
Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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Families can be driven apart for all manner of reasons. | 0:00:02 | 0:00:05 | |
My mum went away and didn't come back. | 0:00:05 | 0:00:08 | |
And when you do lose touch with your loved ones... | 0:00:08 | 0:00:10 | |
I never saw Kathleen again. | 0:00:10 | 0:00:13 | |
..finding them can take a lifetime... | 0:00:13 | 0:00:14 | |
I wonder where he is, I wonder what he's doing. | 0:00:14 | 0:00:17 | |
You don't really know where to begin. | 0:00:17 | 0:00:19 | |
..especially when they could be anywhere, at home or abroad. | 0:00:19 | 0:00:23 | |
And that's where the family finders come in. | 0:00:25 | 0:00:28 | |
Hi, it's the Salvation Army Family Tracing Service. | 0:00:28 | 0:00:31 | |
From international organisations... | 0:00:31 | 0:00:34 | |
And there's never been a day when we haven't had new enquiries. | 0:00:34 | 0:00:37 | |
..to genealogy detective agencies... | 0:00:37 | 0:00:40 | |
When is it you last had contact with him? | 0:00:40 | 0:00:42 | |
..and dedicated one-man bands... | 0:00:42 | 0:00:44 | |
I like to do the searches other people can't get, | 0:00:44 | 0:00:47 | |
because it makes me feel good. | 0:00:47 | 0:00:49 | |
..they hunt through history to bring families back together again. | 0:00:49 | 0:00:54 | |
You are my biological dad. | 0:00:54 | 0:00:56 | |
In this series, we follow the work of the family finders... | 0:00:56 | 0:00:59 | |
This case came from our Australian colleagues. | 0:00:59 | 0:01:02 | |
..learning the tricks they use | 0:01:02 | 0:01:03 | |
to track missing relatives through time... | 0:01:03 | 0:01:06 | |
I'm 68 years of age, she's 75 years of age, and we're just starting off. | 0:01:06 | 0:01:10 | |
..and meeting the people whose lives they change along the way. | 0:01:10 | 0:01:14 | |
I said, "Well, this is your younger sister." | 0:01:14 | 0:01:16 | |
It's a miracle. | 0:01:16 | 0:01:18 | |
I was struck speechless. And I couldn't stop crying! | 0:01:18 | 0:01:21 | |
It's a proud moment for Dad. | 0:01:21 | 0:01:23 | |
I was finding a family! | 0:01:23 | 0:01:25 | |
Every year, thousands of people throughout the UK attempt to | 0:01:32 | 0:01:36 | |
trace long-lost relatives. | 0:01:36 | 0:01:39 | |
This daunting quest is one the Salvation Army has provided | 0:01:39 | 0:01:42 | |
help with for over 130 years through its Family Tracing Service. | 0:01:42 | 0:01:47 | |
Good afternoon. Family Tracing. How can I help? | 0:01:47 | 0:01:50 | |
On average, we accept around about 2,000 enquiries a year from family | 0:01:50 | 0:01:55 | |
members, and obviously with every enquiry we take on, | 0:01:55 | 0:01:59 | |
we want a positive result. | 0:01:59 | 0:02:02 | |
Recently, the Family Tracing unit received an intriguing enquiry from a | 0:02:02 | 0:02:06 | |
woman in Huddersfield who hadn't seen her little brother for over 30 years. | 0:02:06 | 0:02:11 | |
We received an application from Mary, | 0:02:11 | 0:02:13 | |
who explained that she was looking for her younger half-brother, | 0:02:13 | 0:02:16 | |
Leonard, and she believed that he was still living in London, | 0:02:16 | 0:02:19 | |
where she last had contact with him. | 0:02:19 | 0:02:22 | |
Mary Kitchen lives in Huddersfield with her husband | 0:02:24 | 0:02:27 | |
and four children, but her story begins in 1960. | 0:02:27 | 0:02:31 | |
I was born in Huddersfield, West Yorkshire. | 0:02:31 | 0:02:34 | |
At the age of three months, myself and my mum moved to London. | 0:02:34 | 0:02:39 | |
Her mother met Jamaican-born Sydney Banton | 0:02:39 | 0:02:42 | |
and fell pregnant with Mary's baby brother, Lennie. | 0:02:42 | 0:02:45 | |
I don't remember Mum being pregnant, but obviously when she had him, | 0:02:45 | 0:02:50 | |
I was taken to the hospital | 0:02:50 | 0:02:52 | |
to see him, and so obviously I knew about him. | 0:02:52 | 0:02:56 | |
After growing up with just her mother, Mary now had a brother. | 0:02:56 | 0:03:00 | |
But it turned out Sydney was married, | 0:03:00 | 0:03:02 | |
and it wasn't long before his family | 0:03:02 | 0:03:04 | |
came over from Jamaica to join him. | 0:03:04 | 0:03:07 | |
At first, Mary and baby Lennie | 0:03:07 | 0:03:09 | |
lived together with their own mother, | 0:03:09 | 0:03:11 | |
but just a few months after his birth, | 0:03:11 | 0:03:13 | |
she fell ill and both children moved in with Sydney and his family. | 0:03:13 | 0:03:18 | |
I remember staying in the house with him | 0:03:18 | 0:03:20 | |
and all his other brothers, and he's got one sister, | 0:03:20 | 0:03:23 | |
being part of the family, | 0:03:23 | 0:03:25 | |
and then obviously Mum must have moved on then, and so we lost touch. | 0:03:25 | 0:03:31 | |
So, basically, I've been brought up as an only child, really. | 0:03:31 | 0:03:36 | |
Ultimately, Lennie's birth father, Sydney, wanted to bring him up, | 0:03:36 | 0:03:40 | |
so Mary and her mother moved back to West Yorkshire. | 0:03:40 | 0:03:42 | |
All she had left to remind her of her brother was one precious photo. | 0:03:45 | 0:03:49 | |
I had a photograph of myself and him that I've carried with me | 0:03:51 | 0:03:55 | |
wherever we've moved to. | 0:03:55 | 0:03:57 | |
He's never been out of my thoughts. I've always thought about him. | 0:03:57 | 0:04:01 | |
Aged 19, Mary tried to reconnect with the then-teenage Lennie, | 0:04:03 | 0:04:07 | |
but he didn't want to know. | 0:04:07 | 0:04:10 | |
Now, 30 years later, she wants to give it another try. | 0:04:10 | 0:04:13 | |
I discussed it with my family. My husband was very wary, | 0:04:14 | 0:04:19 | |
but I think that's because he was looking out for me. | 0:04:19 | 0:04:22 | |
But my daughter pushed me. | 0:04:24 | 0:04:27 | |
She's like, "You've got to do it, Mum, you've got to do it." | 0:04:27 | 0:04:29 | |
My mum's always spoke about her brother. | 0:04:29 | 0:04:32 | |
She's always mentioned him, and I know that she's wanted to | 0:04:32 | 0:04:35 | |
get in contact with him for quite a long time. | 0:04:35 | 0:04:37 | |
I've said to her as well, | 0:04:37 | 0:04:39 | |
"You need to do it, cos if you don't you're never going to know." | 0:04:39 | 0:04:43 | |
Determined to strike while the iron was hot, | 0:04:43 | 0:04:45 | |
Mary's daughter Elena contacted the Salvation Army. | 0:04:45 | 0:04:48 | |
But as Mary didn't know Lennie's age, they had to give them | 0:04:48 | 0:04:51 | |
three possible dates of birth. | 0:04:51 | 0:04:53 | |
I didn't think for a minute, | 0:04:53 | 0:04:54 | |
actually, that the Salvation Army would be | 0:04:54 | 0:04:56 | |
able to find him, because on my form there was so little information. | 0:04:56 | 0:05:02 | |
I even said to me daughter, "There's no chance of finding anybody," | 0:05:02 | 0:05:06 | |
with the little snippets of what I'd got. | 0:05:06 | 0:05:10 | |
Mary may have thought it was scant information to go on, | 0:05:10 | 0:05:14 | |
but for the family finders, it was the perfect starting point. | 0:05:14 | 0:05:17 | |
With that information, we would take that | 0:05:17 | 0:05:19 | |
and apply to the General Register Office for birth certificates | 0:05:19 | 0:05:23 | |
and ask them to send us | 0:05:23 | 0:05:25 | |
copies to establish which date of birth was the correct one. | 0:05:25 | 0:05:29 | |
Once we had Leonard's birth information, | 0:05:29 | 0:05:32 | |
we were able to find him pretty quickly. | 0:05:32 | 0:05:34 | |
It turned out that Leonard wasn't living too far from where Mary | 0:05:36 | 0:05:39 | |
had last seen him, and we were able to send him a letter straight away. | 0:05:39 | 0:05:43 | |
The Salvation Army letter informs a lost relative a family member | 0:05:45 | 0:05:49 | |
would like to get in touch. | 0:05:49 | 0:05:51 | |
The person can then decide how to respond. | 0:05:51 | 0:05:55 | |
I received this letter, and, to be honest, I didn't know how I felt. | 0:05:55 | 0:05:58 | |
I didn't know if I was shocked, surprised, mortified or what. | 0:05:58 | 0:06:02 | |
And I didn't know how to react, like... | 0:06:02 | 0:06:05 | |
..you know, so I didn't immediately say, "Well, reply to the letter." | 0:06:07 | 0:06:13 | |
I didn't know what to do. As well, I was scared, as well. I don't know. | 0:06:13 | 0:06:19 | |
I don't know how to explain it. | 0:06:19 | 0:06:21 | |
Lennie decided to proceed, but with caution. | 0:06:21 | 0:06:25 | |
He called the office and said | 0:06:25 | 0:06:27 | |
that he would love to hear from his sister | 0:06:27 | 0:06:30 | |
and that he'd like initially to have a letter from her via our office. | 0:06:30 | 0:06:35 | |
The letter-forwarding service that we offer is something that's | 0:06:35 | 0:06:38 | |
taken up in quite a lot of cases, and people sometimes are nervous | 0:06:38 | 0:06:42 | |
about being in touch with their relative after such a long time. | 0:06:42 | 0:06:47 | |
It's a good way to break the ice without disclosing anything | 0:06:47 | 0:06:50 | |
personal, like address or contact details. | 0:06:50 | 0:06:54 | |
Mary had an agonising wait to discover the news. | 0:06:54 | 0:06:58 | |
'I didn't hear anything then for about four weeks, | 0:06:58 | 0:07:00 | |
'and then I got a letter.' | 0:07:00 | 0:07:02 | |
30 years after last setting eyes on her brother, the contents of this | 0:07:03 | 0:07:07 | |
letter would determine whether or not Mary would ever see Lennie again. | 0:07:07 | 0:07:12 | |
So I opened it, and I said, "They found him, they found him!" | 0:07:12 | 0:07:16 | |
So I set to that night and wrote just a few short lines | 0:07:16 | 0:07:21 | |
and enclosed a photo. | 0:07:21 | 0:07:22 | |
Lennie may have asked for the letter, | 0:07:26 | 0:07:28 | |
but its arrival was no less overwhelming for that. | 0:07:28 | 0:07:31 | |
The emotions I had when I received the letter? | 0:07:31 | 0:07:35 | |
Everything. Joy, sadness, shock, horror... | 0:07:35 | 0:07:38 | |
'I had to pinch meself sometimes, to say, "Is this really happening?"' | 0:07:44 | 0:07:48 | |
It's crazy. | 0:07:50 | 0:07:51 | |
It's good, but it's crazy. | 0:07:51 | 0:07:53 | |
But it was the photograph Mary | 0:07:54 | 0:07:55 | |
had enclosed which had the biggest impact. | 0:07:55 | 0:07:58 | |
When Mary sent me the letter, | 0:07:58 | 0:08:00 | |
she put a photograph of me what I didn't even know existed. | 0:08:00 | 0:08:05 | |
And then that's when I looked at it and I thought, "Wow! Who's this?" | 0:08:05 | 0:08:10 | |
HE LAUGHS | 0:08:10 | 0:08:11 | |
And it's me and Mary when we was kids. | 0:08:11 | 0:08:15 | |
And, oh, straight away I had to photocopy it, blow it up. | 0:08:15 | 0:08:19 | |
It's everywhere. It's on me laptop, it's on the wall. It's everywhere. | 0:08:19 | 0:08:23 | |
Leonard's story begins with his father in 1963. | 0:08:26 | 0:08:30 | |
When he first got here, he had to find lodgings, | 0:08:32 | 0:08:35 | |
and that's where he met my birth mother. | 0:08:35 | 0:08:38 | |
That person was Mary's mother. | 0:08:38 | 0:08:41 | |
And obviously... | 0:08:41 | 0:08:43 | |
two and two equals Lennie! | 0:08:43 | 0:08:46 | |
Soon after that, Sydney's wife and children arrived from Jamaica. | 0:08:47 | 0:08:51 | |
When my dad had found his own place to live, | 0:08:51 | 0:08:56 | |
he sent for me mum to come over with my brothers and sister. | 0:08:56 | 0:09:00 | |
Lennie grew up with his dad's family in south London, | 0:09:00 | 0:09:03 | |
unaware of his true origins. | 0:09:03 | 0:09:06 | |
I just had a normal childhood. | 0:09:06 | 0:09:10 | |
Y'know, like, I didn't feel different, y'know, I didn't... | 0:09:10 | 0:09:14 | |
Y'know, I didn't look at meself and think, | 0:09:14 | 0:09:17 | |
"I'm a duck, you lot are chickens," you know? | 0:09:17 | 0:09:20 | |
Lennie struggles to remember exactly how | 0:09:20 | 0:09:22 | |
he learnt the truth about where he'd come from. | 0:09:22 | 0:09:25 | |
I can't remember when it first came up or how it came up. | 0:09:25 | 0:09:31 | |
But my mum explained about my birth mother. | 0:09:31 | 0:09:36 | |
But he found it hard to cope with the revelation. | 0:09:38 | 0:09:41 | |
I didn't want to know, because as far as I was concerned, | 0:09:41 | 0:09:44 | |
I'm with my mother. I've still got my mother today, you know? | 0:09:44 | 0:09:47 | |
So I suppose, in a way, that's why I put it to the back of me mind | 0:09:49 | 0:09:52 | |
and just forgot all about it and just got on with life. | 0:09:52 | 0:09:55 | |
Lennie has no memory of living with Mary as a tiny baby | 0:09:55 | 0:09:59 | |
and can only vaguely remember her visit to London in 1979. | 0:09:59 | 0:10:03 | |
She was at the house, and, y'know, I wasn't rude to her, but... | 0:10:04 | 0:10:08 | |
Because I didn't know who she was. | 0:10:08 | 0:10:11 | |
And I just totally ignored her. | 0:10:11 | 0:10:14 | |
And it's only at a later date I found out that she was my sister. | 0:10:14 | 0:10:18 | |
But the past is now the past, and tomorrow brother | 0:10:20 | 0:10:23 | |
and sister will be reunited for the first time in their adult lives. | 0:10:23 | 0:10:27 | |
There's so much we've got to say to each other. | 0:10:29 | 0:10:32 | |
In fact, there's that much, I don't know where to start. | 0:10:32 | 0:10:36 | |
Apart from saying sorry. That's the first thing, of course. | 0:10:37 | 0:10:40 | |
In recent years, there's been a boom in independent family finders | 0:10:47 | 0:10:51 | |
who can help track down missing loved ones. | 0:10:51 | 0:10:53 | |
One such authority is Derbyshire-based Charlie Watson. | 0:10:56 | 0:10:59 | |
It's commonplace for people to want me to undertake enquiries to try | 0:10:59 | 0:11:04 | |
and find something special in the family. | 0:11:04 | 0:11:07 | |
But Charlie doesn't just delve into his clients' past, | 0:11:07 | 0:11:10 | |
he also helps them track down living relatives who | 0:11:10 | 0:11:12 | |
they may not have seen in years, if at all. | 0:11:12 | 0:11:15 | |
Many of my clients are actually in their later years, | 0:11:15 | 0:11:18 | |
who have suddenly taken an interest in trying to find out | 0:11:18 | 0:11:21 | |
about their families, whether they're living or dead. | 0:11:21 | 0:11:24 | |
Recently, Charlie was contacted by a woman desperate to | 0:11:24 | 0:11:28 | |
track down her missing family and to finally unravel a long-standing | 0:11:28 | 0:11:32 | |
mystery surrounding exactly who she was and where she had come from. | 0:11:32 | 0:11:36 | |
81-year-old Linda Wright is a retired musician who now | 0:11:42 | 0:11:46 | |
lives in North Yorkshire. | 0:11:46 | 0:11:48 | |
Born in 1934, she grew up in Southport, Merseyside. | 0:11:48 | 0:11:53 | |
An only child, she was brought up by the couple | 0:11:53 | 0:11:56 | |
she assumed were her birth mother and father. | 0:11:56 | 0:11:59 | |
When I was young, I went to a private day school, and it was very | 0:11:59 | 0:12:03 | |
old-fashioned, and occasionally we had air raids over the town. | 0:12:03 | 0:12:08 | |
So we slept every night in an Anderson shelter, | 0:12:08 | 0:12:12 | |
underneath the kitchen table. | 0:12:12 | 0:12:14 | |
Music was her biggest passion, | 0:12:14 | 0:12:16 | |
and she would spend many evenings glued to the family wireless. | 0:12:16 | 0:12:19 | |
One night, we were listening to a lovely violinist, so I said, | 0:12:19 | 0:12:23 | |
"I want to learn one of those." | 0:12:23 | 0:12:25 | |
And that was Sunday, and on Tuesday I'd started. | 0:12:27 | 0:12:30 | |
In three years, I was playing quite good concertos. | 0:12:31 | 0:12:35 | |
And then I got a scholarship to the Royal Manchester College of Music, | 0:12:36 | 0:12:39 | |
and I went there for three years. | 0:12:39 | 0:12:41 | |
Linda passed her musical studies with distinction | 0:12:41 | 0:12:44 | |
and went on to become a professional violinist. | 0:12:44 | 0:12:47 | |
By this time, I'd already met my husband-to-be, Cliff Wright. | 0:12:47 | 0:12:52 | |
Linda and Cliff got married in 1954. | 0:12:52 | 0:12:54 | |
Then, later that year, he got a posting to a new | 0:12:55 | 0:12:58 | |
position as band leader to the Border Regiment, based in Berlin. | 0:12:58 | 0:13:02 | |
I was 20, and I'd never been abroad. | 0:13:02 | 0:13:06 | |
And eventually, I realised that I hadn't got a passport | 0:13:06 | 0:13:11 | |
and I hadn't got any... | 0:13:11 | 0:13:12 | |
..any piece of paper that said who I was. | 0:13:14 | 0:13:17 | |
So I rang my dad up, and he came across with a... | 0:13:17 | 0:13:22 | |
well, my marriage certificate. | 0:13:22 | 0:13:24 | |
But then I said, "Well, haven't I got a birth certificate?" | 0:13:24 | 0:13:26 | |
Linda's dad was initially unable to produce her birth certificate, | 0:13:26 | 0:13:30 | |
and the possible implications began to dawn on her. | 0:13:30 | 0:13:33 | |
I started to have a suspicion then, and then he told me I was adopted. | 0:13:33 | 0:13:38 | |
The news that her mum and dad weren't her birth parents | 0:13:39 | 0:13:42 | |
was shock enough for Linda, but when | 0:13:42 | 0:13:44 | |
she pushed to know more, the details behind her adoption were hazy, | 0:13:44 | 0:13:48 | |
to say the least. | 0:13:48 | 0:13:49 | |
He told me that he'd gone to Barnardo's and chosen me | 0:13:49 | 0:13:54 | |
for my lovely smile. | 0:13:54 | 0:13:55 | |
Hardly likely at one month old, when you've got no teeth, is it? | 0:13:55 | 0:14:00 | |
It was only years later, on the night of her father's | 0:14:00 | 0:14:03 | |
funeral, that Linda's auntie, Iris, challenged this story. | 0:14:03 | 0:14:08 | |
"What did your father tell you?" | 0:14:08 | 0:14:10 | |
"Oh," I said, "he told me he'd been to Barnardo's and picked me out | 0:14:10 | 0:14:14 | |
"for my big smile." | 0:14:14 | 0:14:16 | |
And she said, "Oh, not that story again." | 0:14:16 | 0:14:20 | |
She said, "I'll tell you the real story." | 0:14:20 | 0:14:23 | |
This news came as a huge shock, because now Linda had two | 0:14:23 | 0:14:27 | |
conflicting stories about how she came to be adopted. | 0:14:27 | 0:14:31 | |
In her Auntie Iris's version, Linda's music-loving adoptive parents | 0:14:31 | 0:14:35 | |
had long wanted a child of their own, and not just any old child. | 0:14:35 | 0:14:39 | |
They couldn't have any children. And they were very musical, | 0:14:39 | 0:14:42 | |
loved opera and all sorts of things, and just wanted a musician. | 0:14:42 | 0:14:46 | |
And they heard about this child in Yorkshire. | 0:14:46 | 0:14:50 | |
Their prayers were answered in the form of an unusual news | 0:14:50 | 0:14:53 | |
story in the local paper. | 0:14:53 | 0:14:55 | |
An opera singer was putting her daughter up for adoption. | 0:14:55 | 0:14:58 | |
"Young opera singer has unfortunate liaison." | 0:14:58 | 0:15:01 | |
And of course I was the result. | 0:15:01 | 0:15:04 | |
So they arranged to adopt me on the spot. | 0:15:04 | 0:15:08 | |
As the years passed, Linda never stopped wondering about her mother | 0:15:09 | 0:15:13 | |
and, more importantly, whether there might be anyone else out there. | 0:15:13 | 0:15:17 | |
I thought, "Wouldn't it be fantastic | 0:15:17 | 0:15:19 | |
"if I actually had some brothers and sisters?" | 0:15:19 | 0:15:22 | |
It was time to bring in expert help in the shape of genealogist | 0:15:24 | 0:15:28 | |
and family finder Charlie Watson. | 0:15:28 | 0:15:31 | |
What Linda had in her possession was an adoption order | 0:15:31 | 0:15:34 | |
and a birth certificate, which really isn't very much | 0:15:34 | 0:15:37 | |
but not entirely unexpected, | 0:15:37 | 0:15:39 | |
because we're going back quite a few years now, to the 1930s, | 0:15:39 | 0:15:43 | |
and it's fairly commonplace to find very few documents that one can use. | 0:15:43 | 0:15:48 | |
But armed with what little he had, Charlie set to work. | 0:15:48 | 0:15:52 | |
The adoption order will give you | 0:15:52 | 0:15:53 | |
the name of the court that made the order, | 0:15:53 | 0:15:55 | |
so it was necessary to write to the court to see whether they had any | 0:15:55 | 0:16:01 | |
records, an adoption file relating to that particular adoption. | 0:16:01 | 0:16:04 | |
Charlie's investigations unearthed a name for Linda's birth mother, | 0:16:04 | 0:16:08 | |
Dorothy Turner. | 0:16:08 | 0:16:10 | |
Dorothy was no longer alive. But did she have any other children? | 0:16:10 | 0:16:14 | |
I started to look for Linda's birth mother's parents, | 0:16:14 | 0:16:18 | |
so that'd be Linda's grandparents, and what | 0:16:18 | 0:16:21 | |
I finally managed to do was evidence of their marriage by looking online. | 0:16:21 | 0:16:26 | |
By accessing scores of online records, Charlie managed to get | 0:16:27 | 0:16:31 | |
a clearer picture of Linda's history and family tree. | 0:16:31 | 0:16:34 | |
That whole process took probably two to three months | 0:16:34 | 0:16:37 | |
and eventually resulted in my sending out four letters to people. | 0:16:37 | 0:16:42 | |
These four letters were sent to potential close relatives of Linda. | 0:16:43 | 0:16:47 | |
We had one positive response, | 0:16:47 | 0:16:49 | |
and one positive response is pretty much all you need. | 0:16:49 | 0:16:52 | |
One will do! | 0:16:52 | 0:16:54 | |
Charlie's sleuthing had paid off. Linda did indeed have siblings. | 0:16:54 | 0:16:59 | |
And, 270 miles away, in the Brecon Beacons, one of them, | 0:16:59 | 0:17:03 | |
Bridgett, was about to receive a | 0:17:03 | 0:17:05 | |
phone call that would change her life. | 0:17:05 | 0:17:07 | |
My remaining brother, Richard, called me up and said, | 0:17:07 | 0:17:11 | |
"A genealogist has been in touch with me saying that there's a lady | 0:17:11 | 0:17:15 | |
"that would like to contact us, who's our sister." | 0:17:15 | 0:17:19 | |
Born 15 years after Linda, Bridgett grew up with her birth parents | 0:17:19 | 0:17:24 | |
and two elder brothers. | 0:17:24 | 0:17:25 | |
But while Linda spent her adult life wondering | 0:17:25 | 0:17:28 | |
whether she had any siblings, Bridgett | 0:17:28 | 0:17:30 | |
and her brothers had been put in the picture much earlier. | 0:17:30 | 0:17:33 | |
When my mother died in 1999, my father got us all together | 0:17:33 | 0:17:39 | |
and said, "I've got some news," | 0:17:39 | 0:17:41 | |
and he told us that we had... a sister, which was a shock, | 0:17:41 | 0:17:46 | |
because we'd always been a three and suddenly we were a four. | 0:17:46 | 0:17:48 | |
It was a bit of a bombshell, I have to say. | 0:17:48 | 0:17:50 | |
Remarkably, just like the sister she'd never met, | 0:17:50 | 0:17:53 | |
Bridgett has also spent her life steeped in music. | 0:17:53 | 0:17:57 | |
I had a passion for music right from the start. | 0:17:57 | 0:17:59 | |
I just have a musical brain. | 0:17:59 | 0:18:01 | |
Bridgett and her partner, Brendan, | 0:18:01 | 0:18:02 | |
run an opera company, an uncanny echo of the story Linda was told, | 0:18:02 | 0:18:07 | |
that her mother was a young opera singer. | 0:18:07 | 0:18:10 | |
I've spent all my life in opera. That's what I do...and have done. | 0:18:10 | 0:18:14 | |
Bridgett and her brothers had decided to let sleeping dogs lie | 0:18:14 | 0:18:18 | |
and not go looking for Linda... | 0:18:18 | 0:18:20 | |
until she came looking for them. | 0:18:20 | 0:18:22 | |
Suddenly, we got this call saying, "There's a lady wants to find you." | 0:18:22 | 0:18:26 | |
So we couldn't really believe it. | 0:18:26 | 0:18:29 | |
I went, "Oh, God!" at the time! | 0:18:29 | 0:18:33 | |
And then we just talked about it and I said, | 0:18:33 | 0:18:36 | |
"Well, of course we've got to meet her." | 0:18:36 | 0:18:39 | |
Three months after his first meeting with Linda, Charlie contacted | 0:18:40 | 0:18:44 | |
her with the news she had desperately been hoping to hear. | 0:18:44 | 0:18:47 | |
"Bingo! I've found your family." | 0:18:47 | 0:18:50 | |
I was excited! Yes, of course I was. | 0:18:50 | 0:18:54 | |
"I really have got a family. Oh, gosh!" | 0:18:54 | 0:18:57 | |
The sisters have already met once, briefly. | 0:18:57 | 0:19:00 | |
Tomorrow they'll be reunited again | 0:19:00 | 0:19:02 | |
with two whole lifetimes to catch up on. | 0:19:02 | 0:19:05 | |
In London, Mary Kitchen and her younger brother, Lennie, | 0:19:12 | 0:19:15 | |
have been separated for over 30 years. | 0:19:15 | 0:19:19 | |
Today, they'll be reunited after being brought | 0:19:19 | 0:19:21 | |
together by the family finders at the Salvation Army. | 0:19:21 | 0:19:24 | |
We've found each other but I haven't spoken to him verbally as yet. | 0:19:26 | 0:19:32 | |
So obviously I know he's a cockney, | 0:19:32 | 0:19:34 | |
but I don't know if he'll understand me! | 0:19:34 | 0:19:36 | |
Us Northerners, y'know! | 0:19:36 | 0:19:38 | |
The last time Mary made the journey to London to see Lennie, | 0:19:39 | 0:19:43 | |
he was a teenager who barely acknowledged her. | 0:19:43 | 0:19:46 | |
Today, she's hoping for a very different reception. | 0:19:46 | 0:19:49 | |
Very nervous! | 0:19:49 | 0:19:51 | |
But excited. | 0:19:51 | 0:19:52 | |
A nice nervousness. | 0:19:52 | 0:19:54 | |
She's shaking! | 0:19:54 | 0:19:56 | |
-Aren't you shaking? -Yeah, I am. | 0:19:56 | 0:19:58 | |
-I don't know if you need to be nervous. -I know. I know. | 0:19:58 | 0:20:01 | |
You're all right. | 0:20:01 | 0:20:02 | |
It's just weird being here and it all going to happen. | 0:20:02 | 0:20:07 | |
Lennie has brought his partner, Dana, along for support. | 0:20:07 | 0:20:11 | |
-How are you feeling, babe? -Scared. Frightened. | 0:20:11 | 0:20:14 | |
-Are you still sick? -Apprehensive. Yeah, very sick. | 0:20:14 | 0:20:17 | |
But that's nerves. | 0:20:19 | 0:20:20 | |
Lennie is the first to arrive. | 0:20:26 | 0:20:29 | |
And he faces an anxious wait. | 0:20:34 | 0:20:37 | |
I can't believe how stressed out I am. | 0:20:41 | 0:20:43 | |
Sick. Terri... Ohhh... | 0:20:46 | 0:20:49 | |
I bet she cries. | 0:20:53 | 0:20:55 | |
-Will you cry? -I don't think... Well, no, I'm a man, I won't cry, no. | 0:20:56 | 0:21:00 | |
SHE CHUCKLES | 0:21:00 | 0:21:02 | |
No! | 0:21:02 | 0:21:03 | |
At last! | 0:21:22 | 0:21:24 | |
HE SOBS | 0:21:24 | 0:21:26 | |
Found you at last. | 0:21:26 | 0:21:28 | |
I'm s... | 0:21:34 | 0:21:35 | |
-..sorry. -No need to be! | 0:21:37 | 0:21:39 | |
-I can't... I can't talk. -It's all right, it's all right. | 0:21:42 | 0:21:45 | |
I can't... | 0:21:48 | 0:21:50 | |
I'm sorry, this is... | 0:21:52 | 0:21:53 | |
..Dana. | 0:21:54 | 0:21:56 | |
With a tearful Lennie lost for words, Mary decides to bring in her | 0:21:59 | 0:22:03 | |
daughters, his nieces, to help break the ice. | 0:22:03 | 0:22:06 | |
THEY GREET EACH OTHER | 0:22:07 | 0:22:09 | |
-How are you? -All right. | 0:22:11 | 0:22:13 | |
Oh, they're proper Northerners, they are! | 0:22:13 | 0:22:15 | |
-You all right there? -They your children, yeah? | 0:22:15 | 0:22:18 | |
Without Elena in particular, none of this would ever have happened. | 0:22:27 | 0:22:32 | |
It's down to you, isn't it? It's all down to you. | 0:22:32 | 0:22:35 | |
-It is. -I just pushed her, cos... | 0:22:35 | 0:22:37 | |
she wanted to do it for many, many years, | 0:22:37 | 0:22:40 | |
and she's always talked about you, so I was like, "Right..." | 0:22:40 | 0:22:43 | |
Everyone talks about me, don't they? | 0:22:43 | 0:22:45 | |
THEY LAUGH | 0:22:45 | 0:22:46 | |
I were just like, "Right, that's it, | 0:22:49 | 0:22:50 | |
"we're doing it whether you like it or not." | 0:22:50 | 0:22:53 | |
She made me sit down and fill it all out... | 0:22:53 | 0:22:56 | |
-the bits that we could fill out. It was really sketchy. -Yeah. | 0:22:56 | 0:23:00 | |
-I wouldn't even know where to start. -No. -All I know is "Mary, Yorkshire". | 0:23:00 | 0:23:05 | |
That's all I would have known. | 0:23:05 | 0:23:07 | |
I'm just glad that I found my little brother. New beginnings, this. | 0:23:07 | 0:23:11 | |
-New beginnings. -Yeah. -New start. | 0:23:11 | 0:23:14 | |
-We've got a lot of catching up to do. -Oh, yeah! | 0:23:14 | 0:23:17 | |
As soon as I saw her... | 0:23:23 | 0:23:24 | |
..I was struck speechless. | 0:23:26 | 0:23:30 | |
And I couldn't stop crying! | 0:23:30 | 0:23:32 | |
For him to have that reaction when he met me I think was pure relief | 0:23:32 | 0:23:36 | |
and gladness that he did actually meet me, so it was wonderful. | 0:23:36 | 0:23:41 | |
It was a nice feeling. | 0:23:41 | 0:23:42 | |
My mum's going to be a lot happier now, | 0:23:42 | 0:23:44 | |
cos she doesn't have that sense of not knowing. | 0:23:44 | 0:23:46 | |
She knows now, and she knows that Lennie feels the same way she feels. | 0:23:46 | 0:23:51 | |
THEY LAUGH | 0:23:51 | 0:23:53 | |
I'm going to suggest that he comes up to Huddersfield | 0:23:53 | 0:23:57 | |
and we show him around, and we're just going to be in touch loads. | 0:23:57 | 0:24:02 | |
In Yorkshire, 81-year-old Linda Wright had been given up | 0:24:09 | 0:24:13 | |
for adoption but was told that her birth mother was an opera singer, | 0:24:13 | 0:24:17 | |
which makes sense, as Linda's very musical herself. | 0:24:17 | 0:24:21 | |
Keen to discover more and desperate to know | 0:24:21 | 0:24:23 | |
if she had any other family out there, | 0:24:23 | 0:24:26 | |
Linda asked genealogist Charlie Watson to help, and he managed | 0:24:26 | 0:24:29 | |
to track down her sister Bridgett, who, remarkably, is an opera singer. | 0:24:29 | 0:24:34 | |
The two sisters have only met on one previous occasion. | 0:24:34 | 0:24:37 | |
Today, Bridgett is making the trip to Yorkshire to see Linda on home | 0:24:37 | 0:24:41 | |
turf for the very first time. | 0:24:41 | 0:24:44 | |
It's fantastic to have people that actually are of the same bloodline. | 0:24:44 | 0:24:49 | |
I'm off to see Linda for the second time in my life, | 0:24:49 | 0:24:52 | |
so there's lots to catch up on. | 0:24:52 | 0:24:54 | |
And it feels as though there's loads to talk about still. | 0:24:54 | 0:24:58 | |
I've been alone all my life | 0:24:58 | 0:25:01 | |
except for my husband and my two sons. | 0:25:01 | 0:25:04 | |
I never had any other family. | 0:25:04 | 0:25:06 | |
Linda and Bridgett have a lifetime to catch up on | 0:25:08 | 0:25:11 | |
and a whole host of unanswered questions to consider. | 0:25:11 | 0:25:14 | |
Hello! | 0:25:16 | 0:25:18 | |
-Hello! -You've been left out here for ages! -Yeah, been waiting for ages! | 0:25:19 | 0:25:24 | |
-Hello, darling. -Hello. | 0:25:24 | 0:25:27 | |
Come and sit down. | 0:25:29 | 0:25:30 | |
Bridgett has brought along some photos of their mother | 0:25:30 | 0:25:33 | |
so Linda can finally get a sense of what she was really like. | 0:25:33 | 0:25:36 | |
Have you seen that one? | 0:25:36 | 0:25:38 | |
-That was Mum. -Really? -Yeah. -Oh! | 0:25:40 | 0:25:43 | |
I don't know, I suppose she's in her early 40s there. | 0:25:44 | 0:25:48 | |
-Mm! -That's a younger one. That'd be when she was in her 20s. | 0:25:49 | 0:25:54 | |
-Well, that's nice, isn't it? -Yeah, that's nice. | 0:25:55 | 0:25:58 | |
See, she looks like you, doesn't she? | 0:25:58 | 0:26:00 | |
I feel as if I look like that sometimes. | 0:26:00 | 0:26:03 | |
Well, you've got the same mouth, you see. | 0:26:03 | 0:26:05 | |
-Yes, it is, it's the mouth, isn't it? -And the nose. | 0:26:05 | 0:26:07 | |
We've both got that nose, yes. | 0:26:07 | 0:26:09 | |
And the similarities don't end there. | 0:26:09 | 0:26:11 | |
Both sisters are musicians and, according to one story Linda | 0:26:11 | 0:26:15 | |
was told as a child, it's because their mother was an opera singer. | 0:26:15 | 0:26:19 | |
I had, from my aunt, the story that my foster mother and father, | 0:26:19 | 0:26:24 | |
who were Vero and Irene... my father was a journalist, Vero was | 0:26:24 | 0:26:29 | |
a journalist, and he got me into all sorts of things. | 0:26:29 | 0:26:33 | |
-Fiddled it out. -Yes, fiddled it out. | 0:26:33 | 0:26:35 | |
This may well be the story that Linda was told by her aunt, | 0:26:35 | 0:26:38 | |
but her father had told her a very different version of events, | 0:26:38 | 0:26:42 | |
and this opera-singer story is certainly news to Bridgett, | 0:26:42 | 0:26:45 | |
who grew up with their mum. | 0:26:45 | 0:26:47 | |
It's a mystery. I mean, obviously Mum... | 0:26:47 | 0:26:49 | |
Somewhere in there is a very, very strong musical | 0:26:49 | 0:26:52 | |
connection, isn't there, considering | 0:26:52 | 0:26:54 | |
I've made my life in opera and music? So... | 0:26:54 | 0:26:56 | |
But what I remember of Mum is, bless her, that she | 0:26:56 | 0:27:00 | |
smoked up to 60 a day for a long, long time in her life, coughed, | 0:27:00 | 0:27:04 | |
and I never heard her sing, ever. | 0:27:04 | 0:27:06 | |
However musical their mother really was, | 0:27:06 | 0:27:08 | |
these two sisters are definitely singing from the same hymn sheet. | 0:27:08 | 0:27:12 | |
You can't get away from it, | 0:27:12 | 0:27:13 | |
there's a very spooky connection that we're both in music. | 0:27:13 | 0:27:16 | |
-There is rather, isn't there? -Yeah. -Yes. | 0:27:16 | 0:27:18 | |
And I think, erm, we're very fundamentally a little bit... | 0:27:18 | 0:27:22 | |
We're quite alike in a lot of ways. | 0:27:22 | 0:27:24 | |
-Yes. A good sense of humour. -Yes! | 0:27:24 | 0:27:27 | |
We see the ridiculous very easily. | 0:27:27 | 0:27:28 | |
-Yes, yes. I think that's a saving grace, don't you? -Absolutely, yes! | 0:27:28 | 0:27:33 | |
Linda and Bridgett may have missed the chance to perform together | 0:27:33 | 0:27:36 | |
when they were young, but today they're bringing their musical | 0:27:36 | 0:27:39 | |
talents together for the very first time. | 0:27:39 | 0:27:42 | |
I think it's a shame, really, that I didn't do this earlier. | 0:27:52 | 0:27:55 | |
Have a hug. Have a hug! | 0:27:55 | 0:27:57 | |
-You'll have to kneel down! -THEY LAUGH | 0:27:58 | 0:28:01 | |
Good lass. You're lovely. | 0:28:01 | 0:28:03 |