Browse content similar to Mark and Jill. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Don't Tell The Bride celebrates weddings like no-one else. -Congratulations on your big day. | 0:00:02 | 0:00:06 | |
-From New York... -Oh! -..to Glasgow. -Oh, my God! | 0:00:06 | 0:00:11 | |
-Las Vegas... -Why would the man I love do this? -..to Ibiza. | 0:00:11 | 0:00:16 | |
-HE SOBS -And one unforgettable rollercoaster ride. | 0:00:16 | 0:00:21 | |
-Why the hell are we at Thorpe Park on my wedding day? -And now we're back, | 0:00:21 | 0:00:26 | |
-as 12 more unsuspecting brides prepare for the journey of a lifetime. -What?! | 0:00:26 | 0:00:31 | |
-The grooms get three weeks and £12,000. -Wedding! | 0:00:31 | 0:00:36 | |
And the brides get no say in how it's spent. | 0:00:36 | 0:00:40 | |
-I would never even imagine Ben could get it this wrong. -So get ready to rock... | 0:00:40 | 0:00:44 | |
-I don't even want you in the wedding. -..as the party reaches new heights | 0:00:44 | 0:00:48 | |
and sinks to new lows, | 0:00:48 | 0:00:50 | |
with more fairytale endings than ever before. | 0:00:50 | 0:00:55 | |
This is supposed to be the biggest day of my life and I'm not happy. | 0:00:55 | 0:00:58 | |
I'll switch it off. | 0:00:58 | 0:00:59 | |
Tonight, wedding obsessed Jill... | 0:00:59 | 0:01:02 | |
That's exactly something I would like. | 0:01:02 | 0:01:05 | |
-..leaves the biggest day of her life... -It's all about me. | 0:01:05 | 0:01:08 | |
Well, it is all about me. When it comes to it, he's got to make the process nice for me. | 0:01:08 | 0:01:12 | |
-..in the hands of her laid-back groom, Mark. -Let's get drunk. | 0:01:12 | 0:01:15 | |
While she dreams of a lavish 70 grand ceremony... | 0:01:15 | 0:01:19 | |
-Mark ain't going to care about couture. -He'd bloody better. | 0:01:19 | 0:01:22 | |
..he's out to give her the most creative wedding of all time. | 0:01:22 | 0:01:25 | |
Who can say they got on the main stage in a major festival on their wedding day? | 0:01:25 | 0:01:29 | |
-Why are we at a festival? -But will this bride refuse to walk down the muddy aisle... | 0:01:29 | 0:01:33 | |
I'm not going in there. I'm so insulted. | 0:01:33 | 0:01:35 | |
..leaving Mark's plans crashing down around him? | 0:01:35 | 0:01:38 | |
-What we're planning is to stick her on the bungee jump ride. -Oh, my! | 0:01:38 | 0:01:44 | |
With his dream vision quickly becoming a nightmare... | 0:01:44 | 0:01:48 | |
I'm so disappointed. This is not what I wanted. | 0:01:48 | 0:01:51 | |
..can this groom coax his fussy bride to say I do? | 0:01:51 | 0:01:56 | |
-See the work I've put in over the last few weeks for this. -I can. | 0:01:56 | 0:01:59 | |
Or will the wedding be over before it's even begun? | 0:01:59 | 0:02:02 | |
I just don't understand why anybody would put someone through this on their wedding day. | 0:02:02 | 0:02:07 | |
This programme contains strong language | 0:02:09 | 0:02:14 | |
Music lovers Mark and Jill met five years ago on the trendy club scene in Glasgow. | 0:02:21 | 0:02:28 | |
Working as a bar manager, Mark employed Jill as his VIP girl. | 0:02:28 | 0:02:32 | |
The first attraction to Jill was obviously her looks. She just struck me | 0:02:32 | 0:02:37 | |
as a fun outgoing blonde. | 0:02:37 | 0:02:39 | |
-Gorgeous. -Gorgeous blonde as well, sorry, yes. She was, gorgeous blonde. | 0:02:39 | 0:02:43 | |
And it wasn't long before ambitious Jill bagged herself | 0:02:45 | 0:02:49 | |
another very important job, working for one of Scotland's premier wedding magazines. | 0:02:49 | 0:02:54 | |
-Don't forget we're doing the pre-wedding. -Oh yeah, the pre-wedding shoot as well. | 0:02:54 | 0:02:59 | |
As an advertising executive, | 0:02:59 | 0:03:00 | |
Jill comes face-to-face with her dream wedding every day. | 0:03:00 | 0:03:05 | |
I see the nicest stuff, I see the best of the best. | 0:03:05 | 0:03:08 | |
You name it, we've got it all in our magazine and we work with the best. | 0:03:08 | 0:03:12 | |
Mark, you need to get up. | 0:03:12 | 0:03:14 | |
-Honestly, hurry up. -Two minutes. | 0:03:16 | 0:03:17 | |
But this perfectionist bride doesn't just demand the best at work. | 0:03:17 | 0:03:21 | |
-Mark, get up. -Right. | 0:03:21 | 0:03:23 | |
At home, things are also run her way. | 0:03:23 | 0:03:27 | |
I am without a doubt the boss in this relationship. | 0:03:27 | 0:03:29 | |
She likes to think she is. | 0:03:29 | 0:03:31 | |
-I will fight him to the death and he just does it anyway. -To the death. | 0:03:31 | 0:03:35 | |
Can you turn that the other way? It goes the other way. | 0:03:35 | 0:03:37 | |
He knows that he wants an easy life so he just does as he is told. | 0:03:37 | 0:03:40 | |
-That goes at the back? -Yeah. | 0:03:40 | 0:03:43 | |
But Mark has found a strategy for dealing with his bossy bride-to-be. | 0:03:43 | 0:03:46 | |
Do you think that goes with that? | 0:03:46 | 0:03:49 | |
Mark? | 0:03:49 | 0:03:50 | |
-Mark. -Yeah. | 0:03:50 | 0:03:52 | |
I would describe Mark as being very laid-back, bit too laid-back sometimes. | 0:03:52 | 0:03:57 | |
-Do you like it? -It's nice. Lovely. | 0:03:57 | 0:04:00 | |
-You could pay a bit more attention. -It's nice. | 0:04:00 | 0:04:03 | |
A lot of things, I couldn't care less if it's done one way or the other. | 0:04:03 | 0:04:06 | |
You've been playing this now for nearly two hours. Can you hurry up and please get off it? | 0:04:06 | 0:04:11 | |
What? | 0:04:11 | 0:04:13 | |
Mark's always like, "Don't worry about it." | 0:04:13 | 0:04:16 | |
But that doesn't help me because it drives me bonkers. | 0:04:16 | 0:04:19 | |
He would sometimes settle for average, whereas I won't. | 0:04:19 | 0:04:23 | |
And everyone that knows me knows that I'm not a settler really | 0:04:23 | 0:04:27 | |
and if I want something, I'm going to get it. | 0:04:27 | 0:04:29 | |
This glamorous girl is totally used to getting what she wants. | 0:04:33 | 0:04:39 | |
-She's fairly high maintenance. -Are you saying I'm hard work? | 0:04:39 | 0:04:42 | |
In terms of... Yeah, absolutely. You can be. | 0:04:42 | 0:04:46 | |
And if high maintenance Jill isn't indulged, there can be serious consequences. | 0:04:46 | 0:04:51 | |
I'm very fiery and I snap and I'm very shouty. I take that off my dad. | 0:04:51 | 0:04:55 | |
His bark is worse than his bite, but my bark is really bad! | 0:04:55 | 0:05:00 | |
Wedding expert Jill has extremely high standards for her big day. | 0:05:00 | 0:05:05 | |
-Good to see you. -Nice to see you. How are you doing? -I'm good, thank you. | 0:05:05 | 0:05:08 | |
Do you want to show me what you've got for the autumn issue? | 0:05:08 | 0:05:12 | |
Walking wedding encyclopaedia Jill knows exactly what she wants. | 0:05:12 | 0:05:17 | |
If I actually got my dream wedding, you're looking about probably £70,000. | 0:05:17 | 0:05:23 | |
Alone, my dress that I want is about £4,000. | 0:05:23 | 0:05:26 | |
Wow! That's exactly something I would like. | 0:05:26 | 0:05:30 | |
It would have to be very glamorous, | 0:05:30 | 0:05:32 | |
just something like a fairytale wedding, but with a little bit of sparkle, glamour. | 0:05:32 | 0:05:36 | |
-And it doesn't end there. -I know the exact dress I would want. | 0:05:36 | 0:05:40 | |
The exact cake. I just want the works. | 0:05:40 | 0:05:43 | |
She always comes home with these ideas of grandeur. | 0:05:43 | 0:05:46 | |
She wants the best of everything. The pressure's on in that respect. | 0:05:46 | 0:05:49 | |
Without 70 grand in his wallet, | 0:05:49 | 0:05:52 | |
Mark knows he's got to think big and be creative. | 0:05:52 | 0:05:55 | |
In my head, it can't be a normal wedding. | 0:05:55 | 0:05:58 | |
It has to show what Jill and I are all about and where we came from as a couple. | 0:05:58 | 0:06:01 | |
We came through the clubbing scene. | 0:06:01 | 0:06:03 | |
I want everyone there to think they're on the best night out they've been on in their life. | 0:06:03 | 0:06:09 | |
Will Mark pull this wedding off? | 0:06:09 | 0:06:11 | |
If he doesn't, he'll never hear the end of it. | 0:06:11 | 0:06:15 | |
I'll chop him in two! Honest to God! | 0:06:15 | 0:06:18 | |
It's time for the couple to say goodbye. | 0:06:19 | 0:06:23 | |
I'm feeling a bit nervous now. | 0:06:23 | 0:06:25 | |
It's just beginning to feel a bit real. | 0:06:25 | 0:06:28 | |
Within the next 15 minutes, that will be us gone, and separated. | 0:06:28 | 0:06:31 | |
I just feel like a bit nervous. We'll see how it goes. | 0:06:31 | 0:06:36 | |
-You'll be fine. -It's you I'm worried about! | 0:06:36 | 0:06:39 | |
You're folding that wrong. | 0:06:39 | 0:06:41 | |
Perfectionist Jill is handing over every detail of her big day to her laid-back groom. | 0:06:45 | 0:06:51 | |
The next time they see each other will be on their wedding day. | 0:06:55 | 0:06:59 | |
-Please don't mess it up. -I won't mess it up. I promise you. -OK. | 0:06:59 | 0:07:04 | |
-Have I ever let you down before? -No. -No, never. -Just sometimes not got me what I wanted! | 0:07:04 | 0:07:09 | |
Jill's brother Jamie has been summoned to chauffeur her back to her mum's house, | 0:07:11 | 0:07:15 | |
where she'll be staying for the next three weeks. | 0:07:15 | 0:07:19 | |
Bye. | 0:07:19 | 0:07:21 | |
I feel a bit sick now. I hope he knows what he's doing and what he's let himself in for. | 0:07:21 | 0:07:26 | |
What a shot! | 0:07:26 | 0:07:28 | |
What he's let himself in for is three weeks of freedom, | 0:07:28 | 0:07:33 | |
-with best men Chris and Burnsy. -I think he's doing a poo. | 0:07:33 | 0:07:37 | |
This brave pair have agreed to help Mark organise a wedding | 0:07:37 | 0:07:40 | |
for Scotland's most high maintenance bride. | 0:07:40 | 0:07:43 | |
-This for the win. -I'm desperate for you to miss this. -If this goes in, | 0:07:43 | 0:07:46 | |
it's going to be a successful marriage. Yes! | 0:07:46 | 0:07:50 | |
At her mother's house, Jill's mum Elaine is as nervous as the bride-to-be. | 0:07:52 | 0:07:58 | |
He's got quite quirky taste. The last time he was here, | 0:07:58 | 0:08:02 | |
he had like green shoes and blue socks. | 0:08:02 | 0:08:04 | |
I was like, "My God!" What is he going to pick? | 0:08:04 | 0:08:08 | |
If it is a meringue, I'll refuse point-blank to try it on. | 0:08:08 | 0:08:11 | |
-What are you going to wear? -I'm not going to go. -What do you mean? | 0:08:11 | 0:08:14 | |
-You've got to go. -I don't have to go. If he's got me... -You're not going to get married? | 0:08:14 | 0:08:17 | |
No, because if he can't even get the dress right, | 0:08:17 | 0:08:20 | |
that means he doesn't know anything about me or my personality. Can you imagine what else he's got wrong? | 0:08:20 | 0:08:25 | |
I think it's exciting because we just don't know anything. | 0:08:25 | 0:08:28 | |
I just know what you're like. You can throw a strop. | 0:08:28 | 0:08:31 | |
You might go mad. You might not like your dress, or where you're going. | 0:08:31 | 0:08:36 | |
Then you might just go off on one. It will be a nightmare. | 0:08:36 | 0:08:40 | |
At the golf club, the boys are talking weddings. | 0:08:40 | 0:08:44 | |
Shame they didn't bring any copies of Jill's magazine with them for help. | 0:08:44 | 0:08:47 | |
Can I make an observation? Why don't you try and see the whole thing through Jill's eyes? | 0:08:47 | 0:08:52 | |
-Jill wants something big. -Let's have something big. | 0:08:52 | 0:08:54 | |
I know that, but she wants something big and expensive. | 0:08:54 | 0:08:57 | |
She's got an awful lot of preconceived ideas | 0:08:57 | 0:08:59 | |
of what the perfect wedding is, | 0:08:59 | 0:09:01 | |
most of which would terrify the Bank of England. | 0:09:01 | 0:09:05 | |
For Mark to take that all on with a limited budget | 0:09:05 | 0:09:09 | |
and trying to get her dream wedding is a job. It's a real task. | 0:09:09 | 0:09:14 | |
You've mentioned she wants an expensive wedding. | 0:09:14 | 0:09:16 | |
We don't have a big bag of money. | 0:09:16 | 0:09:18 | |
We've got £12,000 and we need to spend it properly. Six grand of that's going on the stag do. | 0:09:18 | 0:09:22 | |
Where are we going on the stag do? Goa?! | 0:09:22 | 0:09:25 | |
If Mark gets it wrong, I think Jill will go off like a rocket. | 0:09:25 | 0:09:30 | |
It'll be good to watch, but from behind something. | 0:09:30 | 0:09:34 | |
Let's not get too deep tonight. Let's go and have a few more pints. | 0:09:34 | 0:09:37 | |
-Decision's made. -Let's just drink tonight then, guys. Fancy it? | 0:09:37 | 0:09:42 | |
So planning the wedding for his bossy bride goes on hold. | 0:09:42 | 0:09:47 | |
Let's get drunk. | 0:09:47 | 0:09:49 | |
All Mark knows is that he's got to think big. | 0:09:49 | 0:09:52 | |
The following day and Jill is back at work. | 0:09:54 | 0:09:57 | |
Having spent years looking at other people's weddings, she is finally going to be the bride herself. | 0:09:57 | 0:10:02 | |
But with her thoughts stuck on her own wedding, | 0:10:02 | 0:10:06 | |
it's a bit hard to concentrate. | 0:10:06 | 0:10:07 | |
The theme we're going for this issue is all exclusive. | 0:10:07 | 0:10:10 | |
Is that a pink castle? | 0:10:10 | 0:10:12 | |
You hire out the venue to make it entirely yours. A big house party. | 0:10:12 | 0:10:15 | |
-That would be up your street? -Absolutely. | 0:10:15 | 0:10:17 | |
If it was outside, I would be absolutely devastated. | 0:10:17 | 0:10:21 | |
Everyone thinks that's funny, why would you want to put wellies on your wedding day? | 0:10:21 | 0:10:25 | |
-You've just have a spray tan done. -You're walking across a field to get to the venue. | 0:10:25 | 0:10:30 | |
No, he'd be walking across the venue to let everybody know that I'm not walking across to get married. | 0:10:30 | 0:10:35 | |
I'm off, no way! I'd hate to be outside. | 0:10:35 | 0:10:38 | |
But that's exactly where Mark is, two hours from Glasgow city centre, | 0:10:38 | 0:10:44 | |
in the rolling hills of the southern Scottish Borders. | 0:10:44 | 0:10:48 | |
He is on the hunt for a wedding fit for his fusspot bride. | 0:10:48 | 0:10:51 | |
And he's thinking big, he's thinking bold.. Unbelievably, he's thinking music festival. | 0:10:51 | 0:10:58 | |
The Wicker Man is one of Scotland's biggest festivals, | 0:10:58 | 0:11:02 | |
where each year 20,000 revellers descend upon the countryside for big-name acts and a funfair. | 0:11:02 | 0:11:09 | |
And Mark's falling over himself with excitement. | 0:11:11 | 0:11:15 | |
Whoa! | 0:11:15 | 0:11:17 | |
I'm Mark. | 0:11:18 | 0:11:20 | |
They've come to the site to meet the festival's organiser, Helen, | 0:11:20 | 0:11:23 | |
to see if they can have the wedding right by all the action. | 0:11:23 | 0:11:26 | |
What is it you're hoping for? | 0:11:26 | 0:11:28 | |
I want something that's got a whole festival feel to it. | 0:11:28 | 0:11:31 | |
I was thinking of having a kind of small stage, getting a band | 0:11:31 | 0:11:35 | |
and a couple of DJs and that sort of thing. | 0:11:35 | 0:11:37 | |
-Let's go and have a look around the site. -Excellent. | 0:11:37 | 0:11:40 | |
They are only 100 miles away from Glasgow, | 0:11:40 | 0:11:42 | |
but they are a million miles away from Jill's dream venue. | 0:11:42 | 0:11:45 | |
Glenskirlie is a high-end one-stop shop for the wedding needs of Glasgow's classiest brides. | 0:11:46 | 0:11:51 | |
Isn't it nice? | 0:11:51 | 0:11:53 | |
It's one of Scotland's most expensive venues. | 0:11:53 | 0:11:56 | |
Having seen regularly in her magazine, wedding expert Jill is certain it's the place for her. | 0:11:56 | 0:12:02 | |
-It's fabulous. -Isn't it? It's so nice. | 0:12:02 | 0:12:05 | |
She's brought bridesmaids Bobbi and Laura to have a look. | 0:12:05 | 0:12:08 | |
It's nice, isn't it? It's classy, it's elegant. It's not too much, it's exactly what I would want. | 0:12:08 | 0:12:14 | |
So Jill is desperate for a stylish, but understated day. | 0:12:14 | 0:12:18 | |
-Surely he'll see this is what everybody would want. -He'll go for something like this. | 0:12:18 | 0:12:22 | |
He's got to. He knows you. If he picks something else, | 0:12:22 | 0:12:26 | |
-he doesn't know you at all. -If he knows what's good for him! | 0:12:26 | 0:12:28 | |
-Whoa! -Are you wearing ice skates? | 0:12:34 | 0:12:37 | |
But Mark's not going for stylish or understated. | 0:12:37 | 0:12:39 | |
He's right in the middle of the festival site, | 0:12:39 | 0:12:42 | |
two minutes from the main stage area, | 0:12:42 | 0:12:44 | |
trying to fathom out which part of this muddy field screams wedding. | 0:12:44 | 0:12:48 | |
To get married in front of that thing would be magnificent. | 0:12:48 | 0:12:52 | |
-Yeah, it would be. -Jill's going to love this. | 0:12:52 | 0:12:54 | |
Aye, confident. | 0:12:54 | 0:12:56 | |
-How's he going to top this? -I don't think he can, Jill. -Don't say that! | 0:12:56 | 0:13:00 | |
I'll probably get a rented caravan in a field | 0:13:02 | 0:13:05 | |
to go along with the tent. | 0:13:05 | 0:13:07 | |
-Surely, he will. -Fingers crossed. -You'll be glamping for your wedding. -Glamping. -A teepee thing. | 0:13:07 | 0:13:13 | |
Back at the festival site, | 0:13:14 | 0:13:16 | |
the boys are keen to seal the deal on their brave outdoor wedding. | 0:13:16 | 0:13:20 | |
-Jill is expecting something spectacular. -I'm sure she is. | 0:13:20 | 0:13:25 | |
-So I'd love to have it here. -OK. -Excellent. Thanks for your time. | 0:13:25 | 0:13:28 | |
Mark's spent his first grand on a muddy field | 0:13:28 | 0:13:31 | |
that in two weeks' time will be bang in the middle of a very loud festival. | 0:13:31 | 0:13:35 | |
-I've a good buzz about it. -I've got tingling testicles over it. | 0:13:35 | 0:13:39 | |
It's the end of week one and groom Mark knows he needs to pull out | 0:13:46 | 0:13:50 | |
all the stops if he's going to please his fussy bride. | 0:13:50 | 0:13:53 | |
He's meeting Chris to discuss how to give Jill the most dramatic entrance ever. | 0:13:53 | 0:13:58 | |
How cool would it be if Helen could sort out that she gets on the main stage with her bridesmaids, | 0:13:58 | 0:14:03 | |
straight from getting dropped off? | 0:14:03 | 0:14:05 | |
I think that's a great idea, if we could make that work. It's huge. | 0:14:05 | 0:14:09 | |
It'd be fun if we put her on the rides. The thing you sit in that shoots up in the air, | 0:14:09 | 0:14:13 | |
-the catapult thing. -And she's in her frock. -In her frock. -Yes, I think you have to do. | 0:14:13 | 0:14:19 | |
-These wee touches are going to set it aside from anything else. -I know, mate. | 0:14:19 | 0:14:24 | |
So, to please his bolshie bride, | 0:14:24 | 0:14:26 | |
he's going to fling her 50 metres into the air on a fairground ride. | 0:14:26 | 0:14:31 | |
That should make her happy(!) | 0:14:31 | 0:14:34 | |
But Mark's not lacking sensitivity. | 0:14:34 | 0:14:37 | |
He's hitting the shops for a very important item to cover Jill's modesty. Knickers. | 0:14:37 | 0:14:42 | |
We need pants because we're sending her up in a bungee ball before the wedding. | 0:14:42 | 0:14:46 | |
-I don't want her flashing to the world. -All right, OK. Big pants. | 0:14:46 | 0:14:49 | |
No, I don't think we should get big pants. She wears small pants. | 0:14:49 | 0:14:52 | |
You've never seen my bird's pants. She wears small pants. | 0:14:52 | 0:14:56 | |
-Yeah. -But you need... That's a Pete Tong. | 0:14:57 | 0:15:01 | |
-Surely you need one more comfortable than that. -That's what she wears. | 0:15:01 | 0:15:04 | |
-She doesn't go on bungees much. -I know, but she wears thongs. | 0:15:04 | 0:15:08 | |
I don't think your underwear is going to make a big difference. | 0:15:08 | 0:15:11 | |
-It's for anti-flash factor, if she flashes...that's useless. -I'm going with that. | 0:15:11 | 0:15:16 | |
All right. OK. | 0:15:16 | 0:15:18 | |
Perhaps Jill's bridesmaids will be able to give her more support. | 0:15:22 | 0:15:26 | |
See? Because I can't speak to him, I can't talk to him or anything, it's just odd. | 0:15:29 | 0:15:34 | |
-Mark will be fine. -Yeah, he'll be fine. | 0:15:34 | 0:15:37 | |
-He'll pull a few stunts just for a laugh. -But I don't take... | 0:15:37 | 0:15:41 | |
-That's not funny. -I think it is quite funny! | 0:15:41 | 0:15:44 | |
-It's my wedding day. -It's all about me! -No, but it is all about me. | 0:15:44 | 0:15:48 | |
When it comes to me, he's got to make the process nice for me. | 0:15:48 | 0:15:52 | |
Mark is a brave man. Did you ever see The Exorcist? | 0:15:52 | 0:15:54 | |
That's based on you, that film! Jill on the wine. | 0:15:54 | 0:15:59 | |
I don't want to be there. Seriously. If Mark gets it wrong. | 0:16:01 | 0:16:05 | |
-Do you think I'll be that bad? -Yes, definitely. You will be terrible. | 0:16:05 | 0:16:09 | |
It's cool, we've got the straitjacket ready, we've got the psychiatrist on speed dial, so... | 0:16:09 | 0:16:14 | |
-Tranquilliser gun. -Shoot me down like a wild beast. | 0:16:14 | 0:16:19 | |
Get her in the cage! | 0:16:19 | 0:16:23 | |
It's the beginning of week two and Mark and Burnsy are facing | 0:16:23 | 0:16:26 | |
the impossible task of choosing a wedding dress | 0:16:26 | 0:16:30 | |
for the girl who's seen every designer gown in Scotland. | 0:16:30 | 0:16:34 | |
And Mark's problem is now also shop-owner Victoria's problem. | 0:16:36 | 0:16:41 | |
Am I allowed to know what she's like? | 0:16:41 | 0:16:44 | |
-She works for The Best Scottish Weddings magazine. -OK, no pressure. | 0:16:44 | 0:16:48 | |
-So she knows exactly what she wants. -Right. My neck on the line here. | 0:16:48 | 0:16:53 | |
I think I know what she likes. I'm pretty certain. | 0:16:53 | 0:16:56 | |
How different can a wedding dress be to clothes I've bought in the past? | 0:16:56 | 0:17:00 | |
-Not that different if you stick to the dress in the window technique. -It's an absolute belter. | 0:17:00 | 0:17:05 | |
We're thinking about just picking the first one. | 0:17:07 | 0:17:09 | |
Stick the tail on the donkey. | 0:17:09 | 0:17:12 | |
It's not a technique recommended in Jill's wedding magazine, | 0:17:12 | 0:17:15 | |
but it is one way of choosing a dress for Glasgow's pickiest bride. | 0:17:15 | 0:17:19 | |
-That's the one. -Think so. -That's definitely it. | 0:17:19 | 0:17:24 | |
What do you think? | 0:17:24 | 0:17:26 | |
-Is it too plain? -Too plain? You can't get too plain. -Course you can. | 0:17:28 | 0:17:32 | |
-There's nothing plain about this. -Jill will love that, Mark. -Think so? | 0:17:32 | 0:17:35 | |
-Aye. Definitely. -Do you think we've got a winner? | 0:17:35 | 0:17:39 | |
-I think we've got a winner. -They make it look so easy. | 0:17:39 | 0:17:43 | |
Across town, Jill's brought her friends | 0:17:43 | 0:17:45 | |
to her favourite designer boutique, dripping in expensive couture gowns. | 0:17:45 | 0:17:50 | |
And Jill knows exactly what she wants. | 0:17:50 | 0:17:54 | |
-That's so nice. -So nice. | 0:17:54 | 0:17:56 | |
I'm a bit nervous about trying my favourite dress on because | 0:17:56 | 0:17:59 | |
I've seen it so many times in pictures but I've never actually tried it on. | 0:17:59 | 0:18:03 | |
And because it is so unique and different, | 0:18:03 | 0:18:06 | |
I just don't know how he's going to actually manage to top it. | 0:18:06 | 0:18:11 | |
Jill has been going on and on about this dress for years. | 0:18:11 | 0:18:15 | |
And having a job like this as well with the wedding magazine, that's not helped matters | 0:18:15 | 0:18:20 | |
because it's made her adamant this is the dress and that is it. | 0:18:20 | 0:18:25 | |
-Wow! -My God! You look amazing. -You actually look like an angel. | 0:18:26 | 0:18:32 | |
I feel like phoning Mark and going, "No. Stop. She needs that dress." | 0:18:32 | 0:18:38 | |
You actually do. So how much is the dress, the veil, the shoes and everything? | 0:18:38 | 0:18:45 | |
£3,815. | 0:18:45 | 0:18:46 | |
For a full couture garment. But it's couture. | 0:18:46 | 0:18:50 | |
-But Mark won't care about couture. -He'd better! He'd bloody better! | 0:18:50 | 0:18:56 | |
Honestly, if he couldn't get the dress right and that's the first thing I'm good to see on the day, | 0:18:56 | 0:19:01 | |
-what else has he not got right? -Yeah. | 0:19:01 | 0:19:04 | |
Well, he's booked you a festival wedding for starters. | 0:19:06 | 0:19:09 | |
Even now, he's just thinking practicality over style. | 0:19:09 | 0:19:13 | |
When we get to the Wicker Man, | 0:19:15 | 0:19:17 | |
we've come up with a plan to stick her on the bungee jump ride. | 0:19:17 | 0:19:20 | |
-Oh my! Right, OK. -The dress will need to tuck up. | 0:19:20 | 0:19:25 | |
We could manage that, no problem. | 0:19:25 | 0:19:27 | |
For any walking, absolutely, tie the back up, very easy to manoeuvre. | 0:19:27 | 0:19:32 | |
-Yeah? -So it's your call. | 0:19:32 | 0:19:36 | |
-Time to talk numbers, I think. -Yes. | 0:19:37 | 0:19:39 | |
-What is the price of the dress, Victoria? -It's £1,769. -Right. | 0:19:39 | 0:19:45 | |
I think we're looking at £1,000 for a dress. | 0:19:45 | 0:19:50 | |
If you could do it at £1,000, we'd buy it just now. | 0:19:50 | 0:19:54 | |
I think your wife to be will look absolutely stunning in the dress. | 0:19:54 | 0:19:57 | |
So... £1,000, deal. | 0:19:57 | 0:20:01 | |
So on the big day, the girl who dreams of feathery couture | 0:20:01 | 0:20:04 | |
will be saying I do in a plain, off-the-peg number | 0:20:04 | 0:20:08 | |
they've bartered down to the same price as a muddy field. | 0:20:08 | 0:20:12 | |
-I think it's absolutely stunning. We've done a good job, big man. -So do I, so do I. | 0:20:12 | 0:20:16 | |
She'll definitely like that dress. You could not like it. | 0:20:16 | 0:20:19 | |
To that end, we've done our job well, I think. | 0:20:19 | 0:20:21 | |
With the venue and dress sorted, Mark's brought usher Ryan to help | 0:20:21 | 0:20:26 | |
sort out the next most important part of any festival wedding. The loos. | 0:20:26 | 0:20:31 | |
-Hi, Mickey. How you doing. -Good, thanks. | 0:20:31 | 0:20:35 | |
If it was just a bunch of guys, then you could pee against the wall, crouch in a corner. | 0:20:35 | 0:20:39 | |
But you've got a lot of girls who like to do their make-up, so there has to be nice toilets. | 0:20:39 | 0:20:44 | |
These aren't too bad. | 0:20:44 | 0:20:46 | |
Fine for the likes of us, I'm just thinking of Jill. | 0:20:46 | 0:20:50 | |
-She might have to take her dress off to get in. -I know, yeah. It's fine. | 0:20:50 | 0:20:56 | |
Bogs booked, it's time to purchase another festival essential | 0:20:56 | 0:21:00 | |
for Jill and her bridesmaids. | 0:21:00 | 0:21:03 | |
-Absolutely disgusting. -It's fine. | 0:21:03 | 0:21:05 | |
Absolutely disgusting, but to be frank, they all are. | 0:21:05 | 0:21:09 | |
I think we need to think about what colour their dresses are first. | 0:21:09 | 0:21:13 | |
-We don't know the colour of the dresses. -We're picking the wellies before the dresses? -Yes. | 0:21:13 | 0:21:17 | |
-Size five, sir? -Excellent. | 0:21:17 | 0:21:20 | |
It's going to be ridiculous enough | 0:21:20 | 0:21:22 | |
they're wearing plastic shoes to a wedding. | 0:21:22 | 0:21:25 | |
It's not that ridiculous. | 0:21:25 | 0:21:28 | |
This cobalt blue Wellington boot should not take part | 0:21:28 | 0:21:33 | |
in your wedding in any way, shape or form, I promise you. | 0:21:33 | 0:21:39 | |
-Well, I would like pink. -Well, good. | 0:21:39 | 0:21:42 | |
They leave £100 lighter with six pairs of wellies. | 0:21:42 | 0:21:46 | |
With his outdoor wedding taking place in the middle | 0:21:46 | 0:21:49 | |
of Britain's wettest summer, Mark thinks it's money well spent. | 0:21:49 | 0:21:53 | |
So by the end of week two, the bulk of the 12 grand's been spent. | 0:21:53 | 0:21:58 | |
-We need to cut some corners. -Absolutely, for sure. | 0:21:59 | 0:22:03 | |
But will Jill be happy with the result? | 0:22:03 | 0:22:07 | |
It could go either way. | 0:22:07 | 0:22:09 | |
# It's ladies night. # | 0:22:16 | 0:22:18 | |
It's Saturday night and time for Jill's hen do. | 0:22:18 | 0:22:21 | |
And it's not just her wedding day she's got big ideas for. | 0:22:21 | 0:22:26 | |
-I wonder where you're going. -Even if it's rubbish, what he's picked, I'll be really angry, | 0:22:27 | 0:22:32 | |
but I would be angry because I'll be in good company, so I don't mind. | 0:22:32 | 0:22:36 | |
But that doesn't give him the excuse. | 0:22:36 | 0:22:38 | |
I hope he has made an effort to send us to something half decent. | 0:22:38 | 0:22:43 | |
If something rubbish comes to pick us up, I'll be even more angry. | 0:22:43 | 0:22:47 | |
-What if it's like an ordinary car? -A taxi?! | 0:22:47 | 0:22:50 | |
-Surely he wouldn't just send a taxi. -No, of course he wouldn't. | 0:22:50 | 0:22:54 | |
It's a taxi. | 0:22:56 | 0:22:58 | |
An actually crap taxi. | 0:23:02 | 0:23:04 | |
-Jill, have a great time. -No, I'm not actually having a laugh. That is it. | 0:23:04 | 0:23:08 | |
-I bet you're going to the pictures. -No, I'm not getting in that taxi. | 0:23:08 | 0:23:11 | |
I'm going to stay here and have a couple of drinks. | 0:23:11 | 0:23:13 | |
I can phone my own fucking taxi. Honestly. | 0:23:13 | 0:23:17 | |
-Jill, move it. -We can actually phone our own taxi. | 0:23:17 | 0:23:19 | |
It's booked. Don't leave the guy waiting. | 0:23:19 | 0:23:21 | |
Come on, stop being an idiot. | 0:23:21 | 0:23:23 | |
It'll be fine. It's just to get you there. | 0:23:23 | 0:23:24 | |
Nobody's going to see it, come on. | 0:23:24 | 0:23:26 | |
I'm not getting in that. | 0:23:26 | 0:23:28 | |
I'm not. I'm not. | 0:23:28 | 0:23:31 | |
-Jill, it's the beginning of the night. -It's a taxi. | 0:23:31 | 0:23:34 | |
-It doesn't matter. -Listen to your gran. -It's for going A to B, A to B. | 0:23:34 | 0:23:42 | |
We get a taxi into town every Saturday. | 0:23:42 | 0:23:43 | |
This is not every Saturday! | 0:23:43 | 0:23:45 | |
Not that I don't like you, | 0:23:48 | 0:23:49 | |
I don't even know you, but I wish you weren't here. | 0:23:49 | 0:23:51 | |
It has taken seven women to persuade this princess | 0:23:51 | 0:23:55 | |
to get into her carriage...taxi. | 0:23:55 | 0:23:57 | |
It's my hen do, so I just expected something a bit different. | 0:23:57 | 0:24:00 | |
Tomorrow you won't even remember being in a taxi. | 0:24:00 | 0:24:04 | |
Not a great start to the night, though. | 0:24:04 | 0:24:07 | |
At the end of the day, | 0:24:07 | 0:24:08 | |
I can get a taxi into town Friday, Saturday night. | 0:24:08 | 0:24:12 | |
And this is what he sends. Cos I bet you any money, | 0:24:12 | 0:24:14 | |
he's spent more on the stag than he has on the hen. | 0:24:14 | 0:24:17 | |
Any money. | 0:24:17 | 0:24:18 | |
Wrong. | 0:24:20 | 0:24:21 | |
In fact, he's celebrating with the boys, just down the road. | 0:24:21 | 0:24:25 | |
'Absolutely zero planning going on just now. | 0:24:30 | 0:24:33 | |
'Tonight we are going to party, get drunk | 0:24:33 | 0:24:34 | |
'and fall about and act like dicks. | 0:24:34 | 0:24:37 | |
'I did do quite a lot for her, for her hen do.' | 0:24:38 | 0:24:40 | |
I pulled a few strings for her, so hopefully, she's having a good time, | 0:24:40 | 0:24:43 | |
she's getting drunk and abusing a few folk. | 0:24:43 | 0:24:45 | |
-Waaah! -Go on, you. | 0:24:45 | 0:24:48 | |
The bridesmaids have done their usual job of placating Jill | 0:24:50 | 0:24:55 | |
and she's agreed to carry on with her hen. | 0:24:55 | 0:24:57 | |
'Jill can kick off a bit | 0:24:58 | 0:25:00 | |
'if she doesn't like the way things are going. | 0:25:00 | 0:25:02 | |
'The thing about her is, though,' | 0:25:02 | 0:25:04 | |
she'll go way up there and come back down just as quick | 0:25:04 | 0:25:06 | |
and she'll be fine cos you can talk sense into her. | 0:25:06 | 0:25:08 | |
The single life, I loved you, I will miss you. | 0:25:08 | 0:25:11 | |
CHEERING | 0:25:11 | 0:25:12 | |
Goodbye! | 0:25:12 | 0:25:13 | |
'I'm really worried, now, about | 0:25:13 | 0:25:15 | |
'how she's going to take to trying on a dress' | 0:25:15 | 0:25:17 | |
that he's picked for her and what the venue, where the venue is. | 0:25:17 | 0:25:22 | |
If she doesn't like that. | 0:25:22 | 0:25:23 | |
She was refusing to get in a taxi tonight, so, I don't know, | 0:25:23 | 0:25:26 | |
we'll just need to wait and see and hopefully I can calm her down. | 0:25:26 | 0:25:29 | |
It's time for Mark's next surprise. | 0:25:29 | 0:25:32 | |
Luckily for him, Jill's finally in good spirits. | 0:25:32 | 0:25:36 | |
Yeah! The boogie bus! | 0:25:36 | 0:25:38 | |
LOUD DANCE MUSIC | 0:25:39 | 0:25:43 | |
First I was disappointed. I'm actually really happy now. | 0:25:43 | 0:25:46 | |
'I've got all my girls.' | 0:25:46 | 0:25:48 | |
# We are going to the bowling | 0:25:48 | 0:25:49 | |
# We are going bowling | 0:25:49 | 0:25:51 | |
# Na-na-na-na, hey! # | 0:25:51 | 0:25:53 | |
No, you're not. You're driving an hour away | 0:25:54 | 0:25:57 | |
just to go to another bar in Edinburgh... | 0:25:57 | 0:26:00 | |
..the last place you wanted to spend your hen. | 0:26:07 | 0:26:10 | |
Hey. Where are we going? | 0:26:10 | 0:26:14 | |
Is this it? Is this it? | 0:26:14 | 0:26:16 | |
This is it. | 0:26:16 | 0:26:17 | |
'I don't want to be in Edinburgh.' | 0:26:17 | 0:26:19 | |
I want to be in Glasgow with all my friends, but instead I've dragged them | 0:26:19 | 0:26:23 | |
all the way out here, when I don't want to be here, I want to, like... | 0:26:23 | 0:26:28 | |
I know what he's tried to do but I don't want to be here | 0:26:28 | 0:26:31 | |
so I hope we can go back cos I'm not happy at all. | 0:26:31 | 0:26:34 | |
As usual, the girls try to pander to Jill's mood | 0:26:34 | 0:26:38 | |
but tonight there's no satisfying this demanding diva. | 0:26:38 | 0:26:41 | |
'I would think, personally, being her best friend,' | 0:26:41 | 0:26:44 | |
that this would all please her. | 0:26:44 | 0:26:45 | |
But, if this doesn't please her, I don't know what will | 0:26:45 | 0:26:47 | |
because it's lovely, it's amazing, it's really good. | 0:26:47 | 0:26:50 | |
'Seeing her reaction tonight, I think it's going to be' | 0:26:50 | 0:26:53 | |
very, very hard if she doesn't like the dress, | 0:26:53 | 0:26:55 | |
she doesn't like the venue... | 0:26:55 | 0:26:57 | |
I'm really, really concerned that she's not going to go ahead with it. | 0:26:57 | 0:27:01 | |
I don't think she will. | 0:27:02 | 0:27:04 | |
It's the morning after the night before. | 0:27:11 | 0:27:14 | |
Having found out Jill's hen was a disaster, | 0:27:14 | 0:27:16 | |
Mark's worried how his bride's coping with no control. | 0:27:16 | 0:27:20 | |
It's worrying me, worrying about Jill. | 0:27:20 | 0:27:23 | |
Worrying if she's stressed | 0:27:23 | 0:27:25 | |
because the fear of the unknown is a horrible thing, you know, | 0:27:25 | 0:27:28 | |
so, I, kind of, pray she just... she has a great day. | 0:27:28 | 0:27:33 | |
You know, I know I'll have a great day, you know. | 0:27:33 | 0:27:36 | |
I'm marrying the girl I love so I'm going to have | 0:27:36 | 0:27:38 | |
a tremendous day, but I just hope she gets by the stress | 0:27:38 | 0:27:41 | |
cos it can warp your head a little bit when you're stressed. | 0:27:41 | 0:27:45 | |
You don't think straight. | 0:27:45 | 0:27:47 | |
If she can see the funny side of it, | 0:27:47 | 0:27:49 | |
she'll see the glamorous side of it and the spectacular side of it. | 0:27:49 | 0:27:52 | |
It's the day before the wedding | 0:27:56 | 0:27:57 | |
and picky bride Jill is about to see the dress Mark's chosen for her. | 0:27:57 | 0:28:03 | |
She is expecting couture. | 0:28:03 | 0:28:05 | |
So, what will she make of the dress Mark picked out of the window? | 0:28:05 | 0:28:09 | |
-You look petrified, honestly, you do. -She is a bag of nerves. | 0:28:09 | 0:28:12 | |
You look scared to death. It'll be fine. The boy's done good. | 0:28:12 | 0:28:15 | |
We'll see about that. | 0:28:15 | 0:28:18 | |
'Jill wasn't too keen on the hen party' | 0:28:18 | 0:28:19 | |
so I'm a bit worried about the dress because that's obviously | 0:28:19 | 0:28:22 | |
'a really major thing, so fingers crossed.' | 0:28:22 | 0:28:24 | |
Girls, are you all right? | 0:28:24 | 0:28:25 | |
I'm going to check next door and I'll be back in two wee seconds, OK? | 0:28:25 | 0:28:29 | |
-Excited? -Nervous. | 0:28:31 | 0:28:34 | |
-Nervous. -You can do this. -I know. | 0:28:34 | 0:28:36 | |
'It's only a dress.' | 0:28:36 | 0:28:37 | |
See at the end of the day, there's people dying in the world | 0:28:37 | 0:28:40 | |
so, this is a dress, it's a wedding, it happens every day. | 0:28:40 | 0:28:42 | |
-OK, Jill, do you want to come in? Are you ready? -Yes. | 0:28:42 | 0:28:45 | |
'If it's not to plan, it's not the end of the world.' | 0:28:45 | 0:28:48 | |
There's people dying and can't feed themselves so it is what it is. | 0:28:48 | 0:28:51 | |
With a new-found sense of perspective, | 0:28:51 | 0:28:54 | |
has this bride turned a corner? | 0:28:54 | 0:28:56 | |
I don't like it. | 0:28:58 | 0:29:00 | |
No. | 0:29:00 | 0:29:01 | |
What don't you like about it? | 0:29:02 | 0:29:05 | |
Everything. | 0:29:05 | 0:29:06 | |
I don't like the colour, I don't like the style. | 0:29:06 | 0:29:09 | |
Oh, God. I hate it. | 0:29:09 | 0:29:12 | |
I hate it. | 0:29:12 | 0:29:14 | |
It's everything that I didn't want. | 0:29:14 | 0:29:16 | |
Everything I didn't want. | 0:29:16 | 0:29:18 | |
In terms of...? | 0:29:18 | 0:29:19 | |
I hate the colour, I hate the material. | 0:29:19 | 0:29:23 | |
No, I don't like it at all. | 0:29:23 | 0:29:25 | |
I don't like it. | 0:29:29 | 0:29:30 | |
I think what we'll do, if you can try it on, we can see | 0:29:30 | 0:29:32 | |
if there's anything we can do to tweak it. | 0:29:32 | 0:29:34 | |
All right, we'll try it on. | 0:29:34 | 0:29:36 | |
OK. | 0:29:36 | 0:29:37 | |
What do you think? | 0:29:47 | 0:29:49 | |
-I hate it. -You hate it? -I'm not wearing it. | 0:29:49 | 0:29:52 | |
-Come on, be honest. -Take your arms away. | 0:29:52 | 0:29:56 | |
You can even tell by Bobbi's face. | 0:29:56 | 0:29:58 | |
If you're not happy, I'm not happy for you. | 0:29:58 | 0:30:00 | |
I don't think you look horrible. | 0:30:00 | 0:30:01 | |
-This skirt of it is beautiful. -I hate it. | 0:30:01 | 0:30:04 | |
It's the neck, it's the line, it's the material, | 0:30:04 | 0:30:06 | |
it's the diamante buttons down the back. | 0:30:06 | 0:30:08 | |
I just hate it. It's not me, I don't like it. | 0:30:08 | 0:30:11 | |
I just want to get it off. Let me get out of this dress, OK? | 0:30:11 | 0:30:14 | |
Please, please, please get me out of this dress. | 0:30:16 | 0:30:18 | |
You are pulling the buttons off the back of the dress. | 0:30:18 | 0:30:20 | |
Try and calm down a wee second. | 0:30:20 | 0:30:21 | |
No, I really, honestly, please, Victoria, I'm begging you, | 0:30:21 | 0:30:24 | |
please, just take it off. Please, please. | 0:30:24 | 0:30:26 | |
Please take it off. | 0:30:26 | 0:30:28 | |
Listen, he's a wonderful guy. > | 0:30:32 | 0:30:35 | |
-He's a wonderful guy and he's done this for you. -Not very well. -I know. | 0:30:35 | 0:30:38 | |
But think how difficult it is for a guy to do this. | 0:30:38 | 0:30:40 | |
I thought you looked beautiful in it and if there's anything we can do | 0:30:40 | 0:30:43 | |
to try to tweak it for you. Because it's tomorrow, Jill. | 0:30:43 | 0:30:46 | |
True to form, Jill snaps. | 0:30:46 | 0:30:48 | |
And she's straight on the phone to her mum. | 0:30:51 | 0:30:53 | |
'It's just so disappointing that she doesn't like it. | 0:31:05 | 0:31:08 | |
'It's the most important dress ever.' | 0:31:08 | 0:31:09 | |
I feel bad for Mark, as well, | 0:31:09 | 0:31:11 | |
because he's obviously done his best | 0:31:11 | 0:31:13 | |
and thought he's picked something she would like, but she hates it. | 0:31:13 | 0:31:17 | |
Why would he pick that? It's so hideous. | 0:31:18 | 0:31:21 | |
-He's got it wrong. -He didn't know, Jill. | 0:31:21 | 0:31:23 | |
He's a guy, guys just don't have a clue. | 0:31:23 | 0:31:26 | |
She might be back in the shop, but there's no way she's getting back in that dress. | 0:31:26 | 0:31:30 | |
If he got that wrong then he probably got everything else wrong. | 0:31:30 | 0:31:33 | |
I've got no hope in him now. | 0:31:33 | 0:31:36 | |
I knew, I could tell by your faces. You looked so disappointed. | 0:31:36 | 0:31:39 | |
I'm not going to put you in a dress you're not comfortable in, | 0:31:39 | 0:31:42 | |
I would never ask you to do that. | 0:31:42 | 0:31:43 | |
I will phone Mark, we'll get a solution to this, we will fix this. | 0:31:43 | 0:31:47 | |
-We won't fix it. -We will. -We won't. It's the day before. | 0:31:47 | 0:31:49 | |
Have faith in me. Have faith in me. I promise you, we will fix this. | 0:31:49 | 0:31:53 | |
Desperate to pacify Jill, Laura calls Mark. | 0:31:53 | 0:31:57 | |
Hello, right, she doesn't like the dress. | 0:31:57 | 0:32:00 | |
Are you kidding on? Honestly? | 0:32:00 | 0:32:02 | |
She doesn't like it, we need to change it. She can't get married in it. It has to be something else. | 0:32:02 | 0:32:07 | |
Fucking hell. It looked great as well. | 0:32:07 | 0:32:09 | |
If we speak to Victoria, can we try and change it for a dress of the same value or something? | 0:32:09 | 0:32:12 | |
Yeah, that's fine. That's fine, Victoria is very helpful. | 0:32:12 | 0:32:16 | |
-'Right, OK.' -She'll sort it. | 0:32:16 | 0:32:18 | |
I'll speak to her and see if we can change it for something similar, OK? | 0:32:18 | 0:32:21 | |
OK, bye. | 0:32:21 | 0:32:22 | |
They're going to speak to Victoria and see if she'll sort it. | 0:32:24 | 0:32:29 | |
See if she'll swap it for something else. | 0:32:29 | 0:32:31 | |
If not, we're fucked. | 0:32:33 | 0:32:34 | |
If it's OK with Victoria, we can change the dress | 0:32:34 | 0:32:38 | |
-for something in here you like, and you'll be fine. -Is that OK with you? | 0:32:38 | 0:32:42 | |
-VICTORIA: -Let's have a look. | 0:32:42 | 0:32:44 | |
Jill may be back in charge, but will she be able to find a dress that meets her exacting standards? | 0:32:44 | 0:32:49 | |
Let's have a look and see if there's something else that jumps out | 0:32:49 | 0:32:52 | |
and see what we can do to fix this, all right? | 0:32:52 | 0:32:54 | |
With his poor choice of hen do and wedding dress, | 0:32:55 | 0:32:58 | |
Mark is hoping for more success in the cake department. | 0:32:58 | 0:33:02 | |
I'm just going to pick the cake up. | 0:33:02 | 0:33:04 | |
I've not seen it yet, so I'm quite excited to see what this is like. | 0:33:04 | 0:33:07 | |
I'm sure it will be amazing. Hiya. | 0:33:07 | 0:33:09 | |
Thank you. | 0:33:09 | 0:33:11 | |
Wow. | 0:33:11 | 0:33:12 | |
There we go. | 0:33:12 | 0:33:14 | |
-What do you think? -Fantastic. -Good. -Amazing. -Good. | 0:33:14 | 0:33:16 | |
This cake cannot budge because it's four tiers. | 0:33:16 | 0:33:19 | |
It needs to fit flat on your knee. | 0:33:19 | 0:33:20 | |
Don't squeeze it at the bottom or anything like that. | 0:33:20 | 0:33:24 | |
At least one thing's going right | 0:33:24 | 0:33:25 | |
and, with Ryan protecting the perfect cake, | 0:33:25 | 0:33:27 | |
they head two hours south to the festival site. | 0:33:27 | 0:33:29 | |
I just can't believe she didn't like the dress | 0:33:29 | 0:33:32 | |
but it's personal taste, isn't it? | 0:33:32 | 0:33:35 | |
How are you feeling about the rest of it then? | 0:33:35 | 0:33:37 | |
I've got doubts now, if she's going to like the venue now. Obviously. | 0:33:37 | 0:33:40 | |
Because, anything we've done, previous to this, | 0:33:40 | 0:33:43 | |
it's not been received greatly, but it's done now. | 0:33:43 | 0:33:47 | |
Chin up. It'll come together for you. | 0:33:47 | 0:33:51 | |
We'll see what happens. | 0:33:51 | 0:33:53 | |
After a few bumps in the road, | 0:33:53 | 0:33:54 | |
it's not just Mark's wedding plans that are starting to crack. | 0:33:54 | 0:33:58 | |
-Is it collapsing? -It's starting to lean to the one side. | 0:33:58 | 0:34:00 | |
Tip it the other way. | 0:34:00 | 0:34:02 | |
I'd rather not in case it just topples over. | 0:34:02 | 0:34:04 | |
I'd rather we just wait until we pull over. | 0:34:04 | 0:34:06 | |
I'll get out. | 0:34:11 | 0:34:12 | |
Whoa. | 0:34:12 | 0:34:15 | |
-Fuck! Ryan. -Mark, this was not my fault. | 0:34:15 | 0:34:18 | |
How is it not your fault? I asked you to hold it straight. | 0:34:18 | 0:34:21 | |
-Look at that, it's cracked. -That's not my fault. -It's not your fault? | 0:34:21 | 0:34:24 | |
It's not my fault. | 0:34:24 | 0:34:27 | |
Honestly, mate. You can't fucking hold a cake straight. Look at it. | 0:34:27 | 0:34:31 | |
It's collapsed, man. | 0:34:31 | 0:34:32 | |
It's not my fault. How is it my fault? | 0:34:32 | 0:34:35 | |
I don't know how to fix this. | 0:34:35 | 0:34:37 | |
In Glasgow, the girl who spent years obsessing over wedding dresses | 0:34:47 | 0:34:52 | |
is under pressure to pick a gown for her big day tomorrow. | 0:34:52 | 0:34:55 | |
I quite like that. | 0:34:55 | 0:34:57 | |
-I actually really like that. -Right. -I actually love it. | 0:34:57 | 0:35:00 | |
But, Jill's back in the driver's seat. | 0:35:00 | 0:35:02 | |
Well, I had picked this one out. | 0:35:02 | 0:35:04 | |
-I'll try that one. -Right, OK. -And that one. -Right. | 0:35:04 | 0:35:08 | |
We're high-fiving here because we are on a roll. | 0:35:08 | 0:35:10 | |
-Go Victoria. -Let's do this. Right, OK. | 0:35:10 | 0:35:12 | |
Taking charge, it only takes this controlling bride | 0:35:12 | 0:35:15 | |
a few minutes to find a dress she loves. | 0:35:15 | 0:35:18 | |
Oh, that's gorgeous. | 0:35:20 | 0:35:22 | |
You can't get that, I want that for my wedding. | 0:35:22 | 0:35:25 | |
And, with Jill back in charge, everyone's happy. | 0:35:26 | 0:35:30 | |
Jill, that is absolutely fantastic, classic Audrey Hepburn, amazing. | 0:35:30 | 0:35:35 | |
-I love it. -Look at the back. -Honestly, I do. 100%. | 0:35:35 | 0:35:38 | |
-VICTORIA: -I'm in on this. I'm in on a shot of this. | 0:35:38 | 0:35:41 | |
I think we should all do a team. | 0:35:41 | 0:35:43 | |
Oh yes. | 0:35:43 | 0:35:44 | |
See, it's so much better when the girls pick it. | 0:35:46 | 0:35:48 | |
Why would you ever let a boy pick your dress? | 0:35:48 | 0:35:51 | |
She may be pleased with the dress | 0:35:51 | 0:35:52 | |
but now Jill's having doubts about the marriage. | 0:35:52 | 0:35:55 | |
I wish I'd got this dress under better circumstances because, | 0:35:55 | 0:35:58 | |
honestly, I feel so deflated. I'm meant to be getting married tomorrow | 0:35:58 | 0:36:01 | |
and I just don't even feel like I want to, to be honest. | 0:36:01 | 0:36:03 | |
He's just got everything wrong so far. | 0:36:03 | 0:36:06 | |
It's the morning of the wedding | 0:36:17 | 0:36:19 | |
and the Wickerman Festival is in full swing. | 0:36:19 | 0:36:22 | |
The groom and his best man Chris are laying out bales of hay | 0:36:25 | 0:36:28 | |
for the guests to sit on. | 0:36:28 | 0:36:30 | |
But they're worried it's all going to look a bit | 0:36:30 | 0:36:33 | |
poo. | 0:36:33 | 0:36:35 | |
-Mark. -Yes, mate. -What I've been trying to do, bales-wise... | 0:36:35 | 0:36:38 | |
-Is cover cow shit? -..is cover shit so the guests aren't standing in it. | 0:36:38 | 0:36:41 | |
Yeah, me too. | 0:36:41 | 0:36:42 | |
We could maybe use the excess straw to cover the excess shite. | 0:36:42 | 0:36:45 | |
We just need a shovel. | 0:36:45 | 0:36:47 | |
I didn't see much on the runway | 0:36:47 | 0:36:49 | |
-but there could be a couple of wee bits. -There's one there. | 0:36:49 | 0:36:52 | |
I never thought I'd be shovelling shit on my wedding day. | 0:36:52 | 0:36:55 | |
I thought, at this point, I might be getting pampered | 0:36:55 | 0:36:58 | |
and looked after and stuff, | 0:36:58 | 0:37:01 | |
not scooping up cow shit. | 0:37:01 | 0:37:03 | |
Needs must, eh? | 0:37:03 | 0:37:05 | |
At her mum's house, the bride is feeling a bit down in the dumps. | 0:37:14 | 0:37:18 | |
-Are you looking forward to it, missus? -Yeah, I suppose. | 0:37:18 | 0:37:22 | |
-I can't wait. -I know. -I've got a new dress. | 0:37:22 | 0:37:24 | |
I'm glad somebody is excited. | 0:37:24 | 0:37:26 | |
I think she's a bit better this morning. She's not 100%. | 0:37:30 | 0:37:33 | |
I just hope she pulls it round | 0:37:33 | 0:37:35 | |
in time for the venue | 0:37:35 | 0:37:37 | |
and getting married. | 0:37:37 | 0:37:40 | |
-But we'll just need to wait and see. -Are you worried? | 0:37:40 | 0:37:44 | |
Yes, I'm very worried. | 0:37:44 | 0:37:46 | |
This is, obviously, the biggest day of my life | 0:37:46 | 0:37:48 | |
and it's not went to plan yet. | 0:37:48 | 0:37:50 | |
So, I'll be honest, I'm not getting my hopes up today | 0:37:50 | 0:37:53 | |
'cos I actually don't know what I'm walking into, to be honest,' | 0:37:53 | 0:37:56 | |
so I'm just going to go with the flow and try and enjoy myself. | 0:37:56 | 0:38:01 | |
-Things can only get better. -They can. | 0:38:01 | 0:38:02 | |
That's the way I'm... What do you think, Ash? | 0:38:02 | 0:38:05 | |
Let's be optimistic. | 0:38:05 | 0:38:06 | |
-Something has to go right. -Something has to. | 0:38:06 | 0:38:09 | |
'Anything else that she doesn't like,' | 0:38:09 | 0:38:12 | |
I'm a bit fearful, to be perfectly honest. | 0:38:12 | 0:38:15 | |
I'm fearful of that. | 0:38:15 | 0:38:17 | |
Cos she's got such a temper, Jill. She just might go off on one again. | 0:38:17 | 0:38:23 | |
And, as if on cue... | 0:38:24 | 0:38:26 | |
Aargh! | 0:38:26 | 0:38:28 | |
-Pull, pull, pull. -No, don't rip it. | 0:38:28 | 0:38:32 | |
The emergency alterations on Jill's dress have made it too tight. | 0:38:32 | 0:38:36 | |
and without the usual luxury of a second fitting, Jill's not happy. | 0:38:36 | 0:38:41 | |
I can't actually move because they've altered it too tight. | 0:38:41 | 0:38:44 | |
I'm in agony. | 0:38:44 | 0:38:46 | |
-What if you...? -No, we've tried everything and it won't go down. | 0:38:46 | 0:38:49 | |
Forced to wear a dress that doesn't fit her, a grumpy Jill | 0:38:49 | 0:38:53 | |
and her dad Jim are being picked up by best man Burnsy, | 0:38:53 | 0:38:57 | |
the man partly responsible for the first dress disaster. | 0:38:57 | 0:39:01 | |
This is the big day now. Jill, it'll be brilliant. | 0:39:10 | 0:39:14 | |
-Relax. You'll love it. -It's not been so far. | 0:39:14 | 0:39:17 | |
Try and think positive. | 0:39:17 | 0:39:19 | |
I've been trying to think positive | 0:39:19 | 0:39:21 | |
for the last two weeks and every time I've thought positive, | 0:39:21 | 0:39:23 | |
-I've been let down, so... -People are trying their best. | 0:39:23 | 0:39:26 | |
I know but it's not my fault I've been let down. | 0:39:26 | 0:39:28 | |
You've got to think that we've got two options. | 0:39:28 | 0:39:30 | |
We can either look positive and have the best day of your life | 0:39:30 | 0:39:33 | |
or we can go down and feel unhappy and before you even get there, | 0:39:33 | 0:39:36 | |
you've made your mind up you're not going to have a good time. | 0:39:36 | 0:39:39 | |
To be honest, this whole experience has just taken the life out of me | 0:39:39 | 0:39:43 | |
so I'm pretty drained, to be honest. | 0:39:43 | 0:39:45 | |
It's just not went the way I would have done it. | 0:39:45 | 0:39:48 | |
This is the way you've done it. This was your choice. | 0:39:48 | 0:39:51 | |
Let's just not talk about it any more. Let's just... | 0:39:53 | 0:39:56 | |
..just do what we need to do. | 0:39:58 | 0:40:00 | |
At the festival, Mark has organised for Jill | 0:40:02 | 0:40:05 | |
to be whisked onto the main stage as soon as she arrives. | 0:40:05 | 0:40:09 | |
The plan is for the 20,000 festival-goers to urge her | 0:40:09 | 0:40:12 | |
to do the bungee jump before the ceremony. | 0:40:12 | 0:40:15 | |
But, with guests already arriving, Mark is running late. | 0:40:15 | 0:40:18 | |
-Do you know when more ice is coming up? -He's just on the radio now. | 0:40:18 | 0:40:22 | |
'Mark is freaking his beans. | 0:40:23 | 0:40:25 | |
'It's obviously behind schedule so, basically,' | 0:40:25 | 0:40:27 | |
he's in there, trying to get his kilt on. | 0:40:27 | 0:40:29 | |
Sling it on, last minute. There's guests here already | 0:40:29 | 0:40:32 | |
and it's all a bit backwards just now, but hopefully | 0:40:32 | 0:40:36 | |
he'll be ready, looking sharp for Jill to arrive. | 0:40:36 | 0:40:38 | |
Breathe your head in. | 0:40:42 | 0:40:44 | |
Jill is just minutes away from the festival. | 0:40:44 | 0:40:47 | |
Right. It's going to ruin my eye make-up though. | 0:40:50 | 0:40:53 | |
Mark's asked best man Burnsy | 0:40:53 | 0:40:55 | |
to blindfold his bride to maximise her surprise. | 0:40:55 | 0:40:58 | |
I don't really see the need for the mask. | 0:40:58 | 0:41:00 | |
-Don't... -I'm not. I'm adjusting it. | 0:41:00 | 0:41:02 | |
Oh, God. | 0:41:03 | 0:41:05 | |
Stop peeking, Jill. | 0:41:05 | 0:41:07 | |
Stop peeking. | 0:41:10 | 0:41:12 | |
It's too hot under this mask. | 0:41:12 | 0:41:13 | |
Jill, it is now imperative that you put the mask on. | 0:41:14 | 0:41:18 | |
Jill wanted a high-class, traditional wedding, | 0:41:18 | 0:41:21 | |
just like the ones in her magazine, | 0:41:21 | 0:41:23 | |
but instead she is about to arrive to this... | 0:41:23 | 0:41:26 | |
-Don't look. No, don't look. -Get your hand off my face. | 0:41:37 | 0:41:40 | |
Why are we at a festival? | 0:41:45 | 0:41:47 | |
Why are we at a festival? Why are we at a festival? | 0:41:49 | 0:41:51 | |
We've got a wedding booked at the other side of this. | 0:41:51 | 0:41:54 | |
-We're just passing the place. -No, no, no, no. | 0:41:54 | 0:41:57 | |
Gonnae put that back on, please? | 0:41:57 | 0:41:58 | |
I'm not going in there. | 0:41:58 | 0:42:00 | |
I'm not going in there. I am so insulted. | 0:42:00 | 0:42:02 | |
I am so insulted. I am so insulted. I am not going in there. | 0:42:02 | 0:42:06 | |
I am not going in there. | 0:42:06 | 0:42:08 | |
I'm not going in there. | 0:42:08 | 0:42:10 | |
Fuck yous! I can't believe you did this to me. | 0:42:10 | 0:42:13 | |
Having ripped off her blindfold, Jill's not having any of it | 0:42:13 | 0:42:16 | |
and all Mark's plans to get her to the main stage have to be abandoned. | 0:42:16 | 0:42:19 | |
Why don't we go see what the script is? | 0:42:19 | 0:42:21 | |
I'm told it's away from here. | 0:42:21 | 0:42:24 | |
Ashley, we're at a music festival. | 0:42:24 | 0:42:25 | |
So, what do you want to do then? Do you want to just go home? | 0:42:25 | 0:42:28 | |
Do you want to just throw in the towel? | 0:42:30 | 0:42:31 | |
Look at the state of this. My dress is in the middle of mud. | 0:42:31 | 0:42:34 | |
I know, I understand that. I really do. | 0:42:34 | 0:42:36 | |
And you've got your wellies on. Seriously. | 0:42:36 | 0:42:40 | |
-This is ridiculous. -That guy's got wellies for you. | 0:42:40 | 0:42:42 | |
Do you think I'll put them on? You must be joking. | 0:42:42 | 0:42:44 | |
I can't believe they brought me here. | 0:42:44 | 0:42:46 | |
You need to speak to Mark about it. I don't know anything about it. | 0:42:46 | 0:42:49 | |
Why would they do this to me? | 0:42:49 | 0:42:51 | |
We don't know anything about it. | 0:42:51 | 0:42:52 | |
-But why would they do this? -I don't know. | 0:42:52 | 0:42:55 | |
I'm humiliated. | 0:42:55 | 0:42:56 | |
Would you bring Becky? Oh no, you fucking wouldn't. | 0:42:58 | 0:43:01 | |
Don't fall out with me, Dad. | 0:43:02 | 0:43:03 | |
-Jill... -What, Ashley? This is embarrassing. | 0:43:05 | 0:43:09 | |
It's not embarrassing. You're embarrassing me. | 0:43:09 | 0:43:11 | |
It's my fault I've been brought to a music festival? | 0:43:11 | 0:43:13 | |
-It's not... -We'll go to the farm, where everybody is... | 0:43:13 | 0:43:17 | |
Oh, right, OK. Thank you very much. | 0:43:17 | 0:43:19 | |
Right, go straight forward, up this alley. | 0:43:19 | 0:43:22 | |
Straight on down to the main road and turn right. | 0:43:22 | 0:43:24 | |
Festival organiser Jamie has come to the rescue. | 0:43:24 | 0:43:27 | |
He's taking them to his farmhouse to help calm Jill down. | 0:43:27 | 0:43:31 | |
You'd better be quiet, Jim, I swear to God. | 0:43:32 | 0:43:34 | |
-I'll tell you something, honestly. -Yous two, enough. | 0:43:34 | 0:43:37 | |
-JAMIE: Go to the right there. -(Look at the state of this.) | 0:43:37 | 0:43:40 | |
We'll go and have a cup of tea. | 0:43:40 | 0:43:43 | |
-Sounds good. -Keep going, straight on. -Just here? -Perfect. | 0:43:43 | 0:43:48 | |
What's that? | 0:43:48 | 0:43:49 | |
This is a...joke. | 0:43:50 | 0:43:52 | |
Is this some sort of... Is this some sort of joke? | 0:43:59 | 0:44:03 | |
-Thank you. -Your potential husband has gone to an awful lot of trouble | 0:44:05 | 0:44:08 | |
-to get a lovely tent up there... -Why? He could have easily planned a normal wedding. | 0:44:08 | 0:44:11 | |
Well, it's just bloody men - they get things wrong. | 0:44:11 | 0:44:14 | |
But if you want to stick your heels in and say, "Bugger off, I don't want anything to do with it," | 0:44:14 | 0:44:18 | |
then now is the time to think about doing it. | 0:44:18 | 0:44:20 | |
I just don't understand why anybody would put someone through this | 0:44:20 | 0:44:24 | |
on their wedding day. | 0:44:24 | 0:44:26 | |
He thought it was going to be a very special day. | 0:44:26 | 0:44:29 | |
Do you want me to explain the ethos behind it, Jill? | 0:44:29 | 0:44:32 | |
-You're not IN the festival. -Jill, can we take you over... | 0:44:33 | 0:44:36 | |
You're not... | 0:44:36 | 0:44:38 | |
-Listen to me. -Why are you wearing wellies? Where are your shoes? | 0:44:38 | 0:44:43 | |
-I left them... -I don't want to put wellies on, do you know what I mean? | 0:44:43 | 0:44:49 | |
They were just in case. They're a contingency. In case it rains. It's nice outside. | 0:44:49 | 0:44:54 | |
I'm so disappointed, this is not what I wanted. | 0:44:54 | 0:44:57 | |
I don't mind, like, the whole thing being different... | 0:44:59 | 0:45:02 | |
But not THIS, I didn't want this. | 0:45:02 | 0:45:05 | |
The only reason you've seen what you've seen is because you decided not to wear your mask. | 0:45:05 | 0:45:10 | |
-Everybody got everything wrong! -One person got everything wrong. | 0:45:10 | 0:45:14 | |
Not everybody else. | 0:45:15 | 0:45:16 | |
Jill, can we go to the tent, please? | 0:45:17 | 0:45:19 | |
Then you can make an informed decision on whether you want to do this or not. | 0:45:19 | 0:45:22 | |
Because if you don't, then don't. But if you do, then... | 0:45:22 | 0:45:26 | |
You should at least know what you're getting into. | 0:45:26 | 0:45:29 | |
My granny, who's 85, wanted me to get married in our church. | 0:45:29 | 0:45:34 | |
And this is so not even like that. | 0:45:34 | 0:45:36 | |
I just wanted a traditional wedding. | 0:45:36 | 0:45:38 | |
-We're at a festival, not IN it. -Come and look at what we've set up. | 0:45:38 | 0:45:42 | |
There is some traditional stuff there. | 0:45:42 | 0:45:44 | |
But this is supposed to be the biggest day of my life | 0:45:44 | 0:45:46 | |
and I'm not happy. | 0:45:46 | 0:45:48 | |
Totally unaware of Jill's meltdown, the guests are arriving by tractor. | 0:45:54 | 0:45:59 | |
And none of them were expecting a wedding quite like this. | 0:45:59 | 0:46:03 | |
This is amazing, I think it's so good. | 0:46:03 | 0:46:06 | |
Oh, wow - is this the Wickerman Festival or something? | 0:46:06 | 0:46:10 | |
-It's so funny! -You pulled a blinder on this one. -A blinder! | 0:46:10 | 0:46:15 | |
I think it's absolutely bonkers. | 0:46:15 | 0:46:17 | |
I think it's fantastic, but I don't even know what's going on. | 0:46:17 | 0:46:21 | |
I just think it's crazy! I just never... I don't know! | 0:46:21 | 0:46:26 | |
But it's great, and I'm loving it. The sun is out and... Cheers! | 0:46:26 | 0:46:30 | |
Everyone's embracing the festival fun. Everyone except the bride. | 0:46:30 | 0:46:35 | |
-Smells of shit. -It does, too, here. | 0:46:35 | 0:46:38 | |
It does, it's fucking rank. | 0:46:38 | 0:46:41 | |
This is the worst idea...ever. | 0:46:42 | 0:46:44 | |
This is the last thing that I would have ever wanted... | 0:46:47 | 0:46:52 | |
I think you should put on a brave face and see the fun in it. | 0:46:54 | 0:46:56 | |
That's my advice to you. | 0:46:56 | 0:46:58 | |
Mark's heard from Burnsy, and desperately concerned | 0:47:00 | 0:47:04 | |
Jill will pull out on him, he's abandoned all plans | 0:47:04 | 0:47:07 | |
and made the unconventional move of coming to speak to his bride. | 0:47:07 | 0:47:12 | |
-This is not what I wanted. -Jill... -No, it's not. | 0:47:12 | 0:47:15 | |
This is really not what I wanted. | 0:47:15 | 0:47:16 | |
You're not getting married at a festival. | 0:47:16 | 0:47:18 | |
You're getting married BESIDE a festival in a fucking big marquee. | 0:47:18 | 0:47:21 | |
-We're at a festival. -You're not at a festival. | 0:47:21 | 0:47:25 | |
-You ruined my hen do, you ruined my dress... -How did I ruin your hen do? | 0:47:25 | 0:47:28 | |
-My hen do was shit. -How was your hen do shit? -It was shit! | 0:47:28 | 0:47:31 | |
It was bog-standard average crap. Like, honest to God... | 0:47:31 | 0:47:35 | |
-Jill! -What?! | 0:47:36 | 0:47:38 | |
-This is... -This has been the worst experience of my life. | 0:47:38 | 0:47:41 | |
Look up here, it's absolutely stunning. Everyone's come up here | 0:47:41 | 0:47:44 | |
-for you, we're having a party up here... -Fine, Mark. | 0:47:44 | 0:47:47 | |
Do you know something? | 0:47:47 | 0:47:48 | |
Mark, you should know me by now, this is not what I wanted. | 0:47:48 | 0:47:50 | |
Jill, come on - you love going out, having these sorts of things happening... | 0:47:50 | 0:47:54 | |
When I go out! I like doing it at the weekend, | 0:47:54 | 0:47:56 | |
with my friends, with you, twice a year, | 0:47:56 | 0:47:59 | |
-I do not want it for my wedding day. -You're not getting married in a festival! -That's the way I feel! | 0:47:59 | 0:48:04 | |
But you've not given it a chance yet. | 0:48:04 | 0:48:06 | |
The ONE thing you had to do, and you've ruined it. | 0:48:09 | 0:48:11 | |
I did NOT want this. I wanted a traditional wedding. | 0:48:11 | 0:48:15 | |
I don't want THIS! | 0:48:15 | 0:48:16 | |
Guys, while you're deciding things, could I walk across and have a glass of champagne? | 0:48:16 | 0:48:19 | |
-Course you can, yes. -Shall I bring one for you? -Yes. -I'll get two. | 0:48:19 | 0:48:25 | |
You're looking absolutely stunning. | 0:48:25 | 0:48:27 | |
In the dress that YOU didn't pick. | 0:48:27 | 0:48:29 | |
The one they altered too tight, | 0:48:29 | 0:48:30 | |
because you picked some fucking dress that was hideous, that we had | 0:48:30 | 0:48:33 | |
to alter last night - this one - which doesn't fit me. | 0:48:33 | 0:48:37 | |
You brought me to a field with no welly boots and I'm in high heels that are killing my feet... | 0:48:37 | 0:48:41 | |
You've got welly boots. | 0:48:41 | 0:48:42 | |
-I left them up at Peter's house, or whoever's house that is. -Whose house? | 0:48:42 | 0:48:46 | |
-Did you like them? -No. Why the fuck would I put welly boots on...? | 0:48:46 | 0:48:50 | |
Fuck this, Jill. Honestly. | 0:48:50 | 0:48:53 | |
-The amount of work I've put in over the last few weeks for this. -I could've done better. | 0:48:53 | 0:48:57 | |
No you couldn't. | 0:48:57 | 0:48:58 | |
I'm in a far nicer dress... I'm in a far nicer dress than you would have ever picked. | 0:48:58 | 0:49:03 | |
This is the first dress I picked up in the shop, I went, "That'll do." | 0:49:03 | 0:49:06 | |
Amazing. | 0:49:06 | 0:49:08 | |
-Just leave, Mark. -What're you doing? -"What am I doing?" | 0:49:10 | 0:49:12 | |
I'm going to have to marry you, but I'm right fucked off. | 0:49:12 | 0:49:15 | |
-You don't HAVE to marry me. -Of course I want to marry you. -Yeah? | 0:49:15 | 0:49:19 | |
-Get out the car, you piss me off. Get out of the car. -Give me a kiss. -No. | 0:49:19 | 0:49:23 | |
-Get out the car. -Give me a kiss. -I'm not giving you a kiss. | 0:49:23 | 0:49:25 | |
-Give me a kiss. -No. -Give me a kiss. -No. -Give me a kiss. | 0:49:25 | 0:49:28 | |
I hate you so much, I've been through so much... | 0:49:28 | 0:49:30 | |
Only Mark could manage to tame the wild beast, | 0:49:32 | 0:49:35 | |
and, tantrum over, | 0:49:35 | 0:49:37 | |
it looks like the wedding is back on. | 0:49:37 | 0:49:39 | |
You knew you weren't going to get a normal, traditional wedding. | 0:49:42 | 0:49:46 | |
-Look at my fucking guests! -I know, how funny is that?! | 0:49:46 | 0:49:49 | |
-How good's that? How good's that? -What?! | 0:49:49 | 0:49:52 | |
How good's that? How good is that? | 0:49:52 | 0:49:55 | |
THEY WHOOP AND CHEER | 0:49:55 | 0:49:56 | |
We're at a fucking music festival! | 0:49:56 | 0:49:58 | |
HONKS HORN | 0:49:58 | 0:50:01 | |
-There she is! -WILD CHEERING | 0:50:03 | 0:50:06 | |
Why are we at a music festival?! | 0:50:10 | 0:50:12 | |
-Are we ready to get married?! -ALL: Yes! | 0:50:14 | 0:50:17 | |
-We're going to have a wedding. -Looks like it. -That's the most important thing. | 0:50:17 | 0:50:22 | |
So after three weeks of high drama, | 0:50:24 | 0:50:26 | |
Jill is finally walking up the aisle. | 0:50:26 | 0:50:29 | |
And she looks quite happy. | 0:50:29 | 0:50:31 | |
I, Mark, promise you, Jill, to be your best friend, | 0:50:39 | 0:50:43 | |
I promise to love and cherish you always. Will you take me as your husband, | 0:50:43 | 0:50:46 | |
and spend your life with me? | 0:50:46 | 0:50:47 | |
Today I vow to be your wife, look after you, | 0:50:47 | 0:50:49 | |
love and cherish you and be the mother of your children. | 0:50:49 | 0:50:53 | |
I'm so proud to be Mrs Mark Loney. | 0:50:53 | 0:50:55 | |
You are the best part of me and I will love you until the end of time. | 0:50:55 | 0:50:59 | |
APPLAUSE | 0:50:59 | 0:51:02 | |
I hereby declare that you, Mark and Jill, are now husband and wife. | 0:51:05 | 0:51:09 | |
CHEERING | 0:51:09 | 0:51:11 | |
I give you Mark and Jill. | 0:51:19 | 0:51:22 | |
Against all the odds, Mark and Jill are husband and wife. | 0:51:27 | 0:51:31 | |
But the day's not over yet... | 0:51:31 | 0:51:33 | |
-Oh my God, it's so nice! -Like it? -I love it! | 0:51:33 | 0:51:36 | |
-It was a four-tier cake... -Uh-huh... -And we had to drive it down here... | 0:51:43 | 0:51:47 | |
-Did it fall? -The bottom tier collapsed. -Thank you. | 0:51:47 | 0:51:51 | |
-It's still a wee bit... Thank you so much. -For you, Jilly. | 0:51:51 | 0:51:55 | |
Mark has pulled off the impossible. | 0:51:55 | 0:51:56 | |
He might not have spent 70 grand, | 0:51:56 | 0:51:59 | |
but he's organised a wedding so original | 0:51:59 | 0:52:01 | |
that even Britain's most demanding bride is happy. | 0:52:01 | 0:52:05 | |
I would like to say to you... | 0:52:05 | 0:52:08 | |
that you have made me so angry, | 0:52:08 | 0:52:11 | |
but yet so sad, in the last three weeks. | 0:52:11 | 0:52:14 | |
-But do you know something? It's all been worth it. -Yeah? | 0:52:14 | 0:52:17 | |
Because as much as I'm pained to say, you're so right, | 0:52:17 | 0:52:19 | |
you're really good at planning weddings. | 0:52:19 | 0:52:22 | |
-Apart from getting dresses? -Shut up, Mark - that was really shit, actually. | 0:52:22 | 0:52:25 | |
That was really shit. | 0:52:25 | 0:52:27 | |
In the last three weeks, we've put everything - heart, soul, blood, tears - | 0:52:27 | 0:52:30 | |
just to get this perfect for you. | 0:52:30 | 0:52:33 | |
-And it's more than perfect. -It's more than perfect, is it? -Yeah. | 0:52:33 | 0:52:36 | |
-Shall we go and have fun? -Yes. I love you. | 0:52:36 | 0:52:38 | |
Go and see the magician? | 0:52:38 | 0:52:39 | |
Right, everybody! | 0:52:39 | 0:52:41 | |
This is the only bit of my wedding that I get to organise. | 0:52:41 | 0:52:44 | |
One...two... | 0:52:44 | 0:52:47 | |
three... Go! | 0:52:47 | 0:52:49 | |
This'll be the last time I'll speak on Jill and me's behalf again, ever! | 0:52:56 | 0:53:00 | |
So, I'd better make the most of it. | 0:53:00 | 0:53:02 | |
-You'd better believe it. -It's not even started yet! | 0:53:02 | 0:53:06 | |
But Jill, in all honesty, you do make me feel happy. | 0:53:06 | 0:53:10 | |
On that note, if you could all stand and toast my beautiful wife, Jill. | 0:53:10 | 0:53:13 | |
CHEERING | 0:53:13 | 0:53:15 | |
'I'm so glad that Mark Loney is back in her life, because I didn't realise' | 0:53:15 | 0:53:19 | |
what a pain in the backside Jill was! | 0:53:19 | 0:53:21 | |
-Have her! -I totally love her, I knew she was dramatic, but oh, my God! | 0:53:21 | 0:53:25 | |
But today has proved, no matter what, she loves him, she wants to marry him, so... | 0:53:25 | 0:53:31 | |
We're so relieved that she went through with it. | 0:53:31 | 0:53:34 | |
I was worried that her own emotions would just take over. | 0:53:34 | 0:53:36 | |
"I don't want to do this, therefore I'm not marrying him," which is not the point! | 0:53:36 | 0:53:40 | |
That's not the point! But she done it, so we're so happy. | 0:53:40 | 0:53:44 | |
Jill may have spoiled Mark's grand plan, | 0:53:45 | 0:53:47 | |
but with his bride back from the brink, he decides to push his luck. | 0:53:47 | 0:53:52 | |
-The main stage fucked up earlier on. -Right. -But, we're going down now. -OK. | 0:53:52 | 0:53:56 | |
-Do you want to go for it? -Yes. -The headline act is about to go on. | 0:53:56 | 0:54:01 | |
-The headline act is about to go on. Shall I go down and do it? -Yes, let's do it. | 0:54:02 | 0:54:05 | |
We're going to be on stage! We're going to the main stage! | 0:54:05 | 0:54:08 | |
So the bride that wanted a traditional wedding, | 0:54:08 | 0:54:11 | |
as featured in her glossy magazine, | 0:54:11 | 0:54:13 | |
is loving every minute of her truly alternative day. | 0:54:13 | 0:54:17 | |
We're at the main stage of the Wickerman Festival. | 0:54:18 | 0:54:22 | |
Why did I ever say I wanted a traditional wedding? | 0:54:22 | 0:54:25 | |
# MUSIC: "One Day Like This" by Elbow | 0:54:25 | 0:54:29 | |
CHEERING AND APPLAUSE | 0:54:32 | 0:54:36 | |
Jill! Jilly! | 0:54:36 | 0:54:39 | |
It's usually stars up on the main stage, | 0:54:39 | 0:54:41 | |
and because you're my star, that's why you're here. | 0:54:41 | 0:54:44 | |
CHEERING | 0:54:44 | 0:54:47 | |
So... I'm just pretty much up here, promising... | 0:54:51 | 0:54:55 | |
to...make you proud. | 0:54:55 | 0:54:58 | |
And be the best husband you can imagine. OK? | 0:54:58 | 0:55:02 | |
CHANTING: Kiss! Kiss! Kiss! | 0:55:02 | 0:55:04 | |
And now he just needs the help of the 20,000-strong crowd, | 0:55:04 | 0:55:08 | |
to get her on the bungee ball! | 0:55:08 | 0:55:10 | |
So anyway, we're going to go on the bungee ball after this, as well. | 0:55:10 | 0:55:13 | |
CHEERING | 0:55:13 | 0:55:15 | |
It's up to Jill if she goes on, but it's more up to you guys, so... | 0:55:18 | 0:55:22 | |
CHEERING | 0:55:22 | 0:55:24 | |
-CHANTING: -Do it! Do it! Do it! | 0:55:24 | 0:55:28 | |
I'll do it. I'll do it! | 0:55:30 | 0:55:32 | |
CHEERING | 0:55:32 | 0:55:35 | |
Give it up for the bride and groom! Mark and Jill! | 0:55:37 | 0:55:40 | |
# So throw those curtains wide | 0:55:40 | 0:55:46 | |
# Just one day like this a year would see me right | 0:55:46 | 0:55:52 | |
# Throw those curtains wide | 0:55:52 | 0:55:57 | |
# One day like this a year would see me right. # | 0:55:57 | 0:56:03 | |
Oh, my God! HE LAUGHS | 0:56:03 | 0:56:06 | |
Oh, Loney - I'm going to kill you! | 0:56:06 | 0:56:09 | |
Next week, metalhead Martin plans a wedding to rock his bride's world. | 0:56:09 | 0:56:15 | |
I need, like, the princess wedding. | 0:56:15 | 0:56:18 | |
It needs to be a big metal show. | 0:56:18 | 0:56:21 | |
But with a best man vying for the limelight... | 0:56:21 | 0:56:24 | |
-Are you jealous cos I've got other people here? -And more meltdowns than metal... | 0:56:24 | 0:56:27 | |
-I don't even WANT you at my wedding! -One more word! | 0:56:27 | 0:56:30 | |
Will bride Terri get a day to remember, | 0:56:30 | 0:56:34 | |
or one she'd rather forget? | 0:56:34 | 0:56:35 | |
I don't like it at all. SHE SOBS | 0:56:35 | 0:56:38 | |
CHEERING | 0:57:02 | 0:57:04 | |
Subtitles by Red Bee Media Ltd | 0:57:04 | 0:57:07 |