
Browse content similar to The Lizzie McGuire Movie. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
DRAMATIC MUSIC | 0:00:08 | 0:00:11 | |
Some say juvenile... I say genius! | 0:00:39 | 0:00:43 | |
'Leave me alone!' | 0:00:54 | 0:00:57 | |
'Matt, I'm getting ready for graduation.' | 0:00:57 | 0:01:00 | |
Matt! | 0:01:02 | 0:01:04 | |
Say goodbye to your little toy. | 0:01:08 | 0:01:11 | |
And say hello to Matt owning his big sister for eternity. | 0:01:11 | 0:01:16 | |
# Never give up | 0:01:18 | 0:01:19 | |
# Yeah | 0:01:20 | 0:01:22 | |
# Never give up | 0:01:22 | 0:01:24 | |
# The tide is high | 0:01:25 | 0:01:27 | |
# But I'm holding on | 0:01:27 | 0:01:29 | |
# I'm gonna be your number one | 0:01:29 | 0:01:34 | |
# I'm not the kind of girl | 0:01:34 | 0:01:36 | |
# Who gives up just like that | 0:01:36 | 0:01:40 | |
# Oh, no | 0:01:40 | 0:01:43 | |
# It's not the things you do | 0:01:43 | 0:01:44 | |
# That tease and hurt me bad | 0:01:44 | 0:01:47 | |
# But it's the way you do the things | 0:01:47 | 0:01:49 | |
# You do to me | 0:01:49 | 0:01:52 | |
# I'm not the kind of girl | 0:01:52 | 0:01:54 | |
# Who gives up just like that | 0:01:54 | 0:01:58 | |
# Oh, no | 0:01:58 | 0:02:00 | |
# The tide is high | 0:02:00 | 0:02:02 | |
# But I'm holding on | 0:02:02 | 0:02:05 | |
# I'm gonna be your number one | 0:02:05 | 0:02:09 | |
# The tide is high | 0:02:09 | 0:02:11 | |
# But I'm holding on | 0:02:11 | 0:02:14 | |
# I'm gonna be your number one | 0:02:14 | 0:02:18 | |
# Number one | 0:02:18 | 0:02:21 | |
# My number one | 0:02:21 | 0:02:24 | |
# Number one | 0:02:24 | 0:02:26 | |
# Number one | 0:02:26 | 0:02:27 | |
# Every girl wants you to be her man | 0:02:27 | 0:02:32 | |
# But I'll wait right here | 0:02:32 | 0:02:33 | |
# Till it's my turn | 0:02:33 | 0:02:36 | |
# I'm not the kind of girl | 0:02:36 | 0:02:38 | |
# Who gives up just like that | 0:02:38 | 0:02:42 | |
# Oh, no | 0:02:42 | 0:02:45 | |
# The tide is high | 0:02:45 | 0:02:47 | |
# But I'm holding on | 0:02:47 | 0:02:49 | |
# I'm gonna be your number one | 0:02:49 | 0:02:54 | |
# The tide is high | 0:02:54 | 0:02:56 | |
# But I'm holding on | 0:02:56 | 0:02:58 | |
# I'm gonna be your number one | 0:02:58 | 0:03:02 | |
# Number one | 0:03:02 | 0:03:05 | |
# My number one | 0:03:05 | 0:03:08 | |
# Number one | 0:03:08 | 0:03:11 | |
# Every time that I get the feeling | 0:03:12 | 0:03:14 | |
# You give me something to believe in | 0:03:14 | 0:03:16 | |
# Every time that I got you near me | 0:03:16 | 0:03:18 | |
# I know the way that I want it to be | 0:03:18 | 0:03:20 | |
# But you know I'm gonna take my chance now | 0:03:20 | 0:03:23 | |
# I'm gonna make it happen somehow | 0:03:23 | 0:03:25 | |
# And you know I can take the pressure | 0:03:25 | 0:03:27 | |
# A moment's pain for a lifetime pleasure | 0:03:27 | 0:03:30 | |
# Every girl wants you to be her man | 0:03:31 | 0:03:36 | |
# But I'll wait right here | 0:03:36 | 0:03:37 | |
# Till it's my turn | 0:03:37 | 0:03:40 | |
# I'm not the kind of girl | 0:03:40 | 0:03:42 | |
# Who gives up just like that | 0:03:42 | 0:03:46 | |
# Oh, no | 0:03:46 | 0:03:49 | |
# The tide is high | 0:03:49 | 0:03:51 | |
# But I'm holding on | 0:03:51 | 0:03:53 | |
# I'm gonna be your number one | 0:03:53 | 0:03:57 | |
# The tide is high | 0:03:57 | 0:04:00 | |
# But I'm holding on | 0:04:00 | 0:04:03 | |
# I'm gonna be your number one | 0:04:03 | 0:04:07 | |
# Every time that I get the feeling | 0:04:07 | 0:04:09 | |
# You give me something to believe in | 0:04:09 | 0:04:12 | |
# Every time that I got you near me | 0:04:12 | 0:04:14 | |
# I know the way that I want it to be | 0:04:14 | 0:04:16 | |
# But you know I'm gonna take my chance now | 0:04:16 | 0:04:18 | |
# I'm gonna make it happen somehow | 0:04:18 | 0:04:21 | |
# And you know I can take the pressure | 0:04:21 | 0:04:22 | |
# A moment's pain for a lifetime pleasure | 0:04:22 | 0:04:25 | |
# The tide is high... # | 0:04:25 | 0:04:26 | |
I shall win the Academy Award. | 0:04:26 | 0:04:29 | |
Yesterday you were in diapers and now you're graduating junior high. | 0:04:31 | 0:04:35 | |
You're growing up. I can't believe you're going to Rome by yourself | 0:04:35 | 0:04:40 | |
without me. Without me... there...with you. | 0:04:40 | 0:04:44 | |
Without me with you there. You there without me. | 0:04:44 | 0:04:47 | |
That's all the combinations of those words you can make. | 0:04:47 | 0:04:51 | |
Lizzie, this is a big day for you, sweetheart. | 0:04:51 | 0:04:54 | |
Oh, he's going to quote a dead guy. | 0:04:54 | 0:04:57 | |
As William Shakespeare once wrote, "Be not afraid of greatness." | 0:04:57 | 0:05:01 | |
"Some are born great, some achieve greatness | 0:05:01 | 0:05:04 | |
-"and some have greatness thrust upon them." -Thanks, Dad. | 0:05:04 | 0:05:07 | |
I'm trying to get through graduation. Greatness can wait. | 0:05:07 | 0:05:11 | |
Hey, Gordo. So, do I look OK? | 0:05:11 | 0:05:14 | |
Lizzie, I'm your guy best friend. Talk to Miranda about this stuff. | 0:05:14 | 0:05:18 | |
-But she's in Mexico City. -Yes. | 0:05:18 | 0:05:20 | |
-Your blue robe looks way cooler than all the other girls. -Thanks. | 0:05:20 | 0:05:24 | |
Oh, my God. | 0:05:24 | 0:05:26 | |
You can't hide that puffy-sleeved- it's-kind-of-a-peasant dress- | 0:05:27 | 0:05:31 | |
but-a-disaster-of-questionable-fibre you wore to the spring dance. | 0:05:31 | 0:05:35 | |
-I... -Lizzie McGuire, you are an outfit repeater! | 0:05:35 | 0:05:39 | |
But, I... | 0:05:42 | 0:05:44 | |
You're an outfit rememberer, | 0:05:44 | 0:05:46 | |
which is just as pathetic. | 0:05:46 | 0:05:49 | |
OK, does she not have anything better to do than make my life miserable? | 0:05:49 | 0:05:53 | |
I mean, we used to be best friends. | 0:05:53 | 0:05:57 | |
That was before she became popular. | 0:05:57 | 0:05:59 | |
McGuire. | 0:05:59 | 0:06:01 | |
Hey, Mr Escobar. SHE SNIFFS | 0:06:03 | 0:06:06 | |
-Nice aftershave. -Thank you. | 0:06:06 | 0:06:09 | |
Margaret Chan either has Ebola or a bad cold. In any event, you're up. | 0:06:09 | 0:06:13 | |
Up where? | 0:06:13 | 0:06:16 | |
At the podium. You're going to deliver the class president speech. | 0:06:16 | 0:06:20 | |
-What about the vice-president? -He's not graduating. | 0:06:20 | 0:06:23 | |
-The secretary treasurer's next. -All I did was handle petty cash. | 0:06:23 | 0:06:27 | |
I'm sorry, you're not buying your way out of this. | 0:06:27 | 0:06:30 | |
I want you to deliver your speech with as much pride as Margaret Chan, | 0:06:30 | 0:06:35 | |
even though you're no Margaret Chan. | 0:06:35 | 0:06:38 | |
ORCHESTRA PLAYS | 0:06:41 | 0:06:43 | |
'You're no Margaret Chan.' | 0:06:43 | 0:06:45 | |
'You're no Margaret Chan. You're no Margaret Chan.' | 0:06:45 | 0:06:49 | |
Run! | 0:06:49 | 0:06:51 | |
Ladies and gentlemen... Lizzie McGuire. | 0:06:54 | 0:06:57 | |
Um... I- Margaret Chan couldn't make it tonight, | 0:07:07 | 0:07:11 | |
so I'm going - I'm going to be filling in for her. | 0:07:11 | 0:07:15 | |
Not that any of us can really do that, but, um, anyway. | 0:07:17 | 0:07:21 | |
Honey, honey, I'm losing the feeling in my knuckles. | 0:07:21 | 0:07:25 | |
I think that we can all agree that junior high | 0:07:25 | 0:07:28 | |
is filled with embarrassing and awkward | 0:07:28 | 0:07:31 | |
and humiliating moments, right? | 0:07:31 | 0:07:34 | |
Oh, me neither. | 0:07:39 | 0:07:41 | |
That is so sad. | 0:07:41 | 0:07:43 | |
Wow. | 0:07:44 | 0:07:45 | |
It's like watching furry animals get killed on the Discovery channel. | 0:07:45 | 0:07:49 | |
I think Margaret Chan would want me to have some water. | 0:07:55 | 0:07:59 | |
Play something! | 0:08:11 | 0:08:13 | |
Yes! | 0:08:17 | 0:08:18 | |
Come on! Mom, Dad, I've got to get out of the country. Hurry! | 0:08:18 | 0:08:22 | |
-I know you're upset but it wasn't that bad. -Really, Mom? | 0:08:22 | 0:08:25 | |
Was your junior high graduation on Good Morning America? | 0:08:25 | 0:08:29 | |
What kind of creep would send Diane Sawyer a video to embarrass you? | 0:08:29 | 0:08:34 | |
WHISTLE BLOWS | 0:08:35 | 0:08:38 | |
What is that? | 0:08:43 | 0:08:45 | |
That is Miss Ungermeyer. | 0:08:45 | 0:08:48 | |
Hey, hey, hey! | 0:08:48 | 0:08:51 | |
She's our school principal for the next four years. | 0:08:51 | 0:08:54 | |
Stay on her good side, it's a one way ticket to an Ivy League school. | 0:08:54 | 0:08:58 | |
-What if you're on her bad side? -Excuse me, I need to mop up puke. | 0:08:58 | 0:09:02 | |
-Well, do you - -You wind up as that guy? | 0:09:02 | 0:09:06 | |
You end up working for that guy. | 0:09:06 | 0:09:09 | |
CHATTERING | 0:09:09 | 0:09:10 | |
Can you make sure there are no soy products in anything Brittany eats? | 0:09:10 | 0:09:15 | |
Luke has tennis elbow, could someone carry his luggage? | 0:09:15 | 0:09:18 | |
My son has asthma and must have his puffer. | 0:09:18 | 0:09:21 | |
CHATTERING / TALKING | 0:09:21 | 0:09:22 | |
HIGH-PITCHED NOISE: | 0:09:22 | 0:09:24 | |
Attention, parents. Shut your pieholes. | 0:09:24 | 0:09:28 | |
I'm on a mission here | 0:09:28 | 0:09:30 | |
to drag your progeny | 0:09:30 | 0:09:32 | |
to 31 historically significant Roman landmarks in two weeks. | 0:09:32 | 0:09:36 | |
Now, when these back-talking miscreants return to you | 0:09:36 | 0:09:41 | |
they will have dipped their toes in a lake of culture | 0:09:41 | 0:09:44 | |
before assuming their destiny folding shirts at the mall. | 0:09:44 | 0:09:48 | |
Now many, actually most of your classmates | 0:09:48 | 0:09:51 | |
opted for the 36-hour bus ride to the Waterslide Wonderland. | 0:09:51 | 0:09:55 | |
Woo! | 0:09:55 | 0:09:58 | |
But you who are not mouth-breathing trailer trash, | 0:09:58 | 0:10:02 | |
you will get to experience the delights | 0:10:02 | 0:10:05 | |
of La Citta Eterna. | 0:10:05 | 0:10:08 | |
Rome. The Eternal City. Did no-one read the info packets? | 0:10:11 | 0:10:15 | |
Watch and learn. | 0:10:17 | 0:10:20 | |
Miss Ungermeyer. | 0:10:21 | 0:10:23 | |
I wanted to let you know I'm looking forward | 0:10:23 | 0:10:26 | |
to this academically enriching trip. | 0:10:26 | 0:10:28 | |
-What's your name? -David Gordon. | 0:10:28 | 0:10:31 | |
David Gordon. I think in Italian that means, | 0:10:31 | 0:10:34 | |
"A sneaky brown-noser with a hidden agenda." | 0:10:34 | 0:10:37 | |
Yeah. Come on, check those bags. | 0:10:37 | 0:10:40 | |
I want that junk in the trunk and a seat looking neat. | 0:10:40 | 0:10:44 | |
OK. | 0:10:48 | 0:10:50 | |
Mom. OK, it's only two weeks, Mom. | 0:10:53 | 0:10:57 | |
Honey, she's got to go. | 0:10:59 | 0:11:02 | |
-Bye, sweetie. -Bye. -Safe trip. | 0:11:04 | 0:11:07 | |
Let's go. | 0:11:40 | 0:11:42 | |
OK? | 0:11:45 | 0:11:47 | |
TANNOY: "Flight 72 to Rome, final boarding." | 0:11:52 | 0:11:55 | |
Hey! We're going to the land where they invented spaghetti! | 0:11:55 | 0:11:59 | |
The best part is, | 0:12:01 | 0:12:03 | |
Kate and all her blow-drying friends who'd be ragging on me | 0:12:03 | 0:12:07 | |
all went to Waterslide Wonderland. | 0:12:07 | 0:12:09 | |
How many Lizzies does it take to screw in a light bulb? | 0:12:09 | 0:12:13 | |
I don't know, but one to screw up a graduation. | 0:12:13 | 0:12:16 | |
Hey. Zip it. | 0:12:32 | 0:12:34 | |
# Como e bella ce la luna brille e strette | 0:13:08 | 0:13:12 | |
# Strette como e tutta bella a passeggiare | 0:13:12 | 0:13:17 | |
# Sotto il cielo di Roma | 0:13:17 | 0:13:20 | |
# Down each avenue or via | 0:13:28 | 0:13:30 | |
# Street or strata | 0:13:30 | 0:13:32 | |
# You can see 'em disappearing | 0:13:32 | 0:13:34 | |
# Two by two | 0:13:34 | 0:13:36 | |
# On an evening in Roma | 0:13:37 | 0:13:40 | |
# Do they take 'em for espresso? | 0:13:41 | 0:13:43 | |
# Yeah, I guess so | 0:13:43 | 0:13:45 | |
# On each lover's arm a girl | 0:13:45 | 0:13:47 | |
# I wish I knew | 0:13:47 | 0:13:50 | |
# On an evening in Roma | 0:13:50 | 0:13:53 | |
# So, please meet me in the plaza | 0:13:54 | 0:13:56 | |
# Near your casa | 0:13:56 | 0:13:58 | |
# I am only one | 0:13:58 | 0:13:59 | |
# And that is one too few | 0:13:59 | 0:14:03 | |
# On an evening in Roma | 0:14:03 | 0:14:06 | |
# Don't know what the country's coming to | 0:14:07 | 0:14:10 | |
# But in Rome do as the Romans do | 0:14:10 | 0:14:13 | |
# Will you? | 0:14:13 | 0:14:16 | |
# On an evening in Roma | 0:14:16 | 0:14:19 | |
# Sotto il cielo di Roma. # | 0:14:19 | 0:14:21 | |
Welcome to the Hotel Cambini. | 0:14:27 | 0:14:30 | |
Lest you think there are many of you and less of me | 0:14:30 | 0:14:33 | |
and it will therefore be easy to pull anything over on me, think again. | 0:14:33 | 0:14:37 | |
In addition to being faster and better looking than you, | 0:14:37 | 0:14:41 | |
I've enlisted help. The assistant manager of the hotel, | 0:14:41 | 0:14:44 | |
Giorgio Averni, was a commander in the Italian Navy | 0:14:44 | 0:14:48 | |
and is therefore as up on his game as I am mine. | 0:14:48 | 0:14:52 | |
Giorgio, would you like to brief my students on security procedures? | 0:14:52 | 0:14:56 | |
-STRONG ITALIAN ACCENT: -We serve at five the cookies. | 0:14:56 | 0:15:01 | |
SNIGGERING | 0:15:01 | 0:15:03 | |
Yeah. You heard the man. | 0:15:03 | 0:15:06 | |
Room assignments. David Gordon. | 0:15:07 | 0:15:10 | |
You will be rooming with Ethan Craft. You'll be in room 103. | 0:15:10 | 0:15:14 | |
-Are those English or Italian numbers? -You got a problem with that? | 0:15:14 | 0:15:18 | |
No, ma'am. Any room is just fine for me. | 0:15:18 | 0:15:21 | |
Being a spineless little jellyfish | 0:15:21 | 0:15:23 | |
is almost as unattractive as being a brown-noser. | 0:15:23 | 0:15:27 | |
McGuire. | 0:15:28 | 0:15:30 | |
Seeing as how Margaret Chan was unable to make the trip | 0:15:30 | 0:15:33 | |
you will be rooming with... | 0:15:33 | 0:15:36 | |
OK, I am not under any circumstances sharing a room with - | 0:15:36 | 0:15:40 | |
I'll take the bed by the window. You don't mind, do you? | 0:15:40 | 0:15:43 | |
Er, yes! | 0:15:43 | 0:15:47 | |
-No. -I sleep much better with the Swiss eiderdown. | 0:15:48 | 0:15:52 | |
Seeing as we're roomies and we're going to be spending time together, | 0:15:52 | 0:15:56 | |
I'm letting you know I understand | 0:15:56 | 0:15:58 | |
you want to put that embarrassing stuff behind you | 0:15:58 | 0:16:02 | |
-and move on and have a fresh start. -You do? | 0:16:02 | 0:16:06 | |
Yes. I understand your dream. It's a big dream. | 0:16:06 | 0:16:09 | |
It's a huge dream and you can't do it alone. | 0:16:09 | 0:16:12 | |
In fact, I don't think you can do it at all. Let it go. | 0:16:12 | 0:16:15 | |
Lizzie. Come on. | 0:16:17 | 0:16:20 | |
Whoa. Gordo, what? | 0:16:23 | 0:16:25 | |
-Don't worry, don't worry. -Where are we going? | 0:16:25 | 0:16:29 | |
Look. | 0:16:29 | 0:16:31 | |
Wow. | 0:16:31 | 0:16:33 | |
Pretty cool, huh? | 0:16:33 | 0:16:35 | |
You know what, Gordo? I'm not gonna let Kate Sanders get to me. | 0:16:40 | 0:16:44 | |
-Promise me something. -Anything. | 0:16:44 | 0:16:46 | |
Promise me that when we're here we'll find adventures. | 0:16:46 | 0:16:50 | |
This is our chance to start over, do anything we want. | 0:16:50 | 0:16:53 | |
Yeah. I know, you're right. | 0:16:53 | 0:16:56 | |
You and me, adventures. Deal. | 0:16:57 | 0:17:00 | |
Deal. | 0:17:00 | 0:17:02 | |
The Trevi Fountain was designed by Gian Lorenzo Bernini | 0:17:08 | 0:17:11 | |
and Pietro Da Cortona in the 17th century. | 0:17:11 | 0:17:15 | |
It took a hundred years to finish. | 0:17:15 | 0:17:17 | |
Throughout history people have come from all over to make a wish | 0:17:17 | 0:17:22 | |
and toss their coin in the fountain. | 0:17:22 | 0:17:24 | |
I'll tell you something. Those people are suckers. | 0:17:24 | 0:17:27 | |
You make your own luck in this world. All right, moving on! Let's go. | 0:17:27 | 0:17:31 | |
Scusi. Grazie. | 0:17:31 | 0:17:34 | |
Scusi. Grazie. | 0:17:34 | 0:17:36 | |
You know what? Forget what she says. Make a wish. | 0:17:36 | 0:17:39 | |
I'm in Rome with my best friend. I'm good. You make one. | 0:17:39 | 0:17:44 | |
OK. | 0:17:44 | 0:17:46 | |
OK. | 0:17:47 | 0:17:48 | |
-Isabella? -Huh? | 0:18:00 | 0:18:03 | |
I wished for smooth sailing through high school, but this will work. | 0:18:04 | 0:18:10 | |
I'm sorry, it's just | 0:18:11 | 0:18:13 | |
you look an awful lot like a friend of mine. | 0:18:13 | 0:18:16 | |
-Paolo. You have to get to your photo shoot. -We gotta go. | 0:18:16 | 0:18:20 | |
All right, what you little halflings are feeling is your energy flagging. | 0:18:22 | 0:18:26 | |
We got four more stops today. | 0:18:26 | 0:18:29 | |
I want you people to be able to shuffle from monument to monument. | 0:18:29 | 0:18:33 | |
We got one word for that, gelato. | 0:18:33 | 0:18:35 | |
Now, Italian ice cream has twice the sugar of American ice cream. | 0:18:35 | 0:18:39 | |
Means you're gonna want about two scoops. | 0:18:39 | 0:18:42 | |
I know I do. All right. | 0:18:42 | 0:18:44 | |
I don't mean to bother you. I'm Paolo. Paolo Valisari. | 0:18:44 | 0:18:48 | |
-I'm Lizzie McGuire and this is my friend Gordo. -Hey. | 0:18:48 | 0:18:52 | |
This is my friend Sergei. | 0:18:52 | 0:18:54 | |
-Doesn't she look exactly like Isabella? -Paolo! | 0:18:54 | 0:18:57 | |
Isabella! Isabella! | 0:19:04 | 0:19:07 | |
Paolo! Paolo! | 0:19:07 | 0:19:10 | |
Ciao, Paolo. | 0:19:13 | 0:19:15 | |
Wow. | 0:19:20 | 0:19:22 | |
-That really does look like me. -Except for the hair. | 0:19:22 | 0:19:25 | |
Isabella is my singing partner and you're like her sister. | 0:19:25 | 0:19:29 | |
Like two pods in a pea. | 0:19:29 | 0:19:31 | |
Lizzie, can I see you again? Maybe tomorrow? Please? | 0:19:32 | 0:19:37 | |
What's the word for yes in Italian? Si! | 0:19:37 | 0:19:40 | |
-No, I'm - -It's OK, I can cover for you. | 0:19:41 | 0:19:44 | |
I'm sorry, I'm here with my school so I can't. | 0:19:44 | 0:19:48 | |
Sorry if I embarrassed you, but when people come to Rome | 0:19:48 | 0:19:51 | |
they want to find adventure. | 0:19:51 | 0:19:54 | |
Oh, it's OK. I got some cool cheese. | 0:19:54 | 0:19:58 | |
Did you just say, "cool cheese"? | 0:19:58 | 0:20:01 | |
Paolo. We must go. | 0:20:01 | 0:20:04 | |
Lizzie, if you change your mind, | 0:20:05 | 0:20:07 | |
I will meet you tomorrow at the Trevi Fountain at nine. | 0:20:07 | 0:20:11 | |
Hey, Gordon, McGuire, did you not hear me say head check? 15, 16. | 0:20:11 | 0:20:15 | |
-Who are you? -Paolo Valisari. | 0:20:15 | 0:20:18 | |
Put your money in your front pockets. | 0:20:21 | 0:20:24 | |
She makes me very scared. | 0:20:24 | 0:20:27 | |
Join the club. | 0:20:27 | 0:20:29 | |
Lizzie. | 0:20:29 | 0:20:31 | |
-Ci vediamo. -What does that mean? | 0:20:32 | 0:20:36 | |
We will see each other. | 0:20:36 | 0:20:39 | |
Hey! You know, this Paolo and Isabella CD isn't so bad. | 0:20:44 | 0:20:48 | |
I mean, if you're into the Alanis Morissettey, alternative dark | 0:20:48 | 0:20:52 | |
I-never-go-out-into-the-sun and my life's miserable kind of thing, | 0:20:52 | 0:20:56 | |
then you'd think they stink. But for driving in the car with the top down | 0:20:56 | 0:21:00 | |
putting on your lip gloss loving life, they're good. Listen. | 0:21:00 | 0:21:04 | |
POP MUSIC | 0:21:04 | 0:21:06 | |
-Not bad. Use scented soap, huh? -What? | 0:21:06 | 0:21:11 | |
It... Never mind. | 0:21:11 | 0:21:13 | |
-So, Paolo wants me to meet him at the Trevi Fountain. -So, go. | 0:21:13 | 0:21:19 | |
-But I'd have to sneak away from the group. -So? | 0:21:19 | 0:21:22 | |
-So, I'm like, physically incapable of sneaking. -Lizzie, | 0:21:22 | 0:21:26 | |
-didn't you say we were going to have adventures on this trip? -Yeah, we. | 0:21:26 | 0:21:30 | |
-We were going to have adventures. -We will, | 0:21:30 | 0:21:33 | |
but you have dibs on the first one. | 0:21:33 | 0:21:36 | |
OK, as long as we don't do anything that might get us | 0:21:38 | 0:21:42 | |
sent home by Miss Ungermeyer. | 0:21:42 | 0:21:44 | |
Lizzie, are you feeling OK? | 0:21:46 | 0:21:48 | |
Is this girl sick or isn't she? | 0:22:00 | 0:22:03 | |
She doesn't have a fever but she's in bed. | 0:22:03 | 0:22:06 | |
COUGHS | 0:22:06 | 0:22:07 | |
Ask yourself why a beautiful young girl on a visit to Rome, | 0:22:07 | 0:22:11 | |
probably seeking adventure, wants to lie in a bed all day. | 0:22:11 | 0:22:15 | |
She's ill. | 0:22:15 | 0:22:17 | |
You know, I heard she fell down at graduation. | 0:22:17 | 0:22:21 | |
You think that has something to do with it? | 0:22:21 | 0:22:24 | |
-I saw that on CNN. -CNN? | 0:22:24 | 0:22:27 | |
Often the nervous system collapses after that type of humiliation. | 0:22:29 | 0:22:33 | |
-Do you have any recommendations? -Oh, yeah. | 0:22:35 | 0:22:38 | |
This young woman should stay in bed. | 0:22:38 | 0:22:42 | |
She should also eat two apricots. | 0:22:43 | 0:22:47 | |
-For digestion? -No, they're in season. Very delicious. | 0:22:47 | 0:22:51 | |
Feel better, Signorina McGuire. | 0:22:51 | 0:22:53 | |
Rest up, McGuire. Don't want you to miss out on the adventures of Rome. | 0:22:53 | 0:22:57 | |
Doctor, I have a boil... | 0:22:57 | 0:22:59 | |
Sorry. | 0:23:25 | 0:23:28 | |
Uno, due, tre. | 0:23:32 | 0:23:34 | |
Bene. | 0:23:38 | 0:23:40 | |
I... I just had them all wish for you to come. | 0:23:45 | 0:23:49 | |
I don't have much time. You know my chaperone, Miss Ungermeyer - | 0:23:54 | 0:23:59 | |
Wait, wait, wait. I have to show you something. | 0:23:59 | 0:24:02 | |
Come on. | 0:24:05 | 0:24:07 | |
-Wow. -I just thought you should see Rome the way Romans do. | 0:24:12 | 0:24:16 | |
-So, you knew that I'd come? -I hoped you would. | 0:24:16 | 0:24:19 | |
-You sure you know how to drive this thing? -This is Rome. | 0:24:21 | 0:24:25 | |
Nobody knows how to drive. | 0:24:25 | 0:24:27 | |
Oh, my God! | 0:25:47 | 0:25:49 | |
Wow! | 0:25:54 | 0:25:56 | |
I don't know what catastrophe will happen, | 0:25:58 | 0:26:01 | |
but with Lizzie, something will. | 0:26:01 | 0:26:03 | |
What are you going to do with that information? | 0:26:03 | 0:26:06 | |
Give it away, like the graduation video? | 0:26:06 | 0:26:09 | |
-She was really freaked out by that. -And you have what to show for it? | 0:26:09 | 0:26:13 | |
The pride of a job well done. | 0:26:13 | 0:26:16 | |
Try buying a PS2 with the "pride of a job well done". | 0:26:16 | 0:26:19 | |
Matt, Matt, Matt. We've been over this before. | 0:26:20 | 0:26:23 | |
-Cash upfront. -Melina. Are you staying for dinner? | 0:26:23 | 0:26:27 | |
-I'd love to, Mrs McGuire. -Great. | 0:26:27 | 0:26:29 | |
We'll need energy to work on our summer reading list. | 0:26:29 | 0:26:32 | |
I'll make brownies. | 0:26:32 | 0:26:34 | |
I've said it before, you're weak! Weak! Always consult me first. | 0:26:36 | 0:26:41 | |
You rock. | 0:26:44 | 0:26:47 | |
HORN BEEPS | 0:26:53 | 0:26:56 | |
-Hey, Paolo. Can I ask you something? -Si, carina. | 0:27:00 | 0:27:04 | |
I know that our lives are a little different. | 0:27:04 | 0:27:07 | |
Actually, like several universes different, | 0:27:07 | 0:27:11 | |
but doesn't your friend Sergei get tired of following us around? | 0:27:11 | 0:27:15 | |
Sergei's my bodyguard. So, between me and Sergei, | 0:27:15 | 0:27:18 | |
you'll always be safe. | 0:27:18 | 0:27:21 | |
Wow. How famous do you have to be before you need a bodyguard? | 0:27:22 | 0:27:26 | |
Paolo, go! Go! It's Miss Ungermeyer. It's our bus! | 0:27:30 | 0:27:34 | |
-Go, go, go! -I cannot. | 0:27:38 | 0:27:40 | |
Miss Ungermeyer. Didn't we pass the Castel Sant'Angelo? | 0:27:40 | 0:27:43 | |
-Yep. What about it? -I noticed it's not on our itinerary. | 0:27:43 | 0:27:47 | |
-That is correct. -Well, shouldn't it be? | 0:27:47 | 0:27:50 | |
It was a papal residence and it contains frescos | 0:27:50 | 0:27:54 | |
from artists influenced by the school of Raphael. | 0:27:54 | 0:27:57 | |
-What are you up to? -Nothing, I figure that while here | 0:27:57 | 0:28:00 | |
we should be exposed to as much Renaissance Raphaelite work | 0:28:00 | 0:28:05 | |
typified by chiaroscuro and Hellenic mythical imagery as possible. | 0:28:05 | 0:28:09 | |
Ah, Gordon, you are on the list | 0:28:13 | 0:28:17 | |
and the list is not a place you want to be. What is this? Only in Rome. | 0:28:17 | 0:28:21 | |
Move that thing or do you want me to do it for ya? | 0:28:22 | 0:28:25 | |
What are you looking at? | 0:28:27 | 0:28:30 | |
Want a piece of that? Piece of the Ungermeyer? | 0:28:31 | 0:28:35 | |
-Over there by that statue, you see it? -Yeah. | 0:28:41 | 0:28:44 | |
That's where the artist Caravaggio had his opponent burnt at the stake. | 0:28:44 | 0:28:48 | |
Or was Caravaggio burnt at the stake? | 0:28:48 | 0:28:50 | |
Either way, this neighbourhood was tough. | 0:28:50 | 0:28:54 | |
-Paolo. -Si, carina. | 0:28:56 | 0:28:59 | |
-Do you still love her? -Who? Isabella? | 0:29:00 | 0:29:04 | |
Si. | 0:29:04 | 0:29:06 | |
Of course I still love her, but like a sister. | 0:29:06 | 0:29:10 | |
-So, why did you break up? -It's, um...complicated. | 0:29:11 | 0:29:15 | |
What? | 0:29:16 | 0:29:18 | |
I mean, yes, we've been voted best pop duo of the year again, | 0:29:18 | 0:29:22 | |
but I want to do more serious music | 0:29:22 | 0:29:25 | |
and when I told this to Isabella she said flat out no. | 0:29:25 | 0:29:28 | |
So, I told her this would be our last CD together. | 0:29:28 | 0:29:31 | |
-What did she do? Freak out? -She totally freak out | 0:29:31 | 0:29:34 | |
and yes, I feel awful but what about me? I need to grow as an artist. | 0:29:34 | 0:29:38 | |
-Yeah. -So, the other day when I saw you | 0:29:38 | 0:29:41 | |
I just... I don't know | 0:29:41 | 0:29:44 | |
-I had this crazy - I don't know. -What? | 0:29:44 | 0:29:47 | |
I had this crazy idea that maybe you could help me. | 0:29:47 | 0:29:50 | |
Come on. How crazy could it be? Just tell me. | 0:29:53 | 0:29:56 | |
-No, I can't. It's too - It's too... -Please. | 0:29:56 | 0:29:59 | |
OK. Isabella and I are to present an award | 0:29:59 | 0:30:02 | |
at the International Music Video Awards. | 0:30:02 | 0:30:05 | |
Cool! I mean, cool for regular people like me, | 0:30:05 | 0:30:09 | |
-but for you I guess it's like work. -No, no, no. It's cool for me, too. | 0:30:09 | 0:30:13 | |
You get free gift baskets and stuff, | 0:30:13 | 0:30:15 | |
but because Isabella's so mad at me she's refusing to appear. | 0:30:15 | 0:30:19 | |
-The record company's threatening to sue her. -And what about you? | 0:30:19 | 0:30:23 | |
For me it's no problem. I write the music. | 0:30:23 | 0:30:26 | |
I don't know where it comes from, it just comes from me. | 0:30:26 | 0:30:29 | |
# La la la! # See? I can go solo. | 0:30:29 | 0:30:31 | |
But Isabella... | 0:30:31 | 0:30:34 | |
-..she needs the help to sing. -You mean Isabella lip-synchs? | 0:30:36 | 0:30:40 | |
Please, please, you must speak of this to no-one. | 0:30:40 | 0:30:43 | |
-Imagine what would happen to Isabella's career? -That's so sweet. | 0:30:43 | 0:30:47 | |
You still care about her. | 0:30:47 | 0:30:50 | |
-You're definitely broken up, right? -Si. | 0:30:50 | 0:30:53 | |
So, when I saw you yesterday and how people thought you were Isabella, | 0:30:53 | 0:30:57 | |
I got my idea that maybe you could pretend to be her for one night | 0:30:57 | 0:31:02 | |
-and present the award with me on stage. -Present an award? On stage? | 0:31:02 | 0:31:06 | |
In front of an audience? | 0:31:09 | 0:31:11 | |
I'm really not good in front of crowds. | 0:31:11 | 0:31:14 | |
-I could never do that. -Of course you can do it. You are magnifico. | 0:31:14 | 0:31:19 | |
I don't know Italian, but I know what that means. | 0:31:20 | 0:31:24 | |
I don't know, Paolo. | 0:31:27 | 0:31:29 | |
Don't worry, carina. I could never ask you to do this crazy thing. | 0:31:29 | 0:31:34 | |
No, you know what? You don't have to ask. | 0:31:39 | 0:31:42 | |
If this will help you and Isabella then... | 0:31:42 | 0:31:45 | |
-..I'll do it. -Grazie. | 0:31:46 | 0:31:50 | |
Prego. | 0:31:50 | 0:31:52 | |
-SNORES: -Head check. | 0:32:12 | 0:32:15 | |
Gordo. Gordo! | 0:32:20 | 0:32:22 | |
You, Lizzie McGuire, are presenting an award at the IMVA's with Paolo? | 0:32:25 | 0:32:30 | |
-No. Me, Isabella with Paolo. -What? | 0:32:30 | 0:32:33 | |
-I'm doing it cos the real Isabella won't. -You're gonna get on stage | 0:32:33 | 0:32:37 | |
-in front of all these people? -That's the thing, it's not me. | 0:32:37 | 0:32:41 | |
It's Paolo's idea to help Isabella because he still loves her. | 0:32:41 | 0:32:45 | |
But not romantically. Like a sister. He is so amazing | 0:32:45 | 0:32:50 | |
and he's 17. I mean, for being so famous and getting what you want | 0:32:50 | 0:32:54 | |
he's just...he's just so kind. | 0:32:54 | 0:32:57 | |
For real? That's a lot to say about someone just knowing him a day. | 0:32:57 | 0:33:02 | |
I know that, but I feel like I've known him my whole life, you know? | 0:33:02 | 0:33:06 | |
Anyway, I just wanted to come by today and thank you. | 0:33:06 | 0:33:11 | |
I had the best day and it wouldn't have happened if it weren't for you. | 0:33:11 | 0:33:16 | |
-It was that good, huh? -You're such a good friend. | 0:33:16 | 0:33:19 | |
-The sting. -What sting? | 0:33:22 | 0:33:26 | |
You want a little mano a mano? | 0:33:26 | 0:33:28 | |
See, this is one of the reasons that me and you aren't friends, | 0:33:30 | 0:33:33 | |
-cos I never know what you're talking about. -Some dudes get the approach, | 0:33:33 | 0:33:38 | |
others the sting. That Italian dude, he's big-time approach. | 0:33:38 | 0:33:42 | |
I actually feel my brain turning into goo. | 0:33:42 | 0:33:45 | |
Embrace the sting. That's what you're vibing from Lizzie. | 0:33:45 | 0:33:49 | |
Wait a minute. Now, you actually think that I'm jealous of Paolo? | 0:33:49 | 0:33:53 | |
Word. | 0:33:53 | 0:33:55 | |
No. No, see, that would mean that I like Lizzie as more than a friend. | 0:33:55 | 0:34:01 | |
-See, what do you mean you have trouble communicating? -You're wrong. | 0:34:01 | 0:34:05 | |
Wow. | 0:34:07 | 0:34:09 | |
This girl looks freakishly like my sister. | 0:34:09 | 0:34:12 | |
Zoom! Zoom! | 0:34:12 | 0:34:15 | |
Another freakish coincidence. | 0:34:16 | 0:34:19 | |
I mean, she has the same necklace as my sister's. | 0:34:19 | 0:34:22 | |
Why do we even pretend you're in charge? | 0:34:22 | 0:34:25 | |
-OK, let's see what this says. -Ow. | 0:34:27 | 0:34:31 | |
"Isabella goes blonde. Italian pop duo Paolo and Isabella | 0:34:31 | 0:34:34 | |
wowed the crowd outside a gelato shop | 0:34:34 | 0:34:37 | |
showing off Isabella's new blonde hair." | 0:34:37 | 0:34:40 | |
They must think that Lizzie is this famous singer! | 0:34:40 | 0:34:43 | |
If I show this to my mom, Lizzie will be so busted! | 0:34:43 | 0:34:47 | |
If you show this to your mom, it's worth nothing. | 0:34:47 | 0:34:51 | |
But if you show this to the Italian tabloids | 0:34:51 | 0:34:55 | |
we'll be rolling in cash, my friend. | 0:34:55 | 0:34:58 | |
Interesting. | 0:34:58 | 0:35:01 | |
We? | 0:35:04 | 0:35:06 | |
Not up to toughing it out on the streets with us? | 0:35:06 | 0:35:09 | |
I could try, Miss Ungermeyer. | 0:35:09 | 0:35:12 | |
No, I just hate seeing you being denied the cultural experience | 0:35:12 | 0:35:15 | |
in a foreign country. You missed seven points of significance. | 0:35:15 | 0:35:20 | |
I know. It's really killing me too, Miss Ungermeyer. | 0:35:20 | 0:35:24 | |
Which is why I thought I'd bring you something to help ease the pain. | 0:35:24 | 0:35:28 | |
Well, that's really thoughtful of you. | 0:35:28 | 0:35:31 | |
Seeing as how your teeny-tiny little body just doesn't have the strength | 0:35:31 | 0:35:36 | |
we're gonna have to let your mind do the wandering. | 0:35:36 | 0:35:39 | |
The Rise and Decline of the Roman Empire. | 0:35:40 | 0:35:43 | |
I'd like one report on the rise and one on the decline. | 0:35:43 | 0:35:46 | |
If I didn't have a headache a minute ago, I do now. | 0:35:46 | 0:35:50 | |
-You don't have a problem with that, do you, McGuire? -No. | 0:35:52 | 0:35:56 | |
I mean, what else do I have to do? | 0:35:56 | 0:35:59 | |
# Why not | 0:35:59 | 0:36:00 | |
# Take a crazy chance? | 0:36:00 | 0:36:02 | |
# Why not | 0:36:02 | 0:36:04 | |
# Do a crazy dance? | 0:36:04 | 0:36:06 | |
# If you lose the moment | 0:36:06 | 0:36:08 | |
# You might lose a lot | 0:36:08 | 0:36:10 | |
# So, why not? | 0:36:10 | 0:36:12 | |
# Why not | 0:36:12 | 0:36:15 | |
# Take a crazy chance? # | 0:36:15 | 0:36:17 | |
I'm grateful for your help. You're doing a kind thing for Isabella. | 0:36:25 | 0:36:29 | |
Paolo, where are we? | 0:36:29 | 0:36:32 | |
Via Condotti, one of the world's most expensive shopping districts. | 0:36:32 | 0:36:36 | |
We must find you the perfect outfit. | 0:36:36 | 0:36:38 | |
-Isabella, Paolo. -Ciao. | 0:36:41 | 0:36:44 | |
Your hair is so blonde and innocent. Who did it? | 0:36:44 | 0:36:48 | |
The island that we were on was really really sunny, so it was the sun. | 0:36:49 | 0:36:53 | |
-Sun? We must get sun, too, no? -Ciao. | 0:36:53 | 0:36:56 | |
-They are so tall. -They'll want to be you. | 0:36:57 | 0:37:00 | |
-They want to be Isabella. -I'll get Franca. I'll be a moment. | 0:37:00 | 0:37:04 | |
Wow. Take your time. I'll just be sitting here in heaven. | 0:37:06 | 0:37:11 | |
Hard as it is to imagine as we look at the crumbling ruins of the Forum | 0:37:11 | 0:37:14 | |
that this was once the centre of commerce, | 0:37:14 | 0:37:17 | |
religion and politics in ancient Rome. | 0:37:17 | 0:37:20 | |
The Forum came into being in the sixth century BC. | 0:37:20 | 0:37:24 | |
With it a new urban culture was born. | 0:37:24 | 0:37:27 | |
-Yeah, Craft? -Is it time for spaghetti? | 0:37:29 | 0:37:32 | |
-It's 9 in the morning. -So? You never had leftover spaghetti for breakfast? | 0:37:32 | 0:37:37 | |
-I don't eat carbs. -I suppose you've never had a spaghetti sandwich? | 0:37:37 | 0:37:41 | |
This cultural experience is, like, so wasted on you. | 0:37:41 | 0:37:45 | |
Where did you buy that Prada bag? | 0:37:45 | 0:37:47 | |
-Craft, Sanders. Separate. -Oh, we did, Miss Ungermeyer and thank God. | 0:37:48 | 0:37:53 | |
Why don't you people do something at your skill level? | 0:37:55 | 0:37:59 | |
Take a shopping break while I choke down an espresso. | 0:37:59 | 0:38:02 | |
This dude spent way to much time on his biceps, not enough on his abs. | 0:38:03 | 0:38:08 | |
Totally old school. | 0:38:08 | 0:38:11 | |
Nice spot, bro. Watch and learn. | 0:38:16 | 0:38:19 | |
The slow curve. Works every time. | 0:38:19 | 0:38:22 | |
-I've got to go talk to them. -That's not how it works. They come to us. | 0:38:22 | 0:38:26 | |
Um, ciao. | 0:38:29 | 0:38:31 | |
-BOTH: Ciao. -Do you guys speak English? | 0:38:31 | 0:38:35 | |
Yes. It is your friend we like. | 0:38:35 | 0:38:39 | |
-Word. -Word? Is that his name? | 0:38:39 | 0:38:42 | |
Yeah, sure. Do you guys know who that is on the cover? | 0:38:42 | 0:38:45 | |
Paolo and Isabella. Certo. | 0:38:45 | 0:38:48 | |
Could you guys translate it? | 0:38:48 | 0:38:50 | |
Only if you introduce us to Word. | 0:38:50 | 0:38:54 | |
-Well, can I keep the magazine, then? -Deal. | 0:38:54 | 0:38:58 | |
All right. Let's go. | 0:38:58 | 0:39:01 | |
Ciao, Word. | 0:39:08 | 0:39:10 | |
Word? | 0:39:10 | 0:39:12 | |
-English? -Yes, she speak in only English. | 0:39:13 | 0:39:16 | |
Our single's in English and she needs to practise. | 0:39:16 | 0:39:19 | |
What have you done? | 0:39:22 | 0:39:25 | |
-You look - well, you look like a schoolgirl. -DOG BARKS | 0:39:26 | 0:39:29 | |
-Maximus. What is wrong? You love Isabella. -Nice, Maximus. | 0:39:31 | 0:39:36 | |
Very odd. | 0:39:40 | 0:39:42 | |
There is something... something very different about you. | 0:39:43 | 0:39:49 | |
Rest. The rest has done Isabella the world of good. | 0:39:50 | 0:39:53 | |
-She is transformed. -Yeah. | 0:39:53 | 0:39:56 | |
Well, I cannot put clothes on this. | 0:39:56 | 0:39:58 | |
You, fix the hair. Fix the eyebrows. Fix the lips. | 0:39:58 | 0:40:02 | |
-Fix the ears. -Fix the ears? | 0:40:03 | 0:40:05 | |
Jewellery. | 0:40:05 | 0:40:08 | |
Jewellery. Now, that's a language every girl understands. | 0:40:08 | 0:40:12 | |
# You better work! Cover girl | 0:40:14 | 0:40:17 | |
# Work it girl! Give us a twirl | 0:40:17 | 0:40:19 | |
# Do your thing on the runway | 0:40:19 | 0:40:22 | |
# Work! Supermodel | 0:40:22 | 0:40:24 | |
# Work it, girl of the world | 0:40:24 | 0:40:26 | |
# Wet your lips | 0:40:26 | 0:40:27 | |
# And smile to the camera | 0:40:27 | 0:40:29 | |
# Work! Turn to the left | 0:40:29 | 0:40:31 | |
# Work! Turn to the right | 0:40:31 | 0:40:33 | |
# Work! Sashay, chantez | 0:40:33 | 0:40:36 | |
# And it don't matter what you wear | 0:40:38 | 0:40:40 | |
# Doesn't matter what you wear | 0:40:40 | 0:40:41 | |
# They're checking out your savoir-faire | 0:40:41 | 0:40:44 | |
# Oh, yeah | 0:40:44 | 0:40:45 | |
# And when you walk into the room | 0:40:45 | 0:40:47 | |
# You have everybody's eyes on you | 0:40:48 | 0:40:51 | |
# Supermodel | 0:40:52 | 0:40:54 | |
# Work! Cover girl | 0:41:00 | 0:41:03 | |
# Work it, girl, give us a twirl | 0:41:03 | 0:41:04 | |
# Do your thing on the runway | 0:41:04 | 0:41:08 | |
# Work! Supermodel | 0:41:08 | 0:41:10 | |
# You've got to work it, girl of the world | 0:41:10 | 0:41:12 | |
# Wet your lips | 0:41:12 | 0:41:13 | |
# And smile to the camera | 0:41:13 | 0:41:15 | |
# Work! Turn to the left | 0:41:15 | 0:41:17 | |
# Work! Now, turn to the right | 0:41:17 | 0:41:19 | |
# Work! Sashay, chantez | 0:41:19 | 0:41:22 | |
# Work! Turn to the left | 0:41:22 | 0:41:24 | |
# Work! Now, turn to the right | 0:41:24 | 0:41:26 | |
# Work! Sashay, chantez | 0:41:26 | 0:41:29 | |
# You better work, oh, yeah | 0:41:29 | 0:41:31 | |
# Work! Come on, girl | 0:41:31 | 0:41:33 | |
# Work! Give it up | 0:41:33 | 0:41:36 | |
# On the runway | 0:41:36 | 0:41:38 | |
# Work! Work! # | 0:41:39 | 0:41:42 | |
OK. Diva, good. | 0:41:50 | 0:41:52 | |
Tacky, bad. | 0:41:52 | 0:41:54 | |
We'll have to fix that. | 0:41:55 | 0:41:57 | |
OK. None of these are me. | 0:42:07 | 0:42:10 | |
-Why are you laughing at me? -You're not supposed to be you. | 0:42:10 | 0:42:14 | |
Well, if I have to go on stage as Isabella | 0:42:14 | 0:42:17 | |
then I'll have to be confident and that's the thing I'm worst at. | 0:42:17 | 0:42:21 | |
-We are the same that way. -Not you. -Yes, me. And Isabella, too. | 0:42:21 | 0:42:25 | |
But it's how she works her fears that makes her strong. | 0:42:25 | 0:42:28 | |
Isabella doesn't let Franca tell her what to wear. She tells Franca. | 0:42:28 | 0:42:33 | |
You're telling me to tell Franca DiMonteca-teca-tini | 0:42:33 | 0:42:37 | |
-how I should dress? -Si. | 0:42:37 | 0:42:39 | |
Test your strength, Isabella. Vai, vai! | 0:42:41 | 0:42:44 | |
-You don't like my clothes? -No, I love your clothes, | 0:42:46 | 0:42:50 | |
but I don't want you to dress me. | 0:42:50 | 0:42:52 | |
-What? -See, I'm not your Barbie doll. | 0:42:52 | 0:42:55 | |
I am Isabella Parigi and I dress myself. | 0:42:55 | 0:42:59 | |
So, choices. I need choices. | 0:42:59 | 0:43:02 | |
I like these two. You pick. | 0:43:08 | 0:43:10 | |
-Both. -Both? | 0:43:14 | 0:43:17 | |
This is the same colour that I wore to my spring formal... COUGH > | 0:43:18 | 0:43:23 | |
Look at all of you. You think that I'm American. | 0:43:25 | 0:43:28 | |
I am how you say, awesome? | 0:43:28 | 0:43:32 | |
LAUGHS | 0:43:32 | 0:43:34 | |
The island. You should go more often. | 0:43:35 | 0:43:38 | |
Goodbye, Lizzie McGuire, hello, fabulous. | 0:43:42 | 0:43:46 | |
# Yeah, yeah, yeah | 0:43:46 | 0:43:47 | |
# Come on | 0:43:47 | 0:43:49 | |
# You make me feel like a star | 0:43:49 | 0:43:51 | |
# Oh, baby | 0:43:51 | 0:43:52 | |
# You say, stay, baby, stay | 0:43:52 | 0:43:55 | |
# Just the way you are and tell me | 0:43:55 | 0:43:57 | |
# Girl, you're fine and you will shine forever in my heart | 0:43:57 | 0:44:01 | |
# That's why you | 0:44:01 | 0:44:02 | |
# Yeah, you | 0:44:02 | 0:44:04 | |
# You make me feel like a star # | 0:44:04 | 0:44:06 | |
-There you go. -Grazie. -Grazie. | 0:44:09 | 0:44:12 | |
I'm ready for my close-up. | 0:44:13 | 0:44:15 | |
I cannot believe that not one Roman guy has asked me out yet. | 0:44:19 | 0:44:23 | |
Look. | 0:44:26 | 0:44:28 | |
Paolo, we gotta go. | 0:44:28 | 0:44:31 | |
Where's the zoom on this thing? | 0:44:33 | 0:44:35 | |
Hello? Excuse me? | 0:44:41 | 0:44:43 | |
Oh, I'm sorry. I was just... | 0:44:45 | 0:44:49 | |
Spanish Steps head check. Let's go on the bus and back to the hotel. | 0:44:49 | 0:44:54 | |
Come on, go! | 0:44:54 | 0:44:56 | |
Andiamo! Andiamo! | 0:44:56 | 0:44:59 | |
Hello? Hotel Cambini. This is Giorgio. > | 0:45:14 | 0:45:18 | |
-Go. -Huh? | 0:45:18 | 0:45:20 | |
Wait. | 0:45:20 | 0:45:22 | |
Excuse me, can you fix this? It will not close. | 0:45:22 | 0:45:26 | |
Why is it open when there is no rain? | 0:45:26 | 0:45:29 | |
This umbrella is very stubborn. It's bad luck to have it open inside. | 0:45:29 | 0:45:33 | |
Hey, thanks. | 0:45:33 | 0:45:35 | |
One at a time. No running. | 0:45:41 | 0:45:44 | |
Age before beauty, huh? | 0:45:47 | 0:45:50 | |
You look strangely large and familiar. | 0:45:52 | 0:45:55 | |
-Which floor? -Thank you. First. | 0:45:55 | 0:45:58 | |
OK. | 0:45:58 | 0:46:00 | |
Little hint for you. You wanna push the button. Elevator moves. | 0:46:01 | 0:46:05 | |
Elevator is not safe. | 0:46:05 | 0:46:07 | |
-You an employee here? -no. | 0:46:07 | 0:46:10 | |
Who are you to tell me if the elevator's safe? | 0:46:10 | 0:46:13 | |
-I am Sergei. -Sergei. | 0:46:13 | 0:46:16 | |
Sergei, you're going to have to stand down immediately. | 0:46:16 | 0:46:19 | |
Cos you're a hunk of muscle doesn't mean you won't make it on my list. | 0:46:22 | 0:46:27 | |
Elevator is safe now. | 0:46:27 | 0:46:29 | |
Hey, your umbrella! | 0:46:37 | 0:46:40 | |
-You feeling any better? -Mom? | 0:46:47 | 0:46:50 | |
A little warm. Miss Sanders, would you be so kind as to look after her? | 0:46:53 | 0:46:58 | |
As in do stuff for her? Why should I be punished? I'm not sick. | 0:46:58 | 0:47:03 | |
Next year I'm joining the mouth breathers at Waterslide Wonderland. | 0:47:03 | 0:47:06 | |
-You are so busted. You've been out of this room. -What? | 0:47:08 | 0:47:11 | |
How do you know? | 0:47:11 | 0:47:14 | |
Please. Your eyebrows finally match, your hair has highlights, | 0:47:14 | 0:47:18 | |
fresh manicure. I smelt acetone the second I walked in the lobby. | 0:47:18 | 0:47:22 | |
OK, but you didn't rat me up to Miss Ungermeyer. | 0:47:23 | 0:47:26 | |
Yet. Not until I figure out what's in it for me. | 0:47:26 | 0:47:30 | |
Now, spill, Dorkerella. | 0:47:30 | 0:47:32 | |
She'll never make me talk. | 0:47:34 | 0:47:37 | |
I know that this sounds insane, but I think Paolo really does like me. | 0:47:37 | 0:47:41 | |
How could this happen? How did you get my trip | 0:47:41 | 0:47:45 | |
and I can't even get an Italian boy to buy me a plate of spaghetti? | 0:47:45 | 0:47:50 | |
Um, Kate, you don't eat spaghetti. | 0:47:50 | 0:47:52 | |
I'd eat carbs if an Italian boy bought them for me. | 0:47:52 | 0:47:56 | |
So, I suppose you want me to keep quiet about this? | 0:47:57 | 0:48:01 | |
Yeah, I'd appreciate that. | 0:48:03 | 0:48:05 | |
Well, I'll keep it quiet if you keep it quiet about me keeping it quiet | 0:48:05 | 0:48:09 | |
and when we get back home I'm the cool one again | 0:48:09 | 0:48:12 | |
-and you turn back into a pumpkin. -KNOCK ON DOOR | 0:48:12 | 0:48:14 | |
Oh, my God. | 0:48:14 | 0:48:15 | |
-It's her. -What are you doing? | 0:48:15 | 0:48:18 | |
It's a long story. | 0:48:18 | 0:48:21 | |
-What do you want? We're closed. -I, er, wanted to talk to Lizzie. | 0:48:21 | 0:48:25 | |
-So, talk. -I was kind of thinking, maybe outside in the courtyard? | 0:48:25 | 0:48:31 | |
If this is about that parallel universe Italian rock star thing, | 0:48:31 | 0:48:36 | |
-I know all about it. -She figured it out. | 0:48:36 | 0:48:39 | |
-Evil AND smart. -Embrace it. Fear it. | 0:48:40 | 0:48:44 | |
-Thought you might want to look at this. -I'm on the front cover! | 0:48:44 | 0:48:48 | |
I wish to thank everyone who's always believed in me for this great honour. | 0:48:48 | 0:48:54 | |
It says that Paolo and Isabella are singing at the music awards. | 0:48:54 | 0:48:59 | |
Well, it's got to be a mistake. | 0:48:59 | 0:49:02 | |
-I had some Italian girls translate it. Paolo didn't tell you? -No. | 0:49:02 | 0:49:06 | |
Don't you think it's weird that he tried to hide it from you? | 0:49:06 | 0:49:10 | |
-Maybe it's last minute. -Aren't these things planned months in advance? | 0:49:10 | 0:49:14 | |
When did you become an expert on Italian award show thingies? | 0:49:14 | 0:49:18 | |
It's common sense, which I have a lot of | 0:49:18 | 0:49:21 | |
-to make up for my lack of slow curve. -Slow curve? | 0:49:21 | 0:49:24 | |
Forget it. If you want to believe some Italian kid you think you know | 0:49:24 | 0:49:28 | |
after two days cos he's a superstar, is really rich and has nice hair, | 0:49:28 | 0:49:33 | |
-be my guest. -Gordo. | 0:49:33 | 0:49:36 | |
HORN BEEPS He's early! | 0:49:43 | 0:49:45 | |
-Lizzie! -Oh, my God, I gotta go get dressed. | 0:49:51 | 0:49:55 | |
I'll cover you if Miss Ungermeyer does a night head check. | 0:49:55 | 0:49:59 | |
-Thanks. I owe you. -Duh! | 0:49:59 | 0:50:02 | |
Mom, Dad. I found something on the internet I think you should see. | 0:50:08 | 0:50:12 | |
-What is it? -Well, since Lizzie's in Europe | 0:50:12 | 0:50:15 | |
-I thought I'd do a little e-search on Italy. -That's nice. | 0:50:15 | 0:50:19 | |
But what I found out is not so e-assuring. | 0:50:19 | 0:50:22 | |
In fact, it may shock you. | 0:50:23 | 0:50:26 | |
What are we looking at? | 0:50:26 | 0:50:29 | |
Maybe nothing and maybe something. | 0:50:29 | 0:50:31 | |
You see, when polled, | 0:50:31 | 0:50:34 | |
74 percent of Italian teenage boys said | 0:50:34 | 0:50:37 | |
they would most like to date American girls. | 0:50:37 | 0:50:41 | |
-Where did you get these? -Available for anyone who has a computer. | 0:50:41 | 0:50:45 | |
You don't have to worry about your sister. She's well chaperoned. | 0:50:45 | 0:50:49 | |
-Miss Ungermeyer's there. -Yeah. What is she? Five one or two max? | 0:50:49 | 0:50:54 | |
Oh, please. Matt. | 0:50:57 | 0:51:00 | |
As interesting as this is, where are you taking it? | 0:51:00 | 0:51:03 | |
All right, you caught me. | 0:51:03 | 0:51:06 | |
-I always do. -I don't know why I even try. | 0:51:06 | 0:51:09 | |
I'll deny I ever said this, but... | 0:51:11 | 0:51:13 | |
..I miss my sister. There. I said it. | 0:51:14 | 0:51:18 | |
Now you know. | 0:51:18 | 0:51:21 | |
I know I rag on her all the time, but now that she's gone | 0:51:21 | 0:51:26 | |
-I... I... -Oh, honey. We miss her, too. | 0:51:26 | 0:51:29 | |
So, so much. | 0:51:29 | 0:51:32 | |
I feel so alone. | 0:51:32 | 0:51:34 | |
Listen to me. | 0:51:34 | 0:51:36 | |
You don't have to make fake pie charts. | 0:51:37 | 0:51:40 | |
-You just come to us with the truth, OK? -I know that now, Mom. | 0:51:40 | 0:51:44 | |
It's just so hard. I miss her so much. | 0:51:46 | 0:51:49 | |
I can't believe I let you talk me into letting her go on that trip. | 0:51:51 | 0:51:54 | |
-I'll go get the passports. -Oh, honey. | 0:51:54 | 0:51:58 | |
-Paolo. -Si. | 0:52:44 | 0:52:46 | |
-What is this? -A car. | 0:52:46 | 0:52:50 | |
-Look. Are we supposed to sing? -Scusa? | 0:52:52 | 0:52:56 | |
Don't speak to me in Italian. It's too adorable. | 0:52:57 | 0:53:01 | |
-Are Paolo and Isabella supposed to sing at the awards? -Si. | 0:53:02 | 0:53:07 | |
Si! Why didn't you tell me? | 0:53:07 | 0:53:09 | |
I wanted to, but you told me not to telephone the hotel. Come on. | 0:53:09 | 0:53:13 | |
I'll explain everything. I want to show you the Tivoli gardens. | 0:53:13 | 0:53:18 | |
-Come on. We have to get you back by ten. -OK. | 0:53:18 | 0:53:22 | |
-So, where is Sergei? -You're not the only one who sneaks off at night. | 0:53:25 | 0:53:31 | |
We were going to sing, but after Isabella wouldn't speak to me | 0:53:40 | 0:53:44 | |
I told the producers we refused to perform as she had throat problems. | 0:53:44 | 0:53:48 | |
So, what happened? I mean, what changed? | 0:53:48 | 0:53:51 | |
-Isabella did. -The real Isabella or me, Isabella? -You. | 0:53:51 | 0:53:55 | |
A reporter heard her speaking in front of the gelato shop | 0:53:55 | 0:53:58 | |
and reported her voice was fine and her English good. | 0:53:58 | 0:54:02 | |
-Then the record company called and will sue if we don't sing. -What? | 0:54:02 | 0:54:07 | |
So, they're gonna make you sing? I mean, us sing? | 0:54:07 | 0:54:10 | |
Don't worry, carina. I'll make this work. Look. | 0:54:10 | 0:54:14 | |
Look, Paolo. I don't think this is going to work. | 0:54:32 | 0:54:35 | |
I can't sing in front of an audience. | 0:54:35 | 0:54:38 | |
-I won't even let my mom hear me sing in the shower. -I'll teach you. | 0:54:38 | 0:54:43 | |
OK, so what is Isabella going to do when she sees me being her? | 0:54:43 | 0:54:47 | |
She won't. She's on some island trying to get over this. Come on. | 0:54:47 | 0:54:51 | |
Here's my vow to you. I, Paolo Valisari | 0:54:59 | 0:55:03 | |
will never let you, Lizzie McGuire be embarrassed. If I fail, | 0:55:03 | 0:55:07 | |
I have to spend seven days with that scary head check woman. | 0:55:07 | 0:55:11 | |
Her name's Miss Ungermeyer. | 0:55:11 | 0:55:14 | |
Carina, hasn't everything I promised you come to be? | 0:55:14 | 0:55:17 | |
Everyone believes you're Isabella. | 0:55:17 | 0:55:19 | |
You're having the time of your life being someone else. | 0:55:19 | 0:55:23 | |
You even told Franca to buzz off. | 0:55:23 | 0:55:25 | |
Don't you trust that we can do the singing together? | 0:55:25 | 0:55:29 | |
I guess. | 0:55:31 | 0:55:33 | |
Well, you shouldn't. | 0:55:33 | 0:55:36 | |
# You've been searching the world to find true love | 0:55:49 | 0:55:53 | |
# Looking in all the wrong places | 0:55:53 | 0:55:57 | |
# When all of the time you've been blind to love | 0:55:57 | 0:56:01 | |
# It's plain as the nose on your face is | 0:56:01 | 0:56:04 | |
# It's here, it's now | 0:56:04 | 0:56:08 | |
# Open your eyes and see it | 0:56:08 | 0:56:12 | |
# Right here, right now... # | 0:56:12 | 0:56:15 | |
-This is so beautiful. -Yes. You are. | 0:56:16 | 0:56:20 | |
# Love has been right by your side | 0:56:21 | 0:56:25 | |
# So close that you couldn't see | 0:56:25 | 0:56:29 | |
# If love could speak | 0:56:29 | 0:56:31 | |
# It would shout to the sky | 0:56:31 | 0:56:33 | |
# I've always been here | 0:56:33 | 0:56:35 | |
# I always will be | 0:56:35 | 0:56:38 | |
# I'm here, I'm now | 0:56:39 | 0:56:43 | |
# Open your eyes and see | 0:56:43 | 0:56:46 | |
# Right here, right now | 0:56:46 | 0:56:50 | |
# Open your eyes to love | 0:56:51 | 0:56:55 | |
# Open your heart to love. # | 0:56:57 | 0:57:02 | |
Hey. What you got there, little man? | 0:57:19 | 0:57:23 | |
-Nothing. -What's this? -That's not Lizzie, no. | 0:57:23 | 0:57:26 | |
-Yes, it is. -No, it isn't. -I know my daughter. I gave her that necklace. | 0:57:26 | 0:57:30 | |
All right, tell me what you know that I don't. | 0:57:30 | 0:57:33 | |
It's only a 14-hour flight, Dad. | 0:57:33 | 0:57:36 | |
All right, people, swallow those biscotti. We got a big day. | 0:57:41 | 0:57:45 | |
Oh, halt. Got to get these apricots to McGuire. | 0:57:45 | 0:57:50 | |
She looked sick as a dog this morning. | 0:57:50 | 0:57:53 | |
Gordon, you having a problem? | 0:57:53 | 0:57:55 | |
No, I'm starting to agree with Ethan, | 0:57:55 | 0:57:58 | |
-we need to eat more spaghetti. -You the man! | 0:57:58 | 0:58:01 | |
-Sorry. -Mr Gordon, is there a reason you don't want me to go upstairs? | 0:58:03 | 0:58:07 | |
No, I just really think we should get going. | 0:58:07 | 0:58:10 | |
So much Roma, so little tima. | 0:58:10 | 0:58:14 | |
Well, you know when I get upstairs and I will get upstairs, | 0:58:14 | 0:58:18 | |
I expect to find McGuire in her bed. | 0:58:18 | 0:58:21 | |
She may be in the bathroom or something. | 0:58:22 | 0:58:25 | |
I'm beginning to get the feeling she was never sick to begin with. | 0:58:25 | 0:58:29 | |
-No, no, she was. -I bet this whole thing was a clever ruse | 0:58:30 | 0:58:34 | |
to sneak out of this hotel. | 0:58:34 | 0:58:36 | |
-Yeah, it was. -It was? | 0:58:37 | 0:58:41 | |
Well, Lizzie and I were talking about adventures | 0:58:41 | 0:58:45 | |
-and I don't know. -Spit it out. -Lizzie's upstairs. It's me. | 0:58:45 | 0:58:49 | |
-I'm the one who's been sneaking out. -You? -But, but... | 0:58:49 | 0:58:53 | |
Feels good to get it off my chest. | 0:58:54 | 0:58:57 | |
You realise what this means? | 0:58:58 | 0:59:00 | |
I...shouldn't look to you for a college recommendation? | 0:59:00 | 0:59:04 | |
You should look for your suitcase, Gordon. You're going home. | 0:59:04 | 0:59:08 | |
I pegged you right from the start. | 0:59:08 | 0:59:11 | |
David Gordon, sneaky little brown-noser with a hidden agenda. | 0:59:11 | 0:59:15 | |
Well, you're busted. | 0:59:16 | 0:59:18 | |
Love lifts us up where we belong. | 0:59:22 | 0:59:25 | |
Wow. This place is so cool. | 0:59:35 | 0:59:38 | |
-Si. -Are you sure it's OK that we're here? -Si. | 0:59:38 | 0:59:42 | |
And here is where exactly? | 0:59:42 | 0:59:44 | |
It's the rehearsal hall, but the Colosseum will look more like this. Sergei! | 0:59:44 | 0:59:47 | |
If you want to convince the world you're Isabella | 0:59:52 | 0:59:55 | |
you must take the stage and dance... | 0:59:55 | 0:59:57 | |
..and sing. | 1:00:00 | 1:00:02 | |
MUSIC PLAYS | 1:00:02 | 1:00:05 | |
# Have you ever seen such a beautiful night? # | 1:00:05 | 1:00:10 | |
-Move your mouth with the words. -So, you want me to lip-synch? | 1:00:10 | 1:00:15 | |
Just like Isabella. | 1:00:15 | 1:00:17 | |
-You said you know the song, right? -Well, yeah. | 1:00:17 | 1:00:21 | |
-I mean, I have your CD, but - -So, try it. | 1:00:21 | 1:00:24 | |
I'm not gonna try it. | 1:00:24 | 1:00:26 | |
OK. MUSIC PLAYS | 1:00:31 | 1:00:34 | |
# Have you ever seen such a beautiful night? | 1:00:34 | 1:00:39 | |
# I could almost kiss the stars | 1:00:42 | 1:00:46 | |
# For shining so bright # | 1:00:46 | 1:00:48 | |
-Was it awful? -Er, yes. | 1:00:51 | 1:00:55 | |
-But it helps to sing. -Really sing? | 1:00:55 | 1:00:59 | |
-It looks more real when you're lip-synching. -You weren't singing. | 1:00:59 | 1:01:02 | |
I won't be lip-synching. No-one will hear. The microphone will be off. | 1:01:02 | 1:01:07 | |
You must try. Please? | 1:01:07 | 1:01:10 | |
OK. | 1:01:12 | 1:01:14 | |
MUSIC PLAYS | 1:01:16 | 1:01:19 | |
# Have you ever seen such a beautiful night? | 1:01:19 | 1:01:24 | |
# I could almost kiss the stars | 1:01:27 | 1:01:30 | |
# For shining so bright | 1:01:30 | 1:01:33 | |
# When I see you smiling | 1:01:35 | 1:01:38 | |
# I go, oh, oh, oh | 1:01:38 | 1:01:42 | |
# I would never want to miss this | 1:01:44 | 1:01:48 | |
# Cos in my heart | 1:01:48 | 1:01:49 | |
# I know what this is | 1:01:49 | 1:01:52 | |
# This is what dreams are made of | 1:01:54 | 1:01:59 | |
# This is what dreams are made of | 1:02:02 | 1:02:06 | |
# I've got somewhere I belong | 1:02:06 | 1:02:11 | |
# I've got somebody to love | 1:02:11 | 1:02:15 | |
# This is what dreams | 1:02:15 | 1:02:18 | |
# Are made of... # | 1:02:19 | 1:02:22 | |
Brava! And now we dance! | 1:02:27 | 1:02:31 | |
Hey. Oh, I'm glad you're up. I had the most amazing night. | 1:03:34 | 1:03:38 | |
-I'm gonna grab Gordo so I can tell you together. -You won't find him. | 1:03:38 | 1:03:42 | |
What? Why? Where did he go? | 1:03:42 | 1:03:45 | |
Probably getting on a plane right now. | 1:03:45 | 1:03:47 | |
-Why? -He totally covered for you and got himself kicked off the trip. | 1:03:47 | 1:03:52 | |
I don't believe it. Why would he do that? | 1:03:53 | 1:03:56 | |
You're seriously asking that question? | 1:03:56 | 1:03:59 | |
You have to call the airline and see if Gordo's plane has left. | 1:04:05 | 1:04:09 | |
-Do you know what flight he's on? -Si, si. I will call. | 1:04:09 | 1:04:12 | |
I cannot believe that Gordo would do this for me. | 1:04:12 | 1:04:16 | |
-Maybe he's not on the plane yet. I could go to the airport... -And what? | 1:04:16 | 1:04:21 | |
-I don't know. -I am now on hold. | 1:04:23 | 1:04:27 | |
TANNOY: "This is the final boarding call for Lufthansa flight 6240 | 1:04:27 | 1:04:30 | |
"departing for Los Angeles." | 1:04:30 | 1:04:33 | |
-Mmm-hmm. -LAUGHS | 1:04:39 | 1:04:43 | |
GRUNTS | 1:04:43 | 1:04:47 | |
Mm-hm. | 1:04:51 | 1:04:53 | |
Mm-hm. | 1:04:53 | 1:04:54 | |
Mm-hm. | 1:04:54 | 1:04:56 | |
Thank you very much. The plane is gone. | 1:04:57 | 1:05:00 | |
SPEAKS ITALIAN | 1:05:29 | 1:05:31 | |
Who is this girl? I've been relaxing on the island | 1:05:33 | 1:05:36 | |
trying to forget about this. | 1:05:36 | 1:05:38 | |
-Can somebody please tell me what's going on? -I can. | 1:05:38 | 1:05:41 | |
That's my friend, Lizzie McGuire. | 1:05:41 | 1:05:44 | |
Let him go. I demand for you to tell me everything you know. | 1:05:46 | 1:05:51 | |
I demand for you to tell me everything about Paolo Valisari. | 1:05:51 | 1:05:55 | |
I left him and all my thoughts about him on the island. | 1:05:55 | 1:05:58 | |
You may have left him on the island, | 1:05:58 | 1:06:01 | |
but my friend Lizzie is pretending to be you so you don't get sued. | 1:06:01 | 1:06:05 | |
We need to talk in private. Now. | 1:06:06 | 1:06:09 | |
Gordo's life is ruined because of me. Selfish me. | 1:06:09 | 1:06:13 | |
-So, what are you gonna do now? -It's over. | 1:06:13 | 1:06:16 | |
I'm gonna turn myself in to Miss Ungermeyer. | 1:06:16 | 1:06:19 | |
Lizzie, you'll get sent home, then you won't be able to help Paolo. | 1:06:21 | 1:06:25 | |
OK, I'm never gonna be able to get through this, the way I feel now. | 1:06:25 | 1:06:29 | |
OK, fine. Quit. Then everything Gordo did will be for nothing. | 1:06:29 | 1:06:33 | |
Now you know things are bad when Kate starts making sense. | 1:06:36 | 1:06:41 | |
-I know one thing's for sure. -What? | 1:06:41 | 1:06:43 | |
I won't have to act sick. | 1:06:43 | 1:06:46 | |
GIGGLING | 1:07:07 | 1:07:08 | |
Mr Craft, you are in the most historic and beautiful city. | 1:07:17 | 1:07:22 | |
-Has it had no effect on you? -Well, actually it has. | 1:07:22 | 1:07:26 | |
The cobblestones are shreddin' my wheels. | 1:07:26 | 1:07:30 | |
-Have you even made a dent in your reading list? -I've finished it. | 1:07:30 | 1:07:35 | |
-You read 11 books? -I mean I read the list. | 1:07:35 | 1:07:39 | |
Sssh. | 1:07:47 | 1:07:49 | |
Sssh. | 1:07:51 | 1:07:53 | |
-McGuire. Lizzie McGuire. -Si. Si. | 1:07:54 | 1:07:58 | |
We are in the travel guide. | 1:07:58 | 1:08:00 | |
No, no. No. | 1:08:00 | 1:08:03 | |
We're the parents of Lizzie. | 1:08:04 | 1:08:07 | |
Ah, si. | 1:08:07 | 1:08:09 | |
Via Liuzzi. | 1:08:09 | 1:08:12 | |
-I call a cab. It's very far. -Anybody else want to step up to the plate? | 1:08:12 | 1:08:16 | |
Who's asking for McGuire? | 1:08:16 | 1:08:18 | |
I left you four messages already. She's been under my watchful eye. | 1:08:18 | 1:08:23 | |
Where did Sanders go? | 1:08:23 | 1:08:25 | |
Lizzie. Sweetheart. | 1:08:25 | 1:08:27 | |
Honey. | 1:08:27 | 1:08:30 | |
Cool! | 1:08:31 | 1:08:32 | |
-Where's Lizzie? -Do you have any embarrassing photos of her | 1:08:36 | 1:08:39 | |
while she's been here? Ow. | 1:08:39 | 1:08:43 | |
You better tell us where Lizzie is or this deck's gonna catch some air. | 1:08:43 | 1:08:47 | |
Well, it's possible that she's at the International Music Video Awards | 1:08:47 | 1:08:51 | |
doubling for an Italian popstar who's totally her twin. | 1:08:51 | 1:08:54 | |
Why does everyone always look at me like that? | 1:08:54 | 1:08:58 | |
SCREAMS | 1:09:21 | 1:09:24 | |
PHONE RINGS | 1:09:28 | 1:09:30 | |
Prince William? Tell him he'll have to hold. | 1:09:30 | 1:09:34 | |
SPEAKS ITALIAN | 1:10:18 | 1:10:21 | |
-Capito? -Si. What? | 1:10:21 | 1:10:23 | |
He said you must enter from here, right and I must enter from there. | 1:10:23 | 1:10:27 | |
And what about my dress? I still have to get dressed. | 1:10:27 | 1:10:30 | |
Franca delivered it. It's in your dressing room. You have time. | 1:10:30 | 1:10:34 | |
Calm down. You can do it. | 1:10:34 | 1:10:37 | |
Of course I can do it. This is moi we're talking about. | 1:10:37 | 1:10:42 | |
-I don't think I can do it. -You must! | 1:10:42 | 1:10:44 | |
We've rehearsed this. You know all the steps, all the words. | 1:10:44 | 1:10:48 | |
-You will be great. I know. -How do you know? | 1:10:48 | 1:10:52 | |
Because...because you shine like the light from the sun. | 1:10:52 | 1:10:57 | |
Paolo. Paolo. | 1:11:02 | 1:11:04 | |
-Isabella. Andiamo. -Lizzie. | 1:11:07 | 1:11:11 | |
Gordo? Oh, my God, what are you doing here? | 1:11:11 | 1:11:13 | |
That's not important right now. You need to listen. | 1:11:13 | 1:11:17 | |
It is important. I can't believe you'd do that for me. | 1:11:17 | 1:11:20 | |
-Why aren't you gone? -Long story. -I want to hear all about it, | 1:11:20 | 1:11:23 | |
-but I've got to get my dress on. -Listen. Paolo is setting you up. | 1:11:23 | 1:11:28 | |
-What are you talking about? -Actually, he is setting ME up. | 1:11:30 | 1:11:34 | |
-Freaky, huh? -Way freaky. | 1:11:40 | 1:11:42 | |
Way, way freaky. | 1:11:42 | 1:11:45 | |
That whole story about Paolo doing his own music and going solo? | 1:11:45 | 1:11:49 | |
-That's Isabella. She's the one that sings live. -Si. | 1:11:49 | 1:11:53 | |
Paolo is the one that lip-synchs. | 1:11:53 | 1:11:55 | |
Isabella wants to quit the act. Paolo is a liar. | 1:11:55 | 1:11:58 | |
This has been some crazy scheme to set you up and embarrass you | 1:11:58 | 1:12:02 | |
-so it looks like Isabella can't sing. -Si. | 1:12:02 | 1:12:05 | |
-It's true. -Paolo wants to destroy her career. | 1:12:05 | 1:12:08 | |
But Paolo would never do that to me. | 1:12:09 | 1:12:12 | |
I don't believe you. | 1:12:12 | 1:12:15 | |
Isabella. Subito. Per favore. | 1:12:17 | 1:12:21 | |
Lizzie, who will you believe? This boy you've known your whole life, | 1:12:21 | 1:12:25 | |
or this boy you've just met | 1:12:25 | 1:12:28 | |
who says, "You shine with the light from the sun"? | 1:12:28 | 1:12:32 | |
OK, well you're here now so go and sing. | 1:13:04 | 1:13:07 | |
But I'm not blonde. He will know it's me and make an excuse to leave, | 1:13:07 | 1:13:11 | |
but if we want to get back at him | 1:13:11 | 1:13:14 | |
in front of the whole world on live TV we must make him sing | 1:13:14 | 1:13:18 | |
-and really sing. Not lip-synch. -How? What am I supposed to do? | 1:13:18 | 1:13:21 | |
-I can't sing live. -Deve andare adesso. | 1:13:21 | 1:13:24 | |
Change. Change. Change your clothes and go and do what you rehearsed. | 1:13:24 | 1:13:29 | |
-Everything will be fine, I promise. I have a plan. -What plan? | 1:13:29 | 1:13:33 | |
-So, what's the plan? -I don't know. | 1:13:35 | 1:13:38 | |
No, see, it doesn't matter about the tickets | 1:13:39 | 1:13:42 | |
because my daughter is back there impersonating a famous popstar, | 1:13:42 | 1:13:46 | |
-so, I gotta get in! -That's what everyone says. | 1:13:46 | 1:13:50 | |
I've had enough of this. | 1:13:50 | 1:13:52 | |
Let's go! | 1:13:55 | 1:13:57 | |
-Sandro, did Paolo bring the voice track for me? -No, he did not. | 1:13:59 | 1:14:03 | |
There is no track. Paolo he says you are going to sing live like always. | 1:14:03 | 1:14:07 | |
-TANNOY: -"Paolo, Isabella!" | 1:14:07 | 1:14:12 | |
-Sandro, turn on Isabella's mike. -What? -Turn on the mike! | 1:14:23 | 1:14:27 | |
# Have you ever seen | 1:14:36 | 1:14:38 | |
# Such a beautiful night? | 1:14:38 | 1:14:41 | |
# I could almost kiss the stars | 1:14:43 | 1:14:47 | |
# For shining so bright | 1:14:47 | 1:14:50 | |
# When I see you smiling I go | 1:14:52 | 1:14:56 | |
-SINGS OFF KEY: -# Oh, oh, oh | 1:14:56 | 1:14:58 | |
AUDIENCE LAUGHS | 1:14:58 | 1:15:00 | |
# I would never want to miss this | 1:15:00 | 1:15:04 | |
-OUT OF TUNE: -# Cos in my heart I know what this is | 1:15:04 | 1:15:08 | |
AUDIENCE LAUGHS | 1:15:08 | 1:15:11 | |
# This is what dreams are made of # | 1:15:11 | 1:15:15 | |
"Sing to me, Paolo." | 1:15:16 | 1:15:19 | |
-SINGS BADLY: -# This is what dreams are made of # | 1:15:19 | 1:15:23 | |
CROWD SHOUTS | 1:15:26 | 1:15:29 | |
OK. | 1:15:42 | 1:15:44 | |
"Say buona sera to my new American friend Lizzie McGuire!" | 1:15:44 | 1:15:48 | |
"Paolo tried to use her to trick you into thinking that..." | 1:15:49 | 1:15:52 | |
Lizzie McGuire is nice girl. You try to hurt her. | 1:15:52 | 1:15:56 | |
-Let me go. You work for me! -Not any more, Paolo. I quit. | 1:15:56 | 1:16:00 | |
Paolo! | 1:16:00 | 1:16:02 | |
-Paolo cannot sing music - now he must face music. -Was it all a lie? | 1:16:02 | 1:16:07 | |
"Do you want to hear her sing?" | 1:16:08 | 1:16:11 | |
CROWD CHEERS | 1:16:11 | 1:16:14 | |
# Have you ever seen such a beautiful night? | 1:16:22 | 1:16:26 | |
# I could almost kiss the stars | 1:16:28 | 1:16:32 | |
# For shining so bright | 1:16:32 | 1:16:34 | |
# When I see you smiling I go | 1:16:36 | 1:16:39 | |
-BOTH: -# Oh, oh, oh | 1:16:39 | 1:16:42 | |
# I would never want to miss this | 1:16:44 | 1:16:47 | |
# Cos in my heart I know what this is | 1:16:47 | 1:16:50 | |
-# Hey, now -# Hey, now | 1:16:50 | 1:16:53 | |
-BOTH: -# This is what dreams are made of | 1:16:53 | 1:16:57 | |
-# Hey, now -# Hey, now | 1:16:58 | 1:17:00 | |
-BOTH: -# This is what dreams are made of | 1:17:00 | 1:17:04 | |
# I've got somewhere I belong | 1:17:04 | 1:17:07 | |
# I've got somebody to love | 1:17:07 | 1:17:11 | |
-BOTH: -# This is what dreams | 1:17:11 | 1:17:15 | |
# Are made of # | 1:17:15 | 1:17:17 | |
-Wait! -Sing. | 1:17:19 | 1:17:22 | |
Run! | 1:17:28 | 1:17:31 | |
# Have you ever wondered what life is about? | 1:17:39 | 1:17:44 | |
# You could search the world | 1:17:46 | 1:17:48 | |
# And never figure it out | 1:17:48 | 1:17:51 | |
# You don't have to sail the oceans | 1:17:53 | 1:17:57 | |
# No, no, no | 1:17:57 | 1:17:59 | |
# Happiness is no mystery | 1:18:01 | 1:18:04 | |
# It's here and now, it's you and me | 1:18:04 | 1:18:08 | |
# Hey, now, hey, now | 1:18:10 | 1:18:12 | |
# This is what dreams are made of | 1:18:12 | 1:18:16 | |
# Hey, now, hey, now | 1:18:17 | 1:18:19 | |
# This is what dreams are made of | 1:18:19 | 1:18:23 | |
# I've got | 1:18:23 | 1:18:24 | |
# Somewhere I belong | 1:18:24 | 1:18:26 | |
# I've got | 1:18:26 | 1:18:28 | |
# Somebody to love | 1:18:28 | 1:18:30 | |
# This is what dreams | 1:18:30 | 1:18:33 | |
# Are made of | 1:18:34 | 1:18:36 | |
# Hey, now | 1:18:36 | 1:18:37 | |
# This is what dreams are made of | 1:18:37 | 1:18:40 | |
# Hey, hey, hey, hey! | 1:18:40 | 1:18:42 | |
# Hey, now, hey, now | 1:18:42 | 1:18:45 | |
# This is what dreams are made of | 1:18:45 | 1:18:48 | |
# Open your eyes | 1:18:50 | 1:18:52 | |
# This is what dreams are made of | 1:18:52 | 1:18:55 | |
# Shout to the sky | 1:18:57 | 1:19:00 | |
# This is what dreams are made of | 1:19:00 | 1:19:02 | |
# Hey, hey, hey | 1:19:02 | 1:19:04 | |
# Then I see you smiling, I go | 1:19:04 | 1:19:07 | |
# Oh, oh, oh | 1:19:07 | 1:19:10 | |
# Yesterday my life was duller | 1:19:11 | 1:19:15 | |
# Now everything's Technicolour | 1:19:15 | 1:19:18 | |
# Hey, now, hey, now | 1:19:22 | 1:19:24 | |
# This is what dreams are made of | 1:19:24 | 1:19:28 | |
# Hey, now, hey, now | 1:19:29 | 1:19:32 | |
# This is what dreams are made of | 1:19:32 | 1:19:35 | |
# I've got somewhere I belong | 1:19:35 | 1:19:39 | |
# I've got somebody to love | 1:19:39 | 1:19:43 | |
# This is what dreams | 1:19:43 | 1:19:47 | |
# Dreams | 1:19:47 | 1:19:50 | |
# This is what dreams | 1:19:50 | 1:19:54 | |
# Are made of | 1:19:54 | 1:19:56 | |
# Hey, now, hey, now | 1:19:56 | 1:19:57 | |
# Hey, hey, hey, hey! | 1:19:57 | 1:19:58 | |
# Hey, now, hey, now | 1:19:58 | 1:20:01 | |
# Hey, hey, hey, hey! | 1:20:01 | 1:20:02 | |
# Hey, now, hey, now | 1:20:02 | 1:20:04 | |
# Hey, hey, hey, hey! | 1:20:04 | 1:20:06 | |
# Hey, now, hey, now | 1:20:06 | 1:20:08 | |
# Hey, hey, hey, hey! Hey! # | 1:20:08 | 1:20:10 | |
Lizzie got everything you're meant to get when you go to Europe. | 1:21:06 | 1:21:10 | |
-Adventure, romance, total confidence. -Yeah? | 1:21:10 | 1:21:15 | |
Well, if all that can happen to Lizzie McGuire | 1:21:15 | 1:21:19 | |
the only thing I know now is I don't know anything. | 1:21:19 | 1:21:22 | |
That's hot. | 1:21:22 | 1:21:24 | |
-What? -Girls who think they know everything are just a turn-off. | 1:21:24 | 1:21:29 | |
-Really? -Totally. | 1:21:30 | 1:21:33 | |
Like, what about you not ratting on Lizzie? | 1:21:33 | 1:21:36 | |
I mean, that was just so... | 1:21:36 | 1:21:38 | |
..not you. | 1:21:40 | 1:21:42 | |
That's good. Si. | 1:21:54 | 1:21:56 | |
Aaarrgh! | 1:21:56 | 1:21:58 | |
Mom, Dad, I'm so glad you made it. You would have never believed me. | 1:22:01 | 1:22:05 | |
-That is for sure. -I thought after you found out I would be grounded. | 1:22:05 | 1:22:09 | |
You're grounded for the rest of the summer, sweetheart, | 1:22:09 | 1:22:13 | |
but we're really proud of you. | 1:22:13 | 1:22:15 | |
You know, lying, even for a good reason, is beneath you. | 1:22:18 | 1:22:21 | |
Yeah, I know, I know. I'm a lying spineless brown-nosing jellyfish | 1:22:21 | 1:22:25 | |
-with a hidden agenda. I got it. -That may be true, | 1:22:25 | 1:22:29 | |
but I'll tell you something. Little Miss Diva told me everything. | 1:22:29 | 1:22:32 | |
The way I see it, you're a pretty loyal friend | 1:22:32 | 1:22:36 | |
-and loyalty goes a long way with the Ungermeyer. -Thanks. | 1:22:36 | 1:22:39 | |
Think about it. We've got four years of high school to look forward to. | 1:22:45 | 1:22:49 | |
Oh, sammies. | 1:22:49 | 1:22:51 | |
-Sergei is hungry. -So is Miss Ungermeyer. | 1:22:53 | 1:22:56 | |
You are strong woman. You protect cubs like lions. | 1:22:59 | 1:23:03 | |
Sergei is impressed. | 1:23:03 | 1:23:06 | |
-You're still on my list. -As long as I am at the top. | 1:23:07 | 1:23:11 | |
Hey there, I bet you're wondering who is this Lizzie McGuire? | 1:23:13 | 1:23:18 | |
Where did she come from and what are her most embarrassing moments? | 1:23:18 | 1:23:22 | |
Well, I can give you total access to all of that | 1:23:22 | 1:23:26 | |
for a very competitive price. | 1:23:26 | 1:23:29 | |
-When in Rome, huh? -Yeah, yeah. | 1:23:29 | 1:23:32 | |
-Do as the Romans do, right? -No. | 1:23:32 | 1:23:34 | |
We do not blackmail our sisters. | 1:23:34 | 1:23:37 | |
As a former commander in the Italian Navy | 1:23:37 | 1:23:39 | |
I am ordering you to leave the country. | 1:23:39 | 1:23:42 | |
No! | 1:23:42 | 1:23:44 | |
Hey! | 1:23:51 | 1:23:53 | |
So...one last sneak away for old times' sake? | 1:23:55 | 1:23:59 | |
-Yeah, sounds good. -OK. | 1:23:59 | 1:24:01 | |
No! | 1:24:05 | 1:24:07 | |
-So, are you gonna miss it here? -I don't know. | 1:24:13 | 1:24:17 | |
Kate says I should stay and have my stuff shipped from home | 1:24:17 | 1:24:20 | |
-because when I leave it will never be the same. -She's wrong. | 1:24:20 | 1:24:24 | |
-You didn't have to be in Rome for this to happen. -You think? | 1:24:24 | 1:24:28 | |
Trust me, you had it in you the whole time. | 1:24:28 | 1:24:31 | |
-Gordo? -What? | 1:24:35 | 1:24:39 | |
-Thanks. -You're welcome. | 1:24:45 | 1:24:48 | |
Yeah, so, um, want to get back to that party | 1:24:52 | 1:24:56 | |
-so we don't get into trouble? -Yeah. I can't afford any more trouble. | 1:24:56 | 1:25:01 | |
Subtitles by IMS | 1:25:28 | 1:25:30 |