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Every girl likes to take control of her wedding. | 0:00:07 | 0:00:09 | |
So what happens when she has no say on her big day? | 0:00:09 | 0:00:13 | |
-Oh, they are awful. -We're not doing it. | 0:00:13 | 0:00:16 | |
-Don't Tell The Bride is back. -This is ridiculous. | 0:00:16 | 0:00:19 | |
As ever, the grooms are in charge. | 0:00:19 | 0:00:21 | |
I want there to be a donkey at the wedding. | 0:00:21 | 0:00:23 | |
I'll look lovely on my big day! | 0:00:23 | 0:00:25 | |
But with £12,000 | 0:00:25 | 0:00:26 | |
to spend and just three weeks to throw the wedding of their dreams... | 0:00:26 | 0:00:31 | |
Tell him, Oh, God I love it. SCREAM | 0:00:31 | 0:00:34 | |
..have the boys pushed themselves too far? | 0:00:34 | 0:00:36 | |
-Oh, my God. -You're fired. | 0:00:36 | 0:00:39 | |
With more shocking, more outrageous and more daredevil weddings | 0:00:39 | 0:00:44 | |
than ever before, will there be a happy ever after? | 0:00:44 | 0:00:47 | |
This is not the thing you get wrong the day before your wedding. | 0:00:47 | 0:00:50 | |
Will true love save the day? | 0:00:50 | 0:00:51 | |
Mum, what is that? Mum, what is that? | 0:00:51 | 0:00:53 | |
-Or is it a countdown to disaster? -Three, two, one... | 0:00:53 | 0:00:59 | |
-Tonight... -Selfie time. | 0:00:59 | 0:01:02 | |
Car fanatic Wesley... | 0:01:02 | 0:01:04 | |
This one's my new love, my baby. Call it Leona. | 0:01:04 | 0:01:06 | |
..has fast and furious ideas for his big day. | 0:01:06 | 0:01:10 | |
We might have to get police escorts as well, you know. | 0:01:10 | 0:01:12 | |
-No seriously. -No joke. | 0:01:12 | 0:01:13 | |
But with fiancee Rena dreaming of an intimate wedding... | 0:01:13 | 0:01:16 | |
I cannot believe I've gone and done this. I'm such an idiot. | 0:01:16 | 0:01:19 | |
..what happens when a convoy of cars... | 0:01:19 | 0:01:22 | |
I'm looking to do a convoy, if you're available. | 0:01:22 | 0:01:24 | |
..become the star attraction on her big day. | 0:01:24 | 0:01:27 | |
You know if you mess this wedding up, Rena's gonna kill you. | 0:01:27 | 0:01:30 | |
With the bridesmaids speeding towards a rampage... | 0:01:30 | 0:01:32 | |
Let me tell you something about your man, yeah? | 0:01:32 | 0:01:35 | |
Do the best men become the driving force? | 0:01:35 | 0:01:37 | |
SINGING | 0:01:37 | 0:01:39 | |
Or is this wedding heading for a breakdown? | 0:01:39 | 0:01:41 | |
It ain't happening, ain't happening. Oh, gosh. | 0:01:41 | 0:01:44 | |
Doesn't wanna carry on because it's not what it's not what he wanted. | 0:01:44 | 0:01:48 | |
22-year-old Wesley fell in love with his schoolboy crush Rena | 0:02:09 | 0:02:13 | |
when they were just 17. | 0:02:13 | 0:02:15 | |
From the time I saw her I would say that I liked her | 0:02:15 | 0:02:17 | |
and I thought she was hot. | 0:02:17 | 0:02:19 | |
But for these high school sweethearts, it wasn't exactly | 0:02:19 | 0:02:21 | |
love at first sight. | 0:02:21 | 0:02:23 | |
He had a huge afro before he cut his hair. | 0:02:23 | 0:02:25 | |
A massive, massive one. | 0:02:25 | 0:02:27 | |
And I didn't really like it at all, and then he cut it off. | 0:02:27 | 0:02:30 | |
And that's when I started to like you. | 0:02:30 | 0:02:32 | |
My mum decided from there, you two are staying together. | 0:02:32 | 0:02:35 | |
-Right, that's it now. -Yeah, no more girlfriends. | 0:02:35 | 0:02:38 | |
The relationship soon blossomed outside of school | 0:02:38 | 0:02:41 | |
and three years later, Rena discovered she was pregnant. | 0:02:41 | 0:02:44 | |
Enjoy that? | 0:02:44 | 0:02:46 | |
She jumps in the car, I was like, "What's wrong, what's happened?" | 0:02:46 | 0:02:49 | |
She goes, "I'm pregnant." Oh my face was like, "Oh". | 0:02:49 | 0:02:52 | |
I was excited but scared. | 0:02:52 | 0:02:55 | |
To support baby Ethan, Wesley left university and took a job | 0:02:55 | 0:02:58 | |
with a supermarket chain, while Rena continued her studies in | 0:02:58 | 0:03:02 | |
social work. | 0:03:02 | 0:03:03 | |
I wouldn't wanna rely on anyone else, | 0:03:03 | 0:03:05 | |
I wanna be the one to support my own family. | 0:03:05 | 0:03:08 | |
Like I said, like it's the sacrifice I was willing to make. | 0:03:08 | 0:03:11 | |
I'd rather her go back to uni first, get her degree. | 0:03:11 | 0:03:15 | |
To help out, Wesley's parents invited them to live at their | 0:03:15 | 0:03:18 | |
home in London, where the men are outnumbered and overruled. | 0:03:18 | 0:03:23 | |
It's kind of a madhouse. | 0:03:23 | 0:03:24 | |
My three sisters, my mum and my dad. | 0:03:24 | 0:03:28 | |
-Wesley! -Yeah. -Are you hearing me? | 0:03:28 | 0:03:31 | |
-Get up, now. -All right. -Now! -OK. | 0:03:31 | 0:03:34 | |
And then me, Rena and Ethan. | 0:03:34 | 0:03:37 | |
Sadly, not all the family members were happy about this lifelong commitment. | 0:03:37 | 0:03:41 | |
When I found out I was pregnant I was thinking, oh my gosh, | 0:03:41 | 0:03:43 | |
I didn't know how I was gonna tell my family. | 0:03:43 | 0:03:45 | |
Not being married and having a baby is a big thing in my culture, | 0:03:45 | 0:03:49 | |
being Indian. | 0:03:49 | 0:03:51 | |
When I spoke to my dad, I think he was more upset that I wasn't married | 0:03:51 | 0:03:57 | |
and that I hadn't finished studying and I had a lot to achieve. | 0:03:57 | 0:04:02 | |
I think it's really difficult for him to come to terms with that, | 0:04:02 | 0:04:05 | |
so yeah, hasn't spoken to me since having Ethan. | 0:04:05 | 0:04:08 | |
After all she's been through, Wesley's determined to prove | 0:04:15 | 0:04:17 | |
to Rena that he's in this relationship for the long haul, | 0:04:17 | 0:04:20 | |
and on her 21st birthday, he had his proposal all wrapped up. | 0:04:20 | 0:04:25 | |
We went around the house on my birthday | 0:04:25 | 0:04:27 | |
and found all these presents and there was only 20 presents | 0:04:27 | 0:04:30 | |
and then he made me play pass the parcel | 0:04:30 | 0:04:32 | |
and it was my engagement ring and then he proposed to me. | 0:04:32 | 0:04:35 | |
Headstrong Rena plans on starting married life | 0:04:35 | 0:04:38 | |
the way she means to go on. | 0:04:38 | 0:04:40 | |
No, eat it. | 0:04:40 | 0:04:41 | |
She can be kind of scary, man. | 0:04:41 | 0:04:43 | |
Your car's not priority right now. | 0:04:43 | 0:04:45 | |
It's actually motorbikes. | 0:04:45 | 0:04:46 | |
I don't care if it's motorbikes or cars. | 0:04:46 | 0:04:48 | |
She doesn't beat around the bush with anything, | 0:04:48 | 0:04:50 | |
so if she doesn't like your hair or what you're wearing or | 0:04:50 | 0:04:53 | |
anything like that, she'll tell you straightaway. | 0:04:53 | 0:04:55 | |
She's proper, proper stubborn. | 0:04:55 | 0:04:57 | |
Living with five strong women, the men in this family have their | 0:04:57 | 0:05:00 | |
own ways of staying out of trouble. | 0:05:00 | 0:05:02 | |
-Grandad's shed. -Yeah. | 0:05:02 | 0:05:04 | |
Listen to reggae music in a dubwise fashion. | 0:05:04 | 0:05:07 | |
Even baby Ethan's no stranger to that end of the garden. | 0:05:11 | 0:05:14 | |
-Good boy. -Yeah. -Yeah. | 0:05:14 | 0:05:18 | |
I'm a quiet guy, simple there. Very easy going, relaxed. | 0:05:18 | 0:05:22 | |
I'm the person who does all the domestic stuff. | 0:05:22 | 0:05:24 | |
-I don't mind that, though. -I do the washing, the cleaning, | 0:05:24 | 0:05:27 | |
I make the food, take you food upstairs, give you your drink. | 0:05:27 | 0:05:29 | |
-I like calm. -He'll go sit in the car and chill out a bit. | 0:05:29 | 0:05:34 | |
But Wesley doesn't just escape to his car to chill out, there's | 0:05:34 | 0:05:37 | |
a little more to it than that. | 0:05:37 | 0:05:39 | |
This one's my new love, my baby. Call her Leona. | 0:05:39 | 0:05:43 | |
Wesley loves cars, whether it's buying them, fixing them or | 0:05:43 | 0:05:46 | |
-just being near them. -All he cares about is cars. | 0:05:46 | 0:05:49 | |
Changed the exhaust, made it from two and a half inch to three inch. | 0:05:49 | 0:05:52 | |
When he gets into it, like he'll buy a new car part | 0:05:52 | 0:05:54 | |
and he's out there for hours and it just really frustrates me. | 0:05:54 | 0:05:57 | |
-Spending that much time on a car. -It's worth it. | 0:05:57 | 0:06:00 | |
Changed up the steering wheel, got a nice green one. | 0:06:00 | 0:06:02 | |
The cars is a getaway time for me. I like to modify cars. | 0:06:02 | 0:06:05 | |
I like to be different that way. I like my car to stand out. | 0:06:05 | 0:06:07 | |
When he found out we were having a boy, he was just so excited. | 0:06:07 | 0:06:10 | |
"I'm going to teach him how to drive cars!" | 0:06:10 | 0:06:11 | |
I was like, "He's not even born yet and you're already teaching him | 0:06:11 | 0:06:14 | |
"to drive a car!" And Ethan loves cars now. | 0:06:14 | 0:06:17 | |
He might know a lot about cars, but Wesley will really have to | 0:06:17 | 0:06:20 | |
get his brain into gear to plan the biggest day of Rena's life, | 0:06:20 | 0:06:24 | |
especially when Rena knows exactly what she wants for her wedding. | 0:06:24 | 0:06:27 | |
I'd like something small with the people that are really important to us. | 0:06:27 | 0:06:30 | |
Rena may want a small wedding, but Wesley wants to make a statement... | 0:06:30 | 0:06:34 | |
a big statement. | 0:06:34 | 0:06:36 | |
Going to be big, it's going to be amazing, | 0:06:36 | 0:06:38 | |
it's going to be something to remember, right. | 0:06:38 | 0:06:41 | |
She won't forget it. | 0:06:41 | 0:06:42 | |
Wesley desperately wants the best for Rena | 0:06:42 | 0:06:44 | |
and he has her best interests at heart. | 0:06:44 | 0:06:47 | |
I wanna somehow like get a mix of like traditional Indian wedding | 0:06:47 | 0:06:50 | |
with the big music, the Indian dancers kind of thing, | 0:06:50 | 0:06:54 | |
big decorations that they have. | 0:06:54 | 0:06:56 | |
Nice, bright and colourful. | 0:06:56 | 0:06:58 | |
But Rena's got very different ideas. | 0:06:58 | 0:07:01 | |
I think I'm quite picky in terms of how things look, | 0:07:01 | 0:07:03 | |
in terms of like elegance and stuff. | 0:07:03 | 0:07:06 | |
I don't want it to look tacky. | 0:07:06 | 0:07:07 | |
I think, having like these bright colours everywhere, for me, | 0:07:07 | 0:07:11 | |
I just don't think it'll work. | 0:07:11 | 0:07:13 | |
And there's one thing a Wesley wedding just couldn't be without. | 0:07:13 | 0:07:17 | |
Like a nice long convoy of modified cars to follow our wedding car. | 0:07:17 | 0:07:22 | |
I want people in the street to be stopping and looking, | 0:07:22 | 0:07:25 | |
like, what's going on here. | 0:07:25 | 0:07:27 | |
Kind of, that's my concept. I wanna turn heads. | 0:07:27 | 0:07:29 | |
I try to do that with my car, so why not do it with the wedding? | 0:07:29 | 0:07:32 | |
An expert in modifying cars, Wesley is planning to go | 0:07:32 | 0:07:35 | |
full throttle when it comes to wedding planning. | 0:07:35 | 0:07:38 | |
I feel confident in my ideas about it | 0:07:38 | 0:07:41 | |
and my ability to actually go out and organise it... | 0:07:41 | 0:07:45 | |
..maybe 50/50. | 0:07:45 | 0:07:46 | |
And if he gets it wrong... | 0:07:46 | 0:07:48 | |
He just has to remember that you're spending the rest of your life | 0:07:50 | 0:07:53 | |
with me and I will make it hell. | 0:07:53 | 0:07:56 | |
It's time for Rena to say goodbye. | 0:07:56 | 0:07:58 | |
This will be the first time Wesley and Rena have been apart | 0:08:00 | 0:08:02 | |
since becoming parents. | 0:08:02 | 0:08:04 | |
-You be a good boy. -Give Mummy a kiss. | 0:08:04 | 0:08:07 | |
Not wanting to disrupt life for their son, the couple decide | 0:08:07 | 0:08:10 | |
that baby Ethan will remain at home, | 0:08:10 | 0:08:12 | |
but Rena's staying with a friend nearby, | 0:08:12 | 0:08:14 | |
so she will still see him every day. | 0:08:14 | 0:08:17 | |
For an anxious Rena, it's a final chance to give Wesley | 0:08:17 | 0:08:20 | |
some gentle words of advice. | 0:08:20 | 0:08:22 | |
Do not screw it up, I'm telling you. | 0:08:22 | 0:08:25 | |
It's your dream, so I ain't screwing up nothing. | 0:08:25 | 0:08:28 | |
I hope so. | 0:08:28 | 0:08:29 | |
Oh, Ethie! Give me one more kiss. | 0:08:29 | 0:08:31 | |
The next time Wesley will see Rena will be on their wedding day. | 0:08:34 | 0:08:39 | |
Party time. | 0:08:42 | 0:08:43 | |
Say bye, Mummy! | 0:08:44 | 0:08:45 | |
Did you say bye to Mummy? | 0:08:47 | 0:08:49 | |
Mm? | 0:08:49 | 0:08:51 | |
That's fine. You get to see her tomorrow, I don't. | 0:08:51 | 0:08:54 | |
Right, see, that's why you're not bothered. | 0:08:54 | 0:08:56 | |
Look at him, all smiley. | 0:08:56 | 0:08:59 | |
(Oh, man.) | 0:08:59 | 0:09:00 | |
She might not have any say in her wedding, but right now, | 0:09:00 | 0:09:04 | |
leaving her son is the only thing on Rena's mind. | 0:09:04 | 0:09:07 | |
Just the fact of not being able to wake up in the night | 0:09:08 | 0:09:11 | |
and give him his bottle and stuff, that'll be hard. | 0:09:11 | 0:09:14 | |
But, yeah, I will miss him a lot. | 0:09:16 | 0:09:18 | |
Hopefully my friends will keep me company | 0:09:18 | 0:09:20 | |
and make sure I'm doing all right. | 0:09:20 | 0:09:22 | |
Rena's staying just around the corner with bridesmaids | 0:09:24 | 0:09:27 | |
Hayley and Nicole. | 0:09:27 | 0:09:29 | |
Oh, bless yer. | 0:09:29 | 0:09:31 | |
Are you scared about what he's going to do? | 0:09:31 | 0:09:34 | |
I don't know what he'll do. | 0:09:34 | 0:09:35 | |
I think he will either really screw it up or do really, really well. | 0:09:35 | 0:09:39 | |
If he messes up, he's going to have three crazy chicks on his back. | 0:09:39 | 0:09:42 | |
-Obviously, he's going to pick things that he likes. -That means cars. | 0:09:42 | 0:09:45 | |
I forgot about the cars. This is gonna be a long... | 0:09:45 | 0:09:48 | |
Let's hope it's going to be good, cos seriously, I'm doing | 0:09:48 | 0:09:52 | |
all of this and then he completely screws it up, I'll kill him. | 0:09:52 | 0:09:55 | |
-So will I. -So will I. | 0:09:55 | 0:09:57 | |
I'll absolutely kill him. | 0:09:57 | 0:09:59 | |
The message is loud and clear. | 0:09:59 | 0:10:00 | |
In his mission to give Rena the best possible wedding, he's requested | 0:10:01 | 0:10:05 | |
the help of two best men, who happen to share his creative drive. | 0:10:05 | 0:10:09 | |
21-year-old Seb and 22-year-old Umsey, | 0:10:12 | 0:10:15 | |
who've been watching Wesley's back since high school. | 0:10:15 | 0:10:18 | |
Seb and Umsey, they are pretty much a double act. | 0:10:21 | 0:10:24 | |
-They're crazy together. -That's what I'm most worried about. | 0:10:24 | 0:10:26 | |
They will think of the most craziest ideas and he will just | 0:10:26 | 0:10:29 | |
bounce off those ideas and just make it 100 times bigger and worse. | 0:10:29 | 0:10:35 | |
Time to get down to business. | 0:10:35 | 0:10:37 | |
Shall we do a toast? | 0:10:37 | 0:10:39 | |
-Seb, I can't really reach. -The boys are back. -LAUGHTER | 0:10:39 | 0:10:42 | |
-You seem too confident for me, and it scares me. -Yeah. Yeah. | 0:10:42 | 0:10:45 | |
-What do you mean? -You're not nervous at all. | 0:10:45 | 0:10:47 | |
What's the point being nervous, bro? | 0:10:47 | 0:10:49 | |
-You've just got to get on and do it, innit? -You think you've run weddings | 0:10:49 | 0:10:52 | |
-before, you think you know... -Have you planned a wedding before? | 0:10:52 | 0:10:54 | |
I ain't planned no wedding before. | 0:10:54 | 0:10:56 | |
-Have you, Seb? -I've never planned one. I turn up at weddings. | 0:10:56 | 0:10:58 | |
-Yeah. -Just get allocated a seat. I sit down, I say, | 0:10:58 | 0:11:00 | |
"Oh, she looks nice in that dress." | 0:11:00 | 0:11:02 | |
It's not long before the conversation turns to their | 0:11:02 | 0:11:04 | |
favourite subject. | 0:11:04 | 0:11:06 | |
Is it going to be like a lot of cars involved? | 0:11:06 | 0:11:09 | |
I'm hoping so. I'm looking to get like a massive convoy. | 0:11:09 | 0:11:12 | |
Beamers, Mercs, even little like Saxos. | 0:11:12 | 0:11:16 | |
Going to get maybe some hot rods there, muscle cars. | 0:11:16 | 0:11:19 | |
OK, so you're looking to have about, what, | 0:11:19 | 0:11:21 | |
15 modified cars race up and turn up... | 0:11:21 | 0:11:25 | |
-Come through, park up. -..and then you come through in your car. | 0:11:25 | 0:11:28 | |
-Yeah. -It's like his whole entourage is coming with him, innit? | 0:11:28 | 0:11:31 | |
-That's it, bro. -I've got you. | 0:11:31 | 0:11:33 | |
-I -like that one. -Yeah? -Yeah, that definitely could work. | 0:11:33 | 0:11:36 | |
You know if you mess this up, Rena's going to kill you? | 0:11:36 | 0:11:38 | |
I ain't messing wedding up. That ain't going to happen. | 0:11:38 | 0:11:40 | |
-Rena will kill you if you mess it up. -It won't happen, bro. | 0:11:40 | 0:11:43 | |
-Are you 100% sure? -100% bro. -OK, cool. | 0:11:43 | 0:11:44 | |
Fuelled with ideas, the boys head off to find a wedding venue | 0:11:44 | 0:11:48 | |
to fit their 120 guests, plus a convoy of cars. | 0:11:48 | 0:11:53 | |
THEY SING TO THE RADIO | 0:11:53 | 0:11:55 | |
Hey, ladies! | 0:12:02 | 0:12:04 | |
The first pit stop for our petrolhead groom is historic | 0:12:13 | 0:12:16 | |
Strawberry Hill House in Southwest London. | 0:12:16 | 0:12:18 | |
This famous 19th century landmark | 0:12:18 | 0:12:21 | |
holds both wedding ceremonies and receptions. | 0:12:21 | 0:12:24 | |
Better still, it looks like you could fit a lot of cars | 0:12:24 | 0:12:26 | |
up that driveway. | 0:12:26 | 0:12:28 | |
-Damn, this place is nice. -One, man, one. | 0:12:28 | 0:12:32 | |
This looks like a Disney film. | 0:12:32 | 0:12:34 | |
-Yeah. -This is perfect for the cars to pull up. | 0:12:34 | 0:12:36 | |
Definitely see the cars being lined up along there. | 0:12:36 | 0:12:38 | |
I can see it, your Lambos, your Rolls, your everything. | 0:12:38 | 0:12:40 | |
-Have my Rolls-Royce here. -Rolls-Royce, Ghost. | 0:12:40 | 0:12:43 | |
The Lambos, the R8s, the Beamers, everything. | 0:12:43 | 0:12:46 | |
You might have to get police escorts as well, you know. | 0:12:46 | 0:12:49 | |
-Seriously. -No joke, man, I was looking at that last night. | 0:12:49 | 0:12:51 | |
-What, police escorts? -Yeah. | 0:12:51 | 0:12:53 | |
Blue lights. Motorbikes blocking up the T-junction and all that. | 0:12:53 | 0:12:57 | |
Wow, nothing says wedding like motorbikes blocking up a T-junction. | 0:12:57 | 0:13:01 | |
-Wes. -This is the one, folks. -This is the one. | 0:13:01 | 0:13:03 | |
Confident with their choice of location for the convoy - | 0:13:03 | 0:13:06 | |
sorry, wedding, the boys wheel themselves away | 0:13:06 | 0:13:09 | |
from the driveway and into the ceremony room. | 0:13:09 | 0:13:12 | |
-It's looking nice, bro. -Yeah, it's different, innit? | 0:13:12 | 0:13:14 | |
-Yeah. -Definite, definite. | 0:13:14 | 0:13:16 | |
And then you have got the option of going | 0:13:16 | 0:13:18 | |
next door into the Waldegrave Suite. | 0:13:18 | 0:13:20 | |
Looks pretty good, but there's still just one thing on Wesley's mind. | 0:13:20 | 0:13:23 | |
Would it be all right to have a row of cars going round, | 0:13:23 | 0:13:26 | |
for the guests to come, get in and leave? | 0:13:26 | 0:13:29 | |
And move? Yeah, that's absolutely fine. | 0:13:29 | 0:13:31 | |
The turning span's quite small, so you don't want big buses | 0:13:31 | 0:13:34 | |
or anything like that, but that would be fine, yeah. | 0:13:34 | 0:13:36 | |
Actually, do you think a Lambo would fit through that gate? | 0:13:36 | 0:13:39 | |
It should be all right, innit? I really like it. | 0:13:39 | 0:13:42 | |
Get a nice vibe off of it. Could see the wedding happening here, definitely. | 0:13:42 | 0:13:46 | |
With enough space to hold his convoy of 15 cars, | 0:13:46 | 0:13:49 | |
Wesley is about to make his first big decision. | 0:13:49 | 0:13:52 | |
-PHONE RINGS -But Wesley lives with his mum... | 0:13:52 | 0:13:54 | |
-Hello? -..And mother wants a say. | 0:13:54 | 0:13:56 | |
Yes, Mum. We've found the place that I really like. | 0:13:56 | 0:14:00 | |
Mum, if you see the place, it looks amazing. | 0:14:00 | 0:14:03 | |
What was that? You lot are loving this, innit? | 0:14:03 | 0:14:07 | |
-What's your mum say? -One second. Yes, Mum. | 0:14:07 | 0:14:09 | |
LAUGHTER | 0:14:09 | 0:14:12 | |
-No, you're not Googling this now, Mum. I've got to go. -www... | 0:14:13 | 0:14:16 | |
No, it's just, I wanna get off the phone, sorry. | 0:14:16 | 0:14:19 | |
All right, I'll give you a call back, yeah? Bye. | 0:14:19 | 0:14:23 | |
Well, Mum approves at least. | 0:14:23 | 0:14:25 | |
Time to seal the deal. | 0:14:25 | 0:14:26 | |
But there's a problem, and they're standing on it. | 0:14:26 | 0:14:29 | |
The floor was actually made in 1862, so whilst we have no restrictions | 0:14:29 | 0:14:35 | |
on footwear at all, I think dancing on it is a little bit unfair. | 0:14:35 | 0:14:38 | |
They prefer it if you don't dance, so we can respect the floor. | 0:14:45 | 0:14:49 | |
What do you mean, respect floor? | 0:14:49 | 0:14:50 | |
This is a reception. Who doesn't dance at their wedding? | 0:14:50 | 0:14:53 | |
-Exactly. -What are we supposed to do, one-two step? | 0:14:53 | 0:14:55 | |
-Who does one-two step at a wedding? -Well, no, that's too much for them. | 0:14:55 | 0:14:58 | |
What is this? So strange, man. | 0:14:58 | 0:15:01 | |
Well, look at it from a positive side, innit, yeah? | 0:15:01 | 0:15:04 | |
You found a place where you can get married. | 0:15:04 | 0:15:06 | |
Yeah. I'm loving that. | 0:15:06 | 0:15:07 | |
-But we can't dance. -But we can't dance. | 0:15:07 | 0:15:09 | |
So that's the other bit, so now we need to find a place after. | 0:15:09 | 0:15:12 | |
But the main thing is, I can see Ethan running around, | 0:15:12 | 0:15:15 | |
I can see Rena crying, like out of happiness. | 0:15:15 | 0:15:19 | |
Yeah, I can see Rena crying, saying, "Oh, my gosh, | 0:15:19 | 0:15:22 | |
-"I didn't think Wesley had it in him." -Yeah, yeah. | 0:15:22 | 0:15:24 | |
-Little did she know, he had it in him. -Get me. | 0:15:24 | 0:15:27 | |
Right now I'm thinking, just book that for the ceremony. | 0:15:27 | 0:15:31 | |
Feeling it, Wes, yeah? | 0:15:31 | 0:15:33 | |
-Yeah, bro. -Let me see a smile. | 0:15:33 | 0:15:35 | |
-Bye! -Bye-bye. Take care. | 0:15:35 | 0:15:37 | |
It may not work for the reception, | 0:15:37 | 0:15:39 | |
but it does have a lovely driveway, | 0:15:39 | 0:15:41 | |
and so Wesley books his ceremony room for £1,500. | 0:15:41 | 0:15:45 | |
Selfie time. | 0:15:45 | 0:15:48 | |
THEY SING TOGETHER | 0:15:48 | 0:15:51 | |
Hey, Wesley, what do you do? | 0:15:59 | 0:16:00 | |
THEY SING | 0:16:00 | 0:16:03 | |
While the boys celebrate, Rena and bridesmaid Siobhan | 0:16:09 | 0:16:12 | |
have been reunited with baby Ethan. | 0:16:12 | 0:16:14 | |
Oh, boo-boo. Hello, my darling! | 0:16:14 | 0:16:19 | |
Give Nanna some. | 0:16:21 | 0:16:25 | |
Oh, what are you laughing at? Are you laughing at Siobhan? | 0:16:25 | 0:16:28 | |
It's only been two days and I really wanna go home. It's really hard. | 0:16:28 | 0:16:32 | |
I'm ready to go home now. | 0:16:32 | 0:16:34 | |
But, it will be worth it, I hope. | 0:16:34 | 0:16:37 | |
Rena knows exactly what would make it all worth it, | 0:16:37 | 0:16:40 | |
and with not a car in sight. | 0:16:40 | 0:16:43 | |
Hi, I'm Rachel. Nice to meet you, welcome to Kew. | 0:16:43 | 0:16:46 | |
She's come to Kew Gardens in west London | 0:16:46 | 0:16:48 | |
-to show the bridesmaids her dream venue. -This is so pretty. | 0:16:48 | 0:16:51 | |
Oh, I love it. | 0:16:52 | 0:16:55 | |
It's really grand as well. | 0:16:55 | 0:16:56 | |
As the sun sets, they put the fairy lights on. | 0:16:56 | 0:16:59 | |
And then they have, like, nice flowers going around it | 0:16:59 | 0:17:02 | |
with the fairy lights in it, so you can't really see the wiring, | 0:17:02 | 0:17:04 | |
cos that'll annoy me. | 0:17:04 | 0:17:06 | |
-It's the details, isn't it? -Yeah. | 0:17:06 | 0:17:08 | |
-The details. -Like, I'm talking to the tee. | 0:17:08 | 0:17:11 | |
She knows exactly what she wants! | 0:17:11 | 0:17:12 | |
You really do. | 0:17:12 | 0:17:13 | |
Wesley also knows exactly what he wants. | 0:17:13 | 0:17:17 | |
He may not have a venue for the reception yet, but he's not | 0:17:17 | 0:17:19 | |
going to let a little detail like that distract him from the | 0:17:19 | 0:17:22 | |
most important thing. | 0:17:22 | 0:17:24 | |
His dream convoy. | 0:17:26 | 0:17:28 | |
Now he just needs to find some super cars for it, | 0:17:32 | 0:17:35 | |
so the boys are heading to the world famous Ace Cafe | 0:17:35 | 0:17:38 | |
in North London, the petrolhead's Shangri-la. | 0:17:38 | 0:17:41 | |
This is, yeah, like my second home. This is my little relaxing spot. | 0:17:41 | 0:17:47 | |
Come out, check out the cars, get some nice pictures | 0:17:47 | 0:17:50 | |
and then go back home to the madhouse after. | 0:17:50 | 0:17:52 | |
Look how different it is! SHE GASPS | 0:18:01 | 0:18:03 | |
But back at the botanical gardens, Rena's proving the old saying that | 0:18:03 | 0:18:07 | |
people in glass houses probably don't want a convoy of cars | 0:18:07 | 0:18:10 | |
ploughing through their wedding. | 0:18:10 | 0:18:12 | |
You can have drinks all around here? | 0:18:12 | 0:18:13 | |
Yeah, so champagne and canapes flowing around. | 0:18:13 | 0:18:16 | |
You OK, Rena? | 0:18:18 | 0:18:19 | |
Oh, dear. | 0:18:23 | 0:18:24 | |
Oh, man, reality's kicking in. | 0:18:24 | 0:18:27 | |
It actually is now. | 0:18:27 | 0:18:28 | |
I cannot believe I've gone and done this. I'm such an idiot, | 0:18:32 | 0:18:36 | |
cos he's going to completely screw this up. | 0:18:36 | 0:18:38 | |
Back at Ace Cafe, the boys are spoiled for choice with | 0:18:42 | 0:18:45 | |
pimped-up cars aplenty. | 0:18:45 | 0:18:48 | |
What kind of car do you fancy? | 0:18:48 | 0:18:50 | |
I'm liking the variety of Beamers that they've got in here today. | 0:18:50 | 0:18:53 | |
There's quite a few of them. | 0:18:53 | 0:18:55 | |
Now, all Wesley has to do is convince some of them | 0:18:55 | 0:18:57 | |
to come to the wedding. | 0:18:57 | 0:18:59 | |
Trouble is, he doesn't actually know these people. | 0:18:59 | 0:19:01 | |
I'm looking to do a convoy. If you're available, I'd love to have you down. | 0:19:01 | 0:19:05 | |
Obviously you're invited to the wedding as well. Welcome to come and have some food, have some drinks. | 0:19:05 | 0:19:09 | |
Want to put on like a little car show, like a little event. | 0:19:09 | 0:19:13 | |
-Just give me a shout, yeah? -Yeah? -Yeah. -Definitely. | 0:19:13 | 0:19:15 | |
All right, lovely. | 0:19:15 | 0:19:16 | |
I wanted to see if you'd be down to come down to the wedding, | 0:19:16 | 0:19:19 | |
-show off the car a little bit. -Yeah, yeah, definitely. | 0:19:19 | 0:19:22 | |
How many cars have you got in total now? | 0:19:22 | 0:19:24 | |
One, two, three, four, five. | 0:19:25 | 0:19:28 | |
In total we've got about nine cars. | 0:19:28 | 0:19:30 | |
So far, yeah. | 0:19:30 | 0:19:31 | |
And, just like that, Wesley pads out his guest list | 0:19:31 | 0:19:34 | |
with nine random people he's just met outside a cafe in North London. | 0:19:34 | 0:19:39 | |
Let's hope they show up! | 0:19:39 | 0:19:41 | |
Go get Ethan, left him with the mum, so make a move? | 0:19:41 | 0:19:44 | |
Sweet, let's go, yeah, yeah. | 0:19:44 | 0:19:45 | |
It's the beginning of week two, and the boys still need | 0:19:49 | 0:19:52 | |
a reception venue where people can dance. | 0:19:52 | 0:19:54 | |
Wesley's pinning his hopes on a hotel conference room | 0:19:54 | 0:19:57 | |
a short drive away from the ceremony venue, | 0:19:57 | 0:19:59 | |
also perfect for his convoy of cars. | 0:19:59 | 0:20:02 | |
This is the Thames View Suite. | 0:20:02 | 0:20:04 | |
This is really good. | 0:20:04 | 0:20:05 | |
Like it? | 0:20:05 | 0:20:06 | |
I love this. I love that view as well, I love that. | 0:20:06 | 0:20:08 | |
But Wesley has one major concern. You guessed it. | 0:20:08 | 0:20:12 | |
We've got quite a few nice cars that are going to be coming down, | 0:20:12 | 0:20:15 | |
a couple of Lamborghinis, Porsches and stuff like that, | 0:20:15 | 0:20:17 | |
so, if it's all right, can they be lined up like round the front? | 0:20:17 | 0:20:21 | |
Yeah, that's fine. | 0:20:21 | 0:20:22 | |
It will allow cars and dancing, | 0:20:22 | 0:20:25 | |
and Wesley's quite taken with the place itself. | 0:20:25 | 0:20:28 | |
It's just nice, it's more than nice, it's... I'm lost for words, man. | 0:20:28 | 0:20:33 | |
I've never really been lost for words this whole time, until I saw this. | 0:20:33 | 0:20:37 | |
Yeah. | 0:20:38 | 0:20:40 | |
Wesley shells out £5,000 | 0:20:40 | 0:20:42 | |
for his dream wedding reception plus catering. | 0:20:42 | 0:20:45 | |
Added to the £1,500 he's spent on his ceremony venue, | 0:20:45 | 0:20:49 | |
he's blown half of his budget already. | 0:20:49 | 0:20:52 | |
It's lucky his all-important convoy cars won't be costing him a penny. | 0:20:52 | 0:20:57 | |
It's the middle of the second week, and still hoping for a small, | 0:21:04 | 0:21:08 | |
intimate wedding, Rena has brought Hayley, Nicole and Josie | 0:21:08 | 0:21:12 | |
to Ealing, to show them her dream wedding dress. | 0:21:12 | 0:21:15 | |
Hello, nice to meet you. | 0:21:15 | 0:21:17 | |
Did you have any dresses you had in mind? | 0:21:17 | 0:21:18 | |
-I've been looking at, like, A-line dresses. -A-line. | 0:21:18 | 0:21:21 | |
Being brought up in an Indian culture, I'm used to seeing | 0:21:21 | 0:21:25 | |
the red traditional dresses that they have, | 0:21:25 | 0:21:28 | |
so seeing people with white wedding dresses and stuff, | 0:21:28 | 0:21:33 | |
I just think they're beautiful and I'd really, really like to get one, | 0:21:33 | 0:21:36 | |
so I've been really into it for quite a while. | 0:21:36 | 0:21:38 | |
So, white wedding outfit, yes, red sari, no. | 0:21:38 | 0:21:43 | |
And hoping to give Rena her dream dress, Wesley's headed for... | 0:21:43 | 0:21:47 | |
a sari shop. | 0:21:47 | 0:21:49 | |
-Sari or...? -Sari. | 0:21:49 | 0:21:51 | |
Sari? I can show you some. | 0:21:51 | 0:21:53 | |
But Wesley has bigger plans than just getting a sari. | 0:21:53 | 0:21:57 | |
I've budgeted a grand for Rena. | 0:21:57 | 0:21:59 | |
-So you're going to give her two dresses? -Yeah. | 0:21:59 | 0:22:01 | |
What, one for the reception...? | 0:22:01 | 0:22:02 | |
-One for the reception, one for the ceremony. -OK, cool. | 0:22:02 | 0:22:05 | |
So, a sari for the reception and a white Western wedding dress | 0:22:05 | 0:22:08 | |
for the ceremony. | 0:22:08 | 0:22:10 | |
Talk about making it hard for yourself. | 0:22:10 | 0:22:12 | |
Could we get someone to try on this one and then that white one as well? | 0:22:12 | 0:22:15 | |
-All right, that's sweet. -Do you want to just wrap it round me? | 0:22:15 | 0:22:18 | |
-SHE LAUGHS -I don't mind. Yeah, OK. | 0:22:18 | 0:22:21 | |
If you want to. Come on, fam, take one for the team, bro. | 0:22:21 | 0:22:25 | |
-Yeah, yeah, yeah. -I make a good bride, don't I? | 0:22:25 | 0:22:27 | |
-You do, man. -That's what it'll be like, right? | 0:22:27 | 0:22:29 | |
Yeah, I like that. I really like that, yeah. | 0:22:29 | 0:22:31 | |
I think she should wear them more often. | 0:22:31 | 0:22:33 | |
But Rena wants a dress she'll only wear once... | 0:22:33 | 0:22:36 | |
Need a help, just give me a shout. | 0:22:36 | 0:22:38 | |
-..on the most important day of her life. -Just suck me in. | 0:22:38 | 0:22:42 | |
I'm scared. | 0:22:42 | 0:22:43 | |
I'm dreading the day she goes and tries on her dress. | 0:22:44 | 0:22:47 | |
I just hope there's many dresses that suit her. | 0:22:47 | 0:22:50 | |
Have you got faith in Wes? | 0:22:50 | 0:22:52 | |
Yeah. | 0:22:52 | 0:22:54 | |
-Do you? -No. | 0:22:54 | 0:22:56 | |
-I was gonna say! I don't. -I was trying to sound positive. | 0:22:56 | 0:22:59 | |
Oh, my God, Rena, | 0:23:01 | 0:23:03 | |
you look too pretty! | 0:23:03 | 0:23:05 | |
Pretty, isn't it? | 0:23:06 | 0:23:07 | |
Oh, my days, it's beautiful. | 0:23:07 | 0:23:09 | |
I love it. You look stunning. | 0:23:09 | 0:23:12 | |
SHE LAUGHS | 0:23:13 | 0:23:14 | |
I'm going to cry in a minute. | 0:23:14 | 0:23:17 | |
Ha, and you said you wouldn't cry! | 0:23:17 | 0:23:19 | |
-SHE LAUGHS -What have you done to us?! | 0:23:19 | 0:23:22 | |
This is actually really depressing, because I'm not getting this dress. | 0:23:22 | 0:23:26 | |
-How much is it? -1,600. | 0:23:26 | 0:23:29 | |
He ain't going to buy me a £1,600 dress. | 0:23:29 | 0:23:32 | |
Oh, no, this is really bad. | 0:23:32 | 0:23:34 | |
I don't know what I'm going to do. | 0:23:34 | 0:23:37 | |
He won't think, "White wedding dress." | 0:23:37 | 0:23:39 | |
Silence, I don't even know what to say. | 0:23:41 | 0:23:45 | |
Oh, he's thinking "white", all right, it's just that | 0:23:45 | 0:23:47 | |
he's the one who'll be wearing it. | 0:23:47 | 0:23:50 | |
It's nice, you know, I like this, I like it. | 0:23:50 | 0:23:52 | |
-It's nice, blingy. -Yeah. | 0:23:52 | 0:23:54 | |
Oh, you wouldn't want to get engine grease on that, make a right mess. | 0:23:54 | 0:23:57 | |
-Oh. -Swear down. | 0:23:57 | 0:24:00 | |
-You like that hat, innit? -No, that's a bit... | 0:24:00 | 0:24:02 | |
Wesley's spent £175 on his own outfit, | 0:24:04 | 0:24:08 | |
but he still needs to choose one for Rena. | 0:24:08 | 0:24:11 | |
-Step back. -So, in true Wesley style, | 0:24:11 | 0:24:14 | |
he just asks some random strangers. | 0:24:14 | 0:24:16 | |
Can you get a picture of all three of us? | 0:24:16 | 0:24:18 | |
This is embarrassing, and you know, this actually suits you, bro? | 0:24:18 | 0:24:21 | |
Yeah, it does, bro. That one looks good on you, though. | 0:24:21 | 0:24:24 | |
-Come on, then. -And your hair looks nice, bro. | 0:24:24 | 0:24:26 | |
Yeah, yeah, yeah, could you imagine...? THEY LAUGH | 0:24:26 | 0:24:29 | |
Wesley budgeted £1,000 for both Rena's wedding dresses, | 0:24:29 | 0:24:32 | |
and he's spent £400 on the traditional Indian outfit. | 0:24:32 | 0:24:36 | |
Yeah, that was a good shopping trip. | 0:24:36 | 0:24:38 | |
But with Rena dreaming of a dress costing over a grand and a half, | 0:24:39 | 0:24:44 | |
will his 600 be enough? | 0:24:44 | 0:24:46 | |
So, do you know any styles you'd like to go for, for your bride, Wes? | 0:24:48 | 0:24:51 | |
Er...no. Something simple but elegant. | 0:24:51 | 0:24:55 | |
Do you want some lace or satin? | 0:24:55 | 0:24:57 | |
What's satin? | 0:24:57 | 0:24:58 | |
Satin is this kind. | 0:24:58 | 0:25:01 | |
Oh, yeah. | 0:25:01 | 0:25:03 | |
It's very elegant. | 0:25:03 | 0:25:04 | |
-That actually does look nice as well. -That's actually beautiful. | 0:25:04 | 0:25:07 | |
Look at that first one. | 0:25:07 | 0:25:08 | |
So is that a potential? | 0:25:08 | 0:25:10 | |
Yeah, I guess. Actually, what's the price range of these? | 0:25:10 | 0:25:13 | |
This one's £1,450. | 0:25:13 | 0:25:15 | |
OK. | 0:25:15 | 0:25:17 | |
This dress is £1,199. | 0:25:20 | 0:25:23 | |
And this one's £1,480. | 0:25:25 | 0:25:28 | |
I think all of those might have to go back on the rack. | 0:25:28 | 0:25:31 | |
-Is it out of budget? -That's way out of budget. | 0:25:31 | 0:25:34 | |
What were you looking to spend? | 0:25:34 | 0:25:35 | |
I was thinking more around like the 600 mark. | 0:25:35 | 0:25:39 | |
We might have something close to that price range, | 0:25:39 | 0:25:42 | |
something like this. | 0:25:42 | 0:25:43 | |
Very simple, very elegant. | 0:25:43 | 0:25:45 | |
All of a sudden that looks really good, you know. | 0:25:45 | 0:25:47 | |
-THEY LAUGH -All of a sudden looks really good! | 0:25:47 | 0:25:51 | |
You know, it's similar to 'em, yeah. | 0:25:51 | 0:25:53 | |
You don't have the flowers, you've got the lace in this one. | 0:25:53 | 0:25:56 | |
I'm just wondering, yeah, | 0:25:56 | 0:25:57 | |
do you think we've done the right thing by buying the other dress? | 0:25:57 | 0:26:00 | |
-Yeah. -Right, how much is this one? | 0:26:00 | 0:26:02 | |
This one is £800. | 0:26:02 | 0:26:05 | |
He's got a point. | 0:26:05 | 0:26:07 | |
-It's your way. -I know. | 0:26:10 | 0:26:12 | |
It's the wedding dress, innit? | 0:26:12 | 0:26:13 | |
It has to be done right, innit? | 0:26:13 | 0:26:16 | |
-At the end of the day, we've got to get it. -All right. | 0:26:16 | 0:26:19 | |
Yeah, I like that one. | 0:26:22 | 0:26:25 | |
-Yeah? -Yeah. | 0:26:25 | 0:26:26 | |
Yeah, I think we're going to go with this one. | 0:26:30 | 0:26:33 | |
We are going to go with this one. | 0:26:33 | 0:26:35 | |
We are, yeah. | 0:26:35 | 0:26:36 | |
Cos if I get it wrong, then it's on you two's head as well now. | 0:26:36 | 0:26:39 | |
Rena chose an ornate ivory embroidered lace gown | 0:26:39 | 0:26:43 | |
with a sweetheart neckline. | 0:26:43 | 0:26:45 | |
Wesley's gone for a plain white satin dress costing half as much. | 0:26:45 | 0:26:50 | |
After spending another £360 on outfits for the boys, | 0:26:51 | 0:26:54 | |
by the middle of the second week, Wesley's spent almost three-quarters | 0:26:54 | 0:26:58 | |
of his budget on venues and clothing. | 0:26:58 | 0:27:00 | |
It's time to rein in the spends. | 0:27:00 | 0:27:02 | |
First port of call is to his auntie, to help with the cake. | 0:27:02 | 0:27:05 | |
These lot are going to come round and give you a hand | 0:27:05 | 0:27:08 | |
-if you need it as well. -Really? -Yeah. | 0:27:08 | 0:27:09 | |
THEY LAUGH | 0:27:09 | 0:27:12 | |
We've got the wrist action. Right? Grr! | 0:27:13 | 0:27:16 | |
And it's off to Southall Market for the bridesmaids' dresses. | 0:27:16 | 0:27:20 | |
Two smalls or one small? | 0:27:20 | 0:27:22 | |
Two smalls. | 0:27:22 | 0:27:23 | |
Well, you've got to give us that motto, though, cheap-cheap. | 0:27:23 | 0:27:27 | |
And lastly, matching accessories for the bridesmaids. | 0:27:27 | 0:27:30 | |
You can give a good price on this, yeah? | 0:27:30 | 0:27:32 | |
All right, how good? | 0:27:32 | 0:27:34 | |
You'll look after me now then, yeah? I can see the goodness in you. | 0:27:34 | 0:27:37 | |
£100 lighter and the bridesmaids are sorted. | 0:27:37 | 0:27:40 | |
Look at Wesley, he's got a smile on his face today. | 0:27:40 | 0:27:42 | |
I'm happy, I'm happy again. bro. | 0:27:42 | 0:27:44 | |
THEY LAUGH | 0:27:44 | 0:27:46 | |
It's week three and the day of the hen do, but Rena has been | 0:27:54 | 0:27:57 | |
told to leave the house, because the girls are about to receive | 0:27:57 | 0:28:00 | |
their bridesmaid dresses. | 0:28:00 | 0:28:02 | |
If I don't like this dress, there will be a problem. A big one. | 0:28:02 | 0:28:06 | |
And when they do arrive, there is a big problem. | 0:28:06 | 0:28:09 | |
I'm not happy, I'm not impressed at all, | 0:28:09 | 0:28:12 | |
whatsoever, yeah? | 0:28:12 | 0:28:13 | |
-This won't fit me! -I can't wear this! | 0:28:13 | 0:28:17 | |
It's too big for my body! | 0:28:17 | 0:28:19 | |
Wesley is going to get...real talk, it ain't happening. | 0:28:21 | 0:28:25 | |
Ain't happening! | 0:28:25 | 0:28:27 | |
Ain't happening! | 0:28:27 | 0:28:29 | |
Yeah, I told you I was gonna wile out today and it's happening. | 0:28:29 | 0:28:31 | |
This ain't happening. | 0:28:31 | 0:28:32 | |
Can we try them on at least? | 0:28:32 | 0:28:34 | |
We have to try them on. | 0:28:34 | 0:28:36 | |
Right, girls, we make anything look sexy, let's do this. | 0:28:36 | 0:28:40 | |
I don't even think I can make this look sexy. | 0:28:40 | 0:28:42 | |
And I'm hot. | 0:28:42 | 0:28:44 | |
Luckily, Wesley's mum's arrived to restore some sanity. | 0:28:44 | 0:28:49 | |
-It's too big! -This is a joke. | 0:28:51 | 0:28:53 | |
You look gorgeous, I don't know what you're moaning for. | 0:28:53 | 0:28:56 | |
Red is the one colour she didn't want. | 0:28:58 | 0:29:00 | |
She might have just lost her bridesmaid. | 0:29:00 | 0:29:03 | |
I don't think they're bad. I think they're nice | 0:29:03 | 0:29:06 | |
and you lot need to focus on Rena. | 0:29:06 | 0:29:08 | |
Don't go upsetting her with it. | 0:29:08 | 0:29:10 | |
It's only three days left. | 0:29:10 | 0:29:13 | |
You don't want her turning into a crazy woman. | 0:29:13 | 0:29:17 | |
Not a great start to the day of the hen, and the stag's about to | 0:29:17 | 0:29:21 | |
kick off, where else but a garage? | 0:29:21 | 0:29:24 | |
-Wesley. -Yeah. -We've got a little something to tell you. | 0:29:26 | 0:29:30 | |
You know that you're one of them | 0:29:30 | 0:29:31 | |
-guys that'd be underneath the engine fixing stuff? -Yeah. | 0:29:31 | 0:29:34 | |
-So we booked us all in for a spa. -THEY LAUGH | 0:29:34 | 0:29:38 | |
-Bro. -We're going to get your eyebrows done, | 0:29:38 | 0:29:41 | |
facial, waxing, the whole works. | 0:29:41 | 0:29:42 | |
Oh, I don't know about waxing, man. | 0:29:42 | 0:29:44 | |
Back, sack and crack. | 0:29:44 | 0:29:46 | |
THEY LAUGH | 0:29:46 | 0:29:49 | |
Finally reunited with Rena, the bridesmaids are on their way | 0:29:49 | 0:29:52 | |
to the hen, but the Bollywood drama over their dresses has left | 0:29:52 | 0:29:56 | |
at least one of them reeling. | 0:29:56 | 0:29:59 | |
-I hate it. -Really? | 0:29:59 | 0:30:01 | |
-I absolutely hate it. -I'm furious. | 0:30:01 | 0:30:03 | |
I don't want to wear it. I want to scream the place down. | 0:30:03 | 0:30:07 | |
-Is it really that bad? -Wesley's mum to the rescue again. | 0:30:07 | 0:30:10 | |
Tell them it's your day. It's not about them, focus on you. | 0:30:10 | 0:30:14 | |
I want everyone to be comfortable. | 0:30:14 | 0:30:16 | |
But if that means... | 0:30:16 | 0:30:18 | |
If the dress literally does not fit you, then obviously you | 0:30:18 | 0:30:21 | |
cannot wear it, what are you going to walk down the aisle? | 0:30:21 | 0:30:23 | |
That'll ruin my photos. | 0:30:23 | 0:30:25 | |
SHE LAUGHS | 0:30:25 | 0:30:27 | |
That sounded really bad! | 0:30:27 | 0:30:29 | |
As the bridesmaids get closer to their secret destination, | 0:30:29 | 0:30:31 | |
the guessing games begin. | 0:30:31 | 0:30:34 | |
He's taking us to a fricking forest! | 0:30:34 | 0:30:36 | |
So annoying, I hate it! | 0:30:36 | 0:30:38 | |
Where's he going to turn to? There's nowhere to turn! | 0:30:38 | 0:30:41 | |
He already pissed me off once today, he better not do it again. | 0:30:41 | 0:30:44 | |
Arriving at an adventure centre is not what the girls had in | 0:30:44 | 0:30:48 | |
mind for a hen do. | 0:30:48 | 0:30:50 | |
Let me tell you something about your man. | 0:30:54 | 0:30:56 | |
You'll hear some words from me. | 0:30:56 | 0:30:58 | |
Can I wear a tutu? Let me put it on. | 0:30:58 | 0:31:01 | |
I love you but you need to re-evaluate the situation. | 0:31:01 | 0:31:04 | |
It's my hen do. When you have yours, you'll be all right! | 0:31:04 | 0:31:07 | |
They gave us wellies! | 0:31:09 | 0:31:11 | |
I'm not wearing wellies! | 0:31:11 | 0:31:13 | |
SHE LAUGHS | 0:31:13 | 0:31:15 | |
I need a drink right now, yeah? | 0:31:15 | 0:31:18 | |
Across town at the beauty parlour, the boys are getting in touch | 0:31:20 | 0:31:22 | |
with their sensitive sides. | 0:31:22 | 0:31:24 | |
It's a monster truck. | 0:31:39 | 0:31:40 | |
How do we get up on that? | 0:31:40 | 0:31:41 | |
Oh, my God, that's insane, look at it. | 0:31:41 | 0:31:43 | |
So if you haven't already guessed, | 0:31:43 | 0:31:45 | |
this is what you're going to be driving today. | 0:31:45 | 0:31:47 | |
Good old-fashioned American monster truck. | 0:31:47 | 0:31:50 | |
Do they have hydraulics? | 0:31:50 | 0:31:52 | |
-Unfortunately not, no. -Damn! | 0:31:54 | 0:31:56 | |
Yeah, a hen do planned by Wesley just had to involve cars. | 0:31:56 | 0:32:01 | |
Oh, my God, this is so high! | 0:32:01 | 0:32:03 | |
Or, in this case, massive truck-type car crushers. | 0:32:03 | 0:32:07 | |
It's like a bus, you really don't know where it's going. | 0:32:09 | 0:32:12 | |
With the men, it's moved onto massages and manicures, | 0:32:14 | 0:32:18 | |
and not for the first time. | 0:32:18 | 0:32:19 | |
How does it feel to get your nails done? | 0:32:19 | 0:32:22 | |
-It feels cool. -You ever had it done before? -Yeah. | 0:32:22 | 0:32:24 | |
Their love is unbreakable, they've been together since school. | 0:32:24 | 0:32:28 | |
He's more quiet, humble. If there's something upset him, | 0:32:28 | 0:32:30 | |
he'll just keep it to himself. | 0:32:30 | 0:32:32 | |
-But Rena's the type of person that... -To let it all out. | 0:32:32 | 0:32:34 | |
Yeah, she'll scream and shout. # And let it all out. # | 0:32:34 | 0:32:38 | |
And scream and shout they certainly do. | 0:32:38 | 0:32:41 | |
THEY SCREAM | 0:32:41 | 0:32:43 | |
Thankfully, the monster trucks have gone down a storm. | 0:32:46 | 0:32:49 | |
That was awesome! | 0:32:55 | 0:32:56 | |
-Well done, Wes. -Yeah, well done, Wes. | 0:32:56 | 0:32:59 | |
Awesome! | 0:33:00 | 0:33:01 | |
You've restored my faith again. | 0:33:01 | 0:33:04 | |
Only slightly. | 0:33:04 | 0:33:06 | |
Refreshed after their face pack and pampering, the boys hit the town. | 0:33:13 | 0:33:17 | |
Hey, what's the plan tonight? Right, get Wesley smashed. | 0:33:24 | 0:33:28 | |
Nah, nah. | 0:33:28 | 0:33:30 | |
-Wesley, you're not going to remember tonight. -Nah. Nah. | 0:33:30 | 0:33:33 | |
Today is your last night of freedom. | 0:33:33 | 0:33:35 | |
THEY LAUGH All right! | 0:33:35 | 0:33:38 | |
While Wesley goes full-throttle on his night out, the bridesmaids | 0:33:38 | 0:33:41 | |
-will have to slow down... -Oh, hi. -Hello. | 0:33:41 | 0:33:44 | |
..for a sharp turn to the east. | 0:33:44 | 0:33:46 | |
Wesley has sent me to do your bridal henna for you. | 0:33:46 | 0:33:49 | |
Oh, henna, wicked! | 0:33:49 | 0:33:51 | |
Wesley's arranged for henna, the traditional Indian bridal | 0:33:51 | 0:33:54 | |
decoration, in a nod to Rena's heritage. | 0:33:54 | 0:33:57 | |
Is it just hands? | 0:33:57 | 0:33:58 | |
You're all getting it done. Hands and feet. | 0:33:58 | 0:34:00 | |
Oh, wicked, cool. | 0:34:00 | 0:34:02 | |
I did not expect this. | 0:34:02 | 0:34:04 | |
But "subtle" is not in Wesley's dictionary. | 0:34:04 | 0:34:06 | |
He wants the full works, he wants the full arms. | 0:34:06 | 0:34:08 | |
Full arms, well, what's full arms? | 0:34:08 | 0:34:10 | |
Yeah, yeah, he wants it to come like... | 0:34:10 | 0:34:13 | |
..yeah, basic full sleeves. He wants traditional full bridal make-up. | 0:34:13 | 0:34:18 | |
So it looks like Rena will be henna-tastic for the wedding day. | 0:34:18 | 0:34:21 | |
Back on the stag, it seems Rena's well and truly made her mark | 0:34:23 | 0:34:26 | |
on Wesley, too. | 0:34:26 | 0:34:28 | |
Anybody caught your eye? | 0:34:28 | 0:34:30 | |
-No. -What you mean no? -Rena's not here. | 0:34:30 | 0:34:32 | |
You haven't seen how many girls are out there? | 0:34:32 | 0:34:35 | |
Nah. | 0:34:35 | 0:34:36 | |
Wes, you might find a new wife, mate. Wes, come here, man. | 0:34:36 | 0:34:39 | |
Wesley, if you're a bad boy, you'll get here. | 0:34:39 | 0:34:42 | |
-I ain't a bad boy. -If you're a bad boy, get here. | 0:34:42 | 0:34:46 | |
If Rena hasn't got you on smash, get here right now. | 0:34:46 | 0:34:48 | |
I'm on smash, blood. | 0:34:48 | 0:34:49 | |
Hey, Wesley! That's not the Wesley we know. | 0:34:49 | 0:34:52 | |
When me and Rena were in school, we were, like, | 0:34:52 | 0:34:56 | |
where we think we're at now is | 0:34:56 | 0:34:58 | |
so different to what we thought we were going to be at back then. | 0:34:58 | 0:35:03 | |
Like, I probably thought that you would more than likely be | 0:35:03 | 0:35:09 | |
with an Asian guy, cos that was what she was into | 0:35:09 | 0:35:12 | |
and stuff like that, that was her type. | 0:35:12 | 0:35:14 | |
But it turned out she's marrying a black guy, a West Indian guy. | 0:35:14 | 0:35:21 | |
It really goes to show, doesn't it? | 0:35:21 | 0:35:23 | |
You just don't know where life's going to take you. | 0:35:23 | 0:35:26 | |
THEY CHANT AND SING | 0:35:26 | 0:35:29 | |
It's the morning after, and Wesley's not exactly firing on all cylinders. | 0:35:59 | 0:36:05 | |
Woke up with a dirty headache, dirty hangover, so... | 0:36:05 | 0:36:08 | |
Yeah, it was a good night, very good night. | 0:36:11 | 0:36:15 | |
Luckily for him, Wesley's little helpers have not been idle. | 0:36:15 | 0:36:18 | |
As I was out on my stag do last night, I had my two workers | 0:36:18 | 0:36:23 | |
here making invitations, my lovely auntie and my mum. | 0:36:23 | 0:36:27 | |
Thank you, thank you, thank you. | 0:36:27 | 0:36:31 | |
There's lots of things left to do, so Wesley hits the shops to | 0:36:31 | 0:36:35 | |
buy the all-important wedding shoes. | 0:36:35 | 0:36:38 | |
Yeah, how much is it? All right, all right, how much is it? | 0:36:38 | 0:36:41 | |
13.99. | 0:36:41 | 0:36:42 | |
They're going to have a problem with them stiletto things, like, everything's a stiletto. | 0:36:42 | 0:36:46 | |
Does the shoe matter that much? | 0:36:46 | 0:36:48 | |
-Not really. -Go with something proper basic like that. | 0:36:48 | 0:36:51 | |
-If Rena sees a nice dress and a dead shoe... -It's not a dead shoe, brother, it will go with the dress. | 0:36:51 | 0:36:56 | |
-That's a dead shoe. -What about something like that? -That's actually quit nice. | 0:36:56 | 0:36:59 | |
Yeah, it is nice, but that's what I'm saying. | 0:36:59 | 0:37:01 | |
Cos it's black here, it doesn't matter. | 0:37:01 | 0:37:04 | |
If this was black and this was white then you could say no. | 0:37:04 | 0:37:08 | |
I think we've found a winner here. | 0:37:08 | 0:37:09 | |
Yeah, final choice, yeah? | 0:37:09 | 0:37:11 | |
Let's go over, man. It's shoes, it's not that important. | 0:37:11 | 0:37:14 | |
Let's hope so. | 0:37:14 | 0:37:16 | |
One tick of your box, mate. | 0:37:16 | 0:37:19 | |
Onto the next box. | 0:37:19 | 0:37:20 | |
Rena's hair and make-up. | 0:37:20 | 0:37:23 | |
With hair... ..we can do that full with make-up. | 0:37:25 | 0:37:28 | |
Yeah, we can do that. | 0:37:28 | 0:37:30 | |
-I know how to do that. -For real? | 0:37:30 | 0:37:32 | |
I worked on Mac and Bobby Brown and Yves St Laurent, I know how to do that. | 0:37:32 | 0:37:35 | |
It's like, think of Rena as your car. Your car is black | 0:37:35 | 0:37:38 | |
and green at the moment, you chose that colour cos they match. | 0:37:38 | 0:37:41 | |
You're not going to put green alloys on a red car, are you? | 0:37:41 | 0:37:44 | |
So it's like Rena, she's going to be in a white dress, | 0:37:44 | 0:37:46 | |
you need to match the make-up to her. | 0:37:46 | 0:37:49 | |
You can't go and put, I don't know, brown on. | 0:37:49 | 0:37:51 | |
Do you think I think like that, bro? | 0:37:51 | 0:37:53 | |
Yeah, but that's what you need to think like. | 0:37:53 | 0:37:55 | |
-That's why I've got you here. -Think really your car, simple. Let's modify Rena. | 0:37:55 | 0:37:59 | |
It's the day before the wedding. | 0:38:02 | 0:38:04 | |
I'm so scared. You don't understand! | 0:38:04 | 0:38:08 | |
Wesley's planned to keep Rena's Indian-style outfit a surprise for | 0:38:08 | 0:38:11 | |
the big day, so she's about to try on her Western-style white dress. | 0:38:11 | 0:38:16 | |
I'm worried about the dress, to be honest. I'm absolutely freaking out. | 0:38:16 | 0:38:19 | |
Like, on the train I was swaying back and forth like a crazy woman, so I don't know. | 0:38:19 | 0:38:24 | |
-Good luck! -Yeah, I need it. | 0:38:24 | 0:38:26 | |
Rena's dream dress cost £1,600, but Wesley chose a much cheaper one | 0:38:26 | 0:38:32 | |
to make way for a second Indian outfit. | 0:38:32 | 0:38:35 | |
-So, this is your dress. -OK. | 0:38:38 | 0:38:40 | |
-Are you ready to see it? -No but...I've no choice now. -OK. | 0:38:40 | 0:38:44 | |
Oh gosh! OK. Yeah, I'm ready. | 0:38:46 | 0:38:49 | |
Er... | 0:38:58 | 0:39:00 | |
How do you feel, seeing the dress now? | 0:39:05 | 0:39:08 | |
Er...I think I like it. | 0:39:08 | 0:39:11 | |
-I don't know. You know what? I'm actually quite shocked. -Ready to try on? | 0:39:11 | 0:39:14 | |
-Yeah, let's try it on. -OK. | 0:39:14 | 0:39:16 | |
I've got the feeling, like in my belly, like... | 0:39:16 | 0:39:18 | |
ooh. It's coming. | 0:39:18 | 0:39:20 | |
It's been, like, a three-week build-up to the dress. | 0:39:20 | 0:39:23 | |
It's not about the wedding, it's about the dress. | 0:39:23 | 0:39:25 | |
-The dress, yeah. That's more important. Well, not more important... -No, it is. | 0:39:25 | 0:39:29 | |
If she doesn't like it, she'll be like, "I'm not wearing it, | 0:39:29 | 0:39:33 | |
"I'm not going to the wedding. I don't care, it's not happening." | 0:39:33 | 0:39:36 | |
-She'll probably cry. -She'll probably walk out. | 0:39:36 | 0:39:39 | |
We'll have to call Wesley. Yeah, she will walk out. | 0:39:39 | 0:39:41 | |
RENA'S FRIENDS GASP | 0:39:45 | 0:39:47 | |
-Oh, wow! -Good reaction. | 0:39:47 | 0:39:51 | |
-Do you like it? -I didn't expect something like this, to be honest. | 0:39:53 | 0:39:57 | |
And it's something that you don't need a lot of jewellery for. | 0:39:57 | 0:40:00 | |
Hmm. | 0:40:00 | 0:40:01 | |
It looks nice. Er... | 0:40:02 | 0:40:05 | |
he could have picked worse. | 0:40:05 | 0:40:07 | |
I do like it - it's just a bit too big down here. | 0:40:07 | 0:40:11 | |
Actually, let's see the back. | 0:40:11 | 0:40:13 | |
I don't like the back. | 0:40:13 | 0:40:14 | |
The material is not a material I would choose but, yeah, OK. | 0:40:14 | 0:40:19 | |
Not exactly overwhelmed, then! | 0:40:19 | 0:40:21 | |
Maybe the unimportant shoes will turn things around. | 0:40:21 | 0:40:24 | |
-Oh, God. -Wesley got you this. | 0:40:24 | 0:40:26 | |
Why are they black? But why are they black? | 0:40:26 | 0:40:30 | |
-Got black on it. -It's Wesley, innit? I don't know. | 0:40:30 | 0:40:33 | |
I don't like the shoes. | 0:40:33 | 0:40:34 | |
I don't like the shoes. I think I could speak for all of us | 0:40:34 | 0:40:36 | |
when we say we don't agree on the shoes. | 0:40:36 | 0:40:39 | |
-Who brings shoes in a Morrisons bag? -Black and white shoes. | 0:40:39 | 0:40:41 | |
The dress is nice, but the shoes have completely ruined it. I don't know what to do with them. | 0:40:41 | 0:40:45 | |
-Then you're not wearing them. -I'm not wearing them - I'll go barefoot. | 0:40:45 | 0:40:49 | |
Time to call Wesley and stick the boot in. | 0:40:51 | 0:40:53 | |
-Hello. -Hi, Wes! | 0:40:53 | 0:40:55 | |
-Who's this? -Everyone. -The bridesmaids. | 0:40:55 | 0:40:58 | |
-What's up? -The shoes. Really?! | 0:40:58 | 0:41:01 | |
What do you mean, really? They look banging. | 0:41:01 | 0:41:03 | |
-They're hideous! -And it's black. -And they're awful. | 0:41:03 | 0:41:06 | |
You know what? I ain't got time for this. I got to speak to you lot later. | 0:41:06 | 0:41:09 | |
-What do you mean? She's not wearing them! -She's not wearing them! | 0:41:09 | 0:41:12 | |
-Nah, nah, nah, nah, you're not listening. Nah, nah, nah, nah, bye. -I've got stuff to do. Bye. | 0:41:12 | 0:41:16 | |
-Pfft! -Arsehole! -Oh, my God! | 0:41:16 | 0:41:20 | |
I can't believe he just did that. Is he serious? | 0:41:20 | 0:41:22 | |
-They hate them. -Whose? Which shoes? | 0:41:22 | 0:41:24 | |
-The shoes, innit? -What, Rena's? -Yeah. -They hate them? | 0:41:24 | 0:41:28 | |
-Yeah. -They hate the shoes? -Yeah. | 0:41:28 | 0:41:30 | |
Brilliant idea. | 0:41:31 | 0:41:33 | |
Who, me? Are you mad? Who chose the shoes? | 0:41:33 | 0:41:36 | |
THEY ARGUE | 0:41:36 | 0:41:38 | |
-Hello. -Hello. Wes, listen, your wife-to-be... | 0:41:38 | 0:41:41 | |
Listen, I can't talk to all of you lot at one time, yeah? | 0:41:41 | 0:41:44 | |
Talk to me properly, but one of you. | 0:41:44 | 0:41:46 | |
-Why's he being rude? -Wes, I'm talking to you now, OK? Rena's refusing to wear the shoes. | 0:41:46 | 0:41:50 | |
All right, I'll sort it. I'll have to sort something out. | 0:41:50 | 0:41:53 | |
-All right, then. -'Bye.' -All right. Bye. | 0:41:53 | 0:41:56 | |
With the bridesmaids taking control, Wesley's been brought to heel. | 0:41:56 | 0:42:00 | |
He will fix it. He will fix it. He knows he has to fix it, cos he cannot take all of us at one time. | 0:42:00 | 0:42:05 | |
He knows he has to fix it. Don't worry about it. | 0:42:05 | 0:42:08 | |
I thought you knew Rena, nah? | 0:42:08 | 0:42:09 | |
-Shut up, bro. -I thought you knew Rena. -Shut up. | 0:42:09 | 0:42:12 | |
You know what they complained about most? The black in them. | 0:42:12 | 0:42:15 | |
-They won't see it. -That's what I'm saying. | 0:42:15 | 0:42:18 | |
-You're going to have to deal with it. We chose it. -Let's go. -We ain't got time to change stuff. | 0:42:18 | 0:42:21 | |
Bruv, we'll sort out everything else first. | 0:42:21 | 0:42:24 | |
At the end of the day, she's got shoes. | 0:42:24 | 0:42:26 | |
The actual dress is beautiful and I like the fact that he thought | 0:42:26 | 0:42:30 | |
about the fact that I don't like my arms, so he got me a nice shawl. | 0:42:30 | 0:42:33 | |
So, yeah, he did a good job | 0:42:34 | 0:42:36 | |
but he didn't need to be rude, to be honest. | 0:42:36 | 0:42:39 | |
-I'm actually shocked with how he's just spoken to us. -I'm very disappointed. I don't think... | 0:42:39 | 0:42:43 | |
I mean, cool, you're under pressure - Groomzilla or whatever - | 0:42:43 | 0:42:46 | |
-but, yeah... -Breathe it out and speak properly. -The rudeness - unacceptable. | 0:42:46 | 0:42:50 | |
We'll have to have words after this wedding. | 0:42:50 | 0:42:52 | |
But back at home, shoes are the last thing on Wesley's mind, | 0:42:52 | 0:42:56 | |
because he's got car trouble. | 0:42:56 | 0:42:58 | |
On the eve of his big day, planned entirely around a convoy of cars, | 0:42:59 | 0:43:03 | |
Wesley's just got news that, due to a big car show in Southampton, | 0:43:03 | 0:43:08 | |
none of the cars he invited at Ace Cafe can make the ceremony. | 0:43:08 | 0:43:11 | |
-Hey, Wes. -Yo. -Look, talk to me. | 0:43:15 | 0:43:19 | |
-No, bro, I need a bit, just... -Take a few minutes out? -Yeah. | 0:43:19 | 0:43:22 | |
All right, cool. | 0:43:22 | 0:43:24 | |
It's the night before the wedding and his big idea's fallen through. | 0:43:24 | 0:43:28 | |
We don't even know what to do - we're struggling. | 0:43:28 | 0:43:30 | |
Like, we intended on having a lot of these Fast And Furious-style cars | 0:43:30 | 0:43:34 | |
turn up and have a large convoy and, yeah, | 0:43:34 | 0:43:37 | |
like, now we've received a phone call saying that they can't make it. | 0:43:37 | 0:43:40 | |
It's making Wesley feel like he doesn't want to carry on, | 0:43:40 | 0:43:42 | |
because it's not what he wanted. | 0:43:42 | 0:43:45 | |
I wanted the cars to be a major part in it and now, | 0:43:45 | 0:43:48 | |
being told that they can't make it, like... | 0:43:48 | 0:43:52 | |
Wesley trawls the internet, desperately trying to find | 0:43:57 | 0:44:00 | |
anyone willing to bring a half-decent car to the wedding. | 0:44:00 | 0:44:03 | |
Ah, man, I don't know who to ask. | 0:44:03 | 0:44:06 | |
As night falls, Wesley has no idea | 0:44:08 | 0:44:11 | |
if his car convoy is full speed ahead | 0:44:11 | 0:44:14 | |
or if this wedding is about to crash and burn. | 0:44:14 | 0:44:18 | |
It's the morning of the wedding and, unaware of Wesley's convoy calamity, | 0:44:25 | 0:44:29 | |
the girls have a calamity of their own. | 0:44:29 | 0:44:31 | |
I need my cigarettes. I'm getting really panicked. | 0:44:31 | 0:44:34 | |
It's, like, what time? And my hair's not done. | 0:44:34 | 0:44:36 | |
Wesley has given bridesmaid Siobhan instructions | 0:44:36 | 0:44:38 | |
to do the bridal make-up - but she's nowhere to be seen. | 0:44:38 | 0:44:41 | |
Can you call her and say, "Where the hell are you?" | 0:44:41 | 0:44:44 | |
I am kind of worried that Siobhan's not here to do my make-up | 0:44:44 | 0:44:47 | |
-and, as a bridesmaid, she should be here. -Rena wants you. | 0:44:47 | 0:44:51 | |
Hello? Listen, you do realise you're doing my make-up, innit? | 0:44:51 | 0:44:55 | |
Come on. Daddy's going to marry Mummy today. | 0:44:55 | 0:44:58 | |
Across town, the boys are busy decorating the reception venue. | 0:44:59 | 0:45:03 | |
Wesley still has no idea if any cars will actually turn up for his convoy - | 0:45:03 | 0:45:07 | |
but if he's nervous, he doesn't show it. | 0:45:07 | 0:45:11 | |
You've got to be calm in a time like this. | 0:45:11 | 0:45:14 | |
cos if I'm running around panicking, I won't get it done. | 0:45:14 | 0:45:16 | |
Over at Hayley's house, bridesmaid Siobhan has finally turned up. | 0:45:16 | 0:45:21 | |
-Who's that? -Hello. -Hey. | 0:45:21 | 0:45:24 | |
I was supposed to be here two hours ago | 0:45:24 | 0:45:27 | |
but better later than never, huh? | 0:45:27 | 0:45:30 | |
Time to see what Wesley has in store. | 0:45:30 | 0:45:33 | |
He wants her to have cheekbones, bronzer, mascara. | 0:45:33 | 0:45:36 | |
He wants you to look like that chick, basically, which is really out of order. | 0:45:36 | 0:45:39 | |
At the wedding venue, the guests have already started to arrive. | 0:45:43 | 0:45:47 | |
Hello, Auntie, you all right? Mwah! | 0:45:47 | 0:45:50 | |
Yeah, nerves started to kick in a little bit, just a little bit. | 0:45:50 | 0:45:53 | |
Feel good about myself and I feel good knowing that I've got | 0:45:53 | 0:45:58 | |
those two boys helping me out whenever I need them. | 0:45:58 | 0:46:00 | |
It's been a long few weeks. It's been good. | 0:46:02 | 0:46:05 | |
Meanwhile, an anxious Rena is about to see the bridesmaids' dresses. | 0:46:05 | 0:46:09 | |
I'm actually freaking out, I'm really worried. | 0:46:09 | 0:46:12 | |
Cos if they're horrible, then that means the wedding will be horrible, isn't it? | 0:46:12 | 0:46:16 | |
-Are you ready for us? -I'm really not ready. | 0:46:19 | 0:46:21 | |
What the BLEEP is that? | 0:46:23 | 0:46:25 | |
The colour, I'm a bit like, "Huh?" I didn't expect that. | 0:46:29 | 0:46:33 | |
-I told you! -What is it, Indian outfits? | 0:46:33 | 0:46:37 | |
Think so. | 0:46:37 | 0:46:38 | |
You best love us for the rest of your life, I'm telling you, yeah? | 0:46:38 | 0:46:42 | |
-Sit. -Are you leaving it like that? -With all his car issues the night before, | 0:46:42 | 0:46:45 | |
Wesley's neglected to change the shoes. | 0:46:45 | 0:46:48 | |
They're not wedding shoes. | 0:46:48 | 0:46:50 | |
They're not wedding shoes, but I think I will wear it for Wesley. | 0:46:55 | 0:46:59 | |
And with everybody ready, now it's only the locals they're holding up. | 0:46:59 | 0:47:03 | |
-HORN BEEPS -Are you actually serious? | 0:47:03 | 0:47:05 | |
Go, go, go, go, go, you have to go, go, go. | 0:47:05 | 0:47:08 | |
-HORN BEEPS Shut up! -We're going! Just give us a minute. -Stupid man! | 0:47:08 | 0:47:11 | |
Can't you see what's going on? Like, really? | 0:47:11 | 0:47:14 | |
Since Rena's immediate family aren't attending the wedding, | 0:47:14 | 0:47:17 | |
she's travelling with best friend Siobhan. | 0:47:17 | 0:47:20 | |
So, normally you'd be in here with your dad. | 0:47:23 | 0:47:27 | |
Yeah. That's true, but I've got to respect... | 0:47:27 | 0:47:32 | |
-Their decision. -..their decision and their wishes. | 0:47:32 | 0:47:35 | |
-And they have to respect you. -Yeah. It's all right. Known you for long enough. | 0:47:35 | 0:47:38 | |
-Known you practically all my life. -I'm your mum and your dad. | 0:47:38 | 0:47:41 | |
Yeah, you're the bestest friend ever. | 0:47:41 | 0:47:44 | |
I think you just need to be really grateful that you've gone from | 0:47:46 | 0:47:52 | |
not even knowing where or how you was going to even be with Wesley | 0:47:52 | 0:47:58 | |
to your wedding day, marrying Wesley. | 0:47:58 | 0:48:01 | |
Yeah, I find that really insane, actually. | 0:48:01 | 0:48:03 | |
Coming up to five years and we've been through a hell of a lot, | 0:48:03 | 0:48:07 | |
but in the end I'm actually sitting here in a wedding dress. | 0:48:07 | 0:48:10 | |
That is amazing. | 0:48:10 | 0:48:11 | |
At the venue, everything is in place. | 0:48:11 | 0:48:15 | |
Shall we say a little prayer? | 0:48:15 | 0:48:16 | |
All right. The people here are the people that care about you most. | 0:48:17 | 0:48:20 | |
And for the people that didn't show up, you're going to miss one hell of a wedding. | 0:48:20 | 0:48:24 | |
Yeah. So let's do that. | 0:48:24 | 0:48:25 | |
-Turn over, yeah? -Yeah, amen. | 0:48:25 | 0:48:27 | |
Amen. | 0:48:27 | 0:48:29 | |
Outside, the bridal car has arrived. | 0:48:30 | 0:48:33 | |
-SHE GASPS -Wow! | 0:48:33 | 0:48:35 | |
-Oh, my God. -Oh, my God. | 0:48:35 | 0:48:37 | |
Oh, my God. | 0:48:37 | 0:48:38 | |
-How did he find this place? -Absolutely insane. | 0:48:40 | 0:48:43 | |
I'm going to start crying. | 0:48:45 | 0:48:47 | |
Oh, don't cry, don't cry. | 0:48:48 | 0:48:50 | |
Please stand for the arrival of the bride. | 0:48:50 | 0:48:53 | |
After three long weeks apart, the wait is over | 0:49:03 | 0:49:06 | |
and it's time for Rena and Wesley to take their vows. | 0:49:06 | 0:49:10 | |
I, Wesley Jonas Matthew... | 0:49:17 | 0:49:18 | |
..do take thee, Rena Grall... | 0:49:18 | 0:49:20 | |
..do take thee, Rena Grall... | 0:49:20 | 0:49:22 | |
..to be my lawful wedded wife. | 0:49:22 | 0:49:24 | |
..to be my lawful wedded wife. | 0:49:24 | 0:49:26 | |
I, Rena Grall... | 0:49:26 | 0:49:27 | |
-..do take thee... -..do take thee... | 0:49:27 | 0:49:29 | |
-..Wesley Jonas Matthew... -..Wesley Jonas Matthew... | 0:49:29 | 0:49:32 | |
...to be my lawful wedded husband. | 0:49:32 | 0:49:33 | |
...to be my "law-thal"... Lawful wedded husband. | 0:49:33 | 0:49:36 | |
-LAUGHTER -Did you saw "lawful"? -Yeah, lawful, I promise. | 0:49:36 | 0:49:39 | |
Rena, I give you this ring | 0:49:45 | 0:49:48 | |
as a sign of my abiding love and devotion. | 0:49:48 | 0:49:51 | |
Wesley, I give you this ring. Wear it with happiness and pride... | 0:49:55 | 0:49:59 | |
-Now and always. -Now and always. | 0:49:59 | 0:50:01 | |
It is therefore my pleasure to declare | 0:50:02 | 0:50:05 | |
that you are now husband and wife. | 0:50:05 | 0:50:07 | |
And you may kiss the bride! | 0:50:07 | 0:50:09 | |
CHEERING AND APPLAUSE | 0:50:09 | 0:50:11 | |
CHEERING AND APPLAUSE | 0:50:13 | 0:50:15 | |
He has done...an excellent job. | 0:50:25 | 0:50:28 | |
This place is beautiful! | 0:50:28 | 0:50:30 | |
-I love it. -SHE LAUGHS | 0:50:30 | 0:50:32 | |
They look so suited, don't they? | 0:50:33 | 0:50:35 | |
-They are. -They are. -They're like... | 0:50:35 | 0:50:38 | |
-Two peas in a pod? -Yes! Yes. | 0:50:38 | 0:50:41 | |
Top banana. Show, show, show, show. | 0:50:41 | 0:50:43 | |
-OK, what's the show? -This is the show. -Cheers. | 0:50:43 | 0:50:46 | |
We're not going to take some credit, we're taking all credit. | 0:50:46 | 0:50:48 | |
I didn't think he could pull it off, but he's done really well. | 0:50:48 | 0:50:51 | |
Rena's happy, we're happy, everyone seems happy. | 0:50:51 | 0:50:54 | |
The sun's shining. Let's just see what we've got to go on to, | 0:50:54 | 0:50:57 | |
cos I'm sure there's still a few more surprises. | 0:50:57 | 0:50:59 | |
And the next one is waiting for Rena on the driveway. | 0:50:59 | 0:51:02 | |
-Oh! No way! -Wow! | 0:51:02 | 0:51:05 | |
DANCE MUSIC | 0:51:05 | 0:51:07 | |
After Wesley's frantic plea for help, | 0:51:12 | 0:51:15 | |
a couple of drivers from Ace Cafe have saved the day. | 0:51:15 | 0:51:19 | |
That's a dream right there, man. To have this line-up is like, yeah, it's just perfect. | 0:51:20 | 0:51:25 | |
It's exactly what I wanted. Thank you so much for coming. Thank you. Thank you. | 0:51:25 | 0:51:29 | |
It should be me sitting in there, not her. | 0:51:31 | 0:51:33 | |
ENGINE REVS | 0:51:33 | 0:51:36 | |
Rena's fallen for husband Wesley and the cars. | 0:51:41 | 0:51:45 | |
I'll drive it away in a second. | 0:51:45 | 0:51:47 | |
Even mum's in a spin. | 0:51:47 | 0:51:48 | |
Huh. My new ride! | 0:51:48 | 0:51:52 | |
Everyone's revved up and having a good time. | 0:51:52 | 0:51:55 | |
ENGINE REVS | 0:51:55 | 0:51:57 | |
Wesley might prefer to stay here for the rest of the day, | 0:52:00 | 0:52:03 | |
but he's got a wedding to get on with. | 0:52:03 | 0:52:05 | |
Against all the odds, Wesley's got his convoy, | 0:52:05 | 0:52:09 | |
even if it is only three cars long. | 0:52:09 | 0:52:12 | |
-Wow! -Wow! | 0:52:18 | 0:52:20 | |
-That's impressive. -He came from Southampton. -Really? | 0:52:20 | 0:52:23 | |
-To come today. -Oh, that's lovely of him. -That's what I'm saying, | 0:52:23 | 0:52:26 | |
-I've got nothing but love for him, cos he is... -So did you miss me? | 0:52:26 | 0:52:30 | |
-Of course, I missed you. -Yeah, I missed you. | 0:52:30 | 0:52:32 | |
This is what I wanted. Look at the people just staring, man. | 0:52:36 | 0:52:39 | |
The newly-married couple have arrived in supercar style. | 0:52:44 | 0:52:48 | |
But what will Rena and her bridesmaids | 0:52:50 | 0:52:53 | |
make of Wesley's wedding reception theme, if indeed there is a theme. | 0:52:53 | 0:52:56 | |
Wow! It's impressive! | 0:52:56 | 0:53:00 | |
-Wow! -Well done, Wes! | 0:53:00 | 0:53:04 | |
-Wow! -Oh, no, that's not funny! | 0:53:04 | 0:53:08 | |
That's really rude, I'm pulling him by his leg and there's a car there. | 0:53:08 | 0:53:12 | |
RENA LAUGHS | 0:53:12 | 0:53:13 | |
There's no actual Indian theme to it. | 0:53:13 | 0:53:15 | |
There's no theme to it, apart from us. | 0:53:15 | 0:53:17 | |
-It's quite plain. -It's just flowers and chairs. | 0:53:17 | 0:53:20 | |
Maybe the theme will become more obvious | 0:53:20 | 0:53:22 | |
when Rena sees her evening outfit. | 0:53:22 | 0:53:25 | |
Oh, my God! | 0:53:25 | 0:53:26 | |
-Wow! -Wow, man! | 0:53:26 | 0:53:30 | |
-Look at it! -It's beautiful! | 0:53:30 | 0:53:33 | |
-I love this. -That's really nice! -That is beautiful! | 0:53:33 | 0:53:37 | |
Smells like India. | 0:53:37 | 0:53:38 | |
LAUGHTER | 0:53:38 | 0:53:40 | |
I genuinely hate red...but I'll wear it for Wesley. | 0:53:40 | 0:53:43 | |
Even the boys are following suit. | 0:53:45 | 0:53:48 | |
INDIAN MUSIC | 0:53:48 | 0:53:50 | |
APPLAUSE | 0:53:50 | 0:53:52 | |
And with some traditional Indian entertainment, | 0:53:57 | 0:54:00 | |
it looks as though Wesley's wedding fusion of India with super cars | 0:54:00 | 0:54:03 | |
has been a roaring success. | 0:54:03 | 0:54:06 | |
CHEERING AND APPLAUSE | 0:54:06 | 0:54:08 | |
First of all, my wife and I would like to thank everyone... | 0:54:08 | 0:54:11 | |
CHEERING AND APPLAUSE | 0:54:11 | 0:54:14 | |
Biggest thank you comes to Rena for making me the happiest man in the world. Thank you. | 0:54:17 | 0:54:21 | |
CHEERING AND APPLAUSE | 0:54:21 | 0:54:23 | |
Do you want me to take over? | 0:54:23 | 0:54:25 | |
If you don't know, my name's Umsey and this is Seb | 0:54:25 | 0:54:29 | |
and we're actually Wes' side men or his best men. | 0:54:29 | 0:54:32 | |
Best Men, right? | 0:54:32 | 0:54:34 | |
Wesley, I'm happy for you, because obviously he was the class geek. | 0:54:34 | 0:54:38 | |
LAUGHTER | 0:54:38 | 0:54:39 | |
Oi! Nah, nah, nah, nah, nah! | 0:54:39 | 0:54:41 | |
He's a different guy today. | 0:54:41 | 0:54:44 | |
He looks different too. | 0:54:46 | 0:54:48 | |
He wore glasses for a very long time. | 0:54:48 | 0:54:51 | |
LAUGHTER | 0:54:51 | 0:54:53 | |
Today, I had to beg him to take them off. | 0:54:53 | 0:54:55 | |
LAUGHTER | 0:54:55 | 0:54:57 | |
Now he's photogenic. | 0:54:57 | 0:54:59 | |
LAUGHTER | 0:54:59 | 0:55:00 | |
But a beautiful bride and a handsome groom. | 0:55:00 | 0:55:03 | |
-BOTH: -Three, two, one. | 0:55:03 | 0:55:05 | |
-To the bride and the groom. -ALL: -Cheers. | 0:55:05 | 0:55:08 | |
And the boys make good use of that dance floor. | 0:55:08 | 0:55:11 | |
DANCE MUSIC | 0:55:11 | 0:55:13 | |
I just can't believe that three guys, | 0:55:13 | 0:55:16 | |
especially two crazy ones and a quiet one, | 0:55:16 | 0:55:18 | |
could plan something like this. | 0:55:18 | 0:55:20 | |
LAUGHTER | 0:55:20 | 0:55:22 | |
I can't even explain how happy I am right now. | 0:55:24 | 0:55:26 | |
I am so happy with everything, | 0:55:26 | 0:55:28 | |
Not even just the wedding, just...just you in general. | 0:55:28 | 0:55:31 | |
You're just an amazing person and you really, really make sure | 0:55:31 | 0:55:34 | |
that me and Ethan are always happy | 0:55:34 | 0:55:36 | |
and we...we are always well looked after, so thank you very much. | 0:55:36 | 0:55:41 | |
LAUGHTER | 0:55:41 | 0:55:43 | |
All right, don't gloat, your head's already growing. | 0:55:45 | 0:55:48 | |
I'm going to be bigheaded. You're going to have to deal with me for quite a while, man. | 0:55:48 | 0:55:51 | |
I've just realised that now I'm going to have to deal with you cos you've done such a good job. | 0:55:51 | 0:55:55 | |
Any time I do something wrong, "I planned your wedding though." | 0:55:55 | 0:55:58 | |
SHE LAUGHS | 0:55:58 | 0:56:00 | |
Next time, thrill seeker Craig plans an adrenaline-filled wedding | 0:56:00 | 0:56:03 | |
for his country girl bride-to-be. | 0:56:03 | 0:56:06 | |
You may kiss the bride. Bang! | 0:56:06 | 0:56:08 | |
But with Ellie hoping for a more grounded day... | 0:56:08 | 0:56:10 | |
I dread to think what he might be thinking. | 0:56:10 | 0:56:13 | |
..what happens when a skydive and a bungee jump take centre stage? | 0:56:14 | 0:56:18 | |
Oh, my God! | 0:56:18 | 0:56:20 | |
Can Craig get his head out of the clouds | 0:56:20 | 0:56:22 | |
and pull off the most heart-stopping wedding? | 0:56:22 | 0:56:24 | |
ALL SCREAM | 0:56:24 | 0:56:26 | |
-Or has he stretched himself too far? -Oh, man! | 0:56:26 | 0:56:29 | |
Are we getting married at some point? | 0:56:29 | 0:56:32 | |
SCREAMING | 0:56:32 | 0:56:34 |