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-Every girl... -I do. -..likes to take control of her wedding. | 0:00:02 | 0:00:09 | |
So what happens when she has no say on her big day? | 0:00:09 | 0:00:14 | |
-They are awful. -We're not doing it. | 0:00:14 | 0:00:16 | |
Don't Tell The Bride is back. | 0:00:16 | 0:00:18 | |
This is ridiculous. | 0:00:18 | 0:00:19 | |
As ever, the grooms are in charge. | 0:00:19 | 0:00:22 | |
I want there to be a donkey, at the wedding. | 0:00:22 | 0:00:24 | |
I'm going to look lovely on my big day. | 0:00:24 | 0:00:26 | |
But with £12,000 to spend... | 0:00:26 | 0:00:28 | |
and just three weeks to throw the wedding of their dreams... | 0:00:28 | 0:00:31 | |
I love it! | 0:00:31 | 0:00:33 | |
..have the boys pushed themselves too far? | 0:00:33 | 0:00:36 | |
Oh, my God! You're fired. | 0:00:36 | 0:00:38 | |
With more shocking, | 0:00:38 | 0:00:40 | |
more outrageous, | 0:00:40 | 0:00:43 | |
and more daredevil weddings than ever before, | 0:00:43 | 0:00:45 | |
will there be a happy ever after? | 0:00:45 | 0:00:48 | |
This is not the thing you get wrong the day before your wedding. | 0:00:48 | 0:00:50 | |
Will true love save the day? | 0:00:50 | 0:00:52 | |
Mum, what is that? Mum, what is that? | 0:00:52 | 0:00:54 | |
Or is it a countdown to disaster? | 0:00:54 | 0:00:57 | |
Three, two, one. | 0:00:57 | 0:00:59 | |
Tonight, the groom who doesn't actually want a wedding... | 0:01:01 | 0:01:04 | |
It is essentially a piece of theatre for the crowd. | 0:01:04 | 0:01:06 | |
..plans the biggest day of his bride-to-be's life. | 0:01:06 | 0:01:09 | |
This is the one. | 0:01:09 | 0:01:10 | |
But will the steps he's taking to avoid the traditional... | 0:01:10 | 0:01:13 | |
I don't know many people who've had a wedding on top of a car park. | 0:01:13 | 0:01:16 | |
..have her sprinting for the exit? | 0:01:16 | 0:01:19 | |
-God, I'm going to kill him. -They're plimsolls, aren't they? | 0:01:19 | 0:01:21 | |
Can his unconventional dress save the day? | 0:01:21 | 0:01:24 | |
This is hideous. | 0:01:24 | 0:01:25 | |
Or has he completely forgotten it's a wedding? | 0:01:25 | 0:01:27 | |
-In here? -You've got to remember that it's not a party. -Yes. | 0:01:27 | 0:01:31 | |
It is a wedding. | 0:01:31 | 0:01:32 | |
East London lovebirds Hollie and James met eight years ago | 0:01:43 | 0:01:46 | |
when they worked in a Chinese noodle bar. | 0:01:46 | 0:01:49 | |
I taught Hollie how to serve noodles. | 0:01:49 | 0:01:51 | |
It was a weird situation to get to know someone | 0:01:51 | 0:01:54 | |
cos he was, like, my boss. | 0:01:54 | 0:01:55 | |
But there was no canoodling in the noodle bar for these two. | 0:01:55 | 0:01:58 | |
I wasn't really blown away. Like, he had really bad trainers on, | 0:01:58 | 0:02:01 | |
and obviously you always look at a guy's shoes. | 0:02:01 | 0:02:03 | |
It took two whole years for James to sort out his shoes | 0:02:03 | 0:02:07 | |
and send Hollie head over heels. | 0:02:07 | 0:02:09 | |
Cue the romantic "I love him so much" speech. | 0:02:09 | 0:02:12 | |
-Gradually became good friends... -Yeah. | 0:02:12 | 0:02:15 | |
-..and, that was it, really, wasn't it? -Yeah. | 0:02:15 | 0:02:17 | |
Oh. | 0:02:17 | 0:02:18 | |
Doors were closing for us both and... | 0:02:18 | 0:02:20 | |
SHE LAUGHS | 0:02:20 | 0:02:22 | |
-For you, perhaps. -Very good. | 0:02:22 | 0:02:24 | |
Yeah, we went for drinks and I suppose it went from there. | 0:02:24 | 0:02:27 | |
They love each other, really. | 0:02:27 | 0:02:29 | |
But they have an even greater love in common. | 0:02:29 | 0:02:32 | |
I just love there's so much to do in London. | 0:02:32 | 0:02:35 | |
-It's like the world on your doorstep. -Yeah, it is. | 0:02:35 | 0:02:37 | |
With so much on offer, you'd think London-loving James | 0:02:37 | 0:02:41 | |
would have plenty of ways to woo Hollie. | 0:02:41 | 0:02:43 | |
I like romance, I think it's a good thing. | 0:02:43 | 0:02:45 | |
I'm sure Hollie wishes I would be a lot more romantic, | 0:02:45 | 0:02:47 | |
I'm just not very good at it. | 0:02:47 | 0:02:49 | |
So romance isn't his strong point. | 0:02:49 | 0:02:52 | |
But then again, neither is his memory. | 0:02:52 | 0:02:55 | |
He's not good with dates, either. | 0:02:55 | 0:02:57 | |
-I said, "What day is it?" -"It's Tuesday." | 0:02:57 | 0:03:00 | |
-That wasn't the right answer. -"It's my birthday, James." -Yeah. | 0:03:00 | 0:03:03 | |
I've only ever seen her cry six times, | 0:03:03 | 0:03:06 | |
and those six times have always been her birthday. | 0:03:06 | 0:03:09 | |
James may have been the boss when they met, but there's no doubting | 0:03:09 | 0:03:13 | |
who's in charge now. | 0:03:13 | 0:03:14 | |
I think everyone gets that I'm in charge. | 0:03:14 | 0:03:18 | |
Not in charge, I'm like a friendly boss. | 0:03:18 | 0:03:20 | |
-It's true, you are the boss. -I'm not the boss. -Hollie's in charge. | 0:03:20 | 0:03:23 | |
She's even got her own emergency service to keep James in order. | 0:03:23 | 0:03:27 | |
I didn't know about the bed police | 0:03:27 | 0:03:29 | |
until Hollie made it very clear that if I left the house having not | 0:03:29 | 0:03:32 | |
made the bed properly, the bed police would be round | 0:03:32 | 0:03:35 | |
and they would inform Hollie on me, and then Hollie would tell me off. | 0:03:35 | 0:03:39 | |
You might get a fine or a warning. | 0:03:39 | 0:03:41 | |
-But you won't get put in jail yet, don't worry. -Thanks. | 0:03:41 | 0:03:44 | |
And it's not just the house she's got in order. | 0:03:44 | 0:03:47 | |
She knows exactly what kind of wedding she wants, too. | 0:03:47 | 0:03:50 | |
The wedding day itself is really important. I like old things. | 0:03:50 | 0:03:54 | |
I love vintage things. | 0:03:54 | 0:03:56 | |
So, something kind of traditional, somewhere in the countryside | 0:03:56 | 0:03:59 | |
with loads of twee little table dressings and flowers. | 0:03:59 | 0:04:03 | |
Kind of going back to my roots, like, in Lincolnshire. | 0:04:03 | 0:04:06 | |
Sounds lovely. | 0:04:06 | 0:04:08 | |
But for unromantic James, there's just one problem with weddings - | 0:04:08 | 0:04:11 | |
he hates them. | 0:04:11 | 0:04:13 | |
I don't like the stupid clothes. I don't like the silly outfits. | 0:04:13 | 0:04:16 | |
I hate the speeches, they're never funny and everyone hates doing them. | 0:04:16 | 0:04:20 | |
The first dance is ridiculous. The music's always awful. | 0:04:20 | 0:04:23 | |
The food is pretty average. And the vows are cringeworthy. | 0:04:23 | 0:04:27 | |
Told you. | 0:04:27 | 0:04:30 | |
So he's planning a wedding for a bride who loves weddings, | 0:04:30 | 0:04:33 | |
even though he really hates weddings. | 0:04:33 | 0:04:35 | |
Shouldn't be a problem at all. | 0:04:35 | 0:04:36 | |
We talk about it, don't we, quite a lot? | 0:04:36 | 0:04:39 | |
About our points of view on weddings and it ends up with Hollie going, | 0:04:39 | 0:04:42 | |
"Well, you'd have to do this." And I go, "Why do you have to do that?" | 0:04:42 | 0:04:45 | |
-And get all grumpy about it. -We stopped talking about it. | 0:04:45 | 0:04:48 | |
With weddings so far off the agenda, this couple aren't even engaged. | 0:04:48 | 0:04:52 | |
-Why are we not engaged? -Well, there'd be no point in getting engaged | 0:04:52 | 0:04:55 | |
because we just couldn't decide on a wedding. | 0:04:55 | 0:04:58 | |
I think it got to a place where we knew one of us | 0:04:58 | 0:05:02 | |
would have to make a compromise. | 0:05:02 | 0:05:04 | |
I just kind of thought it was going to be James making a compromise. | 0:05:04 | 0:05:08 | |
It's fine, he'll eventually do what I want. But that didn't happen. | 0:05:08 | 0:05:13 | |
So, I guess this is me compromising. | 0:05:13 | 0:05:17 | |
Well, considering James doesn't want a wedding, | 0:05:17 | 0:05:20 | |
surely he's compromised enough? | 0:05:20 | 0:05:22 | |
This is shocking, that we're here. | 0:05:22 | 0:05:25 | |
Yeah. It is surprising. I don't know why I'm here. | 0:05:25 | 0:05:31 | |
I feel strong-armed into this, to say the least. | 0:05:31 | 0:05:34 | |
Aw, how romantic. | 0:05:34 | 0:05:37 | |
The question now is, will Hollie get what she wants | 0:05:37 | 0:05:40 | |
when it comes to her big day? | 0:05:40 | 0:05:42 | |
Whether you admit it or not, you are putting me slightly to the test. | 0:05:42 | 0:05:46 | |
Would you agree with that? | 0:05:46 | 0:05:48 | |
Yeah, I guess so. | 0:05:48 | 0:05:50 | |
And, you're kind of going, "You should do it to prove it to me." | 0:05:50 | 0:05:54 | |
That you actually... I'm as committed to this relationship | 0:05:54 | 0:05:56 | |
-and love you as much as... -Yeah, I guess so. | 0:05:56 | 0:05:59 | |
I am petrified about the next three weeks, | 0:05:59 | 0:06:02 | |
just because I have six years of experience in knowing that | 0:06:02 | 0:06:05 | |
when you get something really wrong... | 0:06:05 | 0:06:09 | |
she'll be really upset. And this is as big as it gets. | 0:06:09 | 0:06:13 | |
It's time for Hollie and James to say goodbye. | 0:06:16 | 0:06:20 | |
-Straighteners. -Yep. | 0:06:20 | 0:06:22 | |
-Don't make it bad. -I'll try my hardest. | 0:06:22 | 0:06:25 | |
The next time they see each other will be in three weeks, | 0:06:25 | 0:06:28 | |
at their wedding. | 0:06:28 | 0:06:29 | |
-Bye-bye. -Good luck. | 0:06:29 | 0:06:31 | |
-I'll see you in three weeks. -Yeah, I know. | 0:06:35 | 0:06:38 | |
But before I do, I have a very important question for you. | 0:06:38 | 0:06:41 | |
It's about time wedding-phobic James finally made things official. | 0:06:41 | 0:06:45 | |
Hollie Belton, in three weeks' time, | 0:06:45 | 0:06:47 | |
will you do me the honour of being my wife? | 0:06:47 | 0:06:51 | |
SHE GIGGLES | 0:06:54 | 0:06:55 | |
Yes. If it fits. | 0:06:55 | 0:06:58 | |
It doesn't fit, it's enormous. But, you know. There we go. | 0:06:58 | 0:07:02 | |
Yep, nothing says official like a cheap novelty ring. | 0:07:05 | 0:07:08 | |
And for Hollie, reality is setting in. | 0:07:08 | 0:07:12 | |
I'm a little bit worried, but I'm excited more than anything. | 0:07:12 | 0:07:16 | |
At the moment. | 0:07:16 | 0:07:17 | |
RING CLINKS | 0:07:17 | 0:07:19 | |
SHE LAUGHS | 0:07:19 | 0:07:22 | |
The ring's slightly on the big side. | 0:07:22 | 0:07:24 | |
I'm just going to have to grip it. | 0:07:24 | 0:07:26 | |
While Hollie makes her way to her parents in rural Lincolnshire, | 0:07:26 | 0:07:29 | |
London-loving James, along with his best man, Tom, | 0:07:29 | 0:07:32 | |
head to one of the city's most stunning views. | 0:07:32 | 0:07:36 | |
And speaking of views, James has got some pretty unusual ones | 0:07:36 | 0:07:40 | |
when it comes to his wedding plans. | 0:07:40 | 0:07:42 | |
I'm wondering whether the wedding should just be a really | 0:07:42 | 0:07:45 | |
brilliant and beautiful celebration of London and where we live. | 0:07:45 | 0:07:48 | |
A lot of London, let's be honest, is a bit dingy, and gritty | 0:07:48 | 0:07:51 | |
and I love the idea of just taking something which is not particularly | 0:07:51 | 0:07:54 | |
attractive, like a disused car park or disused warehouse space. | 0:07:54 | 0:07:58 | |
Just something which feels really dark and dingy and horrible, | 0:07:58 | 0:08:00 | |
but turn it into, like, this amazing kind of beautiful, | 0:08:00 | 0:08:04 | |
spectacular environment. | 0:08:04 | 0:08:05 | |
Something that if you wrote it on paper, and gave it to Hollie, | 0:08:05 | 0:08:08 | |
she would freak out. But I think once she was actually involved in it, | 0:08:08 | 0:08:11 | |
-she'd be like, "Oh, actually, this is kind of amazing." -Sounds foolproof. | 0:08:11 | 0:08:14 | |
HE LAUGHS | 0:08:14 | 0:08:15 | |
So, a wedding which bears absolutely no resemblance to a wedding. | 0:08:15 | 0:08:19 | |
Brilliant. Completely unaware of what James is planning, | 0:08:19 | 0:08:23 | |
Hollie's made the three-hour journey back to her family home. | 0:08:23 | 0:08:27 | |
There'll always be, like, part of my heart in Horncastle. | 0:08:27 | 0:08:29 | |
It's kind of where I grew up and made me who I am. | 0:08:29 | 0:08:32 | |
I really love it there. | 0:08:32 | 0:08:33 | |
First to meet her are sisters Gem and Sof, | 0:08:35 | 0:08:38 | |
and they've already heard the big news. | 0:08:38 | 0:08:40 | |
-Let's see the ring then. Oh, wow. -What is that? | 0:08:40 | 0:08:45 | |
Looks expensive. Good quality. | 0:08:45 | 0:08:49 | |
And Mum's clearly impressed, too. | 0:08:49 | 0:08:52 | |
Oh, my God, Hollie. | 0:08:52 | 0:08:53 | |
THEY LAUGH | 0:08:53 | 0:08:56 | |
You better put it in a safe. | 0:08:56 | 0:08:58 | |
With a ring that'll go down in family history | 0:08:58 | 0:09:00 | |
for all the wrong reasons, | 0:09:00 | 0:09:02 | |
the girls hope the wedding will be remembered for all the right ones. | 0:09:02 | 0:09:05 | |
-How are you feeling, then, about it all? -I'm petrified. | 0:09:05 | 0:09:08 | |
-Are you actually really worried? -Yes! | 0:09:08 | 0:09:10 | |
You're dreading it, aren't you? You are. | 0:09:10 | 0:09:13 | |
What do you think he will do? | 0:09:13 | 0:09:15 | |
Ooof, I just don't know. | 0:09:15 | 0:09:17 | |
-He doesn't like half of the things that a wedding involves. -Oh, no. | 0:09:17 | 0:09:20 | |
-That's the point. -Oh. | 0:09:20 | 0:09:22 | |
-That's why we're here. -But I wanted to celebrate a marriage. -Yeah. | 0:09:22 | 0:09:26 | |
And James would rather have just kind of ran away and hidden it. | 0:09:26 | 0:09:30 | |
But James isn't running away. He's busy planning. | 0:09:32 | 0:09:36 | |
The problem is what he's planning, which is less of a wedding | 0:09:36 | 0:09:39 | |
and more of a party. | 0:09:39 | 0:09:41 | |
Worse still, he wants it in this car park. | 0:09:41 | 0:09:45 | |
This place at night actually is genuinely quite scary. | 0:09:45 | 0:09:48 | |
-Where? -I think it's that black door up there. -That door over there? | 0:09:48 | 0:09:51 | |
Literally, that is a complete opposite to an entrance to a church. | 0:09:51 | 0:09:54 | |
A pee-smelling doorway. | 0:09:54 | 0:09:56 | |
A bit of pee won't put James off. | 0:09:58 | 0:10:01 | |
With its rooftop bar in summer, | 0:10:01 | 0:10:03 | |
this is literally James' number one venue. | 0:10:03 | 0:10:06 | |
-Here we go. -Yeah. Car park. -It's a car park. | 0:10:06 | 0:10:09 | |
Right. | 0:10:09 | 0:10:10 | |
Back in Horncastle, home-loving Hollie has more traditional thoughts | 0:10:12 | 0:10:16 | |
on where she'd like to get married. | 0:10:16 | 0:10:18 | |
The church I'd like to get married in is a small, | 0:10:18 | 0:10:21 | |
kind of local church where my sisters and parents got married. | 0:10:21 | 0:10:25 | |
It's very traditional. Kind of stained glass windows. | 0:10:25 | 0:10:29 | |
A really nice old church. | 0:10:29 | 0:10:31 | |
Along with her sisters and mum, | 0:10:31 | 0:10:33 | |
she's taking a trip down memory lane. | 0:10:33 | 0:10:35 | |
That's my favourite part, the window at the end. | 0:10:35 | 0:10:38 | |
-Yeah, it looks really pretty doesn't it? It's lovely. -Yeah. | 0:10:38 | 0:10:40 | |
I don't think it's even about the church, how it even looks. | 0:10:40 | 0:10:43 | |
It's just that it has lots of memories. | 0:10:43 | 0:10:46 | |
You getting married here... You getting married here. | 0:10:47 | 0:10:51 | |
-You getting married here. -Yeah. We all got married here. | 0:10:51 | 0:10:54 | |
Nan. Nan and Grampy got married here. | 0:10:54 | 0:10:56 | |
Shall we just walk down the aisle just in case I don't get to? | 0:10:56 | 0:11:00 | |
-Not on this one. -There is a Belton. H Belton. -Ah, it's a sign. | 0:11:00 | 0:11:05 | |
-The Belton family name is dying a death after you get married. -Yeah. | 0:11:05 | 0:11:08 | |
So that's why I need to get married here, so it's like the final one. | 0:11:08 | 0:11:13 | |
Full circle. | 0:11:13 | 0:11:14 | |
But while Hollie wants to celebrate her family, James' Peckham venue | 0:11:14 | 0:11:18 | |
calls to mind another family altogether - the Trotters. | 0:11:18 | 0:11:23 | |
Here we are. That's an amazing view. | 0:11:25 | 0:11:28 | |
If the idea was to try and do something completely different | 0:11:29 | 0:11:32 | |
where you actually captured London, I think this is kind of perfect. | 0:11:32 | 0:11:36 | |
I don't know many people who've had a wedding on top of a car park. | 0:11:36 | 0:11:40 | |
There's a good reason for that, James, you plonker. | 0:11:40 | 0:11:43 | |
History defines where you come from, doesn't it? | 0:11:45 | 0:11:49 | |
-I think you are who you are... -And is that important to you? -Yeah. | 0:11:49 | 0:11:52 | |
Just because I moved away doesn't mean, like, | 0:11:52 | 0:11:55 | |
-my home town isn't important to me. Of course it is. -That surprises me, | 0:11:55 | 0:11:59 | |
because I didn't think you were as sentimental as that. | 0:11:59 | 0:12:02 | |
I think there's something quite quaint and cute about this location. | 0:12:02 | 0:12:10 | |
Is that the only thing, if James has something in London, | 0:12:10 | 0:12:13 | |
are there many, like, quaint and cute locations? | 0:12:13 | 0:12:16 | |
-I'm sure there are, but not that mean as much to me. -Yeah. | 0:12:16 | 0:12:20 | |
But James' venue means a lot to him. | 0:12:20 | 0:12:23 | |
It has breathtaking views of London, | 0:12:23 | 0:12:25 | |
and litter, and abandoned cars. But still. | 0:12:25 | 0:12:29 | |
He's discussing price with Freddy, who works for the art collective | 0:12:29 | 0:12:33 | |
who host the trendy summer bar here. | 0:12:33 | 0:12:36 | |
-Really excited to be helping you out. -Awesome. | 0:12:36 | 0:12:39 | |
How much would it cost to hire for an evening? | 0:12:39 | 0:12:41 | |
Normally we charge about £5,000 for a complete dry hire. | 0:12:41 | 0:12:44 | |
We're willing to negotiate on the price, maybe take it down to £4,000. | 0:12:44 | 0:12:48 | |
Thank you. Great to meet you, too. | 0:12:48 | 0:12:49 | |
With the bar still closed for the next few weeks, they can only dream | 0:12:51 | 0:12:55 | |
of how it will look. | 0:12:55 | 0:12:56 | |
I mean, a view in itself is enough, | 0:12:56 | 0:12:58 | |
but I think with a bit of imagination, and a few, | 0:12:58 | 0:13:01 | |
you know, a bit of thought, I think it could look quite nice up there. | 0:13:01 | 0:13:04 | |
It could look quite nice. Just not necessarily for Hollie's wedding. | 0:13:04 | 0:13:08 | |
And so, with his heart set on a rooftop party, James heads home. | 0:13:08 | 0:13:13 | |
Back in Lincolnshire, Hollie's parents are wondering why you would | 0:13:13 | 0:13:17 | |
let a man who hates weddings plan your wedding. | 0:13:17 | 0:13:20 | |
When did you decide that you were both going to get married? | 0:13:20 | 0:13:23 | |
Well, we always talked about it. | 0:13:23 | 0:13:25 | |
He asked me to get married a couple of times. I said no because | 0:13:25 | 0:13:28 | |
we couldn't come to an agreement and so we just didn't bother. | 0:13:28 | 0:13:31 | |
Didn't bother until I thought, | 0:13:31 | 0:13:33 | |
"Well, what if I let James organise it all? | 0:13:33 | 0:13:36 | |
"What will he do?" And then somehow, he agreed to do it. | 0:13:36 | 0:13:40 | |
We'd like to just see you happily married. | 0:13:40 | 0:13:42 | |
Divorce rate's high enough, Hollie, without... | 0:13:42 | 0:13:45 | |
Well, let's worry about getting married first. | 0:13:45 | 0:13:48 | |
The Peckham rooftop isn't a registered wedding venue. | 0:13:48 | 0:13:51 | |
Thankfully, and fairly unexpectedly, James has realised that. | 0:13:51 | 0:13:55 | |
I would like to get married. | 0:13:55 | 0:13:56 | |
So he's booking a registry office for the day after his party - | 0:13:56 | 0:13:59 | |
erm, ceremony. | 0:13:59 | 0:14:01 | |
That is wonderful news, thank you. | 0:14:01 | 0:14:03 | |
Legal wedding booked, James and his mate Matt are about to confirm | 0:14:03 | 0:14:07 | |
the car park for his party. | 0:14:07 | 0:14:09 | |
So it'll be Saturday May 3rd. | 0:14:09 | 0:14:11 | |
-WOMAN: -'The bar is booked in | 0:14:11 | 0:14:14 | |
'between the 20th April and the 15th May.' | 0:14:14 | 0:14:16 | |
But there's a problem. The rooftop bar will be under construction | 0:14:16 | 0:14:20 | |
the day James plans on getting married. | 0:14:20 | 0:14:23 | |
'Let me find out about these things and I'll get back to you tomorrow.' | 0:14:23 | 0:14:26 | |
OK. Bye-bye. | 0:14:26 | 0:14:27 | |
BLEEP | 0:14:27 | 0:14:29 | |
The venue that I kind of had my heart set on | 0:14:32 | 0:14:35 | |
and had been planning around, suddenly might not be available. | 0:14:35 | 0:14:38 | |
Lots of nice roof terraces around, but that was a bit more special. | 0:14:38 | 0:14:42 | |
So, yeah. | 0:14:42 | 0:14:44 | |
James' car park dream has stalled. | 0:14:51 | 0:14:54 | |
Still, he won't let that spoil his party. | 0:14:54 | 0:14:57 | |
Time to find some entertainment. | 0:14:57 | 0:14:58 | |
Keen to keep his wedding local, he's had the perfect idea. | 0:14:58 | 0:15:03 | |
He's going to hire Mike, their friendly neighbourhood busker. | 0:15:03 | 0:15:07 | |
Hey. Beautiful. | 0:15:07 | 0:15:09 | |
I'm getting married, which is kind of great news. | 0:15:09 | 0:15:13 | |
And me and my girlfriend have been walking past you, like, | 0:15:13 | 0:15:17 | |
practically every week for the last three years, and I'd love it if you | 0:15:17 | 0:15:20 | |
could come down for an hour and play some of your music for my guests. | 0:15:20 | 0:15:24 | |
-Oh, I would love to. I would love to do it. -That's great. | 0:15:24 | 0:15:26 | |
I think I really like it. She loves the little touches when you | 0:15:26 | 0:15:29 | |
do something which is really thoughtful and relevant to her life. | 0:15:29 | 0:15:32 | |
I think it's a nice little touch that she'll really appreciate. | 0:15:32 | 0:15:35 | |
So that's the entertainment, booked. But James has had some bad news. | 0:15:35 | 0:15:38 | |
We've just heard from the car park that they're pulling out. | 0:15:38 | 0:15:43 | |
Which means the wedding cannot be held there. | 0:15:43 | 0:15:47 | |
So we need to find a new venue. And quickly. | 0:15:47 | 0:15:50 | |
Which is a bit of a kick in the teeth, | 0:15:50 | 0:15:54 | |
because it was a great venue and it was perfect. | 0:15:54 | 0:15:57 | |
So, yeah, it's a bit of a start-again job I think. | 0:15:57 | 0:16:03 | |
Could James' car park calamity be the saviour of Hollie's big day? | 0:16:03 | 0:16:07 | |
Hi, yes. I'm looking for a venue for my wedding. | 0:16:07 | 0:16:11 | |
A country house? A posh hotel? Maybe a stately home. | 0:16:11 | 0:16:16 | |
Ideally, a multistorey car park with great views. | 0:16:16 | 0:16:18 | |
I desperately need something. | 0:16:18 | 0:16:20 | |
I'm just wondering if your car park has any availability? | 0:16:20 | 0:16:23 | |
James' car park plan has hit the skids. | 0:16:23 | 0:16:26 | |
Still, London's got plenty of other rooftops. | 0:16:26 | 0:16:28 | |
That's an amazing view. | 0:16:28 | 0:16:30 | |
He's not willing to give up on his dream of a gritty building. | 0:16:30 | 0:16:35 | |
That place isn't grimy or nasty, it's beautiful. | 0:16:35 | 0:16:37 | |
I don't think it shows Hollie | 0:16:37 | 0:16:39 | |
quite the effort that I want to demonstrate. | 0:16:39 | 0:16:42 | |
So it's back to Del Boy's stomping ground in Peckham. Cushty. | 0:16:45 | 0:16:49 | |
And a former cricket bat factory. | 0:16:52 | 0:16:55 | |
-The first time you see that, you're just like... -Wedding venue? -Exactly! | 0:16:55 | 0:16:58 | |
It's a pretty spectacular site. | 0:16:58 | 0:17:00 | |
But will this bowl Hollie over? Or just leave her stumped? | 0:17:00 | 0:17:03 | |
-I like the idea of people being uncertain as they walk in. -Yeah. | 0:17:03 | 0:17:06 | |
-"Is he for real?" -Yeah, kind of! | 0:17:06 | 0:17:09 | |
-It's nice. -We can have a game of five-a-side on here. | 0:17:14 | 0:17:16 | |
-It's a better view than I thought. There's the car park. -Yeah. | 0:17:16 | 0:17:20 | |
You can't complain at that. | 0:17:20 | 0:17:22 | |
-It's pretty noisy. -It is. -I think noise adds charm. -Yeah. | 0:17:22 | 0:17:25 | |
It adds a kind of realism to the whole thing. I think it's nice. | 0:17:25 | 0:17:28 | |
It is not quite as dramatic but this is a good space. | 0:17:28 | 0:17:31 | |
The best views in London. | 0:17:31 | 0:17:34 | |
James is meeting Gerry, who runs the rooftop. | 0:17:34 | 0:17:36 | |
How much do you charge? | 0:17:36 | 0:17:37 | |
I normally ask for around, about a grand and half. | 0:17:37 | 0:17:40 | |
So James stumps up £1,500 on a former factory. | 0:17:40 | 0:17:44 | |
The perfect place for his urban rooftop party. | 0:17:44 | 0:17:47 | |
In Lincolnshire, Hollie's brought her mum, sisters and friend Becky | 0:17:50 | 0:17:54 | |
to choose her ideal dress for her dream wedding. | 0:17:54 | 0:17:57 | |
I want to wear something with lace. | 0:17:57 | 0:18:02 | |
Something quite vintage. | 0:18:02 | 0:18:03 | |
Maybe a little bit quirky. Not the norm. | 0:18:03 | 0:18:06 | |
Oh, my gosh. Not sure. | 0:18:06 | 0:18:08 | |
It's got too many bits going on. | 0:18:08 | 0:18:10 | |
They're a bit sparkly. Bit frilly. | 0:18:10 | 0:18:13 | |
Bit scary. I'm not sure about the sleeves. | 0:18:13 | 0:18:16 | |
I think maybe they're a bit too sparkly. | 0:18:16 | 0:18:19 | |
I don't like any of this. | 0:18:19 | 0:18:21 | |
I don't know what I'm looking for. | 0:18:21 | 0:18:23 | |
I'm really not sure, something that's maybe not in this room. | 0:18:23 | 0:18:27 | |
If it's not there, hopefully it's in this east London clothes shop. | 0:18:29 | 0:18:33 | |
James has decided to buy vintage, which to him means one thing. | 0:18:35 | 0:18:39 | |
Vintage clothing essentially is mostly second-hand clothes. | 0:18:39 | 0:18:42 | |
In short, I suppose, I'm looking for a second-hand wedding dress. | 0:18:42 | 0:18:45 | |
-Wow. That's for you, Tom, that is. -How about this? | 0:18:49 | 0:18:52 | |
It's not a terrible dress. | 0:18:52 | 0:18:54 | |
-Shall we put it on the...? -The pile worthy of further consideration. | 0:18:54 | 0:18:56 | |
So not a terrible dress is the kind of criteria for the dress | 0:18:56 | 0:19:00 | |
Hollie's going to get married in? | 0:19:00 | 0:19:03 | |
-'60s vision of the future. -Mm. Yellow as well. | 0:19:03 | 0:19:05 | |
That might just be because it's old. Or coated in someone's urine. | 0:19:05 | 0:19:09 | |
-It's a stain. Could be blood. -It could be blood. | 0:19:09 | 0:19:12 | |
We'll find something. | 0:19:12 | 0:19:13 | |
Whilst the boys' gauge for a good dress | 0:19:13 | 0:19:15 | |
is whether or not it's blood stained, | 0:19:15 | 0:19:17 | |
Hollie's standards are a tad higher. | 0:19:17 | 0:19:19 | |
And she's struggling to find one she likes. | 0:19:19 | 0:19:22 | |
-Ah, that's very sparkly. -It does look pretty. | 0:19:22 | 0:19:25 | |
I'm not keen on the front because my boobs are way too small. | 0:19:25 | 0:19:28 | |
I don't think it's the one for you. | 0:19:28 | 0:19:30 | |
I feel so silly. | 0:19:32 | 0:19:34 | |
For once, James seems to be on the right track. | 0:19:34 | 0:19:36 | |
Starting to get somewhere. | 0:19:36 | 0:19:38 | |
He's looking at a vintage dress with short lacy sleeves. | 0:19:38 | 0:19:41 | |
I mean, with all these you've got the problem that they've been used. | 0:19:41 | 0:19:45 | |
I think Hollie will see the charm in that. | 0:19:45 | 0:19:47 | |
No, OK, well, let's go with that. | 0:19:47 | 0:19:50 | |
Amazingly, back in Lincolnshire, | 0:19:53 | 0:19:55 | |
Hollie's trying on a lacy cap-sleeve dress. | 0:19:55 | 0:19:58 | |
Could the boys be onto a winner? | 0:19:58 | 0:20:00 | |
Feel like an old lady. | 0:20:00 | 0:20:02 | |
Uh-oh. | 0:20:02 | 0:20:03 | |
So this is what I thought it would look like in my mind, | 0:20:03 | 0:20:06 | |
but now I've tried it on, I feel really stiff. | 0:20:06 | 0:20:09 | |
You've now tried on what you think you want, | 0:20:09 | 0:20:12 | |
but you don't like it at all. | 0:20:12 | 0:20:13 | |
So how's James going to be able to choose anything, | 0:20:13 | 0:20:16 | |
if you don't know what you want? | 0:20:16 | 0:20:18 | |
-Lots of hope! -Poor man. | 0:20:18 | 0:20:20 | |
-I'm Hollie. -I think the one on my right is too discoloured. | 0:20:20 | 0:20:25 | |
It's gone. That leaves us with one not hideously offensive dress. | 0:20:25 | 0:20:30 | |
It's only really scraping the definition | 0:20:30 | 0:20:32 | |
-of not hideously offensive. -Yeah. | 0:20:32 | 0:20:34 | |
And not very... It's not very nice. | 0:20:34 | 0:20:38 | |
Luckily, even James knows that not very nice isn't good enough. | 0:20:38 | 0:20:42 | |
He wants Hollie to look stunning when she's standing on the roof | 0:20:42 | 0:20:45 | |
of that cricket bat factory. | 0:20:45 | 0:20:47 | |
So he turns to a fashion website on the internet. | 0:20:47 | 0:20:50 | |
-It's got lace, important. And it's definitely wedding-y. -Mm. | 0:20:50 | 0:20:53 | |
-It's not bad. -I think it's really nice. | 0:20:53 | 0:20:56 | |
-It's got a pocket, look. -That's quite cool. | 0:20:56 | 0:20:58 | |
Yeah, pockets are cool. | 0:20:58 | 0:20:59 | |
But Hollie might have found her dream dress. | 0:20:59 | 0:21:02 | |
-Oh, yeah, I like that. -Yeah. | 0:21:02 | 0:21:04 | |
And it doesn't have pockets. | 0:21:04 | 0:21:06 | |
Where on earth will she put her spare change? | 0:21:06 | 0:21:08 | |
Quite vintage those shoulders. | 0:21:08 | 0:21:09 | |
Oh, turn around, let's have a look at the back. | 0:21:09 | 0:21:12 | |
-Yeah, that looks really pretty. -I like that it's got straps. | 0:21:12 | 0:21:17 | |
And I like the detail around the neck and on the shoulders. | 0:21:17 | 0:21:20 | |
And I love the back. | 0:21:20 | 0:21:21 | |
Cos my back's way better than my boobs, so... | 0:21:23 | 0:21:26 | |
Luckily, James is looking at an elegant backless number, too. | 0:21:26 | 0:21:30 | |
This is totally not a wedding dress. | 0:21:30 | 0:21:32 | |
-Does she like her back? -I don't think it's a part of her body | 0:21:32 | 0:21:35 | |
she feels particularly comfortable revealing to the world. | 0:21:35 | 0:21:37 | |
Oh, so near, James, and yet so far. | 0:21:37 | 0:21:40 | |
-This is the one. -Is it the one? -This is the one. | 0:21:40 | 0:21:43 | |
Hollie's finally found her one. | 0:21:43 | 0:21:45 | |
An elegant long vintage-style dress | 0:21:45 | 0:21:48 | |
with diamante straps and exposed back. | 0:21:48 | 0:21:52 | |
But James has plumped for the complete opposite - | 0:21:52 | 0:21:54 | |
a short cotton dress with covered back. | 0:21:54 | 0:21:57 | |
-I really like this one. -It's cool. | 0:21:57 | 0:21:59 | |
It's a knee-length skirt, but the way it's folded, creates, I think, | 0:21:59 | 0:22:02 | |
quite a little hint of surprise, which makes it feel a little | 0:22:02 | 0:22:05 | |
different from the straight, you know, sleeveless, knee-length dress. | 0:22:05 | 0:22:09 | |
I think it's really nice and I can see Hollie in it. | 0:22:09 | 0:22:12 | |
-You're pleased with yourself, aren't you? -A little bit. | 0:22:12 | 0:22:14 | |
It's not a wedding dress, but James thinks he's cracked it | 0:22:14 | 0:22:18 | |
with this statement Vivienne Westwood number. | 0:22:18 | 0:22:21 | |
With the venue and dress sorted, James heads to Maidenhead | 0:22:21 | 0:22:26 | |
to tell his older brother Doug all about the plans. | 0:22:26 | 0:22:29 | |
Trouble is, they're not sure who else from the family will come. | 0:22:29 | 0:22:32 | |
It'll be nice to have some Fraser representation there. | 0:22:32 | 0:22:35 | |
-It's a shame that certainly if Claire and Ann can't come. -Yeah. | 0:22:35 | 0:22:38 | |
It'd be great if Claire could come, she would love to come, as well. | 0:22:38 | 0:22:41 | |
Robert's travelling, which is a shame. | 0:22:41 | 0:22:43 | |
Emma said maybe, but the kids and family stuff. | 0:22:43 | 0:22:45 | |
-It's family, isn't it? It's difficult. -Yeah. That's fine. | 0:22:45 | 0:22:48 | |
James may not mind who turns up | 0:22:48 | 0:22:50 | |
but for Hollie, this wedding's all about family. | 0:22:50 | 0:22:54 | |
I didn't want to just run away. | 0:22:54 | 0:22:56 | |
I wanted to make sure everyone was there, | 0:22:56 | 0:22:59 | |
-so it's a celebration with everyone. -Mm-hm. You see that surprises me, | 0:22:59 | 0:23:02 | |
because I would have said that you and James would have... | 0:23:02 | 0:23:05 | |
I can't believe you're surprised by that. | 0:23:05 | 0:23:08 | |
Why do you find that so surprising? I like big parties and... | 0:23:08 | 0:23:11 | |
I think probably also because James' brothers | 0:23:11 | 0:23:14 | |
-and sisters have all done that. -Yeah. That's why he wanted to do it. | 0:23:14 | 0:23:18 | |
But I didn't want to just run away. | 0:23:18 | 0:23:20 | |
It's a Fraser family thing, I suppose, | 0:23:20 | 0:23:22 | |
-not doing weddings the traditional way. -We ran away to Thailand. | 0:23:22 | 0:23:25 | |
We did actually have a plan and did think about doing it in the UK, | 0:23:25 | 0:23:29 | |
-but so many other people then bring in their expectations... -Yes! | 0:23:29 | 0:23:32 | |
And you start thinking, "Well, actually, no, I had a vision | 0:23:32 | 0:23:34 | |
"for this and I was going to do it. | 0:23:34 | 0:23:36 | |
-"I don't want to buy bridesmaids' dresses." -No. I'm exactly the same. | 0:23:36 | 0:23:41 | |
Exactly that same place. | 0:23:41 | 0:23:42 | |
-I feel guilty that I've given him this stress. -Why? | 0:23:42 | 0:23:46 | |
Cos there's actually quite a lot to do. | 0:23:46 | 0:23:49 | |
Do you not think that he'll just do a wedding how he wants it, though? | 0:23:49 | 0:23:52 | |
I've said to him, "I understand you don't like everything | 0:23:52 | 0:23:54 | |
"I want to do, so do it your way." | 0:23:54 | 0:23:56 | |
So I'm hoping that he's not going to take that as, | 0:23:56 | 0:23:59 | |
-"I'm going to do it exactly as I know she will hate." -Mm. Yeah. | 0:23:59 | 0:24:03 | |
Because that's not really who I want to marry. | 0:24:03 | 0:24:06 | |
Oh, gosh. | 0:24:07 | 0:24:09 | |
But will she want to marry a man who won't buy her bridesmaids' dresses? | 0:24:11 | 0:24:14 | |
I'll get it wrong and they won't like them, | 0:24:14 | 0:24:17 | |
and it just seems like a waste. | 0:24:17 | 0:24:20 | |
He's telling the girls to buy their own dresses, | 0:24:20 | 0:24:23 | |
and he's insisting on a colour theme. | 0:24:23 | 0:24:25 | |
A little black bridesmaid's dress. | 0:24:25 | 0:24:26 | |
-I don't know why I'm tempted by black. -Three girls, black dresses. | 0:24:26 | 0:24:29 | |
-BOTH: -Wow. | 0:24:29 | 0:24:30 | |
Well, at least black should hide the dirt from that roof. | 0:24:31 | 0:24:35 | |
Even though James isn't buying the dresses, | 0:24:35 | 0:24:38 | |
he will be accessorising them with name badges. | 0:24:38 | 0:24:41 | |
He's just spoiling those girls now. | 0:24:41 | 0:24:42 | |
In a weird kind of way I almost see it as the equivalent | 0:24:42 | 0:24:45 | |
-of having a big birthday badge on. -Yeah. | 0:24:45 | 0:24:47 | |
It's "I'm the bridesmaid". | 0:24:47 | 0:24:48 | |
-We've got to decide what they actually say, I assume? -Yeah. | 0:24:48 | 0:24:51 | |
Do any of your bridesmaids have any kind of nickname | 0:24:51 | 0:24:54 | |
or anything like that? | 0:24:54 | 0:24:55 | |
Two of the bridesmaids are Holly's sisters, Gem and Sof. | 0:24:55 | 0:24:58 | |
Nicky, the main bridesmaid, is called Stinks, | 0:24:58 | 0:25:02 | |
which is vaguely charming. | 0:25:02 | 0:25:04 | |
How much is that? | 0:25:04 | 0:25:05 | |
They're 47.50 each. | 0:25:05 | 0:25:06 | |
We've got Gem, and we've got a Stinks, and we've got a Sof. | 0:25:10 | 0:25:13 | |
-Oh, they're well good. -They're amazing. | 0:25:13 | 0:25:15 | |
I hope she doesn't mind being called Stinks. | 0:25:15 | 0:25:17 | |
I think she'll find it affectionate. | 0:25:17 | 0:25:19 | |
Let's hope Nicky doesn't kick up a STINK when she sees her necklace. | 0:25:19 | 0:25:22 | |
We're about to find out, | 0:25:24 | 0:25:26 | |
because James has asked Hollie's friends | 0:25:26 | 0:25:27 | |
to deliver the bridesmaids a package. | 0:25:27 | 0:25:30 | |
It contains a note | 0:25:30 | 0:25:31 | |
explaining that they'll have to buy their own dresses. | 0:25:31 | 0:25:34 | |
Where's the love, James? Where is the love? | 0:25:34 | 0:25:38 | |
And their nickname necklaces. | 0:25:38 | 0:25:40 | |
Ahh. | 0:25:40 | 0:25:41 | |
They're big and quite bold. | 0:25:41 | 0:25:43 | |
But they're not as hideous as I thought. | 0:25:43 | 0:25:46 | |
Turns out they like them. | 0:25:46 | 0:25:48 | |
Back in London, Nicky's receiving hers from Hollie's friend, Nora. | 0:25:48 | 0:25:53 | |
Oh, my God. | 0:25:53 | 0:25:54 | |
Oh, my God! | 0:25:57 | 0:25:58 | |
That's our nickname for each other. | 0:25:58 | 0:26:00 | |
-Stinks? -Stinks. | 0:26:02 | 0:26:04 | |
Every text message, every e-mail, "Hi, Stinks, love you, Stinks." | 0:26:04 | 0:26:08 | |
Well, it's not very...subtle. | 0:26:08 | 0:26:10 | |
No. It's not. | 0:26:10 | 0:26:12 | |
A black dress... | 0:26:12 | 0:26:14 | |
and Stinks... | 0:26:14 | 0:26:16 | |
plastered round my neck. | 0:26:16 | 0:26:19 | |
It's quite fun. Would I pick it for my wedding? | 0:26:19 | 0:26:23 | |
James has stitched me up good and proper! | 0:26:25 | 0:26:27 | |
It shocked me, and I know James and I know Hollie. | 0:26:27 | 0:26:30 | |
And... | 0:26:30 | 0:26:31 | |
I never expected that. | 0:26:31 | 0:26:34 | |
Thanks, James! | 0:26:34 | 0:26:35 | |
Don't thank him yet, he's not finished. | 0:26:36 | 0:26:39 | |
Nicky shouldn't worry about people staring at her name badge... | 0:26:39 | 0:26:42 | |
not when they'll be staring at her head. | 0:26:42 | 0:26:44 | |
They can have a pineapple in their hair. | 0:26:44 | 0:26:46 | |
I'm sold. I love the idea of giving the bridesmaids a pineapple. | 0:26:46 | 0:26:50 | |
While Hollie's wearing a simple summer outfit, | 0:26:50 | 0:26:52 | |
James buys himself a sharp formal suit. | 0:26:52 | 0:26:55 | |
And instead of traditional shoes for the bride, | 0:26:55 | 0:26:58 | |
he buys a pair of trainers. | 0:26:58 | 0:26:59 | |
I'm quite excited now. This is great. | 0:27:00 | 0:27:02 | |
This is like one of those car-crash ideas | 0:27:02 | 0:27:04 | |
that actually turns out, could be amazing. | 0:27:04 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:07 | |
They're customised trainers, though... | 0:27:07 | 0:27:09 | |
so that's all right, then. | 0:27:09 | 0:27:10 | |
It's two weeks since Hollie last saw James, | 0:27:11 | 0:27:15 | |
and with no idea when her wedding is even happening, | 0:27:15 | 0:27:18 | |
she's back in London, staying with Nicky on her houseboat. | 0:27:18 | 0:27:21 | |
How does it feel not knowing anything? | 0:27:21 | 0:27:24 | |
It's driving me insane! | 0:27:24 | 0:27:27 | |
It's actually driving me insane. | 0:27:27 | 0:27:30 | |
So I thought this would be really fun | 0:27:30 | 0:27:32 | |
and like, "Oh, it'll be a nice surprise." | 0:27:32 | 0:27:35 | |
-Actually it's the -BLEEP -surprise I've ever experienced in my life. | 0:27:35 | 0:27:38 | |
Little does she know, she's about to receive her invite... | 0:27:38 | 0:27:42 | |
via Mike the busker. | 0:27:42 | 0:27:44 | |
Have you got any idea? | 0:27:44 | 0:27:46 | |
I have just said now, I genuinely don't know. | 0:27:46 | 0:27:48 | |
You're going to find out when you find out. | 0:27:48 | 0:27:50 | |
I don't know when that will be. | 0:27:50 | 0:27:51 | |
Hello? | 0:27:55 | 0:27:58 | |
-Hello? -Hello? | 0:27:58 | 0:28:00 | |
HE STRUMS GUITAR | 0:28:00 | 0:28:01 | |
# Hello, Hollie... # | 0:28:01 | 0:28:03 | |
Oh, my God! | 0:28:03 | 0:28:05 | |
# James would like to invite you to your wedding. # | 0:28:08 | 0:28:13 | |
Oh, my God. | 0:28:13 | 0:28:15 | |
-DOG BARKS -Hanson, it's OK. | 0:28:15 | 0:28:17 | |
Come on. | 0:28:17 | 0:28:19 | |
It's OK. It's OK, it's OK. | 0:28:19 | 0:28:20 | |
He sings at the supermarket in the car park. | 0:28:22 | 0:28:25 | |
THEY LAUGH | 0:28:25 | 0:28:27 | |
# On Sunday, 4th May... # | 0:28:27 | 0:28:30 | |
Yes, it's on a Sunday! Thank God. | 0:28:30 | 0:28:33 | |
Oh, dear. | 0:28:33 | 0:28:35 | |
Yes, I'm coming. | 0:28:35 | 0:28:36 | |
LAUGHTER | 0:28:36 | 0:28:38 | |
-Happy! -Excellent! | 0:28:38 | 0:28:40 | |
It's time for the stag, and what's James got planned? | 0:28:45 | 0:28:49 | |
Clubbing? | 0:28:50 | 0:28:51 | |
Strippers? | 0:28:51 | 0:28:53 | |
Waking up naked in Belgium? | 0:28:53 | 0:28:54 | |
Darjeeling? | 0:28:56 | 0:28:57 | |
Come on, this is James. | 0:28:57 | 0:28:59 | |
Ooh... | 0:29:00 | 0:29:03 | |
You made me peppermint tea with milk. | 0:29:05 | 0:29:07 | |
It's like drinking a cup of toothpaste. | 0:29:09 | 0:29:11 | |
Mm. | 0:29:11 | 0:29:13 | |
He may not want a traditional stag, or a traditional wedding, | 0:29:13 | 0:29:16 | |
but it seems James does want a traditional wife. | 0:29:16 | 0:29:20 | |
He's surprising the girls | 0:29:20 | 0:29:21 | |
with a lesson at a 1950s' style school for housewives. | 0:29:21 | 0:29:24 | |
Are we in the wrong era? | 0:29:24 | 0:29:26 | |
How to be the perfect housewife. | 0:29:26 | 0:29:28 | |
He's trying to teach you how to be a real wife! | 0:29:28 | 0:29:31 | |
BLEEP | 0:29:31 | 0:29:32 | |
You're going to have to train that potty mouth of yours | 0:29:32 | 0:29:35 | |
if you're going to please James. | 0:29:35 | 0:29:37 | |
To being a lady. | 0:29:37 | 0:29:39 | |
To being a lady. | 0:29:39 | 0:29:41 | |
ALL: Woo! | 0:29:41 | 0:29:42 | |
It's good champagne. | 0:29:42 | 0:29:43 | |
And what does a sensible groom with a love of London do on his stag? | 0:29:43 | 0:29:47 | |
He climbs over the O2 Arena, obviously. | 0:29:47 | 0:29:49 | |
All right. Here goes. | 0:29:51 | 0:29:52 | |
What is it with him and rooftops? | 0:29:55 | 0:29:57 | |
I think, actually, the wind adds to the atmosphere | 0:29:57 | 0:30:00 | |
and improves the overall experience of people! | 0:30:00 | 0:30:03 | |
The wind is picking up. The rain is coming down. | 0:30:03 | 0:30:06 | |
And James is quickly realising that not every cloud has a silver lining. | 0:30:06 | 0:30:11 | |
-It's cold. -Yeah. -It's wet. We're on a roof. -Yes. | 0:30:11 | 0:30:14 | |
Is this ringing any alarm bells? | 0:30:14 | 0:30:15 | |
I mean, it would be BLEEP if it was like this, wouldn't it? | 0:30:15 | 0:30:18 | |
I mean, let's not mess about here. It would be BLEEP. | 0:30:18 | 0:30:20 | |
I mean, it's unpleasant. | 0:30:20 | 0:30:21 | |
I'm wearing a boiler suit | 0:30:21 | 0:30:22 | |
-and I'm just a little bit chilly. -The wedding's next week? -Next week. | 0:30:22 | 0:30:25 | |
But the view's amazing. | 0:30:25 | 0:30:26 | |
It is also very cold and windy. | 0:30:26 | 0:30:29 | |
If I was 20 minutes into a wedding on a rooftop in a party frock, | 0:30:29 | 0:30:32 | |
then I'd be pissed. | 0:30:32 | 0:30:33 | |
Across town, the girls are already pi...erm, merry. | 0:30:35 | 0:30:39 | |
And here's an alarmingly posh lady. | 0:30:39 | 0:30:42 | |
Good afternoon, ladies. | 0:30:42 | 0:30:44 | |
-Good afternoon. -Hello. | 0:30:44 | 0:30:46 | |
I am Diana, and I am your finishing school teacher for the day. | 0:30:46 | 0:30:52 | |
I am here to give you advice | 0:30:52 | 0:30:54 | |
on how to make your marriage a total success. | 0:30:54 | 0:30:58 | |
Right, Hollie, may I see you cut the cake, please? | 0:30:58 | 0:31:01 | |
Er, no! | 0:31:01 | 0:31:03 | |
I say, Hollie's even more battered than that cake. | 0:31:03 | 0:31:05 | |
Goodness me, I think she needs a course on her own. | 0:31:05 | 0:31:08 | |
And gently... | 0:31:08 | 0:31:10 | |
Not like that, for heaven's sake. | 0:31:10 | 0:31:13 | |
Napkin, please, not fingers, thank you. | 0:31:13 | 0:31:16 | |
Elbows off the table! | 0:31:16 | 0:31:17 | |
LAUGHTER | 0:31:17 | 0:31:19 | |
Very nice indeed. | 0:31:19 | 0:31:20 | |
Aaaaah! | 0:31:20 | 0:31:22 | |
Rather much of a slam. | 0:31:23 | 0:31:25 | |
I'm the man, I'll do what I bloody like! | 0:31:25 | 0:31:28 | |
I am not much of a lady. | 0:31:28 | 0:31:30 | |
I'm probably not going to change in the next week. | 0:31:30 | 0:31:33 | |
So he still won't be marrying the lady he desires. | 0:31:33 | 0:31:36 | |
But for bridesmaid Nicky and close friend Nora, | 0:31:40 | 0:31:43 | |
it's not Hollie being a lady that concerns them. | 0:31:43 | 0:31:46 | |
It's how quiet she's become recently. | 0:31:46 | 0:31:48 | |
-She's not very good at being vulnerable, is she? -No. | 0:31:48 | 0:31:51 | |
And she will never come to you and say, | 0:31:51 | 0:31:54 | |
"I've got a problem." | 0:31:54 | 0:31:55 | |
I can tell when she's thinking, the way when something's on her mind. | 0:31:55 | 0:31:58 | |
-Yeah. -Cos she goes really quiet, and I'm like, "Are you OK?" | 0:31:58 | 0:32:01 | |
And she's like, "Yeah, yeah, I'm fine." | 0:32:01 | 0:32:03 | |
But if something is not right, you're going to know about it. | 0:32:03 | 0:32:06 | |
-Like... -Yeah. | 0:32:06 | 0:32:07 | |
Finally, James' night begins to resemble a stag do. | 0:32:08 | 0:32:12 | |
Cheers. | 0:32:12 | 0:32:13 | |
You took me on, Tom. | 0:32:13 | 0:32:15 | |
Maybe a bit low key... | 0:32:15 | 0:32:16 | |
but you can't have everything. | 0:32:16 | 0:32:18 | |
And as the drinks flow... | 0:32:18 | 0:32:20 | |
Very nice. | 0:32:20 | 0:32:21 | |
..James' thoughts turn to his bride to be. | 0:32:21 | 0:32:24 | |
She makes every second of my life better. | 0:32:24 | 0:32:26 | |
And I think that's kind of amazing to be with someone | 0:32:26 | 0:32:29 | |
who makes your life a better life. | 0:32:29 | 0:32:32 | |
Hollie will tell me if she's not happy. | 0:32:32 | 0:32:35 | |
She might wait until a quiet moment, | 0:32:35 | 0:32:37 | |
and then she'll look at me in the eyes | 0:32:37 | 0:32:38 | |
and go, "This is totally not what I wanted." | 0:32:38 | 0:32:41 | |
And that's something I'm dreading, because if that happens... | 0:32:41 | 0:32:44 | |
it'll make this whole thing just pointless. | 0:32:44 | 0:32:47 | |
Wanting anything but a traditional wedding, | 0:32:48 | 0:32:51 | |
James has planned a rooftop party | 0:32:51 | 0:32:53 | |
followed by a legal signing the next day. | 0:32:53 | 0:32:56 | |
He's meeting up with his master of ceremonies, | 0:32:56 | 0:32:58 | |
to discuss what her role will be. | 0:32:58 | 0:33:00 | |
And, more importantly, what it won't be. | 0:33:00 | 0:33:03 | |
One thing I really don't like about weddings are speeches. | 0:33:03 | 0:33:06 | |
-Most speeches aren't great. -Are you having a best man? | 0:33:06 | 0:33:09 | |
-I have three best men. -Do you want them to say anything? -No. | 0:33:09 | 0:33:11 | |
-OK. -Wedding vows make me nauseous. | 0:33:11 | 0:33:13 | |
As far as I can understand, it's as simple as, | 0:33:13 | 0:33:15 | |
-"Do you take her, do you take him..." -Yeah. | 0:33:15 | 0:33:18 | |
-"Stop crying, you look OK." -Yeah. | 0:33:18 | 0:33:20 | |
"You're now husband and wife, although that's not technically true | 0:33:20 | 0:33:23 | |
-"cos I can't actually legally do it - but, hey, you are." -Right. | 0:33:23 | 0:33:26 | |
It is not a licensed venue, you are not officially marrying us. | 0:33:26 | 0:33:29 | |
-Yeah. -It is essentially a piece of theatre for the crowd. | 0:33:29 | 0:33:32 | |
I totally get that you don't want to do a lot of things | 0:33:32 | 0:33:35 | |
that you get at normal weddings, | 0:33:35 | 0:33:36 | |
but you've got to remember that it's not a party. | 0:33:36 | 0:33:38 | |
-Yeah. -It is a wedding, right? | 0:33:38 | 0:33:40 | |
-Yes. -And, I mean, will Hollie want a wedding? | 0:33:40 | 0:33:43 | |
Hollie will want a wedding. | 0:33:43 | 0:33:44 | |
In trying to not be like normal weddings, | 0:33:44 | 0:33:47 | |
I don't want then to reach a point where it is no longer a wedding. | 0:33:47 | 0:33:50 | |
And that will be a disaster, so, yeah, that's good to know. | 0:33:50 | 0:33:53 | |
Could the groom who didn't want a wedding, | 0:33:53 | 0:33:55 | |
finally be planning...a wedding? | 0:33:55 | 0:33:58 | |
The pressure gets greater the more I start to think about | 0:33:58 | 0:34:01 | |
how important this day is for so many people. | 0:34:01 | 0:34:04 | |
I don't want to be the enemy. | 0:34:04 | 0:34:06 | |
I've got a horrible feeling I might come out of this | 0:34:06 | 0:34:08 | |
as this kind of...this idiot. | 0:34:08 | 0:34:10 | |
Which would be bad. | 0:34:13 | 0:34:15 | |
Having had a change of heart, James calls Hollie's dad | 0:34:15 | 0:34:18 | |
to ask him to play a role in the wedding. | 0:34:18 | 0:34:20 | |
I would love it, if during the ceremony, | 0:34:20 | 0:34:22 | |
be able just to share a few words. | 0:34:22 | 0:34:25 | |
-Yeah, that's all right. -Perfect. | 0:34:25 | 0:34:27 | |
Better than having to stand up and do a long speech. | 0:34:27 | 0:34:29 | |
Well, exactly. I'm glad you said that. | 0:34:29 | 0:34:32 | |
Also, it'd be great if you could walk Hollie down the aisle as well. | 0:34:32 | 0:34:35 | |
-Yeah, I'll do that with pleasure, no problem. -Perfect. | 0:34:35 | 0:34:37 | |
-Thanks, Rob. -OK, thanks, James. -Much appreciated. | 0:34:37 | 0:34:40 | |
At last a compromise - there will be speeches. | 0:34:40 | 0:34:43 | |
And just to make sure people know this isn't a standard wedding, | 0:34:43 | 0:34:46 | |
he sorts out some unconventional decorations... | 0:34:46 | 0:34:49 | |
Rather than confetti, I think party poppers is kind of funny. | 0:34:50 | 0:34:53 | |
..an unconventional wedding breakfast... | 0:34:53 | 0:34:55 | |
Is this Mother Flipper's Burgers? | 0:34:55 | 0:34:58 | |
..and some unconventional music for the bride to walk down the aisle to. | 0:34:58 | 0:35:02 | |
# We found love in a hopeless place | 0:35:02 | 0:35:06 | |
# We found love in a hopeless place. # | 0:35:06 | 0:35:10 | |
Well, hopeless place, factory roof, call it what you like. | 0:35:10 | 0:35:14 | |
It's the day before the wedding, | 0:35:17 | 0:35:19 | |
and Hollie's about to receive the dress James bought online. | 0:35:19 | 0:35:23 | |
Her friends and family have gathered at Nicky's boat. | 0:35:23 | 0:35:26 | |
She doesn't have a clue what he's got planned, | 0:35:26 | 0:35:29 | |
and it's really getting to her. | 0:35:29 | 0:35:31 | |
He might have gone very casual, when in actual fact | 0:35:31 | 0:35:33 | |
all she wants, maybe, now is an actual wedding dress to look nice. | 0:35:33 | 0:35:38 | |
If James gets it wrong, he's got to live with it. | 0:35:38 | 0:35:40 | |
Well, he's got to live with her. | 0:35:40 | 0:35:42 | |
Yeah - for the rest of his life. | 0:35:42 | 0:35:44 | |
James has asked his brother Doug to deliver the dress. | 0:35:44 | 0:35:47 | |
Are you nervous? | 0:35:47 | 0:35:48 | |
Yeah, I'm nervous! I don't know what I'm going to be wearing. | 0:35:48 | 0:35:51 | |
Hello. | 0:35:53 | 0:35:55 | |
-Hello! -You all right, Hollie? | 0:35:55 | 0:35:56 | |
-This is your outfit. -Oh! Oh, God, it looks tiny. | 0:35:56 | 0:35:59 | |
It's quite small. | 0:35:59 | 0:36:01 | |
It's designer, that's a good thing, right? | 0:36:01 | 0:36:03 | |
No, that's a bad thing. I don't want designer. | 0:36:03 | 0:36:06 | |
I'm going to go open it. | 0:36:06 | 0:36:07 | |
-You'll have a moment. -On your own. | 0:36:07 | 0:36:09 | |
We'll wait in anticipation. | 0:36:09 | 0:36:12 | |
Guess all the best things come in small packages. | 0:36:12 | 0:36:15 | |
I knew it was going to be lingerie! | 0:36:19 | 0:36:21 | |
Wear some granny pants? | 0:36:21 | 0:36:23 | |
They're massive. | 0:36:23 | 0:36:25 | |
Bridget Jones! | 0:36:25 | 0:36:27 | |
-Plenty of time. -Sh. | 0:36:27 | 0:36:28 | |
While Holly wanted a long backless vintage gown, | 0:36:30 | 0:36:33 | |
James has gone for a short, cotton summer dress. | 0:36:33 | 0:36:37 | |
But will she like it? | 0:36:37 | 0:36:38 | |
This is hideous. | 0:36:38 | 0:36:40 | |
That is a tablecloth. | 0:36:42 | 0:36:46 | |
SHE LAUGHS | 0:36:46 | 0:36:47 | |
-She's laughing. -No, she's not, she's crying. | 0:36:47 | 0:36:49 | |
Even I have no idea what he was thinking here. | 0:36:49 | 0:36:52 | |
Oh, no. Oh, God. | 0:36:52 | 0:36:53 | |
Holy crap. | 0:36:57 | 0:36:59 | |
I don't mind it not being a wedding dress, | 0:36:59 | 0:37:01 | |
it's just that it's like a really underwhelming dress. | 0:37:01 | 0:37:04 | |
God, now I'm worried about the wedding. | 0:37:04 | 0:37:08 | |
If he thinks this is a nice dress, what is it... | 0:37:08 | 0:37:11 | |
What's he going to think is a nice wedding? | 0:37:11 | 0:37:13 | |
SHE LAUGHS | 0:37:17 | 0:37:18 | |
Oh, my God! I don't think it fits properly. | 0:37:21 | 0:37:25 | |
I'm not sure that's how it's supposed to look! | 0:37:25 | 0:37:27 | |
Oh, God, I'm not sure. | 0:37:28 | 0:37:30 | |
What are they going to say in there? | 0:37:30 | 0:37:32 | |
Are you going to be honest and say, "I don't like it," | 0:37:34 | 0:37:36 | |
-or, "I do like it." -I don't think I'd be any good at hiding the truth! | 0:37:36 | 0:37:39 | |
I was going to say, that's probably the worst thing we can do is lie, | 0:37:39 | 0:37:41 | |
because we'll look obvious, won't we? | 0:37:41 | 0:37:43 | |
If it's really bad, we can talk it up. | 0:37:43 | 0:37:45 | |
So we've got to find the silver lining. | 0:37:45 | 0:37:48 | |
Aaaaaw! | 0:37:51 | 0:37:53 | |
You look like a little girl. | 0:37:53 | 0:37:55 | |
Exactly. | 0:37:55 | 0:37:56 | |
It is sweet. | 0:37:56 | 0:37:57 | |
Yes, it's sweet, but I'm not going to a christening. | 0:37:57 | 0:37:59 | |
I can't even encourage you to like it, cos I think it's awful. | 0:37:59 | 0:38:02 | |
-Slight issue - doesn't fit. -It fits at the front, though. | 0:38:02 | 0:38:06 | |
-What is the back... -You could wear... -Have you seen my ass? | 0:38:06 | 0:38:08 | |
I told everyone the back of me was the best side, | 0:38:08 | 0:38:10 | |
not the front. | 0:38:10 | 0:38:12 | |
If this is what is the best side, it's not very good. | 0:38:12 | 0:38:14 | |
I thought he was going to go really beautiful and really vintage. | 0:38:14 | 0:38:17 | |
I think it's just random. | 0:38:17 | 0:38:20 | |
Can I have a look, Holly, at it? | 0:38:20 | 0:38:22 | |
If all this was cut away, it's got to be cut all out of here | 0:38:22 | 0:38:24 | |
cos that's where it's... | 0:38:24 | 0:38:26 | |
Yeah, the lining. | 0:38:26 | 0:38:27 | |
Luckily, James has set aside some money for dress alterations. | 0:38:27 | 0:38:30 | |
And what about the top? Do you want the top leaving? | 0:38:30 | 0:38:33 | |
-Can't we take this all out? -Yeah, that's what I think. | 0:38:33 | 0:38:35 | |
But the girls each have their own ideas about what needs to be done. | 0:38:35 | 0:38:38 | |
What do you reckon, Sof? | 0:38:38 | 0:38:40 | |
I think you're trying to make too many alterations before tomorrow. | 0:38:40 | 0:38:43 | |
-Yeah, but I have to wear this tomorrow, Sof. -Yeah. | 0:38:43 | 0:38:45 | |
Yeah, it's either alterations | 0:38:45 | 0:38:46 | |
or she's going to look like a sack of spuds on her wedding day. | 0:38:46 | 0:38:49 | |
-But it fits you here... -But if I can get it altered, | 0:38:49 | 0:38:51 | |
why am I going to wear it like this? | 0:38:51 | 0:38:52 | |
If he's put money aside to get it altered... | 0:38:52 | 0:38:54 | |
-I'm just saying, is there time? -Why are you being a bitch? | 0:38:54 | 0:38:57 | |
-I'm not! I'm just saying... -It sounds a bit harsh, Sof! | 0:38:57 | 0:38:59 | |
You like it, do you? You like this? | 0:38:59 | 0:39:01 | |
-I don't think that looks that bad. -OK. | 0:39:01 | 0:39:04 | |
I don't think it looks that bad. | 0:39:04 | 0:39:06 | |
But James has chosen this for you to wear, hasn't he? | 0:39:06 | 0:39:09 | |
He obviously liked it. | 0:39:09 | 0:39:11 | |
It's her wedding day, she's the bride. | 0:39:11 | 0:39:12 | |
Yeah, but he hasn't seen me in it. | 0:39:12 | 0:39:14 | |
Well, the seamstress is going to have to stay up all night, I think - | 0:39:14 | 0:39:17 | |
that's the point. | 0:39:17 | 0:39:18 | |
James' seamstress arrives. Can she prevent a dress disaster? | 0:39:18 | 0:39:22 | |
It is a signature Westwood. I recognised it! | 0:39:22 | 0:39:26 | |
It's a signature Westwood, guys. | 0:39:26 | 0:39:29 | |
I'm going to be in so much trouble at work | 0:39:29 | 0:39:31 | |
when I don't know my statement Vivienne necks. | 0:39:31 | 0:39:33 | |
And will she even have the dress ready for the wedding tomorrow? | 0:39:33 | 0:39:37 | |
I think this process has made me realise how much I... | 0:39:41 | 0:39:46 | |
kind of want it to be the perfect wedding, | 0:39:46 | 0:39:49 | |
but I can see from the dress, | 0:39:49 | 0:39:51 | |
like, people's reactions make me think, | 0:39:51 | 0:39:54 | |
"Oh, God, they're not even happy." | 0:39:54 | 0:39:56 | |
They're thinking negative things, | 0:39:56 | 0:39:58 | |
and I don't want people to think that. | 0:39:58 | 0:39:59 | |
I just want it to be a good day where everyone's happy. | 0:40:01 | 0:40:05 | |
If you've got bad memories, | 0:40:05 | 0:40:07 | |
it's not a very good way to start, is it? | 0:40:07 | 0:40:09 | |
It's the morning of the wedding and Hollie's hardly slept. | 0:40:15 | 0:40:19 | |
I hope that there's a bit of a party happening today. | 0:40:19 | 0:40:22 | |
Bit of a marriage. | 0:40:24 | 0:40:26 | |
-Do you feel like a bride? -Do I look like a bride? | 0:40:26 | 0:40:28 | |
-HOLLIE LAUGHS -Yeah, you look stressed, | 0:40:28 | 0:40:30 | |
you look like you haven't eaten for a couple of days. | 0:40:30 | 0:40:32 | |
-How do brides feel? Do they feel like they're going to vomit? -Yep. | 0:40:32 | 0:40:35 | |
Oh, right, I feel like one, then. | 0:40:35 | 0:40:37 | |
I'm going to start with some fruit. | 0:40:37 | 0:40:39 | |
How are you feeling about the dress? | 0:40:40 | 0:40:42 | |
What's the word I'm looking for? | 0:40:42 | 0:40:44 | |
Feeling...resigned. | 0:40:44 | 0:40:46 | |
-LAUGHING: -Resigned. | 0:40:46 | 0:40:47 | |
-Well, resigned to the fact that I have to wear it. -Yeah. | 0:40:47 | 0:40:51 | |
And hopefully, once it fits, it'll feel better, so we'll see. | 0:40:51 | 0:40:55 | |
While Hollie waits for the altered dress, | 0:40:55 | 0:40:58 | |
James is making final preparations at the venue. | 0:40:58 | 0:41:01 | |
Let's get them here. | 0:41:01 | 0:41:03 | |
Look what I've got! | 0:41:04 | 0:41:06 | |
With the wedding dress back from the seamstress, | 0:41:06 | 0:41:09 | |
it's too late for an alternative. | 0:41:09 | 0:41:11 | |
That looks, it does look, I don't know, it looks more full. | 0:41:11 | 0:41:14 | |
Yeah, that looks better. It's kind of cute. | 0:41:14 | 0:41:16 | |
Fingers crossed it'll look good on. | 0:41:16 | 0:41:19 | |
-That's better. -Better. So much better. | 0:41:19 | 0:41:22 | |
-Yeah. -Yeah. -I like it. | 0:41:22 | 0:41:24 | |
It looks like a completely different dress, Holl. | 0:41:24 | 0:41:26 | |
-Aw, you happier? -Yeah. | 0:41:26 | 0:41:29 | |
Oh, thank God. | 0:41:29 | 0:41:30 | |
THEY LAUGH | 0:41:30 | 0:41:31 | |
Thank you, seamstress lady. | 0:41:31 | 0:41:33 | |
At last, Hollie's happy with the alterations to her dress. | 0:41:33 | 0:41:37 | |
And at the venue, James is even happier with his pineapples. | 0:41:37 | 0:41:41 | |
Check this out, this will blow your mind. | 0:41:41 | 0:41:43 | |
Well, why wouldn't he be? | 0:41:43 | 0:41:44 | |
-Tell me that's not the best you've ever seen. -It's pretty cool. | 0:41:44 | 0:41:47 | |
-Hi, are you Hollie? -Hello. | 0:41:47 | 0:41:49 | |
-Hi. We're here to do your hair and make-up. -Oh, my God. | 0:41:49 | 0:41:52 | |
-Just Hollie? -Just Hollie. | 0:41:52 | 0:41:54 | |
He did say just Hollie. | 0:41:54 | 0:41:55 | |
Thanks, James. | 0:41:55 | 0:41:57 | |
-THEY LAUGH -Sort myself out. | 0:41:57 | 0:41:59 | |
Unaware he's already upset the bridesmaids, | 0:42:01 | 0:42:03 | |
James is making last-minute changes to his gritty, urban rooftop. | 0:42:03 | 0:42:07 | |
The busier I am, the better. | 0:42:08 | 0:42:10 | |
The florists are decorating industrial ducting with flowers | 0:42:11 | 0:42:14 | |
and he's even building a stage from pallets he found dumped in the yard. | 0:42:14 | 0:42:19 | |
Bridesmaid Sof has arrived at the boat to get ready with Nicky. | 0:42:21 | 0:42:24 | |
But there's a last-minute panic about James' colour scheme. | 0:42:24 | 0:42:27 | |
Now, I'm worried | 0:42:27 | 0:42:29 | |
because we're in black, essentially evening wear. | 0:42:29 | 0:42:33 | |
And Holly's in a pure white summer dress. | 0:42:33 | 0:42:35 | |
Yeah. So are we going to look overdressed? | 0:42:35 | 0:42:38 | |
Well, I think we're going to look stupid, yeah. | 0:42:38 | 0:42:42 | |
It'll look lovely with your necklace, though. | 0:42:42 | 0:42:44 | |
SHE LAUGHS | 0:42:44 | 0:42:46 | |
Yeah... | 0:42:46 | 0:42:47 | |
What will Hollie make of James' choice of black dresses? | 0:42:50 | 0:42:54 | |
Oh. | 0:42:57 | 0:42:58 | |
-Black's an interesting colour. -Yeah. | 0:42:58 | 0:43:01 | |
Compared to your pure white summer dress. | 0:43:01 | 0:43:03 | |
I like what you're both wearing. | 0:43:03 | 0:43:05 | |
Thanks, I went out and bought it. | 0:43:05 | 0:43:07 | |
-With your own money? -Course I did. -Ah. | 0:43:07 | 0:43:10 | |
I didn't have anything else that was black | 0:43:10 | 0:43:12 | |
that I hadn't either worn to a job interview or a funeral, so... | 0:43:12 | 0:43:15 | |
And then, suddenly, she notices the necklaces. | 0:43:15 | 0:43:19 | |
SHE LAUGHS | 0:43:19 | 0:43:21 | |
That is the best necklace I've ever seen. | 0:43:21 | 0:43:25 | |
-He knows what I call you. -I know. It's really sweet | 0:43:25 | 0:43:28 | |
-that he knows what... -That is so cool! | 0:43:28 | 0:43:31 | |
THEY LAUGH | 0:43:31 | 0:43:33 | |
In Peckham, the rooftop's set. | 0:43:33 | 0:43:35 | |
But something's occurred to James... | 0:43:35 | 0:43:37 | |
maybe a teeny bit too late. | 0:43:37 | 0:43:40 | |
I've suddenly realised that I'm making Hollie get married | 0:43:40 | 0:43:42 | |
on a rooftop of a factory on, like, the most special day of her... | 0:43:42 | 0:43:47 | |
It might be the worst idea in the world. | 0:43:47 | 0:43:50 | |
And she might hate me for ever. | 0:43:50 | 0:43:52 | |
Ah, come on - having your wedding on a rooftop | 0:43:52 | 0:43:55 | |
isn't the worst idea in the world. | 0:43:55 | 0:43:57 | |
But buying your bride trainers might be. | 0:43:57 | 0:43:59 | |
Looks like a school bag. | 0:43:59 | 0:44:01 | |
Oh, God, I'm going to kill him. | 0:44:01 | 0:44:02 | |
-They're plimsolls, aren't they? -They're trainers. | 0:44:02 | 0:44:05 | |
SHE LAUGHS | 0:44:08 | 0:44:11 | |
Well, they'll be comfortable. | 0:44:11 | 0:44:13 | |
-Mm. -At least they'll match your dress. | 0:44:13 | 0:44:16 | |
And if she fancies a quick game of squash during the vows, | 0:44:16 | 0:44:19 | |
she's sorted. | 0:44:19 | 0:44:20 | |
-They've been made by hand. You can't buy these. -No. | 0:44:20 | 0:44:24 | |
It's amazing. | 0:44:24 | 0:44:25 | |
-Yeah, it looks cute. -It looks really lovely. | 0:44:27 | 0:44:30 | |
-At least they're comfy. -Yeah. -I can dance. | 0:44:31 | 0:44:34 | |
We look so opposite! | 0:44:37 | 0:44:39 | |
-I know. -Yeah. Yeah. | 0:44:39 | 0:44:40 | |
James has gone to Matt's house to get changed. | 0:44:40 | 0:44:43 | |
And there's a surprise in store from Hollie. | 0:44:43 | 0:44:46 | |
Ah, mate! | 0:44:46 | 0:44:48 | |
It's not from me. From Hollie. | 0:44:48 | 0:44:50 | |
How do you know that? | 0:44:50 | 0:44:51 | |
Oh, it's a pocket watch. And Hollie gave it to me six years ago. | 0:44:55 | 0:44:58 | |
It doesn't work, but it's very beautiful. And I loved it. | 0:44:58 | 0:45:01 | |
HE LAUGHS | 0:45:04 | 0:45:05 | |
"It's there to remind you of the time we've had together, | 0:45:05 | 0:45:09 | |
"but also of the time we'll have in the future. | 0:45:09 | 0:45:11 | |
"And let's never spend three weeks apart again. Hollie." | 0:45:11 | 0:45:14 | |
-Oh, mate. -That is very nice. | 0:45:17 | 0:45:19 | |
Let's do this. | 0:45:21 | 0:45:22 | |
As James sets off for the venue, Hollie's transport arrives, | 0:45:22 | 0:45:26 | |
giving a clue to her destination. | 0:45:26 | 0:45:28 | |
I think we're going to London. | 0:45:28 | 0:45:30 | |
-SHE LAUGHS -Yay! | 0:45:30 | 0:45:32 | |
Oh, this is nice. | 0:45:35 | 0:45:37 | |
# ..Lead you through the streets of London | 0:45:37 | 0:45:40 | |
# Show you something to make you change your mind | 0:45:40 | 0:45:46 | |
# Let me take you by the hand... # | 0:45:47 | 0:45:50 | |
-Hey! How are you? -Congratulations, my man. | 0:45:50 | 0:45:54 | |
As James makes some last-minute preparations, | 0:45:54 | 0:45:57 | |
the guests start to arrive. | 0:45:57 | 0:45:59 | |
I don't really know what I was expecting today, | 0:45:59 | 0:46:01 | |
but I can safely say this is different to Lincolnshire today. | 0:46:01 | 0:46:04 | |
It may not be Lincolnshire, | 0:46:04 | 0:46:06 | |
but what will the Londoners make of it? | 0:46:06 | 0:46:08 | |
-Bit...shabby. For a wedding. -Shabby chic. | 0:46:09 | 0:46:11 | |
Well, we're not going to Hackney. Clapham Common? | 0:46:18 | 0:46:22 | |
I would say we're heading towards Peckham. | 0:46:22 | 0:46:24 | |
This is definitely a big risk. | 0:46:26 | 0:46:28 | |
Most brides would want a church, or like, a big stately home. | 0:46:28 | 0:46:31 | |
You know, let's hope she's into it, for his sake. | 0:46:31 | 0:46:34 | |
Oh, we're in Peckham. | 0:46:38 | 0:46:40 | |
SHE LAUGHS | 0:46:40 | 0:46:42 | |
I would never in a million years | 0:46:42 | 0:46:44 | |
have thought it would be in this area. | 0:46:44 | 0:46:46 | |
It's kind of exciting. A little bit concerning as well. | 0:46:50 | 0:46:53 | |
I've just put my scarf down on the floor | 0:46:53 | 0:46:55 | |
and I can pretty much guarantee it'll be a bit dirty when I pick it back up. | 0:46:55 | 0:46:58 | |
In here? | 0:47:01 | 0:47:02 | |
Where in God's name are we? | 0:47:06 | 0:47:08 | |
Thank you. | 0:47:15 | 0:47:16 | |
Hollie dreamed of getting married | 0:47:16 | 0:47:17 | |
in the family church in Lincolnshire. | 0:47:17 | 0:47:20 | |
James may have transformed a dusty rooftop in Peckham | 0:47:21 | 0:47:24 | |
to the perfect summer party venue... | 0:47:24 | 0:47:26 | |
..but will it match up to Hollie's traditional standards? | 0:47:27 | 0:47:30 | |
I can't help but feel we're a little overdressed for the location. | 0:47:30 | 0:47:34 | |
Now I can smell fish. | 0:47:37 | 0:47:38 | |
Not sure if it's rubbish or if it's what James has set up for us. | 0:47:38 | 0:47:42 | |
It's not exactly what I was picturing. | 0:47:44 | 0:47:46 | |
Six floors up, the guests are waiting for Hollie to arrive. | 0:47:48 | 0:47:51 | |
The bridesmaids and Mum lead the procession. | 0:47:53 | 0:47:55 | |
It's very trendy. | 0:47:55 | 0:47:57 | |
In here? Oh... | 0:47:57 | 0:47:59 | |
Oh, a wedding. | 0:48:00 | 0:48:01 | |
I never thought you could get married in a place like this. | 0:48:03 | 0:48:06 | |
And Hollie and dad Rob follow them down the aisle. | 0:48:06 | 0:48:10 | |
Or should that be alleyway? | 0:48:10 | 0:48:12 | |
-Hello again. -How are you doing? | 0:48:12 | 0:48:13 | |
Hollie's sister Gem is waiting with best man Tom | 0:48:13 | 0:48:17 | |
to present the bridesmaids with their pineapples. | 0:48:17 | 0:48:19 | |
It looks like a fruit basket on my head. | 0:48:19 | 0:48:22 | |
Have we done anything that bad to offend him? | 0:48:22 | 0:48:24 | |
-I didn't know you had... -He's called me Stinks | 0:48:24 | 0:48:26 | |
and put a fruit basket on my head. | 0:48:26 | 0:48:28 | |
What did I ever do wrong? | 0:48:29 | 0:48:31 | |
And it's not just the bridesmaids who are stunned. | 0:48:32 | 0:48:35 | |
You never cease to amaze me. | 0:48:35 | 0:48:37 | |
What, me or James? | 0:48:37 | 0:48:39 | |
Both of you, really. | 0:48:39 | 0:48:40 | |
-Oh, there's flowers. -You look lovely. | 0:48:41 | 0:48:43 | |
-At last. -Thank you. | 0:48:43 | 0:48:45 | |
You...! | 0:48:50 | 0:48:51 | |
What is this? | 0:48:53 | 0:48:54 | |
Sorry. | 0:48:54 | 0:48:55 | |
That's a bad start, isn't it? | 0:48:56 | 0:48:58 | |
Unusual decoration. | 0:48:58 | 0:49:00 | |
-It's a piece of more air ducting. -Slightly odd. | 0:49:03 | 0:49:05 | |
# If you like it then you should have put a ring on it | 0:49:06 | 0:49:09 | |
# Don't be mad when you see that he wanted | 0:49:09 | 0:49:11 | |
# If you like it then you should have put a ring on it | 0:49:11 | 0:49:13 | |
-# All the single ladies -All the single ladies... # | 0:49:13 | 0:49:16 | |
-CHEERING # All the single ladies -All the single ladies | 0:49:16 | 0:49:18 | |
-# All the single ladies -All the single ladies | 0:49:18 | 0:49:21 | |
# If you like it then you should have put a ring on it | 0:49:21 | 0:49:23 | |
-# All the single ladies -All the single ladies | 0:49:23 | 0:49:25 | |
-# All the single ladies -All the single ladies | 0:49:25 | 0:49:28 | |
-# All the single ladies -All the single ladies | 0:49:28 | 0:49:30 | |
# All the single ladies Now put your hands up. # | 0:49:30 | 0:49:33 | |
-How are you? -I feel a little sick, I'm not going to lie. | 0:49:33 | 0:49:35 | |
LAUGHTER | 0:49:35 | 0:49:37 | |
-A little bit sick. -Just a tad. -That's OK. | 0:49:37 | 0:49:39 | |
-How are you? -Fine! | 0:49:39 | 0:49:42 | |
GUESTS: Aw...! | 0:49:42 | 0:49:44 | |
-So, if the freight train goes past, we've got to stop. -That's fine. | 0:49:44 | 0:49:47 | |
But everyone's here today, so let's have a wedding. | 0:49:47 | 0:49:50 | |
WHOOPING AND CHEERING | 0:49:50 | 0:49:53 | |
Unconventional as ever, | 0:49:53 | 0:49:55 | |
James has chosen to have the speeches before the vows. | 0:49:55 | 0:49:59 | |
CHEERING | 0:49:59 | 0:50:00 | |
Really, what I want to say, James, is love and best wishes to you both | 0:50:04 | 0:50:07 | |
for a very long, long and happy future. | 0:50:07 | 0:50:12 | |
Thank you. | 0:50:12 | 0:50:14 | |
-CHEERING AND APPLAUSE -Do I get a kiss? | 0:50:14 | 0:50:16 | |
Our once wedding-phobic groom | 0:50:17 | 0:50:20 | |
has decided to make a speech of his own. | 0:50:20 | 0:50:22 | |
I didn't...hadn't prepared a speech | 0:50:22 | 0:50:24 | |
because I assumed I'd be in tears at this point, and in fact, I'm not. | 0:50:24 | 0:50:27 | |
I'm not sure if it's a good thing or not. | 0:50:27 | 0:50:30 | |
Before we were going out, we went ice skating together | 0:50:30 | 0:50:33 | |
and I was rubbish at ice skating, obviously. | 0:50:33 | 0:50:35 | |
And I remember I'd fallen over, again, | 0:50:35 | 0:50:37 | |
and I found myself sitting in a large, kind of, icy puddle. | 0:50:37 | 0:50:41 | |
I remember you skated up to me, and without really saying anything, | 0:50:41 | 0:50:46 | |
you just sort of sat down next to me in the puddle. | 0:50:46 | 0:50:48 | |
And I was baffled by this and looked at you, | 0:50:49 | 0:50:51 | |
and went, "OK, what are you doing?" | 0:50:51 | 0:50:53 | |
And you went, "Well, I didn't think that it was fair | 0:50:53 | 0:50:55 | |
"that you were the only one with a cold, wet bum." | 0:50:55 | 0:50:58 | |
LAUGHTER | 0:50:58 | 0:50:59 | |
And I remember at the time thinking, "That's probably the sweetest thing anyone's ever done ever." | 0:50:59 | 0:51:04 | |
And six years later, it reminds me | 0:51:05 | 0:51:07 | |
of just what an incredible, selfless human being you are. | 0:51:07 | 0:51:11 | |
-GUESTS: Aw... -Aw! | 0:51:11 | 0:51:13 | |
James, will you take Holly to be your wife? | 0:51:14 | 0:51:19 | |
I do. | 0:51:19 | 0:51:21 | |
And Holly, will you take James to be your lawful wedded husband? | 0:51:21 | 0:51:25 | |
To be loving, faithful and loyal to him, | 0:51:25 | 0:51:27 | |
for the rest of your married life together? | 0:51:27 | 0:51:29 | |
I do. | 0:51:29 | 0:51:31 | |
Can we have the rings? | 0:51:31 | 0:51:32 | |
Does that replace this one? Do I have to put them both on? | 0:51:35 | 0:51:37 | |
Put that on the other hand. | 0:51:37 | 0:51:39 | |
Can we just put it in your pocket? | 0:51:39 | 0:51:40 | |
I love it to pieces, but it's ridiculous. | 0:51:40 | 0:51:43 | |
-Sorry. -OK. | 0:51:43 | 0:51:44 | |
James and Hollie, | 0:51:46 | 0:51:48 | |
witnessed by your friends and family, | 0:51:48 | 0:51:50 | |
I am honoured to pronounce you man and wife. | 0:51:50 | 0:51:53 | |
You may snog! | 0:51:53 | 0:51:55 | |
WHOOPING AND CHEERING | 0:51:55 | 0:51:57 | |
Ladies and gentlemen, Nana, I present to you, Hollie and James. | 0:51:57 | 0:52:02 | |
CHEERING AND APPLAUSE | 0:52:02 | 0:52:05 | |
Hollie dreamed of a wedding | 0:52:07 | 0:52:08 | |
celebrating her family home in Lincolnshire. | 0:52:08 | 0:52:12 | |
But James has given her a day | 0:52:12 | 0:52:13 | |
centred round their life together in London. | 0:52:13 | 0:52:16 | |
Do you like this? | 0:52:16 | 0:52:17 | |
It's very cute, yeah, I love it. | 0:52:17 | 0:52:20 | |
You sound so underwhelmed. Do you actually like it, be honest? | 0:52:20 | 0:52:22 | |
-Yeah, I love it. I love it. -I don't feel like you do. | 0:52:22 | 0:52:25 | |
I did hate the dress, I'm so sorry. | 0:52:25 | 0:52:27 | |
-I said it looked like a bed sheet. -Oh, no. | 0:52:27 | 0:52:29 | |
And that I was very underwhelmed. | 0:52:29 | 0:52:31 | |
I said very rude things about the dress. | 0:52:33 | 0:52:35 | |
I messed up, didn't I? | 0:52:35 | 0:52:36 | |
And the dress, the most important part, I messed up. | 0:52:36 | 0:52:38 | |
GUESTS: Hollie and James! | 0:52:38 | 0:52:40 | |
-Sorry. -You did it. | 0:52:42 | 0:52:44 | |
-I am so sorry. -Do you feel happy? | 0:52:44 | 0:52:45 | |
-No... -Like you've achieved something? -I feel like I've ruined your big day. | 0:52:45 | 0:52:48 | |
I just didn't like the dress, that was all. | 0:52:50 | 0:52:52 | |
-That's the only thing. -Sorry. | 0:52:52 | 0:52:54 | |
-All your effort. I love it. -Oh... | 0:52:54 | 0:52:56 | |
# Yellow diamonds in the night | 0:52:59 | 0:53:03 | |
# As we're standing side by side... # | 0:53:03 | 0:53:05 | |
I didn't like the dress, but, yeah, it suits the venue. | 0:53:05 | 0:53:10 | |
The dress and her shoes, yeah. It looks all right. | 0:53:10 | 0:53:12 | |
Look at the view! Oh, my God, you can see the London Eye. | 0:53:14 | 0:53:17 | |
And the Shard. | 0:53:17 | 0:53:19 | |
-And a car park. -Yay! -You can see a car park. | 0:53:19 | 0:53:22 | |
And a warehouse. | 0:53:22 | 0:53:23 | |
Well, it's definitely not what I said I wanted, | 0:53:23 | 0:53:25 | |
-but I think it's better. -Yeah? | 0:53:25 | 0:53:27 | |
# We found love in a hopeless place. # | 0:53:27 | 0:53:34 | |
What he's pulled off, it's really come from the heart, | 0:53:36 | 0:53:39 | |
he's done really well. | 0:53:39 | 0:53:40 | |
-Cheers, guys. -Job well done. | 0:53:40 | 0:53:43 | |
Did it feel like a wedding? | 0:53:43 | 0:53:45 | |
I think, actually, cos I'm not very serious, | 0:53:45 | 0:53:48 | |
-it was quite a good tone. -Mm. | 0:53:48 | 0:53:50 | |
I liked that it was different | 0:53:50 | 0:53:51 | |
and I liked that he wrote the nice stuff. | 0:53:51 | 0:53:54 | |
-It was special. -It's really special. | 0:53:54 | 0:53:56 | |
-I cried all the way through. -Did you? -Yeah, I couldn't stop. | 0:53:56 | 0:53:58 | |
Oh, thank you - that looks hot. | 0:54:00 | 0:54:01 | |
Congratulations. | 0:54:01 | 0:54:03 | |
Shove it in there. | 0:54:03 | 0:54:05 | |
I was all right until I got handed this pineapple on my head, | 0:54:07 | 0:54:09 | |
which is now actually digging into my head. | 0:54:09 | 0:54:12 | |
I did actually want to pull one out and throw one at him. | 0:54:12 | 0:54:15 | |
Is there a specific theme? | 0:54:15 | 0:54:18 | |
Like, is it, like...Caribbean? | 0:54:18 | 0:54:21 | |
SHE LAUGHS | 0:54:21 | 0:54:23 | |
The idea was to be a wedding about our life in London, | 0:54:23 | 0:54:26 | |
a celebration of our life in London. | 0:54:26 | 0:54:28 | |
It definitely feels like a wedding. | 0:54:28 | 0:54:30 | |
I think it feels like a wedding that not everyone would have, | 0:54:30 | 0:54:32 | |
but a wedding that Hollie and James would have, | 0:54:32 | 0:54:35 | |
and I think that's what he set out to do. | 0:54:35 | 0:54:36 | |
The guests are having a great time, | 0:54:36 | 0:54:39 | |
but James is still not convinced Hollie's happy. | 0:54:39 | 0:54:42 | |
-Do you know what I was saying the whole time? -What? | 0:54:42 | 0:54:44 | |
How guilty I felt that I made you do this. | 0:54:44 | 0:54:46 | |
-I felt guilty, the whole time... -How did you feel guilty? I made you do this! | 0:54:46 | 0:54:49 | |
No, but I feel guilty cos I realise, this whole process, | 0:54:49 | 0:54:52 | |
that I've actually taken away your chance to make your perfect day. | 0:54:52 | 0:54:56 | |
-And that's... -This is my perfect day. | 0:54:56 | 0:54:57 | |
-It's not, though. -It's amazing. -It's not. | 0:54:57 | 0:54:59 | |
-It's in a dress you don't love... -I like the dress now. | 0:54:59 | 0:55:02 | |
I feel like me. I like the shoes. | 0:55:02 | 0:55:04 | |
Everyone's having an amazing time, everybody's here. | 0:55:04 | 0:55:07 | |
That's all I wanted, to share it with everyone. | 0:55:07 | 0:55:09 | |
Everyone was here. | 0:55:09 | 0:55:10 | |
And as the sun sets | 0:55:12 | 0:55:14 | |
and the real party starts downstairs, | 0:55:14 | 0:55:18 | |
this bride's on top of the world. | 0:55:18 | 0:55:20 | |
I have no idea where James got his ideas from. | 0:55:20 | 0:55:24 | |
I think they're amazing. | 0:55:24 | 0:55:25 | |
I don't think I actually could have done it as well as this. | 0:55:25 | 0:55:28 | |
And I think it was actually perfect for me. | 0:55:28 | 0:55:30 | |
I hope after this, there are times, | 0:55:32 | 0:55:34 | |
when I feel strongly or stubborn about something, | 0:55:34 | 0:55:37 | |
I will be more able to look at things through Hollie's perspective | 0:55:37 | 0:55:41 | |
and actually to do something solely for her. | 0:55:41 | 0:55:43 | |
-If this was a test, you've passed. With flying colours. -Really? | 0:55:46 | 0:55:50 | |
Yeah. | 0:55:50 | 0:55:51 | |
I'll give you your prize when you get home. | 0:55:51 | 0:55:54 | |
SHE LAUGHS | 0:55:54 | 0:55:56 | |
CHEERING | 0:55:57 | 0:55:59 | |
Next time, wedding-obsessed bossy bride-to-be Alex... | 0:55:59 | 0:56:03 | |
Everybody knows me as crazy wedding girl. | 0:56:03 | 0:56:05 | |
..wants a romantic, Downton Abbey-style wedding. | 0:56:05 | 0:56:07 | |
I've always wanted something that wows everybody. | 0:56:07 | 0:56:09 | |
But her childhood sweetheart Mark... | 0:56:09 | 0:56:11 | |
She'll be in tears, I know she will. | 0:56:11 | 0:56:12 | |
..is planning to take her Downton farm. | 0:56:12 | 0:56:16 | |
Keep it traditional. | 0:56:16 | 0:56:17 | |
So will pig racing... | 0:56:17 | 0:56:18 | |
Oh! | 0:56:18 | 0:56:19 | |
..excite this hard-to-please bride? | 0:56:19 | 0:56:21 | |
It stinks. | 0:56:21 | 0:56:22 | |
Or will this West-Country lad... | 0:56:22 | 0:56:24 | |
I feel physically sick. | 0:56:24 | 0:56:25 | |
..be too local? | 0:56:25 | 0:56:27 | |
I was wondering the availability of The Wurzels. | 0:56:27 | 0:56:29 |