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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
This is the story of famous pensioners who leave behind wealth, comfort and busy lives... | 0:00:04 | 0:00:07 | |
Why do they keep me alive? | 0:00:07 | 0:00:09 | |
..to move in with the UK's forgotten old people. | 0:00:09 | 0:00:12 | |
Hi. I'm Lesley. | 0:00:12 | 0:00:14 | |
People who live on the edge of all our lives... | 0:00:14 | 0:00:17 | |
..dealing with the grind of poverty... | 0:00:19 | 0:00:22 | |
Sometimes I feel as though I'd be better off dead. | 0:00:22 | 0:00:27 | |
..the pain of caring for someone... | 0:00:27 | 0:00:30 | |
He had a life and so did I. We've got nothing now. | 0:00:30 | 0:00:34 | |
..the anguish of bereavement... | 0:00:34 | 0:00:37 | |
I do miss her. | 0:00:37 | 0:00:39 | |
..and the loneliness of isolation. | 0:00:39 | 0:00:41 | |
I prefer my own company. That's how you get when you get older. | 0:00:41 | 0:00:45 | |
67-year-old BBC World Affairs Editor John Simpson... | 0:00:45 | 0:00:48 | |
It's an exploration for me. | 0:00:48 | 0:00:51 | |
I want to know what old age is. | 0:00:51 | 0:00:54 | |
66-year-old actress Lesley Joseph... | 0:00:54 | 0:00:58 | |
I hope they can maybe learn from me, | 0:00:58 | 0:01:00 | |
I can learn from them, and we can go on a bit of a journey. | 0:01:00 | 0:01:02 | |
71-year-old presenter and journalist Gloria Hunniford... | 0:01:02 | 0:01:07 | |
I am fascinated with getting this snapshot of other people's lives. | 0:01:07 | 0:01:11 | |
And 65-year-old actor and presenter Tony Robinson... | 0:01:11 | 0:01:15 | |
All of us are complicit in giving elderly people shit lives. | 0:01:15 | 0:01:21 | |
This series will shine a spotlight | 0:01:21 | 0:01:23 | |
on the way our elderly live in the UK today. | 0:01:23 | 0:01:26 | |
I just can't believe this is how I'm living. | 0:01:26 | 0:01:29 | |
'I am shocked to think that the fridge is just so empty.' | 0:01:29 | 0:01:32 | |
There's nothing in it. | 0:01:32 | 0:01:34 | |
WHEEZING COUGH | 0:01:34 | 0:01:36 | |
How will the four famous pensioners cope with an old age | 0:01:36 | 0:01:39 | |
a world away from their own? | 0:01:39 | 0:01:42 | |
I just didn't want to live now she had gone. | 0:01:42 | 0:01:44 | |
I've been here a day. I feel exhausted. | 0:01:44 | 0:01:47 | |
Together, can they change the course of the final years of their lives? | 0:01:47 | 0:01:52 | |
That's all I wanted, really, was a push. | 0:01:52 | 0:01:53 | |
Do you know what? I could get used to this life. | 0:01:53 | 0:01:56 | |
If more people had the time, | 0:01:56 | 0:01:59 | |
maybe there would be a real shift in the lives of elderly people. | 0:01:59 | 0:02:03 | |
-Oh! -Oh! | 0:02:03 | 0:02:06 | |
One thing I'm not going to do is bloody choke up. | 0:02:08 | 0:02:12 | |
It's day one and the four well-known personalities are on their way to meet their OAP hosts. | 0:02:18 | 0:02:23 | |
Hi. | 0:02:23 | 0:02:25 | |
For the next four days, | 0:02:25 | 0:02:27 | |
they will immerse themselves in the pensioners' lives | 0:02:27 | 0:02:30 | |
and confront the challenges they face head-on. | 0:02:30 | 0:02:32 | |
I feel a bit nervous, a little bit apprehensive. | 0:02:32 | 0:02:36 | |
It is becoming very real. | 0:02:36 | 0:02:39 | |
For 40 years, I have been a fiend about research. | 0:02:39 | 0:02:44 | |
And here I am about to live with somebody for a few days, | 0:02:44 | 0:02:48 | |
not knowing anything whatsoever about them. | 0:02:48 | 0:02:51 | |
Day one is about getting to know their host | 0:02:51 | 0:02:54 | |
before thinking about how it might be possible to help them. | 0:02:54 | 0:02:58 | |
Going to the unknown, facing things I don't normally face, | 0:02:59 | 0:03:02 | |
and my instinct has obviously been | 0:03:02 | 0:03:05 | |
to bring the kind of stuff that I take to war zones. | 0:03:05 | 0:03:10 | |
Despite being 67, globetrotting TV news reporter John Simpson | 0:03:11 | 0:03:17 | |
shows no signs of slowing down. | 0:03:17 | 0:03:19 | |
I don't really think about retirement | 0:03:19 | 0:03:22 | |
because I've got no intention of stopping. | 0:03:22 | 0:03:24 | |
As well as refusing to retire, John recently started a new family | 0:03:24 | 0:03:29 | |
and has a six-year-old son, Rafe, with his wife Dee. | 0:03:29 | 0:03:32 | |
'Sometimes I'm walking down the street with my wife and the kid | 0:03:32 | 0:03:35 | |
'and catch a glimpse of myself in the mirror and think,' | 0:03:35 | 0:03:39 | |
"Who's that old white-haired bastard with my wife?" | 0:03:39 | 0:03:43 | |
And you realise it's actually you. | 0:03:43 | 0:03:46 | |
John's travelled to more than 120 countries, | 0:03:46 | 0:03:49 | |
but for the next four days he won't be going anywhere. | 0:03:49 | 0:03:52 | |
New hairdo. | 0:03:54 | 0:03:55 | |
John's about to experience what it's like to be a housebound pensioner | 0:03:55 | 0:04:00 | |
by moving in with isolated widow Peggy Booth. | 0:04:00 | 0:04:04 | |
83-year-old Peggy lives alone in rural Suffolk. | 0:04:04 | 0:04:07 | |
She doesn't get many visitors and spends hour after hour | 0:04:07 | 0:04:10 | |
watching television alone. | 0:04:10 | 0:04:12 | |
If you're left on your own, you've got to get on with your life. | 0:04:12 | 0:04:15 | |
You've either got to give up or get on and I'm never going to give up. | 0:04:15 | 0:04:19 | |
After years alone, Peggy has lost interest | 0:04:19 | 0:04:22 | |
in what other people think of her | 0:04:22 | 0:04:23 | |
and on the few occasions she does go out, she doesn't get on brilliantly with the villagers. | 0:04:23 | 0:04:28 | |
Peggy can be stubborn, possibly cantankerous. | 0:04:28 | 0:04:31 | |
There's a lot of people who don't like me. | 0:04:31 | 0:04:33 | |
Steer clear a bit, you know. She rubs people up. | 0:04:33 | 0:04:36 | |
They either take me or leave me. | 0:04:36 | 0:04:39 | |
Like it or lump it! SHE LAUGHS | 0:04:39 | 0:04:41 | |
After a lifetime dodging bullets in war zones, this may turn out | 0:04:41 | 0:04:45 | |
to be one of John's toughest assignments yet. | 0:04:45 | 0:04:49 | |
-Hello. -Hello. -How are you? | 0:04:51 | 0:04:53 | |
I do recognise the face! JOHN CHUCKLES | 0:04:53 | 0:04:56 | |
How are you? It's very nice to see you. | 0:04:56 | 0:04:58 | |
-Thank you for having me. -Come on in. | 0:04:58 | 0:05:00 | |
-Look, this is my little freezer... -Yes. | 0:05:00 | 0:05:02 | |
..and this is where I keep my microwave dinners, you see. | 0:05:02 | 0:05:06 | |
Yes, very nice. | 0:05:06 | 0:05:08 | |
There's just one small shop in the village | 0:05:08 | 0:05:10 | |
but Peggy has to have food delivered once a week. | 0:05:10 | 0:05:13 | |
-This is my storeroom. -I see. | 0:05:13 | 0:05:15 | |
I've always got food in the house. | 0:05:15 | 0:05:17 | |
From now on, everything John eats at Peggy's | 0:05:17 | 0:05:20 | |
will be either frozen or tinned. | 0:05:20 | 0:05:22 | |
-What is the time? Is it four o'clock? -It is...four o'clock exactly. | 0:05:22 | 0:05:26 | |
There's some wrestling coming on at four. | 0:05:26 | 0:05:28 | |
Now, him, CM Punk, he's a good wrestler, but he's a bit cocky. | 0:05:29 | 0:05:33 | |
He says he's the best wrestler in the world, but he isn't. | 0:05:33 | 0:05:37 | |
66-year-old Birds Of A Feather actress Lesley Joseph is headed for Dartford in Kent. | 0:05:42 | 0:05:47 | |
I don't think I'm setting out on this journey | 0:05:47 | 0:05:50 | |
to revolutionise somebody's life. | 0:05:50 | 0:05:52 | |
But I hope I can bring a little humour to their lives as well | 0:05:53 | 0:05:57 | |
because I'm glass half-full, not glass half-empty. | 0:05:57 | 0:06:01 | |
Some of the gardens are really well kept and some aren't. | 0:06:07 | 0:06:09 | |
I'll be glad when I see what's behind the door. | 0:06:11 | 0:06:14 | |
Lesley's optimism might be tested, | 0:06:14 | 0:06:16 | |
as she's about to discover just how hard it is to care for someone you love in old age. | 0:06:16 | 0:06:20 | |
People have got to see that life goes on. | 0:06:20 | 0:06:23 | |
Even if you have got a disability, you still want to go away. | 0:06:23 | 0:06:27 | |
74-year-old Pat Still has been looking after her partner Malcolm | 0:06:27 | 0:06:31 | |
since a series of strokes left him paralysed four years ago. | 0:06:31 | 0:06:35 | |
WHEEZING COUGH | 0:06:35 | 0:06:38 | |
Oh, dear. | 0:06:38 | 0:06:39 | |
Got nothing now. | 0:06:40 | 0:06:42 | |
-TEARFULLY: -You had your allotment, didn't you? | 0:06:42 | 0:06:44 | |
I know it doesn't seem much to people, but he had a life. | 0:06:44 | 0:06:49 | |
And so did I. He hasn't got any life. | 0:06:49 | 0:06:53 | |
-Don't start crying. -I'm not. I'm just so...so upset | 0:06:53 | 0:06:57 | |
that the man that was, isn't. | 0:06:57 | 0:07:00 | |
And the woman I was - well, I don't know where she's gone. | 0:07:00 | 0:07:04 | |
It's very sad, because she's having to look after me. | 0:07:04 | 0:07:07 | |
It's horrible to look after someone. | 0:07:07 | 0:07:10 | |
I don't want to be a carer. I want him back. | 0:07:10 | 0:07:12 | |
I want him being the horrible, frustrating thing he used to be. | 0:07:12 | 0:07:18 | |
There are almost three million elderly carers in Britain | 0:07:20 | 0:07:23 | |
and Pat and Malcolm are allowing a well-known personality into their home | 0:07:23 | 0:07:27 | |
to show what their life is really like. | 0:07:27 | 0:07:29 | |
Sometimes, if you're famous, you think you should have special this and that. | 0:07:29 | 0:07:33 | |
But they're not. Malcolm's the star. | 0:07:33 | 0:07:35 | |
-Freddie Starr. -He'd like a comedian, I think. | 0:07:35 | 0:07:39 | |
Oh, this is pretty! | 0:07:39 | 0:07:41 | |
This is lovely. | 0:07:43 | 0:07:44 | |
Oooh! | 0:07:49 | 0:07:51 | |
LESLEY LAUGHS | 0:07:51 | 0:07:53 | |
-How are you, darling? -I'm fine. -What's your name? | 0:07:54 | 0:07:57 | |
-Pat. -Pat. Nice to see you. -And you. -Oh. Hello. | 0:07:57 | 0:08:02 | |
Hello, darling. | 0:08:02 | 0:08:04 | |
-This is Malcolm. -Malcolm, hi. | 0:08:04 | 0:08:06 | |
-Hi. -I'm Lesley. | 0:08:06 | 0:08:08 | |
-You knew immediately, didn't you? -Yes. | 0:08:11 | 0:08:14 | |
It's Lesley. Lesley Joseph. | 0:08:17 | 0:08:20 | |
For the next four days, Lesley, alongside Pat, | 0:08:20 | 0:08:23 | |
is going to take on the role of Malcolm's carer around the clock. | 0:08:23 | 0:08:27 | |
-Can you do that with your feet? -Yes. | 0:08:27 | 0:08:30 | |
-Can you do...? You can move your feet? -Yeah. | 0:08:30 | 0:08:33 | |
And we've paid for the stairlift ourselves. | 0:08:33 | 0:08:36 | |
But that's his hope chair. | 0:08:36 | 0:08:39 | |
Please, God, you'll be up on the stairlift again - | 0:08:39 | 0:08:41 | |
-that's what you aim for. -Yeah. | 0:08:41 | 0:08:43 | |
Cos I think if you give up hope, you know, there's nothing left, really. | 0:08:43 | 0:08:48 | |
Gravesend has got to be one of the most unattractive names for a town | 0:08:51 | 0:08:57 | |
that you can think of. | 0:08:57 | 0:08:59 | |
This is the bottom of the cemetery. | 0:08:59 | 0:09:01 | |
Dad-of-two Tony Robinson recently got married for the second time | 0:09:01 | 0:09:05 | |
to 30-year-old Louise Hobbs. | 0:09:05 | 0:09:08 | |
The only thing that I feel insulates me | 0:09:08 | 0:09:11 | |
from the terrors of old age | 0:09:11 | 0:09:13 | |
is that I'm very, very close to my family. | 0:09:13 | 0:09:17 | |
And I don't think I'll be alone in my old age. | 0:09:17 | 0:09:22 | |
And that is a huge balm. | 0:09:22 | 0:09:25 | |
But not everyone is as lucky as Tony. | 0:09:25 | 0:09:28 | |
I've forgotten my stick. Where did I put it? | 0:09:28 | 0:09:31 | |
89-year-old former singer Philip Hubert | 0:09:31 | 0:09:33 | |
has struggled to cope since the death of his wife | 0:09:33 | 0:09:37 | |
after 68 years of marriage. | 0:09:37 | 0:09:39 | |
I lost her 17 months ago. | 0:09:39 | 0:09:42 | |
It's been very hard. | 0:09:42 | 0:09:44 | |
I do miss her. | 0:09:48 | 0:09:49 | |
HE SOBS | 0:09:50 | 0:09:53 | |
Philip is a D-Day veteran and lives by himself in a one-bedroom council flat. | 0:09:53 | 0:09:58 | |
-Hello. -How are you? | 0:09:58 | 0:10:01 | |
-I'm all right. How are you? -Pleased to meet you. | 0:10:01 | 0:10:04 | |
-What's your name? -My name's Philip. -Philip, hello. | 0:10:04 | 0:10:07 | |
-Can I come in? -You can. | 0:10:07 | 0:10:09 | |
-Right. Down here? -That's it. | 0:10:10 | 0:10:14 | |
Up until now, nobody has succeeded in helping Philip get over his grief. | 0:10:14 | 0:10:18 | |
-Oh, this is lovely. -Park it round the corner. I wouldn't think so! | 0:10:20 | 0:10:24 | |
-We're not sharing a room, then? -At the moment, it's like a dump to me. | 0:10:24 | 0:10:27 | |
Since his wife's death, | 0:10:27 | 0:10:30 | |
Philip has even struggled to keep on top of the housework. | 0:10:30 | 0:10:33 | |
I lost the wife and I lost interest. | 0:10:33 | 0:10:35 | |
-This is the problem. That's the main problem. -Oh, yeah. | 0:10:35 | 0:10:37 | |
-How long ago was that? -17 months ago now. | 0:10:37 | 0:10:41 | |
-After 68 years. It's a hell of a wrench. -It is, isn't it? | 0:10:41 | 0:10:45 | |
-Huge. -Hell of a wrench. | 0:10:45 | 0:10:47 | |
Broadcaster Gloria Hunniford has become a consumer champion at the age of 71. | 0:10:48 | 0:10:54 | |
A recent BBC investigation found that some pension sellers | 0:10:54 | 0:10:57 | |
are actually taking - I could believe this - | 0:10:57 | 0:10:59 | |
the equivalent of 80% of the money that you've paid into them. | 0:10:59 | 0:11:03 | |
Gloria is planning to put her financial expertise into practice | 0:11:03 | 0:11:08 | |
to help the pensioner she's about to move in with. | 0:11:08 | 0:11:11 | |
I would love to make even a couple of minor changes | 0:11:11 | 0:11:13 | |
that would make life easier for that individual. | 0:11:13 | 0:11:16 | |
What is this? Is it my money, my allowance? | 0:11:16 | 0:11:19 | |
But before she does anything, | 0:11:19 | 0:11:21 | |
Gloria is going to have to prove she can practise what she preaches. | 0:11:21 | 0:11:25 | |
Two fivers. A few coins at the bottom. | 0:11:25 | 0:11:28 | |
"Throughout your stay, you will have the same disposable income as a host. | 0:11:28 | 0:11:33 | |
"That means you will have to survive on £3.24 a day." | 0:11:33 | 0:11:37 | |
SHE WHISTLES | 0:11:37 | 0:11:38 | |
I just want to check, is this all she has per day? For everything? | 0:11:38 | 0:11:42 | |
-Is it? -Disposable. -This is shocking. | 0:11:42 | 0:11:46 | |
Shocking. So... | 0:11:46 | 0:11:48 | |
-Hello. -Hello. -How are you? They haven't even told me your name. | 0:11:48 | 0:11:52 | |
-Ivy. -You're Ivy. And I'm Gloria. -Come on in. | 0:11:52 | 0:11:56 | |
-Well, this is quite a project and a half, Ivy. -Oh, I know! | 0:11:56 | 0:12:00 | |
Gloria will spend the next four days | 0:12:00 | 0:12:02 | |
living on the breadline with 62-year-old Ivy Ward in Darwen, just outside Blackburn. | 0:12:02 | 0:12:07 | |
I've just been given, literally, just over three pounds a day | 0:12:07 | 0:12:11 | |
to live on while I'm here. So I think you're going to be able | 0:12:11 | 0:12:14 | |
-to teach me something about how... -How to survive on nothing! | 0:12:14 | 0:12:17 | |
Well, how to survive on it, yeah. | 0:12:17 | 0:12:20 | |
After bills and debts, | 0:12:20 | 0:12:22 | |
Ivy's left with just £23 a week of her pension to live on. | 0:12:22 | 0:12:25 | |
-This is what I've got in. -Gosh. | 0:12:25 | 0:12:28 | |
It's not exactly a well-stocked cupboard, is it? Bless you. | 0:12:28 | 0:12:31 | |
And what do you keep in your fridge? | 0:12:31 | 0:12:33 | |
-Gosh. That's it? -Yeah. | 0:12:36 | 0:12:39 | |
Ivy's just one of nearly two million pensioners in Britain | 0:12:39 | 0:12:42 | |
estimated to be living in poverty. | 0:12:42 | 0:12:45 | |
I am shocked to think that the fridge is just so empty. | 0:12:45 | 0:12:48 | |
There's nothing in it. Nothing. | 0:12:48 | 0:12:50 | |
Sometimes I feel as though I shouldn't be here. | 0:12:50 | 0:12:53 | |
I'd be better off...dead. | 0:12:56 | 0:13:01 | |
With no private pension, mother-of-five Ivy's kitted out her rented home | 0:13:01 | 0:13:05 | |
with furniture donated by family and friends. | 0:13:05 | 0:13:07 | |
-This is where you will be sleeping. -This is where I'm staying? OK. | 0:13:07 | 0:13:12 | |
-But my bed broke, so we're going to have to try... -Where's it broken? | 0:13:12 | 0:13:18 | |
Oh, I see what you mean. | 0:13:18 | 0:13:21 | |
I suppose I'm surprised it's broken. I thought I might at least have a bed to lie down on. | 0:13:21 | 0:13:24 | |
She can't believe this is how I'm living. | 0:13:24 | 0:13:28 | |
It is so uncomfortable, and it is, | 0:13:28 | 0:13:30 | |
you can feel every single bit of wire or spring in here. | 0:13:30 | 0:13:33 | |
She has this. Maybe I can put this on top of the mattress. | 0:13:33 | 0:13:35 | |
First job, really, is to get this bed fixed and have somewhere to lie down, if nothing else. | 0:13:35 | 0:13:41 | |
-No money under there, is there? -There's a lot of peanuts. | 0:13:49 | 0:13:53 | |
Tony's wasted no time in getting to grips with the domestic chores. | 0:13:53 | 0:13:57 | |
This place really is a bit of a mess, | 0:13:57 | 0:14:00 | |
and the problem is he just thinks, "Oh, it's a bit untidy." | 0:14:00 | 0:14:03 | |
-Got some fluff on it, has it? -It's hair. | 0:14:05 | 0:14:07 | |
I don't know whose hair, cos you've got a full head. | 0:14:07 | 0:14:10 | |
It could have been some of the wife's. | 0:14:10 | 0:14:12 | |
Oh, that's a thought, isn't it? | 0:14:12 | 0:14:15 | |
And I was pulling off great big chunks of his wife... | 0:14:15 | 0:14:18 | |
I didn't know how to make the moment better. | 0:14:18 | 0:14:21 | |
I just dropped it in the rubbish bag | 0:14:21 | 0:14:24 | |
that hangs round the back of the door. | 0:14:24 | 0:14:27 | |
-So that's your wife. -That's the wife. | 0:14:27 | 0:14:29 | |
Philip and his wife used to run theatre and singing groups. | 0:14:29 | 0:14:32 | |
But Philip hasn't felt able to sing since she died. | 0:14:32 | 0:14:35 | |
It's only these last three years that I've gone to pieces. | 0:14:35 | 0:14:39 | |
I just didn't want to live now she's gone. | 0:14:39 | 0:14:44 | |
I just didn't care. | 0:14:44 | 0:14:45 | |
I just start crying over the slightest thing and talking about my wife. | 0:14:45 | 0:14:49 | |
It's like he's been stuck in this flat for ages and ages and ages | 0:14:53 | 0:14:58 | |
since the moment she died. | 0:14:58 | 0:14:59 | |
'I found his sadness very hard. | 0:15:01 | 0:15:04 | |
'Not little bits of sadness,' | 0:15:04 | 0:15:07 | |
I just found that great well of... | 0:15:07 | 0:15:08 | |
sadness very, very difficult to... | 0:15:08 | 0:15:12 | |
..to counter. | 0:15:13 | 0:15:15 | |
-That's a miss! He's a cocky little so-and-so. -Is he? | 0:15:16 | 0:15:20 | |
John and Peggy are still watching | 0:15:20 | 0:15:22 | |
the wrestling. The sluggish pace of life is proving a challenge. | 0:15:22 | 0:15:27 | |
I'm 16 years younger than Peggy. | 0:15:27 | 0:15:29 | |
She feels like my grandma. | 0:15:29 | 0:15:32 | |
It's the difference between the life of somebody who has had to keep | 0:15:32 | 0:15:36 | |
very, very active | 0:15:36 | 0:15:39 | |
and the life of somebody who has been sedentary for some time, I think. | 0:15:39 | 0:15:43 | |
So, the lesson I draw from that - keep on running. | 0:15:44 | 0:15:48 | |
Would you like to give it a go? | 0:15:51 | 0:15:52 | |
-I don't mind at all. -There we are. | 0:15:52 | 0:15:54 | |
Now, don't shout at me, Malcolm, if I do something wrong, please! | 0:15:54 | 0:15:59 | |
In Dartford, Lesley is discovering just how much work is involved | 0:15:59 | 0:16:04 | |
in caring for someone. | 0:16:04 | 0:16:05 | |
There's never... | 0:16:05 | 0:16:06 | |
never time for me, because everything takes so long. | 0:16:06 | 0:16:11 | |
-I say to him, I don't want to be a carer. -Do you say it? You say to Malcolm? | 0:16:11 | 0:16:15 | |
-Yes, I do say it to Malcolm. -Does that upset him? | 0:16:15 | 0:16:17 | |
Did you tell her? | 0:16:19 | 0:16:20 | |
You could scream in the end. And I have actually gone | 0:16:22 | 0:16:26 | |
-in the back garden and screamed. -Mmm. -Cos you get so frustrated. | 0:16:26 | 0:16:31 | |
I mean, you must feel equally... as frustrated? | 0:16:31 | 0:16:35 | |
Yeah. | 0:16:35 | 0:16:37 | |
-But we try not to let anyone know how we're feeling. -Yeah. | 0:16:37 | 0:16:41 | |
-Here's Malcolm. -Oh, my goodness. | 0:16:43 | 0:16:46 | |
Malcolm and Pat met 40 years ago, | 0:16:48 | 0:16:49 | |
when Malcolm was a keen athlete. | 0:16:49 | 0:16:53 | |
-You did a mile in four minutes?! -Yes. | 0:16:55 | 0:16:57 | |
-That's fast! -I see those photos and I can't believe | 0:16:57 | 0:17:04 | |
that the person in them photographs and the person lying in bed - | 0:17:04 | 0:17:08 | |
I would never have believed he'd have a stroke. | 0:17:08 | 0:17:12 | |
On we go. Let's have a good look at what we're going to get | 0:17:19 | 0:17:21 | |
-for our three quid. -Food shopping on so little money | 0:17:21 | 0:17:26 | |
is a weekly ordeal for Ivy. | 0:17:26 | 0:17:28 | |
-But consumer champion Gloria has got a plan. -In my head, | 0:17:28 | 0:17:32 | |
I thought I make a good spaghetti sauce, so I'll buy minced steak and | 0:17:32 | 0:17:36 | |
I'll buy the mushrooms and onions and all the things that I, | 0:17:36 | 0:17:39 | |
personally, put into a spaghetti sauce, and I'll be able to make her | 0:17:39 | 0:17:43 | |
spaghetti for tonight and then be able to spread that out. | 0:17:43 | 0:17:45 | |
-So my onions are...82p, which is quite a lot. -Yes. | 0:17:45 | 0:17:50 | |
But the financial realities of Ivy's life are proving more difficult | 0:17:50 | 0:17:54 | |
than Gloria imagined. | 0:17:54 | 0:17:55 | |
This one is quite expensive. It's shocking, isn't it? | 0:17:55 | 0:17:59 | |
I couldn't do it, even using two days' money, I couldn't do it. | 0:17:59 | 0:18:03 | |
It was so expensive. | 0:18:04 | 0:18:06 | |
It was £5 for any kind of decent meat, | 0:18:06 | 0:18:10 | |
-so £5 would have been almost two days'... -Yes. | 0:18:10 | 0:18:14 | |
Then the onions and mushrooms | 0:18:14 | 0:18:15 | |
and that would've been about £8. But I thought, I can't spend £8 | 0:18:15 | 0:18:20 | |
-on just the meat. -No. -It's shocking. | 0:18:20 | 0:18:23 | |
It's estimated that 1 million pensioners are malnourished. | 0:18:23 | 0:18:27 | |
It's been a wake-up call for Gloria. | 0:18:27 | 0:18:29 | |
I don't know how you do it, actually. I don't. | 0:18:29 | 0:18:33 | |
I don't. | 0:18:33 | 0:18:34 | |
I came here hoping that maybe I might be able to make | 0:18:34 | 0:18:38 | |
some tweak for Ivy and in a way, I think she, in reverse, | 0:18:38 | 0:18:44 | |
she has shown me so much today. | 0:18:44 | 0:18:46 | |
In my naive, stupid state, I just thought that the State, somehow, | 0:18:46 | 0:18:51 | |
with grants and payouts and things would actually mean that people | 0:18:51 | 0:18:55 | |
would have at least enough to eat. The fundamental right to have | 0:18:55 | 0:18:59 | |
enough food in your belly and enough to drink. | 0:18:59 | 0:19:01 | |
But Gloria is not the only one getting used to a new reality. | 0:19:05 | 0:19:10 | |
It must be heaven to live her life, to be able to go out shopping | 0:19:10 | 0:19:14 | |
and get what you want and go and buy new clothes and you know, | 0:19:14 | 0:19:20 | |
I feel scruffy the side of her. | 0:19:20 | 0:19:23 | |
I feel dirty and scruffy. | 0:19:23 | 0:19:26 | |
You look at her with a nice hairdo and nice clothes on and... | 0:19:26 | 0:19:32 | |
dressed smart and looking nice | 0:19:32 | 0:19:35 | |
and look at me! You know... | 0:19:35 | 0:19:37 | |
I don't like it. | 0:19:40 | 0:19:41 | |
(Sorry.) | 0:19:46 | 0:19:49 | |
At the end of the first day, the four visiting pensioners | 0:19:50 | 0:19:54 | |
are beginning to think about the challenges they have ahead. | 0:19:54 | 0:19:57 | |
-Hooray! -You've got it. | 0:19:57 | 0:20:00 | |
This is a sad life, because he's mourning so much. | 0:20:00 | 0:20:02 | |
I don't know, I think that if we manage to give him a glimmer | 0:20:02 | 0:20:06 | |
of what his life could be in the future, then that would be great. | 0:20:06 | 0:20:10 | |
Good night, my darling. God bless you. | 0:20:13 | 0:20:15 | |
Come and visit me if you can. | 0:20:15 | 0:20:17 | |
Well of course, I've only just scratched the surface so far | 0:20:22 | 0:20:24 | |
with Ivy. I've spent the day with her. I can't help but think | 0:20:24 | 0:20:28 | |
that with a little bit of encouragement from certain quarters, | 0:20:28 | 0:20:31 | |
that she could have a better life. | 0:20:31 | 0:20:33 | |
I'm finding it really quite gruelling, quite tiring. | 0:20:35 | 0:20:38 | |
It's quite heavy going. She seems to me to be quite lonely, actually. | 0:20:38 | 0:20:42 | |
I don't know whether she'd regard herself as being lonely, | 0:20:42 | 0:20:46 | |
but she is a woman who's on her own most of the time. | 0:20:46 | 0:20:48 | |
I was hoping I might be able to bring something to her, | 0:20:48 | 0:20:53 | |
but strangely I don't think I've been able to give her very much, | 0:20:53 | 0:20:57 | |
except one big thing, of course, which is my attention. | 0:20:57 | 0:21:02 | |
I'm sure that's done her quite a lot of good. | 0:21:02 | 0:21:05 | |
What I would love to do in these three days is give Pat some sense | 0:21:06 | 0:21:11 | |
of fun. I think Pat is the person now who needs a lot of support. | 0:21:11 | 0:21:15 | |
And...let's see what tonight and tomorrow brings. | 0:21:15 | 0:21:18 | |
DOOR CREAKS | 0:21:18 | 0:21:21 | |
Pat? | 0:21:27 | 0:21:29 | |
Pat! | 0:21:30 | 0:21:31 | |
Help! | 0:21:32 | 0:21:34 | |
OK. | 0:21:34 | 0:21:37 | |
What's up, Malcolm? | 0:21:37 | 0:21:39 | |
-Help! -Yes, I'm just coming down. | 0:21:41 | 0:21:44 | |
Malcolm needs to go to the toilet several times during the night, | 0:21:44 | 0:21:48 | |
meaning that Pat hasn't had an unbroken night's sleep for years. | 0:21:48 | 0:21:52 | |
That's a lot to take on. Even for somebody you love, | 0:21:52 | 0:21:56 | |
that's a huge amount to take on. | 0:21:56 | 0:21:58 | |
But tonight, it's not just Pat who's pitching in. | 0:21:58 | 0:22:02 | |
It's me, it's Lesley. | 0:22:04 | 0:22:06 | |
To get up two or three times a night every night, | 0:22:06 | 0:22:09 | |
that's like having a young baby and having to get up and feed it. | 0:22:09 | 0:22:13 | |
That is mentally and physically exhausting. | 0:22:13 | 0:22:16 | |
It's a hard thing to do, what she's doing. | 0:22:16 | 0:22:21 | |
Really, really, really tough. | 0:22:21 | 0:22:25 | |
Pat! | 0:22:25 | 0:22:26 | |
PAT! | 0:22:27 | 0:22:29 | |
(Pat!) | 0:22:30 | 0:22:32 | |
Good morning, sir. Lovely morning. | 0:22:44 | 0:22:47 | |
Look, he's still in bed! | 0:22:49 | 0:22:51 | |
-It's disgraceful! -TONY CHUCKLES | 0:22:52 | 0:22:56 | |
-Do you want a cup of tea? -Good idea. | 0:22:56 | 0:22:59 | |
-Crunchy Nut? Can I have some Crunchy Nut? -You can have whatever | 0:23:02 | 0:23:05 | |
you like. I've got some All Bran if you want any of that. | 0:23:05 | 0:23:08 | |
No! Don't need All Bran nowadays - I've given that sort of thing up. | 0:23:08 | 0:23:12 | |
HE COUGHS | 0:23:12 | 0:23:16 | |
Are you all right? | 0:23:16 | 0:23:18 | |
DOORBELL RINGS | 0:23:18 | 0:23:19 | |
-Hello, my darling. -Mwah! | 0:23:21 | 0:23:24 | |
It's 9.00am in Gravesend | 0:23:24 | 0:23:26 | |
and Philip and Tony have got visitors. | 0:23:26 | 0:23:29 | |
-Hello, Stuart. -How are you doing? -Yeah, not too bad at all, now. -Good. | 0:23:29 | 0:23:34 | |
Philip recently broke his wrist in a fall | 0:23:34 | 0:23:37 | |
and relies on his grandson Stuart to do his weekly shopping. | 0:23:37 | 0:23:41 | |
Is this my songs? | 0:23:41 | 0:23:43 | |
But as well as the shopping, he also has a surprise. | 0:23:43 | 0:23:47 | |
# Love walked right in and brought... # | 0:23:47 | 0:23:53 | |
Stuart has brought along an old CD recording of Philip singing. | 0:23:53 | 0:23:58 | |
# One look | 0:23:58 | 0:24:01 | |
# And I have found my world completely new. # | 0:24:01 | 0:24:10 | |
# With you. # | 0:24:11 | 0:24:15 | |
-That's it. -That's brilliant. -Very good. | 0:24:15 | 0:24:20 | |
See you in a bit, Grandad. | 0:24:22 | 0:24:24 | |
Stuart has been unable to persuade his grandad | 0:24:24 | 0:24:26 | |
to start performing again since his wife died. | 0:24:26 | 0:24:29 | |
It was really bad for a while. | 0:24:29 | 0:24:30 | |
Whenever we came round, he'd open the door in tears | 0:24:30 | 0:24:34 | |
and no matter how much you'd give him a cuddle or tell him he's doing | 0:24:34 | 0:24:37 | |
really well and that he's bound to have low periods, um... | 0:24:37 | 0:24:43 | |
He'd still be upset. You could see him just staring off into the distance when you're talking to him. | 0:24:43 | 0:24:50 | |
-Obviously still thinking about Nan. -Talking to Stuart | 0:24:50 | 0:24:53 | |
has given Tony an idea about how to help Philip move forward. | 0:24:53 | 0:24:57 | |
You know, every 20 minutes or so, | 0:24:57 | 0:24:59 | |
that I've been talking to him, something has come up | 0:24:59 | 0:25:02 | |
about his singing and "Oh, the group packed up | 0:25:02 | 0:25:06 | |
"and now I've lost a bit of interest, because my wife's died", | 0:25:06 | 0:25:10 | |
and you know that he actually does want to sing again. I think it'd be fun to set that up for him. | 0:25:10 | 0:25:15 | |
After a difficult night, Lesley wants to find out how Malcolm feels | 0:25:18 | 0:25:22 | |
about his long-suffering wife. | 0:25:22 | 0:25:24 | |
Are you ever aware of what Pat sacrifices of her own life | 0:25:24 | 0:25:30 | |
to look after you, and does that worry you? | 0:25:30 | 0:25:33 | |
-I spend nights crying over it. -Do you? Do you worry about her leaving you? | 0:25:33 | 0:25:38 | |
Yes, I do. Cos she's my whole life. Anything happens to her, | 0:25:38 | 0:25:43 | |
I might as well give up. | 0:25:43 | 0:25:46 | |
Pat and Malcolm have been together since 1972. | 0:25:46 | 0:25:50 | |
But years acting as Malcolm's carer has changed their relationship. | 0:25:50 | 0:25:55 | |
You're doing their wee, you're doing personal things. | 0:25:55 | 0:25:59 | |
Does love then become | 0:25:59 | 0:26:01 | |
more like you're caring - don't get this wrong, not a child, | 0:26:01 | 0:26:07 | |
but someone who needs you more than you need them? | 0:26:07 | 0:26:10 | |
-Do you feel guilty ever, Malcolm, that Pat's having to look after you to this extent? -Yes. | 0:26:10 | 0:26:16 | |
-Because she loves you. -That's right. | 0:26:17 | 0:26:20 | |
18 months ago, | 0:26:20 | 0:26:22 | |
the pressure of looking after Malcolm became too much for Pat | 0:26:22 | 0:26:25 | |
and she suffered a breakdown. | 0:26:25 | 0:26:27 | |
To be honest, it would be easier for me if he was in a care home. | 0:26:27 | 0:26:31 | |
I'd have my life back, but would it be fair to him? | 0:26:31 | 0:26:35 | |
No. He'd be unhappy. | 0:26:35 | 0:26:36 | |
He would make me feel a traitor every time I visited him. | 0:26:36 | 0:26:41 | |
To stop that feeling, I'd visit him less and less and less... | 0:26:41 | 0:26:46 | |
And then what would I have left? | 0:26:46 | 0:26:48 | |
Guilt. | 0:26:48 | 0:26:50 | |
-So how much do you get in total? -In total? £120. | 0:26:53 | 0:26:59 | |
In Darwin, Gloria has spent the morning trying to find a solution to Ivy's financial crisis. | 0:26:59 | 0:27:04 | |
-So your rent allowance is what? -316, I think it is. | 0:27:04 | 0:27:08 | |
-316, OK. And your rent per month is? -390. | 0:27:08 | 0:27:15 | |
Each month, Ivy has to top up her housing benefit with £74 | 0:27:15 | 0:27:19 | |
-from her pension, but Gloria has got an idea. -Now, if we can somehow | 0:27:19 | 0:27:24 | |
or other put her on the right track to try and get a cheaper house | 0:27:24 | 0:27:27 | |
to rent, it means that £74 to her or anybody or me, | 0:27:27 | 0:27:32 | |
just on a £3.24-a-day allowance... | 0:27:32 | 0:27:35 | |
Suddenly I can see what I could do with £74 a month extra. | 0:27:35 | 0:27:38 | |
Ivy's got five kids, but they have no idea just how bad things have got | 0:27:38 | 0:27:42 | |
for their mum. | 0:27:42 | 0:27:45 | |
When my grandchildren and my children are round, I have to, like, | 0:27:45 | 0:27:50 | |
put a happy face on. | 0:27:50 | 0:27:53 | |
I try not to let my children or my grandchildren see me down. | 0:27:53 | 0:28:00 | |
-Do you ever get the joy out of life? -No. | 0:28:00 | 0:28:05 | |
My life, now...is...awful. | 0:28:06 | 0:28:11 | |
Really awful. | 0:28:11 | 0:28:13 | |
Sometimes I get really down | 0:28:13 | 0:28:16 | |
and I just want to die. | 0:28:16 | 0:28:19 | |
No. I just don't want to be here. | 0:28:19 | 0:28:21 | |
After almost two days cooped up with Peggy, John has got itchy feet | 0:28:25 | 0:28:29 | |
-and he's on the trail of a story. -I'd like to know a bit more | 0:28:29 | 0:28:33 | |
about Peggy's self-isolation. | 0:28:33 | 0:28:36 | |
Of course she's got physical disabilities, | 0:28:36 | 0:28:39 | |
which make it difficult to go thrashing round the village, | 0:28:39 | 0:28:43 | |
but that isn't the only reason. | 0:28:43 | 0:28:45 | |
John wants to know what the other people in the village think. | 0:28:47 | 0:28:50 | |
I think she has herself to blame. You don't talk to people, they don't talk to you. | 0:28:50 | 0:28:55 | |
She's not some kind of pariah to speak to, | 0:28:55 | 0:28:58 | |
it's just that she's a cantankerous old lady. | 0:28:58 | 0:29:01 | |
-Stubborn, I think is the... -But it does come with old age. -It does, yes. -That's how we are. | 0:29:01 | 0:29:08 | |
-And loneliness. -And loneliness. | 0:29:08 | 0:29:11 | |
I think she's very lonely. And I think she's always been | 0:29:11 | 0:29:14 | |
considered a bit of an oddity. People view her with suspicion. | 0:29:14 | 0:29:18 | |
You know, it's a two-way thing. She's not been welcomed by the village, but equally, | 0:29:18 | 0:29:23 | |
she's not played her part in doing it. | 0:29:23 | 0:29:26 | |
Back at the house, John wants to find out what Peggy thinks. | 0:29:26 | 0:29:30 | |
You seem to lead quite a lonely life. Do you feel it's lonely? | 0:29:30 | 0:29:33 | |
If anybody asks me anything and I don't like, I tell them | 0:29:33 | 0:29:36 | |
-to mind their business. -Yes. You haven't said that to me. | 0:29:36 | 0:29:40 | |
You haven't asked me anything I don't want you to! | 0:29:40 | 0:29:43 | |
The fact is, if you don't like people, then people tend | 0:29:43 | 0:29:46 | |
not to like you, and I think that's what's happened with her. | 0:29:46 | 0:29:50 | |
She's a square peg in a round hole and there's going to be | 0:29:50 | 0:29:54 | |
lots of people that are irritated with her and don't like her. | 0:29:54 | 0:29:58 | |
I don't see that she gives a stuff. | 0:29:58 | 0:30:00 | |
Tomato's not too hot? Good. | 0:30:04 | 0:30:07 | |
In Dartford, Lesley has taken over the cooking duties. | 0:30:07 | 0:30:10 | |
Do you know what? I could get used to this life! I really could. | 0:30:12 | 0:30:16 | |
The last time Pat had a break was when Malcolm went into respite care. | 0:30:16 | 0:30:21 | |
-But he's always refused to go back. -Malcolm doesn't like | 0:30:21 | 0:30:24 | |
-going to respite. -And yet you didn't mind it last time you went in? | 0:30:24 | 0:30:27 | |
You get to know them and you know that you're safe there and looked after. | 0:30:27 | 0:30:32 | |
-I don't want to go in at all. -You don't want to go in at all? | 0:30:32 | 0:30:35 | |
He thinks if I put him in respite, I'm going to leave him there and go. | 0:30:38 | 0:30:42 | |
And it's his biggest fear. | 0:30:42 | 0:30:44 | |
He's got to realise that I need two weeks for me. | 0:30:44 | 0:30:48 | |
If he don't, I don't know where we'll end up. | 0:30:48 | 0:30:53 | |
Lesley's decided she needs to convince Malcolm to change his mind about respite care. | 0:30:53 | 0:30:59 | |
Pat would benefit so much from having those few days off | 0:30:59 | 0:31:02 | |
that it would give her renewed energy, make her feel like she's still got a life. | 0:31:02 | 0:31:06 | |
Then they can have that life together. | 0:31:06 | 0:31:08 | |
But every few weeks, it would feel maybe that she got a little more of her independence. | 0:31:08 | 0:31:14 | |
See you in the morning. | 0:31:14 | 0:31:15 | |
OK? | 0:31:17 | 0:31:18 | |
JAZZ MUSIC | 0:31:21 | 0:31:24 | |
Like more than half a million pensioners across Britain, | 0:31:24 | 0:31:27 | |
Philip ventures out no more than once a week. | 0:31:27 | 0:31:31 | |
Oh, dear. | 0:31:31 | 0:31:32 | |
-Bloody worn out before I start, this morning! -When he's up to it, | 0:31:34 | 0:31:39 | |
he attends a local day centre. Today, Tony is going with him. | 0:31:39 | 0:31:43 | |
-Who do I remind you of? -Time Team. -Oh, yeah? -You're the living picture of him, ain't you? | 0:31:43 | 0:31:48 | |
-No getting away from it. -It's me! -It IS you? -Yeah. -Ah! | 0:31:48 | 0:31:55 | |
The Age UK day centre in Gravesend provides lunch and entertainment | 0:31:55 | 0:31:59 | |
-for local pensioners. -Thank you. -Philip used to sing at the centre, | 0:31:59 | 0:32:04 | |
but senior care worker Donna has been unable to get him to perform since Mairi's death. | 0:32:04 | 0:32:10 | |
-Was he in a bit of a state? -He was quite shy, weren't you? | 0:32:10 | 0:32:12 | |
-You didn't want to come, did you? -I didn't want to come, no. | 0:32:12 | 0:32:15 | |
-You find it hard. -I've just gone into a shell and stayed there. | 0:32:15 | 0:32:20 | |
-One, two, one, two. -But after waiting for the other pensioners to leave, | 0:32:20 | 0:32:24 | |
Philip agrees to try singing again - even if it's just to Donna and Tony. | 0:32:24 | 0:32:29 | |
Give us a song, now. | 0:32:29 | 0:32:31 | |
# Love is a many splendored thing | 0:32:31 | 0:32:37 | |
# It's the April rose | 0:32:38 | 0:32:41 | |
# That only grows in the early spring | 0:32:41 | 0:32:45 | |
# Two lovers kissed and the... # | 0:32:45 | 0:32:48 | |
Was that song...special to you, or...? | 0:32:51 | 0:32:55 | |
Yeah. Shouldn't have sung it. | 0:32:56 | 0:32:58 | |
Really emotional. He's got a beautiful voice. | 0:33:00 | 0:33:05 | |
It's really lovely to hear him singing. I can't believe it. | 0:33:05 | 0:33:09 | |
I'm really pleased that you sang to me, Phil. | 0:33:09 | 0:33:12 | |
-Thank you. -I wanted to, but... | 0:33:13 | 0:33:16 | |
-I've done it now. -You have. And you know what that means, | 0:33:18 | 0:33:21 | |
-don't you? -Hm? -You know what that means? -Yeah. I'm getting better. | 0:33:21 | 0:33:26 | |
Although he was unable to finish the song, Tony is more convinced | 0:33:26 | 0:33:29 | |
than ever that getting Philip to sing in public will help | 0:33:29 | 0:33:32 | |
to continue his recovery. | 0:33:32 | 0:33:35 | |
He sang today. In a microphone, | 0:33:35 | 0:33:37 | |
which he's been avoiding for ages and ages. I'm hoping that by the end of day four, | 0:33:37 | 0:33:41 | |
we'll have found some way to get Phil to perform. | 0:33:41 | 0:33:45 | |
In Dartford, Lesley has decided to broach a subject that up until now, | 0:33:50 | 0:33:54 | |
Malcolm has been unwilling to discuss. | 0:33:54 | 0:33:57 | |
Although the rational thing would be for the man to say, | 0:33:58 | 0:34:02 | |
"I'm going to give you a rest every four weeks for five days. | 0:34:02 | 0:34:05 | |
"I'm going to go into respite", irrationally, he probably really is scared to death... | 0:34:05 | 0:34:10 | |
that he WOULD be left there. | 0:34:10 | 0:34:12 | |
When you went into respite, | 0:34:12 | 0:34:15 | |
-How long did you go in for? -The first one, for four days. | 0:34:15 | 0:34:20 | |
-The second one, a week. -So tell me... | 0:34:20 | 0:34:23 | |
But before that, the first one, I couldn't stick it. | 0:34:23 | 0:34:27 | |
Why couldn't you? | 0:34:27 | 0:34:29 | |
-I just couldn't. -You really didn't enjoy any of it at all? -No. | 0:34:29 | 0:34:33 | |
I thought she was dumping me in there. | 0:34:33 | 0:34:37 | |
But I think that's a lifeline for her, isn't it? Because... | 0:34:37 | 0:34:40 | |
I realise it is, now. But I didn't... | 0:34:40 | 0:34:43 | |
You didn't at the time? | 0:34:43 | 0:34:45 | |
Cos you don't honestly think she would leave you, do you? | 0:34:47 | 0:34:50 | |
-Not now. -Not really, not now. -Not now. | 0:34:50 | 0:34:54 | |
-You know she wouldn't. -I know. | 0:34:55 | 0:34:58 | |
Would you ever go back, do you think, just to give Pat a break? | 0:35:01 | 0:35:05 | |
Would you ever say, OK, I know it's not my favourite place | 0:35:05 | 0:35:08 | |
-in the world... -I said I would. | 0:35:08 | 0:35:10 | |
-Would you? -And if I said I would, I will do. | 0:35:10 | 0:35:14 | |
'Malcolm has now promised he will go into respite.' | 0:35:19 | 0:35:24 | |
That's a huge progression. | 0:35:26 | 0:35:28 | |
Despite living 15 miles away in Preston, Ivy's daughter Venus | 0:35:31 | 0:35:35 | |
and 13-year-old granddaughter Jessica regularly make the 90-minute bus ride | 0:35:35 | 0:35:39 | |
to call round with emergency supplies. | 0:35:39 | 0:35:42 | |
Teabags. Weetabix. | 0:35:42 | 0:35:45 | |
Some soup... | 0:35:45 | 0:35:47 | |
-A Fray Bentos. -Isn't she a good girl? | 0:35:50 | 0:35:53 | |
What would you like to see us do to help Ivy's life? | 0:35:54 | 0:35:57 | |
I'd like to see my mum in a nice little flat near me. | 0:35:57 | 0:36:00 | |
That's what I'd like. | 0:36:00 | 0:36:02 | |
So, downsize from this house? | 0:36:02 | 0:36:03 | |
Downsize from this house and see my mum in a nice flat near me. | 0:36:03 | 0:36:07 | |
Where she's closer to me and I can look after her. | 0:36:07 | 0:36:11 | |
But besides the house, there's something Gloria feels Venus needs to know. | 0:36:11 | 0:36:16 | |
I obviously have asked your mum how bad it gets, | 0:36:16 | 0:36:21 | |
and how she feels now that she's having to manage on her own | 0:36:21 | 0:36:26 | |
and...she says it gets so bad | 0:36:26 | 0:36:28 | |
-that sometimes she simply doesn't want to live. It's that bad. -I know that. | 0:36:28 | 0:36:33 | |
I know that, but... My mum has never told me, but I know that. | 0:36:34 | 0:36:39 | |
I do. It is hard. It is hard, and it's a shame to want to feel that way. | 0:36:39 | 0:36:45 | |
It's just horrible to know that the person I love so much | 0:36:47 | 0:36:50 | |
has to feel like that every day. Every day of the week. | 0:36:50 | 0:36:53 | |
It's wrong. Nobody should have to go through it. | 0:36:55 | 0:36:59 | |
But that's the good friendship we've got, because you know | 0:37:00 | 0:37:04 | |
-you can come to me, Mum. No matter what. -I know. | 0:37:04 | 0:37:08 | |
There's just some things I don't want you to know. | 0:37:08 | 0:37:13 | |
-But I'm your daughter. -I know. -Because I love you. | 0:37:13 | 0:37:16 | |
Yeah, but you have your problems. You have problems yourself. | 0:37:16 | 0:37:21 | |
I've got problems, but I love you, it doesn't matter about my problems, does it? | 0:37:21 | 0:37:25 | |
Jess, Jess. | 0:37:26 | 0:37:27 | |
To have your child say to you straight into your eyes, | 0:37:36 | 0:37:39 | |
holding your hands, "I love you, Mum, you're my mum, I would do anything for you." | 0:37:39 | 0:37:43 | |
-I just think that's really impacting. -Come on, Mum. | 0:37:43 | 0:37:47 | |
Come on. | 0:37:47 | 0:37:48 | |
Seeing Ivy and Venus together has reminded Gloria of her own daughter, Caron, | 0:37:50 | 0:37:55 | |
who died nearly 10 years ago, at the age of 41. | 0:37:55 | 0:37:59 | |
I've had obviously to go through a lot of emotion in my own life. | 0:37:59 | 0:38:02 | |
And when I... | 0:38:02 | 0:38:04 | |
Sorry, I can't say it. | 0:38:05 | 0:38:07 | |
(I can't say it.) | 0:38:08 | 0:38:10 | |
It's just because I think of my own daughter. | 0:38:11 | 0:38:14 | |
That's why I can't do it. | 0:38:14 | 0:38:15 | |
OK, so if you go and sit in the front there, Peggy... | 0:38:23 | 0:38:27 | |
In Suffolk, John has finally persuaded Peggy to join him on a trip out. | 0:38:27 | 0:38:32 | |
That's the school I went to, look. | 0:38:32 | 0:38:34 | |
But Peggy's not interested in meeting up with old acquaintances. | 0:38:36 | 0:38:39 | |
Well, not the living ones, anyway... | 0:38:39 | 0:38:41 | |
I reckon I should get out and push you! | 0:38:41 | 0:38:44 | |
SHE LAUGHS | 0:38:44 | 0:38:46 | |
Peggy is going to be buried in the local graveyard, | 0:38:46 | 0:38:49 | |
in the same plot as her dad, Walter. | 0:38:49 | 0:38:53 | |
I've got trembly, sat here now. | 0:38:53 | 0:38:55 | |
You might think that's peculiar. | 0:38:55 | 0:38:58 | |
But in my life... | 0:38:58 | 0:39:00 | |
I've never had anybody make a fuss or love me. | 0:39:00 | 0:39:03 | |
There's no love in my family. | 0:39:03 | 0:39:05 | |
My dad was the only one who loved me and I think that's the truth. | 0:39:05 | 0:39:09 | |
Can't ever remember my mother cuddling me or anything. | 0:39:10 | 0:39:13 | |
-Really? -Yep. | 0:39:13 | 0:39:16 | |
While Peggy was close to her dad, as a young girl growing up | 0:39:21 | 0:39:25 | |
in the 1930s, she had a troubled relationship with her mum, | 0:39:25 | 0:39:28 | |
Edith Mary. | 0:39:28 | 0:39:30 | |
You can't alter these things. I mean, I couldn't alter... | 0:39:31 | 0:39:35 | |
I couldn't make my mother take more notice of me then she did the boys, | 0:39:35 | 0:39:39 | |
that's how she was and that's how I grew up - that was my life. | 0:39:39 | 0:39:44 | |
I used to get thrashed with a dog's lead and on the end | 0:39:44 | 0:39:49 | |
-was a leather bootlace with knots in. -It can't have been easy to forgive that? -You don't forget. | 0:39:49 | 0:39:55 | |
-But did you forgive it? -But that was part of my life, so there ain't | 0:39:55 | 0:39:59 | |
nothing to forgive, really. You don't forget. | 0:39:59 | 0:40:02 | |
# It's you, it's you | 0:40:04 | 0:40:06 | |
# It's all for you | 0:40:06 | 0:40:09 | |
# Everything I do | 0:40:09 | 0:40:11 | |
# I tell you all the time | 0:40:11 | 0:40:14 | |
# Heaven is a place on earth with you | 0:40:14 | 0:40:17 | |
# Tell me all the things you want to do... # | 0:40:17 | 0:40:21 | |
I think that's the key to her character in many ways - | 0:40:21 | 0:40:26 | |
that spikiness. That's pretty characteristic of someone | 0:40:26 | 0:40:29 | |
that didn't get enough love when they were a kid. | 0:40:29 | 0:40:32 | |
She doesn't find it easy to be soft and gentle, clearly, | 0:40:32 | 0:40:36 | |
because no-one was soft and gentle with her. Mother clearly wasn't. | 0:40:36 | 0:40:42 | |
Lesley thinks Pat desperately needs a night off caring for Malcolm. | 0:40:51 | 0:40:55 | |
-Bye, Barbara. See you later. Have a good evening. -She's persuaded | 0:40:55 | 0:40:58 | |
a couple of neighbours to look after him, so they can hit the town. | 0:40:58 | 0:41:02 | |
Yellow, 13. | 0:41:04 | 0:41:07 | |
Red, 18. | 0:41:07 | 0:41:08 | |
Yellow, 33. | 0:41:08 | 0:41:10 | |
-'On yellow 33...' -Oh, no! | 0:41:10 | 0:41:13 | |
-That's two pounds wasted! -But what fun! | 0:41:14 | 0:41:18 | |
Red, 17. | 0:41:19 | 0:41:21 | |
Blue, 52. | 0:41:22 | 0:41:24 | |
Blue, 59. | 0:41:24 | 0:41:26 | |
So how much did I win? | 0:41:26 | 0:41:28 | |
-£4 on that one. -We've spent 20! | 0:41:28 | 0:41:30 | |
Doesn't matter! I'm enjoying it! | 0:41:30 | 0:41:33 | |
Pat's never had time to go to the local bingo hall before, | 0:41:33 | 0:41:37 | |
but she knows exactly what she'd do if she hits the jackpot. | 0:41:37 | 0:41:41 | |
'I've always wanted to go on a cruise.' | 0:41:41 | 0:41:43 | |
And I'd like to, when he was in respite, knowing he was safe, | 0:41:43 | 0:41:47 | |
then I could have a week's cruise, come back... | 0:41:47 | 0:41:51 | |
and it's something I've always wanted. | 0:41:51 | 0:41:53 | |
-Yellow, 14. -Yes! | 0:41:53 | 0:41:55 | |
No! | 0:41:55 | 0:41:58 | |
No! You've won 1,000 quid! | 0:41:58 | 0:41:59 | |
That's 1,136. | 0:41:59 | 0:42:02 | |
Ah! | 0:42:02 | 0:42:03 | |
I can go on my cruise! | 0:42:06 | 0:42:07 | |
You've won 1,000 quid! | 0:42:13 | 0:42:15 | |
Four days ago, I was so miserable. And look at me! I've won some money, | 0:42:17 | 0:42:22 | |
I'm going on a cruise. | 0:42:22 | 0:42:25 | |
Look at this face! | 0:42:25 | 0:42:27 | |
It's the group's last day with their OAP hosts. | 0:42:34 | 0:42:38 | |
After picking up the microphone yesterday, | 0:42:38 | 0:42:40 | |
Philip has agreed to join up with a local singing group. | 0:42:40 | 0:42:43 | |
Well, I feel better in myself. I feel stronger in myself | 0:42:43 | 0:42:47 | |
than what I used to be. | 0:42:47 | 0:42:48 | |
That's all I wanted really, was a push. | 0:42:48 | 0:42:51 | |
# Putting on the top hat | 0:42:51 | 0:42:54 | |
# Tying up a white tie | 0:42:54 | 0:42:57 | |
# Brushing off my tails! # | 0:42:57 | 0:42:59 | |
It'll be lovely to see how he is when he is surrounded by | 0:42:59 | 0:43:02 | |
a whole group of other singers. | 0:43:02 | 0:43:04 | |
-That's it. Do I look all right? -You look fantastic. | 0:43:04 | 0:43:09 | |
I just hope he doesn't lose his bottle. | 0:43:10 | 0:43:12 | |
I'm looking swell! | 0:43:12 | 0:43:15 | |
-Ah.. -Ooh! | 0:43:16 | 0:43:18 | |
Are you all right, matey? | 0:43:19 | 0:43:21 | |
Are you all right? Ups you go... | 0:43:21 | 0:43:24 | |
Waaaay... | 0:43:24 | 0:43:26 | |
-OK... I'm all right now. -Not just being a brave soldier? | 0:43:26 | 0:43:30 | |
-Eh? Yes. -Not just being a brave soldier? You really are all right? | 0:43:30 | 0:43:33 | |
-Just glad I dropped on that finger and not my thumb. -So am I. | 0:43:33 | 0:43:36 | |
That's a bit worrying. He was having such a great time. | 0:43:41 | 0:43:44 | |
And he just went... | 0:43:44 | 0:43:46 | |
I didn't think he landed too hard, I'm just a bit worried that he's... | 0:43:47 | 0:43:51 | |
That he's shaken up. | 0:43:52 | 0:43:54 | |
It's that little tot of whiskey I had. | 0:43:54 | 0:43:56 | |
We've got plenty of time. We'll just let him sit for a bit. | 0:43:58 | 0:44:02 | |
I don't want him... I don't want him rushing to do anything. | 0:44:02 | 0:44:05 | |
You know, I don't like your wheelchair. | 0:44:12 | 0:44:16 | |
John has decided it's too late in the day | 0:44:16 | 0:44:18 | |
to change Peggy, so he's given up trying. | 0:44:18 | 0:44:21 | |
I thought at the start that maybe we should get her out more, take her round the village. | 0:44:21 | 0:44:28 | |
I am not certain about that now. | 0:44:28 | 0:44:31 | |
I don't think that coming in, changing somebody's life | 0:44:31 | 0:44:37 | |
and going away with a warm sense of achievement | 0:44:37 | 0:44:40 | |
is really quite the thing. | 0:44:40 | 0:44:42 | |
She is her own person, she lives her life as she chooses | 0:44:42 | 0:44:46 | |
and she's been kind enough to let us into her life to see it. | 0:44:46 | 0:44:51 | |
John and Peggy are going to visit his old family home in nearby Dunwich, | 0:44:51 | 0:44:55 | |
a place Peggy also knows well, having grown up in the area. | 0:44:55 | 0:44:58 | |
I can't believe I'm back here. My room used to be up there. | 0:44:58 | 0:45:04 | |
I think you're tremendously game to do this, actually, Penny, | 0:45:04 | 0:45:07 | |
-I think it's marvellous. -I didn't get much choice, did I? | 0:45:07 | 0:45:10 | |
-My father fell in love with it instantly. -Yeah. | 0:45:10 | 0:45:13 | |
Absolutely instantly | 0:45:13 | 0:45:15 | |
and we lived here, on and off, | 0:45:15 | 0:45:18 | |
-for ten years, something like that. -Did you? -Yes. | 0:45:18 | 0:45:21 | |
John was raised as an only child by his father, Roy, | 0:45:22 | 0:45:25 | |
following his parents' divorce in 1950. | 0:45:25 | 0:45:28 | |
I learned, actually, when I was at school | 0:45:28 | 0:45:30 | |
to invent a mother that was at home, | 0:45:30 | 0:45:33 | |
because I wanted people to think I HAD a mother, | 0:45:33 | 0:45:36 | |
so that nobody thought that there was something weird about me. | 0:45:36 | 0:45:41 | |
So, this is where I... this is where I grew up. | 0:45:42 | 0:45:47 | |
You know, it's got so many memories. | 0:45:47 | 0:45:51 | |
John's dad died at the age of 65. | 0:45:52 | 0:45:56 | |
Now, two years older than that himself, | 0:45:56 | 0:45:58 | |
John's worried how his death will affect his six-year-old son Rafe. | 0:45:58 | 0:46:01 | |
I mean, God! When he's 16, I shall be 77. | 0:46:01 | 0:46:08 | |
Then the moment comes for him to say, | 0:46:08 | 0:46:11 | |
"I want to go and play rugby this weekend", and I'll say, | 0:46:11 | 0:46:16 | |
"But we had it planned...". | 0:46:16 | 0:46:20 | |
When I did this thing, | 0:46:40 | 0:46:41 | |
I thought, "One thing I'm not going to do is bloody choke up!" | 0:46:41 | 0:46:46 | |
I'm sorry. | 0:46:46 | 0:46:48 | |
Gloria wants to help Ivy move to a cheaper flat. | 0:47:01 | 0:47:04 | |
So, she's taken her to Preston to view some sheltered accommodation. | 0:47:04 | 0:47:08 | |
If we can find or help Ivy find a house | 0:47:08 | 0:47:11 | |
to move from this privately-rented house, | 0:47:11 | 0:47:13 | |
it just solves so many issues, financially and socially. | 0:47:13 | 0:47:16 | |
Oh! Look at this! | 0:47:16 | 0:47:18 | |
She wouldn't have that top-up rent to pay. | 0:47:18 | 0:47:21 | |
She would have food in her belly to eat. | 0:47:21 | 0:47:23 | |
She would be near her daughter and her granddaughter. | 0:47:23 | 0:47:25 | |
So, it could be absolutely joy | 0:47:25 | 0:47:28 | |
and magic for Ivy if we pull this off. | 0:47:28 | 0:47:32 | |
So, we've got the key of the door. | 0:47:32 | 0:47:35 | |
This one-bedroom flat is part of a housing agency for older people | 0:47:35 | 0:47:39 | |
and offers tenants support in managing their finances. | 0:47:39 | 0:47:43 | |
-This is the bedroom, which is quite big. -Yeah. | 0:47:43 | 0:47:46 | |
-You've got double glazed windows. -Yeah. -Which is good. | 0:47:46 | 0:47:49 | |
And what I must tell you as well is that this is affordable. | 0:47:49 | 0:47:52 | |
-Yeah. -So, this, again, you wouldn't have to top up any rent. | 0:47:52 | 0:47:56 | |
So, it's well within your budget. | 0:47:56 | 0:47:58 | |
Here we are. Quite a decent-sized sitting room. | 0:48:00 | 0:48:02 | |
A very good aspect, looking out, isn't it? | 0:48:02 | 0:48:06 | |
-So, what do you think? -I like it. | 0:48:06 | 0:48:08 | |
-Do you? -I do. -Do you get a good feeling? -Yeah. | 0:48:08 | 0:48:12 | |
I've got Ivy with me and she's in the apartment here and loves it. | 0:48:15 | 0:48:20 | |
What I wanted to find out from you is actually price and availability. | 0:48:20 | 0:48:25 | |
-Believe it or not, I'm going to tell you what Robin said, right? -Yeah. | 0:48:30 | 0:48:34 | |
-If you like it... -Yeah. -It's available | 0:48:34 | 0:48:38 | |
and you can have it as of today! | 0:48:38 | 0:48:40 | |
Oh! | 0:48:40 | 0:48:42 | |
Hello? | 0:48:42 | 0:48:44 | |
Hello. | 0:48:44 | 0:48:47 | |
I can't say anything! | 0:48:48 | 0:48:50 | |
-I can have it today? -That's amazing. | 0:48:51 | 0:48:56 | |
To see someone like Ivy, | 0:48:56 | 0:48:58 | |
who's talked on this programme about wanting to kill herself, | 0:48:58 | 0:49:00 | |
that she's got nothing to live for, | 0:49:00 | 0:49:02 | |
now, all of a sudden, she's got EVERYTHING to live for. | 0:49:02 | 0:49:04 | |
After taking a break, | 0:49:10 | 0:49:12 | |
Philip's decided he's feeling well enough to join the local singing group, | 0:49:12 | 0:49:15 | |
who are performing at a nearby care home. | 0:49:15 | 0:49:19 | |
I think he tripped over my slipper, | 0:49:19 | 0:49:21 | |
so it was probably my fault. | 0:49:21 | 0:49:23 | |
He went BOOF! He went down like George Foreman. | 0:49:23 | 0:49:27 | |
But, then he was up again within five minutes and I kept going, | 0:49:27 | 0:49:30 | |
"Are you all right?". For the next hour, that was all I said, I think. | 0:49:30 | 0:49:33 | |
But he was absolutely fine. | 0:49:33 | 0:49:35 | |
CHOIR SINGS | 0:49:35 | 0:49:38 | |
Philip hasn't sung in public | 0:49:38 | 0:49:41 | |
since his wife, Mairi, died. And Tony has invited his grandson, | 0:49:41 | 0:49:44 | |
Stuart, and his family along for moral support. | 0:49:44 | 0:49:47 | |
CHOIR SINGS | 0:49:47 | 0:49:53 | |
APPLAUSE | 0:50:01 | 0:50:04 | |
And now, ladies and gentlemen, Philip will sing unaccompanied, | 0:50:06 | 0:50:11 | |
without the aid of a safety net, Love Is A Many-Splendored Thing. | 0:50:11 | 0:50:15 | |
I hope I'll get through it all right, I haven't sung for a long time. | 0:50:20 | 0:50:24 | |
No, you were brilliant. | 0:50:24 | 0:50:26 | |
# Love | 0:50:26 | 0:50:28 | |
# Is a many-splendored thing | 0:50:28 | 0:50:33 | |
# It's the April rose | 0:50:33 | 0:50:37 | |
# That only grows in the early spring | 0:50:37 | 0:50:43 | |
# Yes, it's true | 0:50:43 | 0:50:45 | |
# Love's a many-splendored | 0:50:45 | 0:50:50 | |
# Thing. # | 0:50:50 | 0:50:56 | |
APPLAUSE | 0:50:57 | 0:51:00 | |
Thank you. | 0:51:00 | 0:51:02 | |
It's so good to see him singing. Makes me proud of him. | 0:51:06 | 0:51:11 | |
I'm really proud. | 0:51:11 | 0:51:13 | |
-BABY: Ah! -Your dad! | 0:51:15 | 0:51:16 | |
If more people had the time to pay attention to elderly people, | 0:51:20 | 0:51:25 | |
particularly in this case, grieving elderly people, | 0:51:25 | 0:51:30 | |
maybe there would be a real shift in the lives of elderly people. | 0:51:30 | 0:51:36 | |
-Aaah. No, it's lovely to see you. -That was brilliant. Well done. | 0:51:36 | 0:51:40 | |
-I'm really proud of you. -Really good. -Yes, it was lovely. | 0:51:40 | 0:51:43 | |
I think a hell of a lot of Mairi, but it's been my main problem. | 0:51:43 | 0:51:48 | |
That's what I've got to do - I mustn't keep hanging on... | 0:51:49 | 0:51:53 | |
I've got to try and... | 0:51:53 | 0:51:56 | |
let myself go and forget things a bit. | 0:51:56 | 0:51:59 | |
Malcolm and I had a talk and, um... | 0:52:02 | 0:52:04 | |
Yes, we sort of did a deal, | 0:52:06 | 0:52:08 | |
really, which he'd sort of talked about before. You could go off | 0:52:08 | 0:52:11 | |
-on a cruise and he would go into respite. -Right. -Did you? | 0:52:11 | 0:52:15 | |
-Yes. -Do you mean it? -You're worth it. | 0:52:16 | 0:52:19 | |
-And do you still feel today that's all right? -Yes. | 0:52:19 | 0:52:23 | |
-What made you change, Malcolm? -If I told Lesley I would, I would. | 0:52:23 | 0:52:27 | |
-He can't go back on it now, can he? -No. | 0:52:29 | 0:52:33 | |
I get worried in case she leaves me, but I know now she wouldn't. | 0:52:33 | 0:52:37 | |
So that will be the biggest present in the world, in a way, | 0:52:41 | 0:52:43 | |
-to give her a week...away. -Yes. | 0:52:43 | 0:52:47 | |
I love her so much. | 0:52:47 | 0:52:50 | |
I've got nothing to offer... to offer her... | 0:52:50 | 0:52:53 | |
I'm really useless. | 0:52:55 | 0:52:56 | |
Oh, Malcolm. You know she adores you. | 0:53:02 | 0:53:05 | |
-You KNOW that. -I know, yes. | 0:53:06 | 0:53:09 | |
She's so lovely. | 0:53:12 | 0:53:14 | |
Look at me... | 0:53:14 | 0:53:16 | |
I can't even put a bulb in. | 0:53:16 | 0:53:18 | |
Because Lesley's been here, she's been doing the cooking, | 0:53:21 | 0:53:25 | |
the washing up... I've had time to see him as a person | 0:53:25 | 0:53:31 | |
and not just as... | 0:53:31 | 0:53:33 | |
I'm going to say the wrong word - a burden. | 0:53:35 | 0:53:38 | |
I didn't realise how little I showed you affection, really. | 0:53:38 | 0:53:43 | |
I think because I thought you were disabled...it didn't matter. | 0:53:43 | 0:53:47 | |
'I'm not invincible.' | 0:53:49 | 0:53:50 | |
I'm just someone who got very tired... | 0:53:50 | 0:53:54 | |
Someone who could see people going out, and I was stuck in there. | 0:53:56 | 0:54:00 | |
That's all I could see. I couldn't see... | 0:54:01 | 0:54:04 | |
..me as a person any more. | 0:54:05 | 0:54:07 | |
I didn't have a name. | 0:54:07 | 0:54:09 | |
I was Malcolm's carer. | 0:54:09 | 0:54:11 | |
And I am sorry. | 0:54:11 | 0:54:14 | |
-That's all right, love. -I just didn't realise. -You know you don't | 0:54:14 | 0:54:16 | |
-have to say sorry, really. -Yeah, but I didn't realise. | 0:54:16 | 0:54:20 | |
-Well, you can look forward to your holiday now. -Yeah. | 0:54:20 | 0:54:23 | |
You're going to keep that promise? | 0:54:23 | 0:54:26 | |
Come on, you silly old fool. | 0:54:27 | 0:54:29 | |
Very romantic! | 0:54:33 | 0:54:35 | |
-MAN: Was it nice? -Yes. | 0:54:36 | 0:54:39 | |
Makes me feel young again! | 0:54:40 | 0:54:43 | |
-OK, my dear. Well, thank you. Don't move. -Finished now being told | 0:54:46 | 0:54:50 | |
-what to do and what not to do. -OK, from now on, | 0:54:50 | 0:54:53 | |
no more telling you what to do! | 0:54:53 | 0:54:55 | |
It's time for the four visiting pensioners to go home | 0:54:55 | 0:54:57 | |
after their short stay. | 0:54:57 | 0:54:59 | |
'Peggy is who she is. | 0:54:59 | 0:55:01 | |
'She's a stubborn, | 0:55:01 | 0:55:03 | |
'cantankerous old girl' | 0:55:03 | 0:55:05 | |
who likes to have a bit of spark with other people. | 0:55:05 | 0:55:10 | |
Bye-bye. | 0:55:10 | 0:55:11 | |
He's a nice man. | 0:55:11 | 0:55:14 | |
Couldn't have had anybody nicer, really. | 0:55:14 | 0:55:17 | |
I think it's just been a kind of wake-up call in some ways, | 0:55:17 | 0:55:21 | |
that old age is pretty much round the next corner for me. | 0:55:21 | 0:55:26 | |
I'm not going to be getting on a plane every five days. | 0:55:26 | 0:55:30 | |
It's not going to be like that. It's going to be different. | 0:55:30 | 0:55:33 | |
Do you know something? I arrived here, not knowing what I was | 0:55:35 | 0:55:39 | |
coming into, but you know, I've really, really loved meeting you. | 0:55:39 | 0:55:43 | |
I'm really going to miss you. | 0:55:43 | 0:55:44 | |
-Bye, Ivy. -Bye. -Bye-bye, God bless. | 0:55:48 | 0:55:50 | |
'I do think, | 0:55:50 | 0:55:51 | |
'that since we arrived four days ago, | 0:55:51 | 0:55:54 | |
'we've managed to change Ivy's perspective on some things.' | 0:55:54 | 0:55:57 | |
So I think that we've both learned things | 0:55:57 | 0:56:01 | |
about ourselves and each other. | 0:56:01 | 0:56:03 | |
Cheers, Tony. | 0:56:06 | 0:56:07 | |
It's been great having you with us and I'm very pleased to see you. | 0:56:07 | 0:56:10 | |
-It was a laugh, wasn't it? -It has been great, really. | 0:56:10 | 0:56:13 | |
I wish you wasn't going, tell you the truth. | 0:56:13 | 0:56:15 | |
-Cheers, mate. -Ta-da. | 0:56:15 | 0:56:16 | |
-Doesn't seem like four days, does it? -No, it doesn't. | 0:56:18 | 0:56:21 | |
-Soon gone. -Bye. -Ta-da. | 0:56:21 | 0:56:24 | |
'I was a bit dubious when we started, but I must say, it's helped me | 0:56:26 | 0:56:31 | |
'a great deal.' | 0:56:31 | 0:56:32 | |
Ta-da, mate. | 0:56:32 | 0:56:34 | |
It's been great. I really enjoyed it. | 0:56:34 | 0:56:36 | |
I'm going to miss you all! | 0:56:39 | 0:56:41 | |
'I felt cynical about the whole process, but I can't deny' | 0:56:42 | 0:56:45 | |
the fact that in the short term at least, for whatever reason, | 0:56:45 | 0:56:51 | |
we have made a significant change in someone's life. | 0:56:51 | 0:56:56 | |
LESLEY: I wish you well. | 0:56:57 | 0:56:59 | |
Thank you, darling. | 0:56:59 | 0:57:00 | |
-I hope you enjoy respite. -I will. | 0:57:02 | 0:57:03 | |
I hope you have a wonderful holiday | 0:57:03 | 0:57:06 | |
and I really thank you for your hospitality. | 0:57:06 | 0:57:09 | |
Thank you. | 0:57:11 | 0:57:12 | |
All right, my darling. So, er... Will you show me which way to go? | 0:57:12 | 0:57:16 | |
Thank you. | 0:57:16 | 0:57:17 | |
If I were to say what have I learned out of these four days, | 0:57:18 | 0:57:22 | |
I would say I've learned how lucky I am. | 0:57:22 | 0:57:25 | |
Thank you. It's been a blast. | 0:57:25 | 0:57:28 | |
I suppose it seems such a cliche to say live every day | 0:57:32 | 0:57:35 | |
as if it's your last and appreciate what you've got every day, but I suppose that, | 0:57:35 | 0:57:39 | |
if anything, this shows you, yeah, that's true. | 0:57:39 | 0:57:43 | |
-Glad it happened? -Yes. | 0:57:43 | 0:57:45 | |
-So am I. -Good. | 0:57:47 | 0:57:48 | |
-I had a wonderful time. -So did I. Really lovely. | 0:57:48 | 0:57:51 | |
Yeah? | 0:57:51 | 0:57:52 | |
Give us a kiss. | 0:57:52 | 0:57:53 | |
MUSIC: "Love Is A Many-Splendored Thing" | 0:57:53 | 0:57:56 | |
SHE GIGGLES | 0:58:13 | 0:58:15 | |
-Next time... -I'll be stuck in here for the whole day. | 0:58:17 | 0:58:20 | |
The four famous pensioners encounter a world even more challenging. | 0:58:20 | 0:58:24 | |
-Why do they keep me alive? -'Well, shocked.' | 0:58:24 | 0:58:27 | |
They enter a world nobody wants to end up in. | 0:58:27 | 0:58:31 | |
Do you? | 0:58:31 | 0:58:32 | |
-They're going to become care home residents. -It's like somebody | 0:58:32 | 0:58:36 | |
holding up a mirror and saying, "this is what you'll be like". | 0:58:36 | 0:58:39 | |
I've found this very difficult. | 0:58:39 | 0:58:40 | |
It's my biggest dread in my whole life. | 0:58:40 | 0:58:42 | |
It's never going to be all plain sailing. | 0:58:42 | 0:58:44 | |
# Stars shining bright above you | 0:58:47 | 0:58:53 | |
# Night breezes seem to whisper "I love you" | 0:58:53 | 0:58:59 | |
# Birds singing in the sycamore tree | 0:58:59 | 0:59:04 | |
# Dream a little dream of me. # | 0:59:04 | 0:59:09 | |
Subtitles by Red Bee Media Ltd | 0:59:09 | 0:59:11 |