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I've seen towns explode into cities. | 0:00:04 | 0:00:08 | |
I've seen towns with their hearts ripped out. | 0:00:08 | 0:00:11 | |
Every town has its own tales of triumph and catastrophe. | 0:00:11 | 0:00:15 | |
All of them face challenges. | 0:00:15 | 0:00:17 | |
As a geographer, I believe that towns | 0:00:17 | 0:00:20 | |
are the communities of the future. | 0:00:20 | 0:00:22 | |
Towns will be the places we want to live. | 0:00:22 | 0:00:26 | |
By 2030, a staggering 92% of us will be living the urban life. | 0:00:27 | 0:00:33 | |
Congested cities sprawl across our map, | 0:00:33 | 0:00:37 | |
but cities don't have all the answers. | 0:00:37 | 0:00:40 | |
I believe we need to fall back in love with the places | 0:00:40 | 0:00:43 | |
that first quickened our pulses - towns. | 0:00:43 | 0:00:47 | |
Smaller than a city, more intimate, much greener, more surprising, | 0:00:51 | 0:00:57 | |
towns are where we learned to be urban. | 0:00:57 | 0:01:00 | |
They are the building blocks of our civilisation. | 0:01:00 | 0:01:03 | |
Coastal towns, market towns, river towns, industrial towns. | 0:01:03 | 0:01:09 | |
Collectively, they bind our land together. | 0:01:09 | 0:01:13 | |
This is the story of towns, but it's also OUR story - | 0:01:13 | 0:01:18 | |
where we came from, how we live and where we might be going. | 0:01:18 | 0:01:23 | |
This is Perth, right at the heart of Scotland. | 0:01:25 | 0:01:28 | |
With a population of 45,000, | 0:01:28 | 0:01:30 | |
it's a comfortable, largely well-heeled sort of place, | 0:01:30 | 0:01:34 | |
aloof from the industry and politics of Glasgow and Edinburgh, | 0:01:34 | 0:01:38 | |
surrounded by majestic countryside. | 0:01:38 | 0:01:41 | |
It's also a town that thinks it should be a city. | 0:01:41 | 0:01:44 | |
I'm going to find out why. | 0:01:44 | 0:01:47 | |
That is the mouth of the most powerful river in Britain. | 0:02:14 | 0:02:18 | |
The River Tay is a giant among waterways, Scotland's Amazon. | 0:02:18 | 0:02:24 | |
More than 15 million cubic metres of water | 0:02:24 | 0:02:28 | |
pours from the Tay into the sea every day. | 0:02:28 | 0:02:31 | |
That's as much water as the River Thames and the Severn combined. | 0:02:31 | 0:02:36 | |
Perth is here because of this river. | 0:02:36 | 0:02:39 | |
Perth's location is spectacular. | 0:02:45 | 0:02:48 | |
It sits right at the gateway to the Highlands. | 0:02:48 | 0:02:51 | |
Over there are the Grampian Mountains, soaring like a wall | 0:02:51 | 0:02:54 | |
from the River Tay's floodplain. | 0:02:54 | 0:02:56 | |
12,000 years ago, when the last of the Ice Age glaciers | 0:02:59 | 0:03:03 | |
were disappearing into those mountains, | 0:03:03 | 0:03:05 | |
meltwater flushed fantastic amounts of sand and gravel | 0:03:05 | 0:03:09 | |
down to the lowlands, where it laid down the thick bed of material | 0:03:09 | 0:03:14 | |
the Tay powers through today. | 0:03:14 | 0:03:17 | |
At Perth, you'd have to dig down something like 45m | 0:03:17 | 0:03:21 | |
before you hit solid rock. | 0:03:21 | 0:03:24 | |
800 years ago, this was the first point | 0:03:32 | 0:03:34 | |
where the river could be bridged. | 0:03:34 | 0:03:37 | |
It was also the upper limit of navigation. | 0:03:37 | 0:03:40 | |
Ships could sail up the river from the North Sea | 0:03:40 | 0:03:43 | |
and unload their cargo 25 miles inland. | 0:03:43 | 0:03:46 | |
They couldn't get any further. | 0:03:46 | 0:03:49 | |
Right here, where the river was narrow enough to be bridged, | 0:03:49 | 0:03:53 | |
yet deep enough to take ships, a town was born. | 0:03:53 | 0:03:57 | |
Perth is celebrating. | 0:04:06 | 0:04:08 | |
It's celebrating the 800th anniversary of a document. | 0:04:08 | 0:04:13 | |
This town was granted a Royal Burgh charter in 1210 | 0:04:15 | 0:04:19 | |
by King William the Lion. | 0:04:19 | 0:04:21 | |
So for the last 800 years, it's been a royal town. | 0:04:21 | 0:04:25 | |
But Perth thinks it should be a city. | 0:04:25 | 0:04:29 | |
This is a place which survived being attacked by Robert the Bruce. | 0:04:29 | 0:04:35 | |
Its castle was swept away by catastrophic floods. | 0:04:35 | 0:04:39 | |
A king, King James I of Scotland, was murdered within Perth's walls. | 0:04:39 | 0:04:44 | |
Perth thinks it has the history to be a city, | 0:04:44 | 0:04:47 | |
and it has the fire in its belly to prove it. | 0:04:47 | 0:04:50 | |
So should it stay a town or become a city? | 0:04:53 | 0:04:57 | |
As part of these 800th anniversary celebrations, | 0:04:57 | 0:05:01 | |
images from its past are being projected onto the City Hall. | 0:05:01 | 0:05:05 | |
They're showing images of Perth from the past and the present. | 0:05:07 | 0:05:11 | |
They're images everybody's recognising, | 0:05:11 | 0:05:14 | |
so lots of folk are stopping to admire them on the way past. | 0:05:14 | 0:05:17 | |
They're images that make Perth feel proud of itself, | 0:05:17 | 0:05:20 | |
make it feel bigger, perhaps, than it really is. | 0:05:20 | 0:05:23 | |
Tonight marks the culmination of a year of events | 0:05:28 | 0:05:32 | |
designed to put Perth firmly back on the map - | 0:05:32 | 0:05:35 | |
but to put it back on the map as a city, | 0:05:35 | 0:05:38 | |
not as a town. | 0:05:38 | 0:05:40 | |
But what do the people think? | 0:05:40 | 0:05:42 | |
Do the local inhabitants think Perth is a town or a city? | 0:05:42 | 0:05:47 | |
-Is it a city? -Well, officially not yet, but I think it should be, | 0:05:47 | 0:05:50 | |
and I think most other people think it should be. | 0:05:50 | 0:05:52 | |
I'd say it's a city more than a town. | 0:05:52 | 0:05:54 | |
Compare it to a place like Dundee, which is a city. | 0:05:54 | 0:05:56 | |
It's got a lot of history, it should be a city. | 0:05:56 | 0:05:59 | |
I think it's got a city feel to it. | 0:05:59 | 0:06:01 | |
-Perth is definitely a city. -We have a cathedral, we're a city. | 0:06:01 | 0:06:03 | |
-Of course it's a city! -Not a town. | 0:06:03 | 0:06:06 | |
Oh, dear! | 0:06:07 | 0:06:09 | |
What am I doing here making a series on towns, if Perth really is a city? | 0:06:10 | 0:06:16 | |
In 1975, Perth officially lost the right to call itself a city. | 0:06:17 | 0:06:23 | |
Nearby Dundee was chosen as the administrative centre of the region, | 0:06:23 | 0:06:28 | |
and Perth lost out. It became an ex-city. | 0:06:28 | 0:06:31 | |
It was relegated, left out in the cold. | 0:06:31 | 0:06:34 | |
Behind all the buildings, | 0:06:38 | 0:06:39 | |
behind all the civic furniture that makes up a town, | 0:06:39 | 0:06:42 | |
there are the inhabitants, the people. | 0:06:42 | 0:06:45 | |
And people know the status of their community, | 0:06:45 | 0:06:48 | |
they know where it fits on the map. | 0:06:48 | 0:06:51 | |
Perth's demotion from city status | 0:06:52 | 0:06:55 | |
removed it from the map of British cities, and for many, | 0:06:55 | 0:07:00 | |
putting Perth back on that map is a matter of honour. | 0:07:00 | 0:07:03 | |
The perception that cities are the urban elite is an old one. | 0:07:13 | 0:07:18 | |
To Aristotle, people congregated in cities to live the good life. | 0:07:18 | 0:07:23 | |
Cities share the same Latin root as "civilisation", | 0:07:23 | 0:07:27 | |
and to this day there's a lingering suggestion | 0:07:27 | 0:07:30 | |
that everything outside the orbit of the city is uncivilised. | 0:07:30 | 0:07:35 | |
The most recent Scottish town to win city status was Stirling in 2002. | 0:07:37 | 0:07:43 | |
That Stirling is Perth's neighbour and occasional rival | 0:07:43 | 0:07:46 | |
made Perth's official designation as a town | 0:07:46 | 0:07:50 | |
all the more difficult to bear. | 0:07:50 | 0:07:51 | |
To mark the Queen's Diamond Jubilee, | 0:07:54 | 0:07:57 | |
Her Majesty will create one new city in the UK - but will it be Perth? | 0:07:57 | 0:08:03 | |
Other towns are queuing up to enter the contest, | 0:08:03 | 0:08:07 | |
from Luton, Colchester and Blackpool to Milton Keynes and Croydon. | 0:08:07 | 0:08:10 | |
They all want city status. | 0:08:10 | 0:08:13 | |
There are no special rights conferred by city status, | 0:08:17 | 0:08:21 | |
no financial benefits or cultural clout. | 0:08:21 | 0:08:24 | |
It's about acknowledgement of scale, | 0:08:24 | 0:08:26 | |
taking a seat at the urban high table. | 0:08:26 | 0:08:30 | |
It's all about image. | 0:08:30 | 0:08:32 | |
Perth was christened the Fair City by fans of Sir Walter Scott's novel | 0:08:35 | 0:08:39 | |
The Fair Maid Of Perth, written in the 1820s. | 0:08:39 | 0:08:43 | |
And this is the Fair Maid's house. | 0:08:43 | 0:08:45 | |
It's one of the oldest buildings in Perth, | 0:08:45 | 0:08:47 | |
and it's currently enjoying a major restoration. | 0:08:47 | 0:08:51 | |
But it's not the first time it's been given a makeover. | 0:08:51 | 0:08:55 | |
This tower was added to make the building conform more closely | 0:08:55 | 0:08:59 | |
with the Fair Maid's house in the book. | 0:08:59 | 0:09:02 | |
Every building tells a story, | 0:09:02 | 0:09:04 | |
and this story is all about making a city. | 0:09:04 | 0:09:07 | |
So as long ago as the 19th century, | 0:09:08 | 0:09:11 | |
this town's PR department was busy image-building. | 0:09:11 | 0:09:15 | |
Throughout history, Perth has used every trick in the book to prove its city status. | 0:09:15 | 0:09:22 | |
It started calling itself a city long before Scott put pen to paper. | 0:09:22 | 0:09:26 | |
The town found that the best way to become a city | 0:09:26 | 0:09:29 | |
was just to call itself that over and over again, | 0:09:29 | 0:09:33 | |
on the grounds that no-one was going to argue. | 0:09:33 | 0:09:37 | |
But it was never officially granted city status. | 0:09:37 | 0:09:41 | |
Perth may have been a royal burgh, it may have been described in print | 0:09:41 | 0:09:45 | |
as the Fair City, but it didn't get the documentation. | 0:09:45 | 0:09:49 | |
Perth was a monarch without a crown. | 0:09:49 | 0:09:53 | |
Historically in Britain, if you had a cathedral, | 0:09:53 | 0:09:57 | |
you were considered a city. | 0:09:57 | 0:09:59 | |
Today that's not the case. | 0:09:59 | 0:10:02 | |
Only the ruling monarch can grant city status, | 0:10:02 | 0:10:05 | |
and as yet, Her Majesty hasn't given Perth the nod. | 0:10:05 | 0:10:09 | |
In every town, if you look into the street names, | 0:10:19 | 0:10:23 | |
you can peel back layers of history. Old street names have meaning. | 0:10:23 | 0:10:28 | |
They reveal a town's first markets, tradesmen. | 0:10:28 | 0:10:32 | |
They take you back to a town's reason for being. | 0:10:32 | 0:10:35 | |
And in Perth, those street names reveal something extraordinary - | 0:10:35 | 0:10:41 | |
a town born from water. | 0:10:41 | 0:10:43 | |
Medieval Perth had two main streets - High Street, | 0:10:46 | 0:10:50 | |
which still exists, I'm standing on it now, | 0:10:50 | 0:10:53 | |
and South Street, which ran parallel. | 0:10:53 | 0:10:55 | |
It's just over there behind the shops. | 0:10:55 | 0:10:58 | |
There were also a number of crossway streets known as gates. | 0:10:58 | 0:11:02 | |
There were town walls pierced at a number of points by entrances, or ports. | 0:11:02 | 0:11:07 | |
And encircling the town walls there was the town Lade, a canal. | 0:11:07 | 0:11:12 | |
Unlike any other town in Britain, Perth had a medieval moat | 0:11:16 | 0:11:20 | |
that ran around it, which was part mill race, part-canal. | 0:11:20 | 0:11:24 | |
It defined the town. | 0:11:24 | 0:11:27 | |
Hemmed in between the Lade and the Tay, parts of Perth | 0:11:27 | 0:11:31 | |
would have once looked like a white-water version of Venice. | 0:11:31 | 0:11:34 | |
Fed through a sluice further up the River Almond, | 0:11:35 | 0:11:38 | |
the Lade waterway was a defensive measure, | 0:11:38 | 0:11:41 | |
and, vitally for Perth's survival, | 0:11:41 | 0:11:44 | |
it was also the source of power for the town's mills. | 0:11:44 | 0:11:48 | |
And I should be able to find the site of Perth's old mills | 0:11:48 | 0:11:51 | |
by tracing the route of the Lade today. | 0:11:51 | 0:11:54 | |
This is Canal Street - a clue, isn't it? | 0:11:54 | 0:11:58 | |
It still feels like the edge of town. | 0:11:58 | 0:12:01 | |
'And it's not the only clue to the town's history either. | 0:12:04 | 0:12:08 | |
'I'm starting to notice street names that recall leather-working, | 0:12:08 | 0:12:11 | |
'tanneries, waterways and farmers' markets, | 0:12:11 | 0:12:15 | |
'each name a window on a medieval street scene.' | 0:12:15 | 0:12:20 | |
These alleyways, or vennels, as they're known in Perth, | 0:12:20 | 0:12:24 | |
were originally wide enough to take a horse and cart. | 0:12:24 | 0:12:26 | |
They would have been lined with makeshift stalls and shops, | 0:12:26 | 0:12:30 | |
which were eventually replaced by more permanent stone structures, | 0:12:30 | 0:12:34 | |
narrowing the vennel. | 0:12:34 | 0:12:36 | |
This one, Fleshers' Vennel, was known for its butchers. | 0:12:36 | 0:12:40 | |
Tracing the route of the old town Lade, | 0:12:43 | 0:12:46 | |
I'm beginning to realise that it wasn't just a practical waterway. | 0:12:46 | 0:12:49 | |
It delimited the vital organs of the town. | 0:12:49 | 0:12:52 | |
The bits of the town which really mattered were all inside the Lade. | 0:12:52 | 0:12:56 | |
It's as if the entire course of the canal has been tarmacked over. | 0:12:58 | 0:13:03 | |
These street names show exactly where the Lade once ran. | 0:13:03 | 0:13:07 | |
And further along the road, it finally enters Mill Street. | 0:13:07 | 0:13:12 | |
Here in the centre of town, the Lade reached the City Mills. | 0:13:19 | 0:13:23 | |
This is where the people of Perth ground their grain, | 0:13:23 | 0:13:25 | |
using barley and wheat from the fertile farmland | 0:13:25 | 0:13:28 | |
that ran for miles beyond all these walls and streets. | 0:13:28 | 0:13:32 | |
For the God-fearing people of Perth, fishes may have come from the Tay, | 0:13:32 | 0:13:37 | |
but the loaves were courtesy of the Lade. | 0:13:37 | 0:13:40 | |
All towns have an identity. | 0:13:50 | 0:13:53 | |
The buildings and streets, the stone and brick, | 0:13:53 | 0:13:56 | |
cast iron, concrete and glass - | 0:13:56 | 0:13:58 | |
that's what you see when you look around. | 0:13:58 | 0:14:02 | |
But they're really just the clothes. | 0:14:02 | 0:14:04 | |
The soul of a town, its identity, the place it thinks it is, | 0:14:04 | 0:14:09 | |
is less obvious, less visible. | 0:14:09 | 0:14:12 | |
And Perth has an identity crisis. | 0:14:12 | 0:14:16 | |
It's grown used to thinking big. | 0:14:16 | 0:14:18 | |
It's been nurtured by the biggest river in the land. | 0:14:18 | 0:14:22 | |
It has a big history. No wonder it thinks it's a city. | 0:14:22 | 0:14:26 | |
Perth has a population of 45,000, so it's not enormous by any means. | 0:14:38 | 0:14:45 | |
But I think this town is definitely trying to get noticed. | 0:14:45 | 0:14:49 | |
It seems to me that Perth is in the midst of | 0:14:51 | 0:14:54 | |
an episode of extraordinary change. | 0:14:54 | 0:14:56 | |
It's the very evident way that the physical fabric | 0:14:56 | 0:15:00 | |
of the town is being re-invented. | 0:15:00 | 0:15:02 | |
There's this dramatic new concert hall, head-turning urban sculptures. | 0:15:06 | 0:15:12 | |
This town is working hard at making the grade. | 0:15:12 | 0:15:17 | |
But is there something missing? | 0:15:17 | 0:15:20 | |
Most cities have a defining central space. | 0:15:20 | 0:15:24 | |
Think of Trafalgar Square, Times Square in New York | 0:15:24 | 0:15:28 | |
or St Peter's Square in Rome, | 0:15:28 | 0:15:30 | |
somewhere where people can gather on important occasions. | 0:15:30 | 0:15:34 | |
Walk around Perth, and you won't find that central space. | 0:15:34 | 0:15:38 | |
It's just not here. | 0:15:38 | 0:15:40 | |
'Or is it?' | 0:15:40 | 0:15:42 | |
This is the old City Hall, | 0:15:46 | 0:15:48 | |
built by the Edwardians in that long, sunny afternoon | 0:15:48 | 0:15:52 | |
between the glories of the Victorian Age | 0:15:52 | 0:15:55 | |
and the outbreak of the First World War. | 0:15:55 | 0:15:58 | |
Here, carved in stone, is the pride, the prosperity of an empire. | 0:15:58 | 0:16:04 | |
These Ionic columns, the cornices, the cherubs, the garlands | 0:16:04 | 0:16:09 | |
are cues from Ancient Greece. | 0:16:09 | 0:16:12 | |
Here's a temple of culture, an Acropolis on the Tay. | 0:16:12 | 0:16:15 | |
The hall opened in 1911, and throughout the 20th century | 0:16:17 | 0:16:21 | |
it was the venue for Perth's concerts, dances, rock bands. | 0:16:21 | 0:16:24 | |
Everyone played here, from The Who to Gerry and The Pacemakers. | 0:16:24 | 0:16:30 | |
For many in the town, it's a hall of memories, the place they saw | 0:16:30 | 0:16:34 | |
their first gig, where they met that boy or girl they went on to marry. | 0:16:34 | 0:16:38 | |
But there's a plan to knock it down. | 0:16:40 | 0:16:43 | |
Is it true that you're planning to knock down the City Hall? | 0:16:49 | 0:16:52 | |
Yes, the council's considering that very seriously. | 0:16:52 | 0:16:55 | |
The building has been empty for five years, | 0:16:55 | 0:16:57 | |
and we've failed to find a good use for the building, | 0:16:57 | 0:17:00 | |
and so we're now saying, "Should we demolish it?" | 0:17:00 | 0:17:03 | |
and instead of replacing it with another building, | 0:17:03 | 0:17:06 | |
actually create a civic square, a piazza in the heart of Perth. | 0:17:06 | 0:17:10 | |
Why do you want to knock it down? Are there not any other places to create this central square? | 0:17:10 | 0:17:16 | |
Perth, unusually for Scottish towns, has a gridiron street pattern, | 0:17:16 | 0:17:19 | |
and there's actually no area of open space apart from a graveyard. | 0:17:19 | 0:17:26 | |
Our thought was that we should look at creating a square | 0:17:26 | 0:17:29 | |
right in the heart of Perth, something it lacked. | 0:17:29 | 0:17:32 | |
One option that we did look at was partial demolition. | 0:17:32 | 0:17:37 | |
The front of it I call the Brandenburg Gate, | 0:17:37 | 0:17:40 | |
with the columns and quite severe architecture | 0:17:40 | 0:17:44 | |
and those dreadful gnomes, I think, on the top of it. | 0:17:44 | 0:17:48 | |
-Cherubs, aren't they? -I think they're gnomes. -Oh, really? | 0:17:48 | 0:17:51 | |
I think the architect got the scale wrong. | 0:17:51 | 0:17:53 | |
Far too big and ugly. But we did say, "Well, could you actually keep that bit of it and demolish the rest?" | 0:17:53 | 0:17:59 | |
and turn the front into a restaurant or tourist office or something, | 0:17:59 | 0:18:02 | |
but I think on balance we felt that it maybe better all go. | 0:18:02 | 0:18:06 | |
And the interesting thing was, | 0:18:06 | 0:18:08 | |
if you go back to the 1860 Ordnance Survey map, this was a public square. | 0:18:08 | 0:18:12 | |
There was a very small city hall, | 0:18:12 | 0:18:14 | |
but the area around the kirk was the flesh market, the meat market. | 0:18:14 | 0:18:19 | |
We then looked more broadly to say, "What is the value of that building | 0:18:19 | 0:18:23 | |
"to Perth as opposed to the value of the space to Perth?" | 0:18:23 | 0:18:27 | |
If you could use that as a centre for fairs, for exhibitions, open-air concerts. | 0:18:27 | 0:18:34 | |
It's big enough, for example, to have a curling rink in it. | 0:18:34 | 0:18:38 | |
You could have a genuine ice rink here in the winter. | 0:18:38 | 0:18:41 | |
-You could have one today, couldn't you? -Yeah. | 0:18:41 | 0:18:43 | |
And curling, have the Christmas tree there. | 0:18:43 | 0:18:46 | |
To have one place that was the focus of the city, I think, | 0:18:46 | 0:18:49 | |
would be very exciting. | 0:18:49 | 0:18:50 | |
I need a walk around to think this one through. | 0:18:59 | 0:19:02 | |
The idea of a modern city space is really attractive, | 0:19:02 | 0:19:07 | |
but at what expense to the character of Perth, the town? | 0:19:07 | 0:19:10 | |
Tight up against the back of City Hall | 0:19:15 | 0:19:18 | |
stands Perth's oldest building, St John's Kirk. | 0:19:18 | 0:19:21 | |
First mentioned in the royal documents of 1128, | 0:19:21 | 0:19:25 | |
the kirk used to be the most prominent landmark in town. | 0:19:25 | 0:19:29 | |
Before it was encroached upon by more modern buildings, | 0:19:29 | 0:19:33 | |
St John's was visible for miles around. | 0:19:33 | 0:19:36 | |
Rising from its high ground, it was the symbol of this town, | 0:19:36 | 0:19:40 | |
so much so that Perth was sometimes known as St John's Town. | 0:19:40 | 0:19:45 | |
The name may not have stuck for the town, | 0:19:45 | 0:19:48 | |
but it's still the name of Perth's football team, St Johnstone. | 0:19:48 | 0:19:52 | |
Walking around the kirk today, | 0:19:54 | 0:19:56 | |
it looks as if it's sinking into the ground, | 0:19:56 | 0:19:59 | |
as if it's shrunk with age, lost the stature of its youth. | 0:19:59 | 0:20:03 | |
Something rather odd has happened to the church's main west door. | 0:20:07 | 0:20:11 | |
It's shorter than it should be, like a lift stuck between two floors. | 0:20:11 | 0:20:16 | |
If St John's once stood proud on its high ground, | 0:20:16 | 0:20:19 | |
it doesn't command quite the same position now. | 0:20:19 | 0:20:22 | |
The answer lies beneath these paving stones. | 0:20:27 | 0:20:31 | |
Here in the centre of Perth, | 0:20:31 | 0:20:33 | |
there are thousands of bodies beneath my feet.. | 0:20:33 | 0:20:36 | |
This was the church's graveyard for 500 years. | 0:20:42 | 0:20:47 | |
When the burials began to mount up, so did the ground. | 0:20:47 | 0:20:52 | |
When the congregation below the surface began to impede access | 0:20:52 | 0:20:55 | |
for those above, it was time to find another burial ground. | 0:20:55 | 0:21:00 | |
New urban landmarks appear through the centuries. | 0:21:02 | 0:21:07 | |
The church lost its prominence as a central meeting place to the City Hall. | 0:21:07 | 0:21:11 | |
And now it's the prominence of the City Hall | 0:21:11 | 0:21:14 | |
which hangs in the balance. | 0:21:14 | 0:21:15 | |
I'm sure the father of town planning, Patrick Geddes, | 0:21:18 | 0:21:21 | |
would have had an opinion on the subject. | 0:21:21 | 0:21:24 | |
Geddes was a Perthshire man with visionary ideas. | 0:21:24 | 0:21:28 | |
He wrote in 1910, "Civic architecture and Town Planning | 0:21:28 | 0:21:33 | |
"are expressions of local history, of civic and national changes | 0:21:33 | 0:21:37 | |
"and contrasts of mind. | 0:21:37 | 0:21:38 | |
"Each generation must make its own contribution | 0:21:38 | 0:21:43 | |
"in its own characteristic way." | 0:21:43 | 0:21:45 | |
So it's up to the people of Perth to decide what Perth should look like. | 0:21:45 | 0:21:51 | |
City Hall, or no City Hall? | 0:21:51 | 0:21:53 | |
That is the question. | 0:21:53 | 0:21:55 | |
To get a better view of the controversial piazza, | 0:21:57 | 0:22:00 | |
I'm going up the church tower. | 0:22:00 | 0:22:03 | |
As Perth's most historic building, | 0:22:03 | 0:22:05 | |
and as part of its bid for city status, | 0:22:05 | 0:22:09 | |
the kirk's interior is currently being renovated | 0:22:09 | 0:22:13 | |
at a cost of almost £3 million. | 0:22:13 | 0:22:15 | |
It was in this church in 1559 that John Knox, | 0:22:16 | 0:22:20 | |
the Scottish clergyman and Protestant reformer, | 0:22:20 | 0:22:24 | |
delivered a fiery sermon raging against the sin of idolatry. | 0:22:24 | 0:22:28 | |
It was the speech that launched the Reformation in Scotland, | 0:22:28 | 0:22:31 | |
revolutionising religious practice throughout the land - | 0:22:31 | 0:22:34 | |
another big, historical event that Perth can claim as its own. | 0:22:34 | 0:22:40 | |
Right outside today, another radical reformation | 0:22:40 | 0:22:44 | |
could be about to take place. | 0:22:44 | 0:22:46 | |
Now I'm up here, I can see what Roland means. | 0:22:51 | 0:22:53 | |
Take out the City Hall and you create a magnificent square. | 0:22:53 | 0:22:58 | |
The planner would have it lined with cafe tables, | 0:22:58 | 0:23:01 | |
couples strolling arm in arm, | 0:23:01 | 0:23:04 | |
but...but, but, but, there's always a but... | 0:23:04 | 0:23:07 | |
I do wonder whether the people of Perth | 0:23:09 | 0:23:13 | |
would see this new square | 0:23:13 | 0:23:16 | |
as a focal point, or as a gaping void. | 0:23:16 | 0:23:21 | |
It's freezing up here today, there's snow on the mountains, | 0:23:21 | 0:23:25 | |
and there's an icy wind cutting across the rooftops. | 0:23:25 | 0:23:29 | |
If you create a big open space here, | 0:23:29 | 0:23:33 | |
it's going to be like walking across a tract of the Siberian tundra on a very bad day. | 0:23:33 | 0:23:39 | |
Now, Perth is an intimate town. | 0:23:39 | 0:23:42 | |
The buildings huddle together for companionship and warmth. | 0:23:42 | 0:23:46 | |
The buildings are separated by narrow alleys, | 0:23:46 | 0:23:48 | |
vennels, crooked streets. | 0:23:48 | 0:23:51 | |
Everything's close-packed, very friendly. | 0:23:51 | 0:23:54 | |
You create a vast open space in the middle of a town like this, | 0:23:54 | 0:23:58 | |
and it just feels out of place. | 0:23:58 | 0:24:00 | |
I don't know, my feeling is that | 0:24:02 | 0:24:05 | |
to put an Italian piazza here in Perth | 0:24:05 | 0:24:08 | |
is rather like building a centrally heated shopping mall in the Sahara. | 0:24:08 | 0:24:14 | |
I don't really think it should be knocked down. | 0:24:14 | 0:24:16 | |
In the past, rivers were vital arteries of trade and communication. | 0:24:54 | 0:24:58 | |
They could be harnessed to power mills, they could be fished for food | 0:24:58 | 0:25:03 | |
and used for irrigation, drinking water | 0:25:03 | 0:25:05 | |
and a multitude of industrial purposes. | 0:25:05 | 0:25:09 | |
The bigger the river, the more it had to offer, | 0:25:09 | 0:25:12 | |
and the Tay is a big river - the biggest river in Britain. | 0:25:12 | 0:25:16 | |
There's something more fundamental, though, | 0:25:21 | 0:25:24 | |
something that goes right to the soul of this town. | 0:25:24 | 0:25:27 | |
Perth has always existed at the whim of this mighty river, | 0:25:27 | 0:25:31 | |
the river that brought it here in the first place. | 0:25:31 | 0:25:34 | |
The Tay is Perth's alter ego, the other half of its psyche, | 0:25:34 | 0:25:38 | |
the untamed lifeforce that brought it into being, | 0:25:38 | 0:25:41 | |
the monster that rises from its lair to wreak havoc. | 0:25:41 | 0:25:45 | |
It's like balancing on a gigantic muscle! | 0:25:58 | 0:26:02 | |
Very scary river. | 0:26:02 | 0:26:05 | |
Catastrophic floods have swept away bridges, castles, | 0:26:09 | 0:26:14 | |
property and people. | 0:26:14 | 0:26:17 | |
Perth has always been a flood town. | 0:26:17 | 0:26:20 | |
In January 1993, the river burst its flood banks | 0:26:25 | 0:26:28 | |
and poured through the town. | 0:26:28 | 0:26:31 | |
2,000 cubic metres per second of water | 0:26:31 | 0:26:34 | |
thundered under the bridges and over the streets. | 0:26:34 | 0:26:38 | |
It was one of the most severe floods in Perth's history. | 0:26:38 | 0:26:41 | |
The worst affected area was North Muirton, | 0:26:43 | 0:26:46 | |
a Perth housing scheme built on the flood plain. | 0:26:46 | 0:26:50 | |
NEWSREADER: More than 400 people were evacuated from houses | 0:26:50 | 0:26:53 | |
on Perth's North Muirton estate last night. | 0:26:53 | 0:26:55 | |
At one point, the Army and Navy were called in to help. | 0:26:55 | 0:26:58 | |
Like New Orleans after Hurricane Katrina, | 0:27:00 | 0:27:02 | |
it was those who were less well off who were hit hardest. | 0:27:02 | 0:27:05 | |
1,500 houses in Perth were seriously affected by the floodwater. | 0:27:05 | 0:27:10 | |
900 of those were in North Muirton. | 0:27:10 | 0:27:14 | |
£40m worth of damage was caused in just one weekend. | 0:27:14 | 0:27:19 | |
It was a disastrous time for the town. | 0:27:19 | 0:27:21 | |
After the floods of 1993, | 0:27:36 | 0:27:38 | |
Perth's relationship with the Tay changed forever. | 0:27:38 | 0:27:43 | |
Never again would the river be allowed to terrorise this town. | 0:27:43 | 0:27:47 | |
£25m was poured into a hi-tech flood-defence system. | 0:27:47 | 0:27:54 | |
Now, an impressive 81 floodgates, seven pumping stations, | 0:27:54 | 0:27:58 | |
plus miles of embankments, holding ponds and strategic flood areas | 0:27:58 | 0:28:03 | |
are in place to protect the town. | 0:28:03 | 0:28:05 | |
It's a flood-defence system to match any in the world, | 0:28:05 | 0:28:09 | |
and this morning they're putting it to the test. | 0:28:09 | 0:28:13 | |
If a flood is on its way, the flood-defence team | 0:28:13 | 0:28:17 | |
get only a few hours' warning | 0:28:17 | 0:28:19 | |
to close the gates and protect the town. | 0:28:19 | 0:28:22 | |
This is one of Perth's best-kept secrets, | 0:28:22 | 0:28:26 | |
a feat of engineering and ingenuity. | 0:28:26 | 0:28:30 | |
-Like closing up all the bulkheads in a ship. -Pretty much, yeah, yeah. | 0:28:30 | 0:28:33 | |
-A door-slamming exercise. -Yeah. | 0:28:33 | 0:28:35 | |
How high does the water have to rise before it goes over the top of your defences? | 0:28:39 | 0:28:44 | |
The whole design of the system is based on the 1814 flood, | 0:28:44 | 0:28:49 | |
which is the worst inundation that Perth has ever had. | 0:28:49 | 0:28:52 | |
We've got that, plus half a metre is built in for climate change, | 0:28:52 | 0:28:57 | |
and another 300 to 400mm for freeboard, | 0:28:57 | 0:29:00 | |
which is basically wave action etc. | 0:29:00 | 0:29:03 | |
So hopefully we would never actually be in a situation | 0:29:03 | 0:29:07 | |
where the defences would be overtopped. | 0:29:07 | 0:29:10 | |
It's Perth's unique location that makes it so vulnerable. | 0:29:10 | 0:29:14 | |
The volume of water pouring downstream | 0:29:14 | 0:29:17 | |
from a massive catchment area, swollen by snowmelt | 0:29:17 | 0:29:20 | |
and aggravated by tidal surge from the mouth of the Tay, | 0:29:20 | 0:29:25 | |
exposes Perth to sudden inundation. | 0:29:25 | 0:29:28 | |
At Smeaton's Bridge, the major crossing to the town, | 0:29:28 | 0:29:31 | |
the ravages of previous floods have been methodically recorded. | 0:29:31 | 0:29:35 | |
So, we have the big inundation of 1814, | 0:29:35 | 0:29:40 | |
that's the mark here. | 0:29:40 | 0:29:42 | |
The water level actually got up to this height. | 0:29:42 | 0:29:45 | |
-That's... -That was the big flood? | 0:29:45 | 0:29:47 | |
Yeah, that's the worst recorded episode. | 0:29:47 | 0:29:50 | |
We have some more recent ones. | 0:29:50 | 0:29:53 | |
For example, we have 14th December 2006, | 0:29:53 | 0:29:57 | |
and the 1993 flood that we had actually reached this level here. | 0:29:57 | 0:30:02 | |
It's a fair height when you see how high up this would be going | 0:30:02 | 0:30:07 | |
compared to these properties there. | 0:30:07 | 0:30:09 | |
-That would have flooded the road here and flooded those houses over there. -Yeah. | 0:30:09 | 0:30:14 | |
-So the '93 flood, the water's up to here. -Yeah. | 0:30:14 | 0:30:16 | |
and the water was pouring in... | 0:30:16 | 0:30:18 | |
All of these properties, the basement areas would have been absolutely inundated at that particular time. | 0:30:18 | 0:30:24 | |
-It doesn't look like a floodgate, does it? -No, the design is such | 0:30:24 | 0:30:28 | |
that it's supposed to blend in nicely with the sandstone walls, | 0:30:28 | 0:30:35 | |
and it's as aesthetically pleasing as a floodgate could be | 0:30:35 | 0:30:38 | |
under the circumstances. | 0:30:38 | 0:30:40 | |
Would you like to have a go at closing one of these gates? | 0:30:40 | 0:30:43 | |
The small boy in me would love to close a floodgate. | 0:30:43 | 0:30:46 | |
There's a fair weight in it, | 0:30:46 | 0:30:48 | |
and once we close them, as you can see, | 0:30:48 | 0:30:51 | |
the rubber seals would make contact with the metal plinth along here. | 0:30:51 | 0:30:56 | |
-OK? -Yeah! | 0:30:56 | 0:30:58 | |
You wouldn't want to shut your fingers in it, would you? | 0:30:58 | 0:31:01 | |
No, I think you might lose a few. | 0:31:01 | 0:31:03 | |
-Here we are. -Blimey! | 0:31:03 | 0:31:06 | |
London has the Thames Barrier. | 0:31:09 | 0:31:11 | |
Perth has 81 barriers to protect its land and its people | 0:31:11 | 0:31:16 | |
and perhaps its future ambitions as a city. | 0:31:16 | 0:31:19 | |
You can walk through Perth and miss every one of those floodgates. | 0:31:22 | 0:31:26 | |
They're disguised, they're discreet. | 0:31:26 | 0:31:30 | |
If one of them does catch your eye, it's a reassuring reminder. | 0:31:30 | 0:31:34 | |
"Don't worry about the river", it says, "we've contained the beast". | 0:31:34 | 0:31:39 | |
Towns habitually go with the flow, | 0:31:59 | 0:32:02 | |
adapt to their changing environment and times. | 0:32:02 | 0:32:05 | |
The way they work and look is shaped, in part, | 0:32:05 | 0:32:07 | |
by that continuous engine of change, progress, | 0:32:07 | 0:32:12 | |
the never-ending demand for a better standard of living | 0:32:12 | 0:32:16 | |
and a more resilient economy. | 0:32:16 | 0:32:18 | |
But progress can be brutal. | 0:32:18 | 0:32:22 | |
Perth had a medieval wall, | 0:32:22 | 0:32:23 | |
until the Georgians pulled it down in the 18th century. | 0:32:23 | 0:32:27 | |
Now the City Hall is under threat. | 0:32:27 | 0:32:31 | |
Towns evolve in fits and starts, and sometimes the fits can be explosive. | 0:32:31 | 0:32:36 | |
Throughout the 18th century, | 0:32:39 | 0:32:40 | |
an influential group of families were controlling affairs in Perth. | 0:32:40 | 0:32:45 | |
They were known as the Beautiful Order, | 0:32:45 | 0:32:47 | |
because, as one Edinburgh wit put it, | 0:32:47 | 0:32:49 | |
they'd got everything here so beautifully stitched up. | 0:32:49 | 0:32:53 | |
Wealthy, powerful, they took it on themselves to change the public face | 0:32:53 | 0:32:59 | |
of this somewhat architecturally chaotic town by the Tay. | 0:32:59 | 0:33:03 | |
The look they were after had already transformed Edinburgh and Bath. | 0:33:10 | 0:33:15 | |
Now Georgian architecture reclothed Perth. | 0:33:15 | 0:33:20 | |
Influenced by classical ideas, it was elegant, understated, ordered. | 0:33:20 | 0:33:24 | |
Here, it was the vision of one man above all - Thomas Anderson. | 0:33:31 | 0:33:36 | |
Anderson meticulously planned the expansion of the town, | 0:33:36 | 0:33:40 | |
acquiring land and developing the sites. | 0:33:40 | 0:33:43 | |
This remarkable document is the MacFarlane map of 1792, | 0:33:43 | 0:33:49 | |
and it shows everything that Thomas Anderson had planned. | 0:33:49 | 0:33:52 | |
Here to the north of medieval Perth is a mathematical grid of streets, | 0:33:52 | 0:33:58 | |
lines on this map. He says what they mean in the key. | 0:33:58 | 0:34:01 | |
"The black and dotted lines are the new intended streets | 0:34:01 | 0:34:05 | |
"which, when finished, | 0:34:05 | 0:34:06 | |
"will make Perth one of the most delightful towns in Europe". | 0:34:06 | 0:34:11 | |
It's a big urban dream, and so is the scale of it. | 0:34:11 | 0:34:16 | |
Anderson's new town was going to more than double the size of Perth. | 0:34:16 | 0:34:22 | |
The man he chose to realise his vision | 0:34:22 | 0:34:25 | |
was his son-in-law, Thomas Marshall, | 0:34:25 | 0:34:27 | |
and one of the first streets Marshall built was Rose Terrace, | 0:34:27 | 0:34:30 | |
named after his young wife, Anderson's daughter, Rose. | 0:34:30 | 0:34:34 | |
Anderson imposed strict conditions for Rose Terrace, | 0:34:42 | 0:34:45 | |
which set the tone for the whole of Georgian Perth. | 0:34:45 | 0:34:48 | |
If you bought a plot of land on Rose Terrace, | 0:34:56 | 0:34:59 | |
you had to build on it within two years. | 0:34:59 | 0:35:01 | |
The house you constructed had to be of stone | 0:35:01 | 0:35:04 | |
with an ashlar, a squared stone front. | 0:35:04 | 0:35:07 | |
It had to have a roof of blue slate. | 0:35:07 | 0:35:10 | |
It also had to be the same colour as all the other houses in the street. | 0:35:10 | 0:35:15 | |
It was also compulsory that it should consist of a vault, | 0:35:15 | 0:35:19 | |
a ground floor, two upper stories and garrets. | 0:35:19 | 0:35:22 | |
Each householder on Rose Terrace | 0:35:24 | 0:35:26 | |
was also given land behind their property. | 0:35:26 | 0:35:29 | |
But there were strings attached to this too. | 0:35:29 | 0:35:32 | |
Gardens were not to be used for, | 0:35:32 | 0:35:34 | |
"The making of soap, candles, glass or vitriol, | 0:35:34 | 0:35:39 | |
"nor for boiling yarn, slaughtering or coppersmithing, | 0:35:39 | 0:35:42 | |
"nor for a chemistry's laboratory." | 0:35:42 | 0:35:46 | |
Basically, nothing that would upset the neighbours. | 0:35:46 | 0:35:49 | |
Anderson was prescribing a new urban order. | 0:35:50 | 0:35:55 | |
His Georgian development wasn't going to look like anything | 0:35:55 | 0:35:59 | |
Perth had ever seen before. | 0:35:59 | 0:36:01 | |
The higgledy-piggledy buildings | 0:36:01 | 0:36:03 | |
that had contributed to the shape of the town for centuries were old. | 0:36:03 | 0:36:07 | |
Anderson's was a new town, | 0:36:07 | 0:36:09 | |
disciplined, clean, a model of urban civilisation. | 0:36:09 | 0:36:14 | |
Yet behind these civilised streets, | 0:36:17 | 0:36:20 | |
a less honourable saga was unfolding. | 0:36:20 | 0:36:23 | |
Thomas Anderson may have been able to impose his authority | 0:36:27 | 0:36:30 | |
on the character of Georgian Perth, | 0:36:30 | 0:36:32 | |
but he had less control over his daughter. | 0:36:32 | 0:36:35 | |
Rose Terrace isn't exactly a monument to domestic bliss. | 0:36:39 | 0:36:44 | |
By the time the street was completed, | 0:36:44 | 0:36:47 | |
Thomas Marshall and Rose were divorced. | 0:36:47 | 0:36:49 | |
While Thomas had been away in London and Edinburgh, | 0:36:49 | 0:36:52 | |
organising the building of Perth's new town, | 0:36:52 | 0:36:55 | |
raising a Perth regiment, advancing his position within the council, | 0:36:55 | 0:37:01 | |
Rose had been a-wandering. | 0:37:01 | 0:37:03 | |
She became involved with the Earl of Elgin, he of the Marbles, | 0:37:09 | 0:37:14 | |
and later met a young military doctor | 0:37:14 | 0:37:17 | |
whom she showered with letters and gifts. | 0:37:17 | 0:37:20 | |
As scandal whispered along the new stone pavements, Rose left Perth. | 0:37:20 | 0:37:25 | |
So, she and her husband, Thomas Marshall, | 0:37:25 | 0:37:28 | |
never did live together here in Marshall House, | 0:37:28 | 0:37:32 | |
the grand residence Thomas had planned for them. | 0:37:32 | 0:37:35 | |
Marshall did become Lord Provost of Perth, | 0:37:37 | 0:37:40 | |
but he died a lonely man aged just 38. | 0:37:40 | 0:37:44 | |
The moral of the tale, perhaps - | 0:37:44 | 0:37:46 | |
don't neglect your wife for civic glory. | 0:37:46 | 0:37:48 | |
Perth's status as a Royal Burgh was well deserved. | 0:38:03 | 0:38:07 | |
Just across the River Tay sits Scone Palace, | 0:38:07 | 0:38:10 | |
the original home of the Stone of Destiny | 0:38:10 | 0:38:12 | |
on which Scotland's kings and queens | 0:38:12 | 0:38:15 | |
have been crowned for centuries. | 0:38:15 | 0:38:17 | |
In the 1420s, after his release from exile in England, | 0:38:23 | 0:38:26 | |
James I of Scotland chose Perth as his main residence. | 0:38:26 | 0:38:31 | |
Of the 16 Scottish parliaments he convened, 13 were held in Perth. | 0:38:31 | 0:38:37 | |
During his reign, Perth became regarded not just as any city | 0:38:37 | 0:38:41 | |
but as Scotland's first city. | 0:38:41 | 0:38:44 | |
But it was not to last. | 0:38:45 | 0:38:48 | |
SINISTER MUSIC PLAYS | 0:38:48 | 0:38:50 | |
Perth has a dark stain on its name, | 0:38:52 | 0:38:55 | |
something that is probably more responsible for its loss of city status | 0:38:55 | 0:38:59 | |
than this town would care to admit. | 0:38:59 | 0:39:02 | |
In 1437, with the King often in residence, | 0:39:04 | 0:39:07 | |
Perth was effectively the Scottish capital. | 0:39:07 | 0:39:10 | |
But then there was a murder. | 0:39:10 | 0:39:13 | |
This is where the King was killed. | 0:39:17 | 0:39:19 | |
-Probably not actually in here, but on the site. -Regicide in Perth? | 0:39:19 | 0:39:23 | |
Absolutely, yes, James I was killed here. | 0:39:23 | 0:39:27 | |
That's a pretty black stain. | 0:39:27 | 0:39:29 | |
I guess it is, yes. | 0:39:29 | 0:39:32 | |
I mean, James seems to have really liked Perth, | 0:39:32 | 0:39:34 | |
but he got his comeuppance. | 0:39:34 | 0:39:36 | |
Now, tell me why James I mattered, which king was he? | 0:39:36 | 0:39:41 | |
Well, he is the grandson of the first Stuart king, | 0:39:41 | 0:39:45 | |
so the great-grandson of Robert the Bruce, | 0:39:45 | 0:39:48 | |
and he had actually spent his formative years in England, | 0:39:48 | 0:39:52 | |
and this very much affected him | 0:39:52 | 0:39:53 | |
because he was very impressed by the English kings Henry IV and Henry V. | 0:39:53 | 0:39:57 | |
When he came back to Scotland, he wanted to upgrade Scottish kingship | 0:39:57 | 0:40:02 | |
to be a lot more like England, | 0:40:02 | 0:40:04 | |
which meant he also has to acquire a lot of wealth to do that. | 0:40:04 | 0:40:07 | |
Scotland didn't like taxation, | 0:40:07 | 0:40:09 | |
and so he actually also acquired land by slightly dubious means, | 0:40:09 | 0:40:13 | |
pressurised people into giving up their lands | 0:40:13 | 0:40:16 | |
and generally made people feel very, very insecure. | 0:40:16 | 0:40:19 | |
-So, he wasn't very popular. -He was absolutely not popular, | 0:40:19 | 0:40:22 | |
to the extent that some people were calling him a tyrant. | 0:40:22 | 0:40:25 | |
Who had it in for him in particular? | 0:40:25 | 0:40:28 | |
Apart from just about everybody? | 0:40:28 | 0:40:30 | |
Walter, Earl of Atholl's grandson, Robert Stewart, | 0:40:30 | 0:40:33 | |
was one of the King's closest... well, companion, | 0:40:33 | 0:40:37 | |
and he arranged, on the night of 20th February 1437... | 0:40:37 | 0:40:41 | |
So, this is a betrayal? | 0:40:41 | 0:40:43 | |
Absolutely, from the heart, from the family, | 0:40:43 | 0:40:46 | |
it is a sort of nest of vipers. | 0:40:46 | 0:40:48 | |
He's just totally vulnerable, | 0:40:48 | 0:40:50 | |
because it's a man from within his own household | 0:40:50 | 0:40:53 | |
who has let the conspirators in. | 0:40:53 | 0:40:54 | |
Not only is this, you know, a Kennedy moment | 0:40:54 | 0:40:57 | |
in the sense that you are killing the King, | 0:40:57 | 0:40:59 | |
-but it's an inside job as well. -Absolutely. It had to be. | 0:40:59 | 0:41:02 | |
This is all starting to get slightly creepy, | 0:41:02 | 0:41:04 | |
because you're talking about something that... | 0:41:04 | 0:41:07 | |
The cellars are under this building? | 0:41:07 | 0:41:09 | |
Pretty much, yes. This is the site. | 0:41:09 | 0:41:12 | |
-Shall we have a look? -Oh, come on, then! | 0:41:12 | 0:41:14 | |
James was warned that armed Atholl men were after his blood. | 0:41:19 | 0:41:23 | |
In desperation, he prised up the floorboards of his bedchamber | 0:41:23 | 0:41:27 | |
and dropped into the sewers. | 0:41:27 | 0:41:30 | |
So, sewers have outflows, so why didn't the King just run down the tunnel and escape? | 0:41:36 | 0:41:40 | |
Ah, very good question! | 0:41:40 | 0:41:42 | |
And if he'd had to do it three days earlier, he'd have been fine, | 0:41:42 | 0:41:46 | |
but the King was a lover of the game of tennis, the royal game of tennis, | 0:41:46 | 0:41:50 | |
and he used to play just outside. | 0:41:50 | 0:41:52 | |
Unfortunately, his tennis balls used to roll down | 0:41:52 | 0:41:55 | |
into the gubbins in the bottom of the sewer, so he had it boarded up! | 0:41:55 | 0:41:59 | |
So, when he found himself down here, | 0:41:59 | 0:42:02 | |
hearing the men above, up above his head, there was no way out. | 0:42:02 | 0:42:07 | |
And that's it. I mean, he really is like a rat, stuck in a sewer. | 0:42:07 | 0:42:12 | |
They're hacking at him and, you know, | 0:42:12 | 0:42:15 | |
this is an absolutely appalling, horrific end | 0:42:15 | 0:42:19 | |
to an anointed King of Scots. | 0:42:19 | 0:42:21 | |
Game, set and match to the House of Atholl. | 0:42:24 | 0:42:28 | |
After the murder of James I, | 0:42:28 | 0:42:29 | |
the seat of royal power moved swiftly to Edinburgh. | 0:42:29 | 0:42:33 | |
His son's coronation was held in Holyrood, not Scone, | 0:42:33 | 0:42:37 | |
which was never again to accommodate a parliament. | 0:42:37 | 0:42:40 | |
Perth had lost its city crown, | 0:42:40 | 0:42:43 | |
and it's still trying to get it back. | 0:42:43 | 0:42:45 | |
All towns have a regional magnetism, | 0:43:00 | 0:43:03 | |
drawing people and goods inward to markets, shops and businesses. | 0:43:03 | 0:43:07 | |
Towns are economic and cultural hubs, places where people mingle. | 0:43:07 | 0:43:11 | |
And in the centre of this magnetic town, | 0:43:11 | 0:43:16 | |
people seem drawn to one meeting place in particular. | 0:43:16 | 0:43:20 | |
This is the Harrods of Perth - McEwens. | 0:43:20 | 0:43:25 | |
This is the shop that brought French couture to Perth in the 1860s | 0:43:28 | 0:43:33 | |
and put on some very stylish window displays. | 0:43:33 | 0:43:36 | |
You came here for the latest fashion, the latest gossip. | 0:43:38 | 0:43:43 | |
It was a meeting place, a hub. | 0:43:43 | 0:43:45 | |
McEwens brought the country crowd to town. | 0:43:45 | 0:43:48 | |
Although the heyday of town department stores is long past, | 0:43:50 | 0:43:54 | |
the clientele here still seem to come from far and wide. | 0:43:54 | 0:43:58 | |
-Can I ask where you've both come from? -Fife. | 0:44:00 | 0:44:02 | |
I've come from Dunfermline. | 0:44:02 | 0:44:05 | |
So, how far away is that from Perth? | 0:44:05 | 0:44:07 | |
23 miles. | 0:44:07 | 0:44:08 | |
23, and I'll be about 30. | 0:44:08 | 0:44:10 | |
Where do you come from? | 0:44:10 | 0:44:12 | |
Tillicoultry. It's nine miles from Stirling. | 0:44:12 | 0:44:15 | |
-That's a long way! -Yes. | 0:44:15 | 0:44:17 | |
You look as if you're having a family gathering here. | 0:44:17 | 0:44:20 | |
Where have you all come from? | 0:44:20 | 0:44:22 | |
-Well, we're from Perth, and Mark's from down south. -OK. | 0:44:22 | 0:44:27 | |
-How often do you come to McEwens? -Um... | 0:44:27 | 0:44:29 | |
Probably once a month, once every two months, for lunch or coffees. | 0:44:29 | 0:44:33 | |
How often do you come to McEwens? | 0:44:33 | 0:44:35 | |
Three times, Tuesday, Thursday and Saturday. | 0:44:35 | 0:44:39 | |
And how many years have you been doing that for? | 0:44:39 | 0:44:43 | |
Oh, about 17 years. | 0:44:43 | 0:44:45 | |
Of course I've got a free bus pass. | 0:44:45 | 0:44:48 | |
Well, I used to work here 20 years ago as a waitress when I was at school, so, | 0:44:48 | 0:44:52 | |
and Anne was my boss 20 years ago. | 0:44:52 | 0:44:54 | |
And also, before that my grandparents used to come, | 0:44:54 | 0:44:57 | |
so I've been coming here since I was a small child, so 30-odd years ago. | 0:44:57 | 0:45:00 | |
-So you're the third generation in your family to be coming to McEwen's for lunch? -Yes. | 0:45:00 | 0:45:04 | |
-Well, I'll let you get on with your lunch. -OK, thank you. | 0:45:04 | 0:45:07 | |
-Sorry to interrupt. -Bye-bye. -Bye-bye. | 0:45:07 | 0:45:09 | |
'How long have you been manager here, Anne? | 0:45:09 | 0:45:12 | |
'Em, I've worked in McEwens for 35 years.' | 0:45:12 | 0:45:15 | |
So, for most of that time I have been the manager | 0:45:15 | 0:45:18 | |
on and off up in the restaurant, yes. | 0:45:18 | 0:45:19 | |
You seem to know everybody by their first names. | 0:45:19 | 0:45:23 | |
Yes, it's fantastic. We have... it's quite a core for the store this. | 0:45:23 | 0:45:28 | |
We know the customers that come in on Saturdays and Mondays and their families. | 0:45:28 | 0:45:31 | |
We have a few generations that, you know, use the restaurant, | 0:45:31 | 0:45:34 | |
so, yes, we know them quite well. | 0:45:34 | 0:45:37 | |
McEwens proves that Perth is really a town not a city. | 0:45:43 | 0:45:45 | |
Knowing all your customers by name, seeing families grow up, | 0:45:45 | 0:45:51 | |
as generations pass through your store... | 0:45:51 | 0:45:53 | |
That's warm-hearted town life... | 0:45:53 | 0:45:55 | |
the opposite of city anonymity. | 0:45:55 | 0:45:58 | |
As a town, Perth can enjoy the best of both worlds, | 0:45:58 | 0:46:01 | |
being as intimate as a village and as cosmopolitan as a city. | 0:46:01 | 0:46:05 | |
But there is another side to being a thriving hub. | 0:46:12 | 0:46:15 | |
Successful towns are consumer hotspots. | 0:46:15 | 0:46:20 | |
Along with all of that buying, selling and satisfying consumption, there's a lot of waste creation, | 0:46:20 | 0:46:26 | |
and in Perth, that means Grampians of garbage. | 0:46:26 | 0:46:29 | |
45,000 inhabitants are putting stuff in their bins every day. | 0:46:33 | 0:46:38 | |
The only way a town can handle so much waste is by investing in systems - | 0:46:38 | 0:46:42 | |
systems which export the rubbish elsewhere. | 0:46:42 | 0:46:46 | |
But this town has always been clever with its rubbish. | 0:46:46 | 0:46:50 | |
In the Middle Ages, waste was organic. | 0:46:52 | 0:46:56 | |
People in towns gathered their muck and their rubbish | 0:46:56 | 0:46:59 | |
outside their houses in private middens, like compost heaps. | 0:46:59 | 0:47:03 | |
Once it rotted down a bit, | 0:47:03 | 0:47:05 | |
they carted it away to use as manure on their share of the towns fields. | 0:47:05 | 0:47:09 | |
By the 1450s, with more people in the town | 0:47:12 | 0:47:14 | |
and fewer people growing their own food, you begin to find references | 0:47:14 | 0:47:19 | |
to the middens becoming a nuisance and an obstacle in the streets. | 0:47:19 | 0:47:24 | |
Middens that were not being regularly cleared were auctioned off. | 0:47:24 | 0:47:29 | |
Farmers from outside town competed to buy the rich waste. | 0:47:29 | 0:47:33 | |
They used it as fertiliser on their crops and come market day | 0:47:33 | 0:47:37 | |
the produce it helped to grow was brought back into town. | 0:47:37 | 0:47:41 | |
So town and country fed each other. | 0:47:41 | 0:47:44 | |
It was perfect recycling, and that legacy continues today. | 0:47:46 | 0:47:50 | |
What rubbish is we're collecting this morning? | 0:47:50 | 0:47:53 | |
Basically, it's bottles... | 0:47:53 | 0:47:55 | |
a lot have the tops on them. | 0:47:55 | 0:47:57 | |
Papers. Tin cans. | 0:47:57 | 0:47:59 | |
So that's all the stuff that goes up to be turned in to other things? | 0:47:59 | 0:48:03 | |
-That's it. 42%. -What, of Perth's rubbish? | 0:48:03 | 0:48:05 | |
-Yep. -42%?! -42%. -That's a lot! | 0:48:05 | 0:48:08 | |
That is a lot. | 0:48:08 | 0:48:10 | |
'It is impressive that Perth recycles 42% of its waste. | 0:48:10 | 0:48:13 | |
'That's a lot more than Glasgow, Birmingham or London. | 0:48:13 | 0:48:19 | |
'The success of a recycling scheme depends on | 0:48:19 | 0:48:21 | |
'the attitudes of households council support and a competent infrastructure. | 0:48:21 | 0:48:27 | |
'Perth seems to tick all the boxes.' | 0:48:27 | 0:48:29 | |
And are people quite disciplined about putting... | 0:48:29 | 0:48:32 | |
about separating? | 0:48:32 | 0:48:34 | |
Oh, they're very disciplined. Very. I mean, you just need to look in... | 0:48:34 | 0:48:38 | |
There we go, there's nothing wrong with that. | 0:48:38 | 0:48:40 | |
Papers... There we go, newspapers... | 0:48:40 | 0:48:43 | |
That's it, as long as the tops aren't on it... | 0:48:43 | 0:48:45 | |
-perfect. -That's a really diligent householder. -Oh, it is that. | 0:48:45 | 0:48:50 | |
Spot on with that one. | 0:48:50 | 0:48:52 | |
'Perhaps a town is better placed to deal more effectively | 0:48:54 | 0:48:57 | |
'with our rubbish than a city. | 0:48:57 | 0:48:58 | |
'There seems to be a great pride | 0:48:58 | 0:49:01 | |
'in keeping the place clean and efficient | 0:49:01 | 0:49:03 | |
'and everything is on a much more manageable scale.' | 0:49:03 | 0:49:06 | |
The waste we've spent the morning collecting - the bottles, the cans, | 0:49:11 | 0:49:15 | |
the paper and the cardboard - is taken to a processing site just outside the town. | 0:49:15 | 0:49:19 | |
Now this is the, eh, materials reclamation facility that we use. | 0:49:27 | 0:49:32 | |
You can see the digger dropping stuff into the hopper, | 0:49:32 | 0:49:35 | |
and it gets sent to this machine here where it all gets separated out. | 0:49:35 | 0:49:38 | |
The cans are separated using magnets, | 0:49:38 | 0:49:40 | |
you can see the pile of steel cans here. | 0:49:40 | 0:49:42 | |
All the different materials, you know, that we separate, | 0:49:42 | 0:49:45 | |
each get sent off to different re-processors throughout the UK, | 0:49:45 | 0:49:51 | |
who'll each recycle these things back into new materials. | 0:49:51 | 0:49:54 | |
Steel cans for example, can be recycled over and over again. | 0:49:54 | 0:49:57 | |
And a recycled steel can is just as good quality as a virgin one, | 0:49:57 | 0:50:01 | |
so, a great thing to do. | 0:50:01 | 0:50:04 | |
And all the other bits and pieces the men sort it out by hand. | 0:50:04 | 0:50:08 | |
They physically sort out the paper from the cardboard, | 0:50:08 | 0:50:10 | |
and the bottles from the other bits and pieces. | 0:50:10 | 0:50:14 | |
-It's not a dump so much as a factory. -Absolutely, yeah. | 0:50:14 | 0:50:18 | |
I really enjoyed my morning with the bin crew, but it turns out | 0:50:23 | 0:50:27 | |
that picking through the rubbish is not as straightforward as it looks. | 0:50:27 | 0:50:32 | |
Up on the picking line, there are two fast-moving conveyor belts. | 0:50:32 | 0:50:37 | |
The first pickers grab the biggest chunks of paper and card, | 0:50:37 | 0:50:41 | |
the next team of pickers have to separate the tins and plastic. | 0:50:41 | 0:50:46 | |
But concentrating on all the rubbish passing by is like looking out of a car's side window, | 0:50:46 | 0:50:51 | |
trying to focus on every passing verge-side detail | 0:50:51 | 0:50:54 | |
while travelling at 70mph. | 0:50:54 | 0:50:57 | |
So, Graham, how long do you spend on the picking line before you go mad? | 0:50:59 | 0:51:03 | |
Ha! That is a hard one! | 0:51:03 | 0:51:05 | |
Doesn't it do your head in? Watching this stuff come by makes your eyes go peculiar. | 0:51:05 | 0:51:10 | |
You actually get used to it after a while. | 0:51:10 | 0:51:14 | |
The first two or three days it's more like motion sickness, | 0:51:14 | 0:51:17 | |
you know, sea sickness. | 0:51:17 | 0:51:18 | |
I'm starting to feel dizzy already! | 0:51:18 | 0:51:21 | |
Is it difficult to find people to work on the picking line? | 0:51:23 | 0:51:26 | |
It is. | 0:51:26 | 0:51:27 | |
Most of them last two or three weeks. Some have lasted as short as a day. | 0:51:27 | 0:51:32 | |
-Really? -Because of the motion in it all the time, you know. | 0:51:32 | 0:51:35 | |
Trying to get your eyes to focus on different things coming down. | 0:51:35 | 0:51:40 | |
This is really, really horrible. | 0:51:40 | 0:51:42 | |
I'm feeling quite sick. | 0:51:42 | 0:51:44 | |
It's the, eh, continual readjustment of your eyes, | 0:51:44 | 0:51:48 | |
trying to refocus the whole time on new rubbish coming through. | 0:51:48 | 0:51:52 | |
It's not a nice job. | 0:51:54 | 0:51:56 | |
Recycling glass, paper, steel, aluminium... | 0:51:56 | 0:52:00 | |
uses a lot less energy than it takes to create these products from scratch. | 0:52:00 | 0:52:05 | |
Making new paper... | 0:52:05 | 0:52:06 | |
everything from felling trees, to pulping and pressing the wood... | 0:52:06 | 0:52:10 | |
that uses 65% more energy than recycling paper. | 0:52:10 | 0:52:14 | |
Manufacturing new aluminium goods produces 95% more carbon dioxide | 0:52:16 | 0:52:20 | |
than recycling old aluminium objects. | 0:52:20 | 0:52:23 | |
Everything recycled in Perth | 0:52:23 | 0:52:26 | |
goes on to be made into new materials within the UK. | 0:52:26 | 0:52:30 | |
The glass goes to Alloa in Scotland, the paper to North Wales, | 0:52:30 | 0:52:34 | |
cardboard to Glasgow, steel and aluminium to the Midlands. | 0:52:34 | 0:52:39 | |
Perth is a champion of recycling. | 0:52:39 | 0:52:41 | |
The drive to regain city status has given this town a tangible energy. | 0:52:57 | 0:53:04 | |
And that energy is attractive. | 0:53:04 | 0:53:06 | |
People want to move here. | 0:53:06 | 0:53:09 | |
But the town, like the old banks of the Tay, has its limits... | 0:53:09 | 0:53:13 | |
What happens when a town runs out of space? | 0:53:13 | 0:53:17 | |
There's only so far Perth itself can expand. | 0:53:17 | 0:53:22 | |
The town has grown up on the west side of the river. | 0:53:22 | 0:53:25 | |
On the east side, development is blocked by Scone Palace and its land, | 0:53:25 | 0:53:30 | |
by the steep slopes of Kinnoull Hill, and by some very exclusive private estates. | 0:53:30 | 0:53:37 | |
Not much room for affordable housing there. | 0:53:37 | 0:53:41 | |
If the town keeps expanding to the west then it risks becoming | 0:53:43 | 0:53:46 | |
severed from its centre... | 0:53:46 | 0:53:49 | |
Its historic, riverside heart will end up on the edge of town. | 0:53:49 | 0:53:54 | |
But Perth might just become a city by stealth. | 0:53:54 | 0:53:57 | |
The Council proposes that the rising population should spill into the nearby small villages. | 0:53:59 | 0:54:05 | |
There are plans to build four entirely new communities | 0:54:05 | 0:54:09 | |
within a 5-mile radius of the town. | 0:54:09 | 0:54:11 | |
At Bridge of Earn, Almondbank, | 0:54:11 | 0:54:15 | |
Bertha Park and just west of Perth. | 0:54:15 | 0:54:18 | |
Of course, this level of development would have a knock-on effect. | 0:54:18 | 0:54:23 | |
You can't build 2,000 new homes without planning for the extra traffic. | 0:54:23 | 0:54:27 | |
To ease that pressure, a new bypass is proposed, | 0:54:27 | 0:54:31 | |
together with a new bridge over the Tay. | 0:54:31 | 0:54:36 | |
As a town, Perth can only grow so far. | 0:54:36 | 0:54:39 | |
As a city, it would absorb its hinterland. | 0:54:39 | 0:54:42 | |
It would begin to eat further into its surrounding countryside. | 0:54:42 | 0:54:47 | |
Tonight Perth has taken to the streets to celebrate | 0:54:58 | 0:55:01 | |
the 800th anniversary of the document that confirmed its status as a Royal Burgh. | 0:55:01 | 0:55:07 | |
It's the closest thing to a city charter that Perth's ever had. | 0:55:07 | 0:55:11 | |
It's below zero, a freezing November night | 0:55:16 | 0:55:19 | |
but the people of Perth have turned out in their thousands. | 0:55:19 | 0:55:23 | |
This is the kind of civic exuberance you see on the Thames, | 0:55:23 | 0:55:27 | |
or above the roofs of Edinburgh. | 0:55:27 | 0:55:29 | |
Talk about sky-high ambition! | 0:55:29 | 0:55:32 | |
Perth wants to be seen as a city. | 0:55:32 | 0:55:34 | |
But the only person who can officially grant Perth her desperately desired city status | 0:55:37 | 0:55:42 | |
is Her Majesty, Queen Elizabeth. | 0:55:42 | 0:55:44 | |
And Perth is doing its best to be noticed. | 0:55:44 | 0:55:47 | |
There's no royalty here tonight but I'm sure Her Majesty will hear about it. | 0:55:50 | 0:55:54 | |
What a night! | 0:55:54 | 0:55:55 | |
So should Perth become a city? | 0:56:20 | 0:56:22 | |
It's certainly building a solid case for itself. | 0:56:22 | 0:56:26 | |
We've seen this town cope with flood, with regicide, | 0:56:26 | 0:56:30 | |
with radical replanning. | 0:56:30 | 0:56:32 | |
Perth is no stranger to challenges. | 0:56:32 | 0:56:34 | |
It's had its fair share of ups and downs, of triumphs and disasters. | 0:56:34 | 0:56:38 | |
Perth has a history of recovery. | 0:56:38 | 0:56:41 | |
But, with the construction of its 81 flood barriers, | 0:56:42 | 0:56:45 | |
the people of Perth have taken control. | 0:56:45 | 0:56:50 | |
The Tay was both a real threat, and a metaphor for the way history | 0:56:50 | 0:56:53 | |
inflicts sudden reversals on communities. | 0:56:53 | 0:56:57 | |
Now that the river's no longer the physical threat it was, | 0:56:57 | 0:57:00 | |
it's as if Perth has taken possession of her own destiny. | 0:57:00 | 0:57:03 | |
This is a pivotal moment. | 0:57:07 | 0:57:10 | |
Perth has tamed its monster - the river. | 0:57:10 | 0:57:13 | |
But the big question I have to ask is... | 0:57:13 | 0:57:15 | |
in its obsession with city status is Perth creating another demon? | 0:57:15 | 0:57:21 | |
Cities by nature are over-whelming, voracious. | 0:57:21 | 0:57:25 | |
And Perth's not like that. | 0:57:25 | 0:57:27 | |
For my money, I'd rather be a close-knit town than an over-stretched city. | 0:57:27 | 0:57:32 | |
Perth is at a crossroads. | 0:57:32 | 0:57:36 | |
For a free booklet about what makes our towns work | 0:57:43 | 0:57:46 | |
call 0845 366 8024 or go to: | 0:57:46 | 0:57:52 | |
And follow the links to the Open University. | 0:57:56 | 0:57:58 | |
Next time I'll be in Totnes in South Devon, | 0:58:02 | 0:58:05 | |
a town that has become a safe haven for new ideas. | 0:58:05 | 0:58:09 | |
A rickshaw running on cooking oil this model's a chip fat GTX... | 0:58:09 | 0:58:14 | |
And whose visionaries change the face of our towns forever. | 0:58:14 | 0:58:18 | |
The changes are coming - let's do it now before the problems start. | 0:58:18 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:35 | 0:58:38 | |
E-mail [email protected] | 0:58:38 | 0:58:41 |