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Every girl... | 0:00:02 | 0:00:04 | |
I do. | 0:00:04 | 0:00:06 | |
..likes to take control of her wedding. | 0:00:06 | 0:00:09 | |
So, what happens when she has no say on her big day? | 0:00:09 | 0:00:13 | |
Oh, they're awful! | 0:00:13 | 0:00:15 | |
-We're not doing it. -Don't Tell The Bride is back. | 0:00:15 | 0:00:18 | |
This is ridiculous. | 0:00:18 | 0:00:19 | |
As ever, the grooms are in charge. | 0:00:19 | 0:00:21 | |
I want there to be a donkey at the wedding. | 0:00:21 | 0:00:23 | |
I'm going to look lovely on our big day. | 0:00:23 | 0:00:25 | |
But with £12,000 to spend | 0:00:25 | 0:00:27 | |
and just three weeks to throw the wedding of their dreams... | 0:00:27 | 0:00:31 | |
Tell my mum I love her! | 0:00:31 | 0:00:33 | |
..have the boys pushed themselves too far? | 0:00:33 | 0:00:35 | |
Oh, my God! | 0:00:35 | 0:00:37 | |
You're fired! | 0:00:37 | 0:00:38 | |
With more shocking... | 0:00:38 | 0:00:40 | |
More outrageous... | 0:00:40 | 0:00:41 | |
And more daredevil weddings than ever before... | 0:00:41 | 0:00:45 | |
will there be a happy-ever-after? | 0:00:45 | 0:00:47 | |
This is not the thing you get wrong the day before your wedding. | 0:00:47 | 0:00:50 | |
Will true love save the day? | 0:00:50 | 0:00:51 | |
Mum, what is that? | 0:00:51 | 0:00:53 | |
Or is it a countdown to disaster? | 0:00:53 | 0:00:56 | |
Three, two, one! | 0:00:56 | 0:00:58 | |
Tonight, reformed Jack-the-lad Ian... | 0:01:00 | 0:01:02 | |
I want the spotlight just to be on Jay. | 0:01:02 | 0:01:04 | |
..has some high-flying ideas for his wedding day... | 0:01:04 | 0:01:07 | |
Next thing you know - bam, out of the sky she drops | 0:01:07 | 0:01:10 | |
and then walks up here. | 0:01:10 | 0:01:11 | |
..when all his bride Jay wants is a low-key, private beach ceremony. | 0:01:11 | 0:01:16 | |
I'm worried that he'll make it all about Jay, | 0:01:16 | 0:01:19 | |
and I don't want... I'm scared of walking down the aisle. | 0:01:19 | 0:01:22 | |
But will travelling halfway around the world | 0:01:22 | 0:01:25 | |
on a wedding shopping spree impress... | 0:01:25 | 0:01:27 | |
You're telling me you want to buy Jay's dress in Thailand? | 0:01:27 | 0:01:31 | |
It's only like buying a dress from over the road. | 0:01:31 | 0:01:33 | |
Oh, they are awful! | 0:01:33 | 0:01:34 | |
..or cause his bride-to-be more distress? | 0:01:34 | 0:01:37 | |
-That's second-hand. -It is second-hand. | 0:01:37 | 0:01:39 | |
He could have cocked anything else up but this. | 0:01:39 | 0:01:42 | |
I'm not marrying him. | 0:01:42 | 0:01:43 | |
This picture-perfect couple are Ian Lettice and Jay Harris. | 0:01:58 | 0:02:03 | |
31-year-old office manager Ian | 0:02:03 | 0:02:05 | |
first met 23-year-old part-time model Jay | 0:02:05 | 0:02:08 | |
on a night out in Wakefield. | 0:02:08 | 0:02:10 | |
I was dressed as a bunny girl. | 0:02:10 | 0:02:12 | |
Yeah, she was. | 0:02:12 | 0:02:14 | |
Stood there, the cheesiest line that's ever existed. | 0:02:16 | 0:02:19 | |
It was like, "Can I just say, you're perfect." | 0:02:19 | 0:02:21 | |
-I was like, "Oh, God." -God! | 0:02:21 | 0:02:23 | |
Yeah, I did. I'm not going to deny it, it's a true fact. | 0:02:24 | 0:02:27 | |
I can't remember what happened after that. | 0:02:27 | 0:02:29 | |
You were a player for the next four years, | 0:02:29 | 0:02:31 | |
and I think I never spoke to you for about three of them. | 0:02:31 | 0:02:34 | |
'Ian definitely didn't want to commit when I first met him.' | 0:02:34 | 0:02:38 | |
He didn't want to have a relationship, | 0:02:38 | 0:02:40 | |
or anything that he thought, I suppose, at the time would | 0:02:40 | 0:02:43 | |
tie him down to doing what he wanted to do, when he wanted to do it. | 0:02:43 | 0:02:46 | |
But, yeah, definitely Jack-the-lad. | 0:02:46 | 0:02:48 | |
Interested in chicks, weren't you? | 0:02:48 | 0:02:49 | |
-Yeah, a little bit. -A lot. | 0:02:49 | 0:02:51 | |
Five years later, though, Ian and Jay got reacquainted after finding | 0:02:52 | 0:02:56 | |
each other on Facebook. | 0:02:56 | 0:02:58 | |
But Jay had her reservations. | 0:02:58 | 0:03:01 | |
'It was a bit strange at first, cos I was worried.' | 0:03:01 | 0:03:04 | |
And it was weird, you know, him being affectionate and loving. | 0:03:04 | 0:03:07 | |
I was kind of like, whoa. It took a while for me to come round. | 0:03:07 | 0:03:11 | |
She made me want to be that nice person, | 0:03:11 | 0:03:14 | |
that person that wants to be in a relationship. | 0:03:14 | 0:03:17 | |
Affectionate person, a little bit romantic, | 0:03:17 | 0:03:20 | |
and basically a good boyfriend for her. | 0:03:20 | 0:03:24 | |
So, Ian changed his ways, and even though they'd only been | 0:03:26 | 0:03:29 | |
back together for a few months, he popped the question. | 0:03:29 | 0:03:32 | |
Walked in, there's hundreds and hundreds of candles everywhere, | 0:03:32 | 0:03:36 | |
and I was like, "This is it." | 0:03:36 | 0:03:38 | |
He got down on one knee and I don't remember anything he said to me, | 0:03:38 | 0:03:40 | |
I just cried. | 0:03:40 | 0:03:42 | |
I still don't remember what I said. I don't think I even said yes. | 0:03:42 | 0:03:44 | |
-You haven't yet. Are you going to say yes? -Yeah, OK. -Oh, cheers(!) | 0:03:44 | 0:03:47 | |
However, things aren't so easy for this couple, as Jay lives in Derby, | 0:03:47 | 0:03:51 | |
and Ian lives 75 miles away in Wakefield. | 0:03:51 | 0:03:56 | |
-Monday to Friday is just... -It's hard. | 0:03:56 | 0:03:58 | |
Yeah, you can't just nip in and give 'em a cuddle, | 0:03:58 | 0:04:01 | |
and it's all technology. | 0:04:01 | 0:04:03 | |
-What you doing? -Watching telly and having a brew. | 0:04:03 | 0:04:05 | |
Give us a snog. | 0:04:05 | 0:04:07 | |
We e-mail a lot. | 0:04:07 | 0:04:08 | |
E-mail at work. | 0:04:08 | 0:04:10 | |
-No, we don't. -No, we don't! | 0:04:10 | 0:04:12 | |
THEY LAUGH | 0:04:12 | 0:04:13 | |
They may live far apart, but there's one thing Jay keeps a very | 0:04:13 | 0:04:16 | |
close eye on - Ian's finances. | 0:04:16 | 0:04:18 | |
She knows exactly what's coming in, and what's going out. | 0:04:18 | 0:04:21 | |
I have to tell her everything I've spent. | 0:04:21 | 0:04:23 | |
She even marks it down on a spreadsheet. | 0:04:23 | 0:04:25 | |
I've already knocked down your beer and cigarette money. | 0:04:25 | 0:04:28 | |
No cigarette money any more, I've stopped smoking. She made me. | 0:04:28 | 0:04:31 | |
-I might have one today. -What?! -Yeah. | 0:04:31 | 0:04:33 | |
When? How will you possibly have time to have a cigarette? | 0:04:33 | 0:04:36 | |
Cos I were really stressed this morning. | 0:04:36 | 0:04:38 | |
HE CHUCKLES | 0:04:38 | 0:04:40 | |
It'll soon be easier for Jay to keep an eye on Ian's spends, though, | 0:04:40 | 0:04:44 | |
as they've just bought their first house together, | 0:04:44 | 0:04:46 | |
and are moving in after the wedding. | 0:04:46 | 0:04:48 | |
Will literally be able to carry you over the threshold in our new house. | 0:04:48 | 0:04:52 | |
Be nice, won't it? | 0:04:52 | 0:04:53 | |
So it's now down to Ian to prove to Jay that even though they've only | 0:04:53 | 0:04:56 | |
been together for a short while, and have never lived together, | 0:04:56 | 0:04:59 | |
that he knows her well enough to plan the biggest day of their lives. | 0:04:59 | 0:05:02 | |
I think I'm letting Ian do this to see how much he really knows me. | 0:05:02 | 0:05:06 | |
I hope I can give her the wedding she wants. | 0:05:06 | 0:05:08 | |
I don't really know. HE LAUGHS | 0:05:10 | 0:05:12 | |
If I could give him one rule, probably remember it's a wedding. | 0:05:12 | 0:05:15 | |
D'you know what I mean? It's not a joke. | 0:05:15 | 0:05:17 | |
-That's it? -That's a pretty big rule. | 0:05:17 | 0:05:20 | |
I'm happy with that. | 0:05:21 | 0:05:23 | |
-So I've literally got three weeks to do whatever I want. -You haven't. | 0:05:23 | 0:05:26 | |
You've just basically given me a pass. | 0:05:26 | 0:05:28 | |
SHE SIGHS | 0:05:30 | 0:05:33 | |
It's time for Jay to pack her bags, leave Wakefield | 0:05:34 | 0:05:37 | |
and head back home to Derby. | 0:05:37 | 0:05:39 | |
-Are you ready, babe? -No. Are you? | 0:05:39 | 0:05:42 | |
Come on. No, but we've got to go. | 0:05:42 | 0:05:44 | |
Let's do this. | 0:05:45 | 0:05:46 | |
Don't be upset. | 0:05:47 | 0:05:49 | |
Even though they're used to living 75 miles apart, not having | 0:05:49 | 0:05:52 | |
any contact for the next three weeks will prove to be the real challenge. | 0:05:52 | 0:05:57 | |
SHE SNIFFS | 0:05:59 | 0:06:01 | |
-Come on. Drive safe. -Love you. | 0:06:01 | 0:06:03 | |
Love you too. | 0:06:03 | 0:06:05 | |
Come on. | 0:06:07 | 0:06:08 | |
-Don't mess it up. -I won't, I promise. | 0:06:11 | 0:06:14 | |
This is really, really hard. | 0:06:20 | 0:06:22 | |
Scared, sad, nervous. | 0:06:22 | 0:06:27 | |
It's awful, that's awful. I didn't expect it to be that hard. | 0:06:27 | 0:06:33 | |
Now what do I do? | 0:06:35 | 0:06:37 | |
And while Ian's wondering what to do, Jay's contemplating | 0:06:38 | 0:06:41 | |
her worst fears. | 0:06:41 | 0:06:43 | |
I'm worried that, you know, this is the biggest day of our lives. | 0:06:43 | 0:06:47 | |
My dream, and it's all in his hands. | 0:06:47 | 0:06:51 | |
I'm worried he'll get everything wrong. | 0:06:53 | 0:06:55 | |
For the next three weeks, Jay will be back in Derby... | 0:06:57 | 0:07:01 | |
CHEERING | 0:07:01 | 0:07:03 | |
..where she lives with her two housemates, Rachel and Jade. | 0:07:03 | 0:07:07 | |
Thank you! | 0:07:07 | 0:07:08 | |
But for tonight, she's got all her bridal party around her, | 0:07:08 | 0:07:12 | |
including her mum, Mandy. | 0:07:12 | 0:07:14 | |
What are you most worried about? | 0:07:14 | 0:07:16 | |
I'm worried that he, in his mind, because of how he thinks, | 0:07:16 | 0:07:19 | |
he'll think, "Oh, I want to make her like a princess on her big day." | 0:07:19 | 0:07:23 | |
Make it all about Jay, and I don't want... | 0:07:23 | 0:07:25 | |
I'm scared of walking down the aisle and everyone looking at me. | 0:07:25 | 0:07:28 | |
I just want to run, like, with you on me arm, like, | 0:07:28 | 0:07:30 | |
"Come on, quick, go, go, go!" | 0:07:30 | 0:07:32 | |
So, while Jay's having a girl's night in, Ian's having a night out | 0:07:32 | 0:07:36 | |
with his best men. | 0:07:36 | 0:07:39 | |
Let's do this, boys, let's play. | 0:07:39 | 0:07:40 | |
Could've chosen a few people that were interested in weddings. | 0:07:40 | 0:07:43 | |
Matthew doesn't care in the slightest, | 0:07:43 | 0:07:45 | |
he will never get married, not bothered. | 0:07:45 | 0:07:47 | |
And Paul's my current housemate, he's always the one that... | 0:07:47 | 0:07:51 | |
me and him get into trouble, and do stupid things. | 0:07:51 | 0:07:53 | |
Ian's chosen one friend who's a bad influence, | 0:07:53 | 0:07:56 | |
and another who's not interested in marriage. | 0:07:56 | 0:07:58 | |
What a gamble. | 0:07:58 | 0:07:59 | |
Gamble, gamble, gamble. | 0:07:59 | 0:08:01 | |
Nevertheless, talk soon turns to the wedding. | 0:08:01 | 0:08:03 | |
-So, what's your theme? -Have you ever seen The Great Gatsby? | 0:08:03 | 0:08:06 | |
-Yes. -You know, like, the 1920s flapper girls. | 0:08:06 | 0:08:10 | |
People with feathers on their head. | 0:08:10 | 0:08:12 | |
I'm thinking feathers, feather boas, sparkly dresses. | 0:08:15 | 0:08:18 | |
Full, old 1920s theme. | 0:08:18 | 0:08:21 | |
Is this something that Jay might be interested in? | 0:08:21 | 0:08:24 | |
-Is that something that she likes? -No, it's not. It's to do with... | 0:08:24 | 0:08:27 | |
My dad was obviously at the Variety Club, wasn't he? | 0:08:27 | 0:08:30 | |
Yeah. A bit of background from your dad. | 0:08:30 | 0:08:32 | |
It is, yeah. Well, the photos that you see, | 0:08:32 | 0:08:34 | |
how cool are my dad's photos when he's back in that era? | 0:08:34 | 0:08:37 | |
My theme is inspired by an important part of my life, which is my dad. | 0:08:37 | 0:08:41 | |
My mum and dad split up when I was 11, | 0:08:43 | 0:08:45 | |
and from then on my dad raised me on his own. | 0:08:45 | 0:08:49 | |
My relationship with my mum is non-existent, | 0:08:49 | 0:08:52 | |
and it's always just been me and my dad. | 0:08:52 | 0:08:55 | |
My dad to me is the man. | 0:08:55 | 0:08:59 | |
He's my idol, he's the man that I look up to. | 0:08:59 | 0:09:02 | |
If I turned out to be half the man he is, then I'll be happy. | 0:09:02 | 0:09:05 | |
In his heyday, Ian's dad Dennis was a doorman | 0:09:05 | 0:09:08 | |
at the Batley Variety Club. | 0:09:08 | 0:09:10 | |
They find me, they'll throw me out. | 0:09:10 | 0:09:12 | |
And before Ian starts planning his wedding day, he and Dennis | 0:09:12 | 0:09:16 | |
have returned to the venue, | 0:09:16 | 0:09:17 | |
for Ian to get some ideas for his wedding reception. | 0:09:17 | 0:09:20 | |
There were a lot of entertainment in those days that clearly | 0:09:20 | 0:09:23 | |
went off in here. This place, you could not move in here. | 0:09:23 | 0:09:27 | |
It was a real hot spot for top, top stars that came to perform | 0:09:28 | 0:09:31 | |
from all over the globe. | 0:09:31 | 0:09:33 | |
When Tom Jones came they were queueing up from there, | 0:09:33 | 0:09:36 | |
right the way around the club. | 0:09:36 | 0:09:38 | |
Shirley Bassey were on that stage there | 0:09:38 | 0:09:40 | |
and she was absolutely top class. | 0:09:40 | 0:09:42 | |
-You enjoyed it, though? Time of your life? -Oh, yeah. | 0:09:42 | 0:09:45 | |
Well, yeah, where else could you ever see the celebrities | 0:09:45 | 0:09:47 | |
you'd see here, and listen to them? | 0:09:47 | 0:09:50 | |
Would've killed to have gone back and seen him in that era | 0:09:50 | 0:09:53 | |
with his sharp suits and his beard and his tache. | 0:09:53 | 0:09:55 | |
Dolly birds on his arm - that's what you want, isn't it? | 0:09:55 | 0:09:58 | |
It's good to come here just to get a bit of a scene in my head | 0:09:58 | 0:10:00 | |
of what used to happen, and it's nice to get somebody | 0:10:00 | 0:10:03 | |
that's lived it and done what I'm looking for, and experienced what | 0:10:03 | 0:10:06 | |
I'm looking for, you know? | 0:10:06 | 0:10:07 | |
Inspired by his dad's clubs days, Ian and best men Paul and Matt | 0:10:09 | 0:10:13 | |
crack on with the search for a reception venue. | 0:10:13 | 0:10:15 | |
Oh, yeah. Oh! Boys, what do you reckon? | 0:10:15 | 0:10:19 | |
It's bang on. | 0:10:19 | 0:10:20 | |
And what could be more fitting than the ballroom where his dad | 0:10:20 | 0:10:23 | |
Dennis danced, back in the day? | 0:10:23 | 0:10:24 | |
It's definitely got the potential, | 0:10:24 | 0:10:26 | |
you just need to put your theme in the room. | 0:10:26 | 0:10:28 | |
You need to turn it into the 1920s. | 0:10:28 | 0:10:30 | |
I want it fully for you to walk in and go, wow, wow, wow, wow, wow, wow, | 0:10:30 | 0:10:34 | |
wow, wow, wow! And then have a boogie and we're done. | 0:10:34 | 0:10:36 | |
HE LAUGHS | 0:10:36 | 0:10:37 | |
With Ian wanting to make this ballroom look fit for | 0:10:39 | 0:10:42 | |
his 1920s themed wedding, he's got his work cut out. | 0:10:42 | 0:10:45 | |
-Right then, thank you. -Thank you. | 0:10:45 | 0:10:47 | |
But with his heart set on it, Ian stumps up £1,000 | 0:10:47 | 0:10:50 | |
to hire the venue for his reception. | 0:10:50 | 0:10:52 | |
Bride-to-be Jay has something entirely different in mind | 0:10:56 | 0:11:00 | |
for her dream day. | 0:11:00 | 0:11:01 | |
She's travelled over 200 miles with mum Mandy and sister Tam | 0:11:01 | 0:11:05 | |
to a beachside wedding venue in Kent. | 0:11:05 | 0:11:08 | |
-Oh, wow. -It's lovely. | 0:11:09 | 0:11:11 | |
I love the colours, where it's all neutral and plain and | 0:11:11 | 0:11:14 | |
all the windows open and all the drapes, that kind of vibe. | 0:11:14 | 0:11:17 | |
So it's really relaxed. | 0:11:17 | 0:11:19 | |
As a part-time model, Jay's used to being in the spotlight at work, | 0:11:19 | 0:11:23 | |
but she wants her wedding day to be intimate, low-key and understated. | 0:11:23 | 0:11:28 | |
I think it's very simple, what I wanted. | 0:11:28 | 0:11:30 | |
I didn't want a big, fussy wedding. | 0:11:30 | 0:11:32 | |
I'd hate something where I'm centre of attention, you know? | 0:11:32 | 0:11:35 | |
Like, a "look at me" kind of feel to it. | 0:11:35 | 0:11:38 | |
What, like a theatre? | 0:11:38 | 0:11:40 | |
Because back in Yorkshire, | 0:11:41 | 0:11:43 | |
Ian and the boys have found what they think is a perfect place | 0:11:43 | 0:11:46 | |
to literally stage his wedding ceremony... | 0:11:46 | 0:11:48 | |
..in a very much "look at me" kind of way. | 0:11:50 | 0:11:53 | |
Wowzers, it's a bit nice, this, isn't it? | 0:11:55 | 0:11:57 | |
-Is it what you're after? -Yeah, man. It's exactly it. | 0:11:57 | 0:12:01 | |
With the emphasis of the reception being inspired by his dad, | 0:12:01 | 0:12:04 | |
Ian wants the ceremony to be all eyes on Jay. | 0:12:04 | 0:12:07 | |
And how's the bride going to enter? | 0:12:07 | 0:12:09 | |
Well, it's obvious, you've got two options, haven't you? | 0:12:09 | 0:12:11 | |
-Come down there. -No, we don't want that. | 0:12:11 | 0:12:13 | |
-Can't see her walk down the aisle then. -That wow factor. | 0:12:13 | 0:12:16 | |
She needs to be somehow harnessed and dropped from the sky. | 0:12:16 | 0:12:19 | |
Bam, out of the sky she drops and then walks up here. | 0:12:19 | 0:12:21 | |
So, with Ian planning a sky-high, roof-raising performance... | 0:12:21 | 0:12:24 | |
..Jay is looking for something much more down to earth. | 0:12:26 | 0:12:30 | |
I just love how it is so simple, it's on the beach. | 0:12:32 | 0:12:35 | |
-It's gorgeous. -Yeah. I could see you getting married here. | 0:12:35 | 0:12:37 | |
I can see me getting married here! | 0:12:37 | 0:12:39 | |
-Whoo! -Whey! | 0:12:39 | 0:12:41 | |
And, despite the blustery British weather, | 0:12:41 | 0:12:43 | |
the girls savour the moment. | 0:12:43 | 0:12:45 | |
-Cheers. -Cheers. | 0:12:45 | 0:12:46 | |
Now I want to get married here. | 0:12:47 | 0:12:49 | |
-Yeah, I want you to get married here. -Oh, I'm gutted. | 0:12:49 | 0:12:52 | |
You never know, have faith. | 0:12:52 | 0:12:55 | |
But Jay's starting to realise how much this simple outdoor wedding | 0:12:57 | 0:13:00 | |
would mean to her. | 0:13:00 | 0:13:02 | |
-Oh, don't cry! Why? Cos it's so nice? -Yeah. | 0:13:02 | 0:13:06 | |
It's gorgeous, isn't it? It's perfect. | 0:13:06 | 0:13:10 | |
I think it's just hit me that this is what I really want | 0:13:11 | 0:13:15 | |
and it's probably not what I'm going to get, is it? | 0:13:15 | 0:13:17 | |
Probably not. No. | 0:13:17 | 0:13:19 | |
Cos he's got such a big personality, | 0:13:19 | 0:13:22 | |
he will want a big showy... | 0:13:22 | 0:13:26 | |
..bright, colourful wedding | 0:13:29 | 0:13:31 | |
and that's the total opposite of what I want. | 0:13:31 | 0:13:35 | |
So I'll be so upset. | 0:13:35 | 0:13:36 | |
Back in Wakefield, Ian is meeting up with theatre director Murray | 0:13:49 | 0:13:52 | |
to find out how you drop a bride from a ceiling. No, really. | 0:13:52 | 0:13:57 | |
If you're going to fly through the auditorium, it's a massive job. | 0:13:57 | 0:14:00 | |
You have to erect a structure in the roof in order to fly the person, | 0:14:00 | 0:14:05 | |
a la Peter Pan, actually. | 0:14:05 | 0:14:06 | |
You need to be aware that there's a harness that the bride | 0:14:06 | 0:14:09 | |
will have to wear to be up there. | 0:14:09 | 0:14:11 | |
I've seen it that many times on TV where they just hold on. | 0:14:11 | 0:14:14 | |
You can hold on, I mean, I'm not bothered if she falls, | 0:14:14 | 0:14:16 | |
I mean, we'll sort it out. | 0:14:16 | 0:14:18 | |
But I'm afraid we are, because we're liable. | 0:14:18 | 0:14:20 | |
Despite having to solve some minor health and safety issues... | 0:14:20 | 0:14:23 | |
-Thank you very much. -Thank you very much indeed. | 0:14:23 | 0:14:25 | |
..Ian agrees to hire the theatre for his ceremony. | 0:14:25 | 0:14:28 | |
With no idea she's going to be dangling from the ceiling of | 0:14:31 | 0:14:34 | |
an old theatre, Jay is reflecting on her own ideal wedding plans. | 0:14:34 | 0:14:38 | |
Venue ideas, how I'd want the decor...pretty neutral. | 0:14:38 | 0:14:43 | |
Cakes. | 0:14:43 | 0:14:44 | |
Lots of detail, I think the chances of him | 0:14:44 | 0:14:47 | |
thinking of the little things and girlie things and | 0:14:47 | 0:14:52 | |
things that make people remember your wedding are slim to none. | 0:14:52 | 0:14:56 | |
Or maybe not. | 0:14:57 | 0:14:59 | |
So what actually do you want to buy, then? | 0:14:59 | 0:15:01 | |
I want to buy lots of feathers. | 0:15:01 | 0:15:03 | |
Ian and best man Paul | 0:15:03 | 0:15:04 | |
are out shopping for some table decorations... | 0:15:04 | 0:15:06 | |
Ribbons. | 0:15:06 | 0:15:07 | |
You're really good at this sort of stuff, so I'm going to do it. | 0:15:07 | 0:15:10 | |
-What, feathers and ribbons? -Yeah. | 0:15:10 | 0:15:13 | |
..even though they haven't got any tables yet! | 0:15:13 | 0:15:15 | |
So that's 40. That's £12 per table...in feathers. | 0:15:15 | 0:15:21 | |
Times eight. So I'm looking at 100 quid on feathers? | 0:15:21 | 0:15:27 | |
I could find some chickens. | 0:15:29 | 0:15:30 | |
Is it not giving you the wow factor? | 0:15:31 | 0:15:33 | |
-No. -Oh, jeez. | 0:15:33 | 0:15:35 | |
I haven't got a clue what to do here, me. | 0:15:35 | 0:15:37 | |
And by the looks of it, neither does Paul. | 0:15:37 | 0:15:40 | |
That looks ace. | 0:15:40 | 0:15:41 | |
I think you should have some pearls round the bottom. | 0:15:41 | 0:15:43 | |
Let me find some pearls. | 0:15:43 | 0:15:45 | |
See, pearls. Let's stop messing about and get creative. | 0:15:46 | 0:15:51 | |
What are you going to do with that? | 0:15:51 | 0:15:53 | |
That's for the bridesmaid to put round her wrist. | 0:15:53 | 0:15:56 | |
Right, OK. | 0:15:56 | 0:15:57 | |
PEARLS CLATTER | 0:15:57 | 0:15:59 | |
Let's go. | 0:15:59 | 0:16:01 | |
We just need this. | 0:16:01 | 0:16:02 | |
Stop messing about and make it look blase. | 0:16:02 | 0:16:05 | |
Is that even a word? | 0:16:05 | 0:16:06 | |
It's all about feathers and beads. | 0:16:06 | 0:16:08 | |
So why have we only got two feathers and no beads? | 0:16:08 | 0:16:10 | |
Let's get some beads. | 0:16:10 | 0:16:11 | |
This is just stupid. | 0:16:11 | 0:16:14 | |
Just as the boys are heading towards a decoration disaster... | 0:16:14 | 0:16:17 | |
That would look pretty cool. | 0:16:17 | 0:16:19 | |
..Ian stumbles across a disco-ball-inspired vase - | 0:16:19 | 0:16:22 | |
apparently the perfect accessory to his 1920s theme. | 0:16:22 | 0:16:25 | |
It's starting to worry me today, | 0:16:25 | 0:16:27 | |
the fact that I may have not enough budget. | 0:16:27 | 0:16:31 | |
Since you just spent £165 on ostrich feathers. | 0:16:31 | 0:16:35 | |
Chuffing ostrich feathers. Who does that? | 0:16:35 | 0:16:37 | |
Am I the stupidest man on the planet? | 0:16:37 | 0:16:40 | |
Well... | 0:16:40 | 0:16:41 | |
After a hard day's shopping, housemate Paul is treating Ian | 0:16:41 | 0:16:45 | |
to a home-cooked meal. | 0:16:45 | 0:16:46 | |
Don't think you should use the wok? | 0:16:46 | 0:16:48 | |
No! | 0:16:48 | 0:16:50 | |
And with the smell of Thai stir-fry in the air, | 0:16:50 | 0:16:53 | |
talk turns to tales of best man Paul's travels. | 0:16:53 | 0:16:56 | |
Even on his dates, the first thing he'd do is mention, | 0:16:56 | 0:16:59 | |
"Have you been travelling? Cos I've been to Thailand 15 times." | 0:16:59 | 0:17:02 | |
You're saying all this, but you've always wanted to go. | 0:17:02 | 0:17:05 | |
When I came back from Thailand, | 0:17:05 | 0:17:06 | |
-you said me and you are going to Thailand. -Let's do it, then. | 0:17:06 | 0:17:10 | |
I'm being deadly serious, let's go. | 0:17:10 | 0:17:12 | |
You're taking the piss out of me, aren't you? | 0:17:14 | 0:17:16 | |
No, we need to get us suits, so why not get them from Thailand? | 0:17:16 | 0:17:19 | |
Um, because that'll cost loads of money? | 0:17:19 | 0:17:21 | |
Don't worry, Ian's had a genius idea to save some cash. | 0:17:21 | 0:17:24 | |
We're either going to cull the bridesmaids, or make them | 0:17:24 | 0:17:29 | |
pay for the dresses themselves. | 0:17:29 | 0:17:31 | |
How is she going to react to culling some of the bridesmaids, | 0:17:31 | 0:17:34 | |
or at least making them pay for the dresses? | 0:17:34 | 0:17:37 | |
I don't care. | 0:17:37 | 0:17:39 | |
After a bellyful of Thai food and a head full of ideas, | 0:17:39 | 0:17:41 | |
it's time to break the news to the more sensible part of the trio. | 0:17:41 | 0:17:46 | |
Paul and I decided that we are going to Thailand. | 0:17:46 | 0:17:49 | |
LAUGHTER | 0:17:49 | 0:17:51 | |
Oh, dear, she's going to kill you. | 0:17:51 | 0:17:54 | |
She might when she hears his next plan. | 0:17:54 | 0:17:56 | |
You're telling me you want to buy Jay's dress in Thailand? | 0:17:56 | 0:17:59 | |
It makes perfect sense. | 0:17:59 | 0:18:01 | |
It makes a bit of sense at best, it's definitely not perfect sense. | 0:18:01 | 0:18:05 | |
So Ian spends £1,600 on flights and hotels, in the hope he'll | 0:18:05 | 0:18:11 | |
find cheap suits, and a dress, in Thailand. | 0:18:11 | 0:18:14 | |
Logical(!) | 0:18:14 | 0:18:16 | |
There's just one, or rather six, little cutbacks he needs to make | 0:18:16 | 0:18:19 | |
before he boards the flight. | 0:18:19 | 0:18:21 | |
Hello. | 0:18:21 | 0:18:22 | |
Hello, how are you? | 0:18:22 | 0:18:24 | |
Time to call Rachel and Jade, two of Jay's six bridesmaids. | 0:18:24 | 0:18:28 | |
You know the bridesmaid dresses? | 0:18:28 | 0:18:31 | |
-Oh, God. -Oh, God. | 0:18:31 | 0:18:33 | |
Well, I kind of don't have enough money in the budget to pay for them. | 0:18:33 | 0:18:38 | |
It's either you guys buy them, | 0:18:38 | 0:18:42 | |
or...there's no bridesmaids. | 0:18:42 | 0:18:46 | |
And to keep his theme under wraps, Ian has another bombshell, | 0:18:48 | 0:18:51 | |
I mean, brainwave. | 0:18:51 | 0:18:53 | |
There's also another little bit of a point. | 0:18:53 | 0:18:56 | |
-What? -What? | 0:18:56 | 0:18:58 | |
You can't try them on. | 0:18:58 | 0:19:00 | |
-Ever? -Not till the day. -The day! | 0:19:00 | 0:19:04 | |
Yeah. | 0:19:04 | 0:19:05 | |
I'm really concerned about that, | 0:19:05 | 0:19:07 | |
because you have got absolutely no idea about women's sizes. | 0:19:07 | 0:19:10 | |
I know what Jay's size is - well, I think I do. | 0:19:10 | 0:19:12 | |
-I don't give a -BLEEP -whether you know what Jay's size is - | 0:19:12 | 0:19:15 | |
what about our sizes? Jay'll fit into anything. | 0:19:15 | 0:19:17 | |
So, yeah, I won't spend any more than £60 per outfit. | 0:19:17 | 0:19:20 | |
-Per outfit. -Outfit? | 0:19:20 | 0:19:22 | |
Yeah. | 0:19:22 | 0:19:23 | |
Holy Moley. | 0:19:25 | 0:19:26 | |
So Ian's asked that all the bridesmaids pay £60 each | 0:19:26 | 0:19:28 | |
for outfits they won't even see until the wedding day. | 0:19:28 | 0:19:31 | |
Oh, no. | 0:19:31 | 0:19:33 | |
Time to break the news to housemate and bride-to-be Jay. | 0:19:33 | 0:19:37 | |
He's got no money for bridesmaid's dresses, and his exact words | 0:19:37 | 0:19:40 | |
were, "If you can't buy your own, you're not a bridesmaid." | 0:19:40 | 0:19:42 | |
I don't know what to say. I'm angry. | 0:19:42 | 0:19:46 | |
Ian, Paul and Matt are travelling 28 hours on four flights, | 0:19:54 | 0:19:58 | |
with two stop-offs, to buy a wedding dress and three suits, | 0:19:58 | 0:20:02 | |
because apparently that's going to save them money. | 0:20:02 | 0:20:05 | |
It's their first day in Thailand, | 0:20:12 | 0:20:14 | |
and the boys are in town to buy some suits. | 0:20:14 | 0:20:17 | |
Oh, check out this bad boy! | 0:20:18 | 0:20:19 | |
And, on the advice of Bangkok regular Paul, | 0:20:21 | 0:20:24 | |
Ian's allocated a total of £250 to cover all three suits. | 0:20:24 | 0:20:28 | |
It's not a traditional suit that we're after. | 0:20:29 | 0:20:31 | |
-The problem is we've only got two days. -No problem, sir. | 0:20:31 | 0:20:34 | |
Having set his heart on a 1920s | 0:20:34 | 0:20:36 | |
boating suit, Ian knows exactly which materials he wants. | 0:20:36 | 0:20:40 | |
Trousers, suit jacket, shirt, tie. | 0:20:40 | 0:20:44 | |
But can he afford it? | 0:20:44 | 0:20:46 | |
Total 40,000. | 0:20:46 | 0:20:48 | |
How much is that in English? | 0:20:48 | 0:20:49 | |
£740. | 0:20:49 | 0:20:51 | |
£740. Oh, that's massively over budget. | 0:20:51 | 0:20:55 | |
I had £250 in the budget. | 0:20:57 | 0:20:59 | |
It seems Paul's local knowledge may not be so accurate, | 0:20:59 | 0:21:01 | |
and the boys have drastically under-budgeted. | 0:21:01 | 0:21:05 | |
-Is that the best you can do? -Yes, sir. The best. | 0:21:05 | 0:21:08 | |
Having flown 6,000 miles | 0:21:08 | 0:21:09 | |
to SAVE money on their pre-wedding shopping spree, | 0:21:09 | 0:21:12 | |
so far the boys' cost-cutting plan is seriously backfiring. | 0:21:12 | 0:21:16 | |
Is this the boss? | 0:21:16 | 0:21:18 | |
He's over here, my friend. | 0:21:18 | 0:21:19 | |
I understand, but I don't have that amount of money. | 0:21:19 | 0:21:22 | |
You don't want to make cheaper ones, something like that. | 0:21:22 | 0:21:25 | |
If you can do 28,000 baht, I'll shake your hand. Go on. | 0:21:25 | 0:21:27 | |
Come on. Be a mate! | 0:21:27 | 0:21:29 | |
Even to make nice everything, | 0:21:31 | 0:21:34 | |
and good quality, you know, so your price OK. | 0:21:34 | 0:21:37 | |
-28,000? -Yeah, OK for you. Yeah, OK. | 0:21:37 | 0:21:39 | |
After haggling with the boss, | 0:21:39 | 0:21:41 | |
Ian agrees to a price for his three suits. | 0:21:41 | 0:21:43 | |
-No problem. -Please be recommending us to friends. | 0:21:43 | 0:21:45 | |
-We will do. -Please, yeah? | 0:21:45 | 0:21:47 | |
But at £530, it's more than double his original budget. | 0:21:47 | 0:21:51 | |
The remainder's going to have to come from you guys. | 0:21:51 | 0:21:53 | |
With no choice, his best men agree to pay the rest to help him out. | 0:21:53 | 0:21:56 | |
-Slim fit, sir, yes? -Slim fit, yeah. | 0:21:56 | 0:21:59 | |
It seems Thailand may not be as cheap as they thought. | 0:21:59 | 0:22:02 | |
This is so hard. | 0:22:02 | 0:22:03 | |
I thought this were going to be a doddle, | 0:22:03 | 0:22:05 | |
but this has turned out to be an absolute nightmare. | 0:22:05 | 0:22:08 | |
Already over budget, and feeling the strain, Ian is hitting the streets | 0:22:11 | 0:22:14 | |
of Bangkok at the hottest time of the day, in search of | 0:22:14 | 0:22:17 | |
a cut-price wedding dress. | 0:22:17 | 0:22:19 | |
In 37 degree heat shopping for wedding dresses, | 0:22:19 | 0:22:23 | |
and having to walk three kilometres | 0:22:23 | 0:22:25 | |
is not my idea of being on a decent stag do, if I'm honest, is it, boys? | 0:22:25 | 0:22:30 | |
-Stag do? -Er, business trip. -Business trip. | 0:22:30 | 0:22:33 | |
Soon enough, the boys stumble across a wedding dress shop. | 0:22:33 | 0:22:37 | |
Shoes off, boys. | 0:22:37 | 0:22:38 | |
Question is, will it sell a dress fit for his bride? | 0:22:38 | 0:22:42 | |
On the other side of the world, | 0:22:44 | 0:22:45 | |
Jay's in London, in search of her dream wedding dress. | 0:22:45 | 0:22:48 | |
-Hello. -Hello! | 0:22:48 | 0:22:50 | |
She's brought with her mum Mandy, sister Tam | 0:22:50 | 0:22:53 | |
and her two maids of honour. | 0:22:53 | 0:22:55 | |
Not high neck, I'd hate that. | 0:22:56 | 0:22:58 | |
The dress shopping is, you know... | 0:22:58 | 0:23:00 | |
probably, after getting married to him, is the most important thing. | 0:23:00 | 0:23:04 | |
And if it doesn't feel right on the day, | 0:23:04 | 0:23:06 | |
then nothing's going to feel right on the day. | 0:23:06 | 0:23:09 | |
All these are just, no. This material I don't like. | 0:23:09 | 0:23:13 | |
Worst nightmare is a big puffy dress, loads of bling. | 0:23:13 | 0:23:17 | |
This is like the floaty material that I want, so it goes like... | 0:23:17 | 0:23:20 | |
It's the most important dress you're ever going to wear, | 0:23:20 | 0:23:22 | |
and Ian will have gone "the bigger the better," and that scares me. | 0:23:22 | 0:23:27 | |
I like that one, we can put that in the maybe box. | 0:23:27 | 0:23:30 | |
It would seem Jay's right. The boys are looking for something bigger... | 0:23:30 | 0:23:34 | |
It's different with this, and then a nice pattern. | 0:23:34 | 0:23:37 | |
..even if it may not be better. | 0:23:37 | 0:23:39 | |
But I don't know if I like them feathers there. | 0:23:39 | 0:23:41 | |
-She might look like a pigeon. -Do you know what Jay might like? | 0:23:41 | 0:23:44 | |
-Do you? -No. | 0:23:45 | 0:23:47 | |
Well, I think in my head something quite simple and elegant, | 0:23:47 | 0:23:50 | |
and floaty and nothing big and like...you know. | 0:23:50 | 0:23:54 | |
-OK, nothing princess-looking. -No. No bling. -No bling. | 0:23:54 | 0:23:56 | |
I like pearls. | 0:23:56 | 0:23:57 | |
My perfect dress would be something quite plain. No bling. | 0:23:57 | 0:24:03 | |
Long and flowing - yeah, that looks nice. Yeah. | 0:24:03 | 0:24:06 | |
Something simple. | 0:24:06 | 0:24:07 | |
This is a maybe. | 0:24:07 | 0:24:09 | |
But simple isn't on the boys' agenda, and they are pulling out | 0:24:10 | 0:24:13 | |
all the stops to find the most elaborate dress they can. | 0:24:13 | 0:24:17 | |
This is the one with the white roses. | 0:24:17 | 0:24:19 | |
A little bit of bling. | 0:24:19 | 0:24:20 | |
I think it's really nice as well, but that just isn't tall enough. | 0:24:20 | 0:24:24 | |
So, with no idea what Jay wants, and no models her size to try | 0:24:24 | 0:24:28 | |
anything on, Ian's relying on a foolproof technique - guesswork. | 0:24:28 | 0:24:32 | |
Very sexy shape. | 0:24:32 | 0:24:34 | |
She's got a bigger bum than that. | 0:24:34 | 0:24:36 | |
That's not a problem, because the corset will fit it. | 0:24:36 | 0:24:38 | |
-Would it get on him? -Yeah, yeah. -She's not... | 0:24:39 | 0:24:42 | |
No, I know she hasn't got his frame, | 0:24:42 | 0:24:44 | |
but she hasn't got a mannequin arse. | 0:24:44 | 0:24:46 | |
Back in London, Jay's found her dream dress. | 0:24:46 | 0:24:49 | |
Oh, I like that. | 0:24:49 | 0:24:50 | |
-I do like it. -Yeah, I do. | 0:24:50 | 0:24:52 | |
She's chosen an elegant, backless, straight-cut gown. | 0:24:52 | 0:24:56 | |
Classic and simple. | 0:24:56 | 0:24:58 | |
It's perfect for her minimalist dream wedding day. | 0:24:58 | 0:25:01 | |
-Oh, the back's beaut. I love the back. -It is lovely. | 0:25:01 | 0:25:03 | |
-I love the back. -Oh, it's lovely. | 0:25:03 | 0:25:05 | |
Gorgeous. So delicate. | 0:25:05 | 0:25:07 | |
-It is amazing, that one. -It is. | 0:25:07 | 0:25:09 | |
This is my favourite. | 0:25:09 | 0:25:11 | |
I think because I wanted something plain and simple. | 0:25:11 | 0:25:14 | |
It's totally backless, which is what I really wanted. | 0:25:14 | 0:25:17 | |
It's got this floaty material, it's got a train. | 0:25:17 | 0:25:20 | |
It's got loads of lovely detail. | 0:25:22 | 0:25:25 | |
So far, Ian's struggled to find the perfect wedding dress for Jay. | 0:25:28 | 0:25:32 | |
-That one's nice in the window. -It is awesome, that. | 0:25:32 | 0:25:35 | |
Basking in the afternoon Thai sunlight, he spots one that | 0:25:35 | 0:25:38 | |
could be the answer. | 0:25:38 | 0:25:40 | |
It's a beautiful dress, it's really nice. | 0:25:40 | 0:25:42 | |
She would look beautiful in it. | 0:25:42 | 0:25:43 | |
And if anybody could pull it off, it's going to be her. | 0:25:43 | 0:25:45 | |
If I was in your shoes... I'd pick that one. | 0:25:45 | 0:25:49 | |
He's fallen for a figure-hugging fish-tail dress, | 0:25:49 | 0:25:52 | |
covered head to toe in crystals. | 0:25:52 | 0:25:54 | |
Time to talk money. | 0:25:54 | 0:25:56 | |
For this one, 160,000. | 0:25:56 | 0:25:58 | |
160,000 baht? Psh! No, that's way out of my budget. | 0:26:00 | 0:26:04 | |
At £3,000, it's not the cheap deal Ian had hoped for. | 0:26:04 | 0:26:08 | |
It seems it might have been easier to pop down | 0:26:08 | 0:26:11 | |
the local high street after all. | 0:26:11 | 0:26:13 | |
That's just chucked a spanner in the works, hasn't it? | 0:26:13 | 0:26:16 | |
This is my worst nightmare. | 0:26:17 | 0:26:19 | |
So, apparently Thailand's not as cheap as you would think | 0:26:19 | 0:26:22 | |
for wedding dresses. I'm freaking out a bit. | 0:26:22 | 0:26:24 | |
If I don't go home with a wedding dress, | 0:26:24 | 0:26:27 | |
-I'm going to... What the -BLEEP -am I going to do? | 0:26:27 | 0:26:30 | |
At least Jay's mum Mandy still has faith. | 0:26:30 | 0:26:33 | |
-I think he'd go for something really simple like that. -I don't. | 0:26:33 | 0:26:36 | |
-I really don't. -I don't. -I don't. | 0:26:36 | 0:26:38 | |
Oh, I want this dress! | 0:26:40 | 0:26:42 | |
The dress is the day, and she's got to feel perfect, | 0:26:42 | 0:26:45 | |
and if he's not done that it'll spoil it, big time. | 0:26:45 | 0:26:49 | |
With just a week to go until the wedding, Ian's Bangkok dream | 0:26:49 | 0:26:53 | |
is fast becoming a nightmare. | 0:26:53 | 0:26:55 | |
-I'm going to have a chat with this lady. -Yeah, you do that. | 0:26:55 | 0:26:58 | |
Looks like Ian is going to have to use his charm, | 0:26:58 | 0:27:01 | |
and haggle the price with the shop owner again. | 0:27:01 | 0:27:03 | |
I've only got £1,000, that's all I've got, English money. | 0:27:03 | 0:27:06 | |
How about 54, 55? | 0:27:06 | 0:27:08 | |
55? | 0:27:08 | 0:27:10 | |
Yeah, £1,000. | 0:27:10 | 0:27:12 | |
So that's a no then, but he's not giving up. | 0:27:12 | 0:27:14 | |
She is perfect and that dress is perfect, | 0:27:14 | 0:27:17 | |
so put them both together and you're going to get more than perfect. | 0:27:17 | 0:27:20 | |
And you're perfect - so, you're perfect, she's perfect, | 0:27:20 | 0:27:23 | |
the dress is perfect. | 0:27:23 | 0:27:24 | |
It seems Ian's gift of the gab is working, | 0:27:24 | 0:27:27 | |
and the price is coming down. | 0:27:27 | 0:27:28 | |
70,000. It's not a big difference now. | 0:27:28 | 0:27:31 | |
I can probably, at the most, stretch to 60,000 baht. | 0:27:31 | 0:27:38 | |
OK, take the dress. | 0:27:40 | 0:27:42 | |
-Deal, come here. -Pleasure. | 0:27:42 | 0:27:44 | |
For the second time today, Ian's overspent on his budget, but | 0:27:44 | 0:27:48 | |
he's managed to blag a very blingy, and very clingy, wedding dress | 0:27:48 | 0:27:51 | |
for a not-so-thrifty £1,100. | 0:27:51 | 0:27:54 | |
I'm chuffed with it, and I can picture her in it, | 0:27:54 | 0:27:57 | |
and she'll look stunning in that. | 0:27:57 | 0:27:59 | |
So it would appear that Ian's Thai shopping trip has finished | 0:27:59 | 0:28:02 | |
with a happy ending. | 0:28:02 | 0:28:03 | |
Yeah, I got it. | 0:28:03 | 0:28:05 | |
After a hard day's shopping, the boys decide to head out and party. | 0:28:08 | 0:28:12 | |
You're absolutely off your bonce, man. What's wrong with you? | 0:28:14 | 0:28:17 | |
First up, a pre-drink snack, Thai style. | 0:28:17 | 0:28:19 | |
-BLEEP -my life! | 0:28:21 | 0:28:23 | |
Stomachs lined, it's time to head to a bar. | 0:28:25 | 0:28:28 | |
Yeah, so right now all the girls are on their hen do. | 0:28:28 | 0:28:32 | |
There's probably a few choice words being said about now, isn't there? | 0:28:32 | 0:28:35 | |
-So, do you think this is all he's done? -Yeah. -Yeah. | 0:28:35 | 0:28:37 | |
Back in a drizzly Derbyshire, it's time to get the ball rolling | 0:28:37 | 0:28:40 | |
on Jay's hen do. | 0:28:40 | 0:28:41 | |
Dressed us all as stupid bunny rabbits. | 0:28:41 | 0:28:43 | |
He's going to put us in a big plastic ball... | 0:28:43 | 0:28:45 | |
..and roll us downhill as fast as he can. | 0:28:45 | 0:28:47 | |
I'm terrified, I hate activities | 0:28:47 | 0:28:49 | |
and now I'm stood in the freezing cold rain. | 0:28:49 | 0:28:51 | |
I just want to get it over with. Tell my mum I love her. | 0:28:51 | 0:28:53 | |
SHE SCREAMS | 0:28:53 | 0:28:56 | |
Oh, it's so cold. | 0:29:06 | 0:29:08 | |
It's not the most glamorous hen do, no. | 0:29:10 | 0:29:13 | |
And I'm so glad I spent four hours doing my hair this morning | 0:29:13 | 0:29:16 | |
to be chucked down the hill in a ball(!) | 0:29:16 | 0:29:19 | |
Things don't get any better when the not-so-happy bunnies return home... | 0:29:19 | 0:29:23 | |
Someone put the kettle on. | 0:29:23 | 0:29:25 | |
..and realise the party's over. | 0:29:25 | 0:29:27 | |
-Is this it, then? -Looks like it, doesn't it? | 0:29:27 | 0:29:30 | |
I didn't think we'd all be sat round, mid-afternoon on a Saturday | 0:29:30 | 0:29:33 | |
on my hen do, drinking tea and coffee, freezing cold and wet. | 0:29:33 | 0:29:37 | |
Meanwhile, 6,000 miles away... | 0:29:39 | 0:29:42 | |
Yeah, might have found a tattoo on my arm | 0:30:01 | 0:30:03 | |
when I woke up this morning, | 0:30:03 | 0:30:05 | |
and it's translated to "don't tell the bride". | 0:30:05 | 0:30:08 | |
It's the morning after the hen do that never was | 0:30:11 | 0:30:14 | |
and some bad news is about to head Jay's way. | 0:30:14 | 0:30:17 | |
Just tried giving Paul a call and I've got a bit of news for you. | 0:30:17 | 0:30:21 | |
I got an international dialling tone. | 0:30:21 | 0:30:24 | |
I don't know why, I don't know what, but I'm guessing stag do... | 0:30:24 | 0:30:26 | |
-Stag do. -..and they're abroad. | 0:30:26 | 0:30:28 | |
-Yet he's not got enough money to pay for your dresses. -That's bad. | 0:30:28 | 0:30:31 | |
-No. -What a wanker. | 0:30:31 | 0:30:32 | |
And they're obviously somewhere far more exotic than Derby. | 0:30:32 | 0:30:35 | |
It's a joke, isn't it? | 0:30:35 | 0:30:37 | |
Yeah, a bit of a joke. It's worrying. | 0:30:37 | 0:30:40 | |
After three days of hard shopping and hard partying, | 0:30:44 | 0:30:48 | |
Ian is taking some time out to write his vows. | 0:30:48 | 0:30:52 | |
I, Ian, take you, Jorja, to be my wedded... | 0:30:52 | 0:30:56 | |
What I've learned during this process is how much I rely on Jay. | 0:30:56 | 0:31:00 | |
She does everything for me. | 0:31:00 | 0:31:01 | |
She basically looks after me, if I'm honest. | 0:31:01 | 0:31:04 | |
So we've got to make this day something for her to remember | 0:31:04 | 0:31:07 | |
and to be happy about. | 0:31:07 | 0:31:09 | |
The wedding day is fast approaching | 0:31:13 | 0:31:15 | |
and this bride to be has a lot on her mind. | 0:31:15 | 0:31:18 | |
As a couple we've not been together that long and | 0:31:19 | 0:31:22 | |
I think over these last few weeks I've been thinking | 0:31:22 | 0:31:26 | |
does he know me that well to plan a wedding without any input from me? | 0:31:26 | 0:31:30 | |
And it does make you think how well do we really know each other? | 0:31:30 | 0:31:34 | |
And do I know him well enough to believe that he hasn't gone | 0:31:34 | 0:31:38 | |
and blown the budget in Vegas? | 0:31:38 | 0:31:40 | |
Or somewhere stupid abroad with the lads | 0:31:40 | 0:31:43 | |
and left all us lot, you know, to fend for ourselves. | 0:31:43 | 0:31:47 | |
I suppose only on the day we'll know if he does really know me. | 0:31:49 | 0:31:52 | |
It's a bit of a scary thought really. | 0:31:52 | 0:31:55 | |
After a 17-hour flight, the boys arrive back in the UK... | 0:31:58 | 0:32:02 | |
Come on then, boys. | 0:32:02 | 0:32:03 | |
..complete with their jewel-encrusted cargo, | 0:32:03 | 0:32:06 | |
which has spent the journey shoved in a suitcase. | 0:32:06 | 0:32:08 | |
Is there any fallen off? | 0:32:08 | 0:32:10 | |
-Yeah, there is. Shit. -You can't really tell, can you? | 0:32:10 | 0:32:12 | |
Considering it's been dragged around two airports | 0:32:12 | 0:32:15 | |
and come halfway round the world, | 0:32:15 | 0:32:16 | |
so if there's only one fallen off, it might not have done too badly. | 0:32:16 | 0:32:19 | |
Isn't it bad luck for a groom to see a bride's dress? | 0:32:19 | 0:32:21 | |
In this case I'd be more worried about the bride seeing it. | 0:32:21 | 0:32:24 | |
With only days to go before the wedding... | 0:32:24 | 0:32:27 | |
Yay! | 0:32:27 | 0:32:29 | |
..the bridesmaid's dresses Ian bought | 0:32:29 | 0:32:31 | |
with the girls' own money have arrived. | 0:32:31 | 0:32:34 | |
They're all right, they're not bad dresses. | 0:32:36 | 0:32:38 | |
Definitely looks like it's worth £60. | 0:32:38 | 0:32:41 | |
No, it doesn't, it looks like it's worth £12.50! | 0:32:41 | 0:32:43 | |
As soon as you put the pearls on, the gloves, | 0:32:43 | 0:32:46 | |
and the thing in their hair, it'll look fantastic. | 0:32:46 | 0:32:48 | |
And over in Derby, Jay has finally received her wedding invitation. | 0:32:48 | 0:32:53 | |
OK, it says, "Together with their families, | 0:32:53 | 0:32:56 | |
"Ian and Jorja would like to invite you to our wedding." | 0:32:56 | 0:33:00 | |
I'm going to cry. | 0:33:00 | 0:33:01 | |
With his days as a single man numbered, | 0:33:04 | 0:33:07 | |
Ian takes the opportunity to meet up again with his dad Dennis. | 0:33:07 | 0:33:10 | |
-Are you happy? -I am, yeah, really. | 0:33:10 | 0:33:12 | |
-You're chuffed? -Well, you're getting married, aren't you? | 0:33:12 | 0:33:15 | |
Who'd have thought, me getting married and having kids | 0:33:15 | 0:33:18 | |
and a house? | 0:33:18 | 0:33:19 | |
It had to come eventually, didn't it? I've prolonged it long enough. | 0:33:21 | 0:33:24 | |
If I'm half the dad you've been then I'll do all right, won't I? | 0:33:24 | 0:33:28 | |
-Thank you. -No worries. | 0:33:28 | 0:33:29 | |
You're all right, you turned out all right, you know? | 0:33:29 | 0:33:32 | |
It's the day before the wedding and, desperate to see the dress, | 0:33:34 | 0:33:38 | |
Jay and her wedding party are waiting to hear which boutique | 0:33:38 | 0:33:41 | |
they'll be going to. Uh-oh. | 0:33:41 | 0:33:43 | |
Ten past two and we're still sat here. | 0:33:43 | 0:33:45 | |
Shops shut at five, don't they, on a Saturday? | 0:33:45 | 0:33:47 | |
We could sit here another two hours before we actually went anywhere. | 0:33:47 | 0:33:50 | |
Hopefully when I see the dress | 0:33:50 | 0:33:52 | |
I'll be over the moon and not disappointed. | 0:33:52 | 0:33:56 | |
It's got to be perfect. | 0:33:56 | 0:33:59 | |
Perfect or not, it's here. | 0:33:59 | 0:34:01 | |
And best man Paul has arrived with strict instructions | 0:34:01 | 0:34:04 | |
to leave the dress and shoes on the doorstep. | 0:34:04 | 0:34:08 | |
KNOCK ON DOOR What is that? | 0:34:08 | 0:34:10 | |
Who was that? | 0:34:10 | 0:34:11 | |
I did not like doing that, let's get out of here. | 0:34:12 | 0:34:15 | |
-It better not be what I think it is. -We're not going to any shop today. | 0:34:32 | 0:34:35 | |
Do you want to go first or do you want me to go first? | 0:34:37 | 0:34:40 | |
-I don't want to go see it. -Hold my hand. | 0:34:40 | 0:34:43 | |
I don't know what we're looking at, I don't know what we're looking at. | 0:34:43 | 0:34:46 | |
Oh, my God, wow. | 0:34:46 | 0:34:47 | |
Jay, that's beautiful. | 0:34:49 | 0:34:50 | |
I think it's really pretty. | 0:34:50 | 0:34:53 | |
He's done amazing. | 0:34:54 | 0:34:56 | |
I love it, I think it's gorgeous, absolutely gorgeous. | 0:34:56 | 0:35:00 | |
No, wait, wait. | 0:35:01 | 0:35:03 | |
-That's second-hand. -It is second-hand, 100%. | 0:35:05 | 0:35:08 | |
All the gems are missing. | 0:35:08 | 0:35:10 | |
It would appear that 6,000 miles in the bottom of a suitcase | 0:35:10 | 0:35:13 | |
isn't the best way for an expensive | 0:35:13 | 0:35:14 | |
jewel-encrusted wedding dress to travel. | 0:35:14 | 0:35:17 | |
There's one right in the middle. | 0:35:17 | 0:35:18 | |
I mean, if that one wasn't there it wouldn't be quite as obvious, | 0:35:18 | 0:35:21 | |
but there's like two missing there. Why's he got you a broken dress? | 0:35:21 | 0:35:25 | |
I'm not wearing a broken dress. I'm sorry. | 0:35:25 | 0:35:27 | |
-Would you wear a broken dress? -Nope. | 0:35:27 | 0:35:30 | |
I didn't think I'd hate it as much as I do. | 0:35:32 | 0:35:35 | |
Don't cry, it's a dress. | 0:35:35 | 0:35:37 | |
Don't cry over a dress. | 0:35:37 | 0:35:38 | |
I've just seen them. | 0:35:42 | 0:35:43 | |
Is he serious? | 0:35:44 | 0:35:46 | |
Oh, they are awful! | 0:35:46 | 0:35:48 | |
They are the ugliest wedding shoes I have ever seen in all my entire... | 0:35:48 | 0:35:52 | |
They've got black soles. | 0:35:52 | 0:35:54 | |
I'm not letting you wear them. | 0:35:54 | 0:35:56 | |
That's bad enough, they are a whole other level. | 0:35:56 | 0:35:58 | |
So the shoes are a disaster, but maybe the dress looks better on. | 0:35:58 | 0:36:02 | |
-It doesn't fit. -Oh, my God, | 0:36:04 | 0:36:06 | |
there's absolutely no way that's going up, babe, doesn't fit. | 0:36:06 | 0:36:09 | |
All right? | 0:36:09 | 0:36:11 | |
Don't cry, babe, please don't cry. | 0:36:12 | 0:36:13 | |
He could have cocked anything else up but this, | 0:36:16 | 0:36:18 | |
this is not the thing you get wrong | 0:36:18 | 0:36:20 | |
at 2:40pm on a Saturday afternoon the day before your wedding. | 0:36:20 | 0:36:23 | |
I'm not marrying him. | 0:36:23 | 0:36:26 | |
If he doesn't change it and make this right, I'm not going tomorrow. | 0:36:26 | 0:36:29 | |
How can I? | 0:36:29 | 0:36:30 | |
With things as bad as they can get... | 0:36:33 | 0:36:36 | |
Hello. | 0:36:36 | 0:36:37 | |
..a call is put in to Ian to see if anything can be done. | 0:36:37 | 0:36:40 | |
-Have you got a second-hand dress? -What do you mean? | 0:36:40 | 0:36:42 | |
All the jewels on it are broken, it's mucky, it doesn't fit, | 0:36:42 | 0:36:47 | |
it doesn't even go over her bum. | 0:36:47 | 0:36:49 | |
She can't wear it, absolutely no way. | 0:36:49 | 0:36:51 | |
So you're going to have to find some money in the budget, Ian, | 0:36:51 | 0:36:53 | |
to find her a new dress, and we've got two hours to do it. | 0:36:53 | 0:36:56 | |
-What am I supposed to do? -You need to find some money. Now. | 0:36:56 | 0:36:58 | |
-Right, OK. -All right, mate, speak to you in a bit. | 0:37:01 | 0:37:03 | |
-The dress doesn't fit. -You're joking? -No. | 0:37:03 | 0:37:05 | |
-BLEEP -sake. | 0:37:05 | 0:37:07 | |
Convinced that the problem isn't the dress, another call is made. | 0:37:08 | 0:37:12 | |
-Hello. -I just need to know, is it that she doesn't like the dress? | 0:37:12 | 0:37:16 | |
It's not been cleaned, it doesn't fit. | 0:37:16 | 0:37:18 | |
Don't shout at me, listen. | 0:37:18 | 0:37:20 | |
I'm not shouting, I'm not shouting, I'm just trying to say it. | 0:37:20 | 0:37:23 | |
Say it slowly and calmly because I'm freaking out here. | 0:37:23 | 0:37:26 | |
One second, cos Jade wants a word. | 0:37:26 | 0:37:29 | |
Right, Mr... | 0:37:29 | 0:37:31 | |
Oh, Jade, I tell you what... no chance. | 0:37:31 | 0:37:34 | |
Hung up on me. | 0:37:34 | 0:37:36 | |
The pressure is on and Ian makes a last-minute dash | 0:37:38 | 0:37:41 | |
to try and find the nearest bridal shop. | 0:37:41 | 0:37:44 | |
-It's a massive -BLEEP -is this, man. For -BLEEP -sake. | 0:37:44 | 0:37:47 | |
It is but I'm on your side, I think you're selling yourself short. | 0:37:47 | 0:37:50 | |
Sacrificing some last-minute decorations, | 0:37:53 | 0:37:55 | |
he's managed to pull together £600 for a replacement dress. | 0:37:55 | 0:37:59 | |
How about something like this? | 0:38:01 | 0:38:03 | |
We'll get them modelled for you and see what you think. | 0:38:03 | 0:38:05 | |
Yeah, we'll have a look at that one, please. | 0:38:05 | 0:38:07 | |
I'm not bothered about anything else that could go wrong, | 0:38:07 | 0:38:09 | |
it's just getting Jay sorted cos I know what's happening. | 0:38:09 | 0:38:12 | |
She's at home crying her eyes out cos she hasn't got a wedding dress | 0:38:12 | 0:38:15 | |
for her wedding day tomorrow and it's all my fault really so... | 0:38:15 | 0:38:19 | |
Hi, guys, this is the first one that we've got Katy to try on for you. | 0:38:23 | 0:38:26 | |
Again, it's got the fitted sweetheart neckline which you like. | 0:38:26 | 0:38:29 | |
Do you know what? I'm not even going to try another dress on. | 0:38:29 | 0:38:32 | |
If it took me 12 hours to get the dress wrong, | 0:38:32 | 0:38:34 | |
if I can do it in three minutes and get the dress right, | 0:38:34 | 0:38:36 | |
-that might be the better option. -Go with your gut feeling. | 0:38:36 | 0:38:39 | |
Yeah, I think we'll go for that. | 0:38:39 | 0:38:40 | |
-We need to talk money, then, don't we? -We do. How much is this one? | 0:38:40 | 0:38:43 | |
£600. | 0:38:43 | 0:38:45 | |
Deal. | 0:38:48 | 0:38:49 | |
And just like that a deal is done. | 0:38:50 | 0:38:54 | |
See you, thank you. | 0:38:54 | 0:38:56 | |
Let's hope Jay likes this one. | 0:38:56 | 0:38:58 | |
I can only do so much, I mean, she's got two wedding dresses to try now, | 0:38:58 | 0:39:02 | |
and I don't care what she does with the old one, bin it for me, | 0:39:02 | 0:39:05 | |
but we'll hopefully... Hopefully she'll like this | 0:39:05 | 0:39:08 | |
and we'll take it from there from now on. | 0:39:08 | 0:39:10 | |
Time and money having completely run out, | 0:39:12 | 0:39:15 | |
Jay and her bridal party arrive at the wedding dress shop. | 0:39:15 | 0:39:18 | |
-So, are you ready for this? -No. | 0:39:18 | 0:39:20 | |
-Not ready yet? -OK, go on, then. | 0:39:20 | 0:39:22 | |
Come on, come with me. | 0:39:22 | 0:39:24 | |
-Wish me luck. -Good luck! | 0:39:24 | 0:39:27 | |
I have no confidence now, I've kind of given up. | 0:39:27 | 0:39:30 | |
In you come, Jay. | 0:39:30 | 0:39:31 | |
'I'm just prepared for the worst, I think,' | 0:39:31 | 0:39:34 | |
and then anything better than that's a bonus. | 0:39:34 | 0:39:36 | |
For the second, and hopefully last time today, | 0:39:36 | 0:39:39 | |
Jay will be trying on a wedding dress that Ian has picked. | 0:39:39 | 0:39:42 | |
-Well, this is it. -OK. | 0:39:42 | 0:39:45 | |
I don't think she'll go through with tomorrow if this one's not right. | 0:39:48 | 0:39:52 | |
-Scary stuff. -Let's just see. | 0:39:52 | 0:39:54 | |
Wait and see. | 0:39:54 | 0:39:56 | |
-Close your eyes. -Aw. | 0:39:56 | 0:39:58 | |
Oh, I'm looking! | 0:39:58 | 0:39:59 | |
Oh, yeah. | 0:39:59 | 0:40:01 | |
Mandy, look. It's beautiful. | 0:40:01 | 0:40:04 | |
It's perfect. | 0:40:04 | 0:40:06 | |
It's absolutely gorgeous. Absolutely stunning. | 0:40:07 | 0:40:11 | |
Perfect. | 0:40:11 | 0:40:13 | |
It seems Ian has finally got it right, | 0:40:13 | 0:40:15 | |
and, against the odds, Jay loves it. | 0:40:15 | 0:40:18 | |
This dress is probably the opposite to what I wanted, but no, I love it. | 0:40:18 | 0:40:21 | |
Really pleased, he's done good. | 0:40:21 | 0:40:23 | |
I don't know why he didn't do this in the first place. | 0:40:23 | 0:40:25 | |
So how do you feel now? | 0:40:25 | 0:40:27 | |
Ready to get married. | 0:40:27 | 0:40:28 | |
There will be a wedding after all! | 0:40:28 | 0:40:30 | |
It's the morning of the wedding and Jay and her bridal party | 0:40:37 | 0:40:40 | |
are at her mum Mandy's house to get preparations under way. | 0:40:40 | 0:40:44 | |
It's like a party when you're waiting for all your guests | 0:40:44 | 0:40:46 | |
to turn up. | 0:40:46 | 0:40:48 | |
-Hi. -Hi, I'm Emma. | 0:40:48 | 0:40:49 | |
I've come to do your hair and make-up for the wedding. | 0:40:49 | 0:40:52 | |
-Hair and make-up, come in, come in, come in. -Thank you. | 0:40:52 | 0:40:55 | |
-Excited? -Really excited. | 0:40:55 | 0:40:57 | |
So Ian's decided how he wants your hair and make-up. | 0:40:58 | 0:41:01 | |
Oh, no. Why did you tell me that? | 0:41:01 | 0:41:03 | |
-You've spoilt it now. -No, it's good. | 0:41:03 | 0:41:06 | |
-Can we do it now? -Yeah. | 0:41:07 | 0:41:09 | |
But despite being happy about getting her hair and make-up | 0:41:11 | 0:41:14 | |
done professionally, Jay still has her concerns about what's to come. | 0:41:14 | 0:41:18 | |
A bit worried after he got the dress so wrong | 0:41:18 | 0:41:21 | |
whether he's going to get today so wrong as well. | 0:41:21 | 0:41:24 | |
So I think all of us are, like, just going with low expectations | 0:41:24 | 0:41:28 | |
and then hopefully we can only be proved wrong. | 0:41:28 | 0:41:30 | |
I really don't know what to expect. | 0:41:34 | 0:41:37 | |
The thought of walking down the aisle petrifies me cos | 0:41:37 | 0:41:40 | |
everyone will be looking at me and I don't want to be in the limelight. | 0:41:40 | 0:41:45 | |
The opposite would be nice. | 0:41:45 | 0:41:47 | |
Over in Wakefield city centre, | 0:41:51 | 0:41:54 | |
the final touches are being added to the theatre... | 0:41:54 | 0:41:56 | |
The pyrotechnics go off before the curtain comes up, | 0:41:56 | 0:41:59 | |
but I want the spotlight just to be on Jay, nothing else. | 0:41:59 | 0:42:02 | |
..where Ian is planning to go all out to make his future bride | 0:42:02 | 0:42:05 | |
the centre of attention on the biggest day of her life. | 0:42:05 | 0:42:08 | |
I'm not bothered about who looks good in what or whatever | 0:42:08 | 0:42:10 | |
as long as there's a spotlight on her. | 0:42:10 | 0:42:13 | |
You've got a spotlight on her. | 0:42:13 | 0:42:14 | |
No-one's going to miss her, are they? | 0:42:14 | 0:42:17 | |
Everything's going to be dark and a huge big circle of light on her, | 0:42:17 | 0:42:19 | |
you know what I mean? | 0:42:19 | 0:42:21 | |
Unaware of Ian's plans to put Jay in the spotlight, | 0:42:21 | 0:42:25 | |
the bridesmaids are about to reveal the outfits Ian has bought for them, | 0:42:25 | 0:42:28 | |
well, with their own money. | 0:42:28 | 0:42:30 | |
Can I turn around? | 0:42:32 | 0:42:35 | |
-They're vile. -Oh, my goodness. | 0:42:35 | 0:42:37 | |
I didn't know whether you were going to laugh or cry then. | 0:42:39 | 0:42:42 | |
I don't know what to do. | 0:42:42 | 0:42:43 | |
-This is like 1920s, isn't it? -Yeah. | 0:42:43 | 0:42:47 | |
-How do you feel about a themed wedding? -Not impressed. | 0:42:47 | 0:42:50 | |
The bridesmaids have just come down in their fancy dress outfits. | 0:42:54 | 0:42:57 | |
It just seemed to be like they'd made a bit of a joke out of it | 0:42:57 | 0:43:01 | |
and it's just more of a party and an excuse to get drunk I suppose. | 0:43:01 | 0:43:06 | |
And it's not, it's a really important day. | 0:43:06 | 0:43:09 | |
We'll see. | 0:43:09 | 0:43:11 | |
Surely he's got to get something right. | 0:43:15 | 0:43:18 | |
With Jay's expectations having reached new lows, | 0:43:20 | 0:43:23 | |
it's almost time to leave for the wedding ceremony. | 0:43:23 | 0:43:27 | |
Oh, my God. | 0:43:27 | 0:43:29 | |
-It's beautiful. -You look absolutely stunning. | 0:43:29 | 0:43:32 | |
-Beautiful! -Thank you. | 0:43:32 | 0:43:33 | |
-Are you ready for this? -Yeah, I am, aren't I? | 0:43:33 | 0:43:36 | |
And as the car that Ian's arranged for her arrives, | 0:43:36 | 0:43:39 | |
it seems that things might be looking up. | 0:43:39 | 0:43:42 | |
CHEERING | 0:43:45 | 0:43:47 | |
-Hello. -How are you? | 0:43:47 | 0:43:50 | |
Oh, thank you. | 0:43:50 | 0:43:52 | |
-How am I going to get in here? -How are you going to get in there? | 0:43:52 | 0:43:55 | |
Oh, no. | 0:43:55 | 0:43:57 | |
With Jay and Mandy merrily making their way... | 0:43:59 | 0:44:02 | |
Hiya, Dennis. Good to see you. | 0:44:02 | 0:44:06 | |
..guests and bridesmaids begin to arrive at the theatre. | 0:44:06 | 0:44:09 | |
Hi, nice to meet you. | 0:44:10 | 0:44:12 | |
Right, you and you are coming with me. | 0:44:12 | 0:44:15 | |
-Right now? -Yes. | 0:44:15 | 0:44:17 | |
Oh, my God. | 0:44:17 | 0:44:18 | |
What is going on? | 0:44:18 | 0:44:20 | |
I'm going to show you to your position. | 0:44:20 | 0:44:22 | |
Oh, my gosh. | 0:44:22 | 0:44:24 | |
The bridesmaids have just walked in | 0:44:24 | 0:44:26 | |
and they haven't got a clue what's about to hit them. | 0:44:26 | 0:44:28 | |
What the hell is going on? | 0:44:28 | 0:44:29 | |
This is meant to be a wedding, not a production. | 0:44:29 | 0:44:31 | |
I don't know whether she's going to like it, or actually cry. | 0:44:31 | 0:44:34 | |
Well, considering she hates being the centre of attention, | 0:44:34 | 0:44:37 | |
-this is going to scare the life out of her. -Yeah. | 0:44:37 | 0:44:40 | |
So we'll see. She's either going to love it or hate it. | 0:44:40 | 0:44:43 | |
So good luck, guys, good luck. | 0:44:43 | 0:44:45 | |
-Oh, what are we going this way for? -This is the way I go to Wakefield. | 0:44:45 | 0:44:49 | |
For a girl that dreamt of a secluded beach wedding, | 0:44:51 | 0:44:54 | |
Wakefield city centre is going to be a less private affair. | 0:44:54 | 0:44:59 | |
Where the hell are we going? | 0:44:59 | 0:45:00 | |
Theatre Royal's there, and Opera House. That's the... | 0:45:00 | 0:45:03 | |
-SHE GASPS -And her nightmare becomes a reality | 0:45:03 | 0:45:06 | |
when she sees where she's going to get married. | 0:45:06 | 0:45:08 | |
-Was that? Was that? Were there...? -Parked at the theatre. | 0:45:08 | 0:45:11 | |
-The girls? Were the girls there? -Yeah. | 0:45:11 | 0:45:12 | |
-Jay. -What? | 0:45:14 | 0:45:16 | |
-You're going to get married on stage. -I'm not. -Yes, you are. | 0:45:16 | 0:45:19 | |
Oh, everyone's going to be sat in the seats in rows, | 0:45:20 | 0:45:23 | |
watching you getting married on the stage. | 0:45:23 | 0:45:26 | |
It's my worst nightmare. | 0:45:26 | 0:45:27 | |
It's unique. | 0:45:28 | 0:45:31 | |
Who gets married in a theatre? | 0:45:31 | 0:45:33 | |
Jay and Ian. | 0:45:34 | 0:45:35 | |
After three weeks apart, | 0:45:37 | 0:45:39 | |
the time has finally come for Jay to see the man she is going to marry. | 0:45:39 | 0:45:43 | |
He's in there, isn't he? | 0:45:43 | 0:45:45 | |
Yeah, you're so close to seeing him now. | 0:45:45 | 0:45:48 | |
You guys look fantastic. | 0:45:49 | 0:45:51 | |
-So do you. -Of course. | 0:45:51 | 0:45:53 | |
Honestly, when you see what's just about to happen, | 0:45:53 | 0:45:57 | |
you're going to wee. | 0:45:57 | 0:45:59 | |
LAUGHTER | 0:45:59 | 0:46:02 | |
But for a girl that didn't want a look-at-me wedding ceremony, | 0:46:03 | 0:46:07 | |
there's a big surprise coming her way. | 0:46:07 | 0:46:10 | |
Oh, my God. Oh, my God, what is it? | 0:46:10 | 0:46:14 | |
I'm so scared. | 0:46:14 | 0:46:15 | |
Oh, my God. | 0:46:23 | 0:46:24 | |
Oh, my God. Have I got to sit in that? | 0:46:24 | 0:46:27 | |
There's a little lap strap just to go on top of you | 0:46:27 | 0:46:30 | |
and then we're going to lift you up at the start of your entrance. | 0:46:30 | 0:46:35 | |
-BLEEP -hell. | 0:46:36 | 0:46:38 | |
It's ridiculous. | 0:46:39 | 0:46:41 | |
I couldn't be more in the centre of attention if you tried. | 0:46:41 | 0:46:46 | |
This is like my worst nightmare. | 0:46:46 | 0:46:48 | |
I'm going to have a heart attack. | 0:46:50 | 0:46:52 | |
-Oh, my God. -It will swing slightly, just sit back in it. | 0:46:59 | 0:47:02 | |
-Ready to go for it? -Yeah. | 0:47:02 | 0:47:04 | |
Oh, shit, shit, shit. I've never been so scared in my life. | 0:47:04 | 0:47:08 | |
I'm not even scared of heights, it's just the fact that | 0:47:08 | 0:47:11 | |
I know everyone's behind there and going to see me. | 0:47:11 | 0:47:13 | |
I can feel my heart, it's pounding. | 0:47:13 | 0:47:16 | |
I just don't want to cry. Don't cry, don't cry. | 0:47:16 | 0:47:19 | |
Don't swear, don't cry. Don't swear, don't cry. | 0:47:19 | 0:47:21 | |
This is ridiculous. | 0:47:27 | 0:47:30 | |
Can we stop? | 0:47:30 | 0:47:31 | |
Is it going to keep going? | 0:47:33 | 0:47:36 | |
Oh, my God, don't look down. | 0:47:36 | 0:47:39 | |
Can we hurry up? | 0:47:40 | 0:47:42 | |
MUSIC: "Your Song" by Ellie Goulding | 0:47:44 | 0:47:47 | |
APPLAUSE AND CHEERING | 0:48:08 | 0:48:10 | |
Safely back in each other's arms, | 0:48:44 | 0:48:47 | |
it's time for Jay and Ian to finally get married. | 0:48:47 | 0:48:50 | |
I call upon these persons here present, | 0:48:50 | 0:48:53 | |
to witness that I, Ian Spencer Lettice, do take thee, | 0:48:53 | 0:48:56 | |
Jorja Lucy Harris, to be my lawful wedded wife. | 0:48:56 | 0:49:00 | |
To take thee, Ian Spencer Lettice, to be my lawful wedded husband. | 0:49:01 | 0:49:06 | |
And I promise to love you for the rest of my life. | 0:49:06 | 0:49:08 | |
You're going to make me cry. | 0:49:11 | 0:49:14 | |
I give you this ring as a token of my love | 0:49:16 | 0:49:18 | |
and I promise to love you for the rest of my life. | 0:49:18 | 0:49:20 | |
So it now gives me very great pleasure to declare you are | 0:49:20 | 0:49:24 | |
lawfully joined together as husband and wife. | 0:49:24 | 0:49:27 | |
APPLAUSE AND CHEERING | 0:49:27 | 0:49:30 | |
They looked absolutely ace together. | 0:49:42 | 0:49:44 | |
I were really emotional when they were together. | 0:49:44 | 0:49:47 | |
I'd marry again here. What's the matter with me? | 0:49:47 | 0:49:51 | |
When they met and I could see in his face how he felt, and it were good. | 0:49:51 | 0:49:56 | |
CHEERING | 0:49:56 | 0:49:58 | |
-MANDY: -I'm really lost for words, that was amazing. | 0:49:58 | 0:50:01 | |
Well done, Ian, I'm really proud that you're my son now. | 0:50:01 | 0:50:04 | |
-Were it fun? -That was the worst thing I've ever done in my life. | 0:50:04 | 0:50:07 | |
Let's be honest, you wasn't going to get a church wedding with me. | 0:50:07 | 0:50:10 | |
Well, no, but I wasn't expecting to be flown into a venue. | 0:50:10 | 0:50:13 | |
Dropped. | 0:50:13 | 0:50:15 | |
Let's discuss the dress, shall we? How do you like this one? | 0:50:16 | 0:50:18 | |
Well, what happened with the first one, please? | 0:50:18 | 0:50:20 | |
We may have gone to Thailand, | 0:50:20 | 0:50:22 | |
and it took 70... To be fair, we flew for 17 hours there... | 0:50:22 | 0:50:24 | |
Oh, boo-hoo. Do you want me to give you sympathy after you've been to | 0:50:24 | 0:50:27 | |
-Thailand for four days? -I'm the most stressed I've ever been in my life. | 0:50:27 | 0:50:31 | |
You should be nice and relaxed, you've been to Thailand, | 0:50:31 | 0:50:33 | |
-you've been on holiday. -You've got another little surprise to go to | 0:50:33 | 0:50:36 | |
-when we get... -I'm sick of surprises. -You love surprises. -Not like this. | 0:50:36 | 0:50:39 | |
No, this next one is better than this. | 0:50:39 | 0:50:42 | |
It looks like a social club. | 0:50:46 | 0:50:48 | |
-He wouldn't have got you in a social club, would he? -No. | 0:50:48 | 0:50:51 | |
-Would he? -It depends, doesn't it? | 0:50:51 | 0:50:55 | |
He just got you married in a theatre coming down on a swing. | 0:50:55 | 0:50:59 | |
Rather than standing outside wondering, | 0:51:00 | 0:51:03 | |
the girls go in for a wander around. | 0:51:03 | 0:51:06 | |
-My God, what has he done? -What is it? | 0:51:06 | 0:51:08 | |
It looks like a social club. | 0:51:08 | 0:51:10 | |
Oh, we're not in it yet, that's all right, then. | 0:51:11 | 0:51:14 | |
There's cocktail sticks of food on it, Jade. | 0:51:14 | 0:51:17 | |
-Oh, I'm starving, can I pinch one? -Oh, my God. -Well, at least it looks | 0:51:17 | 0:51:20 | |
like the drinks will be cheap. | 0:51:20 | 0:51:21 | |
The colour scheme couldn't be any different from what I wanted. | 0:51:21 | 0:51:24 | |
But I suppose if he's going to go to Thailand for four nights, | 0:51:24 | 0:51:26 | |
he's going to be limited on budget for the room. | 0:51:26 | 0:51:28 | |
Having looked around the bar area, first impressions aren't good. | 0:51:28 | 0:51:32 | |
Hopefully what they'll find behind the cinema front will win them over. | 0:51:32 | 0:51:36 | |
Oh, my God. Wow. | 0:51:36 | 0:51:39 | |
-Oh, bless him. -He has done amazing. | 0:51:42 | 0:51:45 | |
Look at that cake. | 0:51:47 | 0:51:49 | |
-That is outstanding. -I'm so impressed. | 0:51:49 | 0:51:54 | |
-Look at the car in the corner. -Can you get in it? | 0:51:54 | 0:51:57 | |
This is ace, considering three and a half weeks ago | 0:52:04 | 0:52:06 | |
he thought a favour was something you owed somebody. | 0:52:06 | 0:52:09 | |
You've literally got everything you didn't want. | 0:52:09 | 0:52:11 | |
You've got a feather in your hair, you've got a veil, | 0:52:11 | 0:52:13 | |
you've got a massive dress, you've got a themed wedding, | 0:52:13 | 0:52:16 | |
your bridesmaids are in fancy dress and you love it. | 0:52:16 | 0:52:18 | |
I love it! | 0:52:18 | 0:52:21 | |
-You have done so well. -This is amazing. | 0:52:21 | 0:52:23 | |
Incredibly, it seems that Ian's 1920s themed wedding reception | 0:52:23 | 0:52:27 | |
has won his bride round. | 0:52:27 | 0:52:28 | |
What gave you the idea for this theme? | 0:52:28 | 0:52:30 | |
It were more about me dad. | 0:52:30 | 0:52:32 | |
I wanted to incorporate my dad and you. | 0:52:32 | 0:52:34 | |
And I've got you...and this. | 0:52:34 | 0:52:36 | |
-This is awesome. -It looks good, doesn't it? | 0:52:36 | 0:52:39 | |
-Thanks, Dennis. -Let's go get us guests. | 0:52:39 | 0:52:41 | |
After all Ian's hard work, it seems Jay's happy. | 0:52:42 | 0:52:45 | |
All that's left to do now is see the other person who this was all for - | 0:52:45 | 0:52:49 | |
Ian's dad, Dennis. | 0:52:49 | 0:52:51 | |
-And the best till last. -He did you proud. Come here, son. | 0:52:51 | 0:52:55 | |
I love you both to bits. | 0:52:55 | 0:52:57 | |
Don't be crying, you two. | 0:52:57 | 0:52:59 | |
He's so proud of you. | 0:53:08 | 0:53:10 | |
Everyone's so proud of you. You've done so well. | 0:53:10 | 0:53:13 | |
-Get in there. -You get in and show everyone what you've done! | 0:53:13 | 0:53:16 | |
I'm going to have a cig now. | 0:53:16 | 0:53:17 | |
Just when my old man's happy, I'm happy. | 0:53:20 | 0:53:22 | |
It's all been worth it, all the stresses and tears and arguments. | 0:53:24 | 0:53:27 | |
It's just been worth it, just to see them two people. | 0:53:27 | 0:53:30 | |
That's it. | 0:53:30 | 0:53:31 | |
With all the stress, tears and arguments forgotten, | 0:53:35 | 0:53:38 | |
it's time for the reception to swing into action. | 0:53:38 | 0:53:41 | |
MUSIC: "The Charleston" | 0:53:41 | 0:53:44 | |
My best men, Paul and Matthew. | 0:53:46 | 0:53:49 | |
APPLAUSE | 0:53:49 | 0:53:52 | |
-We're both grateful to Ian... -LAUGHTER | 0:53:52 | 0:53:55 | |
-Why's everybody started laughing already? -BLEEP! | 0:53:55 | 0:53:57 | |
I've only said three words. | 0:53:57 | 0:54:00 | |
The last three weeks have had its ups and downs, | 0:54:00 | 0:54:02 | |
-but it's all been worth it. -I do think the highlight of the trip, | 0:54:02 | 0:54:05 | |
though, was seeing him get absolutely hammered, got a tattoo, | 0:54:05 | 0:54:07 | |
accused Thai women of being ladyboys. | 0:54:07 | 0:54:09 | |
-Where's the tattoo? -Show us your tattoo. -Come on. | 0:54:09 | 0:54:11 | |
All right, so absolutely plastered | 0:54:11 | 0:54:13 | |
I managed to get "don't tell the bride" in Thai tattooed on my arm. | 0:54:13 | 0:54:16 | |
LAUGHTER | 0:54:16 | 0:54:18 | |
Everyone raise their glasses, please, to the happy couple. | 0:54:18 | 0:54:22 | |
Congratulations. | 0:54:22 | 0:54:24 | |
Thanks, boys. | 0:54:24 | 0:54:26 | |
Jay's happy, Ian's happy, the guests are happy, we're happy. | 0:54:31 | 0:54:35 | |
Everyone's happy, it's been a happy ending and that's all that matters. | 0:54:35 | 0:54:39 | |
Well put, Paul. | 0:54:40 | 0:54:41 | |
Today's been absolutely amazing. I think he's done a fantastic job. | 0:54:41 | 0:54:45 | |
I reckon we could be wedding planners. | 0:54:45 | 0:54:48 | |
Well, obviously Ian and Jay hadn't known each other for very long, | 0:54:48 | 0:54:51 | |
so it's a big step getting married in the first place, | 0:54:51 | 0:54:54 | |
never mind trusting him with the whole wedding. | 0:54:54 | 0:54:56 | |
He's just proved that he'll do anything for her. | 0:54:56 | 0:54:58 | |
-He's proved us wrong, though. -Yeah, he's done so well. | 0:54:58 | 0:55:01 | |
-I think you're a perfect match actually. -Yeah? -Yeah. | 0:55:01 | 0:55:04 | |
And I think you'll be good for a long time, certainly my time. | 0:55:04 | 0:55:09 | |
Well, we've only got a couple of weeks of yours. | 0:55:09 | 0:55:11 | |
Can I have your car? | 0:55:11 | 0:55:14 | |
It's been three weeks, two wedding dresses | 0:55:14 | 0:55:17 | |
and one long-haul trip to Thailand, | 0:55:17 | 0:55:19 | |
but as their wedding day draws to an end, has it all been worth it? | 0:55:19 | 0:55:24 | |
The last three weeks, worst three weeks of my life. | 0:55:24 | 0:55:27 | |
Today, best day of my life. | 0:55:27 | 0:55:28 | |
-Agreed. -Agreed? -100%. -Have I done well? -You've done amazing. | 0:55:28 | 0:55:32 | |
I think now I know the thought process behind there being a theme, | 0:55:32 | 0:55:35 | |
I don't mind, at all. | 0:55:35 | 0:55:37 | |
-It means something to you... -Did you not want a theme? | 0:55:37 | 0:55:40 | |
No, I didn't want a themed wedding, Ian. | 0:55:40 | 0:55:43 | |
Happily married man, new home, kids on the horizon. | 0:55:45 | 0:55:50 | |
-Yeah? -How good's that? Well, I hope so. | 0:55:51 | 0:55:54 | |
Well, I've been away from you for three weeks so I hope not! | 0:55:54 | 0:55:56 | |
-We're going to have a bash tonight, I tell you. -Ian! | 0:55:56 | 0:56:00 | |
Next week, wannabe rock star turned zookeeper Scott | 0:56:00 | 0:56:03 | |
runs a jungle-themed wedding... | 0:56:03 | 0:56:05 | |
I feel like I'm in a real rainforest. | 0:56:05 | 0:56:07 | |
..for bride-to-be Verity, the girl who tamed him. | 0:56:07 | 0:56:10 | |
You're a nightmare. | 0:56:10 | 0:56:11 | |
Will this showman act on his animal instincts? | 0:56:11 | 0:56:13 | |
Who'd have thought you'd be coming to my wedding? | 0:56:13 | 0:56:15 | |
Or give Verity the wedding she dreams of? | 0:56:15 | 0:56:17 | |
I'm really worried that he's going to make it all about him. | 0:56:17 | 0:56:20 | |
-And will his eBay dress... -I just clicked on Buy It Now. | 0:56:20 | 0:56:23 | |
..rock her world? Or will heads roll? | 0:56:23 | 0:56:26 | |
Everything that should be special has been taken away from me. | 0:56:26 | 0:56:30 |