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-From the depths of the earth... -Oh, God. | 0:00:02 | 0:00:03 | |
..to the crests of the mountains... | 0:00:03 | 0:00:05 | |
Things have gone weird. | 0:00:05 | 0:00:07 | |
..these crusading grooms must rise to the challenge. | 0:00:07 | 0:00:10 | |
£12,000... | 0:00:12 | 0:00:13 | |
and just three weeks... | 0:00:13 | 0:00:15 | |
I love that girl, I love her. | 0:00:15 | 0:00:18 | |
..to plan a wedding worthy of their betrothed. | 0:00:18 | 0:00:20 | |
Oh, my God. What's he done? | 0:00:20 | 0:00:23 | |
He just took my dress! | 0:00:23 | 0:00:24 | |
These fair maidens are bound by contract to be legally wedded... | 0:00:24 | 0:00:28 | |
God, no. | 0:00:28 | 0:00:29 | |
..but have no say in their big day. | 0:00:29 | 0:00:32 | |
Is it just going to all be last-minute and just rubbish? | 0:00:32 | 0:00:34 | |
I hate it. I need to get rid of it. | 0:00:34 | 0:00:36 | |
Can these hapless heroes marshal their armies? | 0:00:38 | 0:00:40 | |
I love her but she's a bitch when she's like this. | 0:00:40 | 0:00:43 | |
Vanquish dragons? | 0:00:43 | 0:00:45 | |
Oh, God! | 0:00:45 | 0:00:46 | |
Do as your future mother-in-law tells you! | 0:00:46 | 0:00:49 | |
And conquer all before them? | 0:00:49 | 0:00:51 | |
ALL CHEER | 0:00:51 | 0:00:52 | |
Get out of my pub! | 0:00:52 | 0:00:54 | |
Or will they be... | 0:00:54 | 0:00:56 | |
..defeated? | 0:00:57 | 0:00:58 | |
I'm not doing it. | 0:00:58 | 0:01:00 | |
Tonight... | 0:01:00 | 0:01:01 | |
I miss you. | 0:01:01 | 0:01:03 | |
..super cool groom Raphael... | 0:01:03 | 0:01:05 | |
Woo-hoo! | 0:01:05 | 0:01:07 | |
..wants a huge, traditional Nigerian wedding. | 0:01:07 | 0:01:10 | |
I love it, there's so much to work with, it's a blank canvas. | 0:01:10 | 0:01:13 | |
When all his bride, Ola, wants is a small, intimate affair. | 0:01:13 | 0:01:17 | |
-People that I really know... -Not your mum's cousins, aunties... -No. | 0:01:17 | 0:01:21 | |
But with this laid-back groom leaving everything | 0:01:21 | 0:01:24 | |
until the last minute... | 0:01:24 | 0:01:25 | |
It not getting done is not an option. | 0:01:25 | 0:01:27 | |
Right now, I'll be honest, the task ahead is looking daunting. | 0:01:27 | 0:01:31 | |
These are not wedding shoes. | 0:01:31 | 0:01:32 | |
I have a dress and it's white. | 0:01:32 | 0:01:34 | |
..will his big, Nigerian dream... | 0:01:35 | 0:01:37 | |
..turn into a nightmare? | 0:01:38 | 0:01:39 | |
It looks like my big, fat Nigerian wedding. | 0:01:41 | 0:01:44 | |
23-year-old nurse, Ola, | 0:01:56 | 0:01:57 | |
and 23-year-old medical student, Raphael, | 0:01:57 | 0:02:00 | |
first set each other's pulses racing | 0:02:00 | 0:02:03 | |
on their very last day of university. | 0:02:03 | 0:02:05 | |
It was a bit of a shock to have not ever seen Ola. | 0:02:05 | 0:02:08 | |
Yeah, because Raph was really popular, | 0:02:08 | 0:02:11 | |
so he was kind of like a lady's man, | 0:02:11 | 0:02:14 | |
knew everybody at the university. | 0:02:14 | 0:02:16 | |
We never met until the graduation ball. | 0:02:16 | 0:02:19 | |
They graduated and moved back home to London | 0:02:19 | 0:02:21 | |
where Raph wasted no time, or expense, | 0:02:21 | 0:02:25 | |
wooing Ola with a romantic first date. | 0:02:25 | 0:02:28 | |
I wanted to play it safe and not go too expensive. | 0:02:28 | 0:02:32 | |
So we went to Sam's Chicken. | 0:02:32 | 0:02:34 | |
This is it. Yeah? | 0:02:36 | 0:02:38 | |
Let's go. | 0:02:38 | 0:02:39 | |
There's a deal that everybody from here knows the deal, | 0:02:39 | 0:02:43 | |
it's two burgers and two fries for £2. | 0:02:43 | 0:02:46 | |
Well, sometimes love blossoms in the most unexpected places. | 0:02:46 | 0:02:50 | |
# This is gonna be the best day of my life | 0:02:50 | 0:02:53 | |
# Oo, oo, oo... # | 0:02:53 | 0:02:54 | |
The things I love about Ola are endless. | 0:02:54 | 0:02:57 | |
Raph is really outgoing. | 0:02:57 | 0:02:59 | |
She's ambitious, she's confident. | 0:02:59 | 0:03:02 | |
He is the life and soul of the party. | 0:03:02 | 0:03:06 | |
She's just amazing, really. | 0:03:06 | 0:03:08 | |
Both Raphael and Ola are from big Nigerian families | 0:03:08 | 0:03:12 | |
and are committed Christians. | 0:03:12 | 0:03:14 | |
So there's one very good reason why their wedding day | 0:03:14 | 0:03:16 | |
can't come soon enough. | 0:03:16 | 0:03:18 | |
Because of what I believe in, as a Christian, | 0:03:18 | 0:03:21 | |
I decided with Ola to, um, | 0:03:21 | 0:03:23 | |
keep the physical side of our friendship | 0:03:23 | 0:03:26 | |
to after marriage, really. | 0:03:26 | 0:03:28 | |
We're going to base our advice on the word of God. | 0:03:28 | 0:03:32 | |
So if you want to be great people | 0:03:32 | 0:03:34 | |
and you want to have a great marriage, | 0:03:34 | 0:03:36 | |
I strongly advise you to avoid fornication. | 0:03:36 | 0:03:40 | |
It is difficult not having the sort of physical dimension | 0:03:40 | 0:03:44 | |
to our relationship. | 0:03:44 | 0:03:45 | |
It is hard sometimes, | 0:03:45 | 0:03:47 | |
but we set boundaries, you know, what we can do or cannot do. | 0:03:47 | 0:03:51 | |
The couple have decided not to even kiss until they are man and wife. | 0:03:51 | 0:03:57 | |
It will be amazing to kiss Ola for the first time on our wedding day. | 0:03:57 | 0:04:00 | |
This wedding day is really symbolic and really important to us | 0:04:00 | 0:04:04 | |
because it marks that we're going to be physically intimate, | 0:04:04 | 0:04:08 | |
so it's a really important day for us. | 0:04:08 | 0:04:11 | |
With marriage meaning so much to these two lovebirds, | 0:04:15 | 0:04:18 | |
Raph wanted to give his proposal a certain je ne sais quoi. | 0:04:18 | 0:04:22 | |
I've always wanted to propose to my wife-to-be in Paris. | 0:04:22 | 0:04:26 | |
I've always wanted to do that. | 0:04:26 | 0:04:28 | |
We got the tickets booked, went to a restaurant. | 0:04:31 | 0:04:34 | |
I took her on a boat, it wasn't a good view of Paris, | 0:04:34 | 0:04:38 | |
so I was a bit like, "Where am I going to do it?" | 0:04:38 | 0:04:40 | |
Time was ticking but eventually I got to a nice, perfect spot | 0:04:40 | 0:04:43 | |
and I just looked and I saw the moon and I saw the Eiffel Tower | 0:04:43 | 0:04:47 | |
and it just looked beautiful. | 0:04:47 | 0:04:48 | |
I said, "It has to be here." | 0:04:48 | 0:04:51 | |
I dropped on one knee and I proposed to Ola in French, as well. | 0:04:51 | 0:04:54 | |
I said it in French. | 0:04:54 | 0:04:55 | |
Mm, but that's not quite how Ola remembers it. | 0:04:55 | 0:04:59 | |
We missed our flight because Raph was late to pick me up. | 0:04:59 | 0:05:03 | |
We ended up sleeping in the airport because the next flight | 0:05:03 | 0:05:06 | |
wasn't until the next morning. | 0:05:06 | 0:05:07 | |
We didn't have anywhere to have dinner. | 0:05:07 | 0:05:09 | |
We were walking around for ages. | 0:05:09 | 0:05:11 | |
I think Raph proposed at 11:45. | 0:05:11 | 0:05:14 | |
It was really, really late. | 0:05:14 | 0:05:16 | |
So when he proposed, it was a massive shock. | 0:05:16 | 0:05:19 | |
I thought it went well. I thought it was a fine start, to be honest. | 0:05:19 | 0:05:23 | |
Despite's Raph's disorganised proposal, Ola said, "Oui." | 0:05:23 | 0:05:27 | |
But back home, it's his perfectionist bride-to-be | 0:05:27 | 0:05:30 | |
who keeps everything in this relationship on track. | 0:05:30 | 0:05:34 | |
Raph and I are really different. | 0:05:34 | 0:05:36 | |
I can be a bit OCD about things being out of place and order | 0:05:36 | 0:05:40 | |
and colour and I like things done logically, | 0:05:40 | 0:05:45 | |
while Raph is more easy-going and he works in a different way | 0:05:45 | 0:05:50 | |
that I don't understand. | 0:05:50 | 0:05:52 | |
I do feel that I am quite laid back. | 0:05:52 | 0:05:55 | |
I'm quite chilled. | 0:05:55 | 0:05:57 | |
Nothing really stresses me out, nothing really panics me. | 0:05:57 | 0:06:00 | |
I just try to keep smiling and, yeah, | 0:06:00 | 0:06:03 | |
I'm just Raph, really. | 0:06:03 | 0:06:06 | |
Organised Ola has been dreaming of her wedding since childhood | 0:06:06 | 0:06:10 | |
and she knows exactly what she wants on the big day. | 0:06:10 | 0:06:14 | |
My dream wedding will be a very low-key affair. | 0:06:15 | 0:06:20 | |
I would like just a few friends and family, | 0:06:20 | 0:06:23 | |
just a plain, simple, nice, intimate affair | 0:06:23 | 0:06:26 | |
because Nigerian weddings are usually big, | 0:06:26 | 0:06:30 | |
my big, fat Nigerian wedding affair with hundreds of people | 0:06:30 | 0:06:34 | |
and I just don't want people I don't know | 0:06:34 | 0:06:37 | |
coming to celebrate such a special moment. | 0:06:37 | 0:06:40 | |
That would be my worst nightmare. | 0:06:40 | 0:06:42 | |
So Ola's dreaming of a small, intimate affair. | 0:06:42 | 0:06:45 | |
As for Raph... | 0:06:45 | 0:06:47 | |
I want to organise a big, amazing Nigerian wedding | 0:06:47 | 0:06:50 | |
for all my friends and family. | 0:06:50 | 0:06:52 | |
I want there to be a lot of dancing. | 0:06:52 | 0:06:54 | |
I'd like there to be the traditional Nigerian food at the wedding. | 0:06:54 | 0:06:57 | |
So I'd love all of those things to be at the wedding. | 0:06:57 | 0:07:00 | |
Oh, dear! So the man who travelled to Paris at a snail's pace, | 0:07:00 | 0:07:05 | |
is hoping to arrange a huge Nigerian wedding | 0:07:05 | 0:07:08 | |
in just three weeks. | 0:07:08 | 0:07:09 | |
No pressure, then. | 0:07:09 | 0:07:11 | |
This is going to be a good opportunity to show Ola. | 0:07:11 | 0:07:14 | |
She can take a back seat and things will still be spectacular | 0:07:14 | 0:07:17 | |
and still be enjoyable. | 0:07:17 | 0:07:18 | |
I want to see what Raph can do. | 0:07:18 | 0:07:21 | |
OK is never good enough for me, it has to be perfect. | 0:07:21 | 0:07:25 | |
So Raph really does have to get it right. | 0:07:25 | 0:07:28 | |
The time has come for Ola and Raph to say, "goodbye". | 0:07:32 | 0:07:36 | |
-You forgot the shoes I got you. -Thank you. | 0:07:36 | 0:07:38 | |
For the next three weeks, they'll have no contact whatsoever. | 0:07:38 | 0:07:42 | |
The next time they'll see each other will be when they say, "I do". | 0:07:42 | 0:07:46 | |
Oh, and have their first ever kiss, of course. | 0:07:46 | 0:07:49 | |
I'll miss you. | 0:07:49 | 0:07:50 | |
I'll miss you more, trust me. | 0:07:51 | 0:07:53 | |
# Don't go | 0:07:53 | 0:07:55 | |
# Mmm, mmm, mmm | 0:07:57 | 0:08:00 | |
# Don't go... # | 0:08:00 | 0:08:03 | |
-I love you. -I love you too, man. | 0:08:03 | 0:08:05 | |
-Let's hope the three weeks goes quick. -Yeah. | 0:08:05 | 0:08:07 | |
I'll see you on our wedding day. | 0:08:07 | 0:08:09 | |
I can't wait. | 0:08:09 | 0:08:10 | |
I can't wait. | 0:08:10 | 0:08:12 | |
Bye. | 0:08:12 | 0:08:14 | |
# Don't go | 0:08:14 | 0:08:15 | |
# Mm, mm, mm... # | 0:08:17 | 0:08:19 | |
That was really, really hard. | 0:08:19 | 0:08:21 | |
He was much more upset than I thought he would be. | 0:08:22 | 0:08:25 | |
From tomorrow I'll be back looking forward to stuff | 0:08:25 | 0:08:30 | |
but just saying goodbye just hurts a bit. | 0:08:30 | 0:08:32 | |
He has loads of stuff to do in three weeks. | 0:08:32 | 0:08:35 | |
I'll pray that he makes the right decisions. | 0:08:35 | 0:08:38 | |
Ola lives with her mum 20 minutes up the road from Raph. | 0:08:39 | 0:08:43 | |
Hey. | 0:08:43 | 0:08:44 | |
Are you all right? | 0:08:46 | 0:08:47 | |
THEY CHUCKLE | 0:08:47 | 0:08:49 | |
It's the first time control freak Ola | 0:08:49 | 0:08:51 | |
has ever put all her faith in her laid-back groom. | 0:08:51 | 0:08:54 | |
Hello. | 0:08:54 | 0:08:56 | |
So her concerned bridesmaids have come round to offer support. | 0:08:56 | 0:09:01 | |
How are you feeling? | 0:09:01 | 0:09:02 | |
Obviously a bit, like, nervous and, well, mainly sad at the moment. | 0:09:02 | 0:09:07 | |
Do you feel you can do without controlling the wedding, or...? | 0:09:07 | 0:09:12 | |
I don't know how you can let a guy pick your dress! | 0:09:12 | 0:09:15 | |
No, I'm most worried about just...the budget | 0:09:15 | 0:09:19 | |
and what he prioritises. | 0:09:19 | 0:09:21 | |
You know, guys never have the same level of involvement | 0:09:21 | 0:09:24 | |
in, like, what goes on in a wedding. | 0:09:24 | 0:09:26 | |
Or interest, to be honest. | 0:09:26 | 0:09:28 | |
So who has laid-back Raph got to help him pull off the wedding? | 0:09:28 | 0:09:33 | |
Meet best man PJ, | 0:09:33 | 0:09:35 | |
a man so laid-back, he might as well be in his PJs. | 0:09:35 | 0:09:38 | |
I am extremely relaxed and Raph is extremely relaxed as well. | 0:09:38 | 0:09:42 | |
I think he's not going to be organised, | 0:09:42 | 0:09:44 | |
he's not the type to get stressed. | 0:09:44 | 0:09:46 | |
That's all I've ever seen from him, he's just a relaxed person. | 0:09:46 | 0:09:49 | |
He might not be so chilled out when he hears what Raph has in store. | 0:09:49 | 0:09:52 | |
-It's getting intense. -It's serious now. | 0:09:52 | 0:09:54 | |
THEY LAUGH | 0:09:54 | 0:09:56 | |
-I'll see what she says. -How are you doing? -It's good, it's good. | 0:09:57 | 0:10:00 | |
What is the plan, Raphael, that's the question. What is the plan? | 0:10:02 | 0:10:05 | |
I've got a plan. | 0:10:05 | 0:10:06 | |
I want to start it off in the church, Ola walks down the aisle... | 0:10:06 | 0:10:10 | |
THEY LAUGH | 0:10:11 | 0:10:13 | |
Church... She walks down the aisle. You get married. | 0:10:15 | 0:10:18 | |
-You get married. -Happy ever after. -Sounds like a good plan. | 0:10:18 | 0:10:20 | |
Oh, my God, Raph. | 0:10:20 | 0:10:23 | |
Well, at least they seem to have grasped the basics. | 0:10:23 | 0:10:25 | |
Meanwhile, the girls are grilling Ola | 0:10:25 | 0:10:28 | |
about the wedding she's hoping for. | 0:10:28 | 0:10:30 | |
Is it important for you to have a traditional wedding? | 0:10:30 | 0:10:32 | |
I don't want a traditional, Nigerian wedding, | 0:10:32 | 0:10:35 | |
in the sense that I want something low-key, I want something simple. | 0:10:35 | 0:10:40 | |
Doing a traditional wedding puts a lot more strain | 0:10:40 | 0:10:43 | |
and a lot more stress and emphasis. | 0:10:43 | 0:10:45 | |
There is a lot to do. | 0:10:45 | 0:10:47 | |
I want to do the traditional Nigerian ceremony. | 0:10:47 | 0:10:49 | |
That means there's two venues, two outfits. | 0:10:49 | 0:10:52 | |
What? | 0:10:52 | 0:10:53 | |
-Transportation from the venue. -Oh, my God. | 0:10:53 | 0:10:55 | |
From the church to the venue. | 0:10:55 | 0:10:57 | |
I want a venue to accommodate 300. It's a big plan. | 0:10:57 | 0:11:00 | |
It's a big, big plan. | 0:11:00 | 0:11:02 | |
So Raph's big, big plan is to have a Christian church wedding first | 0:11:02 | 0:11:06 | |
and then a traditional Nigerian ceremony with hundreds of guests. | 0:11:06 | 0:11:10 | |
Better get planning, boys. | 0:11:10 | 0:11:12 | |
I don't even know what to type in. | 0:11:12 | 0:11:14 | |
What do you do? Like, venues for weddings? | 0:11:14 | 0:11:18 | |
I guess so, I guess so. | 0:11:18 | 0:11:20 | |
Day one and Raph has woken up to the reality | 0:11:24 | 0:11:27 | |
of putting on two wedding ceremonies on the same day. | 0:11:27 | 0:11:30 | |
That means two venues, two wedding dresses | 0:11:30 | 0:11:33 | |
and two sets of bridesmaids' outfits. | 0:11:33 | 0:11:36 | |
The question is, has he taken on too much? | 0:11:36 | 0:11:39 | |
Right now, I'll be honest, the task ahead is looking daunting. | 0:11:39 | 0:11:43 | |
It looks like it might test me. | 0:11:43 | 0:11:44 | |
I need to get the venue sorted, I need to get the venue sorted. | 0:11:44 | 0:11:47 | |
So first the boys are on the hunt | 0:11:49 | 0:11:51 | |
for a venue for the Nigerian ceremony. | 0:11:51 | 0:11:54 | |
They've come to Hackney in East London to find somewhere | 0:11:54 | 0:11:57 | |
big enough to pack in hundreds of guests. | 0:11:57 | 0:12:00 | |
But this place already seems occupied. | 0:12:00 | 0:12:02 | |
-It looks like someone is actually living there. -Mmm. | 0:12:03 | 0:12:06 | |
Anyway, it's not like the main view. | 0:12:06 | 0:12:10 | |
-It happens. -You can invite them to the wedding. | 0:12:10 | 0:12:12 | |
Yeah, they can come, they're welcome. | 0:12:12 | 0:12:14 | |
Why not, eh? The more, the merrier! | 0:12:14 | 0:12:17 | |
Once inside, they realise there's plenty of room for everyone. | 0:12:19 | 0:12:23 | |
The thing about this venue, | 0:12:23 | 0:12:25 | |
you can pretty much move everything out of here. | 0:12:25 | 0:12:27 | |
It's kind of...the size of the space is quite rare for Hackney. | 0:12:27 | 0:12:30 | |
We've got a capacity of 1,400 in here and up in the balconies. | 0:12:30 | 0:12:34 | |
-So here is the balcony. -OK. How many does it seat? | 0:12:34 | 0:12:38 | |
-200 on this side and 200 on the other side. -OK. | 0:12:38 | 0:12:42 | |
You could get lost in this place. | 0:12:42 | 0:12:44 | |
We can make it what we want to make it. | 0:12:44 | 0:12:46 | |
There's so much to work with, it's a blank canvas. I love it. | 0:12:46 | 0:12:49 | |
While Raph's falling in love with the huge empty hall... | 0:12:49 | 0:12:53 | |
Ola has a more refined venue in mind. | 0:12:53 | 0:12:55 | |
Oh, look! | 0:12:55 | 0:12:57 | |
Can we have a picture in there, as well, please? | 0:12:57 | 0:13:00 | |
She's at the Botanical Gardens in Birmingham | 0:13:00 | 0:13:03 | |
to show bridesmaids Tiffany, Maherit and Ladi her ideal wedding venue. | 0:13:03 | 0:13:06 | |
So I would have, like, my ceremony here. | 0:13:06 | 0:13:10 | |
Just nice, small, intimate, | 0:13:10 | 0:13:14 | |
simple - just Raph and I, whoever's married us. | 0:13:14 | 0:13:17 | |
Have the guests round down below. | 0:13:17 | 0:13:19 | |
You'll have to sit me in a corner because I will cry the whole time. | 0:13:19 | 0:13:23 | |
You do know that? | 0:13:23 | 0:13:25 | |
Stepping inside, love is in the air. | 0:13:25 | 0:13:28 | |
Ola's fallen head over heels for the elegant reception room. | 0:13:28 | 0:13:32 | |
This is actually just perfect. | 0:13:32 | 0:13:34 | |
No decorations and nothing... | 0:13:34 | 0:13:36 | |
-You'd like a... -Simple. | 0:13:36 | 0:13:38 | |
Do you think it will be enough for your guests? You have a big family. | 0:13:38 | 0:13:42 | |
I would say 100 people, max. | 0:13:42 | 0:13:44 | |
-People that you really know well. -People that I really know. | 0:13:44 | 0:13:47 | |
Not your mum's cousin's auntie's sister's friend? | 0:13:47 | 0:13:51 | |
So while Ola wants 100 guests max, | 0:13:53 | 0:13:56 | |
Raph is getting excited by the 1,400 he could cram into this venue. | 0:13:56 | 0:14:01 | |
I could see the guests there, the stage there. | 0:14:01 | 0:14:04 | |
Ola and myself would then sit on the throne | 0:14:04 | 0:14:07 | |
which would most likely be there. | 0:14:07 | 0:14:09 | |
-Are you excited? -No, it's all getting real now. | 0:14:09 | 0:14:13 | |
-I think it's a great venue. -I can see it, it could work. | 0:14:13 | 0:14:16 | |
So Raph splashes £800 on a cavernous venue that will | 0:14:16 | 0:14:19 | |
need a complete Nigerian makeover. | 0:14:19 | 0:14:22 | |
-I think it's good, big... -If Ola was here, | 0:14:22 | 0:14:25 | |
I think she'd say, "Get it." That's what she'll say, yeah. | 0:14:25 | 0:14:28 | |
If you know that, then that's good. Let's hope she likes it! | 0:14:28 | 0:14:32 | |
The lads may be brimming with confidence, | 0:14:32 | 0:14:36 | |
but the girls are getting more and more concerned about Ola's big day. | 0:14:36 | 0:14:40 | |
Is it hitting home that you ain't got a choice? | 0:14:40 | 0:14:43 | |
NERVOUS CHUCKLE | 0:14:43 | 0:14:44 | |
-It's not going to be... -Yeah. -..how you want it. | 0:14:44 | 0:14:46 | |
It's his wedding more than mine in that sense. | 0:14:46 | 0:14:50 | |
Bless you. | 0:14:50 | 0:14:52 | |
Aw, is it getting to you at all, or...? | 0:14:52 | 0:14:55 | |
Um, obviously, I'm never going to have this chance again. | 0:14:55 | 0:14:58 | |
Don't say that. | 0:14:58 | 0:15:00 | |
It's really upsetting. | 0:15:00 | 0:15:03 | |
Because we are really close and I just wish I could actually be there, | 0:15:03 | 0:15:06 | |
like, for her. | 0:15:06 | 0:15:08 | |
I could feel myself getting emotional, I was going to cry. | 0:15:08 | 0:15:12 | |
Have I ever seen Ola cry? | 0:15:12 | 0:15:13 | |
Probably once or twice in the time I've known her | 0:15:13 | 0:15:16 | |
and that's probably when it's just us. | 0:15:16 | 0:15:18 | |
She can hold it in more than what I can. | 0:15:18 | 0:15:21 | |
Coming here today has sort of really hit home | 0:15:21 | 0:15:24 | |
that I don't actually have a say in my wedding. | 0:15:24 | 0:15:27 | |
It makes me feel sad in a sense that I will never get to plan my wedding. | 0:15:27 | 0:15:32 | |
With two weddings to organise | 0:15:38 | 0:15:40 | |
and two different wedding dresses to get for Ola, | 0:15:40 | 0:15:42 | |
Raph wants to make sure her traditional Nigerian dress | 0:15:42 | 0:15:45 | |
is truly authentic. | 0:15:45 | 0:15:47 | |
I need to give Nigeria a call because it's not looking likely | 0:15:47 | 0:15:51 | |
I can get all of the outfits purchased and sewn in London. | 0:15:51 | 0:15:56 | |
Yeah, he's ordering it from 3,000 miles away in Lagos. | 0:15:56 | 0:16:00 | |
PHONE RINGS | 0:16:00 | 0:16:02 | |
-'Yes, hello.' -Hello. | 0:16:02 | 0:16:04 | |
Good morning. I need my outfit and my wife's outfit sewn. | 0:16:04 | 0:16:09 | |
I also want the bridesmaids' outfits and the groomsmen outfits as well. | 0:16:09 | 0:16:15 | |
I know it's late. I know it's late, but it's all last-minute. | 0:16:15 | 0:16:19 | |
But Ola has previous experience of dresses ordered | 0:16:19 | 0:16:23 | |
direct from Nigeria and she's been less than impressed. | 0:16:23 | 0:16:26 | |
-Like this one, it came from Nigeria and I couldn't wear it. -Yeah. | 0:16:26 | 0:16:30 | |
It's still in the packet. | 0:16:30 | 0:16:31 | |
THEY LAUGH | 0:16:31 | 0:16:33 | |
Like, the skirt didn't fit, the top didn't fit | 0:16:33 | 0:16:36 | |
and even though they had my measurements, it just didn't fit. | 0:16:36 | 0:16:39 | |
Is he even factoring in the traditional side | 0:16:39 | 0:16:42 | |
of things into the wedding? | 0:16:42 | 0:16:44 | |
Like, I would rather not, cos my taste, I like things simple. | 0:16:44 | 0:16:48 | |
I don't want a big, fat Nigerian wedding. | 0:16:48 | 0:16:51 | |
I don't want chaos. I don't want people I don't know. | 0:16:51 | 0:16:55 | |
-Mmm. -I want something for me. | 0:16:55 | 0:16:57 | |
So no traditional outfits and definitely no gold, then. | 0:16:57 | 0:17:01 | |
-'In what colour?' -Gold. | 0:17:01 | 0:17:03 | |
Oh, dear! | 0:17:03 | 0:17:04 | |
Champagne gold and that could be done within about two weeks? | 0:17:04 | 0:17:08 | |
'I can try, I can try.' | 0:17:08 | 0:17:10 | |
That's £1,000 on traditional outfits all the way from Nigeria | 0:17:10 | 0:17:14 | |
that still need to be made with less than three weeks to go | 0:17:14 | 0:17:17 | |
until the wedding. What could possibly go wrong? | 0:17:17 | 0:17:20 | |
That's a big relief, a big relief. | 0:17:20 | 0:17:23 | |
Oh! | 0:17:23 | 0:17:24 | |
In Central London, Ola has come to show her mum and bridesmaids | 0:17:30 | 0:17:33 | |
the kind of dress she wants to get married in. | 0:17:33 | 0:17:37 | |
I like the one with the bling. | 0:17:37 | 0:17:39 | |
The trouble is, Mum and the bridesmaids seem to have | 0:17:41 | 0:17:44 | |
a better grasp of what they like than Ola. | 0:17:44 | 0:17:47 | |
Much better, in fact. | 0:17:47 | 0:17:48 | |
This is nice. | 0:17:48 | 0:17:50 | |
That's nice, I just don't like... | 0:17:50 | 0:17:52 | |
I don't like it so I'm not going to wear it. | 0:17:52 | 0:17:54 | |
-What about this one? -No, I don't like it. | 0:17:54 | 0:17:56 | |
-Is it the material? -I just don't like it. | 0:17:56 | 0:17:58 | |
This could be your perfect dress. | 0:17:58 | 0:18:00 | |
Like, what if this is the one Raph chose? | 0:18:00 | 0:18:02 | |
Are you guys trying to make a joke, or something? | 0:18:02 | 0:18:05 | |
It's not even funny. | 0:18:05 | 0:18:06 | |
-Hey, it's not even funny. -It looks really cute. | 0:18:06 | 0:18:09 | |
Yeah, you wear it to your wedding, then. | 0:18:09 | 0:18:11 | |
I just feel like people are choosing what they would want, | 0:18:11 | 0:18:14 | |
not actually thinking about what I would like, which is a bit annoying. | 0:18:14 | 0:18:18 | |
It may be a bit late to realise you don't like other people | 0:18:19 | 0:18:22 | |
picking your wedding dress. | 0:18:22 | 0:18:23 | |
Across town, Raph and PJ have come to see a designer in | 0:18:23 | 0:18:26 | |
South London to commission a second dress for the Christian ceremony. | 0:18:26 | 0:18:30 | |
Hello, hello. | 0:18:30 | 0:18:31 | |
Seamstress Milly will have just two weeks to make the dress. | 0:18:31 | 0:18:35 | |
If she can work out what Raph actually wants. | 0:18:35 | 0:18:39 | |
This is actually what I was thinking about, something... | 0:18:39 | 0:18:41 | |
A mermaid thing. I think it will look good on her. | 0:18:41 | 0:18:44 | |
Can you have a veil and a cape? I don't know if that's too much. | 0:18:44 | 0:18:47 | |
You can have a cape, that's the beauty of the dress. | 0:18:47 | 0:18:50 | |
-Is it possible to have detachable sleeves? -Yeah. | 0:18:50 | 0:18:52 | |
Something similar to that with detachable sleeves. | 0:18:52 | 0:18:54 | |
-Why do you want detachable sleeves? Do you want detachable everything! -THEY LAUGH | 0:18:54 | 0:18:58 | |
-Why detachable? -I don't know, it's out of the norm, really, | 0:18:58 | 0:19:02 | |
Everything is... I don't know. | 0:19:02 | 0:19:04 | |
-You don't want to be too different with her dress. -Exactly. | 0:19:04 | 0:19:07 | |
If you don't want her to kill you. | 0:19:07 | 0:19:10 | |
Yeah... | 0:19:10 | 0:19:11 | |
-So...be safe, play it safe. -Play it safe, play it safe. | 0:19:11 | 0:19:14 | |
THEY GASP | 0:19:16 | 0:19:18 | |
Meanwhile, Ola has finally found something simple | 0:19:18 | 0:19:21 | |
enough for her taste and there's nothing detachable on this dress. | 0:19:21 | 0:19:25 | |
-I actually really like it. -I really like it. -I really, really like it. | 0:19:25 | 0:19:29 | |
This one's perfect because it'll make me | 0:19:29 | 0:19:31 | |
-feel how I want to feel on my wedding day. -This is unique. | 0:19:31 | 0:19:34 | |
Oh, I love it! | 0:19:34 | 0:19:35 | |
Everything about it is awesome. | 0:19:35 | 0:19:39 | |
I feel sexy, I feel attractive. | 0:19:39 | 0:19:41 | |
Most importantly, I can move in this dress. | 0:19:41 | 0:19:45 | |
Wow! | 0:19:45 | 0:19:46 | |
This has the "wow" factor. | 0:19:52 | 0:19:54 | |
She looked like a princess... | 0:19:54 | 0:19:56 | |
to me. | 0:19:56 | 0:19:57 | |
Seeing Ola today, in the beautiful wedding dress, | 0:19:57 | 0:20:01 | |
it makes me proud. | 0:20:01 | 0:20:03 | |
But when it comes to Raph, I pray he will do the best | 0:20:03 | 0:20:06 | |
because he wants the best for Ola. | 0:20:06 | 0:20:08 | |
Do you think Raph would choose this? | 0:20:08 | 0:20:10 | |
-Who know what Raph will choose? -LAUGHTER | 0:20:10 | 0:20:13 | |
Back in South London, no-one seems to know what Raph is choosing. | 0:20:15 | 0:20:19 | |
Explain exactly what you want your lady to wear. | 0:20:19 | 0:20:22 | |
OK, so the mermaid sort of dress, | 0:20:22 | 0:20:26 | |
quite fitted from the top to about the knees. | 0:20:26 | 0:20:29 | |
The top half, what do you want? | 0:20:29 | 0:20:32 | |
I'm thinking halterneck, but what are the other options? | 0:20:32 | 0:20:35 | |
With that kind of dress, if you do a boob tube | 0:20:35 | 0:20:38 | |
you can really hide her in. | 0:20:38 | 0:20:39 | |
And that would give her a curvy figure out. | 0:20:39 | 0:20:42 | |
-I just think that boob tube is always the way. Safe. -Yeah, yeah. | 0:20:42 | 0:20:47 | |
Let's choose the boob tube to be on the safe side. | 0:20:47 | 0:20:50 | |
Not a boob tube in sight, | 0:20:51 | 0:20:53 | |
Ola has set her heart on a jewelled, flowing gown. | 0:20:53 | 0:20:56 | |
I feel elegant, I feel how I would want to feel on my wedding day. | 0:20:58 | 0:21:01 | |
This is good, this looks like a wedding gown. | 0:21:01 | 0:21:04 | |
But Raph's finally settled on an interesting number - | 0:21:06 | 0:21:09 | |
a fitted boob tube, mermaid skirt, and, erm, detachable sleeves. | 0:21:09 | 0:21:14 | |
All he needs now is to find out if he can get it in budget. | 0:21:14 | 0:21:18 | |
I was hoping to spend a maximum of £500. | 0:21:18 | 0:21:21 | |
I was thinking I might be able to bring it down to 300, possibly 200. | 0:21:21 | 0:21:26 | |
Milly, you know I'm doing a Nigerian traditional wedding. | 0:21:26 | 0:21:28 | |
-It's unheard of to do that for £12,000. -I know. | 0:21:28 | 0:21:32 | |
So this is where I need you to help me out. | 0:21:32 | 0:21:34 | |
Milly, how much would it cost for you to work your magic? | 0:21:34 | 0:21:36 | |
Buying everything and making it would be 1,000... | 0:21:36 | 0:21:39 | |
OOH! | 0:21:39 | 0:21:42 | |
HE LAUGHS | 0:21:42 | 0:21:43 | |
MUSIC: Ooh La La by The Wiseguys | 0:21:43 | 0:21:45 | |
-How much is your budget? -Budget for the wedding dress is £67. | 0:21:50 | 0:21:53 | |
In the charity shop you won't get a dress for £67. | 0:21:53 | 0:21:57 | |
I want to make this dress, so I can make it...for £800. | 0:21:58 | 0:22:03 | |
So blowing the clothing budget, | 0:22:04 | 0:22:06 | |
Raph gives Milly the go-ahead to make Ola's wedding dress. | 0:22:06 | 0:22:10 | |
With just two weeks to go until his two wedding ceremonies, | 0:22:10 | 0:22:13 | |
Raph has spent almost half his budget, | 0:22:13 | 0:22:15 | |
and still only has one venue. | 0:22:15 | 0:22:17 | |
Still, nothing to worry about, apparently. | 0:22:17 | 0:22:19 | |
-Two weeks now. -This guy's laid-back, yeah. | 0:22:19 | 0:22:23 | |
RAPH LAUGHS | 0:22:23 | 0:22:24 | |
-From now on, smooth sailing. -Smooth sailing. Smooooth sailing. | 0:22:24 | 0:22:28 | |
With a smile on his face. | 0:22:28 | 0:22:29 | |
Inside your heart's going... | 0:22:30 | 0:22:32 | |
Sailing smoothly from his white wedding | 0:22:38 | 0:22:41 | |
to the traditional wedding, Raph is off to kit out his big Nigerian do. | 0:22:41 | 0:22:45 | |
My sister gave me a number of a couple who live just over | 0:22:45 | 0:22:48 | |
there who hopefully can help me out with what I need. | 0:22:48 | 0:22:52 | |
-Hello. -How are you? | 0:22:52 | 0:22:54 | |
I've decided to plan a big Nigerian wedding for all my family | 0:22:54 | 0:22:58 | |
and friends and people important to me | 0:22:58 | 0:23:01 | |
to witness my beautiful wife, | 0:23:01 | 0:23:02 | |
I want to show her off to all my friends, really. | 0:23:02 | 0:23:06 | |
I need your help to decorate my venue. | 0:23:06 | 0:23:09 | |
-Right, how many guests altogether? -I'm saying about 300. | 0:23:09 | 0:23:14 | |
For 300 guests, it's quite a lot. | 0:23:14 | 0:23:16 | |
It's actually going to be a traditional wedding, | 0:23:16 | 0:23:19 | |
so I will need a throne as well. | 0:23:19 | 0:23:21 | |
-Right. -Where me and my fiance will sit on as well. | 0:23:21 | 0:23:24 | |
-Perfect. -Do you want to have your seat? Practise by sitting on it. | 0:23:24 | 0:23:29 | |
Get used to it! | 0:23:29 | 0:23:31 | |
This traditional wedding is the most important part of the wedding | 0:23:31 | 0:23:36 | |
in Nigeria. It's not about you and the bride, it's about the family. | 0:23:36 | 0:23:41 | |
So that is why you'll be begging and begging for your bride, | 0:23:41 | 0:23:46 | |
then they know you are really serious. | 0:23:46 | 0:23:48 | |
-I wish you luck. -Thank you. Thank you, Uncle. | 0:23:48 | 0:23:51 | |
I think Raphael has a lot of work to do. | 0:23:53 | 0:23:57 | |
And the list is endless, so to impress the bride's parents, | 0:23:57 | 0:24:01 | |
he will have to get it right. | 0:24:01 | 0:24:03 | |
Less than two weeks to the wedding, | 0:24:06 | 0:24:08 | |
and the pressure is starting to tell on Ola and her mum. | 0:24:08 | 0:24:11 | |
The whole family are asking questions, | 0:24:11 | 0:24:13 | |
including Ola's older brother Aki. | 0:24:13 | 0:24:16 | |
-Hey, you all right? -How're you doing, you all right? | 0:24:16 | 0:24:19 | |
You good? Hey, Mum. How're you feeling about it? | 0:24:19 | 0:24:22 | |
In all honesty, how are you feeling? | 0:24:22 | 0:24:25 | |
Are you excited or apprehensive? | 0:24:25 | 0:24:28 | |
-I'm just hoping that it's not a disaster. -I am afraid right now. | 0:24:28 | 0:24:32 | |
-You're afraid? -Yes. -Why are you afraid? -Because we don't know. | 0:24:33 | 0:24:38 | |
I think you're in a really tough position at the moment, | 0:24:38 | 0:24:41 | |
I wouldn't want to be in it at all. | 0:24:41 | 0:24:44 | |
Especially with all the people not knowing where it is going to be. | 0:24:44 | 0:24:46 | |
I'm just scared of too many people, I don't want an overcrowded wedding. | 0:24:46 | 0:24:51 | |
Imagine a house full of Nigerians, all don't know what they're doing. | 0:24:51 | 0:24:56 | |
I can only handle one auntie asking questions | 0:24:56 | 0:24:59 | |
and I'm gone after ten minutes, so imagine having 20. | 0:24:59 | 0:25:02 | |
THEY LAUGH | 0:25:03 | 0:25:05 | |
Explaining it 20 times! | 0:25:05 | 0:25:06 | |
There is one detail about the wedding day Ola | 0:25:06 | 0:25:10 | |
can reveal to her brother - whether he wants to hear it or not. | 0:25:10 | 0:25:13 | |
We've never talked about this and I don't think you know. | 0:25:13 | 0:25:16 | |
This day is also important for Raph and I | 0:25:16 | 0:25:19 | |
because we are not intimate on that level... | 0:25:19 | 0:25:22 | |
-Wow, OK. -So, yeah... | 0:25:22 | 0:25:25 | |
It's quite an important day. | 0:25:25 | 0:25:27 | |
-So if I have a bad day, and then, like, you know... -Jesus. | 0:25:27 | 0:25:32 | |
So he's got a lot to live up to, then, hasn't he? | 0:25:32 | 0:25:35 | |
I feel for you, Sis. | 0:25:35 | 0:25:37 | |
It's the end of the second week and time for the stag and hen dos. | 0:25:39 | 0:25:43 | |
Raph hasn't organised anything for the girls yet, | 0:25:43 | 0:25:46 | |
but this laid-back groom wastes no time | 0:25:46 | 0:25:49 | |
bagging a big day out for the lads. | 0:25:49 | 0:25:51 | |
# If you go down in the woods today you're sure of a big surprise | 0:25:51 | 0:25:56 | |
# If you go down in the woods today you'd better go in disguise... # | 0:25:56 | 0:26:00 | |
Bring your shoulder round, shotgun pulled nice and tight into there. | 0:26:00 | 0:26:03 | |
This hand goes there, this hands goes there, | 0:26:03 | 0:26:05 | |
rest your cheekbone onto there, shut your left eye. | 0:26:05 | 0:26:07 | |
-Ready? -Yeah. -Here we go. | 0:26:07 | 0:26:10 | |
GUN FIRES TWICE | 0:26:10 | 0:26:12 | |
Right, you hit that, but that was more luck than judgment. | 0:26:12 | 0:26:15 | |
Nah, I think it was judgment. | 0:26:15 | 0:26:16 | |
LAUGHTER 100% judgment. | 0:26:16 | 0:26:18 | |
The shooting party retires to the pub to toast the groom-to-be. | 0:26:23 | 0:26:27 | |
This is your last day/night of freedom, how are you feeling, | 0:26:27 | 0:26:31 | |
how are you feeling so far, bro? | 0:26:31 | 0:26:34 | |
-I feel good, I feel good. -Yeah? | 0:26:34 | 0:26:35 | |
You are in for some tough times, but some very good times. | 0:26:35 | 0:26:41 | |
Thinking I can't wait, I can't wait for married life. | 0:26:41 | 0:26:45 | |
-To Raph. -To Raph. | 0:26:45 | 0:26:48 | |
In London, Ola and her bridesmaids have been told to expect a hen do, | 0:26:48 | 0:26:52 | |
but it's getting late and there's still no news of what's happening. | 0:26:52 | 0:26:56 | |
It's going to be something outdoors, it can't be here. | 0:26:56 | 0:26:59 | |
-Maybe it's a restaurant. -Nah. It's too late. | 0:26:59 | 0:27:03 | |
Well, then, where, at this time? | 0:27:03 | 0:27:05 | |
So, Raph, what are you doing for Ola's hen do? | 0:27:07 | 0:27:10 | |
I was thinking big girls' night in tonight, so pizza, movies, DVDs. | 0:27:10 | 0:27:16 | |
I'm going to get onesies for all of them as well. Pink onesies! | 0:27:16 | 0:27:21 | |
-So... -Don't want them to have too much fun, so... | 0:27:21 | 0:27:24 | |
No, I think she'll like that, she doesn't want to be going out. | 0:27:24 | 0:27:28 | |
Yeah, cos every girl wants to stay in on her hen do(!) | 0:27:28 | 0:27:31 | |
-Time's that, five? It's about two hours to London. -We need to go, then. | 0:27:31 | 0:27:35 | |
But even Raph's big night in for Ola might not happen | 0:27:37 | 0:27:40 | |
if the boys don't get a move on. | 0:27:40 | 0:27:42 | |
We're going to get the onesies now. | 0:27:42 | 0:27:44 | |
On a Saturday, can't believe you left it this late. | 0:27:44 | 0:27:48 | |
Last-minute man Raph makes the shops just in time. | 0:27:48 | 0:27:50 | |
-Nice one. Sorted it. £69... -Easy. -Nice. | 0:27:50 | 0:27:55 | |
With a few snacks and some DVDs, that's a grand total of £100. | 0:27:55 | 0:28:01 | |
What a bargain. | 0:28:01 | 0:28:04 | |
I think he will spend more on me than his stag do. | 0:28:04 | 0:28:06 | |
I think he'll definitely think... | 0:28:06 | 0:28:08 | |
I don't think he thinks this stag do is that important. | 0:28:08 | 0:28:12 | |
Yeah, only important enough to spend 400 quid more on his stag do | 0:28:12 | 0:28:16 | |
than on this pile of low-cost loungewear. | 0:28:16 | 0:28:18 | |
-Let me know how it goes. -Cool. | 0:28:18 | 0:28:20 | |
Eh, we've been waiting for three hours now, | 0:28:22 | 0:28:25 | |
so this better be a very good surprise. | 0:28:25 | 0:28:29 | |
Finally, PJ rocks up with the PJs, at 10.30. | 0:28:29 | 0:28:33 | |
-Come in. -Let's hope Raph's left the engine running. | 0:28:34 | 0:28:38 | |
-Hi. -Hello. -Where's the lovely fiancee? | 0:28:40 | 0:28:44 | |
-And so what's going on? -It's a onesie party, yeah. -Frozen. | 0:28:44 | 0:28:48 | |
-Oh, my God, we're watching Frozen. -There's no TV. | 0:28:48 | 0:28:52 | |
-We have no TV. PJ: -Ladies, have a good evening. -ALL: -Bye. | 0:28:52 | 0:28:56 | |
PJ turned up with an armful of onesies, no explanation, | 0:28:57 | 0:29:02 | |
chucked some stuff at us, and walks out. | 0:29:02 | 0:29:05 | |
-Good? How'd it go, man? -Not so good, man. -Is it? How come? | 0:29:05 | 0:29:09 | |
-They were all dressed up. -Really? -Ready to go. | 0:29:09 | 0:29:14 | |
They looked very disappointed when I gave them... | 0:29:14 | 0:29:16 | |
HE LAUGHS | 0:29:16 | 0:29:18 | |
It's all got too much for Ola. She's locked herself in the bathroom... | 0:29:18 | 0:29:22 | |
-What can we do? It's done. -Yeah, what can we do? Get in, get in. | 0:29:23 | 0:29:27 | |
I think after waiting so many hours, | 0:29:29 | 0:29:31 | |
and then just get delivered onesies, and...not even any hot food, | 0:29:31 | 0:29:36 | |
just a bag of random snacks, | 0:29:36 | 0:29:38 | |
and it's not stuff that Ola would choose herself. | 0:29:38 | 0:29:41 | |
So there's no thought there. | 0:29:41 | 0:29:43 | |
You only do it once, you're not going to have another hen do. | 0:29:43 | 0:29:46 | |
Spent my whole day... I could have done something else with you guys. | 0:29:46 | 0:29:50 | |
Yeah, we waited all day for this. | 0:29:50 | 0:29:53 | |
The hen do disappointment has made | 0:29:53 | 0:29:55 | |
Ola and the girls worry about the big day ahead. | 0:29:55 | 0:29:59 | |
If the wedding day comes and we feel like this, then that would be | 0:29:59 | 0:30:03 | |
a tragedy, really, and he would have completely got it wrong. | 0:30:03 | 0:30:07 | |
In regards to the wedding, | 0:30:07 | 0:30:08 | |
now I'm more aware to the fact that I might not actually like it. | 0:30:08 | 0:30:13 | |
With just one week to go and three-quarters of the budget gone, | 0:30:21 | 0:30:25 | |
Raph and PJ still haven't found a church for the Christian ceremony. | 0:30:25 | 0:30:29 | |
There will be no wedding at all without somewhere to hold it, | 0:30:29 | 0:30:32 | |
and it's not looking good. | 0:30:32 | 0:30:34 | |
I'm the best man for my friend, Raphael Kotun, | 0:30:34 | 0:30:37 | |
we're trying to find a venue. We're very strapped for time. | 0:30:37 | 0:30:42 | |
Raph is so desperate he's calling hospital chapels - | 0:30:42 | 0:30:45 | |
even the one where Ola works. | 0:30:45 | 0:30:48 | |
Me myself, I'm training to be a doctor, she's a nurse there, | 0:30:48 | 0:30:51 | |
and I just thought it would be quite...quite, erm, | 0:30:51 | 0:30:55 | |
special to get married in the chapel there. | 0:30:55 | 0:30:59 | |
Not much luck, to be honest, | 0:30:59 | 0:31:00 | |
most of them are saying we need to be patients at the hospital for them | 0:31:00 | 0:31:06 | |
to actually consider it, and even then it's tricky. | 0:31:06 | 0:31:10 | |
So Raph would have to be a hospital patient. | 0:31:10 | 0:31:13 | |
Well, maybe the bridesmaids will oblige when they see their outfits. | 0:31:13 | 0:31:17 | |
Raph's taking groomsman Rex along for backup as he faces | 0:31:18 | 0:31:22 | |
the girls with seven 20 quid dresses... | 0:31:22 | 0:31:26 | |
-from the market. -Are you excited to see the dresses? | 0:31:26 | 0:31:29 | |
We're so excited, we can't wait. | 0:31:29 | 0:31:31 | |
That's a very small bag, Raph. | 0:31:31 | 0:31:33 | |
They all fit in that bag? | 0:31:33 | 0:31:35 | |
The girls don't seem convinced by their flimsy frocks. | 0:31:38 | 0:31:41 | |
Take your time, I'm sure you'll all look gorgeous. | 0:31:43 | 0:31:45 | |
HE EXHALES | 0:31:45 | 0:31:46 | |
-Seven girls, to please all of them... -Yes, if I got it perfect... | 0:31:46 | 0:31:49 | |
Even if you please four of them, I'm happy. | 0:31:49 | 0:31:52 | |
-Four out of seven? Aiming high. -I am happy with this, looks good. | 0:31:52 | 0:31:57 | |
I think maybe the material might be a little bit not so great. | 0:31:57 | 0:32:01 | |
-I just really hope that Ola would like it. -Mm. -Thanks, girls. | 0:32:01 | 0:32:05 | |
-ALL: -See you, bye. | 0:32:05 | 0:32:07 | |
-REX: -Take care, nice to meet you. | 0:32:08 | 0:32:12 | |
-Oh, my God. -Spandex, here we come! | 0:32:12 | 0:32:14 | |
THEY LAUGH | 0:32:14 | 0:32:16 | |
The wedding is just days away, and Ola is still troubled | 0:32:21 | 0:32:23 | |
by the disappointment of Raph's rushed hen night. | 0:32:23 | 0:32:27 | |
At the hen do I felt really sad. | 0:32:27 | 0:32:32 | |
I felt like there wasn't that much thought put into it, | 0:32:32 | 0:32:36 | |
I just wasn't impressed by anything. | 0:32:36 | 0:32:39 | |
My bridesmaids believe that there is going to be more thought | 0:32:39 | 0:32:42 | |
into the wedding if the hen do was so bad, so that might be the case. | 0:32:42 | 0:32:47 | |
But now the bridesmaids have seen their outfits, | 0:32:48 | 0:32:51 | |
they're feeling about as optimistic as Ola is. | 0:32:51 | 0:32:54 | |
So the guys literally turned up with a plastic bag about this big. | 0:32:54 | 0:32:58 | |
The bag material was thicker than our dress. | 0:32:58 | 0:33:01 | |
Oh, for goodness' sake. | 0:33:01 | 0:33:03 | |
What I'm more concerned about is, whoever he went there with, | 0:33:03 | 0:33:07 | |
I don't want somebody to say, "Oh, yeah, that's what the bride's like." | 0:33:07 | 0:33:12 | |
And it's like some massive ball gown. | 0:33:12 | 0:33:15 | |
Want to see my dress and my shoes, really. | 0:33:15 | 0:33:17 | |
-Yep. -ASAP. | 0:33:17 | 0:33:19 | |
Ola will have to wait a little longer, | 0:33:19 | 0:33:21 | |
as both her dresses are still being made. | 0:33:21 | 0:33:24 | |
But while Ola's worrying, | 0:33:24 | 0:33:25 | |
her laid-back groom has finally been getting into gear. | 0:33:25 | 0:33:28 | |
There may be no dress and no venue, but at least he's bagged some rings. | 0:33:28 | 0:33:32 | |
Do it for 1,150. | 0:33:32 | 0:33:34 | |
-All right, thanks a lot, Jack. -All right. | 0:33:34 | 0:33:37 | |
And not forgetting designer suits for the lads. | 0:33:37 | 0:33:40 | |
-What's the final offer? -I can go down to 220 for you. | 0:33:40 | 0:33:45 | |
-Deal? Deal it is. -OK. | 0:33:45 | 0:33:47 | |
The boys have saved a few quid on suits, | 0:33:47 | 0:33:49 | |
but PJ can't believe what Raph has splashed on the rings. | 0:33:49 | 0:33:53 | |
-1,150. -I'm shocked. I can't... I can't... | 0:33:53 | 0:33:57 | |
-I can't actually believe that. -Why wouldn't you...? | 0:33:57 | 0:34:01 | |
That's the one thing I didn't come to and you just let loose. | 0:34:01 | 0:34:04 | |
£12,000 to do two weddings, it was never, ever going to be smooth. | 0:34:04 | 0:34:08 | |
-Exactly, so why...? -But this is needed, it's not an option. | 0:34:08 | 0:34:11 | |
Ola's wedding band needs a diamond in it. | 0:34:11 | 0:34:14 | |
We haven't even got the venue for the actual ceremony. | 0:34:14 | 0:34:17 | |
Yeah. | 0:34:17 | 0:34:18 | |
And we're getting quotes for prices now, | 0:34:18 | 0:34:20 | |
when we thought it might be free. | 0:34:20 | 0:34:22 | |
So we'll just have to make it work, that's it. | 0:34:22 | 0:34:25 | |
Two days to go, there's still no church. | 0:34:28 | 0:34:30 | |
Ola has no idea where or when she's getting married, | 0:34:30 | 0:34:33 | |
but then again, Raph doesn't know where she's getting married either. | 0:34:33 | 0:34:37 | |
It's really frustrating not knowing where the wedding is. | 0:34:37 | 0:34:40 | |
I'm thinking, "What day's it going to be, | 0:34:40 | 0:34:42 | |
"are we going to get a call on the day?" | 0:34:42 | 0:34:44 | |
-Yeah. -Saying, "Come in, you're getting married in an hour." | 0:34:44 | 0:34:47 | |
We don't even know the time or the location, | 0:34:47 | 0:34:50 | |
where do we need to be on the day? | 0:34:50 | 0:34:52 | |
You're meant to be making me feel better! | 0:34:52 | 0:34:55 | |
-Don't worry, let's go for some breakfast. -OK. | 0:34:55 | 0:34:58 | |
Ola is about to find out WHEN she's getting married at least, | 0:34:58 | 0:35:02 | |
with a little surprise from Raph. | 0:35:02 | 0:35:04 | |
I need to invite Ola to the wedding. | 0:35:04 | 0:35:05 | |
That's the bus stop she gets every morning to go to work, | 0:35:05 | 0:35:08 | |
so I've got an idea. | 0:35:08 | 0:35:11 | |
A rainy bus stop on a busy road? Oh, stop it, you're spoiling her. | 0:35:11 | 0:35:16 | |
Love it. Looks good. | 0:35:16 | 0:35:19 | |
Right on cue, here comes the lucky lady. | 0:35:19 | 0:35:21 | |
Is that her, is that her, is that her? That looks like her. | 0:35:23 | 0:35:27 | |
HE SQUEALS | 0:35:27 | 0:35:29 | |
Oh, my God! | 0:35:31 | 0:35:33 | |
THEY LAUGH | 0:35:33 | 0:35:36 | |
-I just love it, I love it. -Why's that? | 0:35:39 | 0:35:42 | |
This is SO Raph, and it's like, it's Raph talking to me, I love it. | 0:35:42 | 0:35:47 | |
# I'm getting married, I'm getting married! # | 0:35:47 | 0:35:51 | |
I can't wait. Just can't wait to see her again, can't wait. | 0:35:51 | 0:35:55 | |
There's the future wife. | 0:35:55 | 0:35:57 | |
And it means everything's sorted, it means he's found a venue, | 0:35:57 | 0:36:00 | |
he's sorted out everything and everything's in place, | 0:36:00 | 0:36:03 | |
-that's what this means. -Yeah. -So, I'm happy. | 0:36:03 | 0:36:06 | |
Yeah - actually it doesn't mean that at all. | 0:36:06 | 0:36:09 | |
Raph is still on a desperate hunt for a church. | 0:36:09 | 0:36:12 | |
Just, no more than two hours. I can't see it being more than two hours. | 0:36:12 | 0:36:16 | |
The situation has reached crisis point, | 0:36:16 | 0:36:19 | |
and with the budget blown, Raph calls on Rex for help. | 0:36:19 | 0:36:23 | |
So wait, we've got two days left and the church... So wait... | 0:36:23 | 0:36:27 | |
HE SIGHS | 0:36:27 | 0:36:30 | |
The church bit hasn't been confirmed yet? | 0:36:30 | 0:36:32 | |
RAPH CHUCKLES QUIETLY | 0:36:32 | 0:36:34 | |
-It's great how you can find this... -RAPH LAUGHS LOUDLY | 0:36:34 | 0:36:37 | |
..how you can find this so funny. | 0:36:37 | 0:36:41 | |
I... You need to find a church. | 0:36:41 | 0:36:43 | |
You need to find a church and get married in it, | 0:36:43 | 0:36:45 | |
that's the main thing. Quitting and it not getting done | 0:36:45 | 0:36:47 | |
is not an option, so let's just have our two minutes of going mad, | 0:36:47 | 0:36:50 | |
and let's get down to work and make it happen. | 0:36:50 | 0:36:53 | |
Hello, good afternoon, is that Reverend Doctor? | 0:36:53 | 0:36:55 | |
I was told it seats 200, is that true? | 0:36:55 | 0:36:58 | |
..Which is actually this Saturday. I know it's very, very short, | 0:36:58 | 0:37:01 | |
we're literally running around last minute. | 0:37:01 | 0:37:03 | |
They don't rent it out cos it's a post office now. | 0:37:03 | 0:37:06 | |
The guy said £200 per hour, minimum. | 0:37:06 | 0:37:09 | |
Can you do...150? | 0:37:09 | 0:37:12 | |
I think I'm just grabbing on to thin air. | 0:37:12 | 0:37:15 | |
Thank you, thanks a lot for this, Reverend. | 0:37:15 | 0:37:17 | |
-'My pleasure.' -Bye-bye. | 0:37:17 | 0:37:20 | |
Finally, with just one shaky lead, | 0:37:20 | 0:37:22 | |
the lads head out in search of a local church. | 0:37:22 | 0:37:26 | |
-It's open. -"It's open"(!) Oh, it is, it's open. | 0:37:26 | 0:37:29 | |
Quick, quick, quick, let's take a look. | 0:37:29 | 0:37:32 | |
-Do we knock? -'Course we knock, bruv, we've just gotta be... | 0:37:36 | 0:37:39 | |
DOOR CREAKS | 0:37:39 | 0:37:41 | |
-Knock first, bruv, before you burgle. -(There's no-one in.) | 0:37:41 | 0:37:45 | |
So Raph calls the reverend to see if he can perform a small miracle. | 0:37:45 | 0:37:49 | |
So what happened, are you getting the venue? | 0:37:49 | 0:37:51 | |
-OK, so I spoke to the reverend... -Did he say yes, did he say no? | 0:37:51 | 0:37:54 | |
-He didn't say yes, he didn't say no. -You STILL don't know? | 0:37:54 | 0:37:57 | |
-When you going to know? -Tomorrow. | 0:37:57 | 0:37:59 | |
-That's the day before! -The day before, yeah. -So what if he says no?! | 0:37:59 | 0:38:02 | |
THEY LAUGH | 0:38:02 | 0:38:04 | |
We're doing it here! | 0:38:04 | 0:38:07 | |
The reverend needs a day to decide, so Raph will only know | 0:38:07 | 0:38:10 | |
if he has a church to get married in tomorrow. | 0:38:10 | 0:38:13 | |
Talk about last-minute. | 0:38:13 | 0:38:16 | |
One day before the wedding, one day. | 0:38:16 | 0:38:18 | |
And it's going to be good anyway. | 0:38:18 | 0:38:20 | |
It's the day before the wedding, | 0:38:25 | 0:38:27 | |
and Ola's finally about to see dress number one. | 0:38:27 | 0:38:30 | |
Along with bridesmaids Melissa and Ladi, | 0:38:30 | 0:38:33 | |
she's being driven to a mystery location. | 0:38:33 | 0:38:36 | |
Where are we? I have no clue where we are. | 0:38:36 | 0:38:40 | |
It does not look like a dress shop. | 0:38:40 | 0:38:43 | |
Let's just hope the wedding dress looks like a wedding dress. | 0:38:43 | 0:38:46 | |
-Hello! -Thank you. | 0:38:46 | 0:38:49 | |
Raphael came to see me, he put his own design on paper, | 0:38:49 | 0:38:53 | |
that is what he want his wife to wear. | 0:38:53 | 0:38:56 | |
-So he designed my wedding dress? -Yes, he did. | 0:38:56 | 0:39:00 | |
Every single detail on that dress is from him. | 0:39:00 | 0:39:03 | |
I can see you're really surprised! | 0:39:03 | 0:39:06 | |
MILLY LAUGHS | 0:39:06 | 0:39:07 | |
-I don't even know what to say. Like... -That's impressive. | 0:39:07 | 0:39:11 | |
-Is it impressive? -It is, yeah. You know, at least he's made that effort. | 0:39:11 | 0:39:16 | |
But at the end of the day, he's not a bridal fashion designer. | 0:39:16 | 0:39:20 | |
I just want to see it now and what... What Raph has done. | 0:39:20 | 0:39:25 | |
For the biggest day of her life, Ola dreamt of | 0:39:25 | 0:39:28 | |
a simple, elegant wedding gown to suit her sophisticated taste. | 0:39:28 | 0:39:32 | |
MUSIC: Teardrop by Massive Attack | 0:39:32 | 0:39:35 | |
Oh... Is it like a boob tube? | 0:39:35 | 0:39:38 | |
-Mm-hm. -Eh... | 0:39:38 | 0:39:40 | |
It's just a shock, because it's not what I would want or buy. | 0:39:41 | 0:39:46 | |
-It's not what I would buy. -OK. | 0:39:46 | 0:39:48 | |
I don't really like flowy stuff. | 0:39:48 | 0:39:51 | |
There's a lot going on there, to be honest. My goodness, so many layers. | 0:39:51 | 0:39:55 | |
-The bottom, it's really big. -Yeah, that doesn't sound too good. -No. | 0:39:55 | 0:40:00 | |
And also, I'm concerned about the top, | 0:40:00 | 0:40:02 | |
I would have preferred a halterneck. | 0:40:02 | 0:40:04 | |
-Gloves are really not me, it's too much of a princess-y... -OK. | 0:40:04 | 0:40:11 | |
-..thing. -Let's try it on and see how it looks like. | 0:40:11 | 0:40:13 | |
Will Ola feel any different with the dress on? | 0:40:13 | 0:40:17 | |
Oh-ho-ho! | 0:40:17 | 0:40:19 | |
-No gloves. -Yeah! No... -Do you like it? | 0:40:21 | 0:40:26 | |
At first I didn't like the boob tube, cos obviously... | 0:40:26 | 0:40:31 | |
-Do you think I look quite masculine? -Definitely not. | 0:40:31 | 0:40:36 | |
I really think once this is taken in | 0:40:36 | 0:40:38 | |
-and all of that comes out, I think it's beautiful. -It is. | 0:40:38 | 0:40:43 | |
-I think you look elegant, sexy. -Take out the gloves. | 0:40:43 | 0:40:46 | |
Gloves, definitely a no-no, I'm not a princess. I'm not ten. | 0:40:46 | 0:40:52 | |
Well, the good thing about gloves is that you can always take them off. | 0:40:52 | 0:40:57 | |
-And once the gloves ARE off, things begin to look up. -Looks better now. | 0:40:57 | 0:41:02 | |
-Yeah, those are better. -Yeah, definitely. | 0:41:04 | 0:41:07 | |
-I really like the back as well. -The back is beautiful. | 0:41:07 | 0:41:10 | |
I look more elegant, like... | 0:41:10 | 0:41:13 | |
It's not overpowering, it's simple, I think it's classy-looking. | 0:41:13 | 0:41:17 | |
You look beautiful. You look great. | 0:41:17 | 0:41:20 | |
But Ola's noticed something missing. | 0:41:22 | 0:41:25 | |
Where are my shoes though? | 0:41:25 | 0:41:27 | |
-Milly, are there any shoes? -Uh, no yet. | 0:41:27 | 0:41:30 | |
I'm really, really surprised that there's no shoes to try on, | 0:41:30 | 0:41:33 | |
because I know how Raph's like with shoes, and I would have thought | 0:41:33 | 0:41:36 | |
that would be his first buy, like, just buy me some massive heels. | 0:41:36 | 0:41:42 | |
Let's get this going, man. You got that? Careful, careful, careful. | 0:41:42 | 0:41:45 | |
Shoes are the last thing on Raph's mind. | 0:41:45 | 0:41:48 | |
Late night in Hackney, the boys are busy preparing | 0:41:48 | 0:41:51 | |
the huge venue for the traditional Nigerian part of the day. | 0:41:51 | 0:41:54 | |
-What do you think of it? -I think it's good. -It's a beautiful space. | 0:41:54 | 0:41:57 | |
First time I seen it, you done well. What about up there? | 0:41:57 | 0:41:59 | |
Yeah, four seats, in case we get overspill. | 0:41:59 | 0:42:01 | |
-We are going to get overspill, of course. -Aunties bring their aunties and aunties bring their uncles. | 0:42:01 | 0:42:05 | |
Of course, that goes without saying. | 0:42:05 | 0:42:07 | |
-This time tomorrow... That's it. -I'll be sitting on a throne! | 0:42:07 | 0:42:10 | |
I think I've got to be on this side, | 0:42:10 | 0:42:11 | |
cos I'm going to be like this, "Ahhh..." | 0:42:11 | 0:42:15 | |
Looking at 300 guests, thinking, "Wow." | 0:42:15 | 0:42:18 | |
HE LAUGHS | 0:42:18 | 0:42:19 | |
But with just a few hours till the wedding day, | 0:42:19 | 0:42:21 | |
where WILL Ola be getting married in the morning? | 0:42:21 | 0:42:24 | |
# I want to get married... # | 0:42:33 | 0:42:37 | |
After three long weeks, it's finally the day of the wedding. | 0:42:37 | 0:42:41 | |
I think the adrenaline's kicked in, I'm just excited, | 0:42:41 | 0:42:45 | |
I'm just ready to get started with my actual wedding. | 0:42:45 | 0:42:48 | |
I just really, really want to see what Raph's done, | 0:42:48 | 0:42:51 | |
and I just hope I like it. | 0:42:51 | 0:42:54 | |
The first hint of what's to come | 0:42:54 | 0:42:55 | |
is when the bridesmaids reveal Raph's dresses. | 0:42:55 | 0:42:59 | |
He-llo. | 0:42:59 | 0:43:00 | |
Oh, you look really nice. | 0:43:03 | 0:43:07 | |
But you need to show off your dress, turn around. | 0:43:07 | 0:43:10 | |
Now break it down now, y'all. | 0:43:10 | 0:43:11 | |
-THEY LAUGH -He-ey! | 0:43:11 | 0:43:15 | |
She might like what the girls are wearing, | 0:43:15 | 0:43:17 | |
but there's still an important part of HER outfit she hasn't seen. | 0:43:17 | 0:43:21 | |
ALL: Oooh! | 0:43:21 | 0:43:23 | |
LAUGHTER | 0:43:27 | 0:43:28 | |
Ola, are these what you expected? | 0:43:28 | 0:43:31 | |
These are not wedding shoes - I have a dress and it's white. | 0:43:31 | 0:43:35 | |
-But maybe he's wearing a red suit as well. -Ooh. | 0:43:35 | 0:43:37 | |
What would you do if he's wearing a red suit? | 0:43:37 | 0:43:40 | |
If I saw him in a red suit, I wouldn't walk down that aisle. | 0:43:40 | 0:43:42 | |
LAUGHTER | 0:43:42 | 0:43:45 | |
I'd walk back up, back out of that aisle, that's what I would do. | 0:43:45 | 0:43:49 | |
But is there even an aisle for her to walk down? | 0:43:49 | 0:43:53 | |
Is it a church building, or is it going to be done by a...? | 0:43:53 | 0:43:57 | |
I just feel like cos it's Raph... | 0:43:57 | 0:43:58 | |
Oh, you think cos it's him he's going to... | 0:43:58 | 0:44:01 | |
He's going to take us to a church. | 0:44:01 | 0:44:02 | |
-LAUGHING: -Take you to the church. | 0:44:02 | 0:44:04 | |
But then, it's a bit late for a church ceremony. | 0:44:04 | 0:44:07 | |
And Ola's not the only one wondering where she's going - | 0:44:07 | 0:44:10 | |
so are the guests. | 0:44:10 | 0:44:11 | |
But finally, Raph can tell everyone | 0:44:11 | 0:44:13 | |
where the Christian ceremony will take place. | 0:44:13 | 0:44:16 | |
It's behind the Prince of Wales pub. | 0:44:16 | 0:44:19 | |
Yep - round the back of a local boozer. | 0:44:19 | 0:44:23 | |
It was down to the wire, but Raph's reverend came through, | 0:44:23 | 0:44:26 | |
and he confirmed this small chapel for his church wedding ceremony. | 0:44:26 | 0:44:29 | |
Phew! | 0:44:29 | 0:44:31 | |
SALOON-STYLE PIANO MUSIC | 0:44:31 | 0:44:34 | |
Groomsman Rex is just relieved they've found somewhere at all. | 0:44:36 | 0:44:39 | |
The venue's very good and personal, that's what I like about it, | 0:44:39 | 0:44:43 | |
it's not showy. He could have thought of it a bit sooner, | 0:44:43 | 0:44:45 | |
but at the end of the day, bit more stressed | 0:44:45 | 0:44:48 | |
but at the end of the day, it's booked. We got it in time. | 0:44:48 | 0:44:51 | |
Ola's brother Aki isn't quite so sure. | 0:44:51 | 0:44:54 | |
I wasn't expecting this if I'm honest. It's quite small. | 0:44:54 | 0:44:57 | |
Well, let's call it cosy. | 0:44:57 | 0:45:00 | |
-LAUGHING: -Hopefully she'll like it. | 0:45:00 | 0:45:03 | |
Raph's mates HAVE got him to the church - | 0:45:03 | 0:45:06 | |
just not necessarily on time. | 0:45:06 | 0:45:08 | |
We look good! | 0:45:08 | 0:45:09 | |
RAPH GIGGLES | 0:45:09 | 0:45:11 | |
Yeah, it's all good, it's all going OK. Just waiting for the bride | 0:45:11 | 0:45:15 | |
to get here, bridesmaids - but, yeah, it's all OK. | 0:45:15 | 0:45:19 | |
-Let's see you. BRIDESMAIDS: -Aww! | 0:45:21 | 0:45:24 | |
-You look amazing. -How do you feel? -I like it, I like it. | 0:45:28 | 0:45:33 | |
-The necklace goes... -You look stunning. | 0:45:33 | 0:45:36 | |
Yeah, I think it looks good. | 0:45:36 | 0:45:39 | |
OK, thank you. ..Guys, we have a car waiting for us outside. | 0:45:39 | 0:45:44 | |
ALL: Whoo! | 0:45:44 | 0:45:47 | |
En route to her first ceremony, Ola's bridesmaids make sure | 0:45:47 | 0:45:50 | |
she's minty fresh for that very first kiss. | 0:45:50 | 0:45:54 | |
You definitely need that chewing gum, cos you about to kiss yo man, girl! | 0:45:54 | 0:45:57 | |
Oh, yeah. | 0:45:57 | 0:45:59 | |
The first kiss is going to be quick. A quick peck. | 0:45:59 | 0:46:03 | |
It's the kisses afterwards... When you're allowed! | 0:46:03 | 0:46:07 | |
Across town, the cosy chapel is groaning with guests. | 0:46:07 | 0:46:10 | |
Raph hasn't just invited friends and family, | 0:46:12 | 0:46:15 | |
he's invited his whole church group, most of whom Ola won't even know. | 0:46:15 | 0:46:20 | |
As Ola arrives, | 0:46:20 | 0:46:22 | |
it appears this may not be the intimate wedding she'd hoped for. | 0:46:22 | 0:46:26 | |
How come all these people are outside? | 0:46:26 | 0:46:27 | |
I don't know who these people are or what they're doing here. | 0:46:27 | 0:46:31 | |
The church is so full, there isn't even room for the bride. | 0:46:31 | 0:46:36 | |
Isn't there space to wait inside, so I can take off my coat by the door? | 0:46:36 | 0:46:40 | |
Push, push, push, push. Push. | 0:46:43 | 0:46:45 | |
SHE GROANS | 0:46:45 | 0:46:47 | |
Good Lord, it's freezing. | 0:46:52 | 0:46:53 | |
After three weeks apart, and organising two separate weddings, | 0:47:01 | 0:47:05 | |
Raph is about to see his bride again for the first time. | 0:47:05 | 0:47:10 | |
MUSIC: For Your Love by Josh Record | 0:47:10 | 0:47:11 | |
# I put diamonds on my promises | 0:47:11 | 0:47:17 | |
# So you know that they will stay | 0:47:17 | 0:47:23 | |
# And on your finger is where my vow will live | 0:47:23 | 0:47:30 | |
# So you can see it every day | 0:47:30 | 0:47:34 | |
# It's all for love | 0:47:34 | 0:47:36 | |
# It's all for love | 0:47:38 | 0:47:42 | |
# I will do anything for my love. # | 0:47:42 | 0:47:48 | |
I, Raphael Kotun... | 0:47:53 | 0:47:55 | |
-I, Raphael Kotun... -I, Olatunde Fakoya. | 0:47:55 | 0:47:59 | |
-And I join myself to you. -To be a wife to you. | 0:47:59 | 0:48:02 | |
-From this moment forward. -I shall love you. | 0:48:02 | 0:48:05 | |
-And we shall be one. -And we shall be one. | 0:48:05 | 0:48:08 | |
With this ring, I thee wed. | 0:48:08 | 0:48:10 | |
I believe with all of my heart that this marriage is forever. | 0:48:10 | 0:48:13 | |
This is forever. | 0:48:13 | 0:48:15 | |
After being together for two-and-a-half years | 0:48:15 | 0:48:18 | |
without a single kiss, the moment they've been waiting | 0:48:18 | 0:48:21 | |
so long for is finally here. | 0:48:21 | 0:48:24 | |
GUESTS: Wooo! | 0:48:24 | 0:48:27 | |
-REVEREND: -I can tell this is one young man in a hurry! | 0:48:28 | 0:48:31 | |
Now, I give you permission to kiss the bride. | 0:48:33 | 0:48:37 | |
GUESTS: Wooo! | 0:48:37 | 0:48:38 | |
That's it, that's it. Everybody, that's it. | 0:48:44 | 0:48:47 | |
MUSIC: Beneath Your Beautiful by Labrinth ft. Emeli Sande | 0:48:47 | 0:48:50 | |
She looked beautiful, it was beautiful. | 0:48:53 | 0:48:56 | |
I don't expect Ola to show, like, a big happy, | 0:48:56 | 0:48:58 | |
overly, massively in love kind of face, she wouldn't do that. | 0:48:58 | 0:49:01 | |
I know she would have been happy with the whole getting married, | 0:49:01 | 0:49:05 | |
and God, she looked amazing. | 0:49:05 | 0:49:07 | |
As the chapel clears, the couple finally get a moment alone. | 0:49:07 | 0:49:11 | |
-I missed you. -I missed you too. | 0:49:13 | 0:49:16 | |
-It feels good. -Yeah, yeah. It'll hit us in the morning. | 0:49:16 | 0:49:19 | |
Yeah, I think it'll hit us in the morning. Felt so nervous. | 0:49:19 | 0:49:22 | |
I'm not going to lie, I was confident walking in, | 0:49:22 | 0:49:24 | |
but when you get up there it's a bit different. | 0:49:24 | 0:49:26 | |
-Yeah. -It's a bit different! | 0:49:26 | 0:49:28 | |
Cos obviously just walking in, having not spoken to you | 0:49:28 | 0:49:30 | |
in weeks, and walking into a ceremony, it's so much. | 0:49:30 | 0:49:35 | |
Yeah, definitely, definitely. | 0:49:35 | 0:49:37 | |
People shouting, "Smile, smile, smile." | 0:49:37 | 0:49:40 | |
Do you have any more surprises in store? | 0:49:40 | 0:49:42 | |
Oh, do I have surprises for you? I've got loads! | 0:49:42 | 0:49:45 | |
Do you think the day's ending? This is the beginning, just starting. | 0:49:45 | 0:49:49 | |
And the biggest surprise of all is that Ola is heading | 0:49:49 | 0:49:53 | |
to a huge traditional Nigerian ceremony, worlds away from | 0:49:53 | 0:49:56 | |
the small, intimate reception she always dreamed of. | 0:49:56 | 0:49:59 | |
En route, Raph has a plan to help thaw his frosty bride. | 0:50:01 | 0:50:05 | |
And it comes in a box. | 0:50:05 | 0:50:06 | |
Three wings and chips, please. | 0:50:06 | 0:50:08 | |
Happy? I'm over the moon. | 0:50:14 | 0:50:17 | |
-MOUTH FULL: -So much going on... I'm too on edge, I don't know... | 0:50:17 | 0:50:20 | |
what to expect. I don't know what I'm doing. | 0:50:20 | 0:50:24 | |
As they arrive in Hackney, Raph has arranged some novel transport | 0:50:24 | 0:50:27 | |
to get his unsuspecting bride to her second wedding of the day. | 0:50:27 | 0:50:32 | |
To be honest, you know, I deserve this. Where exactly are we going? | 0:50:32 | 0:50:37 | |
That lit-up venue there. | 0:50:37 | 0:50:39 | |
-What are we doing? -Straightforward, the best part is yet to come. | 0:50:49 | 0:50:52 | |
RECEPTION GUESTS: Wooo! | 0:50:52 | 0:50:54 | |
What Ola doesn't know is that behind closed doors, preparations are | 0:50:58 | 0:51:02 | |
under way for a full-on traditional Nigerian wedding ceremony. | 0:51:02 | 0:51:06 | |
-What? Where are you going? -Don't worry about that, go up. | 0:51:06 | 0:51:10 | |
Before she gets wind of the plan, Ola is diverted upstairs, | 0:51:10 | 0:51:14 | |
where yet another surprise awaits her. | 0:51:14 | 0:51:17 | |
-ALL: Hey! -What are we waiting for? | 0:51:17 | 0:51:20 | |
-Right, ladies. More surprises for you girls. -Oh, wow. | 0:51:20 | 0:51:24 | |
-What is that? -Take a look. | 0:51:24 | 0:51:27 | |
BRIDESMAIDS: Oh, my God! | 0:51:27 | 0:51:30 | |
-That looks nice. -Oh, you've got traditional clothes. | 0:51:30 | 0:51:33 | |
Oh, my gosh, this is beautiful. | 0:51:33 | 0:51:36 | |
But w-what are we using it for? That's the question. | 0:51:36 | 0:51:40 | |
I-I, I'm so... I'm actually speechless, I'm so shocked. | 0:51:40 | 0:51:43 | |
I don't know what I'm walking into. | 0:51:43 | 0:51:45 | |
I don't know if I'm walking into a white wedding reception, | 0:51:45 | 0:51:48 | |
I don't know If I'm walking into a traditional wedding. | 0:51:48 | 0:51:50 | |
-You thought the surprises were over, huh? -I know, this guy... | 0:51:50 | 0:51:53 | |
I don't even know what to expect downstairs. What am I walking into? | 0:51:53 | 0:51:57 | |
GUESTS CHATTER | 0:51:57 | 0:51:59 | |
-Oh, my goodness - wow! -This is it, cousin. -We did it, we did it. | 0:51:59 | 0:52:03 | |
Oh, my goodness, I feel like crying. Decor - tick. Guests - tick. | 0:52:03 | 0:52:08 | |
Everything - tick, tick, tick, tick. | 0:52:08 | 0:52:11 | |
-Raphael, what do you think, everything right? -Yeah, spot on! | 0:52:11 | 0:52:14 | |
-And you was right, the gold looks better. -Yes, better than the red. | 0:52:14 | 0:52:17 | |
-And I'm so proud of you. -Thank you. | 0:52:17 | 0:52:19 | |
-A man planning his wedding all by himself. -Thank you. | 0:52:19 | 0:52:23 | |
I did it, it's beautiful, it's perfect, the guests are here, | 0:52:23 | 0:52:26 | |
tables are set out, food is ready - | 0:52:26 | 0:52:28 | |
now I can celebrate with my friends and my family. | 0:52:28 | 0:52:31 | |
I can't wait, I love it. | 0:52:31 | 0:52:32 | |
WHOOPING | 0:52:32 | 0:52:34 | |
As Ola makes her way downstairs... | 0:52:37 | 0:52:40 | |
in traditional Nigerian dress... | 0:52:40 | 0:52:42 | |
the penny may have finally dropped. | 0:52:42 | 0:52:46 | |
Looks like I just stepped on the set of My Big Fat Nigerian Wedding. | 0:52:46 | 0:52:50 | |
Before Raph can find out what Ola thinks of his lavish affair, | 0:52:50 | 0:52:54 | |
he has to beg her parents for her hand in marriage. | 0:52:54 | 0:52:57 | |
All the way down. | 0:52:57 | 0:53:00 | |
Are you begging for her, or you are not begging for...? | 0:53:00 | 0:53:04 | |
I'm begging for her. | 0:53:04 | 0:53:06 | |
Raph's efforts have impressed Ola's family, | 0:53:06 | 0:53:09 | |
and finally, it looks like even his bride has been won over. | 0:53:09 | 0:53:13 | |
I never thought I would want a Nigerian wedding, | 0:53:13 | 0:53:17 | |
but just looking forward to getting in there now, doing this section, | 0:53:17 | 0:53:23 | |
that's what I'm looking forward to now. | 0:53:23 | 0:53:27 | |
As Ola leads her ladies in, Raph's big Nigerian gamble has paid off. | 0:53:27 | 0:53:31 | |
MUSIC: Rather Be by Clean Bandit | 0:53:31 | 0:53:33 | |
# If you gave me a chance I would take it | 0:53:33 | 0:53:37 | |
# It's a shot in the dark but I'll make it... # | 0:53:37 | 0:53:40 | |
And at last, the happy couple are together again. | 0:53:42 | 0:53:45 | |
I never thought I would want, like, a big fat Nigerian wedding, | 0:53:48 | 0:53:52 | |
but seeing all my friends and family together, I had a good time | 0:53:52 | 0:53:55 | |
because of all the touches you put in. | 0:53:55 | 0:53:58 | |
I wasn't expecting the outfit, the outfit is beautiful, I love it. | 0:53:58 | 0:54:03 | |
I'm really happy, babe, you really did well. You pulled it off. | 0:54:03 | 0:54:06 | |
I think Raph has done a great job in general - from A to Z | 0:54:10 | 0:54:15 | |
he's really surprised us. | 0:54:15 | 0:54:17 | |
The fact that he pulled that off in three weeks, | 0:54:17 | 0:54:19 | |
-I have to say, my hat off to you, Raph. -One great job. | 0:54:19 | 0:54:22 | |
This is what you call a success. This is a big fat Nigerian success. | 0:54:26 | 0:54:31 | |
Right here. Right in front of you. | 0:54:31 | 0:54:33 | |
You see her smiling, laughing now, I think she really enjoyed it. | 0:54:35 | 0:54:40 | |
It came together in the end. | 0:54:40 | 0:54:41 | |
As long as she goes home with a smile on her face. That sounded... | 0:54:41 | 0:54:44 | |
-Huh? -That sounded quite rude. | 0:54:44 | 0:54:46 | |
I'm so happy. And I'm married now. | 0:54:53 | 0:54:56 | |
Being away three weeks taught me loads, and it showed me | 0:54:56 | 0:55:00 | |
how much I love you, how much I care for you, how much I miss you. | 0:55:00 | 0:55:03 | |
I think what I've learnt most being away from Raph, | 0:55:03 | 0:55:06 | |
he makes me a better person. | 0:55:06 | 0:55:09 | |
You make me nicer, you make me happier... | 0:55:09 | 0:55:12 | |
I don't want to not have a day without you. Ever. | 0:55:12 | 0:55:15 | |
Ahhh... | 0:55:15 | 0:55:17 | |
# ..Next to me, ooh-hoo | 0:55:17 | 0:55:21 | |
# You will find him, you'll find him next to me... # | 0:55:21 | 0:55:25 | |
48 hours later, the couple have a third and final legal ceremony. | 0:55:29 | 0:55:34 | |
-And another chance to practise that kiss. -You may kiss the bride. | 0:55:34 | 0:55:38 | |
Next time - unromantic groom Dan... | 0:55:41 | 0:55:45 | |
-Mi scusi. -..plans a Shakespeare-inspired wedding abroad. | 0:55:45 | 0:55:49 | |
Fai matrimoni? ..They put the phone down on me! | 0:55:49 | 0:55:51 | |
Can this Romeo pull off a real Italian job? | 0:55:51 | 0:55:54 | |
Kate is devastated. | 0:55:54 | 0:55:56 | |
Will his grand ideas of love get lost in translation? | 0:55:56 | 0:56:00 | |
It's just really itchy and I'm sweating like a pig. | 0:56:00 | 0:56:03 | |
Or has this groom set the stage for a Shakespearian tragedy? | 0:56:03 | 0:56:06 | |
-TEARFUL: -I don't... I don't want to wear this dress. | 0:56:06 | 0:56:09 | |
I just want it to be exactly as the way I wanted it. | 0:56:09 | 0:56:11 |