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Today, brilliant thinking from a dock worker saves a merchant seaman | 0:00:02 | 0:00:05 | |
who's fallen into the hold of a container ship. | 0:00:05 | 0:00:07 | |
I grabbed hold of both bits of his arm | 0:00:07 | 0:00:10 | |
and held them together, and then supported them against his body | 0:00:10 | 0:00:14 | |
so he couldn't move his arm at all. | 0:00:14 | 0:00:17 | |
He actually lost consciousness twice. | 0:00:17 | 0:00:19 | |
How static in your carpet and even heat build-up in an oily rag | 0:00:19 | 0:00:23 | |
could start a devastating fire. | 0:00:23 | 0:00:25 | |
And the man who calmly strolls into an ambulance | 0:00:25 | 0:00:28 | |
but within the hour needs a lifesaving operation. | 0:00:28 | 0:00:32 | |
I don't want to panic you and alarm you, | 0:00:32 | 0:00:35 | |
but I think that we are having a heart attack, OK? | 0:00:35 | 0:00:38 | |
And it's developing whilst we're talking. | 0:00:38 | 0:00:42 | |
Hello and welcome to Real Rescues. This is one of the control rooms | 0:01:05 | 0:01:09 | |
operated by Thames Valley Police. | 0:01:09 | 0:01:10 | |
They deal with thousands of 999 calls every week, | 0:01:10 | 0:01:13 | |
and the variety of those calls is incredible. | 0:01:13 | 0:01:16 | |
Later we'll talk to Christine here about a call she took | 0:01:16 | 0:01:18 | |
from a woman whose car had been stolen | 0:01:18 | 0:01:21 | |
with her baby still in the back. | 0:01:21 | 0:01:23 | |
You might have thought Royal Mail only delivered to the British Isles, | 0:01:24 | 0:01:28 | |
but you would be wrong. St Helena will get post to you | 0:01:28 | 0:01:31 | |
even if you're halfway across the South Atlantic. | 0:01:31 | 0:01:34 | |
It spends its time sailing between South Africa and St Helena island | 0:01:34 | 0:01:37 | |
delivering mail to the British overseas territory. | 0:01:37 | 0:01:40 | |
This is Lee. Hello, Lee. He's worked on that ship for over two years. | 0:01:40 | 0:01:44 | |
He's in dry dock at the moment after a freak accident, | 0:01:44 | 0:01:47 | |
and as we'll see, it was an unusual rescue. | 0:01:47 | 0:01:50 | |
There's an emergency down at Portland Docks. | 0:01:58 | 0:02:01 | |
Coastguard Helicopter Rescue 106 | 0:02:01 | 0:02:04 | |
has been called out to the St Helena cargo ship. | 0:02:04 | 0:02:08 | |
Third officer Lee Clarke lies injured | 0:02:11 | 0:02:14 | |
at the bottom of one of the holds after a nasty fall. | 0:02:14 | 0:02:17 | |
A dock worker he was working with at the time, Miguel Rodriguez, | 0:02:17 | 0:02:21 | |
saw the whole thing happen. | 0:02:21 | 0:02:23 | |
We were about four decks down in the bottom of the holds, | 0:02:23 | 0:02:26 | |
and it was the first layer of containers we were putting in. | 0:02:26 | 0:02:30 | |
Lee's job was to tell us where he wanted the containers. | 0:02:30 | 0:02:33 | |
He was starting to climb up a ladder, which was unsecure. | 0:02:33 | 0:02:36 | |
He'd just about got to the top of the container | 0:02:36 | 0:02:39 | |
when the bottom of the ladder slipped away, | 0:02:39 | 0:02:41 | |
and he tried to grab hold of the container | 0:02:41 | 0:02:43 | |
but his arm went underneath the ladder, | 0:02:43 | 0:02:45 | |
and as it hit the ground, his arm was underneath the ladder | 0:02:45 | 0:02:48 | |
and his combined weight. | 0:02:48 | 0:02:50 | |
Lee has fallen a long way. | 0:02:50 | 0:02:52 | |
Miguel could immediately see he was in a bad way. | 0:02:52 | 0:02:55 | |
I could see that his arm was broken. | 0:02:55 | 0:02:57 | |
Where it should have been straight, it was probably... | 0:02:57 | 0:03:01 | |
about 90-degree angle from true. | 0:03:01 | 0:03:05 | |
I didn't want him to panic more than he was, | 0:03:05 | 0:03:08 | |
and I literally grabbed hold of both bits of his arm | 0:03:08 | 0:03:11 | |
and held them together, then supported them against his body | 0:03:11 | 0:03:15 | |
so he couldn't move his arm at all. He actually lost consciousness twice, | 0:03:15 | 0:03:19 | |
so it was a case of just keep calling his name | 0:03:19 | 0:03:21 | |
and just general things like joking with him, | 0:03:21 | 0:03:24 | |
chatting, joking, trying taking his mind off everything | 0:03:24 | 0:03:27 | |
that was happening around. | 0:03:27 | 0:03:29 | |
Ambulance crew are already at the scene, | 0:03:29 | 0:03:32 | |
but deep in the cargo hold, the only way to take Lee out | 0:03:32 | 0:03:34 | |
is by ladder. It's impractical and risky. | 0:03:34 | 0:03:38 | |
Instead, he will need to be airlifted to hospital. | 0:03:38 | 0:03:41 | |
'White Sierra, this is Rescue 106. | 0:03:41 | 0:03:43 | |
'Can you ask Buck if this casualty's going direct to A&E? | 0:03:43 | 0:03:47 | |
'I presume he is.' | 0:03:47 | 0:03:49 | |
Winch-man Buck Rogers has already been sent down from the helicopter | 0:03:49 | 0:03:54 | |
to assess the situation. | 0:03:54 | 0:03:56 | |
The open fracture to his arm had already been immobilised, | 0:03:56 | 0:04:00 | |
with the pain under control, and it had been explained to him, I think, | 0:04:00 | 0:04:04 | |
by that stage of the game, that the first and best option | 0:04:04 | 0:04:08 | |
they were going to go for was for us to winch him out using the aircraft. | 0:04:08 | 0:04:12 | |
'Our intention is to lower the highline into the hold. | 0:04:12 | 0:04:15 | |
'You grab hold of it and you can pull the stretcher into the hold.' | 0:04:15 | 0:04:20 | |
While pilot Darren Manser hovers high above the ship, | 0:04:23 | 0:04:27 | |
winch-op Spike Hughes threads a line down into the cargo hold. | 0:04:27 | 0:04:31 | |
'OK. I'm letting the highline go out now. | 0:04:31 | 0:04:34 | |
'And steady. Left a further one. | 0:04:34 | 0:04:37 | |
-'Steady. Good position. Steady. -Contact. | 0:04:37 | 0:04:40 | |
'They have the highline.' | 0:04:40 | 0:04:42 | |
Now Buck has a hold of the line, | 0:04:42 | 0:04:45 | |
the stretcher can be fed down and straight into his arms. | 0:04:45 | 0:04:48 | |
-'Go forward. Forward two. -Roger, forward two. | 0:04:51 | 0:04:54 | |
-'Winching out. -I'm steady. | 0:04:54 | 0:04:57 | |
'Contact.' | 0:04:57 | 0:04:58 | |
The team can now get Lee into the stretcher. | 0:04:58 | 0:05:01 | |
The docked ship provides a stable platform to winch to, | 0:05:01 | 0:05:05 | |
but still presents challenges for the pilot. | 0:05:05 | 0:05:07 | |
The ship can't move to give us a better position, | 0:05:07 | 0:05:10 | |
The wind was coming through the ship's superstructure, | 0:05:10 | 0:05:13 | |
-so we had a little turbulence. -'I've got the guy on the stretcher. | 0:05:13 | 0:05:16 | |
'Soon as he's clear of that container, I'll move you left | 0:05:16 | 0:05:20 | |
'about two units, and we'll bring him up.' | 0:05:20 | 0:05:22 | |
The hairiest part of this rescue is still to come. | 0:05:22 | 0:05:24 | |
Getting Buck and Lee out of this tight corner | 0:05:24 | 0:05:27 | |
will require great skill on the part of winch-operator Spike Hughes. | 0:05:27 | 0:05:31 | |
Any small movement by the helicopter is exaggerated | 0:05:31 | 0:05:34 | |
at the bottom of the line, and could dash the pair | 0:05:34 | 0:05:37 | |
into the solid steel of the ship. | 0:05:37 | 0:05:39 | |
You can lower the hook into the hold. That's not a problem. | 0:05:39 | 0:05:42 | |
When he then attaches the hook to the stretcher, | 0:05:42 | 0:05:45 | |
that's when it starts. You don't have any second chances then. | 0:05:45 | 0:05:48 | |
You've got to start conducting the winching operations, | 0:05:48 | 0:05:51 | |
and you've got to move in very, very carefully, very slowly. | 0:05:51 | 0:05:55 | |
Invariably, if there's any mistakes, he's the one that gets it. | 0:05:55 | 0:05:59 | |
'Winching in.' | 0:05:59 | 0:06:00 | |
There's lots of hazards down there, lots of things to hit. | 0:06:03 | 0:06:05 | |
By having the aircraft positioned reasonably high, | 0:06:05 | 0:06:08 | |
that allowed the wind to dissipate the down-draught, | 0:06:08 | 0:06:11 | |
so it had less effect on the casualty. | 0:06:11 | 0:06:14 | |
'You're now clear to move that right. | 0:06:14 | 0:06:16 | |
'We're coming out over the side of the ship now.' | 0:06:16 | 0:06:18 | |
Now they're clear of the ship with their human cargo, | 0:06:18 | 0:06:21 | |
they can get the pair up and into the warm. | 0:06:21 | 0:06:24 | |
A combination of the laughing gas and Buck's commentary | 0:06:24 | 0:06:27 | |
helps to keep Lee's spirits up. | 0:06:27 | 0:06:29 | |
If you can take their mind off what they've just experienced, | 0:06:29 | 0:06:33 | |
they'll feel better about what's going on. | 0:06:33 | 0:06:35 | |
What you say to the person may make them feel a little bit uncertain, | 0:06:35 | 0:06:40 | |
and the Entonox will help that along the way. | 0:06:40 | 0:06:43 | |
'Got the stretcher and Buck OK. | 0:06:43 | 0:06:46 | |
'OK. Doors closed.' | 0:06:46 | 0:06:48 | |
Lee will be flown to nearby Dorchester Hospital | 0:06:48 | 0:06:50 | |
for an emergency operation on his arm. | 0:06:50 | 0:06:53 | |
And here is Lee, who's been stood here marvelling | 0:06:54 | 0:06:57 | |
-at what people did for you there. -Yeah. | 0:06:57 | 0:06:59 | |
Extraordinary bunch of people. Amazing skills going on, | 0:06:59 | 0:07:03 | |
-to get you out and to hospital. -From the VR, | 0:07:03 | 0:07:05 | |
you can see I was in quite a tight position | 0:07:05 | 0:07:08 | |
where it would have been very difficult | 0:07:08 | 0:07:10 | |
to get me up them stairs, specially when they're at 90 degrees, | 0:07:10 | 0:07:13 | |
and I would have been strapped in. | 0:07:13 | 0:07:15 | |
With the extent of the damage to my arm, as well, | 0:07:15 | 0:07:17 | |
it would have caused more problems, so the MCA did a fantastic job | 0:07:17 | 0:07:21 | |
-getting me out of there. -You were actually on a ladder, | 0:07:21 | 0:07:25 | |
-climbing up out of the hold, when you fell? -Yeah. | 0:07:25 | 0:07:28 | |
As you can see, there's a space there a container would have filled, | 0:07:28 | 0:07:32 | |
so we have to go onto the next level to start loading into that position, | 0:07:32 | 0:07:35 | |
and then we'll move on, and I was up on top of the ladder | 0:07:35 | 0:07:39 | |
-when I came down. -Let's talk about this lad Miguel | 0:07:39 | 0:07:42 | |
who came in and helped you out, because he really stood by you. | 0:07:42 | 0:07:46 | |
He was with me from the moment I fell right through to them lifting me off, | 0:07:46 | 0:07:50 | |
and he did a fantastic job, because he kept my arm still, | 0:07:50 | 0:07:54 | |
because obviously I was trying to get up, | 0:07:54 | 0:07:57 | |
and he also just kept talking to me, | 0:07:57 | 0:08:00 | |
and I think it would have been a worse situation | 0:08:00 | 0:08:03 | |
if I'd actually seen my arm and seen my own blood. | 0:08:03 | 0:08:06 | |
-He wouldn't let you have a look at it? -He didn't. | 0:08:06 | 0:08:10 | |
He didn't let me see it at all, and I think that helped me | 0:08:10 | 0:08:13 | |
-a hundred times more. -You haven't had a chance to meet him | 0:08:13 | 0:08:16 | |
from that day to today, so we thought we'd bring him along. | 0:08:16 | 0:08:20 | |
-Miguel, come over and join us. This is the man... -Hiya. | 0:08:20 | 0:08:23 | |
-How are you doing? -Not bad. -How's the arm? | 0:08:23 | 0:08:26 | |
-Yeah, getting there. -Bit of metalwork in there. -Yes! | 0:08:26 | 0:08:28 | |
Quite a bit. We'll have a closer look at that in a moment. | 0:08:28 | 0:08:32 | |
You can tell us now... You didn't want him to see it at the time. | 0:08:32 | 0:08:35 | |
-How did it look, the arm? -When I first looked at it, | 0:08:35 | 0:08:38 | |
his arm was just flopping around, and I could see there was blood | 0:08:38 | 0:08:41 | |
coming from it, so I immediately knew it was a bad break, | 0:08:41 | 0:08:45 | |
so my first thing was just to hold it all together, | 0:08:45 | 0:08:48 | |
comfort Lee and get him concentrating on everything else... | 0:08:48 | 0:08:52 | |
Sorry. ..on me, and not on everything else that was going to happen. | 0:08:52 | 0:08:56 | |
And you worked like a human splint, grabbing round him... | 0:08:56 | 0:08:58 | |
I literally leaned over him and held his arm together. | 0:08:58 | 0:09:02 | |
-Right. -I didn't bear-hug him or anything. | 0:09:02 | 0:09:06 | |
I just held his arm literally together. | 0:09:06 | 0:09:09 | |
-How did you know to do that? -I've done first aid | 0:09:09 | 0:09:11 | |
with the Red Cross, and in the army as well. | 0:09:11 | 0:09:15 | |
Fantastic. So, let's have a look at this arm, | 0:09:15 | 0:09:17 | |
because it is worth looking. Come and have a look at these scars. | 0:09:17 | 0:09:21 | |
That's a pretty decent scar. And how many months ago? | 0:09:21 | 0:09:24 | |
This happened in March, the middle of March. | 0:09:24 | 0:09:27 | |
How many months are we talking about? | 0:09:27 | 0:09:29 | |
-A month and a half now. -Month and a half. | 0:09:29 | 0:09:31 | |
-How's the hand going? -It's just the thumb that's a problem now. | 0:09:31 | 0:09:35 | |
All here's numb, but physio has got it to the extent | 0:09:35 | 0:09:39 | |
where I can do that. I mean, three or four weeks ago, | 0:09:39 | 0:09:42 | |
it was just a quiver. It really was just a quiver. | 0:09:42 | 0:09:45 | |
So now can you recall the pain you were going through at the time? | 0:09:45 | 0:09:48 | |
I can't really remember. | 0:09:48 | 0:09:51 | |
I think it was more two or three days afterward | 0:09:51 | 0:09:53 | |
when I was in the splint, just aching really, | 0:09:53 | 0:09:56 | |
but actually when I had the accident, | 0:09:56 | 0:09:59 | |
with the mixture of shock and adrenaline | 0:09:59 | 0:10:01 | |
and, of course, the fantastic gas... | 0:10:01 | 0:10:03 | |
How thankful are you that this guy was around? | 0:10:03 | 0:10:05 | |
Really thankful. He was absolutely amazing. | 0:10:05 | 0:10:08 | |
-I just... -I think I would have been in a bit of a worse state | 0:10:08 | 0:10:11 | |
-if you hadn't kept me concentrating on something else. -Lovely, guys. | 0:10:11 | 0:10:15 | |
I'm going to leave you to chat and get to know each other. | 0:10:15 | 0:10:18 | |
Thank you very much for coming in. Now, a couple of floors below us | 0:10:18 | 0:10:22 | |
is Abingdon Police Station. Louise is with the officers on duty. | 0:10:22 | 0:10:27 | |
This is the parade room in the police station. | 0:10:27 | 0:10:29 | |
This is where officers come twice a day | 0:10:29 | 0:10:31 | |
to hand over their ongoing cases and do lots of the paperwork as well. | 0:10:31 | 0:10:35 | |
I want to talk about a couple of rescues that have happened here, | 0:10:35 | 0:10:38 | |
first with Simon and Claire. You got a callout about a small plane. | 0:10:38 | 0:10:42 | |
-What had happened to it? -A plane had been approaching Oxford Airport. | 0:10:42 | 0:10:46 | |
The airport had completely lost contact with the plane, | 0:10:46 | 0:10:49 | |
and obviously concerned for the pilot, | 0:10:49 | 0:10:51 | |
so they did the natural thing and called the police. | 0:10:51 | 0:10:54 | |
You had a vast area to search. Could you send up the helicopter? | 0:10:54 | 0:10:57 | |
We couldn't send up ours. It had to come from Solent on Sea, | 0:10:57 | 0:11:01 | |
the coastguard, but it was grounded due to freezing-fog conditions. | 0:11:01 | 0:11:05 | |
It managed to lift again, and luckily locate the wreckage. | 0:11:05 | 0:11:08 | |
You were in woodland, so how were you searching? | 0:11:08 | 0:11:11 | |
-You managed to get a quad bike... -That's right. | 0:11:11 | 0:11:13 | |
Our normal police vehicles are useless in the woods and the rough. | 0:11:13 | 0:11:17 | |
We spoke to the woodland manager, who had a Land Rover, fortunately, | 0:11:17 | 0:11:20 | |
and a couple of quad bikes which he lent us, | 0:11:20 | 0:11:22 | |
and we managed to search the woods really effectively using those. | 0:11:22 | 0:11:26 | |
You found the pilot, who'd crawled from the wreckage. | 0:11:26 | 0:11:29 | |
He was about 20 feet from the burning wreckage. | 0:11:29 | 0:11:31 | |
Luckily we found him, administered some first aid, | 0:11:31 | 0:11:34 | |
called in the experts to get him down on a spinal board | 0:11:34 | 0:11:37 | |
and to the hospital for urgent treatment. | 0:11:37 | 0:11:39 | |
Could you guess that was going to happen at the beginning of your shift? | 0:11:39 | 0:11:43 | |
That's the great thing about the police force. | 0:11:43 | 0:11:45 | |
When you come in for duty, anything can happen. | 0:11:45 | 0:11:48 | |
If you guys hadn't been there at that point, | 0:11:48 | 0:11:50 | |
-what state would he have been in? -He was in the woods for three hours | 0:11:50 | 0:11:54 | |
by the time we found him, because of the huge area we had to search. | 0:11:54 | 0:11:57 | |
It was below freezing. The injuries he had, | 0:11:57 | 0:11:59 | |
he could have had hypothermia and died. | 0:11:59 | 0:12:02 | |
-So you go home knowing you've saved somebody's life. -Absolutely. | 0:12:02 | 0:12:05 | |
-How does that make you feel? -Wonderful. Good to help. | 0:12:05 | 0:12:08 | |
Gary, you've got a story about another rescue. | 0:12:08 | 0:12:11 | |
On a night shift, you saw smoke coming out of a flat, didn't you? | 0:12:11 | 0:12:15 | |
-That's right, yeah. -Take us through it. | 0:12:15 | 0:12:17 | |
I was driving along, saw smoke coming out of a flat, | 0:12:17 | 0:12:20 | |
an upstairs flat above a bookmaker's. | 0:12:20 | 0:12:23 | |
I went round to the back of the building | 0:12:23 | 0:12:25 | |
after being told by a member of the public someone lives there, | 0:12:25 | 0:12:28 | |
to see flames pouring out of the windows. | 0:12:28 | 0:12:31 | |
The member of the public had already called the fire service, | 0:12:31 | 0:12:34 | |
and with the news that someone could be inside, | 0:12:34 | 0:12:36 | |
-I thought I'd better get in. -Which was brave. | 0:12:36 | 0:12:39 | |
Well, possibly, or stupid. But I kicked the door open, | 0:12:39 | 0:12:42 | |
and through the smoke I could see someone lying on a couch, | 0:12:42 | 0:12:45 | |
but all I could see were legs. The person's back was towards me. | 0:12:45 | 0:12:49 | |
I managed to drag the person, who was semiconscious, out of the building | 0:12:49 | 0:12:53 | |
and onto the metal walkway, and it wasn't until that point | 0:12:53 | 0:12:57 | |
that I managed to have a good look at the person, | 0:12:57 | 0:13:00 | |
and I did a double take, because what I thought was a woman | 0:13:00 | 0:13:03 | |
turned out to be a man. He'd been to The Rocky Horror Picture Show, | 0:13:03 | 0:13:07 | |
and he was dressed in a basque, stockings, suspenders, | 0:13:07 | 0:13:10 | |
-full make-up, the works. -You never know what you're going to see. | 0:13:10 | 0:13:14 | |
-It was a real shock. -And he started the fire? | 0:13:14 | 0:13:16 | |
He had. He'd had a few beers after the show | 0:13:16 | 0:13:18 | |
and started cooking some chips, fallen asleep, | 0:13:18 | 0:13:21 | |
-and the fire had started. -Were the firefighters disappointed | 0:13:21 | 0:13:25 | |
-when they saw him? -They were. They saw the legs | 0:13:25 | 0:13:27 | |
-and thought it was a lady as well. -You got a commendation for it. -Yes. | 0:13:27 | 0:13:31 | |
How do you feel when you've done that? | 0:13:31 | 0:13:34 | |
It makes you feel proud that you've done something worthwhile. | 0:13:34 | 0:13:37 | |
Fantastic. Thank you. Nick. | 0:13:37 | 0:13:39 | |
A commendation for the policeman, and a new set of stockings | 0:13:39 | 0:13:43 | |
for the person he rescued. Moving on, | 0:13:43 | 0:13:45 | |
every year over 120,000 people in the UK have a heart attack. | 0:13:45 | 0:13:49 | |
They don't all involve crushing pain in the chest and collapsing. | 0:13:49 | 0:13:52 | |
Some are less dramatic. Sometimes the symptoms can be very vague. | 0:13:52 | 0:13:56 | |
But as we're about to see, they're just as life-threatening. | 0:13:56 | 0:14:00 | |
Early morning. Clive and Dave have been sent to a man | 0:14:05 | 0:14:08 | |
who's been suffering from chest pain for several hours. | 0:14:08 | 0:14:12 | |
A volunteer medic has also responded, | 0:14:13 | 0:14:16 | |
but nothing seems too amiss when they find Simon | 0:14:16 | 0:14:18 | |
standing calmly in the driveway. | 0:14:18 | 0:14:20 | |
-Describe the pain. -Like there's a blockage, | 0:14:20 | 0:14:23 | |
like I swallowed something I can't get down. | 0:14:23 | 0:14:26 | |
-So more central, is it? -It's about there. | 0:14:26 | 0:14:28 | |
-And does it go anywhere? -Down the arm. -Down your arm? | 0:14:28 | 0:14:31 | |
-Have you had anything like this before? -Never. -No? | 0:14:31 | 0:14:34 | |
Can I just borrow your wrist? Why are you walking about? | 0:14:34 | 0:14:37 | |
-Because I'm all right. -I might get you to walk to the ambulance. | 0:14:37 | 0:14:40 | |
The pain in Simon's arm is a worrying sign. | 0:14:40 | 0:14:43 | |
-The pain started four hours ago? -Yeah, in the middle of the night. | 0:14:43 | 0:14:47 | |
I woke up, and... | 0:14:47 | 0:14:50 | |
-OK. -Yeah, it's been pretty constant. | 0:14:50 | 0:14:52 | |
-You're a good colour. -It feels like I swallowed something | 0:14:53 | 0:14:56 | |
-that can't go down. -Yeah, OK. | 0:14:56 | 0:14:58 | |
He has no past medical history, but an early heart reading | 0:14:58 | 0:15:01 | |
suggests an abnormality. | 0:15:01 | 0:15:04 | |
You're firing off extra beats. | 0:15:04 | 0:15:07 | |
Do you ever feel anything in your chest, like another beat going on? | 0:15:07 | 0:15:11 | |
Not that I'm aware, to be honest. | 0:15:11 | 0:15:13 | |
They can happen and they can be normal, | 0:15:13 | 0:15:16 | |
but every now and then you get an extra beat. They're called PVCs, | 0:15:16 | 0:15:20 | |
premature ventricular contractions, and I just noticed a run of them. | 0:15:20 | 0:15:24 | |
There was three or four of them that pinged off then. | 0:15:24 | 0:15:26 | |
-Are you under Kimberly Surgery? -I'm not registered with a GP. | 0:15:26 | 0:15:30 | |
-You're not at all? Why's that? -I never go to doctors... | 0:15:30 | 0:15:33 | |
-Right. -..until it gets desperate. | 0:15:33 | 0:15:36 | |
So the plot thickens! | 0:15:36 | 0:15:38 | |
While Simon hardly seems desperate at the moment, | 0:15:38 | 0:15:42 | |
Clive is worried enough to give him a comprehensive ECG | 0:15:42 | 0:15:45 | |
to get a better view of what's happening with his heart. | 0:15:45 | 0:15:49 | |
Possibly something going on, but I'm not a cardiologist. | 0:15:52 | 0:15:57 | |
The printout suggests Simon's heart may not be getting enough blood. | 0:15:57 | 0:16:01 | |
They'll have to take him to hospital... | 0:16:01 | 0:16:04 | |
Lift your tongue up. | 0:16:04 | 0:16:05 | |
..and to be on the safe side, also give him a special spray. | 0:16:05 | 0:16:09 | |
By widening veins and arteries, it improves blood flow | 0:16:09 | 0:16:13 | |
and helps fight against any blockage | 0:16:13 | 0:16:15 | |
that might be affecting his circulation. | 0:16:15 | 0:16:17 | |
-Is it a sharp pain? Is it... -Dull. -Dull pain. | 0:16:17 | 0:16:22 | |
So it's a dull ache, and it is going down your left arm. | 0:16:22 | 0:16:26 | |
Yeah. It's sort of on the inside of... Yeah. | 0:16:26 | 0:16:29 | |
Right. OK. OK. | 0:16:29 | 0:16:31 | |
Then suddenly... | 0:16:31 | 0:16:33 | |
For some reason it's fired into life again. | 0:16:33 | 0:16:36 | |
..things start to look a lot more serious... | 0:16:36 | 0:16:39 | |
That's hugely different now from what it was last time. | 0:16:39 | 0:16:42 | |
-OK. -OK? So it's elevating as we speak. | 0:16:42 | 0:16:46 | |
OK? I don't want to panic you and alarm you, anything like that, | 0:16:46 | 0:16:50 | |
I think that we are having a heart attack, OK? | 0:16:50 | 0:16:54 | |
-OK. -And it's developing whilst we're talking. | 0:16:54 | 0:16:57 | |
..though he doesn't seem the type to flap. | 0:16:58 | 0:17:01 | |
You're in the right place! | 0:17:01 | 0:17:03 | |
Yeah. It's the place to be. | 0:17:03 | 0:17:06 | |
Clive is careful to keep it all as relaxed as possible for Simon. | 0:17:06 | 0:17:10 | |
Just going to flush a bit of water through it. Shouldn't sting. | 0:17:10 | 0:17:14 | |
You might feel a bit of cold going up your arm. That's it. | 0:17:14 | 0:17:17 | |
-The feeling has changed quite a bit. -In what way? | 0:17:18 | 0:17:21 | |
-It's like a sort of numbness spreading across. -OK. | 0:17:21 | 0:17:24 | |
And it's...nicer than it was. | 0:17:25 | 0:17:28 | |
Yeah? HE CHUCKLES | 0:17:28 | 0:17:30 | |
Has it eased? | 0:17:30 | 0:17:32 | |
-It feels almost like an anaesthetic. -All right. OK. | 0:17:33 | 0:17:37 | |
-That's the worst over, OK? -That's fine. | 0:17:37 | 0:17:39 | |
Very strange. | 0:17:39 | 0:17:41 | |
And do you feel quite anxious about it, or are you...? | 0:17:41 | 0:17:45 | |
No. No. | 0:17:45 | 0:17:47 | |
New readings on the heart monitor | 0:17:49 | 0:17:51 | |
suggest there's a possibility the spray they gave Simon | 0:17:51 | 0:17:55 | |
to improve his blood flow may have started to work. | 0:17:55 | 0:17:58 | |
That's gone back to normal again now. | 0:17:58 | 0:18:00 | |
It's like the blockage has gone. | 0:18:02 | 0:18:04 | |
Well, the spray under your tongue might have eased... | 0:18:04 | 0:18:07 | |
Regardless, Clive gives Simon some morphine for the pain, | 0:18:07 | 0:18:11 | |
and phones ahead to Swindon Hospital to let them know his condition. | 0:18:11 | 0:18:15 | |
We've got a 58-year-old gentleman | 0:18:15 | 0:18:17 | |
who's had central chest pain radiating down his left arm | 0:18:17 | 0:18:21 | |
for approximately four hours. | 0:18:21 | 0:18:23 | |
The effect of the spray might just be temporary. | 0:18:23 | 0:18:27 | |
Any heart attack could still worsen without warning. | 0:18:27 | 0:18:30 | |
So you've got pain radiating to your jaw as well? | 0:18:36 | 0:18:39 | |
-Yeah. -OK. That could be heart-related. | 0:18:39 | 0:18:43 | |
Central chest pain radiating down your left arm, | 0:18:43 | 0:18:45 | |
into the jaw. Anything going through to the back at all? | 0:18:45 | 0:18:49 | |
-Yeah. -Oh, yeah. | 0:18:50 | 0:18:51 | |
HE LAUGHS You're still a good colour. | 0:18:51 | 0:18:54 | |
-That's good. -Normally when somebody's having a massive MI, | 0:18:54 | 0:18:58 | |
a heart attack, they got this billboard on them | 0:18:58 | 0:19:00 | |
that says "I'm having a heart attack," | 0:19:00 | 0:19:03 | |
because they're grey, sweating profusely, | 0:19:03 | 0:19:07 | |
and they're all real classic sort of symptoms. | 0:19:07 | 0:19:10 | |
And these things that you're not, | 0:19:10 | 0:19:12 | |
but it might be because where the problem is, possibly, | 0:19:12 | 0:19:15 | |
is a different part of the heart. | 0:19:15 | 0:19:18 | |
At the hospital they take Simon straight to the coronary-care unit, | 0:19:21 | 0:19:25 | |
and, as it turns out, not a moment too soon. | 0:19:25 | 0:19:29 | |
Inside, tests show that despite him being calmness personified | 0:19:29 | 0:19:33 | |
on the surface, he's actually having a severe heart attack | 0:19:33 | 0:19:37 | |
and needs an emergency operation. | 0:19:37 | 0:19:40 | |
'They've now taken him round to a cath lab. | 0:19:44 | 0:19:47 | |
'A dye will be injected into his heart,' | 0:19:47 | 0:19:50 | |
and then they'll see where the blockage is, | 0:19:50 | 0:19:53 | |
and then they'll remove that blockage and put in a thing called a stent. | 0:19:53 | 0:19:57 | |
And they're doing that right now, | 0:19:57 | 0:19:59 | |
so half an hour after arriving in hospital, | 0:19:59 | 0:20:01 | |
he's having that done as we speak. The thing with heart attacks | 0:20:01 | 0:20:05 | |
is to catch it early, and thankfully he did call us. | 0:20:05 | 0:20:08 | |
I know he left it a few hours, but he's in the right place | 0:20:08 | 0:20:11 | |
so hopefully he'll make a good recovery. | 0:20:11 | 0:20:14 | |
I'm very glad to say that Simon's here with me now. | 0:20:16 | 0:20:19 | |
That is quite extraordinary. You walked out of your house, | 0:20:19 | 0:20:22 | |
-and an hour later you were having a lifesaving operation. -That's right, | 0:20:22 | 0:20:26 | |
and the lifesaver is sitting over here. | 0:20:26 | 0:20:28 | |
We'll talk to Tom in a minute about the stent. | 0:20:28 | 0:20:31 | |
Tell us about that operation. It was under a local anaesthetic. | 0:20:31 | 0:20:34 | |
-What was it like to see it going on? -Well, it was remarkable, | 0:20:34 | 0:20:38 | |
because I was conscious all the time, no discomfort, | 0:20:38 | 0:20:40 | |
and following the procedure as it went along, | 0:20:40 | 0:20:43 | |
which was being explained in great detail. | 0:20:43 | 0:20:45 | |
You can explain it to me. Your doctor, Tom, is here. | 0:20:45 | 0:20:48 | |
He had a stent fitted, | 0:20:48 | 0:20:50 | |
and you've got equipment here which you can show me what you did. | 0:20:50 | 0:20:54 | |
That's true. Simon had a blockage of a heart artery. | 0:20:54 | 0:20:57 | |
-A complete blockage? -Complete, 100 percent blockage, | 0:20:57 | 0:21:00 | |
which causes sudden, severe chest pain. | 0:21:00 | 0:21:03 | |
And what we do nowadays is treat it with a mechanical solution, | 0:21:03 | 0:21:08 | |
-like unblocking a drain. -You call it the Dyno-Rod solution. | 0:21:08 | 0:21:11 | |
It's like a Dyno-Rod. Previously we'd use a drain unblocker, | 0:21:11 | 0:21:15 | |
chemicals. Now we use a mechanical solution. | 0:21:15 | 0:21:17 | |
-So that's a big stent there. -But he didn't have one that big, did he? | 0:21:17 | 0:21:21 | |
-No. -OK. -So what we do... | 0:21:21 | 0:21:24 | |
Imagine this is the artery which was blocked. | 0:21:24 | 0:21:27 | |
-This is a model of the heart. -Yes. We put the blue tube in | 0:21:27 | 0:21:30 | |
through the wrist, | 0:21:30 | 0:21:32 | |
and the shiny metal thing moving forwards there is the stent. | 0:21:32 | 0:21:36 | |
-OK. So tiny version of that. -Wrapped round a balloon. | 0:21:36 | 0:21:39 | |
I'm going to inflate the stent, as we would have done in Simon's case, | 0:21:39 | 0:21:43 | |
as quickly as possible after the heart attack. | 0:21:43 | 0:21:46 | |
A little cylinder expands to treat the artery. | 0:21:46 | 0:21:50 | |
We then let the balloon down. | 0:21:51 | 0:21:54 | |
-Here. -And slide everything out, leaving the stent in place | 0:21:54 | 0:21:57 | |
with the artery fixed and the flow restored. | 0:21:57 | 0:22:00 | |
It's as quick as that. | 0:22:00 | 0:22:01 | |
And we've got pictures of his heart afterwards. | 0:22:01 | 0:22:04 | |
Talk me through what's going on. So this is evidence | 0:22:04 | 0:22:08 | |
-that things are OK. -Yeah. | 0:22:08 | 0:22:10 | |
So that's the final image of Simon's artery, | 0:22:10 | 0:22:14 | |
showing that the flow is nice. | 0:22:14 | 0:22:16 | |
There's a nice letter-C shape to the artery. | 0:22:16 | 0:22:19 | |
When we first took the picture, it was blocked at this point. | 0:22:19 | 0:22:22 | |
-And that saved his life, presumably. -That does save his life, yes. | 0:22:22 | 0:22:26 | |
Brilliant. Thank you for showing me. | 0:22:26 | 0:22:28 | |
Simon, how has this changed you, do you think? | 0:22:28 | 0:22:31 | |
I wake up every morning and say, "Thank you, I'm still here." | 0:22:31 | 0:22:34 | |
I'm very grateful to the whole team, who were incredibly professional | 0:22:34 | 0:22:38 | |
and efficient and reassuring about the whole procedure, | 0:22:38 | 0:22:41 | |
so, yes, I'm very happy and lucky to be alive. | 0:22:41 | 0:22:44 | |
Thank you for coming to talk to us about it, | 0:22:44 | 0:22:46 | |
and thank you, too, for showing us. | 0:22:46 | 0:22:48 | |
Just chatting away here to Christine Brown, | 0:22:49 | 0:22:52 | |
who we're going to talk to now about the fact | 0:22:52 | 0:22:55 | |
that when you have your car stolen, it's very upsetting. | 0:22:55 | 0:22:58 | |
But what's in it can make it a lot more upsetting. | 0:22:58 | 0:23:01 | |
You had a call in particular on this. | 0:23:01 | 0:23:03 | |
We had a lady who'd been out and done her shopping. | 0:23:03 | 0:23:06 | |
She got home to unload her shopping. | 0:23:06 | 0:23:09 | |
She'd got her small child in the back of the car, | 0:23:09 | 0:23:12 | |
and the child had gone to sleep, so she did what lots of women have done. | 0:23:12 | 0:23:15 | |
She left the child in the car while she unloaded the shopping. | 0:23:15 | 0:23:19 | |
When she came back out, the car and the child were gone. | 0:23:19 | 0:23:23 | |
She must have been going absolutely spare. | 0:23:23 | 0:23:25 | |
She must have been pretty frantic, | 0:23:25 | 0:23:27 | |
and the husband went out immediately in the other car | 0:23:27 | 0:23:30 | |
to see if they could find it. They phoned in. | 0:23:30 | 0:23:33 | |
We put a broadcast out. | 0:23:33 | 0:23:36 | |
I was working as assistant to the radio operator. | 0:23:36 | 0:23:39 | |
The radio operator broadcast to all the officers | 0:23:39 | 0:23:43 | |
that we were looking for this vehicle. | 0:23:43 | 0:23:45 | |
We put what we call static containment, | 0:23:45 | 0:23:48 | |
which is vehicles parked up at certain points | 0:23:48 | 0:23:51 | |
to see if we could get the vehicle... If it goes out of that circle, | 0:23:51 | 0:23:55 | |
as it were, hopefully we would see it. | 0:23:55 | 0:23:57 | |
There was a lot of radio traffic, obviously, | 0:23:57 | 0:24:01 | |
passing information about the vehicle and where it had gone from. | 0:24:01 | 0:24:05 | |
This is killing me! Did you get the baby back? | 0:24:05 | 0:24:07 | |
-We did, yes. -Good. -We did. | 0:24:07 | 0:24:10 | |
We got authority to put a press release out | 0:24:10 | 0:24:13 | |
for any sightings, and then the vehicle was dumped | 0:24:13 | 0:24:16 | |
with the child in it, and the child was found unharmed, | 0:24:16 | 0:24:20 | |
-and was fine, so, er, a good story. -Good resolution to the story, | 0:24:20 | 0:24:26 | |
onto what can only be a terrifying story in the first place. | 0:24:26 | 0:24:29 | |
-Good ending. Thank you very much. -It's all right. It's a pleasure. | 0:24:29 | 0:24:33 | |
Still to come on Real Rescues, the fire crew is called out | 0:24:34 | 0:24:38 | |
to a young family trapped in their car as a river starts to rise. | 0:24:38 | 0:24:41 | |
And the two-year-old girl who's cut her head | 0:24:50 | 0:24:52 | |
but isn't crying. Could it be a sign of something more serious? | 0:24:52 | 0:24:56 | |
I'd like to have her looked at because, where the cut is, | 0:24:56 | 0:24:59 | |
it's right on her fontanelle. | 0:24:59 | 0:25:03 | |
-I can feel a bit of a lump just on that part. -OK. | 0:25:03 | 0:25:06 | |
So I'd just like to get her assessed. | 0:25:06 | 0:25:08 | |
You won't believe the number of ways a fire can start. | 0:25:10 | 0:25:13 | |
In a few minutes we'll hear how static in a carpet | 0:25:13 | 0:25:15 | |
caused an inferno. But first, a simple magnifying glass | 0:25:15 | 0:25:19 | |
caused this. The owners of the house were out when it caught fire, | 0:25:19 | 0:25:23 | |
but a neighbour made this 999 call. | 0:25:23 | 0:25:27 | |
This is Louisa, whose house burned down. | 0:25:55 | 0:25:58 | |
-And your business was in there, as well! -It was indeed, yes. | 0:25:58 | 0:26:02 | |
-Devastating! -Absolute devastation, yes. | 0:26:02 | 0:26:04 | |
So you come back and there's your house gone. | 0:26:04 | 0:26:06 | |
What's your first thought? | 0:26:06 | 0:26:09 | |
Well, complete and utter shock, | 0:26:09 | 0:26:11 | |
numbingly so, actually. | 0:26:11 | 0:26:13 | |
We knew nothing about the fire until we got home, | 0:26:13 | 0:26:16 | |
because we'd left our mobile phone at home, | 0:26:16 | 0:26:19 | |
and we turned up and there was the fire engine, | 0:26:19 | 0:26:21 | |
-with a massive hole in our roof. -What caused the fire? | 0:26:21 | 0:26:24 | |
A magnifying glass, which had been lying on a study desk. | 0:26:24 | 0:26:28 | |
That room faces directly south. | 0:26:28 | 0:26:30 | |
The magnifying glass had been moved by me the day before. | 0:26:30 | 0:26:33 | |
I'd been dusting the desk, and I'd put it in a pen pot. | 0:26:33 | 0:26:36 | |
-Didn't think at all about... -Near the window? | 0:26:36 | 0:26:39 | |
Yes. Didn't think at all about the devastation it could cause. | 0:26:39 | 0:26:42 | |
-Well, you wouldn't, would you? -No, and it was in January | 0:26:42 | 0:26:45 | |
that the fire happened, so it was a winter's day. | 0:26:45 | 0:26:48 | |
Admittedly the sun was very strong and low in the sky, | 0:26:48 | 0:26:50 | |
but it penetrated through the magnifying glass onto the curtains. | 0:26:50 | 0:26:55 | |
Because we weren't there, the house was burning for two and a half hours | 0:26:55 | 0:26:58 | |
before anybody raised the alarm, by which time the top floor had been devastated. | 0:26:58 | 0:27:03 | |
The bottom floor, we'd lost one room, where the fire started, | 0:27:03 | 0:27:06 | |
and the rest of the rooms downstairs were completely smoke-damaged. | 0:27:06 | 0:27:10 | |
-Had you ever heard of this before? It's ridiculous, isn't it? -It is. | 0:27:10 | 0:27:13 | |
Since we've spoken to the fire-investigation team, | 0:27:13 | 0:27:17 | |
they've told us that magnifying glasses, paperweights, | 0:27:17 | 0:27:20 | |
crystals hanging in windows, shaving mirrors - | 0:27:20 | 0:27:22 | |
all those things can cause devastation | 0:27:22 | 0:27:24 | |
-if they're left long enough. -Let's bring Mark Hobbs in | 0:27:24 | 0:27:27 | |
-from the fire-investigation unit. -Hello, Nick. | 0:27:27 | 0:27:30 | |
You've started a black museum of things that can start a fire. | 0:27:30 | 0:27:33 | |
We have, and it's www.blackmuseum.org | 0:27:33 | 0:27:36 | |
and what we're going to do, with Louisa's help, | 0:27:36 | 0:27:39 | |
is try and get across the message to people | 0:27:39 | 0:27:41 | |
that fire can start in many unusual ways, | 0:27:41 | 0:27:43 | |
educating people and trying to do it in an interesting way, | 0:27:43 | 0:27:46 | |
so we've created the Black Museum, which is an online accessible site | 0:27:46 | 0:27:51 | |
where we put things like Louisa's... | 0:27:51 | 0:27:54 | |
You've just talked about a magnifying glass. How does a carpet start a fire? | 0:27:54 | 0:27:58 | |
-Oh, good heavens! -Exactly. How DOES a carpet start a fire? | 0:27:58 | 0:28:02 | |
Not common. Very unusual. I've only been to one incident, | 0:28:02 | 0:28:06 | |
and it wasn't the carpet that started the fire as such. | 0:28:06 | 0:28:08 | |
We got called to an incident in a small terraced house, | 0:28:08 | 0:28:12 | |
and the crews could see a flame coming through the carpet. | 0:28:12 | 0:28:15 | |
We put the fire out quickly. It was fairly small. | 0:28:15 | 0:28:18 | |
When we lifted the floorboards, there was a gas pipe, which was leaking, | 0:28:18 | 0:28:21 | |
and the householder told us they'd had the carpets refitted | 0:28:21 | 0:28:25 | |
a couple of weeks before. Brand new carpet, | 0:28:25 | 0:28:27 | |
synthetic fibre, and we believe it was a spark | 0:28:27 | 0:28:30 | |
from them walking on the carpet which ignited this gas leak | 0:28:30 | 0:28:33 | |
-that had been there for a long time. -We'll have more from Mark later, | 0:28:33 | 0:28:36 | |
including a fire started by a handful of dirty rags. | 0:28:36 | 0:28:40 | |
A car has broken down in a fast-flowing river, | 0:28:40 | 0:28:43 | |
and the water is rising around it. The young family inside | 0:28:43 | 0:28:47 | |
could take their chances and walk to the bank, | 0:28:47 | 0:28:49 | |
but they don't know what's under the surface. | 0:28:49 | 0:28:51 | |
One slip and they could be washed away. | 0:28:51 | 0:28:54 | |
After a night of torrential rain, the streams in the New Forest | 0:28:56 | 0:28:59 | |
have risen dramatically - so much so | 0:28:59 | 0:29:01 | |
that firefighters from a nearby town, Lyndhurst, | 0:29:01 | 0:29:04 | |
have been called to the rescue of a young family | 0:29:04 | 0:29:07 | |
whose car is stuck in the middle of a swollen ford. | 0:29:07 | 0:29:11 | |
Their first thought is to keep them inside the car and drag it out. | 0:29:21 | 0:29:24 | |
Inside the car are Matthew and Andrea, with two-year-old Lara | 0:29:36 | 0:29:42 | |
and baby Jude. They were on holiday with friends and family | 0:29:42 | 0:29:45 | |
in the New Forest when they got into this mess. | 0:29:45 | 0:29:48 | |
As they started to cross, the car's engine cut out. | 0:29:48 | 0:29:53 | |
They panicked and called for help. | 0:29:53 | 0:29:55 | |
All Matthew and Andrea can do now is sit tight | 0:29:58 | 0:30:01 | |
and follow the firefighters' instructions. | 0:30:01 | 0:30:03 | |
Before they can start the rescue, they need to put everything in place | 0:30:15 | 0:30:19 | |
just in case something goes wrong. | 0:30:19 | 0:30:21 | |
There could be a surge of water. There's been a lot of rain overnight | 0:30:21 | 0:30:25 | |
and conditions can change quickly, so if the vehicle should move | 0:30:25 | 0:30:28 | |
or any of the guys swept away, we have a safety team downstream, | 0:30:28 | 0:30:31 | |
safety being the priority at all times. | 0:30:31 | 0:30:33 | |
The yellow bag contains a throw line just in case. | 0:30:33 | 0:30:37 | |
Because of all these added risks, | 0:30:39 | 0:30:41 | |
they've decided that it would be safer to leave the car where it is | 0:30:41 | 0:30:45 | |
and get everyone out. | 0:30:45 | 0:30:47 | |
Baby Jude is first out, straight through the window | 0:30:58 | 0:31:02 | |
and into firefighter Wayne Park's arms. | 0:31:02 | 0:31:04 | |
He's starting to cry, but he's safe, | 0:31:04 | 0:31:07 | |
and Gran Rita is close at hand. | 0:31:07 | 0:31:10 | |
Lara is next, and she's staying very calm. | 0:31:13 | 0:31:16 | |
Well done, sweetheart. | 0:31:18 | 0:31:20 | |
Uncle Spencer is waiting. | 0:31:20 | 0:31:22 | |
There you go. | 0:31:22 | 0:31:25 | |
With the children on dry land, Matthew and Andrea make their way | 0:31:27 | 0:31:32 | |
with the loan of two pairs of firefighters' welly boots. | 0:31:32 | 0:31:36 | |
The family can now resume their holiday, | 0:31:37 | 0:31:40 | |
although minus their car. That will stay put | 0:31:40 | 0:31:43 | |
until the recovery vehicle arrives. | 0:31:43 | 0:31:45 | |
We were just talking about candles, and whether they cause problems. | 0:31:50 | 0:31:54 | |
They do. Cooking is another obvious area. | 0:31:54 | 0:31:57 | |
Smoking... These are all areas that we know cause fires, | 0:31:57 | 0:32:00 | |
but we're talking about the more unusual ways. | 0:32:00 | 0:32:03 | |
Um, oily rags? How can oily rags cause a fire? | 0:32:03 | 0:32:06 | |
Well, particularly linseed-oil-soaked rags, Nick. | 0:32:06 | 0:32:10 | |
It's well known, and the manufacturers put a warning | 0:32:10 | 0:32:12 | |
on the back of their bottles, warning people to be careful | 0:32:12 | 0:32:15 | |
-how they dispose of the rags. -I've seen that warning. | 0:32:15 | 0:32:18 | |
I've used linseed oil on floors, and, in the old days, | 0:32:18 | 0:32:22 | |
on cricket bats. I presume you needed to light it to make it... | 0:32:22 | 0:32:26 | |
No, not at all. Linseed oil is a particular product | 0:32:26 | 0:32:30 | |
which will react with oxygen, especially when it's on a rag | 0:32:30 | 0:32:33 | |
which creates heat. If you've got that rag screwed up in a container | 0:32:33 | 0:32:36 | |
which allows it to get oxygen, and the heat can't get away from it, | 0:32:36 | 0:32:40 | |
-it can get to a temperature... -We've got a picture of them. | 0:32:40 | 0:32:43 | |
-That's right. -These are rags that were thrown after using linseed oil into a bin. | 0:32:43 | 0:32:46 | |
Some builders were working in a church in East Sussex, | 0:32:46 | 0:32:49 | |
-renovating a floor. -That's a piano, the remains of, what you can see. | 0:32:49 | 0:32:53 | |
That's right, yeah. They'd used the rags to apply the oil, | 0:32:53 | 0:32:56 | |
put them in a bin and gone home, and then a few hours later | 0:32:56 | 0:32:59 | |
-we were called, and there was a fire. -They ignited themselves. | 0:32:59 | 0:33:03 | |
The other thing - if you have a pet, | 0:33:03 | 0:33:05 | |
make sure you unplug your electrical items. | 0:33:05 | 0:33:08 | |
-Don't just switch them off. -We had a fire many years ago | 0:33:08 | 0:33:11 | |
in Hastings in East Sussex. The lady was using a hairdryer in the morning | 0:33:11 | 0:33:15 | |
before she went to work, and she switched it off on the rocker switch | 0:33:15 | 0:33:19 | |
on the handle, left it on the bed without switching off at the socket. | 0:33:19 | 0:33:22 | |
She went out. The dog would nose the door open and sleep on the bed, | 0:33:22 | 0:33:26 | |
and on this occasion somehow caught the rocker switch, | 0:33:26 | 0:33:29 | |
turned the hairdryer on, and a few hours later the bed caught fire. | 0:33:29 | 0:33:33 | |
You can't guard against all these things, but get a smoke alarm, | 0:33:33 | 0:33:37 | |
because at least it will let you know. | 0:33:37 | 0:33:39 | |
Absolutely. Get a suitable working smoke alarm. | 0:33:39 | 0:33:41 | |
All fire services will give free advice, and come round | 0:33:41 | 0:33:45 | |
if need be, and probably fit the detector. | 0:33:45 | 0:33:47 | |
-Mark, thank you very much. -OK. | 0:33:47 | 0:33:49 | |
I'm in another of the parade rooms in Abingdon Police Station, | 0:33:52 | 0:33:55 | |
and Kevin's here to talk to me about a dog-napping. | 0:33:55 | 0:33:58 | |
-A call came in. What happened? -It was a dog called Piglet, | 0:33:58 | 0:34:01 | |
a female Staffy puppy, reported stolen from someone's back garden, | 0:34:01 | 0:34:06 | |
and the gent, obviously, once he found the dog stolen, | 0:34:06 | 0:34:09 | |
he went round the local village to try and find Piglet. | 0:34:09 | 0:34:13 | |
A neighbour reported that they'd seen two males in a van | 0:34:13 | 0:34:16 | |
-taking what looked like... -So they'd seen it happen? | 0:34:16 | 0:34:20 | |
Yeah, basically saw it happen. | 0:34:20 | 0:34:22 | |
They were very good, because they got a part-index of the vehicle, | 0:34:22 | 0:34:25 | |
which is part of the registration. | 0:34:25 | 0:34:28 | |
From that we did some checks on our police national computer, | 0:34:28 | 0:34:31 | |
and managed to find over 200 vehicles that matched that index. | 0:34:31 | 0:34:36 | |
-Which is quite a lot. -Which is quite a lot. | 0:34:36 | 0:34:38 | |
We narrowed it down with further intelligence work. | 0:34:38 | 0:34:42 | |
It came down to two, and from those two, through local intelligence, | 0:34:42 | 0:34:46 | |
managed to locate it down to one place, which was in Northampton. | 0:34:46 | 0:34:50 | |
-And that was just a part-registration? -Yeah. | 0:34:50 | 0:34:53 | |
-You found the location? -Yep. -And then what happened? | 0:34:53 | 0:34:56 | |
Found the location, went in - a team of five of us, | 0:34:56 | 0:34:59 | |
up to Northampton. Obviously it's not our force area. | 0:34:59 | 0:35:02 | |
Went up there. Managed to... Saw the van, first off, | 0:35:02 | 0:35:07 | |
so that was a starter for ten. Went in on-site. | 0:35:07 | 0:35:10 | |
Spoke to the owner of the site, and then could see Piglet | 0:35:10 | 0:35:14 | |
in a compound, still with her collar on, | 0:35:14 | 0:35:18 | |
named Piglet. | 0:35:18 | 0:35:20 | |
She was chipped, but we didn't have the scanner. | 0:35:20 | 0:35:23 | |
But it was blatantly obvious. And while we were there, | 0:35:23 | 0:35:27 | |
we saw a black lab that looked a bit sorry for himself, | 0:35:27 | 0:35:30 | |
but we couldn't prove it was a stolen dog. | 0:35:30 | 0:35:33 | |
So you got one of these, went back with it, and found what? | 0:35:33 | 0:35:36 | |
Got a scanner, went back, scanned the dog, | 0:35:36 | 0:35:39 | |
and sure enough, came back as stolen from Warwickshire. | 0:35:39 | 0:35:42 | |
And how were the family when they saw Piglet? | 0:35:42 | 0:35:45 | |
Really pleased, relieved, and Piglet got quite a warm welcome. | 0:35:45 | 0:35:48 | |
-Lots of licks. -Ahh, bless her. Thank you very much! Thank you. | 0:35:48 | 0:35:52 | |
Now a callout to a nursery school in Berkshire. | 0:35:52 | 0:35:54 | |
A toddler has fallen into a metal gate and has head injuries, | 0:35:54 | 0:35:57 | |
and an ambulance is on its way. | 0:35:57 | 0:36:00 | |
The ambulance is speeding across Reading to the Children's Centre. | 0:36:02 | 0:36:06 | |
On board are paramedic Chris Kirby and technician Jason Harrap. | 0:36:06 | 0:36:10 | |
Two-year-old Mia is with her mum. She has a deep gash in her forehead, | 0:36:16 | 0:36:20 | |
and is looking a bit dazed. | 0:36:20 | 0:36:22 | |
-She's run down the side alleyway... -Right. -..and fallen, | 0:36:22 | 0:36:25 | |
and it looks like, as she's fallen, she's hit the bottom of the gate. | 0:36:25 | 0:36:29 | |
-Right. OK. -And she's got a cut about that big. | 0:36:29 | 0:36:32 | |
Chris needs as many details as possible | 0:36:32 | 0:36:35 | |
so he can prioritise the treatment. | 0:36:35 | 0:36:38 | |
-Who was actually with Mia? -Er, no-one. | 0:36:38 | 0:36:41 | |
-She ran round the side. -She ran round the side gate. | 0:36:41 | 0:36:44 | |
So how did you know she'd fallen? | 0:36:44 | 0:36:46 | |
So you heard running, a bang. Then what did you hear? | 0:36:48 | 0:36:51 | |
-I went outside. Crying. -Crying straightaway? -Yes. | 0:36:51 | 0:36:54 | |
Right. Brilliant. That's what I wanted. | 0:36:54 | 0:36:56 | |
The fact that Mia cried means she wasn't knocked out. | 0:36:56 | 0:36:59 | |
More details from her grandmother helps him build up a good picture | 0:36:59 | 0:37:03 | |
of what happened. | 0:37:03 | 0:37:05 | |
OK. So she'd got herself back up. | 0:37:05 | 0:37:07 | |
And was she walking as she normally does? | 0:37:07 | 0:37:10 | |
-Yes. -OK. Has she vomited at all? | 0:37:10 | 0:37:12 | |
No. | 0:37:12 | 0:37:14 | |
Chris is now happy that Mia didn't lose consciousness. | 0:37:14 | 0:37:18 | |
He can concentrate on cleaning the wound. | 0:37:18 | 0:37:20 | |
There's plenty of blood, and it's difficult to see. | 0:37:20 | 0:37:23 | |
Very good. | 0:37:23 | 0:37:26 | |
It's all the way down there, too. Oh, bless her. | 0:37:26 | 0:37:29 | |
Is it a big cut, or just that... | 0:37:29 | 0:37:31 | |
Well, it's difficult. She's got long, fine hair | 0:37:31 | 0:37:35 | |
-that's fairly matted into it. -I didn't want to pull it apart | 0:37:35 | 0:37:38 | |
-in case it... -Yeah. | 0:37:38 | 0:37:40 | |
Oh, sorry, honey. | 0:37:42 | 0:37:44 | |
What's this? Is this just residual, is it? Yeah. | 0:37:45 | 0:37:48 | |
Mia is still very quiet. Often the more noise a child makes, | 0:37:49 | 0:37:53 | |
the less serious the injury. | 0:37:53 | 0:37:55 | |
-So how long was she crying for? -How long was she crying for, Mum? | 0:37:55 | 0:37:59 | |
-How long? -Er, five minutes. | 0:37:59 | 0:38:03 | |
OK. Lovely. | 0:38:03 | 0:38:05 | |
I'd like to have her looked at simply because, where the cut is, | 0:38:07 | 0:38:11 | |
-it's right on her fontanelle... -Yep. | 0:38:11 | 0:38:14 | |
And that's the... You know, that's the soft part of the skull, | 0:38:14 | 0:38:18 | |
which flexed when she was born. | 0:38:18 | 0:38:21 | |
Now, that's pretty much hardened over, | 0:38:21 | 0:38:23 | |
-but I can feel a bit of a lump just on that part... -OK. | 0:38:23 | 0:38:27 | |
-..so I'd like to get her assessed. -That's fine. | 0:38:27 | 0:38:30 | |
-I'd rather her get looked at. -OK. | 0:38:30 | 0:38:33 | |
She's very...sitting very still for her. | 0:38:33 | 0:38:36 | |
-Yeah, but that's not abnormal. -Maybe a bit of shock as well. | 0:38:36 | 0:38:40 | |
Yeah. Children, when they've banged themselves or hurt themselves, | 0:38:40 | 0:38:43 | |
usually go through a period of crying, then they get drowsy, | 0:38:43 | 0:38:47 | |
then they want to go to sleep because that's how their body recovers. | 0:38:47 | 0:38:50 | |
If they continue not to be interested in their surroundings... | 0:38:50 | 0:38:53 | |
-That's when we worry. -So you'll be all right to travel with us? | 0:38:53 | 0:38:57 | |
Yeah. That's fine. | 0:38:57 | 0:38:58 | |
Gran takes Mia's identical twin sister home, | 0:38:58 | 0:39:02 | |
leaving mum Jane free to travel to A&E. | 0:39:02 | 0:39:05 | |
Chris wants Mia to be checked over properly in hospital. | 0:39:05 | 0:39:08 | |
-MIA CRIES -She always howls when she goes. | 0:39:08 | 0:39:11 | |
They're twins. | 0:39:11 | 0:39:14 | |
Jane had been at work at a stables nearby | 0:39:19 | 0:39:21 | |
when she got the call from the playschool. | 0:39:21 | 0:39:23 | |
-Oh, hence the spurs. -Yeah. I don't normally wear spurs! | 0:39:23 | 0:39:27 | |
I thought it was a fashion statement. | 0:39:27 | 0:39:30 | |
Once on board, Chris can start his routine checks | 0:39:30 | 0:39:33 | |
while Jason gets into the driver's seat. | 0:39:33 | 0:39:36 | |
Lovely. That's all good. | 0:39:36 | 0:39:39 | |
Nice little heartbeat there. | 0:39:39 | 0:39:41 | |
You all right, princess? | 0:39:45 | 0:39:47 | |
Mia still seems a bit subdued. | 0:39:47 | 0:39:49 | |
All a bit disconcerting, isn't it? | 0:39:49 | 0:39:52 | |
It's a little bit much for her to take in, isn't it? | 0:39:52 | 0:39:55 | |
Chris has fashioned a balloon from a glove to cheer her up. | 0:39:55 | 0:39:58 | |
She's the accident-prone one out of the twins. | 0:39:58 | 0:40:02 | |
She's not hyperactive, but into mischief and stuff all the time. | 0:40:02 | 0:40:06 | |
Nine times out of ten, she will fall over and get up and laugh. | 0:40:06 | 0:40:12 | |
If anyone's going to fall over or crash or anything, | 0:40:13 | 0:40:16 | |
it will be her, so...it was no surprise | 0:40:16 | 0:40:20 | |
that it was her. | 0:40:20 | 0:40:22 | |
You were very brave, though, weren't you, Mia? | 0:40:22 | 0:40:25 | |
At the hospital, Chris realises he met Jane before, | 0:40:26 | 0:40:30 | |
after a crash. It's not just Mia who's accident-prone. | 0:40:30 | 0:40:33 | |
You do look very familiar to me. When I walked in... | 0:40:33 | 0:40:37 | |
-Yeah. It WAS me, then. -Second time you've been in my ambulance. | 0:40:37 | 0:40:41 | |
-Don't let there be a third. -No! | 0:40:41 | 0:40:43 | |
Chris leaves Jane and Mia in safe hands at A&E, | 0:40:43 | 0:40:47 | |
where she can be thoroughly checked out. | 0:40:47 | 0:40:50 | |
They used a special glue, rather than stitches, on Mia's head wound, | 0:40:50 | 0:40:53 | |
and she's since made a full recovery. | 0:40:53 | 0:40:56 | |
I want to talk to Katy and Lorraine about hard shoulders on motorways, | 0:40:56 | 0:41:00 | |
because some people seem to be confused about what they're for. | 0:41:00 | 0:41:04 | |
-You had a call from a personal assistant to somebody... -Yes. | 0:41:04 | 0:41:07 | |
-Asking you what? -It was, um...yeah, a famous person, | 0:41:07 | 0:41:11 | |
and the PA phoning up to say they were stuck in traffic | 0:41:11 | 0:41:14 | |
due to an accident, and they wanted to use the hard shoulder | 0:41:14 | 0:41:17 | |
-to get to a gig they were late for. -This person was a singer? | 0:41:17 | 0:41:20 | |
They were late, and thought it would be OK to use the hard shoulder. | 0:41:20 | 0:41:24 | |
-I suppose at least they were checking with you. -Yes. | 0:41:24 | 0:41:27 | |
-What did you say? -I said it wasn't an appropriate use. | 0:41:27 | 0:41:30 | |
It's there as a place of safety for broken-down motorists, | 0:41:30 | 0:41:33 | |
and any use considered would have to be a life-and-death emergency. | 0:41:33 | 0:41:37 | |
-And being late for a gig... -Is not life-and-death. | 0:41:37 | 0:41:39 | |
-How did she take that information? -She wasn't too impressed, | 0:41:39 | 0:41:43 | |
but there's not a lot you can do about it. | 0:41:43 | 0:41:45 | |
So she then had to phone back said famous person and explain. | 0:41:45 | 0:41:49 | |
-Exactly. -You probably looked up to see if the gig was late. | 0:41:49 | 0:41:52 | |
Lorraine, some occasions... Are you on a call? | 0:41:52 | 0:41:55 | |
-No, you're OK. -Good. Some occasions you can use it, | 0:41:55 | 0:41:58 | |
and you had a very specific example. | 0:41:58 | 0:42:01 | |
Yes. We had a lady who had gone into labour | 0:42:01 | 0:42:05 | |
on the motorway, and she needed to get to the hospital quite quickly. | 0:42:05 | 0:42:09 | |
So? | 0:42:09 | 0:42:11 | |
So the motorway was closed because we'd got a serious accident | 0:42:11 | 0:42:15 | |
a couple of junctions up, and there was absolutely no way | 0:42:15 | 0:42:19 | |
-she could get through the traffic. -So she was allowed through with... | 0:42:19 | 0:42:22 | |
We allowed her an ambulance escort up to Junction 9, | 0:42:22 | 0:42:26 | |
and a police escort to the hospital, where she gave birth to a baby boy. | 0:42:26 | 0:42:30 | |
-Oh, lovely story! Thank you! -You're welcome. | 0:42:30 | 0:42:32 | |
And that concludes our stories for today. | 0:42:32 | 0:42:35 | |
Join us again next time for more Real Rescues. | 0:42:35 | 0:42:37 | |
See you then. | 0:42:37 | 0:42:39 | |
Subtitles by Red Bee Media Ltd | 0:43:14 | 0:43:16 |