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-Has anybody got any confetti? -Yes. -Every girl... -Oh, wow. | 0:00:02 | 0:00:05 | |
-I do. -..likes to take control of her wedding. | 0:00:05 | 0:00:09 | |
So, what happens when she has no say on her big day? | 0:00:09 | 0:00:13 | |
-Oh, they are awful. -We're not doing it. -Don't Tell The Bride is back. | 0:00:13 | 0:00:18 | |
-This is ridiculous. -As ever, the grooms are in charge. | 0:00:18 | 0:00:21 | |
I want there to be a donkey at the wedding. | 0:00:21 | 0:00:23 | |
I'm going to look lovely on our big day. | 0:00:23 | 0:00:25 | |
But with £12,000 to spend and just three weeks | 0:00:25 | 0:00:29 | |
to throw the wedding of their dreams... | 0:00:29 | 0:00:31 | |
Tell my mum I love her! | 0:00:31 | 0:00:33 | |
-..have the boys pushed themselves too far? -Oh, my God! | 0:00:33 | 0:00:37 | |
You're fired! | 0:00:37 | 0:00:38 | |
With more shocking, | 0:00:38 | 0:00:40 | |
more outrageous... | 0:00:40 | 0:00:42 | |
-Argh... -..and more daredevil weddings than ever before, | 0:00:42 | 0:00:45 | |
will there be a happy-ever-after? | 0:00:45 | 0:00:47 | |
This is not the thing you get wrong the day before your wedding. | 0:00:47 | 0:00:50 | |
-Will true love save the day? -Mum, what is that? Mum, what is that? | 0:00:50 | 0:00:54 | |
-Or is it a countdown to disaster? -Three, two, one... | 0:00:54 | 0:00:59 | |
Tonight, wedding obsessed, bossy bride-to-be Alex... | 0:01:01 | 0:01:05 | |
Anybody that knows me knows me as crazy wedding girl. | 0:01:05 | 0:01:09 | |
..wants a romantic, Downton Abbey-style wedding. | 0:01:09 | 0:01:11 | |
I've always wanted something that's going to be grand and beautiful | 0:01:11 | 0:01:14 | |
and big and, kind of, wow everybody. | 0:01:14 | 0:01:16 | |
But her childhood sweetheart, Mark... | 0:01:16 | 0:01:18 | |
She'll be in tears. I know she will. | 0:01:18 | 0:01:20 | |
..is planning to take her down t'on farm. | 0:01:20 | 0:01:23 | |
Keep it traditional. That's what I wanted. | 0:01:23 | 0:01:26 | |
-So, will pig racing... -Whoo. | 0:01:26 | 0:01:28 | |
-..excite this hard-to-please bride? -Stinks. | 0:01:28 | 0:01:31 | |
I thought he would actually get it right. | 0:01:31 | 0:01:33 | |
-Or will this West Country lad... -I feel physically sick. | 0:01:33 | 0:01:37 | |
-..be too local? -I was wondering the availability of The Wurzels. | 0:01:37 | 0:01:40 | |
This programme contains some strong language. | 0:01:40 | 0:01:47 | |
Childhood sweethearts Mark and Alex met a long time ago. | 0:01:50 | 0:01:55 | |
He was my first boyfriend. I was 13. | 0:01:55 | 0:01:57 | |
The other girls in my year at school couldn't believe | 0:01:57 | 0:02:00 | |
I had a boyfriend who was two years older. | 0:02:00 | 0:02:02 | |
It was the talk of the town, wasn't it, really? | 0:02:02 | 0:02:04 | |
And young love blossomed for this West Country couple. | 0:02:04 | 0:02:07 | |
My 14th birthday party was the first time you'd come over | 0:02:07 | 0:02:10 | |
and, kind of, met my family. | 0:02:10 | 0:02:11 | |
He rode over on his bike and you had your little backpack on | 0:02:11 | 0:02:14 | |
and inside, he had some Ferrero Rochers, but what happened, | 0:02:14 | 0:02:16 | |
when he'd cycled over, they'd all split, hadn't they, | 0:02:16 | 0:02:19 | |
and were all sat at the bottom of the bag? | 0:02:19 | 0:02:22 | |
Nowadays, I think it's rare to meet The One so young | 0:02:22 | 0:02:24 | |
and have that, kind of, first romance and for it not to end. | 0:02:24 | 0:02:29 | |
It's just something that, kind of, happened. | 0:02:29 | 0:02:31 | |
It didn't really fizzle out. | 0:02:31 | 0:02:33 | |
Their relationship was really put to the test when Alex accepted | 0:02:33 | 0:02:37 | |
a place at Winchester University. | 0:02:37 | 0:02:40 | |
I'm the one that wanted to go off to university and get a degree and get, | 0:02:40 | 0:02:43 | |
kind of, a further education and he was the one that wanted to stay here. | 0:02:43 | 0:02:47 | |
But despite staying put, home-loving Mark was determined | 0:02:47 | 0:02:50 | |
not to lose Alex completely. | 0:02:50 | 0:02:52 | |
I think it did test us. | 0:02:52 | 0:02:54 | |
We definitely owe a lot of our relationship to Mark. | 0:02:54 | 0:02:56 | |
He was the one that had to do a lot of travelling up to Winchester. | 0:02:56 | 0:02:59 | |
I did come back a lot, but it was still | 0:02:59 | 0:03:01 | |
a big thing for him to have to finish work on a Friday | 0:03:01 | 0:03:04 | |
and have to travel over to Winchester to meet me, for the four years. | 0:03:04 | 0:03:07 | |
When you're away for quite a while and then you see each other | 0:03:07 | 0:03:10 | |
after that period of time, it gets you more connected, really. | 0:03:10 | 0:03:15 | |
So, yeah, in a way, it made us stronger. | 0:03:15 | 0:03:17 | |
So, put your hand up | 0:03:18 | 0:03:20 | |
if you think on this zebra the stripes are black stripes. | 0:03:20 | 0:03:23 | |
Uni over, Alex returned and got a job as a teacher near their | 0:03:23 | 0:03:27 | |
home town of Westbury. | 0:03:27 | 0:03:28 | |
It's about 50/50. | 0:03:28 | 0:03:31 | |
And whilst living with Mark's dad, the couple are renovating | 0:03:31 | 0:03:34 | |
their first house together. | 0:03:34 | 0:03:36 | |
-I've painted a bit of this room. -It's a lot darker than I thought. | 0:03:36 | 0:03:39 | |
It's something we're doing together and we're building together | 0:03:39 | 0:03:42 | |
and, hopefully, we'll have for ever. | 0:03:42 | 0:03:44 | |
-Yes. -They may be doing this together, but there's only one boss. | 0:03:44 | 0:03:47 | |
Still got this wall to do. Door frames to put in. | 0:03:47 | 0:03:50 | |
I like to know what we're doing and when we're doing it. | 0:03:50 | 0:03:53 | |
I like to know details, down to a T, even, kind of, where the light switch | 0:03:53 | 0:03:56 | |
is going to go or where that particular plug socket's going to go. | 0:03:56 | 0:04:00 | |
And it's not just DIY decisions Alex likes control of. It's Mark, too. | 0:04:00 | 0:04:04 | |
I, kind of, make sure everything's in order, everything's done as it's | 0:04:04 | 0:04:09 | |
meant to be and he needs to just kind of turn up and play his part, really. | 0:04:09 | 0:04:13 | |
-I get told where to go. -Mm-hm, and what time to be there. -Yep. | 0:04:13 | 0:04:17 | |
If she likes doing it, then I let her do it. | 0:04:17 | 0:04:20 | |
So, in an all-time first, Alex is hanging up her bossy boots | 0:04:20 | 0:04:24 | |
and giving Mark complete control of their wedding. | 0:04:24 | 0:04:27 | |
He's planned some stuff before, though, right? | 0:04:27 | 0:04:30 | |
We've not really had the opportunity to let Mark plan anything. | 0:04:30 | 0:04:34 | |
Oh, dear. | 0:04:34 | 0:04:35 | |
Really haven't planned anything, ever. | 0:04:35 | 0:04:37 | |
With me having to plan the whole wedding, it's going to be a strain. | 0:04:39 | 0:04:43 | |
It'll be hard, I expect. | 0:04:43 | 0:04:44 | |
I've never done anything... I don't even know the first steps | 0:04:44 | 0:04:47 | |
of planning a wedding. It's going to be a challenge. | 0:04:47 | 0:04:50 | |
Oh, it will, cos when it comes to weddings, | 0:04:50 | 0:04:52 | |
-there's nothing Alex doesn't know. -Anybody that knows me | 0:04:52 | 0:04:56 | |
would probably know me as crazy wedding girl | 0:04:56 | 0:04:59 | |
and know how much I love weddings and how incredible I think | 0:04:59 | 0:05:02 | |
they are and how incredible I want my own to be. | 0:05:02 | 0:05:05 | |
I helped my mum plan her wedding, my sister-in-law plan hers | 0:05:05 | 0:05:08 | |
and my sister is in the process of planning hers. | 0:05:08 | 0:05:10 | |
Yep, she's the go-to-girl for wedding planning, | 0:05:10 | 0:05:13 | |
so why is she handing over control of her big day | 0:05:13 | 0:05:16 | |
to a man who's never made a decision in his life? | 0:05:16 | 0:05:19 | |
We've been together ten years. | 0:05:19 | 0:05:20 | |
You know, we've talked about, kind of, the things we like. | 0:05:20 | 0:05:23 | |
We have similar styles, I think. I hope he knows me | 0:05:23 | 0:05:26 | |
well enough to know my likes and my dislikes, to know my taste. | 0:05:26 | 0:05:29 | |
Reasons for me doing this is to show that I can do it | 0:05:29 | 0:05:31 | |
and to show that she hasn't have to do everything herself and then, | 0:05:31 | 0:05:37 | |
yeah, and then try and make her happy at the end of it. | 0:05:37 | 0:05:40 | |
I think the biggest privilege I could give him is to | 0:05:40 | 0:05:42 | |
plan my wedding and I think he's incredibly lucky that I trust him | 0:05:42 | 0:05:45 | |
enough and love him enough that I've given him the opportunity to do it. | 0:05:45 | 0:05:50 | |
No pressure, then(!) | 0:05:50 | 0:05:52 | |
I would not know what sort of wedding Alex would want | 0:05:52 | 0:05:55 | |
or what ideas she has. | 0:05:55 | 0:05:57 | |
Will just be me just winging it. | 0:05:57 | 0:06:01 | |
It's time for Alex to get packing. | 0:06:04 | 0:06:06 | |
-All sorted? -Yeah. -All right. | 0:06:08 | 0:06:11 | |
-You excited? -Eh? -You excited? | 0:06:11 | 0:06:14 | |
-No, nervous. -And I'll see you on the other side. -Yeah. | 0:06:14 | 0:06:19 | |
-See you when we're married. -Yeah. | 0:06:19 | 0:06:22 | |
Having no contact for the next three weeks will be hard for both of them. | 0:06:22 | 0:06:26 | |
We've been together for so long and we rarely spend time apart. | 0:06:29 | 0:06:33 | |
It'll be horrible, I think, leaving him behind, not being able | 0:06:33 | 0:06:36 | |
to speak to him, not knowing what he's doing, | 0:06:36 | 0:06:38 | |
not knowing what he's thinking. | 0:06:38 | 0:06:40 | |
It won't be very nice. | 0:06:40 | 0:06:42 | |
A mile across town, Alex is moving back home to her mum's house | 0:06:42 | 0:06:45 | |
until her wedding day... | 0:06:45 | 0:06:47 | |
Hello! Welcome home! | 0:06:47 | 0:06:50 | |
..and big sister, Amy, has come over to welcome her. | 0:06:50 | 0:06:53 | |
That's it, won't speak to him for three weeks, | 0:06:53 | 0:06:55 | |
won't see him for three weeks. | 0:06:55 | 0:06:57 | |
I think I'll probably hit him now that this is the beginning. | 0:06:57 | 0:07:01 | |
It hasn't sunk in yet, to be fair, | 0:07:04 | 0:07:06 | |
that I'm about to spend three weeks planning a wedding. | 0:07:06 | 0:07:10 | |
It's going to be hard, so hopefully, it don't turn into a nightmare. | 0:07:10 | 0:07:14 | |
It's the first day of wedding planning and Mark's called in | 0:07:18 | 0:07:22 | |
the cavalry, in the form of best men, Natty and Matty. | 0:07:22 | 0:07:26 | |
-Hello? -Hi. Ready for this then, lads? -Yeah, should be. | 0:07:26 | 0:07:28 | |
I grew up with Matthew, played football together, | 0:07:28 | 0:07:31 | |
went to school together. | 0:07:31 | 0:07:33 | |
-Where's the beers, then? -In the fridge, go help yourself. | 0:07:33 | 0:07:35 | |
We got to the age where I started going out in pubs, that's where | 0:07:35 | 0:07:38 | |
I met Nat and we formed a group and it went from there, really. | 0:07:38 | 0:07:42 | |
Bit early for this. | 0:07:44 | 0:07:46 | |
It's never too early for a beer. | 0:07:46 | 0:07:47 | |
We've never been round a wedding, we've never really known how to | 0:07:47 | 0:07:51 | |
plan a wedding, so it could be the blind leading the blind. | 0:07:51 | 0:07:53 | |
So, what we doing? | 0:07:53 | 0:07:55 | |
-You got to plan a wedding in three weeks. -Three weeks? | 0:07:55 | 0:07:57 | |
Plan it in one day, innit? | 0:07:57 | 0:07:59 | |
Spend the rest of the time drinking, playing FIFA and watching football. | 0:07:59 | 0:08:02 | |
All three of them together are such a good laugh, | 0:08:02 | 0:08:05 | |
but having a good laugh doesn't necessarily plan a good wedding. | 0:08:05 | 0:08:09 | |
You'd be surprised, Alex. The boys are hard at work. | 0:08:09 | 0:08:13 | |
Mark's full of ideas and he's sticking to what he knows best. | 0:08:13 | 0:08:17 | |
-Where you looking, venue-wise, then? -I want a farm in a field, | 0:08:17 | 0:08:21 | |
marquee with a few cider barrels about. | 0:08:21 | 0:08:24 | |
Me and the boys like having a cider, so maybe having, | 0:08:24 | 0:08:27 | |
sort of, like a West Country-ish, like, ooh-are-ee, sort of, shindig. | 0:08:27 | 0:08:31 | |
Just people having an all-in-all good time. | 0:08:31 | 0:08:34 | |
Cos it's going to be an ooh-are-ee thing, | 0:08:34 | 0:08:36 | |
get 'em a pair of wellies each. | 0:08:36 | 0:08:37 | |
Would it not be good something to do with | 0:08:37 | 0:08:39 | |
some of the wellies like on the table or something? | 0:08:39 | 0:08:42 | |
-Could put a welly on the table. -Centrepieces, with the flowers in. | 0:08:42 | 0:08:45 | |
-Be ideal, wouldn't it? -Yeah, that's a good shout. | 0:08:45 | 0:08:47 | |
He's really nervous, | 0:08:47 | 0:08:49 | |
cos he's not the best at doing all these sort of things. | 0:08:49 | 0:08:51 | |
Alex normally takes control of a lot of stuff. | 0:08:51 | 0:08:53 | |
So it's going to have to be a little bit of us trying to push him, | 0:08:53 | 0:08:56 | |
but then we're not the best people at pushing him. | 0:08:56 | 0:08:59 | |
We can scrimp and save with the likes of bridesmaid dresses, | 0:08:59 | 0:09:01 | |
hen do's. We could just send the girls glass-blowing | 0:09:01 | 0:09:04 | |
or something like that. Why not? | 0:09:04 | 0:09:06 | |
Nat chucked a few of the old crappy ideas in there, | 0:09:06 | 0:09:09 | |
with the old wild ideas. | 0:09:09 | 0:09:10 | |
There's nothing to this planning a wedding thing. | 0:09:10 | 0:09:12 | |
We'll have it done in no time. | 0:09:12 | 0:09:14 | |
Brimming with confidence, the boys are off to view a possible | 0:09:15 | 0:09:18 | |
local reception venue. | 0:09:18 | 0:09:21 | |
Oh, my God. What would we look like here? | 0:09:21 | 0:09:24 | |
It is, literally, a field with cows. | 0:09:24 | 0:09:27 | |
Will you shut up, man? You're getting on my tits now. | 0:09:27 | 0:09:30 | |
He's not wrong, Mark. | 0:09:30 | 0:09:31 | |
It is, literally, a field, but that cow's definitely a fake. | 0:09:31 | 0:09:35 | |
Annette, the land owner, is showing them around. | 0:09:35 | 0:09:37 | |
Have you had a look at, like, style of marquees and..? | 0:09:37 | 0:09:39 | |
No, I haven't. I saw the one on the picture on your website. | 0:09:39 | 0:09:42 | |
Oh, right, OK. | 0:09:42 | 0:09:44 | |
And, obviously, I looked... I just thought that came in with | 0:09:44 | 0:09:47 | |
-the actual... -No. -..wood itself. | 0:09:47 | 0:09:49 | |
It is, literally, just a field, | 0:09:49 | 0:09:50 | |
which means we'd have to do a bit | 0:09:50 | 0:09:53 | |
more planning and prepping, which wasn't really what I 'ad in mind. | 0:09:53 | 0:09:58 | |
Yeah, it's just... | 0:09:58 | 0:10:00 | |
..visualising. | 0:10:00 | 0:10:02 | |
Trying to visualise it, get it in my head. | 0:10:02 | 0:10:04 | |
It just doesn't seem to be ooh-are-ee enough. | 0:10:04 | 0:10:06 | |
I was hoping there was a marquee up. | 0:10:06 | 0:10:08 | |
I was hoping there was tables in it and I was seeing it. | 0:10:08 | 0:10:10 | |
Yeah, but you're not, here, are ya? | 0:10:10 | 0:10:12 | |
It's just a field, innit? | 0:10:14 | 0:10:15 | |
-It's your wedding, mate. -Yeah, yeah. | 0:10:15 | 0:10:18 | |
You got to be able to see it yourself, ain't you. | 0:10:18 | 0:10:20 | |
I think it's too much, man. Too much for me. | 0:10:20 | 0:10:23 | |
So, it's back to the drawing board. | 0:10:23 | 0:10:24 | |
One person who has no problem | 0:10:29 | 0:10:30 | |
visualising her perfect reception venue is Alex. | 0:10:30 | 0:10:34 | |
She's planned this for years. | 0:10:34 | 0:10:35 | |
Along with her mum and sister Amy, | 0:10:35 | 0:10:38 | |
they're visiting the Longleat Estate. | 0:10:38 | 0:10:40 | |
Everything just looks so... | 0:10:40 | 0:10:42 | |
so beautiful, doesn't it? | 0:10:42 | 0:10:44 | |
Does this take you back to when you were younger | 0:10:44 | 0:10:46 | |
and used to play here all the time. | 0:10:46 | 0:10:48 | |
'I just think it's Alex's dream, you know, to be here again.' | 0:10:48 | 0:10:51 | |
She's loved Longleat since she was a little girl. | 0:10:51 | 0:10:53 | |
Set in 900 acres of landscaped gardens, | 0:10:53 | 0:10:57 | |
Longleat House was once at the heart of Edwardian high society, | 0:10:57 | 0:11:00 | |
something Alex very much appreciates. | 0:11:00 | 0:11:03 | |
I love the glitz, I love the glamour, I love how kind of romantic it feels | 0:11:03 | 0:11:08 | |
and the kind of Downton Abbey style, kind of, feel to it. | 0:11:08 | 0:11:11 | |
Wow. | 0:11:11 | 0:11:13 | |
This is exactly the look you wanted, isn't it? | 0:11:15 | 0:11:17 | |
Yeah. So, I like how grand it is, the artwork. | 0:11:17 | 0:11:22 | |
I think it'd be amazing, like, all your guests sat here | 0:11:22 | 0:11:27 | |
and then you in the top table. | 0:11:27 | 0:11:28 | |
Speeches. | 0:11:28 | 0:11:31 | |
I would hate something, kind of, novelty. | 0:11:31 | 0:11:34 | |
I would hate just something that's being really silly. | 0:11:34 | 0:11:37 | |
For me, a wedding isn't about being silly or funny, | 0:11:37 | 0:11:40 | |
it's a real serious thing. | 0:11:40 | 0:11:41 | |
No problem. | 0:11:43 | 0:11:45 | |
Mark's next potential venue IS serious... | 0:11:45 | 0:11:48 | |
seriously ridiculous. | 0:11:48 | 0:11:49 | |
He's taken his best men to see a children's farm... | 0:11:52 | 0:11:55 | |
..and this isn't just a field - | 0:11:56 | 0:11:59 | |
it's a field with a bouncy castle in it and so much more. | 0:11:59 | 0:12:03 | |
It's got big boys' toys, too. | 0:12:03 | 0:12:05 | |
Mark's in farmyard heaven, but has he forgotten his bride? | 0:12:10 | 0:12:14 | |
Does she like animals? | 0:12:14 | 0:12:17 | |
-Not really. -Oh! | 0:12:17 | 0:12:19 | |
It's just an idea that came into my head | 0:12:19 | 0:12:21 | |
because I'm from Wiltshire, Somerset | 0:12:21 | 0:12:23 | |
and...keep it traditional. That's what I wanted. | 0:12:23 | 0:12:26 | |
With tractor rides, pig racing, | 0:12:26 | 0:12:29 | |
kids' play areas and animals everywhere, | 0:12:29 | 0:12:32 | |
Mark likes it so much, he's willing to put a marquee up here. | 0:12:32 | 0:12:36 | |
We put a marquee in it and then have a tractor ride up to here. | 0:12:36 | 0:12:41 | |
Meanwhile, in Longleat, bride-to-be Alex | 0:12:41 | 0:12:44 | |
is living her period drama dream... for now, at least. | 0:12:44 | 0:12:48 | |
I think it just sets the whole, kind of, feel for the wedding. | 0:12:48 | 0:12:51 | |
I think being as he's known Alex for such a very long time, he knows | 0:12:51 | 0:12:55 | |
how much she loves Downton Abbey, Pride And Prejudice - | 0:12:56 | 0:12:58 | |
he knows how much she loves all that era. | 0:12:58 | 0:13:00 | |
so I'd like to hope that he would take that on board. | 0:13:00 | 0:13:05 | |
Mark IS on board.. | 0:13:05 | 0:13:07 | |
the tractor, that is - and plans for his fun-filled farm day | 0:13:07 | 0:13:10 | |
are coming together. | 0:13:10 | 0:13:12 | |
-What I'm thinking is having, like, our main area... -That field. | 0:13:12 | 0:13:15 | |
That field, right, and if we're having our food in that field | 0:13:15 | 0:13:19 | |
-over there... -Then wanting to do the disco bits and that up in here, | 0:13:19 | 0:13:23 | |
so we could decorate that barn or keep it down there all night. | 0:13:23 | 0:13:26 | |
-Keep it down there. -So, with the farm offering everything he needs | 0:13:26 | 0:13:30 | |
-for a West Country shindig... -Brilliant. | 0:13:30 | 0:13:32 | |
..Mark snaps up the field, tractor and animals for a bargain £400. | 0:13:32 | 0:13:36 | |
-PEACOCK CRIES -Exactly. | 0:13:36 | 0:13:38 | |
Oblivious she's about to have an ooh-are-ee wedding, Alex's faith | 0:13:40 | 0:13:43 | |
in Mark is unwavering. | 0:13:43 | 0:13:45 | |
Is there anything that you hate that he night do? | 0:13:45 | 0:13:48 | |
-I don't see why he would do it, cos he would know I hate... -That's true. | 0:13:48 | 0:13:52 | |
Alex, because he is a man! | 0:13:52 | 0:13:54 | |
Any groom wouldn't mean to upset you on your wedding day, | 0:13:55 | 0:13:59 | |
but I think it just happens cos they think it's a good idea. | 0:13:59 | 0:14:01 | |
I think he also knows that you see the positives... | 0:14:01 | 0:14:04 | |
But that would be really sad that he thought it was really good | 0:14:04 | 0:14:07 | |
and it wasn't, cos then I would think, he doesn't know me at all. | 0:14:07 | 0:14:11 | |
I hope for his sake that it isn't awful. | 0:14:11 | 0:14:14 | |
Could this be last orders for Mark? | 0:14:14 | 0:14:16 | |
With his reception booked, Mark set his heart on a local church | 0:14:19 | 0:14:23 | |
for the ceremony, but with his telephone messages left | 0:14:23 | 0:14:26 | |
unanswered, he decides to visit in person. | 0:14:26 | 0:14:29 | |
I know deep down that she would love to get married in a church, | 0:14:32 | 0:14:35 | |
and I would like to do that for her. | 0:14:35 | 0:14:37 | |
-Hello? -And it appears someone's on his side. -It's a yes. | 0:14:37 | 0:14:43 | |
-It's a call back from the vicar. -OK. Brilliant. | 0:14:43 | 0:14:45 | |
That's where we'll be getting married. Alex will be... | 0:14:46 | 0:14:49 | |
She'll be in tears, I know she will, because this is | 0:14:49 | 0:14:54 | |
the number one venue for her, I reckon, deep down... | 0:14:54 | 0:14:57 | |
and I've just got it. | 0:14:57 | 0:14:59 | |
Ceremony confirmed, | 0:15:00 | 0:15:02 | |
Mark's turning his attention back to the children's farm reception. | 0:15:02 | 0:15:06 | |
'Have you got any specific theme that you're going for, for your wedding?' | 0:15:06 | 0:15:09 | |
Yeah, I'm sort of doing, like, a cider sort of farmy, like, | 0:15:09 | 0:15:14 | |
shindig sort of thing... | 0:15:14 | 0:15:15 | |
'OK. Um... Well, you're looking for, you know, the marquee itself. | 0:15:15 | 0:15:20 | |
'That's going to be around the £4,000 mark.' | 0:15:20 | 0:15:23 | |
£4,000, OK. | 0:15:23 | 0:15:25 | |
'Right, and then the price for the actual catering...' | 0:15:25 | 0:15:28 | |
Maybe do two, like, sort of meat dishes and then maybe having | 0:15:28 | 0:15:32 | |
availability for, like a... | 0:15:32 | 0:15:35 | |
What's it called? | 0:15:35 | 0:15:36 | |
-Non-meat eaters, if you know what I mean. -'Oh, vegetarian.' | 0:15:36 | 0:15:39 | |
Vegetarian. That's the one! | 0:15:39 | 0:15:41 | |
-Non-meat eaters catered for. -Hello? | 0:15:41 | 0:15:43 | |
-The best men turn up to see how Mark's doing without them. -Hello. | 0:15:43 | 0:15:47 | |
-All right, mate? How you getting on? -Yeah. | 0:15:47 | 0:15:50 | |
Made a few phone calls this morning. Marquee, | 0:15:50 | 0:15:53 | |
day food, evening food is come to about six grand. | 0:15:53 | 0:15:57 | |
Is there no leeway then, with money? Have you spoke to her about that? | 0:15:59 | 0:16:02 | |
-Yeah. -She said phone up some other companies and they said, | 0:16:02 | 0:16:05 | |
-they'll do it for this, this, and... -That's the other thing. | 0:16:05 | 0:16:07 | |
-Have you tried any other companies? -No. | 0:16:07 | 0:16:10 | |
So, in one phone call, Mark's spent almost half his budget | 0:16:11 | 0:16:15 | |
on a marquee and some food. | 0:16:15 | 0:16:17 | |
Time for best man Natty to step in. | 0:16:17 | 0:16:20 | |
I'm just phoning on behalf of my friend, Mark, | 0:16:20 | 0:16:22 | |
he spoke to you earlier about his wedding. | 0:16:22 | 0:16:24 | |
Just £100 off anything would just be a real help to us, to be honest. | 0:16:24 | 0:16:27 | |
'It was 5,920, so if I do 5,900, | 0:16:27 | 0:16:30 | |
-'then obviously that's a round figure.' -Yeah. That's fine. | 0:16:30 | 0:16:33 | |
Yeah, so 5,900. That's superb. You're a star, Carol. | 0:16:33 | 0:16:36 | |
-Thanks ever so much. -'All right.' -Cheer, love... -'Speak to you soon.' | 0:16:36 | 0:16:40 | |
-Got 20 quid off. -He's got 20 quid off, mate. -Boom. -Get in there. | 0:16:40 | 0:16:44 | |
-Come on. -Come on, Natty's saved the day. | 0:16:44 | 0:16:46 | |
Well, he's saved 20 quid. | 0:16:46 | 0:16:48 | |
We've spent a lot on venue and marquee and that, | 0:16:48 | 0:16:51 | |
so we've used a big slice of our budget, so it's now just | 0:16:51 | 0:16:54 | |
-trying to see... -If we can wangle other bits to get it right down. | 0:16:54 | 0:16:58 | |
We have so much more to get. | 0:16:59 | 0:17:02 | |
Wedding dresses, bridesmaids dresses, | 0:17:02 | 0:17:04 | |
suits, wedding rings, cakes. | 0:17:04 | 0:17:06 | |
This... Oh, the list keeps going on and on. | 0:17:06 | 0:17:08 | |
Nobody knows better about planning a wedding than bride-to-be | 0:17:12 | 0:17:15 | |
Alex and sister Amy. | 0:17:15 | 0:17:17 | |
They've been planning Amy's wedding for over a year, but Alex is | 0:17:17 | 0:17:20 | |
about to pip her to the post. | 0:17:20 | 0:17:22 | |
I'll be getting married before she gets married, | 0:17:23 | 0:17:26 | |
so I think, although we are so supportive of each other, I think | 0:17:26 | 0:17:29 | |
there's always a little bit of kind of competitiveness in it. | 0:17:29 | 0:17:32 | |
I'm the younger sister. She doesn't like me kind of beating her to it. | 0:17:32 | 0:17:36 | |
With my wedding, we've had good fun | 0:17:38 | 0:17:41 | |
-going to different wedding venues. -Yeah, we've had loads of fun. | 0:17:41 | 0:17:45 | |
-All the different wedding fairs and... -Yeah... -You being my cake | 0:17:45 | 0:17:49 | |
tester... That's what I feel sad - that you're not going to be able to | 0:17:49 | 0:17:53 | |
choose the one best thing that you've loved doing the most is | 0:17:53 | 0:17:56 | |
-tasting all the cakes for me! -I know. | 0:17:56 | 0:17:58 | |
You've almost been, you know, like, | 0:17:58 | 0:18:01 | |
kind of, your head on my shoulders, | 0:18:01 | 0:18:04 | |
if you like, and when I've had a problem with one thing or another, | 0:18:04 | 0:18:07 | |
you're always the one that's been - "Oh, no, don't worry about this", | 0:18:07 | 0:18:11 | |
or "this is what we can do", or "this is what she should do", or... | 0:18:11 | 0:18:14 | |
Whereas obviously with yours, | 0:18:14 | 0:18:15 | |
we're almost just turning up as guests, really, | 0:18:15 | 0:18:19 | |
apart from actually you're the bride and I'm the maid of honour. | 0:18:19 | 0:18:24 | |
Yeah, I never thought of it that way before. | 0:18:24 | 0:18:27 | |
-A guest to my own wedding. -Yeah. | 0:18:27 | 0:18:30 | |
In Westbury, the boys are off to find Alex a wedding dress | 0:18:33 | 0:18:37 | |
and sticking with their local theme, they know just the place - the shop | 0:18:37 | 0:18:41 | |
directly opposite the local pub. | 0:18:41 | 0:18:44 | |
But for Mark, the location is the only straightforward thing | 0:18:44 | 0:18:47 | |
about this. | 0:18:47 | 0:18:49 | |
They're not white, though, are they? Are they white? | 0:18:49 | 0:18:51 | |
Well, it's some white and cream in there. | 0:18:51 | 0:18:54 | |
They all look the same to me. | 0:18:56 | 0:18:58 | |
Time for our loyal best men to step in - again. | 0:18:58 | 0:19:01 | |
What sort of style do you want? Do you want without lace? Lace? | 0:19:01 | 0:19:04 | |
And the other question is, do you want it... Do you want it long? | 0:19:04 | 0:19:08 | |
-Um... I have no idea. -Or do you want ruffles, like that? | 0:19:08 | 0:19:12 | |
Um... I don't know. | 0:19:12 | 0:19:14 | |
Could you see Alex wearing something like that? | 0:19:14 | 0:19:17 | |
They all look the same. | 0:19:18 | 0:19:19 | |
I feel physically sick. I just want to throw up. | 0:19:23 | 0:19:25 | |
Keen to show off HER perfect dress, Alex has brought her mum and | 0:19:30 | 0:19:34 | |
bridesmaids to a boutique in nearby Bradford-on-Avon. | 0:19:34 | 0:19:37 | |
She knows it well. | 0:19:37 | 0:19:39 | |
The shop that I'm going to see today is a beautiful designer shop. | 0:19:39 | 0:19:42 | |
I went there with my sister for her wedding dress and the dresses | 0:19:42 | 0:19:45 | |
there are out of this world. | 0:19:45 | 0:19:46 | |
As I think you know, | 0:19:46 | 0:19:47 | |
we've got the best British designers in the country. | 0:19:47 | 0:19:50 | |
-Mm-hm. Yeah. -Suzanne Neville, over there. -Mm-hm. -Claire Pettibone. | 0:19:50 | 0:19:53 | |
Jenny Packham. | 0:19:53 | 0:19:55 | |
They are really, really expensive, | 0:19:55 | 0:19:57 | |
probably between about 5,000 and £7,000. | 0:19:57 | 0:20:00 | |
I don't want any kind of...too much fuss, I don't want anything too big. | 0:20:00 | 0:20:05 | |
I like buttons, I like a little bit of lace, | 0:20:05 | 0:20:07 | |
-but, kind of, something without too much fuss on it, I think. -OK. | 0:20:07 | 0:20:11 | |
And for Alex, much like her perfect venue, she wants her dress | 0:20:11 | 0:20:15 | |
to reflect the sophistication of 1920s high society. | 0:20:15 | 0:20:19 | |
I would love a silky, satin, sleek dress, | 0:20:20 | 0:20:24 | |
sculpted all the way down, it would have a small train, kind of, | 0:20:24 | 0:20:27 | |
pooling at the bottom, possibly backless, some really kind of dainty | 0:20:27 | 0:20:31 | |
straps and dainty, kind of, beading and bit of glitz and glamour. | 0:20:31 | 0:20:35 | |
-Kind of Downton Abbey-style. -Very simple at the front... -Yeah, it is. | 0:20:35 | 0:20:38 | |
-It is. -All the detail on the back. -Yeah, I like that. | 0:20:38 | 0:20:41 | |
I would hate A-line dresses that just don't give you any shape. | 0:20:41 | 0:20:44 | |
I would hate dresses that, kind of, wrap to one side. | 0:20:44 | 0:20:48 | |
I would hate a dress with a motif. | 0:20:48 | 0:20:50 | |
I hate embellishments, like flowers stuck on the side of the hip. | 0:20:50 | 0:20:54 | |
I hate lace-up dresses, I hate zip-up dresses. | 0:20:54 | 0:20:58 | |
I hate it all. | 0:20:58 | 0:20:59 | |
Plain and simple is the best way to go on a dress. | 0:20:59 | 0:21:03 | |
And breathe. | 0:21:03 | 0:21:04 | |
-That's nice. -That is nice and it's got little things like that on. | 0:21:06 | 0:21:10 | |
-Yeah. -Phew... That's a good start. | 0:21:10 | 0:21:13 | |
Back in Westbury, the boys are in a dress minefield. | 0:21:13 | 0:21:16 | |
-Just remember, plain and simple. -That is quite nice, actually. | 0:21:16 | 0:21:20 | |
That is nice, yeah. Put it in the maybe pile. | 0:21:20 | 0:21:22 | |
-I think that's quite nice. -I think it's nice, but it's up to you. | 0:21:22 | 0:21:26 | |
Put it in the "maybe" pile, then. | 0:21:26 | 0:21:28 | |
-They finally whittle it down to two dresses. -That's decent. | 0:21:28 | 0:21:32 | |
That looks decent. | 0:21:32 | 0:21:34 | |
The first is an A-line dress with flower embellishment. | 0:21:34 | 0:21:37 | |
-Hmm... What you thinking now? -It's on a par with that one. | 0:21:44 | 0:21:48 | |
The next dress wraps to one side and is anything but plain and simple. | 0:21:48 | 0:21:53 | |
I'm trying to think, like... Been with her ten years. | 0:21:53 | 0:21:56 | |
Mark doesn't seem sure what Alex would like. | 0:21:58 | 0:22:02 | |
Come on, think, man. | 0:22:02 | 0:22:04 | |
-Tell us your thoughts. -Two seconds. | 0:22:06 | 0:22:08 | |
Let me just have three minutes of silence. | 0:22:08 | 0:22:10 | |
-And right now... -..so I can try and picture Alex. | 0:22:10 | 0:22:13 | |
He doesn't even seem sure what she looks like(!) | 0:22:13 | 0:22:16 | |
More wine please... | 0:22:18 | 0:22:21 | |
The bottle, please. | 0:22:21 | 0:22:23 | |
Fuck it! | 0:22:23 | 0:22:24 | |
While Mark struggles to picture his own fiancee, the bridal party | 0:22:24 | 0:22:30 | |
are about to see her in the dress of her dreams. | 0:22:30 | 0:22:32 | |
-Oh, my God. -100%. -Ahh... | 0:22:34 | 0:22:37 | |
It is incredible, isn't it? | 0:22:40 | 0:22:42 | |
That is stunning. Absolutely stunning. | 0:22:43 | 0:22:47 | |
I'm shaking! | 0:22:47 | 0:22:48 | |
Alex's dream dress is a satin, figure-skimming, floor-length gown | 0:22:48 | 0:22:53 | |
with delicately-draped straps and lace back detail. | 0:22:53 | 0:22:57 | |
Worn with a glamorous headpiece, the elegant number is just what | 0:22:57 | 0:23:01 | |
you'd expect for a £3,000 price tag. | 0:23:01 | 0:23:04 | |
This is the dream dress. This is everything I thought it would be. | 0:23:04 | 0:23:08 | |
It is simple and plain and satin and silky. | 0:23:08 | 0:23:12 | |
The material is beyond incredible. It just feels like me. | 0:23:12 | 0:23:15 | |
It just feels like it's the dress I was meant to have and should have. | 0:23:15 | 0:23:19 | |
You look even better than Mary off Downton Abbey, | 0:23:19 | 0:23:21 | |
as she walked down the staircase! | 0:23:21 | 0:23:23 | |
-Ooh. I don't want to take it off! -I was going to say. | 0:23:23 | 0:23:25 | |
-You're not going to want to... -I don't want to take it off. | 0:23:25 | 0:23:28 | |
Back in Westbury, it looks like Mark is about to make a huge mistake, | 0:23:30 | 0:23:34 | |
whichever dress he chooses. | 0:23:34 | 0:23:36 | |
What... So, what do you prefer? | 0:23:36 | 0:23:39 | |
Which one would you want to tear more? | 0:23:40 | 0:23:42 | |
That's the way I see it. Which one would you want to tear more? | 0:23:42 | 0:23:45 | |
-I know which one I would. -Yeah, I'm going to go that one. | 0:23:45 | 0:23:48 | |
-The left one? -Yeah. Definitely. -Yeah. I think that's a good choice. -Yeah. | 0:23:48 | 0:23:51 | |
-Yep. Yep. Take them away, quick. -Quick choice. -Take them away. | 0:23:51 | 0:23:55 | |
So, he's gone for a side-wrapped ruffled dress. | 0:23:55 | 0:23:58 | |
It isn't plain or simple, | 0:23:58 | 0:24:00 | |
but is it expensive? | 0:24:00 | 0:24:02 | |
-What sort of price are we looking at? -535. -535. | 0:24:02 | 0:24:07 | |
-That's within our budget, innit? -Yeah. -Happy with that. | 0:24:07 | 0:24:10 | |
-Way within our budget. -Sweet. Brilliant. | 0:24:10 | 0:24:13 | |
-Fingers crossed she likes it. -Yeah. -Yeah. Me, too. -Yeah. | 0:24:13 | 0:24:16 | |
I know what I like seeing Alex in, whether she likes being in it... | 0:24:16 | 0:24:20 | |
but I know what I like, so I had to wing it and hopefully, | 0:24:20 | 0:24:23 | |
fingers crossed, she likes it. | 0:24:23 | 0:24:26 | |
Alex still has her dream dress on, but there's still one thought | 0:24:26 | 0:24:29 | |
she just can't shake off. | 0:24:29 | 0:24:32 | |
See, I just don't think in a million years this would even | 0:24:32 | 0:24:37 | |
be his vision at all. | 0:24:37 | 0:24:38 | |
She's not the only one. | 0:24:38 | 0:24:40 | |
I can't believe you've allowed him to choose your dress, Alex, | 0:24:40 | 0:24:43 | |
because you know exactly what you want. | 0:24:43 | 0:24:45 | |
I know she's had her heart set on her particular dress for such | 0:24:47 | 0:24:50 | |
a long time and I really, really worry that her wedding day | 0:24:50 | 0:24:53 | |
will be ruined for her because it's not the one she really wanted. | 0:24:53 | 0:24:58 | |
I just dread to think what I'm going to be trying on. | 0:24:58 | 0:25:00 | |
Does it not make you feel sick to your tummy that you could turn up | 0:25:00 | 0:25:04 | |
the day before your wedding and try a dress and not have one you want? | 0:25:04 | 0:25:09 | |
Don't know. I don't think that far ahead. | 0:25:09 | 0:25:11 | |
It's coming quite quickly, Alex. | 0:25:11 | 0:25:14 | |
At least Alex is putting on a brave face, the same can't be said | 0:25:14 | 0:25:17 | |
for her sister. | 0:25:17 | 0:25:19 | |
Oh, gosh. | 0:25:19 | 0:25:20 | |
'I feel sad that I'm not involved because...' | 0:25:20 | 0:25:23 | |
Like... | 0:25:23 | 0:25:24 | |
she's been involved in mine SO much, that... | 0:25:25 | 0:25:29 | |
I can't help her with anything. | 0:25:29 | 0:25:31 | |
But I almost feel like it's a shame for him | 0:25:31 | 0:25:34 | |
that he'll never see me in this. | 0:25:34 | 0:25:36 | |
-Oh, Alex, don't. -Yeah, he won't find a dress at all like this. | 0:25:36 | 0:25:40 | |
He never will. | 0:25:40 | 0:25:41 | |
A week to the wedding and Mark's finally decided to send out | 0:25:49 | 0:25:53 | |
invites and, for his bride to be, he's thought of something special. | 0:25:53 | 0:25:57 | |
-Easy. -The best men have been sent on a chicken run. Literally. | 0:26:00 | 0:26:04 | |
To hint at the farmyard wedding, they're sneaking into Alex's | 0:26:04 | 0:26:07 | |
mum's garden. All they have to do is get the invite round | 0:26:07 | 0:26:12 | |
one of her chicken's necks. | 0:26:12 | 0:26:14 | |
-Oh, my goodness. -Unfortunately, these lads aren't great with the chicks. | 0:26:14 | 0:26:20 | |
It's all red. | 0:26:20 | 0:26:21 | |
With the invite cracked and Alex due back, the boys | 0:26:34 | 0:26:38 | |
leave the chicken to the fate of the local foxes and scarper. | 0:26:38 | 0:26:42 | |
Come on, then, let's go. | 0:26:42 | 0:26:44 | |
Someone's let the chickens out. | 0:26:48 | 0:26:51 | |
I hope it wasn't me. | 0:26:51 | 0:26:52 | |
I wonder if he's just escaped. | 0:26:59 | 0:27:00 | |
What a silly, silly chicken. He won't let me catch him. | 0:27:02 | 0:27:06 | |
Hold on. | 0:27:09 | 0:27:10 | |
-Where's the invite? -I don't know how you got out. | 0:27:10 | 0:27:14 | |
Oh, no, look what he's done to the borders. | 0:27:14 | 0:27:16 | |
Luckily, Alex spots it down in the dirt...which is appropriate. | 0:27:16 | 0:27:21 | |
Oh, how random. | 0:27:21 | 0:27:23 | |
Yeah, I don't know why he put it on the bloomin' chicken. | 0:27:23 | 0:27:26 | |
What's that? | 0:27:26 | 0:27:28 | |
This is what I just came back and found one of the chickens escaped. | 0:27:28 | 0:27:31 | |
-This had come off from around his neck. -Round his neck? Thursday. -Yeah. | 0:27:31 | 0:27:37 | |
Oh, my gosh. | 0:27:37 | 0:27:39 | |
Over the next few days, Mark sets about making his Ooh Arh theme | 0:27:40 | 0:27:44 | |
a reality. | 0:27:44 | 0:27:46 | |
First, what all weddings need - footwear. | 0:27:46 | 0:27:49 | |
Anything we can do for you? | 0:27:49 | 0:27:50 | |
-I was just looking at some wellies. -Righteo. | 0:27:50 | 0:27:53 | |
-Do you know what size foot she is? -Yeah, six. -What's that? -Size six. | 0:27:53 | 0:27:57 | |
It was meant to be then, isn't it? That's pretty good, isn't it? | 0:27:57 | 0:28:00 | |
The only thing is, pink don't match our colour scheme. | 0:28:00 | 0:28:02 | |
-It looks... -What is our colour scheme? | 0:28:02 | 0:28:04 | |
Then, keeping it local, scrumpy cider. | 0:28:04 | 0:28:06 | |
Oh my... Warh, they're heavy. | 0:28:08 | 0:28:11 | |
Transport. What? No tractor? | 0:28:11 | 0:28:14 | |
These are your options, are they? | 0:28:14 | 0:28:16 | |
We've come across with another option, as well. | 0:28:16 | 0:28:18 | |
We're just giving it a bit of a dust off for you. | 0:28:18 | 0:28:20 | |
That is amazing. I love that. | 0:28:20 | 0:28:22 | |
And for entertainment, Mark's aiming high. | 0:28:22 | 0:28:24 | |
He's trying to book one of the West Country's biggest names. | 0:28:24 | 0:28:28 | |
I was wondering the availability The Wurzels. | 0:28:28 | 0:28:30 | |
# I am a cider drinker | 0:28:30 | 0:28:33 | |
# I drinks it all of the day. # | 0:28:33 | 0:28:37 | |
Wow. | 0:28:37 | 0:28:38 | |
2,500 for an hour's set. They... Plus VAT, that is. The Wurzels, | 0:28:38 | 0:28:45 | |
out of the question. | 0:28:45 | 0:28:47 | |
No Wurzels. It's an ooh arh disast-arh. | 0:28:47 | 0:28:50 | |
It's the last weekend before the weekend and Mark's sent | 0:28:53 | 0:28:56 | |
instructions for the hen night. | 0:28:56 | 0:28:59 | |
You've got mail. | 0:28:59 | 0:29:00 | |
-Oh, you've got a party. -Yeah, but I'm wondering what | 0:29:03 | 0:29:06 | |
because this says, a taxi will be picking you and your bridesmaids up. | 0:29:06 | 0:29:09 | |
I hope your hen do blows you away. | 0:29:09 | 0:29:11 | |
So I don't know what he means by blow. | 0:29:11 | 0:29:12 | |
While the girls get ready, Mark's been doing some blowing himself. | 0:29:16 | 0:29:20 | |
Well, these balls must've take a bit of blowing up. | 0:29:20 | 0:29:23 | |
As a warm-up to the stag night, him and the boys | 0:29:27 | 0:29:29 | |
are playing bubble football. | 0:29:29 | 0:29:31 | |
And Mark's on a roll. | 0:29:33 | 0:29:35 | |
Back at Alex's and the hens are off. And there's high hopes for the day. | 0:29:38 | 0:29:43 | |
'If today goes really well, then I think it will set him | 0:29:43 | 0:29:46 | |
'in good stead for the rest of the wedding.' | 0:29:46 | 0:29:49 | |
For him to have written on there and say, I hope it blows you away, | 0:29:49 | 0:29:52 | |
-I'm thinking, well... -It's got to be something good. | 0:29:52 | 0:29:55 | |
-Mmm. -Yeah. | 0:29:55 | 0:29:56 | |
Or he's set himself up for a fall. | 0:29:58 | 0:30:00 | |
Mark has decided to send the hens on a glass-blowing course. | 0:30:02 | 0:30:06 | |
-Does this mean we're going in? -But has he smashed it? | 0:30:06 | 0:30:08 | |
As if we want to fucking do glass blowing. I fucking hate it. | 0:30:08 | 0:30:12 | |
That'll be a no, then. | 0:30:12 | 0:30:14 | |
-Hello. -Hiya. | 0:30:16 | 0:30:17 | |
-So, you're going to be having a go at glass-blowing. -Can't wait. | 0:30:17 | 0:30:21 | |
# Glass | 0:30:21 | 0:30:23 | |
# Glass | 0:30:23 | 0:30:25 | |
# Glass. # | 0:30:25 | 0:30:27 | |
I don't know why he would even pick this. I don't know. | 0:30:27 | 0:30:30 | |
The most fun I've had all week. | 0:30:30 | 0:30:32 | |
Don't particularly care about glass, or the way glass is made, | 0:30:32 | 0:30:36 | |
or the way glass looks. | 0:30:36 | 0:30:38 | |
Don't particularly care about glass. | 0:30:38 | 0:30:40 | |
It's like a childhood dream. | 0:30:40 | 0:30:43 | |
Cracks are beginning to show | 0:30:43 | 0:30:45 | |
and not in the glass baubles they're making. | 0:30:45 | 0:30:47 | |
But I thought he would think it'll be something that she wants to do | 0:30:47 | 0:30:49 | |
or she's mentioned or she's... | 0:30:49 | 0:30:52 | |
You know, dreamed about doing. | 0:30:52 | 0:30:54 | |
Glass blowing. | 0:30:57 | 0:30:59 | |
I thought he would really pull it out of the bag and do something | 0:30:59 | 0:31:02 | |
that would blow me away, whereas this just annoyed me. | 0:31:02 | 0:31:05 | |
I think she's beginning to worry. | 0:31:05 | 0:31:07 | |
I think she's beginning to think, "What have I let myself in for?" | 0:31:07 | 0:31:11 | |
"If this was his idea of a hen night, | 0:31:11 | 0:31:13 | |
"what's the wedding going to be like?" | 0:31:13 | 0:31:15 | |
Back in Westbury, the lads are hitting the town and, like his | 0:31:20 | 0:31:23 | |
wedding plans, Mark's staying local. | 0:31:23 | 0:31:26 | |
We had high hopes it was going to Las Vegas. | 0:31:27 | 0:31:30 | |
Then it got whittled down. | 0:31:30 | 0:31:31 | |
-Well done, mate. -Whey. -Whey. | 0:31:31 | 0:31:34 | |
And with no budget left, we're coming out in Westbury. | 0:31:34 | 0:31:36 | |
It's pretty much a dump, to be honest! | 0:31:36 | 0:31:39 | |
For your stag do, mate, you have to wear the chicken. | 0:31:39 | 0:31:42 | |
Whilst Mark's dressed as a chicken, the girls are dressing up, | 0:31:49 | 0:31:54 | |
but it seems the glass-blowing hen do has ruffled their feathers. | 0:31:54 | 0:31:57 | |
I think earlier's given me a bit of a downer, if I'm honest. | 0:31:57 | 0:32:00 | |
I'm not really sure what to expect. | 0:32:00 | 0:32:02 | |
I'm not really expecting anything too good, now that I've had part one. | 0:32:02 | 0:32:06 | |
Well, part two is simply a table at the local Indian restaurant. | 0:32:08 | 0:32:13 | |
Mark's spiced things up, secretly inviting all of Alex's friends. | 0:32:13 | 0:32:17 | |
CHEERING | 0:32:17 | 0:32:18 | |
Ah, I'm shaking. | 0:32:20 | 0:32:21 | |
Well, we are at our local Indian and I thought, "Oh, great, | 0:32:21 | 0:32:24 | |
"is this what it's going to be?" But he obviously hasn't really | 0:32:24 | 0:32:27 | |
thought too much about it. | 0:32:27 | 0:32:28 | |
And then, when I just stepped out of the car and I saw all | 0:32:28 | 0:32:31 | |
the girls there, this is a good one, this is a good part two. | 0:32:31 | 0:32:34 | |
I can't believe he got everybody here. | 0:32:34 | 0:32:36 | |
So, he's pulled it out of the bag tonight | 0:32:36 | 0:32:38 | |
and he's really showed me what I kind of want for a hen - | 0:32:38 | 0:32:40 | |
just all of the girls there having fun, dressed up together. | 0:32:40 | 0:32:43 | |
Back down the local, the boys have now been drinking all day, but this | 0:32:46 | 0:32:50 | |
chicken isn't stuffed. | 0:32:50 | 0:32:52 | |
-He's battered. -Oi. | 0:32:52 | 0:32:54 | |
THEY CHANT: Drink! | 0:32:54 | 0:32:55 | |
# Alex would do better! Alex would do better. | 0:33:00 | 0:33:03 | |
# La, la, la, la, la... Hey... La, la, la, la, la. | 0:33:03 | 0:33:06 | |
-Looks like local-loving Mark is absolutely basted. -Yeah. | 0:33:06 | 0:33:11 | |
-Are you feeling good, chick? -Yeah. Yeah, I feel good. -Liar. | 0:33:14 | 0:33:19 | |
The next day, nursing a hangover, Mark's hoping his headache | 0:33:25 | 0:33:29 | |
isn't about to get a whole lot worse. | 0:33:29 | 0:33:31 | |
The bridesmaids are on their way round. | 0:33:32 | 0:33:35 | |
Shit, I'm getting a bit nervous now. | 0:33:35 | 0:33:36 | |
And with no best men for backup, Mark's about to reveal the dresses | 0:33:36 | 0:33:40 | |
he's chosen for them all on his own. | 0:33:40 | 0:33:43 | |
Four girls to impress, so it's going to be a bit challenging, I think. | 0:33:43 | 0:33:47 | |
Wish I had my best men here. They won't stand for anything. | 0:33:48 | 0:33:52 | |
If they come in not liking them, I'm not going to change them at all, | 0:33:52 | 0:33:55 | |
so they've got to like it or lump it, really. | 0:33:55 | 0:33:58 | |
-How is everyone, all right? -Good. -Good. -Excited? -No. No. Nervous. -No? | 0:34:00 | 0:34:05 | |
We don't understand how you can choose our dresses | 0:34:05 | 0:34:07 | |
when the height difference is so different. | 0:34:07 | 0:34:09 | |
-Yeah. I didn't even think about that. -Have you got them here? | 0:34:12 | 0:34:15 | |
You didn't even think about it. Mark! | 0:34:15 | 0:34:16 | |
-Yeah, go on, then, if you want to go up and get them. -OK. | 0:34:16 | 0:34:20 | |
They said something about the height. | 0:34:20 | 0:34:23 | |
-Didn't even think about the height. -Bet that headache's kicking in now. | 0:34:23 | 0:34:27 | |
-What do you think? -We like them. -Love them. -You do? Did good? -Yeah. | 0:34:32 | 0:34:36 | |
-I done good, didn't I? -Yes. Yeah, you did really good. | 0:34:38 | 0:34:40 | |
You've done really well. | 0:34:40 | 0:34:42 | |
-Length and all that will be fine, won't it? -Yeah. | 0:34:42 | 0:34:44 | |
You done really well. | 0:34:44 | 0:34:45 | |
You've done really well, they do look stunning. | 0:34:45 | 0:34:47 | |
Now it's just about Alex liking her dress. | 0:34:47 | 0:34:49 | |
-Well, four out of five ain't bad, is it? -No. Yeah, you tell her that. | 0:34:49 | 0:34:54 | |
-It's all right, we like ours. -Yeah, massive result today. | 0:34:55 | 0:34:58 | |
-Sort of cured my hangover a little bit I think. -Thank you. Good luck. | 0:34:59 | 0:35:03 | |
-All right, I'll see you Thursday. -See you later, mate. | 0:35:03 | 0:35:06 | |
£35 each , so... We won't tell them that, though. | 0:35:06 | 0:35:08 | |
-We'll let them find that out another way. -See you later, Mark. Bye. | 0:35:08 | 0:35:11 | |
-See ya later, girls. -Bye, mate. -Bye. -See you later. | 0:35:11 | 0:35:14 | |
It's really surprised me that he | 0:35:14 | 0:35:16 | |
could choose one dress for four girls by himself. | 0:35:16 | 0:35:19 | |
Um, I hope that makes Alex realise that he actually can make good | 0:35:19 | 0:35:24 | |
decision, because that was spot on. | 0:35:24 | 0:35:26 | |
He did well with that one. | 0:35:26 | 0:35:28 | |
Four girls down, just one now to impress, so fingers crossed. | 0:35:28 | 0:35:32 | |
It's the day before the wedding and Alex is on her way to see the dress | 0:35:35 | 0:35:39 | |
Mark has chosen for her - and she doesn't have to drive far. | 0:35:39 | 0:35:43 | |
Hardest bit is just the not knowing. Do you know what I mean? | 0:35:43 | 0:35:46 | |
Like, I can't even prepare myself | 0:35:46 | 0:35:48 | |
because I don't know what I'm up against. | 0:35:48 | 0:35:50 | |
-Where do you think you're going? -I don't know. | 0:35:50 | 0:35:53 | |
So, this means we're going to the one in Westbury. | 0:35:53 | 0:35:55 | |
How do you feel about that? | 0:35:55 | 0:35:56 | |
Well, it's quite fitting that it's opposite the Ludlow, isn't it? | 0:35:56 | 0:36:02 | |
-I can imagine him leaving the pub after a pint... -Thinking, "Oh, | 0:36:02 | 0:36:06 | |
"shall I go and grab a dress? | 0:36:06 | 0:36:09 | |
"Shall I go and get one now?" | 0:36:09 | 0:36:10 | |
Hope he's put a bit more effort in than that. | 0:36:10 | 0:36:13 | |
He's currently putting in a lot of effort over at the venue. | 0:36:13 | 0:36:16 | |
With his marquee going up on the farm, Mark couldn't be happier. | 0:36:16 | 0:36:21 | |
Oh, look at that. That's exactly what I need. | 0:36:21 | 0:36:24 | |
Wow, that is happy. | 0:36:24 | 0:36:26 | |
Some hay bales have arrived for seating and Mark's not | 0:36:27 | 0:36:30 | |
scrimping on accommodation, either. | 0:36:30 | 0:36:32 | |
Yep, that's a caravan for the bride and groom to stay in | 0:36:32 | 0:36:36 | |
on their wedding night. | 0:36:36 | 0:36:38 | |
Special. | 0:36:38 | 0:36:39 | |
Over in Westbury, Alex is about to see the dress Mark has chosen | 0:36:41 | 0:36:45 | |
for her. | 0:36:45 | 0:36:47 | |
-You must be nervous now. Waiting for this moment. -Hmm... | 0:36:47 | 0:36:50 | |
She wanted a simple, elegant, | 0:36:52 | 0:36:54 | |
1920s style dress. | 0:36:54 | 0:36:56 | |
Is that anything like you imagined? | 0:37:01 | 0:37:04 | |
Nope. Look at the back. | 0:37:04 | 0:37:06 | |
It's nothing that I would choose, at all. | 0:37:10 | 0:37:12 | |
I hate any of this. I hate this. I hate this. | 0:37:15 | 0:37:18 | |
-It's nothing that I'd pick, at all. -Try it on, though. Try it on. | 0:37:22 | 0:37:28 | |
Oh, yeah, I'll try it on, but I know exactly what it's going to look like. | 0:37:29 | 0:37:33 | |
That dress is everything that I hate put into one dress. It is horrible. | 0:37:33 | 0:37:38 | |
It is awful. I, literally, am shocked. | 0:37:38 | 0:37:42 | |
Like, I thought he would actually get it right. | 0:37:42 | 0:37:44 | |
You look amazing in it. You look absolutely amazing. | 0:37:50 | 0:37:53 | |
Right, let's have a look. | 0:37:53 | 0:37:54 | |
-I hate it even more. -Do you? -It's, literally, not me, whatsoever. | 0:37:59 | 0:38:04 | |
Not one bit. | 0:38:04 | 0:38:06 | |
I had such good faith in him. | 0:38:09 | 0:38:10 | |
It is, literally, ironic that this is everything I said I didn't want. | 0:38:12 | 0:38:18 | |
You would upset Mark. How do you think Mark would feel? | 0:38:18 | 0:38:20 | |
You gave Mark the opportunity to plan your wedding. | 0:38:26 | 0:38:30 | |
Could you compromise with this dress? | 0:38:30 | 0:38:32 | |
No. | 0:38:34 | 0:38:35 | |
-There is one other option... -OK. | 0:38:36 | 0:38:39 | |
-Because it was between two very different dresses... -Oh, good. | 0:38:39 | 0:38:43 | |
-That gives me hope. -OK... -Get me the other dress. -OK. -Quickly. | 0:38:43 | 0:38:48 | |
Will Mark's second choice be good enough for Alex? | 0:38:50 | 0:38:53 | |
I think that's even worse. | 0:38:58 | 0:38:59 | |
He's got it so wrong twice. | 0:39:01 | 0:39:03 | |
'I know exactly what I wanted | 0:39:05 | 0:39:06 | |
'and I just...' | 0:39:06 | 0:39:08 | |
I really did think that he would get it right. | 0:39:08 | 0:39:10 | |
I really had faith that he would. | 0:39:10 | 0:39:11 | |
I though, "It's been almost ten years, he knows my style, | 0:39:11 | 0:39:14 | |
"he knows how, kind of, elegant and plain I wanted it." | 0:39:14 | 0:39:17 | |
So... | 0:39:19 | 0:39:20 | |
I don't like either of them. Whatsoever. | 0:39:20 | 0:39:24 | |
Better phone him, then. | 0:39:24 | 0:39:25 | |
The question is, will Mark stick to his guns and insist she wears | 0:39:25 | 0:39:28 | |
the dress he so painstakingly chose? | 0:39:28 | 0:39:31 | |
-Hello? -All right, mate. -Yeah, you all right? | 0:39:31 | 0:39:35 | |
She doesn't like any of the dresses. | 0:39:35 | 0:39:37 | |
We've tried the second one on that you liked | 0:39:39 | 0:39:41 | |
and she doesn't like either of them. | 0:39:41 | 0:39:43 | |
-Don't she? -No. -Honest? | 0:39:43 | 0:39:46 | |
One's too busy, one's too plain. | 0:39:46 | 0:39:48 | |
-She hates them both. -Alex said that? | 0:39:50 | 0:39:53 | |
-Yeah. Are we OK to pick another dress? -OK. | 0:39:53 | 0:39:58 | |
I've got a busy day today, so that has just... That is a phone call | 0:39:58 | 0:40:03 | |
that I've just got to put up with. | 0:40:03 | 0:40:05 | |
I had to do my best and I've done what I could and, yeah, | 0:40:05 | 0:40:09 | |
obviously, she don't like it, so... | 0:40:09 | 0:40:11 | |
Back in charge, Alex is hunting for the perfect replacement. | 0:40:13 | 0:40:18 | |
Yeah, I do like the back. | 0:40:18 | 0:40:19 | |
And it's the one in the window that's caught her eye. | 0:40:19 | 0:40:22 | |
I'll try that one, cos that one's just so plain. | 0:40:22 | 0:40:24 | |
True to form, Alex has chosen a sleek and simple dress. | 0:40:29 | 0:40:33 | |
Ah, that is beautiful. | 0:40:33 | 0:40:35 | |
Now, she cries - it must be good! | 0:40:37 | 0:40:39 | |
That is stunning. | 0:40:39 | 0:40:41 | |
Why didn't he see this one in the window? How could he miss this one? | 0:40:41 | 0:40:45 | |
I think when he sees me tomorrow and he sees me in the dress, | 0:40:45 | 0:40:48 | |
'he'll realise how good it looks and, actually, that, yeah,' | 0:40:48 | 0:40:51 | |
I did make the right decision, like I always do. | 0:40:51 | 0:40:54 | |
I think Mark's going to be absolutely gutted. | 0:40:55 | 0:40:59 | |
Disappointed he didn't get the idea of what he wanted. | 0:40:59 | 0:41:03 | |
I'd given him all the power | 0:41:03 | 0:41:04 | |
and then I'd, kind of, realised that he wasn't doing what I wanted him | 0:41:04 | 0:41:09 | |
to do with it and I had to try and, you know, get some of it back. | 0:41:09 | 0:41:12 | |
Trouble is, this is just one of Mark's decisions. | 0:41:12 | 0:41:15 | |
Tomorrow, it'll be too late to change anything. | 0:41:15 | 0:41:18 | |
It's the morning of the wedding and, at Alex's mum's house, | 0:41:24 | 0:41:28 | |
the photographer has arrived. | 0:41:28 | 0:41:32 | |
-Hello. -Sorry, I'm early. I'm the photographer. -Oh, come on in. | 0:41:32 | 0:41:36 | |
-Right, Alex. -Work your magic with us. | 0:41:37 | 0:41:40 | |
You might need Photoshop. | 0:41:40 | 0:41:43 | |
A week ago, I definitely thought that he would get it right, | 0:41:47 | 0:41:49 | |
cos he knows exactly what I'm like | 0:41:49 | 0:41:51 | |
and then the hen came along and I thought, "Oh, OK." | 0:41:51 | 0:41:53 | |
And then the dress came along and I thought, | 0:41:53 | 0:41:55 | |
"Hm, I don't think we are on the same wavelength." | 0:41:55 | 0:41:58 | |
With the realisation that things might not go entirely her way | 0:41:58 | 0:42:02 | |
and having hated her own dress, | 0:42:02 | 0:42:03 | |
it's a tense moment, as the bridesmaids reveal theirs. | 0:42:04 | 0:42:09 | |
-What do you think? -Whoa. | 0:42:09 | 0:42:13 | |
-Do you like them? -Yeah, I love them. | 0:42:13 | 0:42:15 | |
Do you think you could've chose this good? | 0:42:15 | 0:42:17 | |
Yeah, I think he's done really well. | 0:42:17 | 0:42:18 | |
-We were really shocked. -We were really shocked. | 0:42:18 | 0:42:21 | |
It's a miracle. | 0:42:21 | 0:42:22 | |
And it, literally, does suit you all. | 0:42:22 | 0:42:23 | |
Mark's managed to please everyone. | 0:42:23 | 0:42:26 | |
Suited and booted, | 0:42:27 | 0:42:29 | |
the groomsmen have time to make one important stop before the church. | 0:42:29 | 0:42:34 | |
-Cheers for everything, lads. -Nah, that's all right, mate. | 0:42:34 | 0:42:36 | |
-It's been...not a pleasure. -I know. -I know. | 0:42:36 | 0:42:40 | |
-We'll see you later. See you in a bit. -See ya later. | 0:42:40 | 0:42:43 | |
Now, before you go, have you got everything? | 0:42:43 | 0:42:47 | |
No, I ain't. Fuck me. | 0:42:47 | 0:42:48 | |
Rings. Rings. | 0:42:48 | 0:42:51 | |
With Mark, the best men and the wedding rings now on their way, | 0:42:51 | 0:42:56 | |
Alex is about to show the bridesmaids the dress | 0:42:56 | 0:42:59 | |
she's chosen for her wedding. | 0:42:59 | 0:43:02 | |
Oh, wow. You look beautiful. | 0:43:03 | 0:43:06 | |
-Do you like it? -I love it. Oh, my God. -Wow. | 0:43:06 | 0:43:09 | |
-Wow, that's lush. -That's beautiful. -Oh. | 0:43:09 | 0:43:11 | |
They may have no idea where they're heading, | 0:43:11 | 0:43:13 | |
but this bridal party is raring to go | 0:43:13 | 0:43:16 | |
when Mark's next surprise of the day trots up. | 0:43:16 | 0:43:18 | |
Oh, my God! Agh! | 0:43:18 | 0:43:22 | |
It's traditional and how most people travelled in the 1920s, | 0:43:24 | 0:43:28 | |
so she must be pleased. | 0:43:28 | 0:43:30 | |
-Wow. -Are you shocked? -Yeah, I am. | 0:43:30 | 0:43:32 | |
I didn't think he would do this, at all. | 0:43:32 | 0:43:34 | |
I didn't think he'd do this. | 0:43:34 | 0:43:35 | |
I think I was still going to go more classic, with a car. | 0:43:35 | 0:43:38 | |
I can't imagine a horse and cart are going to go anywhere | 0:43:38 | 0:43:41 | |
outside of Westbury, because it'd be too long of a journey so, yeah, | 0:43:41 | 0:43:44 | |
I'm thinking it's in Westbury somewhere. | 0:43:44 | 0:43:46 | |
Bye. | 0:43:46 | 0:43:48 | |
Ah, you'd think that. | 0:43:48 | 0:43:50 | |
But Mark's big surprise is that this local boy | 0:43:50 | 0:43:53 | |
has chosen a church five miles away. | 0:43:53 | 0:43:56 | |
Bloody hell, Alex. | 0:44:00 | 0:44:03 | |
-We're off to Trowbridge. -Where? | 0:44:03 | 0:44:06 | |
We're off to Trowbridge. | 0:44:06 | 0:44:07 | |
It's only ten minutes by car, | 0:44:07 | 0:44:09 | |
but by cart, including a little rest for the horses, | 0:44:09 | 0:44:13 | |
it's over an hour and on a busy main road. | 0:44:13 | 0:44:16 | |
-What an absolute... -I know. -..idiot. | 0:44:16 | 0:44:19 | |
I now have got no clue, | 0:44:23 | 0:44:25 | |
because I didn't even dream that it would be outside of Westbury. | 0:44:25 | 0:44:28 | |
I really thought he would choose Westbury | 0:44:28 | 0:44:30 | |
and he would stay really local, so now I haven't got a clue. | 0:44:30 | 0:44:33 | |
This is a longer journey than Auntie Alex thought, | 0:44:33 | 0:44:36 | |
Oli, isn't it? | 0:44:36 | 0:44:37 | |
Where could it be? Where could it be? | 0:44:38 | 0:44:40 | |
After all that time on the road... | 0:44:48 | 0:44:49 | |
-Was that the longest journey of your life? -Yeah. | 0:44:49 | 0:44:52 | |
..will Alex appreciate Mark's choice of ceremony venue? | 0:44:52 | 0:44:55 | |
This is the church that my mum got married at. | 0:44:55 | 0:44:57 | |
This is the church that my grandparents got married at. | 0:44:57 | 0:44:59 | |
So, yeah, it's a very special place. | 0:44:59 | 0:45:01 | |
For once, Alex is struggling to keep her composure. | 0:45:01 | 0:45:05 | |
I, literally, did not even think it would be here, at all. Not at all. | 0:45:05 | 0:45:10 | |
Like... | 0:45:10 | 0:45:11 | |
Yeah, I'm speechless. | 0:45:11 | 0:45:13 | |
Looks like Mark is on Alex's wavelength, after all. | 0:45:13 | 0:45:17 | |
Let's hope so, because after ten years together, | 0:45:17 | 0:45:20 | |
these childhood sweethearts are about to tie the knot. | 0:45:20 | 0:45:23 | |
# I was scared of dentists and the dark | 0:45:23 | 0:45:26 | |
# I was scared of pretty girls and starting conversations | 0:45:28 | 0:45:32 | |
# Oh, all my friends are turning green | 0:45:32 | 0:45:37 | |
# You're the magician's assistant in their dreams | 0:45:37 | 0:45:41 | |
# Uh, ooh ooh oooh | 0:45:42 | 0:45:47 | |
# Uh, ooh ooh | 0:45:47 | 0:45:49 | |
# And they come unstuck | 0:45:49 | 0:45:52 | |
# Lady, running down to the riptide | 0:45:52 | 0:45:56 | |
# Taken away to the dark side | 0:45:56 | 0:45:58 | |
# I wanna be your left-hand man | 0:45:58 | 0:46:01 | |
# I love you when you're singing that song | 0:46:01 | 0:46:04 | |
# And I got a lump in my throat cos | 0:46:04 | 0:46:07 | |
# You're gonna sing the words wrong... # | 0:46:07 | 0:46:10 | |
Mark, will you take Alice, erm, | 0:46:10 | 0:46:11 | |
-Alex, as your wife in Christian marriage... -Who's she? | 0:46:12 | 0:46:15 | |
It had to happen, didn't it, really? | 0:46:15 | 0:46:17 | |
THEY LAUGH | 0:46:17 | 0:46:18 | |
It's only been three weeks. | 0:46:18 | 0:46:21 | |
I, Mark Gordon Young, take thee, Alexandra Mary Kennett, | 0:46:21 | 0:46:26 | |
to be my wedded wife. | 0:46:26 | 0:46:27 | |
I, Alexandra Mary Kennett, take thee, Mark Gordon Young, | 0:46:27 | 0:46:31 | |
to be my wedded husband and this is my solemn vow. | 0:46:31 | 0:46:34 | |
# I love you when you're singing that song and | 0:46:34 | 0:46:38 | |
# I got a lump in my throat cos | 0:46:38 | 0:46:40 | |
# You're gonna sing the words... # | 0:46:40 | 0:46:43 | |
I, therefore, pronounce them husband and wife. | 0:46:44 | 0:46:51 | |
CHEERING AND APPLAUSE | 0:46:51 | 0:46:54 | |
The wedding was amazing. | 0:47:02 | 0:47:04 | |
Literally, this is the last place I feel I would ever have ended up. | 0:47:04 | 0:47:07 | |
And this has got, you know, way more meaning for me than it has for him. | 0:47:07 | 0:47:11 | |
So, yeah, really, really pleased. | 0:47:11 | 0:47:13 | |
Nuptials over, | 0:47:13 | 0:47:14 | |
our blushing bride starts married life as she means to go on - | 0:47:14 | 0:47:19 | |
by taking control of things. | 0:47:19 | 0:47:21 | |
-Has anybody got any confetti? -Yeah. -Yes. -Come on, then. | 0:47:21 | 0:47:24 | |
Right, you need to come into a V-shape here. | 0:47:24 | 0:47:26 | |
CHEERING | 0:47:27 | 0:47:31 | |
But before the confetti has even settled | 0:47:31 | 0:47:33 | |
and without a word to his new wife, | 0:47:34 | 0:47:36 | |
it seems this groom can't get away fast enough. | 0:47:36 | 0:47:40 | |
Is he doing a runner? | 0:47:41 | 0:47:43 | |
Ay, he's going! | 0:47:45 | 0:47:47 | |
SHE LAUGHS | 0:47:47 | 0:47:49 | |
He's left you. | 0:47:49 | 0:47:52 | |
Such an idiot. | 0:47:52 | 0:47:54 | |
Why would he leave you? | 0:47:54 | 0:47:56 | |
Well, that's an anti-climax. | 0:47:57 | 0:47:59 | |
Just wander around on our own. It looks like I'm walking home. | 0:48:02 | 0:48:08 | |
Mark has laid on some transport. It's just a matter of finding it. | 0:48:08 | 0:48:12 | |
Are you here to pick up the bride? | 0:48:12 | 0:48:14 | |
Well, if he's not, she'll probably just tell him he is. | 0:48:14 | 0:48:17 | |
Mark is certainly keeping this bride on her toes. | 0:48:17 | 0:48:21 | |
This is really strange. | 0:48:21 | 0:48:23 | |
Like, I don't know why he... | 0:48:23 | 0:48:24 | |
Like, I feel like we've been sent on a wild goose chase. | 0:48:24 | 0:48:27 | |
I've been travelling for, like, over an hour, | 0:48:27 | 0:48:29 | |
we don't know where we're going. | 0:48:29 | 0:48:31 | |
I've spent more of my married life with my sister | 0:48:31 | 0:48:33 | |
than I have with my husband, so far. Where are we? | 0:48:33 | 0:48:36 | |
At the farmyard wedding reception, the boys are waiting, | 0:48:39 | 0:48:43 | |
And Mark's hasty exit was so he could get changed | 0:48:43 | 0:48:45 | |
into something a little less formal. | 0:48:45 | 0:48:48 | |
But what will elegant Alex make of this West Country hoedown? | 0:48:48 | 0:48:52 | |
Oh, my God. | 0:48:52 | 0:48:53 | |
THEY LAUGH | 0:48:55 | 0:48:57 | |
Your carriage awaits, my lady. | 0:48:58 | 0:48:59 | |
They may be married already, | 0:48:59 | 0:49:01 | |
but Mark's still hoping to attract her with a tractor. | 0:49:01 | 0:49:05 | |
Surely Alex must be getting the theme by now. | 0:49:05 | 0:49:09 | |
-What is this? -It's the theme. | 0:49:09 | 0:49:12 | |
So, what are you boys meant to actually be, then? Scarecrows? | 0:49:16 | 0:49:19 | |
-Farmers. -Farmers. -Farmers. | 0:49:19 | 0:49:20 | |
I'm thinking this is like a child's dream right now. | 0:49:20 | 0:49:24 | |
She doesn't get it, does she? | 0:49:26 | 0:49:28 | |
Well, this is far from my ideas that I thought he was going to have | 0:49:28 | 0:49:32 | |
but I literally thought he was going to go down the traditional route, | 0:49:32 | 0:49:35 | |
whereas, clearly, not at all. | 0:49:35 | 0:49:37 | |
With still no clue what's in store, | 0:49:37 | 0:49:39 | |
maybe a tour around the marquee will help. | 0:49:39 | 0:49:42 | |
Somerset cider anyone? | 0:49:42 | 0:49:44 | |
I bet this stuff stinks. | 0:49:44 | 0:49:47 | |
These remind me of Wellingtons when I was about five. | 0:49:48 | 0:49:52 | |
What even is this? | 0:49:53 | 0:49:55 | |
Is it edible? | 0:49:55 | 0:49:56 | |
To me, it doesn't even look like a wedding cake. | 0:49:56 | 0:49:58 | |
It's just so random. The whole thing it just... | 0:49:58 | 0:50:01 | |
It's not anything I would have thought at all he would do. | 0:50:01 | 0:50:03 | |
At all. Literally, I though the tables were all going to be round. | 0:50:03 | 0:50:06 | |
Top table, all the other little round tables underneath. | 0:50:06 | 0:50:09 | |
I never thought he would go for anything like this. | 0:50:09 | 0:50:13 | |
-I do think he's made himself his own little farmyard. -Correct. | 0:50:13 | 0:50:17 | |
And here comes Old Mark Donald now. | 0:50:17 | 0:50:19 | |
E-I-E-I-O. | 0:50:19 | 0:50:21 | |
-I think it's crazy. -Good, innit? | 0:50:21 | 0:50:23 | |
-It's not anything that I thought you'd do at all. -Why? | 0:50:23 | 0:50:26 | |
-I don't know. I just... -What did you think I'd do? | 0:50:26 | 0:50:28 | |
Like, this morning, I, literally, thought it was going to be | 0:50:28 | 0:50:31 | |
something really classic, just because you done, like the horse | 0:50:31 | 0:50:36 | |
-and carriage and... -What is a horse and carriage like? | 0:50:36 | 0:50:38 | |
The back of it? | 0:50:38 | 0:50:40 | |
-Well, it was more like a cart, I guess. -Exactly. | 0:50:40 | 0:50:43 | |
Oh! That's so good. | 0:50:43 | 0:50:45 | |
-It all mixes in together. -Yeah. | 0:50:45 | 0:50:47 | |
Finally, the penny's dropped. | 0:50:47 | 0:50:49 | |
I didn't even think of the cart. | 0:50:49 | 0:50:51 | |
Well, for Amy, at least. | 0:50:51 | 0:50:53 | |
-I didn't even think. -No. | 0:50:53 | 0:50:55 | |
Which is why I'm guessing my invite arrived via chicken. | 0:50:55 | 0:50:58 | |
Correct. | 0:50:58 | 0:50:59 | |
I think his theme probably sums him up, really. | 0:50:59 | 0:51:02 | |
He, literally, is the hometown born-and-bred kinda guy, | 0:51:02 | 0:51:05 | |
with the Somerset cider and the hay bales | 0:51:07 | 0:51:09 | |
and the Wellingtons. It just about sums Mark up, really. | 0:51:09 | 0:51:13 | |
Stinks. | 0:51:13 | 0:51:15 | |
Oh, it's making me shiver already. | 0:51:15 | 0:51:17 | |
At the minute, it's not what I wanted. | 0:51:17 | 0:51:19 | |
I did want sophistication and a bit of glamour. | 0:51:19 | 0:51:21 | |
Literally, it is a farmyard here, so it's crazy but, yeah, | 0:51:21 | 0:51:25 | |
I'm definitely willing to, kind of, give him the benefit of the doubt | 0:51:25 | 0:51:28 | |
and, kind of, see where his vision take us, I guess. | 0:51:28 | 0:51:30 | |
# Ridin' along on the tractor, honey | 0:51:30 | 0:51:33 | |
# When I noticed you... # | 0:51:33 | 0:51:35 | |
As the first tractorload of guests arrive, | 0:51:35 | 0:51:38 | |
this West Country shindig can begin. | 0:51:38 | 0:51:41 | |
Once they get over the shock. | 0:51:41 | 0:51:43 | |
Oh, my God. | 0:51:43 | 0:51:45 | |
-I just didn't expect it, I don't think. -I didn't expect a farm. | 0:51:45 | 0:51:48 | |
-No. -Not at all. I wouldn't want my wedding on a farm. | 0:51:48 | 0:51:52 | |
-We weren't expecting to be this far out in the sticks. -No. | 0:51:55 | 0:51:58 | |
With pigs and sheep, a petting zoo. | 0:51:58 | 0:52:01 | |
It's very Mark, this theme, I think. Very country. | 0:52:01 | 0:52:04 | |
All right? Hey, welcome to the old West Country shindig. | 0:52:04 | 0:52:08 | |
Much appreciated. | 0:52:08 | 0:52:10 | |
It suits us, because everybody that comes from everywhere, | 0:52:10 | 0:52:13 | |
you know, farther than 20 miles away think that we're all, you know... | 0:52:13 | 0:52:17 | |
-Country bumpkins. -Country bumpkins. | 0:52:17 | 0:52:19 | |
But we have got brains and we appreciate... | 0:52:19 | 0:52:21 | |
-Well, some of us have. -Yeah, well, you have, I haven't. | 0:52:21 | 0:52:24 | |
Oh, thanks. | 0:52:24 | 0:52:25 | |
And with a traditional West Country dinner served up, | 0:52:28 | 0:52:30 | |
it's time for the speeches. | 0:52:30 | 0:52:32 | |
First, the groom. | 0:52:32 | 0:52:33 | |
TAPS GLASS | 0:52:33 | 0:52:35 | |
I think you all like the theme I went for. | 0:52:35 | 0:52:38 | |
It's a bit...bit country bumpkin, but hope everyone has a good night, | 0:52:38 | 0:52:43 | |
drinks a lot of cider. | 0:52:43 | 0:52:45 | |
Alex, from the first time I set eyes on you, | 0:52:45 | 0:52:48 | |
I...I knew that we would be together for years. | 0:52:48 | 0:52:51 | |
You are my rock that holds me together, | 0:52:51 | 0:52:54 | |
you are the intelligent one of us. | 0:52:54 | 0:52:56 | |
You tell me what to do and, to be fair, | 0:52:56 | 0:52:59 | |
I couldn't have it any other way because I need to be told what to do | 0:52:59 | 0:53:03 | |
otherwise I'd just get lost, but I love you with all my heart, Alex. | 0:53:03 | 0:53:07 | |
-To Alex and Mark. -Thank you. | 0:53:07 | 0:53:09 | |
CHEERING AND APPLAUSE | 0:53:09 | 0:53:13 | |
But such beautiful words from the groom, now it's the bride's turn. | 0:53:13 | 0:53:17 | |
I had the most incredible hen night. | 0:53:17 | 0:53:21 | |
From start to finish, I was blown away. | 0:53:21 | 0:53:25 | |
-In respect of that, boys... -Oh, no. | 0:53:25 | 0:53:28 | |
-..may these gifts blow you away for ever more. -Wey. | 0:53:28 | 0:53:34 | |
"An afternoon session at Bath Aqua glass making, | 0:53:34 | 0:53:37 | |
"your very own, very special, very personalised bauble. | 0:53:37 | 0:53:41 | |
"I hope this gift blows you away." | 0:53:41 | 0:53:43 | |
With the boys baubles handed back in boxes, it's time to cut the cake. | 0:53:43 | 0:53:49 | |
Open wide. | 0:53:49 | 0:53:50 | |
There's been one surprise after another for this bride, | 0:53:51 | 0:53:55 | |
but here's one that tops them all - | 0:53:55 | 0:53:57 | |
that old wedding favourite, pig racing. | 0:53:57 | 0:54:00 | |
CHEERING | 0:54:00 | 0:54:03 | |
ALEX YELLS | 0:54:07 | 0:54:08 | |
Cheeky. | 0:54:08 | 0:54:09 | |
As the evening rolls on and The Wurzels tribute act kicks off, | 0:54:11 | 0:54:14 | |
the bride and groom take to the floor. | 0:54:16 | 0:54:19 | |
Sometimes, Alex takes life too seriously. | 0:54:19 | 0:54:22 | |
She is very controlling of Mark | 0:54:22 | 0:54:24 | |
because she wants everything just right. | 0:54:24 | 0:54:28 | |
But this just goes to prove | 0:54:28 | 0:54:29 | |
that, with Mark's not-quite-so-sure nature, | 0:54:29 | 0:54:32 | |
he can bring a bit of fun and just break up the whole idea of it's not | 0:54:32 | 0:54:36 | |
going to be perfect. This is life. It's just fun and haywire and crazy. | 0:54:36 | 0:54:40 | |
BAND PLAYS | 0:54:40 | 0:54:42 | |
Did well to even take up the challenge. | 0:54:52 | 0:54:54 | |
Like, I wouldn't want to go against me. | 0:54:54 | 0:54:57 | |
I think it's incredible that you even tried to even plan my wedding | 0:54:58 | 0:55:01 | |
or even choose my dress, and yet you did it all. | 0:55:01 | 0:55:03 | |
Er, I didn't choose your dress, | 0:55:03 | 0:55:05 | |
you're wearing a different dress than what I chose. | 0:55:05 | 0:55:08 | |
You can't be gutted for ever, come on. | 0:55:12 | 0:55:14 | |
So, after three weeks in control, is Mark happy wearing the trousers? | 0:55:14 | 0:55:19 | |
Or should that be dungarees? | 0:55:19 | 0:55:21 | |
I won't let her let me do any planning in the future. | 0:55:21 | 0:55:23 | |
I think this planning for the last three weeks has done me. It has. | 0:55:23 | 0:55:28 | |
For a lifetime. | 0:55:28 | 0:55:29 | |
For a lifetime, but I'm absolutely... I've had a good night. | 0:55:29 | 0:55:32 | |
Everyone's loving it and this is what you get stressed for, | 0:55:32 | 0:55:35 | |
for this sort of thing. | 0:55:35 | 0:55:37 | |
And even Alex has learnt something, too. | 0:55:37 | 0:55:39 | |
I would never have dreamed, ever, | 0:55:41 | 0:55:43 | |
that I would be pig racing at my wedding. Ever. | 0:55:43 | 0:55:46 | |
Ever. Or that my groom would be dressed in dungarees. | 0:55:46 | 0:55:49 | |
For me, I've probably realised | 0:55:49 | 0:55:50 | |
that I need to, maybe, let my hair down a bit more. | 0:55:50 | 0:55:54 | |
Stop. What, now? I'm just getting warmed up. | 0:55:54 | 0:55:59 | |
Next time, car fanatic Wesley has fast and furious ideas | 0:55:59 | 0:56:03 | |
for his big day | 0:56:03 | 0:56:06 | |
but with Beyonce Reena dreaming of an intimate wedding... | 0:56:06 | 0:56:09 | |
This is going to completely screw this up. | 0:56:09 | 0:56:11 | |
..what happens when a convoy of cars | 0:56:11 | 0:56:13 | |
become the star attraction on her big day? | 0:56:13 | 0:56:16 | |
With the bridesmaids speeding towards a rampage... | 0:56:16 | 0:56:19 | |
Oh, my God. | 0:56:19 | 0:56:20 | |
It ain't happening. It ain't happening. | 0:56:20 | 0:56:22 | |
..do the best men become the driving force? | 0:56:22 | 0:56:25 | |
Or is this wedding heading for a breakdown? | 0:56:25 | 0:56:27 | |
-BUS BEEPS HORN Just give us a minute. -Stupid man. | 0:56:27 | 0:56:30 |