Browse content similar to Linda and James. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
James and Linda are besotted with each other. | 0:00:02 | 0:00:05 | |
I tell her I love her every day and I show it every day. | 0:00:05 | 0:00:08 | |
We love each other and want to be together for the rest of our lives. | 0:00:08 | 0:00:11 | |
And Linda expects nothing short of bridal bliss on her wedding day. | 0:00:11 | 0:00:16 | |
It's only one day that I'm going to do once, so I want the wedding to be perfect. | 0:00:16 | 0:00:20 | |
But they can't afford the sort of wedding she wants, so we're giving | 0:00:20 | 0:00:25 | |
them £12,000 towards their big day, but there's one big catch... | 0:00:25 | 0:00:31 | |
self-confessed control freak Linda has agreed, | 0:00:31 | 0:00:33 | |
in the presence of a lawyer, to let James organise the wedding alone. | 0:00:33 | 0:00:39 | |
Your wedding is mine! HE CACKLES EVILLY | 0:00:39 | 0:00:41 | |
-And the divorce is mine! -SHE CACKLES | 0:00:41 | 0:00:45 | |
They'll have absolutely no contact, and the bride won't know a single | 0:00:45 | 0:00:48 | |
thing about her wedding until the day itself in three weeks' time. | 0:00:48 | 0:00:53 | |
-Will James come up with some big ideas? -Wow! | 0:00:53 | 0:00:57 | |
I said I don't want a themed wedding. | 0:00:57 | 0:00:59 | |
Can he get his bride to the church on time? | 0:00:59 | 0:01:02 | |
Please don't say what you're going to say, Sam, because I'll go mad. | 0:01:02 | 0:01:06 | |
Or will he finally crack under the stress? | 0:01:06 | 0:01:09 | |
Yeah, she'll be getting in the car now. | 0:01:09 | 0:01:13 | |
Can this man give his bride a day she'll never forget? | 0:01:13 | 0:01:16 | |
-The whole day has been ruined! He's just not organised anything! -SHE SOBS | 0:01:16 | 0:01:22 | |
Today, Linda's moving out of the flat she shares with James just outside Derby, | 0:01:32 | 0:01:37 | |
and for the first time in five years, | 0:01:37 | 0:01:40 | |
she's letting her man take over. | 0:01:40 | 0:01:42 | |
I wear the trousers absolutely 100%. | 0:01:42 | 0:01:45 | |
-And I would just like to say Linda wear the trousers 110%. -Yep. | 0:01:45 | 0:01:51 | |
I would consider myself to be quite a huge control freak. | 0:01:53 | 0:01:57 | |
Oh, you can't do it by that. | 0:01:57 | 0:02:01 | |
She rules James with a rod of iron at times, and it makes me cringe. | 0:02:01 | 0:02:04 | |
'The poor bloke, I feel quite sorry for him at times.' | 0:02:04 | 0:02:07 | |
All the time... nag, nag, nag, nag. | 0:02:07 | 0:02:10 | |
-It's cute. -You love it! | 0:02:10 | 0:02:13 | |
22-year-old Linda's | 0:02:14 | 0:02:16 | |
wanted a fairytale wedding since she was a little girl, but what began as a fantasy, has become a fixation. | 0:02:16 | 0:02:23 | |
I want the traditional Cinderella wedding, you know, the white dress, | 0:02:23 | 0:02:28 | |
big church, nice fancy reception with a sit-down meal. | 0:02:28 | 0:02:31 | |
This is to us. | 0:02:31 | 0:02:33 | |
-To us, and our wedding. -Our wedding... | 0:02:33 | 0:02:36 | |
three weeks. | 0:02:36 | 0:02:37 | |
As a training manager for a mobile phone company, | 0:02:37 | 0:02:40 | |
James is used to responsibility at work, but not at home. | 0:02:40 | 0:02:44 | |
To be wearing no trousers for five and a half years, and then getting | 0:02:44 | 0:02:48 | |
them solidly on for three weeks, is going to be a huge journey. | 0:02:48 | 0:02:51 | |
And he's only too aware how high the stakes are. | 0:02:51 | 0:02:55 | |
If I get this wrong, | 0:02:55 | 0:02:57 | |
then I'm going to be hearing about it on that sofa for many years to come. | 0:02:57 | 0:03:02 | |
This is going to be the first major gig, and if he gets it wrong... oooh, quick wedding, quick divorce! | 0:03:02 | 0:03:08 | |
The time has come for Linda and James to go their separate ways. | 0:03:10 | 0:03:15 | |
I love you. It's going to be fine, you know? | 0:03:20 | 0:03:25 | |
Be brave, yeah? | 0:03:25 | 0:03:26 | |
I'll see you up the end of that aisle, now get out of here before we change our mind. | 0:03:26 | 0:03:32 | |
And after a quick recovery, it's time for him to summon his troops. | 0:03:56 | 0:04:00 | |
She's gone, so just get here as fast as you can. | 0:04:00 | 0:04:03 | |
His second in command is 26-year-old Sam, a sales manager and confirmed bachelor. | 0:04:03 | 0:04:11 | |
I've got no plans to get married myself, and I kind of switch off | 0:04:11 | 0:04:15 | |
whenever anybody talks about weddings and cakes, dresses, flowers and all of that stuff. | 0:04:15 | 0:04:21 | |
Sam might think he's too macho for wedding planning, | 0:04:21 | 0:04:24 | |
but James is certainly in touch with his feminine side. | 0:04:24 | 0:04:27 | |
-Hey, come here! -Good to see you! | 0:04:27 | 0:04:29 | |
He's very flamboyant, he likes attention, put it that way... | 0:04:29 | 0:04:33 | |
he likes the spotlight. | 0:04:33 | 0:04:34 | |
Good to see you, mate! | 0:04:34 | 0:04:36 | |
Yeah, it's good to see you! | 0:04:36 | 0:04:38 | |
James is bubbling, extroverted, | 0:04:38 | 0:04:41 | |
over the top, camp in some respects. | 0:04:41 | 0:04:45 | |
Just to throw you straight into it, we're going wedding dress shopping. | 0:04:45 | 0:04:49 | |
-Now? -Now. -With you? -With me. | 0:04:49 | 0:04:52 | |
Great (!) | 0:04:52 | 0:04:54 | |
For brides up and down the land, the acid test for a successful wedding is finding the perfect gown. | 0:04:56 | 0:05:05 | |
Ah... there it is! | 0:05:05 | 0:05:08 | |
Surely a metrosexual man like James won't have any trouble? | 0:05:08 | 0:05:13 | |
It's going to be white... | 0:05:13 | 0:05:15 | |
I don't know, there can't be that many dresses to choose from. | 0:05:19 | 0:05:22 | |
These are the wedding dresses! | 0:05:22 | 0:05:24 | |
Oh, my God! | 0:05:24 | 0:05:26 | |
They're all wedding dresses... | 0:05:30 | 0:05:32 | |
There's loads. | 0:05:32 | 0:05:35 | |
-How about this kind of thing? -Right. | 0:05:35 | 0:05:38 | |
Is there anything about that that you don't like? | 0:05:39 | 0:05:42 | |
I'm not so sure about... I knew you'd be good at this... | 0:05:42 | 0:05:45 | |
I'm not sure about it, so if you've got anything that doesn't have... what's it called? What do you say? | 0:05:45 | 0:05:50 | |
Swathing. | 0:05:50 | 0:05:52 | |
-Yeah... -The frilly bits. | 0:05:52 | 0:05:54 | |
That's it, cool, and also I don't want anything that necessarily is going to rustle. | 0:05:54 | 0:05:58 | |
On a scale of one to rustliness, how rustly is it? | 0:05:58 | 0:06:02 | |
About five, probably. | 0:06:02 | 0:06:03 | |
Probably about five? Right, OK. What actual material is it? | 0:06:03 | 0:06:06 | |
That's taffeta. | 0:06:06 | 0:06:09 | |
Taffeta, right. | 0:06:09 | 0:06:10 | |
-What is taffeta? -How do you define... | 0:06:10 | 0:06:15 | |
-it's taffeta! -All right, OK. | 0:06:15 | 0:06:18 | |
That's a technical term, James. | 0:06:18 | 0:06:20 | |
Up until this moment, as arrogant as it may seem, I didn't think I was going to get this wrong. | 0:06:20 | 0:06:28 | |
I thought that I'd see five or six dresses, and choose one, | 0:06:28 | 0:06:33 | |
but now I'm thinking I am going to get it wrong. | 0:06:33 | 0:06:38 | |
Linda's mum knows getting it wrong isn't an option for her daughter. | 0:06:38 | 0:06:41 | |
I love James, but the thing is, if he brings me a shitty dress, | 0:06:41 | 0:06:45 | |
and he's obviously half-heartedly picked it out, | 0:06:45 | 0:06:47 | |
then obviously he doesn't take into consideration how much it means to me. | 0:06:47 | 0:06:51 | |
Will you be bothered if it's not long? | 0:06:51 | 0:06:53 | |
Yeah, I would, | 0:06:53 | 0:06:54 | |
I'd have to think twice about whether I'd actually wear it. | 0:06:54 | 0:06:57 | |
He knows that the dress is so important to me, | 0:06:57 | 0:07:01 | |
he wouldn't risk mucking that up, | 0:07:01 | 0:07:04 | |
and if I refuse to wear the dress, then... | 0:07:04 | 0:07:07 | |
Would you risk not getting married for the sake of just a dress? | 0:07:07 | 0:07:11 | |
Yeah, potentially, I would. | 0:07:11 | 0:07:13 | |
No pressure, then! | 0:07:13 | 0:07:14 | |
If only she knew that her groom doesn't even have a grasp of the basics! | 0:07:14 | 0:07:19 | |
-So you've got some measurements, and... -Like her vital statistics? | 0:07:19 | 0:07:23 | |
You want to do the hugging test, don't you? | 0:07:23 | 0:07:25 | |
Yeah, just a little bit taller than yourself, five two? | 0:07:27 | 0:07:32 | |
Three? Four? About 5'3. | 0:07:32 | 0:07:35 | |
Oh, dear! James's chances of picking the right dress already seem doomed. | 0:07:35 | 0:07:39 | |
Meanwhile, his bride knows exactly what she wants, | 0:07:39 | 0:07:44 | |
she chose it three years ago, before James had even proposed, | 0:07:44 | 0:07:49 | |
and today her mum and sister get a peek. | 0:07:49 | 0:07:53 | |
-What do you think? -That's absolutely stunning. | 0:07:53 | 0:07:56 | |
Have you fallen in love with this one? | 0:07:56 | 0:07:59 | |
Yeah, once you've found the dress, you've found the dress. | 0:07:59 | 0:08:02 | |
This was definitely the dress, I think I tried on perhaps 15, 20 dresses? | 0:08:02 | 0:08:07 | |
-15, 20 dresses... God. -Yeah, lots of different stores, and then obviously this is my favourite one. | 0:08:07 | 0:08:13 | |
You wouldn't have gone for a two-tone? | 0:08:13 | 0:08:15 | |
No, no, I like this one. | 0:08:15 | 0:08:16 | |
A traditional girl at heart, only white will do. | 0:08:16 | 0:08:20 | |
But what if it wasn't white? | 0:08:20 | 0:08:22 | |
It will be, I'm not thinking about that, I'll get upset! | 0:08:22 | 0:08:25 | |
-I think I was looking for white. -Is ivory out, or is it just not the first choice? | 0:08:25 | 0:08:29 | |
-I prefer white. -You will struggle with white, I'm afraid. | 0:08:29 | 0:08:32 | |
You've got to have a good complexion to wear white. Have you got a photo of her? | 0:08:32 | 0:08:36 | |
Here's my little princess. | 0:08:36 | 0:08:38 | |
OK, oh, wow! She's very pale, | 0:08:38 | 0:08:40 | |
if that lady was to come into the store, she'd be asking for ivory. | 0:08:40 | 0:08:44 | |
No, she wouldn't! | 0:08:44 | 0:08:45 | |
Based on what you two guys have said, I'm quite happy, I think, | 0:08:45 | 0:08:49 | |
to have a look at the ivory options, if that's all right? | 0:08:49 | 0:08:54 | |
Back at the boutique, fantasy dress shopping has been all too much for Linda. | 0:08:54 | 0:09:00 | |
We spent hours picking the perfect dress, and I'll never get to wear it. | 0:09:00 | 0:09:05 | |
Obviously, you think about it, but when you come and put on the dress | 0:09:09 | 0:09:13 | |
that you spent so long picking, it's like really, really hard. | 0:09:13 | 0:09:16 | |
It's really important to me, especially standing here | 0:09:16 | 0:09:21 | |
in the dress that I've chosen, it's really hard. | 0:09:21 | 0:09:24 | |
SHE SIGHS | 0:09:24 | 0:09:28 | |
-Yes, or no? -No. -No. | 0:09:28 | 0:09:29 | |
-No. -No. -No. -No. | 0:09:29 | 0:09:33 | |
It takes James a whole three days. | 0:09:35 | 0:09:38 | |
-Do you like it? -Erm... -Do you think Linda would like it? | 0:09:38 | 0:09:40 | |
-I don't know any more. -Four bridal shops, six shortlisted dresses... | 0:09:40 | 0:09:46 | |
-Come here, man. Come here... -Aaw! -No! | 0:09:46 | 0:09:48 | |
And several hugs. | 0:09:48 | 0:09:50 | |
-I've been looking at tafeka. -Taffeta? -Taffeta. | 0:09:50 | 0:09:55 | |
Before he finally makes up his mind... | 0:09:55 | 0:09:57 | |
-Give me some love. -..and ends up back almost where he started. | 0:09:57 | 0:10:01 | |
Have you got anybody that would be willing to try it on? | 0:10:01 | 0:10:04 | |
You know what? This is the one. | 0:10:04 | 0:10:06 | |
Er, no,... it isn't. | 0:10:06 | 0:10:09 | |
This is the dress, THE dress, that's right. | 0:10:09 | 0:10:13 | |
-The one. -THE dress. | 0:10:13 | 0:10:14 | |
You know what it is? You know what the whole thing is, the reason why I keep changing my mind, | 0:10:14 | 0:10:19 | |
is that I don't know what I want, but I think that she would like that. | 0:10:19 | 0:10:23 | |
Of course, he doesn't know that there's only one dress for Linda, | 0:10:23 | 0:10:26 | |
so he parts with £750 and seals the deal... | 0:10:26 | 0:10:29 | |
-Give me some of that. -With a hug, of course. | 0:10:29 | 0:10:32 | |
Whilst James is working hard to give his bride to be her perfect wedding... | 0:10:32 | 0:10:37 | |
-That's yours. -No! -You're having some. | 0:10:37 | 0:10:39 | |
-I don't want any! -Do as you're told! | 0:10:39 | 0:10:41 | |
Linda, now settled in at her parents' house, seems to have little faith in her man. | 0:10:41 | 0:10:46 | |
What do you think then, Linda, what do you think James is going to do? | 0:10:46 | 0:10:49 | |
I think, right about now, he's perhaps | 0:10:49 | 0:10:52 | |
pulling his hair out thinking, "What have I got myself into?" | 0:10:52 | 0:10:55 | |
What do you think, Dad? | 0:10:55 | 0:10:57 | |
I dread to think, I think he's got something very elaborate set up. | 0:10:57 | 0:11:02 | |
-Do you think? -Yeah, and you'll all enjoy... | 0:11:02 | 0:11:04 | |
As in elaborate, and I'm going to kill him? | 0:11:04 | 0:11:06 | |
Elaborate and you're going to kill him. | 0:11:06 | 0:11:09 | |
She doesn't know the half of it! | 0:11:09 | 0:11:11 | |
With the dress in the bag, James is on a roll. He's got two and a half weeks | 0:11:14 | 0:11:18 | |
to pull off the wedding of the century. | 0:11:18 | 0:11:20 | |
First option would be the idyllic classic elegant wedding, | 0:11:20 | 0:11:25 | |
the second option, I think it would wow a lot of people to be in that elegant environment | 0:11:25 | 0:11:29 | |
then all of a sudden, when they come back after an hour's respite, | 0:11:29 | 0:11:33 | |
just see something completely different, and a completely different atmosphere. | 0:11:33 | 0:11:37 | |
But what will that something completely different be? | 0:11:37 | 0:11:40 | |
The next morning, he has a brand-new master plan. | 0:11:45 | 0:11:50 | |
I want to bring a little bit of something, | 0:11:50 | 0:11:54 | |
somewhere that we've always wanted to go to the wedding, | 0:11:54 | 0:11:57 | |
in a tasteful way, and that's Las Vegas. | 0:11:57 | 0:11:59 | |
And he can't wait to break the news to one of his ushers, Greg. | 0:11:59 | 0:12:03 | |
Traditional ceremony, yeah? | 0:12:03 | 0:12:06 | |
-Yeah. -Traditional wedding breakfast, | 0:12:06 | 0:12:08 | |
and then Vegas, and when I say Vegas, I mean Vegas... | 0:12:08 | 0:12:11 | |
-I want the wow factor. -OK. | 0:12:11 | 0:12:15 | |
And without wasting any time, the boys crack on with finding a venue. | 0:12:15 | 0:12:19 | |
Hi, there, this is a message for Langley Priory, | 0:12:19 | 0:12:22 | |
and I just wondered whether you could give me a call? | 0:12:22 | 0:12:25 | |
Hi, this is a message for Helen, a return call would be much appreciated. | 0:12:25 | 0:12:29 | |
I want to discuss you as a possible venue in short notice. | 0:12:29 | 0:12:33 | |
What I want is that I want elegant ceremony, | 0:12:33 | 0:12:37 | |
yeah, elegant breakfast, but then I want to bring Vegas to Makeney Hall. | 0:12:37 | 0:12:44 | |
Right, cheers then, bye-bye. | 0:12:44 | 0:12:47 | |
-That's Makeney Hall. -That's Makeney Hall, | 0:12:47 | 0:12:49 | |
and I think that it's viable to get Vegas, like proper Vegas, | 0:12:49 | 0:12:54 | |
-I'm not just talking scratch cards and cheap roulette tables! -No. | 0:12:54 | 0:12:59 | |
I'm talking about hired neon lamps with flowy water, I'm talking about cabaret-type lamps for | 0:12:59 | 0:13:07 | |
the thing, I'm talking about a shrimp and steak buffet, which I think could be right original. | 0:13:07 | 0:13:14 | |
Right original? | 0:13:14 | 0:13:15 | |
Ah, James, you're organising a wedding, not a fancy dress party! | 0:13:15 | 0:13:20 | |
The worst thing for the day would be perhaps having a themed wedding, | 0:13:20 | 0:13:25 | |
if I turned up, and it's all themed, I think I'd be distraught. | 0:13:25 | 0:13:30 | |
Linda's heart is set on a traditional wedding in a traditional church, | 0:13:34 | 0:13:38 | |
a world away from the bright lights of Vegas. | 0:13:38 | 0:13:41 | |
It's lovely, because obviously all the bells are very traditional. | 0:13:41 | 0:13:46 | |
And today she's showing her chief bridesmaid Sarah her dream church. | 0:13:51 | 0:13:57 | |
It's just very pretty, and you can have your choir and all your bells. | 0:13:57 | 0:14:00 | |
-Yes. -I'd find it really hard to accept if I couldn't have a church wedding, | 0:14:00 | 0:14:05 | |
I think it's always something that I've had in my mind, | 0:14:05 | 0:14:08 | |
that traditional church wedding, and if I had a civil ceremony, I think it'd be very much like, hm. | 0:14:08 | 0:14:14 | |
The boys aren't even thinking about the ceremony. | 0:14:26 | 0:14:30 | |
They've come to see Makeney Hall just outside Derby in the hope | 0:14:30 | 0:14:34 | |
that it will be the perfect setting for their Vegas theme. | 0:14:34 | 0:14:38 | |
Oh, wow! | 0:14:38 | 0:14:40 | |
-Hi, how are you? -James, congratulations! -Thank you! | 0:14:40 | 0:14:43 | |
-Nice to meet you, I'm Helen. -Nice to meet you, this is Greg. | 0:14:43 | 0:14:46 | |
-Greg? -Hello. -Hi, nice to meet you. | 0:14:46 | 0:14:48 | |
Thank you for seeing us at such short notice. | 0:14:48 | 0:14:50 | |
My pleasure, come on through. | 0:14:50 | 0:14:51 | |
For a groom with ambition, it's all about the function room. | 0:14:51 | 0:14:54 | |
Around the dance floor and in the middle section of the room, | 0:14:54 | 0:14:57 | |
that's where we can do your casino tables, your blackjack tables... | 0:14:57 | 0:15:01 | |
-all that kind of thing you want. -And you know what?... | 0:15:01 | 0:15:04 | |
this looks like the entrance hall to the Monte Carlo Hotel in Vegas. | 0:15:04 | 0:15:07 | |
Thought you'd never been to Vegas, James? | 0:15:07 | 0:15:10 | |
Sold already, he discovers that Makeney Hall is licensed for civil weddings. | 0:15:10 | 0:15:14 | |
So we'll put a big red carpet all the way down, and you'll get married in the bay window. | 0:15:14 | 0:15:19 | |
Brilliant, gut reaction's are positive, and you know what? | 0:15:19 | 0:15:22 | |
-If a gut reaction is positive, it's usually the right thing to do. -Yeah. | 0:15:22 | 0:15:26 | |
And if I spend my life worrying about what she wants, we'll never get married, so let's go. | 0:15:26 | 0:15:31 | |
That's true! | 0:15:31 | 0:15:33 | |
But so far you've done nothing she wants! | 0:15:33 | 0:15:35 | |
Thank you. | 0:15:35 | 0:15:36 | |
It doesn't stop him signing up on the spot for four grand. | 0:15:36 | 0:15:39 | |
I think that this is the perfect venue, I like the layout of the room, | 0:15:39 | 0:15:44 | |
the fact that it's wide, I even like the casino-style red carpet, | 0:15:44 | 0:15:47 | |
so I think that it's going to work. It's going to be a great wedding. | 0:15:47 | 0:15:50 | |
Linda's dream of a church wedding has been firmly pushed to one side. | 0:15:50 | 0:15:57 | |
-How are you, mate? -Not too bad, how are you? -Yeah, very good. | 0:15:57 | 0:16:00 | |
Back at base, James brings Sam up to speed with his plans. | 0:16:00 | 0:16:03 | |
We're going to bring Vegas to Derby. | 0:16:03 | 0:16:07 | |
All right! | 0:16:07 | 0:16:09 | |
So I just want you now to help me kind of bring this to life. | 0:16:09 | 0:16:13 | |
I'm impressed! | 0:16:13 | 0:16:15 | |
-Are you impressed? -I'm very impressed. | 0:16:15 | 0:16:17 | |
Aah... fantastic! | 0:16:17 | 0:16:19 | |
Looks like Vegas has tickled commitment-phobe Sam's fancy too! | 0:16:19 | 0:16:23 | |
Can I just show you that picture when you type Vegas into Google Images? | 0:16:23 | 0:16:28 | |
-I think that would be quite good. -Oh, no! | 0:16:28 | 0:16:30 | |
Even the small image, you can already... yeah? | 0:16:30 | 0:16:33 | |
Right, yeah... | 0:16:33 | 0:16:34 | |
the whole idea of Vegas isn't a gimmick, | 0:16:34 | 0:16:36 | |
I'm marrying the woman that I love, that I'm going to spend the rest of my time with... | 0:16:36 | 0:16:41 | |
I really shouldn't laugh at that, I'm sorry. | 0:16:41 | 0:16:45 | |
I know it's not funny. | 0:16:45 | 0:16:47 | |
HE LAUGHS | 0:16:47 | 0:16:49 | |
-Are you all right? -Yeah. | 0:16:49 | 0:16:50 | |
Can I actually repeat, or is this like too fuzzy for you? | 0:16:50 | 0:16:54 | |
-No, I think it's absolutely lovely, that's all. -Yeah, right, Sam! | 0:16:54 | 0:16:58 | |
-I know it's a really silly thing to say... -Yeah? | 0:16:58 | 0:17:02 | |
Can I just ask, can you pull your trousers up a bit, please? | 0:17:02 | 0:17:05 | |
Fed up of all the wisecracks, James takes Sam on a little field trip. | 0:17:10 | 0:17:16 | |
First stop, a prop shop in York. | 0:17:16 | 0:17:20 | |
Oh, wow! | 0:17:20 | 0:17:23 | |
That's wicked! | 0:17:23 | 0:17:24 | |
Wow! | 0:17:24 | 0:17:26 | |
And a lesson in Vegas history for Sam. | 0:17:26 | 0:17:29 | |
I can't believe how big these things are, can you? | 0:17:29 | 0:17:33 | |
-Can I ask a dumb question? -Yeah? -Who's that? | 0:17:33 | 0:17:35 | |
That's Sammy Davis Junior! | 0:17:35 | 0:17:37 | |
-OK. -You don't know who that is? | 0:17:37 | 0:17:40 | |
But?... all right! | 0:17:40 | 0:17:42 | |
That is the sandman, Sinatra. | 0:17:42 | 0:17:45 | |
-All right, OK! -And that is Dean Martin. | 0:17:45 | 0:17:47 | |
-I got that one. -One out of three! -One out of three's not bad. | 0:17:47 | 0:17:50 | |
I can't believe you didn't high five me. And look at the size of this thing! | 0:17:50 | 0:17:54 | |
I don't want my wedding turning into a circus, I want it to be very elegant, | 0:17:57 | 0:18:02 | |
and I've got it all in my head what I want, and if when I came in, | 0:18:02 | 0:18:06 | |
it was like a multi-coloured swap shop, I think I'd be quite upset! | 0:18:06 | 0:18:09 | |
-But ignorance is bliss, and James is sold, even at the hefty price of two grand. -Yes. | 0:18:09 | 0:18:17 | |
Always with the bloody hugging! | 0:18:17 | 0:18:19 | |
Oh, for God's sake! | 0:18:19 | 0:18:22 | |
Cool it! Oh, it's my dream! | 0:18:22 | 0:18:24 | |
Whoa, thank you! | 0:18:27 | 0:18:30 | |
And it only takes three hugs to seal the deal. | 0:18:30 | 0:18:34 | |
Yes! For the first time, I'm actually starting to believe, truly believe that we are going to pull this off. | 0:18:34 | 0:18:42 | |
# Viva Las Vegas! | 0:18:42 | 0:18:45 | |
# Viva Las Vegas! | 0:18:46 | 0:18:47 | |
There's just time for a late night stopover at Makeney Hall. | 0:18:47 | 0:18:52 | |
It's huge, isn't it? | 0:18:52 | 0:18:54 | |
-Let me talk you through... -Walk me through what... | 0:18:54 | 0:18:56 | |
Are going to say "James and Linda welcomes you to the Sands Vegas Derby. Black jack... | 0:18:56 | 0:19:01 | |
-Yeah. -Roulette, and then you'd have your four gel lights, | 0:19:01 | 0:19:06 | |
one there, one there, one there... | 0:19:06 | 0:19:08 | |
they're going to give the Vegas casino tables that red glow. | 0:19:08 | 0:19:11 | |
I still don't quite believe you're going to get married. | 0:19:11 | 0:19:14 | |
-I'm growing up. -Oh, don't, it's scary! | 0:19:14 | 0:19:18 | |
I could hug you. | 0:19:18 | 0:19:19 | |
You can't hug me, it's too late for hugging. | 0:19:19 | 0:19:22 | |
I could just give you a quick squeeze right now. | 0:19:22 | 0:19:25 | |
OK, how many tables have we run around this week? | 0:19:25 | 0:19:27 | |
-I'm not running around any more tables, so just... no! -Please! | 0:19:27 | 0:19:31 | |
-Please! -Oh, no! It's too late! | 0:19:31 | 0:19:33 | |
-It's too late! -I love you, mate! | 0:19:33 | 0:19:35 | |
Thank you very much! | 0:19:35 | 0:19:37 | |
Down, boy! Aah, maybe he's just missing his girl. | 0:19:37 | 0:19:40 | |
You're not doing nothing, OK? | 0:19:40 | 0:19:42 | |
She certainly looks like she could do with a hug. | 0:19:45 | 0:19:48 | |
I'm really, really missing him, it's really hard, | 0:19:48 | 0:19:51 | |
and especially at bedtime is the worse, when you're getting into bed, | 0:19:51 | 0:19:55 | |
and you just think, aww, I could really have a cuddle, | 0:19:55 | 0:19:58 | |
and I just like think, yeah, | 0:19:58 | 0:20:00 | |
I hope he's missing me as much as I'm missing him! | 0:20:00 | 0:20:04 | |
So it's quite terrible, and both of us are like kind of shell of a people without each other, | 0:20:04 | 0:20:09 | |
because we're virtually part of each other now, so it's really hard. | 0:20:09 | 0:20:14 | |
Ten days to go before James walks up the aisle, and he's determined to pull out all the stops for his girl. | 0:20:20 | 0:20:26 | |
-If I went with that kind of white... -That cake with chocolate inside. | 0:20:31 | 0:20:35 | |
First a visit to a local cake maker, and a stab at DIY design. | 0:20:35 | 0:20:41 | |
I'm a boy! I don't know what I'm doing! | 0:20:48 | 0:20:50 | |
And whilst most men wouldn't dream of making their own table decorations... | 0:20:57 | 0:21:02 | |
..James isn't most men. | 0:21:04 | 0:21:07 | |
I bought some charming rose petals and beads to bring a natural glitz | 0:21:12 | 0:21:17 | |
which may look cool or tacky, I haven't decided yet, but you know, in for a penny, in for a pound. | 0:21:17 | 0:21:22 | |
And it doesn't stop there. | 0:21:22 | 0:21:25 | |
Can you make my bride more beautiful? | 0:21:25 | 0:21:29 | |
No, I can enhance her beauty. | 0:21:29 | 0:21:31 | |
Oh, see... | 0:21:31 | 0:21:32 | |
I'm going to have to remember that one! | 0:21:32 | 0:21:34 | |
James takes the risky step of specifying his bride's look. | 0:21:34 | 0:21:38 | |
What about make-up? Am I allowed to ask her anything about it, or have I just got to go in and do it? | 0:21:38 | 0:21:43 | |
You've just got to go in and do it. | 0:21:43 | 0:21:45 | |
I can't ask her anything? | 0:21:45 | 0:21:46 | |
-You can't ask her anything. -OK. | 0:21:46 | 0:21:48 | |
But two weeks of browsing in bridal shops has taken its toll. | 0:21:48 | 0:21:52 | |
Perhaps like a little bit more brighter on the lips than that? | 0:21:52 | 0:21:55 | |
I think she could look a little bit washed out, with blonde hair? | 0:21:55 | 0:21:59 | |
Right, OK, so that's fine, we're doing... | 0:21:59 | 0:22:01 | |
Oh, my God! Did you just hear that? I can't believe it! | 0:22:01 | 0:22:04 | |
What's happened to me? | 0:22:04 | 0:22:06 | |
That's not a problem, I know what I'm doing. | 0:22:06 | 0:22:08 | |
I used to drink beer and watch football. | 0:22:08 | 0:22:10 | |
Now you're talking about lip shades and tones! | 0:22:10 | 0:22:13 | |
What?... I feel like I've grown a uterus, or something! | 0:22:13 | 0:22:17 | |
But James isn't out of the woods yet, | 0:22:19 | 0:22:23 | |
he's still got to buy the bridesmaids' dresses with Linda's sister Hannah and friend Cathryn, | 0:22:23 | 0:22:28 | |
and that means enduring five hours of shopping... | 0:22:28 | 0:22:31 | |
-No. -Why not? -No! | 0:22:33 | 0:22:36 | |
Linda won't like it, I know for a fact she won't like it. | 0:22:38 | 0:22:42 | |
-...before they finally settle on a dress. -What are you saying? | 0:22:42 | 0:22:46 | |
I like it, it's dead nice, I like this one. | 0:22:46 | 0:22:49 | |
£180 for three frocks. | 0:22:49 | 0:22:52 | |
Thank you for your help, cheers. | 0:22:52 | 0:22:54 | |
Excellent, well done, good work! | 0:22:58 | 0:23:00 | |
The next day, and James is finally back on more familiar territory. | 0:23:04 | 0:23:09 | |
But while Sam likes the traditional tailcoat, | 0:23:15 | 0:23:18 | |
the desperate to be different James favours a more informal brown number. | 0:23:18 | 0:23:23 | |
I just love brown. How do you feel about the cut of that? | 0:23:23 | 0:23:27 | |
It's just a very traditional wedding dress, isn't it? | 0:23:27 | 0:23:30 | |
Ian, what do you think? | 0:23:30 | 0:23:33 | |
It depends on the style of wedding you want, | 0:23:33 | 0:23:35 | |
if you want the traditional thing, go with the tails. | 0:23:35 | 0:23:38 | |
But James is allergic to traditional. | 0:23:38 | 0:23:41 | |
I think the dress does look better with the black. | 0:23:41 | 0:23:45 | |
What do you think, though? | 0:23:45 | 0:23:47 | |
If somebody was in the street in this you would go, "They're going to a wedding". | 0:23:47 | 0:23:51 | |
I just don't like tails, it's just... | 0:23:51 | 0:23:53 | |
I'm not born in the '50s. | 0:23:53 | 0:23:57 | |
I do think the black works. | 0:23:57 | 0:23:59 | |
I just think it's boring. | 0:23:59 | 0:24:00 | |
I just think black is not a wedding colour at all. | 0:24:00 | 0:24:05 | |
And brown is? | 0:24:05 | 0:24:07 | |
Brown it is? | 0:24:07 | 0:24:08 | |
Brown it is. I've made my decision. | 0:24:08 | 0:24:11 | |
While James is having a colour scheme crisis... | 0:24:11 | 0:24:15 | |
..Linda is having crisis talks with her mum. | 0:24:17 | 0:24:20 | |
Lack of control over her wedding is starting to get to her. | 0:24:20 | 0:24:26 | |
Yes, I understand that you can't do certain things, but I'm not asking for blood. | 0:24:26 | 0:24:30 | |
That's the name of the show... "Don't Tell The Bride!" | 0:24:30 | 0:24:33 | |
Yeah, and I'm not asking to be told, I'm being asked to be told the date of my wedding. | 0:24:33 | 0:24:37 | |
Otherwise it's just getting harder and harder every day, | 0:24:37 | 0:24:41 | |
because you're not chilling out, you've got to let it take its course. | 0:24:41 | 0:24:46 | |
Well, can you chill out? Are you in my position? | 0:24:46 | 0:24:50 | |
Have you been like 12 days, without speaking to your fiance or your husband? | 0:24:50 | 0:24:54 | |
No, you haven't, so back off. | 0:24:54 | 0:24:56 | |
But I'm just saying, with you being upset, don't you think that affects me as well? | 0:24:56 | 0:25:00 | |
Of course it does. | 0:25:00 | 0:25:01 | |
So you've got to relax as well, and try and just enjoy the time. | 0:25:01 | 0:25:06 | |
I'm trying, but you can't get up one day and go, | 0:25:06 | 0:25:09 | |
"Well, it doesn't "matter, it's the biggest day of my life, blah, blah"... | 0:25:09 | 0:25:13 | |
it doesn't work like that, one day, you feel fine, the next, you feel crap. | 0:25:13 | 0:25:17 | |
I think she's finding it very hard, like, Linda's always in control, | 0:25:17 | 0:25:21 | |
she always likes to think she's in control of everything, | 0:25:21 | 0:25:24 | |
but now as it is, it's what James wants or what James is going to let her have, so to speak. | 0:25:24 | 0:25:30 | |
That's what it's all about, it's all about the control, or lack of it. | 0:25:30 | 0:25:36 | |
After two weeks of trying to think like a girl, | 0:25:37 | 0:25:40 | |
it's time for James to get tanked up on testosterone. | 0:25:40 | 0:25:43 | |
After all, it is his stag night. | 0:25:43 | 0:25:46 | |
-Now, I've got a present for you. -All right. | 0:25:46 | 0:25:48 | |
Your stag do starts now. | 0:25:48 | 0:25:50 | |
Ever the non-conformist, | 0:25:50 | 0:25:52 | |
James has got his sister to organise proceedings. | 0:25:52 | 0:25:55 | |
Thank you, thank you guys, that's brilliant. Can I go get a beer? | 0:25:57 | 0:26:01 | |
Can we have clink glasses for the pretty groom? | 0:26:03 | 0:26:05 | |
To the father! I think my sister's done a fantastic job, | 0:26:08 | 0:26:13 | |
I'm loving every minute of it. | 0:26:13 | 0:26:15 | |
What better way to celebrate his final night of freedom than a game of kiss-chase? | 0:26:15 | 0:26:21 | |
COME BACK. DON'T LEAVE ME AT THE ALTAR! | 0:26:21 | 0:26:24 | |
Anyway, guys, thank you all for coming. | 0:26:24 | 0:26:26 | |
Good boy! | 0:26:26 | 0:26:27 | |
Come here! | 0:26:31 | 0:26:32 | |
In Derby city centre, Linda and her hens are also off on their big night out. | 0:26:32 | 0:26:37 | |
We all wish Linda and James a very happy wedding, and Linda... | 0:26:53 | 0:26:57 | |
have a happy hen night! To Linda! | 0:26:57 | 0:26:59 | |
To Linda! | 0:26:59 | 0:27:01 | |
And finally even Linda lets her hair down. | 0:27:04 | 0:27:07 | |
Just 48 hours to go, and there's one last thing on James's to do list. | 0:27:27 | 0:27:33 | |
Right, I'm just about to go get some bridal shoes, fours, | 0:27:34 | 0:27:38 | |
fours, four, four... | 0:27:38 | 0:27:41 | |
she's a four, she's a four. | 0:27:41 | 0:27:44 | |
They're closed toe, they're closed toe. | 0:27:44 | 0:27:46 | |
They're closed toe, they're closed toe... I think I'm going for a four in a closed toe. That was easy. | 0:27:46 | 0:27:53 | |
After three weeks of shopping for Linda, it's hard to tell | 0:27:53 | 0:27:56 | |
where James the man ends, and James the bride begins. | 0:27:56 | 0:27:59 | |
-They're quite elegant, aren't they? And is that ivory? -They are, yes. | 0:27:59 | 0:28:03 | |
Yeah, I'll take them, please. | 0:28:03 | 0:28:04 | |
-Is that it, done? -They're beautiful. -They are gorgeous, yes. | 0:28:04 | 0:28:08 | |
I like them, they're simple, they're elegant, it's exactly what she would like. | 0:28:08 | 0:28:12 | |
-Brilliant! -Yeah, wicked. | 0:28:12 | 0:28:14 | |
-If you were a bride, right... -Yep. | 0:28:14 | 0:28:17 | |
-..you've got shoes... -Yep. -..you've got a dress... -Yep. | 0:28:17 | 0:28:19 | |
-you've got a veil, you've got a tiara, you've got wedding jewellery that matches the tiara... -Yep. | 0:28:19 | 0:28:25 | |
-Is there anything that... flowers? -Flowers are good, yeah. | 0:28:25 | 0:28:28 | |
Is there anything that, as a girl, that you would think, | 0:28:28 | 0:28:33 | |
what else do I need? | 0:28:33 | 0:28:35 | |
I think it sounds like you're pretty much ready to go. | 0:28:35 | 0:28:38 | |
Which can only mean one thing. | 0:28:38 | 0:28:40 | |
You're looking at the other side of the counter. | 0:28:40 | 0:28:43 | |
Get off! We've done it! We've done it! | 0:28:43 | 0:28:46 | |
Er, not quite, James! | 0:28:46 | 0:28:48 | |
What about Linda's invitation? | 0:28:48 | 0:28:51 | |
Has the post been? | 0:28:51 | 0:28:52 | |
I'm hoping James has remembered. | 0:28:54 | 0:28:56 | |
-I hope he remembers! -What are you expecting, anyway? -An invitation. | 0:28:56 | 0:29:00 | |
-I've not been invited yet! -Look, the postman's here now. | 0:29:00 | 0:29:03 | |
-What's he doing? -He's running away! -He's going in the other direction! | 0:29:03 | 0:29:07 | |
It's not the postman walking up the path, but an invitation is still about to be delivered... | 0:29:07 | 0:29:14 | |
Hello, Linda! | 0:29:15 | 0:29:17 | |
...by Austin Powers, sort of. | 0:29:17 | 0:29:19 | |
Your invite comes in the form of me, | 0:29:20 | 0:29:25 | |
with a psychedelic twist for my groovy baby. | 0:29:25 | 0:29:30 | |
On Sunday, you'll be wed, and then it's forever. | 0:29:30 | 0:29:37 | |
See you down the aisle for the start of something new. | 0:29:37 | 0:29:40 | |
Groovy! | 0:29:40 | 0:29:42 | |
Thank you! I'm so embarrassed! | 0:29:42 | 0:29:44 | |
Not as embarrassed as James should be! | 0:29:44 | 0:29:47 | |
I can't quite remember... what day was it? | 0:29:47 | 0:29:49 | |
It was Sunday! | 0:29:49 | 0:29:51 | |
What time, do you know that? | 0:29:51 | 0:29:52 | |
I don't know what the time is, baby! | 0:29:52 | 0:29:56 | |
Thank you! | 0:29:56 | 0:29:57 | |
-What do you think to that? -Oh, my God! Brilliant! | 0:30:02 | 0:30:06 | |
That reflects James, doesn't it? | 0:30:06 | 0:30:08 | |
I hope that's not reflecting the way the wedding's going to go, | 0:30:08 | 0:30:11 | |
like a themed, like Austin Powers type thing? | 0:30:11 | 0:30:14 | |
What do you reckon, Pete? | 0:30:14 | 0:30:16 | |
-Oooh... -I said, I don't want a themed wedding. | 0:30:16 | 0:30:19 | |
"Psychedelic, baby!" | 0:30:19 | 0:30:21 | |
-No, don't you start! -Yeah, psychedelic! -God! | 0:30:21 | 0:30:26 | |
It's the day before the wedding, and Linda's about to see the dress | 0:30:29 | 0:30:33 | |
that James has agonised over for the very first time. | 0:30:33 | 0:30:36 | |
If she doesn't like it, she's made it quite clear she might refuse to tie the knot. | 0:30:36 | 0:30:42 | |
I'm going home now. | 0:30:44 | 0:30:46 | |
-What I need you to do, inside the fitting room you'll find your shoes and your underwear. -Right. | 0:30:46 | 0:30:51 | |
I'd like you to get into those and then I'll come into you, OK? | 0:30:51 | 0:30:55 | |
Give me the nod! | 0:30:55 | 0:30:56 | |
Oh, dear! I'm dreading what this is going to be like! | 0:30:56 | 0:31:00 | |
She'll be absolutely fine, I'm sure she'll love it. | 0:31:00 | 0:31:03 | |
-Aah, fingers crossed, anyway! -Hopefully! | 0:31:03 | 0:31:05 | |
In less than 24 hours, James will be saying "I do", | 0:31:05 | 0:31:11 | |
but he's having a bout of pre-wedding nerves. | 0:31:11 | 0:31:14 | |
I'm just getting sick of the W word, | 0:31:14 | 0:31:17 | |
I'm happy now that I've got all the bits put in place, | 0:31:17 | 0:31:21 | |
and I've got all the core things, and Vegas really excites me as well, which is going to be good. | 0:31:21 | 0:31:28 | |
I just want it done now, do you know what I mean? | 0:31:28 | 0:31:31 | |
I just want it done, and I just want to marry her, I miss her, | 0:31:31 | 0:31:35 | |
and that's why I'm just getting sick of it, I just really miss her. | 0:31:35 | 0:31:39 | |
Sorry, I just can't wait. | 0:31:41 | 0:31:44 | |
We argue like cat and dog some days, | 0:31:47 | 0:31:52 | |
and I don't think we'll ever truly get each other, | 0:31:52 | 0:31:56 | |
but God, I love her! | 0:31:56 | 0:31:58 | |
-Right, I've had a request from James... -Yeah? | 0:32:01 | 0:32:03 | |
..that at this point I come in and blindfold you. | 0:32:03 | 0:32:07 | |
Pardon? | 0:32:08 | 0:32:10 | |
I can't look, really, seriously. | 0:32:10 | 0:32:14 | |
-Hey, here it goes! -Carry on, I'm fine. -Right, now then. | 0:32:20 | 0:32:24 | |
For better or for worse, | 0:32:24 | 0:32:26 | |
Linda's going to have to forget about her dream dress and trust in James's choice. | 0:32:26 | 0:32:31 | |
-Wow, yeah... I do like that. -Ooh! | 0:32:33 | 0:32:35 | |
-Do you want me to take that off you? -Aah, he's done a wicked job! | 0:32:39 | 0:32:42 | |
It suits ya! | 0:32:42 | 0:32:44 | |
-All the details. -Yeah. -Are you thrilled? | 0:32:44 | 0:32:46 | |
Yeah, I'm really happy with that, really happy. | 0:32:46 | 0:32:49 | |
-So it's made for you, isn't it, really? -Absolutely, yes. | 0:32:49 | 0:32:53 | |
-He's done a really good job. -Yeah, he's done a fantastic job, | 0:32:53 | 0:32:56 | |
I'm so chuffed. | 0:32:56 | 0:32:58 | |
Against all the odds, | 0:32:58 | 0:33:01 | |
James has achieved the seemingly impossible | 0:33:01 | 0:33:04 | |
and made his hard to please bride happy. | 0:33:04 | 0:33:06 | |
After three weeks of separation, the big day has finally arrived. | 0:33:16 | 0:33:21 | |
I'm actually feeling really, really excited. | 0:33:21 | 0:33:24 | |
It's 9.30am, just four hours to go before James is reunited with the woman he loves. | 0:33:24 | 0:33:29 | |
Stuff that I need to do today, I just need to get dressed... | 0:33:29 | 0:33:33 | |
yeah, that's about it, really. | 0:33:33 | 0:33:36 | |
This last day, | 0:33:36 | 0:33:38 | |
I wanted to make sure that I didn't have a lot to do, and it looks like I haven't. | 0:33:38 | 0:33:42 | |
There is one thing he still has to do, | 0:33:42 | 0:33:44 | |
and that's deliver the bridesmaids' dresses to Linda's house. | 0:33:44 | 0:33:47 | |
Linda's been awake since six, and she's already worrying about the missing dresses. | 0:33:49 | 0:33:54 | |
That, and the conspicuous absence of anyone to do her hair and make-up. | 0:33:54 | 0:34:00 | |
-Half past nine. -Still nothing. | 0:34:00 | 0:34:02 | |
I've been up since half six. | 0:34:02 | 0:34:04 | |
Instead of waiting for things to take their course, Linda's getting more and more impatient. | 0:34:04 | 0:34:09 | |
The dresses still aren't here, we have no idea what's happening, who's coming, what. | 0:34:09 | 0:34:14 | |
He knows how stressed I'll be. | 0:34:16 | 0:34:18 | |
We're all have to just pull together, if nothing happens, to get ourselves sorted the best we can. | 0:34:18 | 0:34:22 | |
I'll be happy when the dresses arrive, and when we've got some sort of schedule. | 0:34:22 | 0:34:27 | |
Until then, I'll not be able to rest. | 0:34:27 | 0:34:30 | |
I've just had enough now. | 0:34:30 | 0:34:32 | |
SHE SIGHS | 0:34:32 | 0:34:34 | |
At 10.30, a whole hour later, still nothing, and Linda's anxiety has rubbed off on everyone else. | 0:34:34 | 0:34:41 | |
-Where's the hairdresser? -No hairdresser, no make-up artist. | 0:34:41 | 0:34:45 | |
God knows what time it is now, and we're still waiting, nobody's about. | 0:34:45 | 0:34:49 | |
It's not funny, this isn't, this is too late. | 0:34:49 | 0:34:52 | |
All right, don't start getting wound up, honestly, not this morning... | 0:34:52 | 0:34:58 | |
Don't get upset about it, don't. | 0:34:58 | 0:35:02 | |
-It's not worth it. -We will sort it. | 0:35:02 | 0:35:05 | |
The bridesmaids' dresses are not here, so I'm stressing now, I don't know what's happening. | 0:35:05 | 0:35:11 | |
Been looking forward to this and all we want is a smooth run, | 0:35:11 | 0:35:14 | |
but we haven't got it, we haven't got it. | 0:35:14 | 0:35:16 | |
The thing is, Linda's now in tears on the morning of her wedding | 0:35:16 | 0:35:20 | |
over something which James should have sorted out. | 0:35:20 | 0:35:23 | |
The dresses and everything should be here now... | 0:35:23 | 0:35:26 | |
they're not. Why not? | 0:35:26 | 0:35:28 | |
The wedding's just three hours away, so Linda's dad takes matters into his own hands. | 0:35:28 | 0:35:34 | |
-Daddy Linda! -James, I've got girls crying down here, | 0:35:36 | 0:35:40 | |
I've got girls that are very upset, because they need those dresses. | 0:35:40 | 0:35:44 | |
Right, OK, I've got them in my house now, I will swing them round. | 0:35:44 | 0:35:48 | |
What the hell are they doing there? How long will you be? | 0:35:48 | 0:35:52 | |
I'll be as quick as I can, I'll be 20 minutes. | 0:35:52 | 0:35:55 | |
Make sure it is 20 minutes, we need to get sorted. | 0:35:55 | 0:35:58 | |
All right, OK, will do... speak to you in a second. | 0:35:58 | 0:36:00 | |
-'Right, cheers mate.' -Bye. | 0:36:00 | 0:36:02 | |
Right, OK, sugar... I need to get the bridesmaids' dresses to the girls. | 0:36:02 | 0:36:07 | |
I forgot about the bridesmaids' dresses! | 0:36:27 | 0:36:30 | |
DOORBELL RINGS | 0:36:30 | 0:36:31 | |
But thankfully, James hasn't forgotten the beautician. | 0:36:31 | 0:36:35 | |
Hi, I'm your hair and make-up lady! | 0:36:35 | 0:36:37 | |
Now, is this everything? | 0:36:42 | 0:36:43 | |
Yes, that's everything. | 0:36:43 | 0:36:45 | |
Is there anything else missing? I won't have to phone you up again? | 0:36:45 | 0:36:48 | |
-There's nothing else missing. -Okey-dokey. | 0:36:48 | 0:36:51 | |
-All right, see you later. -All right. | 0:36:51 | 0:36:54 | |
What an idiot, let's just hope there's nothing more missing. | 0:37:03 | 0:37:06 | |
-I know you, you're Linda... -Cathryn. | 0:37:12 | 0:37:14 | |
Sarah. Hi, there, I'm Sarah. | 0:37:14 | 0:37:17 | |
-Hannah. -Hannah, right. Cathryn, Sarah, Hannah... OK. | 0:37:17 | 0:37:21 | |
At last, calm is restored, | 0:37:21 | 0:37:24 | |
until the beautician drops a bombshell. | 0:37:24 | 0:37:27 | |
James has asked me to do your hair and make-up in a specific way, | 0:37:27 | 0:37:32 | |
so that's the way I'm going to do it today. | 0:37:32 | 0:37:35 | |
-Right. -Linda's wedding look is now in the hands of a stranger who's been briefed by a bloke. | 0:37:35 | 0:37:40 | |
He's got a specific idea in mind what he wants the whole look to be | 0:37:40 | 0:37:44 | |
like, that's what we'll go with, but it's very beautiful. | 0:37:44 | 0:37:46 | |
I'll tell you whether I think that at the end! | 0:37:46 | 0:37:50 | |
Fine, nervous that I'm going to have like a crow's nest on my head. | 0:37:52 | 0:37:56 | |
No offence to obviously your styling but obviously James has got ideas | 0:37:56 | 0:38:01 | |
to how he wants it, which is fine, we'll go with it, and see how it turns out afterwards. | 0:38:01 | 0:38:06 | |
While Linda's being made up, | 0:38:08 | 0:38:10 | |
Makeney Hall is also undergoing a facelift... | 0:38:13 | 0:38:16 | |
Vegas style. | 0:38:16 | 0:38:18 | |
Yeah, it looks really smart. | 0:38:18 | 0:38:20 | |
James finally sees his big plans brought to life. | 0:38:20 | 0:38:23 | |
# He's got high hopes... # | 0:38:23 | 0:38:27 | |
-We're having a Vegas night tonight. -Right, OK. | 0:38:30 | 0:38:32 | |
Just in case you hadn't guessed! | 0:38:32 | 0:38:34 | |
We've got the flame lights, casino tables, there's going to be three, | 0:38:34 | 0:38:38 | |
and the centrepiece, which should be the next thing we make up. | 0:38:38 | 0:38:42 | |
It's now two hours before the ceremony, and after a long session | 0:38:49 | 0:38:53 | |
of lipstick, powder and paint, Linda's also been transformed. | 0:38:53 | 0:38:58 | |
I don't like it. | 0:39:02 | 0:39:04 | |
I like the hair, I do like the hair, | 0:39:04 | 0:39:07 | |
I'm happy with the hair... I hate the make-up, I'm really sorry. | 0:39:07 | 0:39:10 | |
Yeah, I hate my make-up, I feel like an absolute clown, it isn't me, | 0:39:10 | 0:39:16 | |
I won't be going out like this, | 0:39:16 | 0:39:18 | |
I'll be a lot happier when I've got on my stuff, the way I dress, | 0:39:18 | 0:39:21 | |
the way I like to look, the way I imagined... | 0:39:21 | 0:39:25 | |
not like this. | 0:39:25 | 0:39:27 | |
-We can pick them up later. -Go on, let's just deal with your face. | 0:39:32 | 0:39:36 | |
-Lin, it's OK! Hannah? -Yeah? | 0:39:39 | 0:39:41 | |
Can I have your cleansing pads? I need to get this mess off her face. | 0:39:41 | 0:39:45 | |
What do you want me to take off? Everything off? | 0:40:02 | 0:40:05 | |
I don't know what time I've got! | 0:40:05 | 0:40:07 | |
Don't worry! Just take the lot off. | 0:40:07 | 0:40:10 | |
-It doesn't matter. -If I'm late? | 0:40:10 | 0:40:12 | |
It doesn't matter! Don't worry! Come on. | 0:40:12 | 0:40:14 | |
Close friend Becky steps in to remove the warpaint. | 0:40:14 | 0:40:18 | |
An hour to go, and James has | 0:40:24 | 0:40:26 | |
only just got home after dropping off the bridesmaids' dresses. | 0:40:26 | 0:40:31 | |
Jesus Christ! | 0:40:32 | 0:40:34 | |
Sod it! | 0:40:34 | 0:40:36 | |
Extra measure. | 0:40:40 | 0:40:42 | |
It's a 45-minute journey to the venue, and James is worried | 0:40:44 | 0:40:48 | |
that he won't be there in time to greet his bride. | 0:40:48 | 0:40:50 | |
My bride's arriving in like literally half an hour. | 0:40:50 | 0:40:54 | |
-Oh, -BLEEP! -Yeah, she'll be getting in the car now, | 0:40:56 | 0:41:01 | |
and I'm not there. | 0:41:01 | 0:41:03 | |
What he doesn't know that she's not even dressed yet, and is currently | 0:41:08 | 0:41:12 | |
having a second lot of make-up applied. | 0:41:12 | 0:41:15 | |
No more tears. | 0:41:15 | 0:41:18 | |
You're making the foundation wet. | 0:41:18 | 0:41:20 | |
Erm...the cars are here. | 0:41:21 | 0:41:26 | |
I want everybody dressed, if the cars are here, you need to be dressed. | 0:41:27 | 0:41:31 | |
I'll sort that, get yourself sorted. | 0:41:31 | 0:41:33 | |
-I want everybody dressed. -Right, OK, I'll get everybody sorted... | 0:41:33 | 0:41:37 | |
don't worry about that. Don't worry about a thing, all right? | 0:41:37 | 0:41:40 | |
I feel absolutely crap, the cars are here. | 0:41:40 | 0:41:43 | |
I don't want to make you cry. | 0:41:43 | 0:41:47 | |
Absolute rubbish, I'm just, | 0:41:47 | 0:41:50 | |
I can't believe it, everything is so disorganised. | 0:41:50 | 0:41:54 | |
It's 45 minutes before the ceremony begins, and James, | 0:42:00 | 0:42:05 | |
still under the impression he's running late, puts his foot down. | 0:42:05 | 0:42:09 | |
The time is now 12.25, | 0:42:09 | 0:42:13 | |
I need to be there at the very latest twenty to one. | 0:42:13 | 0:42:16 | |
The three weeks of just | 0:42:16 | 0:42:20 | |
graft | 0:42:20 | 0:42:21 | |
rests on... | 0:42:21 | 0:42:23 | |
rests on me getting there in time. | 0:42:23 | 0:42:25 | |
Traffic! | 0:42:25 | 0:42:27 | |
HE SIGHS | 0:42:28 | 0:42:30 | |
Come on! | 0:42:34 | 0:42:36 | |
Mine are just going to slip straight off my feet. | 0:42:37 | 0:42:40 | |
Yeah, so are these. | 0:42:40 | 0:42:42 | |
At Linda's parents' house, things have gone from bad to worse. | 0:42:42 | 0:42:45 | |
These shoes aren't even staying on. | 0:42:45 | 0:42:47 | |
The straps on the bridesmaids' shoes that James bought don't fit. | 0:42:47 | 0:42:51 | |
For Linda, it's the final straw. | 0:42:55 | 0:42:58 | |
-The whole day has been ruined. -SHE SOBS | 0:43:03 | 0:43:07 | |
He's just not organised anything! | 0:43:07 | 0:43:10 | |
Can you just turn it off a minute? | 0:43:10 | 0:43:13 | |
The ceremony is due to begin in 15 minutes, | 0:43:15 | 0:43:19 | |
and Linda's make-up will have to be re-applied a third time. | 0:43:19 | 0:43:24 | |
It's quarter past, | 0:43:31 | 0:43:33 | |
and I've got no bridesmaids | 0:43:33 | 0:43:36 | |
or any bride, | 0:43:36 | 0:43:39 | |
and it starts in 15 minutes. | 0:43:39 | 0:43:41 | |
But I'm all right, I'm excited, | 0:43:45 | 0:43:48 | |
but I need to shift, because it's quarter past, so... | 0:43:51 | 0:43:55 | |
I'm ready. | 0:43:57 | 0:43:59 | |
But Linda isn't. | 0:44:03 | 0:44:05 | |
I think they've wrapped it round, haven't they? Here you go. | 0:44:05 | 0:44:08 | |
Lift it up, then unhook it. | 0:44:08 | 0:44:11 | |
Up, up! | 0:44:11 | 0:44:12 | |
Half an hour later, with the ceremony now running 15 minutes late | 0:44:15 | 0:44:19 | |
-there's still no news from the bridal party. -Have a sip. | 0:44:19 | 0:44:22 | |
I know, thank you, I appreciate this. | 0:44:22 | 0:44:25 | |
The key thing is that you get married and you enjoy your day... So let's get married... | 0:44:25 | 0:44:29 | |
This is the most important thing to her, this is what I'm worried about, this is where things start to... | 0:44:29 | 0:44:34 | |
Go wrong? | 0:44:34 | 0:44:36 | |
Could they be any worse? | 0:44:36 | 0:44:38 | |
Everyone's finally ready to go, but now there's a problem with the cars. | 0:44:38 | 0:44:42 | |
We're going to have to do two journeys, I think. | 0:44:42 | 0:44:45 | |
The thing is, we're not going to have the time to do it. | 0:44:45 | 0:44:47 | |
Is there any chance we can get the bridesmaids in the car all together? | 0:44:47 | 0:44:51 | |
We can take three in one car and three in the other, but that means no, it can't be possible, | 0:44:51 | 0:44:57 | |
the daughter and the father will go separately. | 0:44:57 | 0:45:01 | |
Knowing that Linda's in no mood to be flexible, her mum offers to travel separately. | 0:45:01 | 0:45:05 | |
-You two girls... -But I'm not starting without you! | 0:45:05 | 0:45:08 | |
Stay calm, I will be there, I will not miss your day, right? | 0:45:08 | 0:45:12 | |
-Don't worry. -I want you lot to take the first two cars then. | 0:45:12 | 0:45:15 | |
-No, no, please. -No, no, no... I want you to take the first two cars... | 0:45:15 | 0:45:19 | |
I will wait, because the show can't start without me. | 0:45:19 | 0:45:22 | |
-You need to be there. -No... go! | 0:45:22 | 0:45:24 | |
And he can wait. | 0:45:24 | 0:45:27 | |
-Pete? -Yes? | 0:45:27 | 0:45:29 | |
There's a problem with the cars. | 0:45:29 | 0:45:30 | |
What's the matter? | 0:45:30 | 0:45:32 | |
They will only take two in each. | 0:45:32 | 0:45:34 | |
-Fine. -Three, so Linda's saying that she wants to wait here. | 0:45:34 | 0:45:38 | |
As soon as we can come... you go. | 0:45:38 | 0:45:40 | |
-OK. -Go on. -Right then, so we'll see you in a bit. -So we'll see you then. | 0:45:40 | 0:45:43 | |
-All right. -See you in a bit, it's no problem. | 0:45:43 | 0:45:45 | |
Word's got back that the bride is still at home. | 0:45:45 | 0:45:49 | |
With the ceremony now running an hour late, Makeney Hall's wedding co-ordinator steps in. | 0:45:49 | 0:45:54 | |
Is there anybody that can bring her here? | 0:45:54 | 0:45:57 | |
No, we're going to have to get a taxi. | 0:45:57 | 0:45:59 | |
But... will Linda go with that? | 0:45:59 | 0:46:01 | |
Unfortunately, because of the logistics, | 0:46:01 | 0:46:04 | |
it's either we get married or we don't, I know that's really harsh. | 0:46:04 | 0:46:08 | |
-I wouldn't tell her that! -No, no! | 0:46:08 | 0:46:10 | |
Let me have a word with Linda, a bit more tactfully than that. | 0:46:10 | 0:46:13 | |
There's a telephone call for you. | 0:46:15 | 0:46:16 | |
-Who is it? -From Sam, he wants to speak to you. | 0:46:16 | 0:46:20 | |
-Yep? -Hiya, Linda, how are you? | 0:46:20 | 0:46:22 | |
Fine, what? | 0:46:22 | 0:46:25 | |
Please don't say what you're going to say, Sam, because I'll go mad! | 0:46:25 | 0:46:28 | |
OK, so you wouldn't like your dad to bring you to the...? | 0:46:28 | 0:46:32 | |
I wouldn't. | 0:46:32 | 0:46:33 | |
Let's just put it this way, the day is ruined. | 0:46:33 | 0:46:36 | |
You don't know how mad I am! | 0:46:39 | 0:46:41 | |
The two options we've got is either waiting sort of about an hour for the cars to come back, | 0:46:41 | 0:46:48 | |
-and that really squashes everything in the rest of the day... -A-hm. | 0:46:48 | 0:46:51 | |
...or getting the cars to maybe meet you sort of quarter of the way here? | 0:46:51 | 0:46:55 | |
I have to squash my dress in their car that's got dog hairs in it? | 0:46:55 | 0:47:00 | |
Is that pretty much a no? | 0:47:00 | 0:47:02 | |
Yes, it is pretty much a no. | 0:47:02 | 0:47:04 | |
At the end of the day, he will have to wait, this is his mess, | 0:47:04 | 0:47:09 | |
he can wait, and he can explain to everybody why I'm not there. | 0:47:09 | 0:47:13 | |
OK, then, no problem. | 0:47:13 | 0:47:15 | |
Bye. | 0:47:15 | 0:47:17 | |
He wants my dad to bring us in their car. | 0:47:21 | 0:47:24 | |
What's the verdict? | 0:47:28 | 0:47:30 | |
Well, the last phrase was, "OK then, bye." | 0:47:30 | 0:47:33 | |
So take a guess. She's waiting for the cars to come back. | 0:47:33 | 0:47:36 | |
Let's send the cars and get her here as fast as we can. | 0:47:36 | 0:47:38 | |
-Thank you. -Not a problem, my pleasure, my darling. -All right. | 0:47:38 | 0:47:42 | |
I'm just going to go down here for a second. | 0:47:44 | 0:47:48 | |
And kill myself. | 0:47:48 | 0:47:49 | |
At last in the car, and minutes away from marrying the man she loves, | 0:48:04 | 0:48:07 | |
Linda's dad thinks it's time for a pep talk. | 0:48:07 | 0:48:11 | |
It'll be fine. | 0:48:11 | 0:48:13 | |
-Yeah? -I know you've had ups and downs this morning, | 0:48:13 | 0:48:16 | |
I know it's been unbelievable, I know you've looked like something out of the Chinese circus! | 0:48:16 | 0:48:22 | |
The panda?! | 0:48:22 | 0:48:24 | |
But, again, you've got to remember now, | 0:48:24 | 0:48:27 | |
is that we've got to get on with it, yeah? We've got to enjoy it. | 0:48:27 | 0:48:32 | |
CHEERING | 0:48:32 | 0:48:35 | |
-Here she is! -After three weeks of turmoil, | 0:48:35 | 0:48:39 | |
tears and tantrums, a morning of missing dresses and bad make-up, | 0:48:39 | 0:48:44 | |
Linda, the bride, makes it to her wedding. | 0:48:44 | 0:48:48 | |
I've missed you so much! I'm going to love you forever! | 0:49:08 | 0:49:12 | |
James, do you wish to be married to Linda? | 0:49:16 | 0:49:18 | |
Oh, yes! | 0:49:18 | 0:49:20 | |
LAUGHTER | 0:49:20 | 0:49:21 | |
-And Linda, do you wish to be married to James? -I do. | 0:49:21 | 0:49:24 | |
I, James Philip Willis, do take thee, Linda Karen Gale, | 0:49:24 | 0:49:29 | |
to be my lawful wedded wife. | 0:49:29 | 0:49:31 | |
-I, Linda Karen Gale, do take thee, Gee... -Gee? | 0:49:31 | 0:49:35 | |
-James Philip Willis to be my lawful wedded husband. -Thank you. | 0:49:37 | 0:49:41 | |
It now gives me great pleasure to declare you husband and wife. | 0:49:41 | 0:49:46 | |
Never, in the history of mankind, has a groom been so relieved to tie the knot. | 0:49:51 | 0:49:57 | |
My bride! My bride! | 0:49:57 | 0:49:59 | |
My bride, a round of applause. | 0:49:59 | 0:50:02 | |
Thank you! | 0:50:02 | 0:50:04 | |
Do you know how much I've missed you? | 0:50:08 | 0:50:11 | |
Not as much as I've missed you! | 0:50:11 | 0:50:14 | |
'I'm glad I came, it was a bit debateable' | 0:50:15 | 0:50:20 | |
whether I'd actually make it here, | 0:50:20 | 0:50:22 | |
but an hour an a half late, we made it, we're now Mr and Mrs Willis! | 0:50:22 | 0:50:27 | |
Can you pick my train up? | 0:50:27 | 0:50:29 | |
Yes, of course. You do look absolutely stunning. | 0:50:29 | 0:50:32 | |
Do you like the tiara? | 0:50:32 | 0:50:34 | |
-Yeah, you don't know how mad I was this morning, though. -Sorry. | 0:50:34 | 0:50:39 | |
But we're here. | 0:50:39 | 0:50:41 | |
-I'm sorry. -I love you so much... | 0:50:41 | 0:50:44 | |
The looks on their faces when they first saw each other, | 0:50:49 | 0:50:53 | |
it was just fantastic, really fantastic. | 0:50:53 | 0:50:58 | |
It's nice to see your baby that happy, isn't it? | 0:50:58 | 0:51:01 | |
It was gorgeous, it really was nice, | 0:51:02 | 0:51:05 | |
It was really lovely. Very emotional for both of them. | 0:51:05 | 0:51:08 | |
I think she looks beautiful, she looks really lovely, and it's all gone really well... finally! | 0:51:08 | 0:51:15 | |
Please be upstanding for your bride and groom. | 0:51:18 | 0:51:21 | |
CHEERING AND APPLAUSE | 0:51:21 | 0:51:23 | |
Everything has gone fantastic, | 0:51:26 | 0:51:28 | |
apart from this morning, and there was going to be something wrong. | 0:51:28 | 0:51:32 | |
He's not that perfect, we're males, what's the matter with you? | 0:51:32 | 0:51:35 | |
Against all the odds, it looks like James has pulled it off, | 0:51:39 | 0:51:43 | |
and given Linda the wedding she's always wanted. | 0:51:43 | 0:51:46 | |
I didn't actually think I was going to be standing here as Mrs Willis, | 0:51:46 | 0:51:50 | |
and there was a minute where I said, "I'm not going! | 0:51:50 | 0:51:53 | |
"He's blown it now, I'm not going!", | 0:51:53 | 0:51:56 | |
but it's the best thing that I ever did, and I'm hoping for | 0:51:56 | 0:52:01 | |
50, 60, 70 years as Mrs Willis, | 0:52:01 | 0:52:04 | |
so I just want to thank my wonderful husband for the great day we've had, | 0:52:04 | 0:52:08 | |
the wonderful dress I've got on today, | 0:52:08 | 0:52:11 | |
which I wouldn't change for the world, and hope you all have a lovely time. | 0:52:11 | 0:52:16 | |
I'm really chuffed, he's done such an amazing job, my dress is great, | 0:52:21 | 0:52:26 | |
he's really thought, planned, little crystals on the table, all of it... | 0:52:26 | 0:52:31 | |
lovely thought, and since I've got here, everything has been perfect, and I wouldn't change anything. | 0:52:31 | 0:52:36 | |
At one point, I wasn't sure that I'd be able to add this on, but thank you Linda for turning up. | 0:52:36 | 0:52:42 | |
I'd like to think that everyone who knows me | 0:52:42 | 0:52:45 | |
knows how much I think of you, but I've just missed you so much. | 0:52:45 | 0:52:50 | |
-Ahhh! -I love you. | 0:52:50 | 0:52:52 | |
CHEERING AND APPLAUSE | 0:52:52 | 0:52:53 | |
So far, so good, but just around the corner, James's ambitious gambling mecca awaits his brand-new bride. | 0:52:53 | 0:53:00 | |
After the morning's chaos, he's not convinced she'll approve. | 0:53:00 | 0:53:04 | |
I'm worried that she'll think that I've just lowered the tone of this beautiful venue. My ring's fell off! | 0:53:04 | 0:53:10 | |
I hope that's not a premonition, do you know what I mean? | 0:53:15 | 0:53:18 | |
The time has come for James to roll the dice, and unveil his big idea. | 0:53:22 | 0:53:26 | |
Oh, God! | 0:53:27 | 0:53:29 | |
James and Linda, welcome to your Vegas! | 0:53:38 | 0:53:40 | |
You know how we said that we always wanted to go? | 0:53:40 | 0:53:44 | |
Yeah, I didn't want it at my wedding. | 0:53:44 | 0:53:46 | |
Are you not impressed? | 0:54:01 | 0:54:03 | |
You're not, are you? | 0:54:04 | 0:54:06 | |
No. | 0:54:06 | 0:54:07 | |
One out of two ain't bad. | 0:54:07 | 0:54:09 | |
The first bit was great! | 0:54:09 | 0:54:11 | |
I'm sorry. | 0:54:11 | 0:54:13 | |
I'm thinking, | 0:54:14 | 0:54:16 | |
worst possible scenario, the thought that this might happen, | 0:54:16 | 0:54:21 | |
lovely traditional first bit of the wedding, | 0:54:21 | 0:54:24 | |
not so lovely bit of the second wedding. | 0:54:24 | 0:54:27 | |
It was a gamble, | 0:54:27 | 0:54:30 | |
it was a risk... | 0:54:30 | 0:54:31 | |
I knew that from the start. | 0:54:31 | 0:54:33 | |
I think my guests are going to love it, | 0:54:33 | 0:54:36 | |
and I'm really excited, | 0:54:36 | 0:54:38 | |
and I think by the end of the night you may get a different response. | 0:54:38 | 0:54:42 | |
-Hit me, 21! -Yeah! -Hey! | 0:54:58 | 0:55:02 | |
And as the Vegas party gets into full swing, Linda has a change of heart. | 0:55:02 | 0:55:08 | |
I'm very, very happy, he's done an absolutely fantastic job. | 0:55:08 | 0:55:11 | |
Yes, I didn't want a theme, but he gave me my traditional wedding. | 0:55:11 | 0:55:16 | |
I'm really, really happy and really excited for the future. | 0:55:16 | 0:55:21 | |
Time for the first dance, and James's final surprise - a Frank Sinatra impersonator. | 0:55:21 | 0:55:27 | |
# How lucky can one guy be | 0:55:27 | 0:55:31 | |
# I kissed her and she kissed me | 0:55:31 | 0:55:35 | |
# Like a fellow once says | 0:55:35 | 0:55:37 | |
# Ain't that a kick in the head... # | 0:55:37 | 0:55:39 | |
The whole experience will have taught Linda that James knows her | 0:55:42 | 0:55:48 | |
better than she thinks he does, | 0:55:48 | 0:55:51 | |
and that she can let him have that rein and have a go at it. | 0:55:51 | 0:55:55 | |
I do think that I've learnt to trust James a lot more. | 0:55:55 | 0:56:00 | |
It shows he is capable of organising a lot in a short space of time | 0:56:00 | 0:56:04 | |
and I just need to give him the opportunity to do it. | 0:56:04 | 0:56:09 | |
# Tell me quick | 0:56:09 | 0:56:10 | |
# Ain't love a kick | 0:56:10 | 0:56:13 | |
# Tell me quick | 0:56:14 | 0:56:16 | |
# Ain't love a kick in the head! | 0:56:16 | 0:56:22 | |
# Ain't love a kick in the head. # | 0:56:24 | 0:56:28 | |
Subtitles by Red Bee Media Ltd | 0:56:44 | 0:56:47 |