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Today on Real Rescues, drama student Sam isn't acting. His broken arm is so painful, | 0:00:02 | 0:00:06 | |
he can't bear to look at it. | 0:00:06 | 0:00:07 | |
I don't want everyone to see it. I think it'll be pretty bad. | 0:00:07 | 0:00:11 | |
We can clear the room, sweetheart. | 0:00:11 | 0:00:12 | |
And this is the neighbour you need in an emergency. | 0:00:12 | 0:00:15 | |
He's settled everyone down and is calmly saving his neighbour's life. | 0:00:15 | 0:00:19 | |
Hello, and welcome to Thames Valley Police and Real Rescues. | 0:00:51 | 0:00:54 | |
As well as the police, today we're going to see firefighters and ambulance crews | 0:00:54 | 0:00:58 | |
rescuing people like you and me, from the badly injured cyclist | 0:00:58 | 0:01:02 | |
to the pensioner who insists there is nothing wrong - | 0:01:02 | 0:01:05 | |
despite being brought back to life nine times. | 0:01:05 | 0:01:08 | |
More on that later. | 0:01:08 | 0:01:09 | |
Now we'll show you what it's like for paramedics | 0:01:09 | 0:01:12 | |
as they arrive at the scene of an emergency. | 0:01:12 | 0:01:14 | |
A teenager with a broken arm sounds pretty straightforward. | 0:01:14 | 0:01:18 | |
Sam has come off a trampoline at his mate's house. This is what happens when the paramedics arrive. | 0:01:18 | 0:01:24 | |
Is he? OK. | 0:01:26 | 0:01:27 | |
-Hello, sweetheart. What's your name? -Sam. | 0:01:27 | 0:01:31 | |
-And what were you doing? -Trampoline. | 0:01:31 | 0:01:33 | |
I've flown off and put my arm down. I know it's broken. | 0:01:33 | 0:01:37 | |
-OK, let me have a look, sweetheart. -I can't move my arm. | 0:01:37 | 0:01:41 | |
This one? | 0:01:41 | 0:01:42 | |
I don't want everyone to see it. I think it'll be pretty bad. | 0:01:42 | 0:01:45 | |
We can clear the room, sweetheart. | 0:01:45 | 0:01:47 | |
-It's not the first time. -You've broken this one before? | 0:01:47 | 0:01:51 | |
This is the second time I've done this one. I've done this one twice. | 0:01:51 | 0:01:54 | |
-And you've got pins in that one? -Yeah. -Hold old are you? -15. | 0:01:54 | 0:01:58 | |
-Mind your... If you can... -MOTHER: His dad's on his way. -OK. | 0:01:58 | 0:02:01 | |
We'll give you some Entonox in the meantime, the gas and air. | 0:02:01 | 0:02:04 | |
-Have you had this before? -No. I don't really know what I'm doing. I refused it. | 0:02:04 | 0:02:08 | |
OK. No doubt when your mum gave birth to you, she gave you this. It's gas and air. | 0:02:08 | 0:02:12 | |
This lady will hold it for you. I need this other hand, sweetheart. | 0:02:12 | 0:02:17 | |
-Now just breathe in. -Yeah. Can you not hurt...? | 0:02:17 | 0:02:20 | |
You suck on the gas and then I'll move it. | 0:02:20 | 0:02:22 | |
Make a funny noise, like a milkshake at McDonald's when it gets to the bottom. | 0:02:22 | 0:02:26 | |
Not too much of that. | 0:02:26 | 0:02:29 | |
-How does that make you feel? -Dizzy. -Dizzy? | 0:02:29 | 0:02:32 | |
-Keep sucking on it. Trust me. -Wait, no wait. | 0:02:32 | 0:02:35 | |
-To give you something stronger, I need your hand. -Can you not touch it, please? | 0:02:35 | 0:02:39 | |
I won't touch that one. I'll give you some strong pain relief in this hand. | 0:02:39 | 0:02:43 | |
-Trust me, you'll want this. -No, can you not...? -Mum says... -Sorry. | 0:02:43 | 0:02:47 | |
If your mum says she wants you to have some, | 0:02:47 | 0:02:50 | |
because you've got a long journey ahead of you in the ambulance and it'll be bumpy, OK? | 0:02:50 | 0:02:55 | |
Hiya. Come in. | 0:02:55 | 0:02:57 | |
Do you want to tell her what you want to do? | 0:02:57 | 0:02:59 | |
-I want to give him some strong pain relief because we have to move him. -Am I going to, like, pass out? -No. | 0:02:59 | 0:03:04 | |
-Are you just giving me an injection? -Yes. | 0:03:04 | 0:03:07 | |
-Is it going to be a nasty one? -It'll hurt a bit, but trust me, it will take all the pain away. | 0:03:07 | 0:03:12 | |
So he's finally taking some painkillers. | 0:03:12 | 0:03:15 | |
This is Babs Mudge, who you saw treating Sam. | 0:03:15 | 0:03:18 | |
A couple of things. In trying to judge how painful something is... | 0:03:18 | 0:03:22 | |
-Plainly he's being quite brave because that's a nasty break. -Yeah. | 0:03:22 | 0:03:26 | |
-How much pain is he in, do you think, at that stage? -A lot. | 0:03:26 | 0:03:29 | |
I think he's being brave because he had family there and friends, | 0:03:29 | 0:03:33 | |
but a lot of pain. | 0:03:33 | 0:03:34 | |
-Probably being very brave in front of his mates. -Yeah. | 0:03:34 | 0:03:37 | |
-And you judge it by saying between... -One and ten is the way we score. | 0:03:37 | 0:03:41 | |
-One being...? -One being like a scratch | 0:03:41 | 0:03:43 | |
and ten, for example, like your arm being chopped off, so you know that's extreme pain. | 0:03:43 | 0:03:48 | |
Why is he refusing or not wanting the anaesthetic? | 0:03:48 | 0:03:51 | |
-That happens a lot with children? -It does. | 0:03:51 | 0:03:54 | |
Sometimes they've had experience before, like Sam had previous breaks, | 0:03:54 | 0:03:58 | |
and know what it feels like and they feel strange. | 0:03:58 | 0:04:01 | |
-Dizzy... -Woozy? -Yeah. They just don't know how to react to it. | 0:04:01 | 0:04:06 | |
Also maybe having had a few drinks and feeling that way before. | 0:04:06 | 0:04:10 | |
OK. Now, it's important to move Sam's arm, obviously, | 0:04:10 | 0:04:13 | |
but he's been in the situation before and really doesn't like it. | 0:04:13 | 0:04:17 | |
But it's going to really hurt. | 0:04:17 | 0:04:18 | |
It will hurt for a few seconds and that's it. A scratch. | 0:04:18 | 0:04:21 | |
-It'll be a little pinch. -Compared to what you'll have to have... | 0:04:21 | 0:04:25 | |
Look at Stuart, your mate. | 0:04:25 | 0:04:27 | |
-It'll really hurt. -It'll be nothing compared to how much that's aching. | 0:04:27 | 0:04:31 | |
This will help you. All that's left is this little bit of plastic. | 0:04:31 | 0:04:35 | |
-Are you giving me a cannula thing? -Yeah. It's just a bit of plastic. -I hate it. | 0:04:35 | 0:04:39 | |
-Yeah, all right. Sorry. Put it in. -You won't even know it's been in. | 0:04:39 | 0:04:43 | |
OK, whatever you do, don't move your arm. | 0:04:43 | 0:04:46 | |
La la la la la... Relax. | 0:04:46 | 0:04:49 | |
-Keep talking. -Relax, OK? | 0:04:49 | 0:04:51 | |
-Keep talking to Stuart. -Stuart Stuart Stuart Stuart... | 0:04:51 | 0:04:55 | |
-Stuart Stuart Stuart Stuart... -Relax. -That's it. It's done. | 0:04:55 | 0:04:59 | |
Not too bad. | 0:04:59 | 0:05:00 | |
Fingers up. See? Didn't hurt that much, did it, compared to your arm? | 0:05:00 | 0:05:04 | |
-All right, fine. -OK, first one, can you draw me up... | 0:05:04 | 0:05:07 | |
-Will this make me feel funny? -..the morphine. | 0:05:07 | 0:05:09 | |
No. This little bit of water, you might feel a little coldness. | 0:05:09 | 0:05:13 | |
You're doing brilliantly. OK? | 0:05:13 | 0:05:16 | |
-Are you left-handed or right-handed? -Right. Ow! | 0:05:16 | 0:05:19 | |
-Are you in the middle of your GCSEs? -Erm... We've had a few mocks recently. | 0:05:19 | 0:05:23 | |
-OK, this is the strong stuff. -But will this make me feel funny? | 0:05:23 | 0:05:27 | |
It might make you feel a bit strange, a bit spaced-out. | 0:05:27 | 0:05:30 | |
I didn't like that last time. | 0:05:30 | 0:05:32 | |
But what other option have you got at the moment, about the pain? | 0:05:32 | 0:05:35 | |
See you later. | 0:05:35 | 0:05:36 | |
Oh... sugar. | 0:05:36 | 0:05:38 | |
-I felt that everywhere. -Yeah, you will do. | 0:05:38 | 0:05:40 | |
-You will do, sweetheart. -I didn't like that. -OK. | 0:05:40 | 0:05:43 | |
This is just water now. | 0:05:43 | 0:05:45 | |
I don't want to move. | 0:05:45 | 0:05:46 | |
Do you think, with your hand, you can take control of this hand? | 0:05:46 | 0:05:50 | |
-I don't want to pull it up but... -Do you want the gas and air? | 0:05:50 | 0:05:53 | |
-HE GROANS -Well done. We're nearly there. | 0:05:53 | 0:05:56 | |
-Quick quick quick... -I need it a bit higher. -Quick quick quick... | 0:05:56 | 0:05:59 | |
-With the shoulder. That's it. -Quick! Agh! -That's good. | 0:05:59 | 0:06:03 | |
-Done! Well done. -Is it going to get tight on it? | 0:06:03 | 0:06:06 | |
No, it shouldn't. It's just to support it. | 0:06:06 | 0:06:08 | |
It's like having a cast, really. | 0:06:08 | 0:06:11 | |
OK, it's not hurting as much now, I think. | 0:06:11 | 0:06:15 | |
Oh! Just! | 0:06:17 | 0:06:18 | |
I'm doing a drama course over the week. There's no one that can fill in. | 0:06:18 | 0:06:22 | |
-Is it anything you've got to jump around with? -Yeah. Saturday Night Fever. -Oh. | 0:06:22 | 0:06:26 | |
You could do one... | 0:06:26 | 0:06:28 | |
A couple of things about that are interesting. | 0:06:28 | 0:06:31 | |
One is that you want to get it straight straightaway rather than wait till you get to hospital. Why? | 0:06:31 | 0:06:37 | |
For the circulation, to make sure he's got full sensation in his fingers and the rest of his hand. | 0:06:37 | 0:06:42 | |
-If not, there's a real danger of losing his hand. -If you don't get blood flow all the way down. | 0:06:42 | 0:06:47 | |
Important to get painkillers going | 0:06:47 | 0:06:49 | |
because no way would you get that into a splint and move it around. | 0:06:49 | 0:06:53 | |
-No. I couldn't cope with it. -So you've got to get some anaesthetic and get him straight out. | 0:06:53 | 0:06:58 | |
-When you went to the hospital, that splint you put on actually straightened it very well. -Yeah. | 0:06:58 | 0:07:04 | |
Does that mean that the surgeons aren't then so sure how bad the break is? | 0:07:04 | 0:07:08 | |
Well, yeah, I had to explain again to the staff how bad it was | 0:07:08 | 0:07:12 | |
prior to me straightening it, really. | 0:07:12 | 0:07:15 | |
-Because you'd done such a good job... -With the splint. | 0:07:15 | 0:07:18 | |
Sam's been incredibly brave. It was an excruciating broken arm. | 0:07:18 | 0:07:21 | |
Now it's a case of getting him off the sofa and onto the trolley. | 0:07:21 | 0:07:25 | |
We're going to put your bottom here, legs down there, | 0:07:25 | 0:07:27 | |
and then you're going to rest your arm on your leg, OK? | 0:07:27 | 0:07:30 | |
I'll help you. | 0:07:30 | 0:07:32 | |
Good. | 0:07:32 | 0:07:33 | |
-OK? Barry, can we just... -Oh! | 0:07:33 | 0:07:35 | |
-No? -Sorry. I felt it, like... | 0:07:35 | 0:07:37 | |
OK. | 0:07:37 | 0:07:39 | |
I can hold the whole of it if Barry helps you up, yeah? | 0:07:39 | 0:07:42 | |
FATHER: Go on, Sam. | 0:07:49 | 0:07:50 | |
OK, do you want to take hold of your arm, sweetheart? | 0:07:50 | 0:07:53 | |
Hold your arm. That's it. | 0:07:53 | 0:07:55 | |
Turn yourself round. | 0:07:55 | 0:07:56 | |
That's it, and sit yourself down. | 0:07:57 | 0:08:00 | |
-There you go. -OK? | 0:08:00 | 0:08:02 | |
Now I'll hold your arm again, and you need to shuffle yourself back till you're comfortable. | 0:08:02 | 0:08:08 | |
-Up with your arm. -Quick, put it down, put it down. | 0:08:08 | 0:08:12 | |
I was going to say we'll put a blanket underneath it. | 0:08:12 | 0:08:15 | |
-Do you want to sit up a bit more? Again? -That's how I was... | 0:08:15 | 0:08:19 | |
HE MOANS | 0:08:28 | 0:08:30 | |
-How's that? -Erm... yeah. -Yeah? I can give you some more pain relief once we're in the ambulance. | 0:08:30 | 0:08:36 | |
TROLLEY WHIRS | 0:08:36 | 0:08:39 | |
Finally a smile. | 0:08:39 | 0:08:40 | |
Well, Sam and dad Graham have joined us here to chat about that. | 0:08:40 | 0:08:45 | |
Why weren't you boo-hooing? | 0:08:45 | 0:08:47 | |
-I would have been. I'd have been screaming and shouting. -Yeah. | 0:08:47 | 0:08:51 | |
Previous times that I've broken it, I've been quite upset, but... | 0:08:51 | 0:08:55 | |
I guess I was braver this time. | 0:08:55 | 0:08:57 | |
-Because the camera was there? -Yeah, and my mates were there. | 0:08:57 | 0:09:00 | |
-They seemed to be really enjoying it. -Yeah. | 0:09:00 | 0:09:03 | |
They could have looked concerned rather than giggling all the time. | 0:09:03 | 0:09:07 | |
-Dad, a bit worrying that he keeps breaking his arm - four times, is it? -Yeah. | 0:09:07 | 0:09:11 | |
Do you worry that there's a theme going on here? | 0:09:11 | 0:09:13 | |
I have had advice about it | 0:09:13 | 0:09:15 | |
and I think he's just been unlucky. | 0:09:15 | 0:09:17 | |
I do give him advice - "Bye, Sam. Don't do anything silly" - but... | 0:09:17 | 0:09:21 | |
Trust me, as a dad, good luck with that. | 0:09:21 | 0:09:23 | |
You've had the anaesthetic before and didn't like it and were keen not to. | 0:09:23 | 0:09:29 | |
How had it made you feel before? | 0:09:29 | 0:09:31 | |
Well, previous experiences, it's made me sick. | 0:09:31 | 0:09:34 | |
And also, I kind of like... zoned out. | 0:09:34 | 0:09:37 | |
I wasn't really in control. | 0:09:37 | 0:09:39 | |
-You didn't like that feeling so preferred not to... But I bet it felt easier once you did. -Yeah. | 0:09:39 | 0:09:44 | |
What happened when they got you into hospital? | 0:09:44 | 0:09:47 | |
How bad was the break, did they say? | 0:09:47 | 0:09:49 | |
From the X-ray, you could clearly see both the bones were broken. | 0:09:49 | 0:09:54 | |
What did they do to get it back together? | 0:09:54 | 0:09:56 | |
-Did you have an op on it? -Yeah, and they put some rods in. -Wow. | 0:09:56 | 0:10:01 | |
You should have a bionic arm by the time it knits back together. | 0:10:01 | 0:10:04 | |
Can we have a look at your other arm, the one you broke last time? | 0:10:04 | 0:10:08 | |
Do you want to show us the scars? There you go on that side. | 0:10:08 | 0:10:11 | |
And then on the other side of it? Look at this. | 0:10:12 | 0:10:15 | |
-Scars are good, aren't they? -Yeah. -To show off. -Impressive. -Absolutely. | 0:10:16 | 0:10:20 | |
-And you missed out on your starring role. -Oh, yeah. | 0:10:20 | 0:10:22 | |
-A bit cheesed off about that? -Yeah. | 0:10:22 | 0:10:25 | |
It was a little Easter half-term course and... | 0:10:25 | 0:10:29 | |
-Yeah, Saturday Night Fever. -You would have been brilliant. -Yeah. -They'll never know. | 0:10:29 | 0:10:34 | |
Guys, thank you very much for coming in and chatting to us. | 0:10:34 | 0:10:37 | |
The operators in this room are highly skilled | 0:10:37 | 0:10:40 | |
in dispatching the right response to any emergency that comes through. | 0:10:40 | 0:10:44 | |
But some of the operators here have extra special skills they can call on. | 0:10:44 | 0:10:47 | |
Like Caroline here, who is their resident horse whisperer. | 0:10:47 | 0:10:51 | |
-Hi, Caroline. -Hi. | 0:10:51 | 0:10:52 | |
-So if anything equine comes in, they call on you? -Yeah. | 0:10:52 | 0:10:56 | |
I've often had to give officers advice on how to catch horses. | 0:10:56 | 0:11:00 | |
If it's local to here, they can happily come in and get my kit. | 0:11:00 | 0:11:04 | |
This is what she has in her car, just randomly. | 0:11:04 | 0:11:07 | |
-A halter and a rope... -Yeah, I have the halter and the rope. | 0:11:07 | 0:11:10 | |
Your boots as well. And this is my favourite bit. | 0:11:10 | 0:11:14 | |
-An enormous bag of carrots! -My bag of carrots. | 0:11:14 | 0:11:17 | |
And actually, you have been called out to incidents, haven't you? | 0:11:17 | 0:11:20 | |
I was called out. There was a horse loose in Abingdon not so long ago. | 0:11:20 | 0:11:26 | |
There was a single-crewed officer who hadn't any experience with horses | 0:11:26 | 0:11:30 | |
and I was asked by the duty sergeant if I would go out and catch this horse. | 0:11:30 | 0:11:35 | |
-The horse owner couldn't help you? -She was nine months pregnant and very overdue, | 0:11:35 | 0:11:40 | |
and the horse was a quarter of a mile away from its field | 0:11:40 | 0:11:44 | |
and there was no way she could walk him back down the main road. | 0:11:44 | 0:11:47 | |
He'd never been backed. He wasn't broken in. | 0:11:47 | 0:11:50 | |
He was really spooked by the traffic, scared of anything coming behind him. | 0:11:50 | 0:11:55 | |
-So she couldn't have walked him back. -So you did it successfully. | 0:11:55 | 0:11:58 | |
How often do the carrots have to come out? And is it just horses? | 0:11:58 | 0:12:02 | |
It is just horses for me, yes. | 0:12:02 | 0:12:05 | |
The carrots don't come out that often. | 0:12:05 | 0:12:08 | |
On a few occasions they have. | 0:12:08 | 0:12:09 | |
And I've shown police officers how to put the halters on | 0:12:09 | 0:12:13 | |
-when they've gone out. -So extremely useful. -Absolutely. | 0:12:13 | 0:12:16 | |
I'm going to have one of those in a minute. | 0:12:16 | 0:12:18 | |
Rehearsed teamwork is vital for the survival of firefighters, | 0:12:18 | 0:12:22 | |
and that's what you're about to see. | 0:12:22 | 0:12:23 | |
Here 40 firefighters are about to battle a fire in a flat | 0:12:23 | 0:12:27 | |
before it brings down a whole street. | 0:12:27 | 0:12:30 | |
They're soon working in zero visibility | 0:12:30 | 0:12:32 | |
and heat so strong it's melting the doors and windows. | 0:12:32 | 0:12:37 | |
It's the early hours of the morning. | 0:12:40 | 0:12:42 | |
White Watch are in the city centre for a false alarm | 0:12:42 | 0:12:45 | |
when a real emergency comes through. | 0:12:45 | 0:12:47 | |
SIREN BLARES | 0:12:49 | 0:12:51 | |
It's a serious fire. Four crews are needed. | 0:12:53 | 0:12:56 | |
They arrive to find clouds of thick, black smoke | 0:12:59 | 0:13:02 | |
billowing out of a building at the end of a terrace. | 0:13:02 | 0:13:04 | |
But it's not until they venture down a side alley | 0:13:04 | 0:13:07 | |
that they find the flames. | 0:13:07 | 0:13:09 | |
Firefighters Keith Burton and Matt Broomby are first to go in. | 0:13:10 | 0:13:13 | |
It's an old pub, but they don't know what the first floor is used for | 0:13:13 | 0:13:17 | |
or whether there's anyone inside. | 0:13:17 | 0:13:20 | |
The only way in is via the fire escape to the first floor. | 0:13:20 | 0:13:23 | |
But the heat is so intense, | 0:13:23 | 0:13:25 | |
the plastic door has melted shut. | 0:13:25 | 0:13:28 | |
At the end of the staircase we found two doors, | 0:13:28 | 0:13:31 | |
one in front of us | 0:13:31 | 0:13:32 | |
and one which obviously led into that fire compartment. | 0:13:32 | 0:13:35 | |
When we attempted to get through, | 0:13:35 | 0:13:37 | |
we realised the door had fused to the plastic frame, | 0:13:37 | 0:13:40 | |
which slowed down our progress. | 0:13:40 | 0:13:42 | |
It took us probably about 15 minutes to make an entry. | 0:13:42 | 0:13:47 | |
Are you all right up there? | 0:13:48 | 0:13:49 | |
The fire is so fierce, the window is glowing brightly. | 0:13:49 | 0:13:53 | |
The cold air is pushing the smoke onto the ground, | 0:13:55 | 0:13:58 | |
making it difficult enough to see outside. | 0:13:58 | 0:14:00 | |
Conditions inside are far worse, | 0:14:00 | 0:14:02 | |
and they don't know if anyone is trapped. | 0:14:02 | 0:14:05 | |
As soon as we opened that door, we immediately felt the heat. | 0:14:05 | 0:14:09 | |
We were faced with a wall of fire. | 0:14:09 | 0:14:11 | |
It's a month since the pub closed down. | 0:14:14 | 0:14:16 | |
The fire is putting homes and businesses at risk. | 0:14:16 | 0:14:20 | |
They need to set up defences to protect the adjoining buildings. | 0:14:20 | 0:14:24 | |
If the flames get in the roof space, it could start | 0:14:24 | 0:14:26 | |
a potentially devastating spread through this city centre terrace. | 0:14:26 | 0:14:32 | |
It's beginning to look like the first floor may be someone's home. | 0:14:32 | 0:14:36 | |
The pressure is now on to make sure no one is inside. | 0:14:36 | 0:14:39 | |
Incident commander Shaun Cheeseman briefs crew manager Colin Burford. | 0:14:39 | 0:14:44 | |
OK, but bear in mind I think that might be a flat | 0:14:44 | 0:14:47 | |
and I'm not hauling out persons at the moment. | 0:14:47 | 0:14:49 | |
So if we do a white hand search when you go into the flat... Yeah? | 0:14:49 | 0:14:54 | |
We don't think anyone is in there, but obviously just to double-check. | 0:14:54 | 0:14:58 | |
The aerial ladder platform is in place, | 0:15:02 | 0:15:05 | |
but with crews inside, it's too dangerous to pour water in through the roof. | 0:15:05 | 0:15:10 | |
If they put too much water on a fire, | 0:15:10 | 0:15:12 | |
it will create a lot of steam. | 0:15:12 | 0:15:14 | |
Our fire kit protects us against fire | 0:15:14 | 0:15:18 | |
but steam can travel straight through and cause quite bad burns. | 0:15:18 | 0:15:22 | |
We've got to worry about it getting in the roof. | 0:15:22 | 0:15:24 | |
-Also, I want to make 100% sure they're doing a sweep and nobody's in there dead or something. -Sure. | 0:15:24 | 0:15:30 | |
By now, it's four in the morning, the streets are deserted, | 0:15:31 | 0:15:35 | |
but such is the concern about the fire taking hold of the terrace, | 0:15:35 | 0:15:38 | |
the police have closed the roads. | 0:15:38 | 0:15:40 | |
There are 18 firefighters on the scene now | 0:15:40 | 0:15:43 | |
and six fire engines. | 0:15:43 | 0:15:45 | |
The fire has been so intense, the plastic windows have melted. | 0:15:46 | 0:15:50 | |
And there's a new danger. Matt and Keith have come out with a warning: | 0:15:50 | 0:15:54 | |
the floor is not safe. | 0:15:54 | 0:15:55 | |
Firefighters Adam and Dan have narrowly escaped falling through. | 0:15:57 | 0:16:01 | |
The fire is in between the floors at the moment, | 0:16:01 | 0:16:04 | |
so our foot's going through the floor, and it's fire below, so we've withdrawn. | 0:16:04 | 0:16:08 | |
I'm changing cylinders and then we're going to attack it from below | 0:16:08 | 0:16:13 | |
and extinguish the fire below us, | 0:16:13 | 0:16:15 | |
and then we'll get up in the roof and sort the roof out. | 0:16:15 | 0:16:18 | |
All the indications are that the building was empty and in the process of being renovated. | 0:16:19 | 0:16:24 | |
It's too unsafe for the crews to work inside | 0:16:24 | 0:16:26 | |
so they have to monitor any potential flare-ups from outside. | 0:16:26 | 0:16:31 | |
The flames may be out on the first floor. | 0:16:32 | 0:16:34 | |
The flat looks uninhabited. | 0:16:34 | 0:16:36 | |
But it's been spotted downstairs. The cellar could be next in its path. | 0:16:36 | 0:16:41 | |
With so many seats of fire, it's likely this was started deliberately. | 0:16:41 | 0:16:46 | |
They need to open up the shuttered front door as quickly as possible | 0:16:46 | 0:16:50 | |
to get some water onto the lower floors. | 0:16:50 | 0:16:53 | |
It's safe for Adam and Dan to go in. | 0:16:55 | 0:16:57 | |
It looks like they've got it all, but the work's not over. | 0:17:04 | 0:17:07 | |
The crews can now see for themselves | 0:17:07 | 0:17:09 | |
just how dangerous this fire could have been. | 0:17:09 | 0:17:13 | |
Later we'll see just how dangerous that environment was for the firemen. | 0:17:13 | 0:17:18 | |
Portsmouth has always been a bike-friendly city | 0:17:18 | 0:17:20 | |
since the workers at the naval shipyard needed to use pedal power to get to work. | 0:17:20 | 0:17:24 | |
There's a lot more cars on the road these days, so inevitably the two worlds collide, | 0:17:24 | 0:17:29 | |
as this police officer found out - not once, but twice in one night. | 0:17:29 | 0:17:33 | |
VOICES ON POLICE RADIO | 0:17:41 | 0:17:43 | |
PC Lisa Oliver and fellow officers are on their way | 0:17:43 | 0:17:46 | |
after calls came in about a cyclist's nasty collision with a car. | 0:17:46 | 0:17:51 | |
The incident happened at a busy junction in Portsmouth | 0:17:57 | 0:18:00 | |
and the early signs don't look good. | 0:18:00 | 0:18:02 | |
A buckled bike lies in the middle of the road, | 0:18:02 | 0:18:05 | |
a coat has been thrown over a pool of blood, | 0:18:05 | 0:18:07 | |
and the woman driving the car appears inconsolable. | 0:18:07 | 0:18:11 | |
Can I jump on and have a quick chat with him? | 0:18:11 | 0:18:13 | |
The injured cyclist is already in the ambulance, and Lisa goes to check on his condition. | 0:18:13 | 0:18:19 | |
Philip witnessed what happened. | 0:18:19 | 0:18:21 | |
The cyclist tried to beat the lights, I believe, and whacked into this car. | 0:18:21 | 0:18:25 | |
Went over the top and whacked his head on the floor. | 0:18:25 | 0:18:28 | |
He was out cold for a couple of minutes. It's not very nice. | 0:18:28 | 0:18:31 | |
Thankfully the man is now conscious and talking. | 0:18:33 | 0:18:36 | |
All accounts suggest he'd been riding erratically just before his accident. | 0:18:36 | 0:18:40 | |
A couple of witnesses saw him weaving in and out of traffic, | 0:18:40 | 0:18:44 | |
up and off the pavement, and he's got no lights on. | 0:18:44 | 0:18:47 | |
We're waiting to find out what's happened to him | 0:18:47 | 0:18:50 | |
and if he's going to hospital. | 0:18:50 | 0:18:52 | |
Fingers crossed he'll be OK. | 0:18:52 | 0:18:53 | |
All things considered, the man's had a lucky escape. | 0:18:56 | 0:19:00 | |
While he's taken to hospital, the police take his bike away for safekeeping. | 0:19:00 | 0:19:05 | |
But no sooner has the scene of one incident returned to normal... | 0:19:06 | 0:19:10 | |
SIREN BLARES | 0:19:10 | 0:19:12 | |
A call comes in saying that yet another cyclist | 0:19:13 | 0:19:15 | |
has come to grief just down the road. | 0:19:15 | 0:19:17 | |
We're going to a single vehicle versus a pedal cycle | 0:19:17 | 0:19:23 | |
at the junction with the roundabout. | 0:19:23 | 0:19:26 | |
This time the cyclist, David, is lying where he fell | 0:19:33 | 0:19:36 | |
and in obvious pain. | 0:19:36 | 0:19:38 | |
Fast response paramedic Sue McSheaffery has been treating him. | 0:19:38 | 0:19:42 | |
Let's see if we can mobilise his head for a sec | 0:19:42 | 0:19:45 | |
while I double-check that they've got someone running for me. | 0:19:45 | 0:19:48 | |
While Sue goes off to radio for extra help, | 0:19:48 | 0:19:51 | |
PC Phil Robertson takes over the head-holding duties. | 0:19:51 | 0:19:55 | |
-You all right there, mate? -I'm freezing. -Yeah? | 0:19:55 | 0:19:58 | |
Just tap your little right finger if you're all right. | 0:19:58 | 0:20:01 | |
Shouldn't be too much longer. | 0:20:01 | 0:20:02 | |
It's just an issue of safety, that's all. | 0:20:02 | 0:20:05 | |
Happens to the best of us, mate. I've been off my bike before. | 0:20:05 | 0:20:09 | |
Another ambulance crew arrive to help. | 0:20:10 | 0:20:12 | |
The damage to the car illustrates the heavy blow David has received. | 0:20:22 | 0:20:27 | |
He will definitely need to go to hospital. | 0:20:27 | 0:20:29 | |
He's worried his wife, at home with their child, | 0:20:29 | 0:20:32 | |
will be wondering where he's got to. | 0:20:32 | 0:20:34 | |
Did you want me to contact your wife? | 0:20:34 | 0:20:37 | |
What's her name? | 0:20:37 | 0:20:39 | |
Hello. Is that Sally? | 0:20:39 | 0:20:41 | |
I'm calling from Hampshire Roads Policing Unit. Please don't panic. | 0:20:41 | 0:20:46 | |
Your husband, David, has been involved in an accident. | 0:20:46 | 0:20:49 | |
He is conscious and breathing. He's being treated by the ambulance staff at the moment. | 0:20:49 | 0:20:54 | |
He's asked me to contact you and let you know. | 0:20:54 | 0:20:56 | |
It's a call that David's wife Sally won't forget in a hurry. | 0:20:56 | 0:21:01 | |
The minute they say it's the road traffic unit, | 0:21:01 | 0:21:04 | |
your blood runs cold and you know it's not going to be positive. | 0:21:04 | 0:21:08 | |
You almost stop listening because you know there's only one thing. | 0:21:08 | 0:21:12 | |
My daughter's safe in bed. It must be Dave. | 0:21:12 | 0:21:15 | |
And your heart is pounding and your mind is racing, | 0:21:15 | 0:21:19 | |
but then, all of a sudden, you just go into practical mode. | 0:21:19 | 0:21:22 | |
She's telling me I need to get to the hospital, | 0:21:22 | 0:21:26 | |
so that's what I need to do. | 0:21:26 | 0:21:27 | |
Please don't panic. Like I say, he is conscious and breathing and he's very responsive. | 0:21:27 | 0:21:32 | |
He remembered, obviously, your phone number so... | 0:21:32 | 0:21:35 | |
She was trying to reassure me. | 0:21:35 | 0:21:37 | |
It gives you that appreciation of what they do on a day-to-day basis. | 0:21:37 | 0:21:41 | |
You can imagine it's not easy for them to make that call to anyone. | 0:21:41 | 0:21:45 | |
David, I've spoken to Sally. She'll meet you at the hospital. | 0:21:47 | 0:21:50 | |
She's just getting someone to look after the little 'un. All right? | 0:21:50 | 0:21:54 | |
You're welcome. | 0:21:54 | 0:21:55 | |
The medical team cut away David's jacket | 0:21:55 | 0:21:58 | |
to prevent it restricting their movements. | 0:21:58 | 0:22:00 | |
They're about to start the delicate procedure | 0:22:00 | 0:22:03 | |
of trying to keep his neck rock steady | 0:22:03 | 0:22:05 | |
while they get him the right way round. | 0:22:05 | 0:22:07 | |
Probably glad to have his face off the road at least, | 0:22:12 | 0:22:15 | |
David can now be eased onto a spinal stretcher. | 0:22:15 | 0:22:20 | |
-Did you find his bike? -Some people have taken it home. -Wonderful. | 0:22:20 | 0:22:25 | |
One... two... three. | 0:22:25 | 0:22:27 | |
David will be taken to hospital for a full series of scans | 0:22:27 | 0:22:31 | |
to check for any serious injuries. | 0:22:31 | 0:22:33 | |
But Sue is optimistic about his chances. | 0:22:33 | 0:22:36 | |
He's not too bad, considering he's a cyclist been knocked off by a car. | 0:22:36 | 0:22:40 | |
Preliminaries, just minor injuries. | 0:22:41 | 0:22:44 | |
He's complaining of central neck pain, | 0:22:44 | 0:22:46 | |
so we've done everything we need to do just to be on the safe side. | 0:22:46 | 0:22:50 | |
He arrived here on two wheels, but David will leave on four, | 0:22:50 | 0:22:54 | |
which tonight certainly seems to be the safest mode of transport. | 0:22:54 | 0:22:58 | |
David had to have five weeks off work. | 0:23:02 | 0:23:04 | |
Now his helmet is tied to his bike so he won't forget it again. | 0:23:04 | 0:23:08 | |
Still to come, Eve's heading to A&E with a nasty gash on her leg, | 0:23:10 | 0:23:14 | |
but her sense of humour is still taking away the pain. | 0:23:14 | 0:23:18 | |
Eve, who's your next of kin? Who can I put down? | 0:23:18 | 0:23:21 | |
Oh, don't say that! | 0:23:21 | 0:23:23 | |
That makes it sound as if I'm going! | 0:23:23 | 0:23:26 | |
And the voice of calm - | 0:23:26 | 0:23:27 | |
the neighbour who comforts a man whose heart stops nine times. | 0:23:27 | 0:23:32 | |
How do you feel about snakes? | 0:23:45 | 0:23:46 | |
I'm not keen on them myself, nor are a lot of people. | 0:23:46 | 0:23:49 | |
So I want to talk to Emma here who has a snake-related story, | 0:23:49 | 0:23:52 | |
-if she's not on a call. Are you on a call? -No. -Jolly good. | 0:23:52 | 0:23:55 | |
-Tell us this snake-related story. Potentially very dangerous. -Yeah, it can be. | 0:23:55 | 0:24:00 | |
We had a call quite late one night. I was the radio operator. | 0:24:00 | 0:24:04 | |
It came in saying a young family with very young children | 0:24:04 | 0:24:07 | |
had found a snake in their kitchen. | 0:24:07 | 0:24:10 | |
From their description - I've got a bit of knowledge of snakes. | 0:24:10 | 0:24:14 | |
-Have you? -Only a little bit, from friends who have had quite a few. | 0:24:14 | 0:24:19 | |
From the description I recognised it could be an adder, our only poisonous snake. | 0:24:19 | 0:24:24 | |
Particularly with young children around, it could potentially be fatal. | 0:24:24 | 0:24:28 | |
Particularly due to the time of night and a young family around, | 0:24:28 | 0:24:32 | |
-I sent an officer round to get them some help. -Who was nearest? | 0:24:32 | 0:24:35 | |
Our nearest officers were one of our armed response units, | 0:24:35 | 0:24:38 | |
so, as they were the nearest, they happily attended for us. | 0:24:38 | 0:24:42 | |
Initially they went in the kitchen, had a look from a distance just to be careful | 0:24:42 | 0:24:46 | |
and said, "Yes, it's a snake." | 0:24:46 | 0:24:48 | |
Went in for a closer look | 0:24:48 | 0:24:50 | |
and turned out it was actually a wooden snake, | 0:24:50 | 0:24:52 | |
one of the children's toys that the parents had forgotten about. | 0:24:52 | 0:24:56 | |
-So a happy ending. -Absolutely, not having to shoot the wooden snake. | 0:24:56 | 0:25:00 | |
But it can happen very easily. Thank you for that story. | 0:25:00 | 0:25:03 | |
From a distance, how would you know? | 0:25:03 | 0:25:05 | |
And if there are kids, you've got to react. | 0:25:05 | 0:25:07 | |
There was a big story in the press recently where a stuffed tiger was left out in a field | 0:25:07 | 0:25:12 | |
and police had to react as if it was real until they could confirm it wasn't. | 0:25:12 | 0:25:16 | |
We're going to move on here... Hang on, there might be a call. | 0:25:16 | 0:25:19 | |
-Is Lorraine on a call? -Er... just. -I think she is. | 0:25:19 | 0:25:23 | |
We'll come back and have a chat with Lorraine in a moment. Louise? | 0:25:23 | 0:25:27 | |
All for one and one for all. That's what the Evesham card players live by. | 0:25:27 | 0:25:32 | |
Rallying around the injured Eve, there is no question about it, | 0:25:32 | 0:25:35 | |
this group of pensioners leaves no one behind. | 0:25:35 | 0:25:38 | |
Paramedic Steve Smith has been called to a hotel | 0:25:40 | 0:25:43 | |
after an elderly lady has injured her leg getting onto a minibus. | 0:25:43 | 0:25:48 | |
He's met by a very worried driver. | 0:25:48 | 0:25:50 | |
She's 80-odd, and we've got a three-hour trip back. | 0:25:50 | 0:25:53 | |
We've been down here for a week. We were just going home. | 0:25:53 | 0:25:56 | |
We saw blood on the floor and didn't know what it was, and it absolutely poured out of her. | 0:25:56 | 0:26:01 | |
OK. We'll go and take a look. | 0:26:01 | 0:26:04 | |
You stay there, ladies. | 0:26:04 | 0:26:06 | |
The casualty, Evelyn, is still on the bus. | 0:26:06 | 0:26:09 | |
Steve finds her sitting right at the back. | 0:26:09 | 0:26:11 | |
I see what you've done. How did you do it, Evelyn? | 0:26:11 | 0:26:13 | |
Getting onto the coach. | 0:26:13 | 0:26:16 | |
As I put my foot up, it slipped down | 0:26:16 | 0:26:19 | |
and I grazed it on the seat, I think. | 0:26:19 | 0:26:21 | |
-Have you hurt yourself anywhere else? -No, no. That's it. | 0:26:21 | 0:26:25 | |
A quick look at Evelyn's war wound and Steve realises | 0:26:25 | 0:26:28 | |
she'll have to stay in Bournemouth a little longer than she'd bargained for. | 0:26:28 | 0:26:32 | |
I'll put a dressing on that, give you a bit of a once-over, | 0:26:32 | 0:26:36 | |
then arrange for you to go to hospital. | 0:26:36 | 0:26:38 | |
So how am I going to get home? | 0:26:38 | 0:26:41 | |
-Where have you come from? -Worcestershire. Evesham. | 0:26:41 | 0:26:44 | |
-Well, these things happen, don't they? -No. Not to me. | 0:26:47 | 0:26:51 | |
Well, they have today. | 0:26:51 | 0:26:53 | |
Evelyn has a large gouge in her shin. | 0:26:55 | 0:26:59 | |
Steve wants to cover it with an antibacterial bandage | 0:26:59 | 0:27:02 | |
until it can be looked at properly. | 0:27:02 | 0:27:05 | |
-How much pain are you in, Evelyn? -It's all right. | 0:27:05 | 0:27:08 | |
I can just feel it, that's all. | 0:27:08 | 0:27:11 | |
What I'll do, I'll cover this up. | 0:27:11 | 0:27:13 | |
-No. -HE CHUCKLES | 0:27:14 | 0:27:16 | |
So if they go home, what can I do? | 0:27:16 | 0:27:19 | |
-Have they got to come with me? -No. | 0:27:19 | 0:27:23 | |
With an ambulance ordered for his reluctant patient, | 0:27:25 | 0:27:28 | |
Steve needs to get Eve out of the bus. | 0:27:28 | 0:27:31 | |
What do you need? | 0:27:33 | 0:27:34 | |
I know. Goodness! | 0:27:35 | 0:27:36 | |
Eve's party were just about to go home | 0:27:36 | 0:27:39 | |
after being down all week for a cards holiday, | 0:27:39 | 0:27:41 | |
playing the game whist. | 0:27:41 | 0:27:43 | |
Embarrassed about holding them up, | 0:27:43 | 0:27:45 | |
she's also not keen on the idea of going solo. | 0:27:45 | 0:27:49 | |
Better safe than sorry. You've got a three-hour journey. | 0:27:49 | 0:27:52 | |
If I'd have waited for somebody to give me a push up the back... | 0:27:54 | 0:27:57 | |
With more space to work in, Steve can check Eve's overall health. | 0:27:57 | 0:28:02 | |
Eve, can I have a listen to your chest? | 0:28:02 | 0:28:04 | |
EVELYN GUFFAWS | 0:28:04 | 0:28:05 | |
-WOMAN: -We're not having that! | 0:28:05 | 0:28:07 | |
Stop smiling. You breathe in and out is normal, Eve. Go on. | 0:28:07 | 0:28:11 | |
-Super. Just underneath your arm. -CAR ALARM | 0:28:11 | 0:28:15 | |
The regular repeating alarm of a nearby car | 0:28:15 | 0:28:18 | |
is doing nothing for Eve's blood pressure either. | 0:28:18 | 0:28:21 | |
Home seems a long way away. | 0:28:21 | 0:28:23 | |
And squeeze that for me. | 0:28:23 | 0:28:24 | |
You promise? | 0:28:28 | 0:28:31 | |
What do we do with your onward travel? | 0:28:31 | 0:28:33 | |
We don't want to leave you stranded, do we? | 0:28:33 | 0:28:35 | |
Hopefully you'll only be in for a couple of hours, get your leg looked at. | 0:28:35 | 0:28:39 | |
We know there's nothing else more sinister going on. | 0:28:39 | 0:28:42 | |
We know why you've fallen. You just tripped. | 0:28:42 | 0:28:44 | |
There's not a case that you've hit your head or anything. OK? | 0:28:44 | 0:28:47 | |
After consulting the other passengers, | 0:28:48 | 0:28:51 | |
Steve, the bus driver, has offered to stay and wait for her. | 0:28:51 | 0:28:55 | |
So we can leave your bags packed. You haven't got to unload anything. | 0:28:55 | 0:29:00 | |
Everything's safe. | 0:29:00 | 0:29:01 | |
With the arrival of the other ambulance crew, | 0:29:01 | 0:29:04 | |
Steve helps Eve on, before helping her friends off the minibus. | 0:29:04 | 0:29:08 | |
They're getting off. Are you staying on or getting off? | 0:29:08 | 0:29:12 | |
-Getting off! -Right, come on, then, girls. | 0:29:12 | 0:29:14 | |
Of course you can, my love. | 0:29:18 | 0:29:19 | |
I'm fed up with it now. | 0:29:25 | 0:29:27 | |
Eve, who's your next of kin? Who can I put down? | 0:29:28 | 0:29:31 | |
Oh, don't say that! | 0:29:31 | 0:29:35 | |
It's only for our paperwork. | 0:29:35 | 0:29:37 | |
That makes it sound as if I'm going! | 0:29:37 | 0:29:40 | |
Eve is whisked off to Bournemouth Hospital. | 0:29:42 | 0:29:45 | |
Grounded, the whist drive decide to make light of the situation. | 0:29:45 | 0:29:51 | |
I've got some shortbread. Do you want some shortbread, love? | 0:29:51 | 0:29:55 | |
At the A&E Department, | 0:29:57 | 0:29:58 | |
Eve's leg injury has been thoroughly examined, cleaned and bandaged. | 0:29:58 | 0:30:02 | |
She's certainly had better days on the coast. | 0:30:02 | 0:30:05 | |
I have good memories of Bournemouth | 0:30:05 | 0:30:08 | |
because I spent my honeymoon here. | 0:30:08 | 0:30:11 | |
Have they operated on you? Had your leg off? | 0:30:11 | 0:30:14 | |
Steve's here to pick her up as he's been told she can go home. | 0:30:14 | 0:30:18 | |
And it's a car park reunion with her friends | 0:30:19 | 0:30:22 | |
before attempt number two to get Eve safely on the bus. | 0:30:22 | 0:30:26 | |
Take your time. Watch you don't trip over that bloody step. | 0:30:26 | 0:30:30 | |
I needed pushing up. Thanks a lot. Thank you. | 0:30:30 | 0:30:33 | |
-I'll wait till you're sat down first. -THEY CHUCKLE | 0:30:33 | 0:30:37 | |
I'm so sorry. I do apologise. | 0:30:37 | 0:30:40 | |
-It's nobody's fault. -I can't imagine anything so stupid. | 0:30:40 | 0:30:43 | |
-Don't worry. -That's all going to be on television now. | 0:30:43 | 0:30:46 | |
THEY LAUGH | 0:30:46 | 0:30:48 | |
Finally, it's all come up trumps | 0:30:48 | 0:30:50 | |
and the whist drive can get back on the road. | 0:30:50 | 0:30:53 | |
That's what friends are for. | 0:30:55 | 0:30:57 | |
It was a very bad gash, but Eve is slowly getting better. | 0:30:57 | 0:31:00 | |
Lorraine has stopped the call that she was on. | 0:31:00 | 0:31:03 | |
-Are we all right to chat now? -Yeah. -Lorraine often receives calls from children, | 0:31:03 | 0:31:07 | |
but a recent call didn't turn out exactly as you expected, did it? | 0:31:07 | 0:31:11 | |
No. We had a call come in from a child that said he had been robbed, | 0:31:11 | 0:31:16 | |
somebody had stolen his football, some older boys had taken it from him. | 0:31:16 | 0:31:20 | |
But what concerned us the most was he said he was on his own with his brother and their mum wasn't home. | 0:31:20 | 0:31:25 | |
So we were concerned for his welfare. | 0:31:25 | 0:31:27 | |
Also, you wouldn't send someone out for just a stolen football, | 0:31:27 | 0:31:31 | |
but because they were vulnerable, you did send someone out. | 0:31:31 | 0:31:34 | |
That's right. We sent somebody out to look for them. | 0:31:34 | 0:31:38 | |
They'd phoned it in from a telephone box. When we got there, they weren't actually there. | 0:31:38 | 0:31:42 | |
But he had given us his address, so we sent the police unit to his address, | 0:31:42 | 0:31:46 | |
where he spoke to the boy's mum, and things turned out to be slightly different. | 0:31:46 | 0:31:50 | |
What happened then? | 0:31:50 | 0:31:52 | |
It turned out that they'd been to the park to play with friends | 0:31:52 | 0:31:56 | |
and there were some adults there taking care of them, | 0:31:56 | 0:31:59 | |
and the young boy had scored a goal which had been disallowed. | 0:31:59 | 0:32:02 | |
He was quite upset that his friends hadn't allowed his goal. | 0:32:02 | 0:32:05 | |
So he stropped off to go home, leaving his ball behind. | 0:32:05 | 0:32:09 | |
-It wasn't the first ball he'd lost. -No, he'd lost lots. | 0:32:09 | 0:32:12 | |
-He was frightened his mum would get upset. -Yes. | 0:32:12 | 0:32:14 | |
Boy, did he get into trouble with his mum that time! | 0:32:14 | 0:32:18 | |
-Louise? -Yes, I bet he did! | 0:32:18 | 0:32:20 | |
This is Ray, who we'll talk to in a minute. | 0:32:20 | 0:32:22 | |
It's very unusual for Ray to take an afternoon nap. | 0:32:22 | 0:32:25 | |
So when his wife Brenda couldn't wake him up, she ran next door for help. | 0:32:25 | 0:32:29 | |
We're about to hear the emergency call made by their neighbour, Tony, | 0:32:29 | 0:32:32 | |
a call that saved Ray's life. | 0:32:32 | 0:32:35 | |
The call handler quickly phones Tony on his mobile, | 0:33:01 | 0:33:04 | |
while he heads back next door. | 0:33:04 | 0:33:06 | |
She needs Tony's help to find out exactly what is wrong. | 0:33:06 | 0:33:10 | |
And here is super-calm Tony, the neighbour we'd all like to have. | 0:35:05 | 0:35:09 | |
We'll hear from Ray and Tony in a moment, but first, here's the rest of that call. | 0:35:09 | 0:35:14 | |
And she finally lets you go because Keri, student paramedic, arrived. | 0:36:10 | 0:36:14 | |
It wouldn't feel complete if you weren't here as well. | 0:36:14 | 0:36:17 | |
Ray, let's talk to you first of all. | 0:36:17 | 0:36:19 | |
While this was going on, you thought you were fine, didn't you? | 0:36:19 | 0:36:22 | |
Yes. I knew nothing about this incident | 0:36:22 | 0:36:26 | |
until I woke up in intensive care, | 0:36:26 | 0:36:28 | |
and I was taken out of intensive care three days later. | 0:36:28 | 0:36:31 | |
Tony, extraordinary things going on there. | 0:36:31 | 0:36:33 | |
You were having two conversations - | 0:36:33 | 0:36:35 | |
one with the paramedic, telling her it was serious, one with him saying that he's sort of OK. | 0:36:35 | 0:36:41 | |
Yes. This was a bizarre situation. | 0:36:41 | 0:36:43 | |
One minute Ray was not conscious | 0:36:43 | 0:36:46 | |
and the pulse was very weak and erratic, | 0:36:46 | 0:36:50 | |
the next minute he said he was all right, wanted to get off the chair, | 0:36:50 | 0:36:54 | |
so I had to try and stop him going back out the garden | 0:36:54 | 0:36:57 | |
and talk to ambulance control as well, who were very helpful. | 0:36:57 | 0:37:02 | |
And was he doing as he was told? | 0:37:02 | 0:37:04 | |
Er... no. That wouldn't be Ray at all if he did as he was told. | 0:37:04 | 0:37:07 | |
But, I mean, to look at the situation as it was, | 0:37:07 | 0:37:11 | |
obviously he didn't really know what he was doing. | 0:37:11 | 0:37:14 | |
So, Keri, you arrived and it was plainly a serious situation. | 0:37:14 | 0:37:18 | |
I understand his heart had been stopping and was continuing to stop. | 0:37:18 | 0:37:22 | |
Yeah. When we arrived, I arrived with a double paramedic crew. | 0:37:22 | 0:37:26 | |
Like you say, Ray was just sitting in the chair looking as well, just a bit grey, | 0:37:26 | 0:37:31 | |
talking to me, answering all my questions. | 0:37:31 | 0:37:33 | |
Then, of course, he arrested in front of us... | 0:37:33 | 0:37:36 | |
And it kept happening, what, five times? | 0:37:36 | 0:37:39 | |
Yeah, five times in all we shocked Ray back to life, | 0:37:39 | 0:37:43 | |
and after each shock he came back, talking to us | 0:37:43 | 0:37:46 | |
and shoved in our wrist to remove the oxygen mask, | 0:37:46 | 0:37:49 | |
wanted to know what was happening to his chest, until... | 0:37:49 | 0:37:52 | |
Well, it's about a 30-mile journey to the nearest hospital, | 0:37:52 | 0:37:55 | |
so in that time it took five shocks to keep him alive, basically. | 0:37:55 | 0:37:59 | |
-We've added it all up and it was nine all together. -Yeah. | 0:37:59 | 0:38:03 | |
-Can you believe that? -No. -Your heart stopped nine times. | 0:38:03 | 0:38:07 | |
No, I didn't learn that until I was in coronary care after I'd come from intensive care, | 0:38:07 | 0:38:11 | |
when they said I'd been very poorly. | 0:38:11 | 0:38:14 | |
I just couldn't believe it. | 0:38:14 | 0:38:16 | |
-And, honestly, when you were having that phone call, did you think he was going to make it? -No. | 0:38:16 | 0:38:21 | |
Truthfully, no, because the condition that he was in | 0:38:21 | 0:38:26 | |
and with the heartbeat and the agitation, | 0:38:26 | 0:38:29 | |
I honestly thought he wasn't going to make it. | 0:38:29 | 0:38:32 | |
You were incredibly calm throughout. | 0:38:32 | 0:38:35 | |
Ray, has it changed you? I understand you've made a few lifestyle changes. | 0:38:35 | 0:38:39 | |
Yes. It means keeping to a strict diet, | 0:38:39 | 0:38:43 | |
no nice things like cream, blue-top milk, butter... | 0:38:43 | 0:38:48 | |
no apple pies... | 0:38:50 | 0:38:51 | |
-It's serious. It really is. -SHE LAUGHS | 0:38:51 | 0:38:54 | |
Are you losing weight, then? | 0:38:54 | 0:38:56 | |
Yes, I have got a bit of my weight down, | 0:38:56 | 0:38:58 | |
but I'm also taking a lot of exercise, | 0:38:58 | 0:39:00 | |
I'm going to cardiac rehabilitation at Narberth | 0:39:00 | 0:39:03 | |
and I'm listening to all what they're telling me. | 0:39:03 | 0:39:06 | |
-And the deep-fat fryer? It was meant to be thrown out but I don't think it has been. -It hasn't yet, | 0:39:06 | 0:39:11 | |
but it might end up being thrown away. | 0:39:11 | 0:39:14 | |
Do you believe that? | 0:39:14 | 0:39:15 | |
Erm, I believe that the fat fryer might, | 0:39:15 | 0:39:18 | |
-but as far as Ray listening to people's concerns... -HE SUCKS HIS TEETH | 0:39:18 | 0:39:22 | |
-No way? -Ooh, I don't know. | 0:39:22 | 0:39:24 | |
And the odd tipple? Will you have a tipple, at least the two of you now? | 0:39:24 | 0:39:28 | |
Yeah. I don't drink much, so it's just an occasional drink. | 0:39:28 | 0:39:32 | |
That's all. | 0:39:32 | 0:39:34 | |
-It's about time you went out for a drink together. -Yes, and it's on Ray. | 0:39:34 | 0:39:38 | |
-I think you're right. Thank you so much. Lovely to see you all. -My pleasure. | 0:39:38 | 0:39:42 | |
It's fascinating watching people work here and the calls that come in. | 0:39:42 | 0:39:46 | |
Tony had a voice like Richard Burton, didn't he? | 0:39:46 | 0:39:49 | |
Moving on, firefighters have finally stopped a blaze in a pub from destroying a whole street, | 0:39:49 | 0:39:54 | |
fighting it back room by room. | 0:39:54 | 0:39:56 | |
Now the smoke has finally cleared, they can see the danger they were actually in. | 0:39:56 | 0:40:00 | |
The firefighters are making their final checks from outside | 0:40:11 | 0:40:15 | |
before crews are sent in to make the area safe for the investigators. | 0:40:15 | 0:40:20 | |
The fire has wrecked the front half of the upstairs. | 0:40:27 | 0:40:30 | |
Little remains of the area where the fire started. | 0:40:30 | 0:40:33 | |
Through this entrance was a free development compartment, | 0:40:35 | 0:40:38 | |
so there was no walking around trying to find the seat of the fire. | 0:40:38 | 0:40:41 | |
It was just a case of fighting back flames from that entrance | 0:40:41 | 0:40:45 | |
until we could beat back the whole compartment. | 0:40:45 | 0:40:48 | |
As soon as we'd done that, the second teams came to back us up | 0:40:48 | 0:40:51 | |
and continued to ensure that didn't re-ignite | 0:40:51 | 0:40:54 | |
as we made our way through to continue the search through this door | 0:40:54 | 0:40:57 | |
into what revealed itself to be a set of flats | 0:40:57 | 0:41:00 | |
and a set of stairs going down to the ground floor in the bar area. | 0:41:00 | 0:41:04 | |
The crews are using a thermal imaging camera | 0:41:06 | 0:41:09 | |
to check for any hotspots. | 0:41:09 | 0:41:11 | |
Over here as well. | 0:41:11 | 0:41:12 | |
They need to be dampened down immediately to stop the fire starting up again. | 0:41:12 | 0:41:17 | |
The narrow labyrinthine layout can now be seen properly. | 0:41:17 | 0:41:21 | |
Filled with smoke and flames, it was extremely difficult to negotiate. | 0:41:21 | 0:41:25 | |
The fire had been raging a long time. | 0:41:25 | 0:41:27 | |
Only the closed doors stopped it spreading further. | 0:41:27 | 0:41:30 | |
The smoke marks on the other side | 0:41:30 | 0:41:32 | |
show the extent of the build-up of the dangerous gases. | 0:41:32 | 0:41:35 | |
If we open the door with the heat barrier being so low down... | 0:41:35 | 0:41:39 | |
If we open it from that side, | 0:41:39 | 0:41:40 | |
where we think it's inconspicuous and nothing's happening, | 0:41:40 | 0:41:43 | |
we open a compartment with the heat barrier way down at floor level | 0:41:43 | 0:41:47 | |
and we can potentially walk in and have that come straight at us at head height. | 0:41:47 | 0:41:51 | |
It would be super-heated. | 0:41:51 | 0:41:53 | |
That's why we say to people, check the back of the handle with the back of your hand. | 0:41:53 | 0:41:58 | |
Because if you had that bar transmitting all that heat through to the other side, | 0:41:58 | 0:42:02 | |
if somebody was to check that with their hand, | 0:42:02 | 0:42:05 | |
they would burn their hand quite severely. | 0:42:05 | 0:42:08 | |
The pub and flat were in the process of being renovated. | 0:42:10 | 0:42:13 | |
The investigators need to move in now to fully investigate how it started, | 0:42:13 | 0:42:18 | |
but not before the area is made completely safe. | 0:42:18 | 0:42:21 | |
I'm setting up some lighting | 0:42:21 | 0:42:23 | |
so other operatives can work in the area and see all the hazards. | 0:42:23 | 0:42:28 | |
After three hours on the scene, the crews can finally leave. | 0:42:31 | 0:42:34 | |
The fire is now a matter for the police. | 0:42:34 | 0:42:38 | |
A huge combined job for four fire stations there, | 0:42:41 | 0:42:44 | |
and the local CID are still investigating it. | 0:42:44 | 0:42:49 | |
-Lovely to meet Tony. -Lovely. I love those Welsh voices. | 0:42:49 | 0:42:53 | |
-More real rescues next time. -See you then. -Bye-bye. | 0:42:53 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:20 | |
E-mail [email protected] | 0:43:20 | 0:43:22 |