? | 0:41:48 | 0:41:51 | |
Jason sets off for the hospital. Chris keeps Frankie entertained | 0:41:51 | 0:41:55 | |
as he fills out the paperwork. | 0:41:55 | 0:41:58 | |
So, you were walking along. How fast to you think you were going? | 0:41:58 | 0:42:01 | |
Oh, no. That's a car accident. You were walking. | 0:42:01 | 0:42:04 | |
That's fine. | 0:42:04 | 0:42:07 | |
By the time they reach the hospital, Frankie is revived from her ordeal. | 0:42:08 | 0:42:12 | |
You hate hospitals? So do we, and they keep making us come back here! | 0:42:12 | 0:42:17 | |
THEY LAUGH | 0:42:17 | 0:42:19 | |
She's survived the accident as well as the onslaught of jokes. | 0:42:19 | 0:42:23 | |
Chris is confident her stay at hospital will be a short one. | 0:42:23 | 0:42:26 | |
Fingers crossed it is just a sprain. | 0:42:26 | 0:42:29 | |
If not, and it's a fracture, she'll be plastered, | 0:42:29 | 0:42:33 | |
but she'll certainly be going home today. | 0:42:33 | 0:42:36 | |
That shows that it's not just their medical skills, is it? | 0:42:36 | 0:42:40 | |
-It's their personal skills. -Very calm and kind, aren't they? | 0:42:40 | 0:42:43 | |
-Join us next time for more Real Rescues. See you then. -Bye-bye. | 0:42:43 | 0:42:47 | |
Subtitles by Red Bee Media Ltd | 0:42:53 | 0:42:57 |