Browse content similar to Madagascar: Escape 2 Africa. Check below for episodes and series from the same categories and more!
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THUMP | 0:00:15 | 0:00:16 | |
Hey! | 0:00:16 | 0:00:18 | |
THUMPS AND SMASHING GLASS | 0:00:18 | 0:00:21 | |
Well done, boys, looks like ice-cold sushi for breakfast. | 0:00:21 | 0:00:26 | |
HE LAUGHS | 0:00:41 | 0:00:43 | |
No, no, son. Over here. | 0:00:44 | 0:00:48 | |
See the lion, look at the lion, and you get the lion. | 0:00:48 | 0:00:51 | |
HE SIGHS | 0:00:51 | 0:00:54 | |
Now, son, if you're going to grow up and be like your daddy some day, | 0:00:55 | 0:00:58 | |
you gotta learn how to fight. | 0:00:58 | 0:01:01 | |
-Dada. -HE CHUCKLES | 0:01:01 | 0:01:03 | |
Alakay, let me show you something, OK? | 0:01:03 | 0:01:07 | |
-You see this mark? -Ah. | 0:01:07 | 0:01:09 | |
You and me are the same. | 0:01:09 | 0:01:11 | |
When you're bigger, you'll be an alpha lion, just like your daddy. | 0:01:11 | 0:01:15 | |
-Now, let me see you fight. Ready? -Yee-ha! | 0:01:15 | 0:01:17 | |
No, Alakay, no dancing. | 0:01:17 | 0:01:20 | |
You just amuse yourself, don't you? | 0:01:20 | 0:01:22 | |
You're a strange kid. | 0:01:22 | 0:01:24 | |
You are a strange one, I am telling you. | 0:01:24 | 0:01:26 | |
-Ooh, ah, ooh, ah. -Come on, let's try it again. -Hee-hee! | 0:01:26 | 0:01:30 | |
No, Alakay, stop that. | 0:01:30 | 0:01:32 | |
Stop that right now. | 0:01:32 | 0:01:34 | |
It's so disappointing when they don't grow up | 0:01:34 | 0:01:36 | |
-the way you want them to. -Oh, come on. | 0:01:36 | 0:01:38 | |
You're not challenging me again, are you? | 0:01:38 | 0:01:41 | |
Look on the bright side - after I defeat you and take over | 0:01:41 | 0:01:44 | |
as alpha lion, you'll have much more time to spend | 0:01:44 | 0:01:46 | |
with your pathetic excuse of a son. | 0:01:46 | 0:01:49 | |
Before I kick your butt, let me ask you, | 0:01:50 | 0:01:53 | |
why do you even want to become the alpha lion? | 0:01:53 | 0:01:56 | |
I'm better looking, I have better hair, | 0:01:56 | 0:01:58 | |
I'm deceivingly smart and...I want everyone else to do what I say. | 0:01:58 | 0:02:01 | |
We'll fight on three. One... | 0:02:03 | 0:02:06 | |
Pay attention, Alakay. | 0:02:06 | 0:02:08 | |
-Daddy going to show you how it's done. -Two, three! | 0:02:08 | 0:02:10 | |
Da da da. | 0:02:12 | 0:02:14 | |
FIGHT CONTINUES IN BACKGROUND | 0:02:14 | 0:02:17 | |
HE BURPS | 0:02:23 | 0:02:25 | |
Ooh! | 0:02:27 | 0:02:29 | |
-Who's alpha lion? -You are. | 0:02:33 | 0:02:35 | |
Don't you forget it. | 0:02:35 | 0:02:37 | |
And that, Alakay, is how you attack... | 0:02:37 | 0:02:41 | |
Alakay? | 0:02:41 | 0:02:42 | |
-Ha! -That's it. | 0:02:46 | 0:02:48 | |
Here, kitty, kitty. | 0:02:48 | 0:02:52 | |
Ah. This one's a beauty. | 0:02:52 | 0:02:54 | |
He'll be worth a few bucks. | 0:02:54 | 0:02:56 | |
-HE MEOWS -It just gets easier and easier. | 0:02:56 | 0:02:59 | |
-DISTRESSED MEOWING -Daddy. | 0:02:59 | 0:03:02 | |
Alakay? | 0:03:02 | 0:03:03 | |
Alakay. Alakay! | 0:03:03 | 0:03:07 | |
Dada! | 0:03:09 | 0:03:11 | |
No, no, no! | 0:03:11 | 0:03:13 | |
Alakay! | 0:03:16 | 0:03:18 | |
-Daddy. -Alakay! Daddy's got you. Hold on. | 0:03:27 | 0:03:31 | |
-GUNSHOT -Dada! | 0:03:33 | 0:03:36 | |
Ow! Ow! | 0:03:41 | 0:03:43 | |
Alakay! | 0:03:51 | 0:03:53 | |
Daddy! | 0:03:58 | 0:04:01 | |
MUSIC: "The Travelling Song" by Will.I.Am | 0:04:03 | 0:04:06 | |
# I've been around the world in the pouring rain | 0:04:20 | 0:04:24 | |
# Feeling out of place Really feeling strange | 0:04:24 | 0:04:27 | |
# Take me to a place where they know my name | 0:04:27 | 0:04:30 | |
# Cos I ain't met nobody that looks the same | 0:04:30 | 0:04:33 | |
# I'm a fish out of water Lion out of the jungle | 0:04:33 | 0:04:37 | |
# He a fish out of water Lion out of the jungle | 0:04:37 | 0:04:40 | |
# I'm a fish out of water Lion out of the jungle | 0:04:40 | 0:04:43 | |
# He a fish out of water Lion out of the jungle | 0:04:43 | 0:04:47 | |
# I need my peoples, my peoples Take me to my peoples | 0:04:47 | 0:04:50 | |
# They got jungle fever Show him some love | 0:04:50 | 0:04:53 | |
# Show him love | 0:04:53 | 0:04:55 | |
# Just gotta have someone... # | 0:04:55 | 0:04:57 | |
HE MEOWS | 0:04:57 | 0:04:58 | |
CROWD COO AND APPLAUD | 0:04:58 | 0:05:01 | |
GASPS AND APPLAUSE | 0:05:04 | 0:05:07 | |
I don't like the looks of this guy. | 0:05:11 | 0:05:13 | |
Well, I think he's kind of cute. | 0:05:13 | 0:05:15 | |
I think he's kind of a show-off. | 0:05:15 | 0:05:17 | |
You th-think h-he's cute? | 0:05:17 | 0:05:19 | |
ROAR! | 0:05:31 | 0:05:33 | |
-ANNOUNCER: -The King of New York City. | 0:05:33 | 0:05:37 | |
Alex the Lion! | 0:05:37 | 0:05:39 | |
Whoo! I still think he's kind of a show-off. | 0:05:39 | 0:05:43 | |
You gotta give it to him, the guy's an animal. | 0:05:43 | 0:05:45 | |
Maybe he should take a break. You know, we could all use a vacation. | 0:05:45 | 0:05:48 | |
C'mon, where on earth would we go on vacation? | 0:05:48 | 0:05:51 | |
I don't know about you, but I want to go to Connecticut. | 0:05:51 | 0:05:54 | |
'On the loose, several animals, | 0:05:54 | 0:05:56 | |
'including the world-famous Alex the Lion, the King of New York, | 0:05:56 | 0:05:59 | |
'escaped from Central Park Zoo tonight. | 0:05:59 | 0:06:01 | |
'The escapees were finally cornered in Grand Central Station.' | 0:06:01 | 0:06:04 | |
He was a very bad kitty. | 0:06:04 | 0:06:07 | |
'Animal rights activists, | 0:06:07 | 0:06:09 | |
'who convinced zoo officials to have the animals sent to Africa, | 0:06:09 | 0:06:12 | |
'were stunned to learn that the freighter carrying the animals | 0:06:12 | 0:06:16 | |
'was reported missing today.' | 0:06:16 | 0:06:18 | |
'Tonight, hundreds of New Yorkers gathered at the Central Park Zoo | 0:06:18 | 0:06:21 | |
'to mourn the loss of their beloved zoo animals. | 0:06:21 | 0:06:24 | |
'The question on everyone's mind - where are they now?' | 0:06:24 | 0:06:27 | |
DRUMBEAT | 0:06:30 | 0:06:32 | |
APPLAUSE | 0:06:57 | 0:06:59 | |
# I like to move it, move it | 0:07:07 | 0:07:09 | |
# He likes to move it, move it | 0:07:09 | 0:07:11 | |
# She likes to move it, move it | 0:07:11 | 0:07:12 | |
-# We like to... # -ALL: Move it! | 0:07:12 | 0:07:14 | |
SONG CONTINUES | 0:07:14 | 0:07:16 | |
Y'all know this one. | 0:07:16 | 0:07:18 | |
It never gets stale. | 0:07:18 | 0:07:21 | |
I'm going to miss you little fuzz buckets. You've been a great crowd. | 0:07:21 | 0:07:24 | |
Glad we could introduce you to the toilet. | 0:07:24 | 0:07:27 | |
You ever look us up in Manhattan, feel free to call first. | 0:07:27 | 0:07:30 | |
Seriously though, call, OK? | 0:07:32 | 0:07:34 | |
Settle down, settle down, everybody. Be quiet. | 0:07:34 | 0:07:38 | |
You can't leave without this. | 0:07:38 | 0:07:39 | |
Hey, surprise, freaks! | 0:07:39 | 0:07:42 | |
Look! Shake it, shake it. | 0:07:42 | 0:07:44 | |
Oh, I'm a lady. | 0:07:44 | 0:07:46 | |
I'm a lady, everyone. | 0:07:46 | 0:07:48 | |
I am a lady. Not really, | 0:07:48 | 0:07:50 | |
it's me, King Julien! | 0:07:50 | 0:07:52 | |
Which of you is attracted to me? | 0:07:52 | 0:07:54 | |
-APPLAUSE -Hands up. | 0:07:54 | 0:07:57 | |
-HE LAUGHS -Yes! | 0:07:57 | 0:07:59 | |
Hey, freaks! | 0:07:59 | 0:08:01 | |
You'll be very glad to hear that I am coming with you. | 0:08:01 | 0:08:05 | |
Oh, no, thank you. | 0:08:05 | 0:08:07 | |
Erm, yes, thank you. | 0:08:07 | 0:08:09 | |
It's my plan. | 0:08:09 | 0:08:10 | |
Until I return with the spoils from the new country, | 0:08:10 | 0:08:15 | |
Stevie will be in charge. | 0:08:15 | 0:08:19 | |
I don't think they like that idea so much, Julien. | 0:08:22 | 0:08:25 | |
What is that you say, Stevie? | 0:08:25 | 0:08:26 | |
Oh. Ha-ha. No?! | 0:08:26 | 0:08:30 | |
No, you didn't say that! How is that even possible?! | 0:08:30 | 0:08:34 | |
Naughty little thing. | 0:08:34 | 0:08:36 | |
Stevie says... | 0:08:36 | 0:08:37 | |
King Julien, wait for me! | 0:08:39 | 0:08:42 | |
I'm all packed and I've got a whole itinerary planned. | 0:08:42 | 0:08:46 | |
-HE LAUGHS -Oh, no, it's Mort. | 0:08:46 | 0:08:48 | |
He's so annoying. Don't let him on. | 0:08:48 | 0:08:51 | |
Stop that thing! He's carrying scissors and hand cream! | 0:08:51 | 0:08:54 | |
Everybody in quickly. Get in. Get in. Get in quick. Get in quick! | 0:08:56 | 0:09:00 | |
-Struts. -Check. | 0:09:00 | 0:09:02 | |
-Flaps. -Check. -Engine. -Check. | 0:09:02 | 0:09:03 | |
-Coffee maker. -Check. | 0:09:03 | 0:09:05 | |
MAD LAUGHTER | 0:09:06 | 0:09:08 | |
Whoops-a-daisy! | 0:09:10 | 0:09:12 | |
That's got to be the second-biggest slingshot I've ever seen. | 0:09:12 | 0:09:16 | |
But it's going to have to do. | 0:09:16 | 0:09:18 | |
Attention. This is your captain speaking. | 0:09:18 | 0:09:20 | |
In the event of a water emergency, | 0:09:20 | 0:09:22 | |
place the vest over your head then kiss your...goodbye! | 0:09:22 | 0:09:25 | |
-New York City, here we come! -SKIPPER: ...relax and pray | 0:09:25 | 0:09:28 | |
to your personal god this hunk of junk flies. | 0:09:28 | 0:09:30 | |
Personal god...hunk...what? | 0:09:30 | 0:09:32 | |
We are go, sir. | 0:09:32 | 0:09:34 | |
Open the door, I'm outside! | 0:09:34 | 0:09:37 | |
In case of a loss in cabin pressure, place the mask over your face | 0:09:37 | 0:09:40 | |
to hide your terrified expression from other passengers. | 0:09:40 | 0:09:43 | |
Excuse me, miss. Aren't these supposed to be attached to my seat? | 0:09:43 | 0:09:47 | |
-No, sir. -OK, boys. Launch. | 0:09:47 | 0:09:49 | |
-Hey. -Launch. | 0:09:49 | 0:09:52 | |
-Launch! -Launch! | 0:09:52 | 0:09:54 | |
THEY SCREAM | 0:09:56 | 0:09:58 | |
CHEERING | 0:10:08 | 0:10:11 | |
THUNDER AND LIGHTNING | 0:10:25 | 0:10:27 | |
Argh! Gremlin! | 0:10:31 | 0:10:34 | |
Hey, Mort. | 0:10:36 | 0:10:38 | |
Hi. Argh...! | 0:10:38 | 0:10:40 | |
-That was weird. -Hey, somebody's dreaming, huh? | 0:10:44 | 0:10:47 | |
I think I just saw Mort on the wing of the plane. | 0:10:47 | 0:10:49 | |
You got Madagascar on the brain. | 0:10:49 | 0:10:51 | |
No, I'm quite a... It was incredible, wasn't it? | 0:10:51 | 0:10:52 | |
-Quite a vacation. -I think it'll seem much more fun | 0:10:52 | 0:10:55 | |
-the further we away we get. -Like when you bit me on the butt? | 0:10:55 | 0:10:57 | |
I'm going to take that, | 0:10:57 | 0:10:59 | |
that thing you are holding on to, and I am going to use it, on stage. | 0:10:59 | 0:11:02 | |
It's all part of my little actor's salad bar of emotional titbits. | 0:11:02 | 0:11:06 | |
Are the butts next to the croutons at the salad bar? | 0:11:06 | 0:11:08 | |
CHUCKLING You don't need to be sarcastic. | 0:11:08 | 0:11:11 | |
You guys, you know, I was thinking, | 0:11:11 | 0:11:13 | |
when we get back, I might just sign up for the breeding programme. | 0:11:13 | 0:11:16 | |
Breeding programme? | 0:11:16 | 0:11:17 | |
I think we all reach a point in our lives when we want to meet somebody. | 0:11:17 | 0:11:21 | |
-Yeah. -Settle down, have a relationship. -I can see that. | 0:11:21 | 0:11:24 | |
What? Like...dating? | 0:11:24 | 0:11:27 | |
Yeah, dating. | 0:11:27 | 0:11:28 | |
Are there other guys? | 0:11:28 | 0:11:32 | |
What do you mean, "other guys"? | 0:11:32 | 0:11:34 | |
Darn it! | 0:11:37 | 0:11:40 | |
I'm going to... What is holding up that beverage service? | 0:11:40 | 0:11:43 | |
-I'm going to go check. -SHE YAWNS | 0:11:43 | 0:11:45 | |
Y'all keep talking, I'm going to catch a few winks. | 0:11:45 | 0:11:48 | |
Did you see that? It's so funny. | 0:11:48 | 0:11:51 | |
Oh, I like laughing. | 0:11:51 | 0:11:52 | |
It's such a nice experience... | 0:11:52 | 0:11:55 | |
..to laugh. Ha-ha! | 0:11:55 | 0:11:57 | |
Whoa! Whoa! Whoa! | 0:11:57 | 0:12:00 | |
Sorry, do you mind going back? This is first class. | 0:12:00 | 0:12:03 | |
It's nothing personal. It's just that we're better than you. | 0:12:03 | 0:12:06 | |
Hey, Maurice! I'm awful, hit me! Hit me! | 0:12:06 | 0:12:09 | |
-Is that Vivaldi? -Hey, in-flight slave! | 0:12:09 | 0:12:11 | |
Can I help you, Mr Mankiewicz? | 0:12:11 | 0:12:13 | |
Bring me my nuts on a silver platter. | 0:12:13 | 0:12:14 | |
We just wanted to check on the drinks we ordered. | 0:12:14 | 0:12:17 | |
Oh, sorry. Been a little backed up. | 0:12:17 | 0:12:19 | |
-I guess I'll... -What happened to your body? You're freaking me out! | 0:12:19 | 0:12:23 | |
Can you please go over there, please? Thank you very much. | 0:12:23 | 0:12:26 | |
Whatever happened to the separation of the classes? | 0:12:26 | 0:12:29 | |
I'm sure this whole democracy thing is just a fad. | 0:12:29 | 0:12:32 | |
We'll go out for pineapple, my little boople-doople-boo. | 0:12:32 | 0:12:37 | |
Skipper. Look. | 0:12:37 | 0:12:38 | |
-Analysis. -It looks like an incandescent bulb, | 0:12:38 | 0:12:41 | |
designed to indicate something out of the ordinary, like a malfunction. | 0:12:41 | 0:12:44 | |
-I find it pretty and somewhat hypnotic. -That too, sir. | 0:12:44 | 0:12:47 | |
Right, Rico, manual. | 0:12:47 | 0:12:49 | |
Problemo solved. | 0:12:52 | 0:12:53 | |
-Sir, we may be out of fuel. -What makes you think that? | 0:12:53 | 0:12:56 | |
We've lost engine one. | 0:12:56 | 0:12:58 | |
And engine two is no longer on fire. | 0:12:58 | 0:13:01 | |
Buckle up, boys. | 0:13:01 | 0:13:03 | |
Don't look, doll - this might get hairy. | 0:13:03 | 0:13:05 | |
Attention! This is your captain speaking. | 0:13:05 | 0:13:08 | |
I've got good news and bad news. | 0:13:08 | 0:13:10 | |
The good news is, we'll be landing immediately. The bad news is... | 0:13:10 | 0:13:12 | |
we're crash-landing. | 0:13:12 | 0:13:15 | |
SCREAMING | 0:13:15 | 0:13:16 | |
When it comes to air travel, we know you have no choice whatsoever. | 0:13:16 | 0:13:20 | |
But thanks for choosing Air Penguin. | 0:13:20 | 0:13:22 | |
SCREAMING | 0:13:24 | 0:13:28 | |
HE LAUGHS | 0:13:30 | 0:13:32 | |
Raise your arms, Maurice. | 0:13:32 | 0:13:34 | |
It's more fun when you raise your arms like this. | 0:13:34 | 0:13:38 | |
I can fly. | 0:13:40 | 0:13:42 | |
This could be it, Marty. | 0:13:42 | 0:13:43 | |
I just want you to know that you are truly a one in a million friend. | 0:13:43 | 0:13:47 | |
Thanks, buddy. You're the best ever. | 0:13:47 | 0:13:49 | |
-I know you won't mind when I tell you... -Go on, tell me anything. | 0:13:49 | 0:13:53 | |
-I broke your iPod. -WHAT?! | 0:13:53 | 0:13:56 | |
-The buttons were so small, it made me mad. -The horror! | 0:13:56 | 0:13:59 | |
-I'm sorry. -I am going to kill you! | 0:13:59 | 0:14:01 | |
I didn't mean to do it. | 0:14:01 | 0:14:03 | |
I love you Gloria, I always have. | 0:14:03 | 0:14:06 | |
SHE SNORES | 0:14:06 | 0:14:08 | |
Like you love the beach or a-a-a good book. | 0:14:13 | 0:14:16 | |
Or the beach. | 0:14:16 | 0:14:18 | |
THEY SCREAM | 0:14:20 | 0:14:22 | |
My goodness, doll, you're shaking like a leaf. | 0:14:29 | 0:14:31 | |
Rico, you've had your fun. | 0:14:31 | 0:14:33 | |
Pull up. | 0:14:33 | 0:14:35 | |
Gear down. | 0:14:36 | 0:14:38 | |
Gently, now. You just want to kiss the ground. | 0:14:39 | 0:14:42 | |
Just a little peck. A smooch, like you're kissing your sister. | 0:14:42 | 0:14:45 | |
I said kiss it. | 0:14:46 | 0:14:48 | |
Now just a little brake. | 0:14:52 | 0:14:54 | |
Just a touch. A little whisper. | 0:14:54 | 0:14:55 | |
I believe that's checkmate. | 0:14:55 | 0:14:58 | |
THEY SCREAM | 0:14:58 | 0:15:00 | |
Commence emergency landing procedure. Flaps up. Deploy. | 0:15:04 | 0:15:08 | |
Oh, we're here. | 0:15:23 | 0:15:26 | |
Hey, what in the world...? | 0:15:26 | 0:15:29 | |
-What happened to the plane? -I am OK, I'm OK. | 0:15:29 | 0:15:32 | |
The plane just crashed. OK. I'm alive. | 0:15:32 | 0:15:35 | |
-See, I can't even sleep for a minute. -Wow. Wow. | 0:15:35 | 0:15:38 | |
-This is not JFK. -Kowalski. Casualty report. | 0:15:38 | 0:15:41 | |
Only two passengers unaccounted for, Skipper. | 0:15:41 | 0:15:43 | |
That's a number I can live with. Good landing, boys. | 0:15:43 | 0:15:46 | |
Who says a penguin can't fly? | 0:15:46 | 0:15:48 | |
Hey, happy slappers. | 0:15:48 | 0:15:50 | |
Is there some reason to celebrate? | 0:15:50 | 0:15:52 | |
-Look at the plane! -We'll fix it. | 0:15:52 | 0:15:54 | |
Fix it? How are you going to fix this?! | 0:15:54 | 0:15:56 | |
Grit, spit and a whole lot of duct tape. | 0:15:56 | 0:15:59 | |
We should be up and running in... say six to nine months. | 0:15:59 | 0:16:02 | |
-69 months? -No! Six TO nine months. | 0:16:02 | 0:16:05 | |
Kowalski, I say we use this setback to our advantage. | 0:16:05 | 0:16:08 | |
-Where did you pull that number out of? -I want you to reconfigure | 0:16:08 | 0:16:11 | |
-the design, so start reconfiguring. -How did you estimate that? | 0:16:11 | 0:16:14 | |
You, pretty boy, why don't you and your friends dig a latrine, | 0:16:14 | 0:16:17 | |
-maybe find water? -Hold on a second. | 0:16:17 | 0:16:19 | |
Who made you king of the plane wreck? | 0:16:19 | 0:16:20 | |
Excuse me? Fine, you can be in charge, you fix the plane. | 0:16:20 | 0:16:25 | |
Who gives you authority to put me in charge? | 0:16:25 | 0:16:27 | |
-OK, then, I'll remain in charge. -That's right, | 0:16:27 | 0:16:30 | |
-you will remain in charge. -You and your hippy friends | 0:16:30 | 0:16:32 | |
-can stay out of our hair. -Correctimundo. | 0:16:32 | 0:16:35 | |
Because I decided to. | 0:16:35 | 0:16:37 | |
-Good for you. -Yeah, well, guess what? This discussion isn't over. | 0:16:37 | 0:16:40 | |
Higher mammals, you stay with us. | 0:16:40 | 0:16:43 | |
We could use your front cortexes and opposable thumbs. | 0:16:43 | 0:16:46 | |
Phil! I should wash your hands out with soap. | 0:16:46 | 0:16:49 | |
How in the... Hello?! ..are they going to fix this plane? | 0:16:49 | 0:16:53 | |
You know, with grit and spit and... | 0:16:53 | 0:16:55 | |
A lot of spit and grit and stick-to-it-iveness. | 0:16:55 | 0:16:58 | |
That don't sound too promising. | 0:16:58 | 0:17:00 | |
You're right, you're right. We're stuck here. | 0:17:00 | 0:17:03 | |
Hey, guys, as long as we're together, we'll be OK. | 0:17:03 | 0:17:07 | |
Yeah, yeah, but love ain't going to get us home, guys. | 0:17:07 | 0:17:11 | |
Behold, the lion. | 0:17:11 | 0:17:13 | |
-Hey, it's people! -OK, much to see, moving on. | 0:17:13 | 0:17:15 | |
ALL: Hey, hey! People! | 0:17:15 | 0:17:18 | |
Hey! Hey, wait up! | 0:17:18 | 0:17:23 | |
-Stop! -Hey! -Help us! -Hey, wait! | 0:17:23 | 0:17:26 | |
If you stop, I'll autograph those. | 0:17:26 | 0:17:28 | |
I know you. | 0:17:28 | 0:17:31 | |
You. | 0:17:31 | 0:17:32 | |
It's that bad kitty. | 0:17:32 | 0:17:34 | |
How'd you like some of that? | 0:17:41 | 0:17:43 | |
-Ha-ha! -Come in, Tokyo! | 0:18:00 | 0:18:03 | |
HE GROANS | 0:18:05 | 0:18:08 | |
CHEERING | 0:18:08 | 0:18:10 | |
Right in the batteries. | 0:18:10 | 0:18:11 | |
You think an old lady can't take care of herself? | 0:18:11 | 0:18:14 | |
Next time, I won't go so easy on you. | 0:18:14 | 0:18:17 | |
Thank you, dear. | 0:18:18 | 0:18:19 | |
Moving on. | 0:18:19 | 0:18:22 | |
Are you out of your mind?! | 0:18:23 | 0:18:25 | |
We need their help, and you're harassing little old ladies? | 0:18:25 | 0:18:27 | |
Out of my mind? | 0:18:27 | 0:18:29 | |
Ha! Who's out of my mind now? | 0:18:29 | 0:18:32 | |
-See if you can get an operator. -No problem. | 0:18:32 | 0:18:35 | |
Out of my mind(!) | 0:18:35 | 0:18:36 | |
We're going home. PHONE RINGS | 0:18:36 | 0:18:39 | |
THEME MUSIC TO BORN FREE | 0:18:45 | 0:18:49 | |
'Message E4 - the service user has roamed outside of the coverage area. | 0:18:49 | 0:18:54 | |
'Please, try again later.' | 0:18:54 | 0:18:56 | |
-MUFFLED: -Oh, my... Whoa. -Am I tripping? | 0:18:58 | 0:19:02 | |
All those zebras. | 0:19:02 | 0:19:04 | |
Like me! Wait a minute, where are we? | 0:19:04 | 0:19:07 | |
San Diego. | 0:19:07 | 0:19:09 | |
This time, I'm 40% sure. | 0:19:09 | 0:19:12 | |
-I know this place. -I think it's Africa. | 0:19:12 | 0:19:14 | |
-Africa? -It's gotta be. | 0:19:14 | 0:19:17 | |
Our ancestral crib. | 0:19:17 | 0:19:19 | |
It's in our blood, I can feel it! | 0:19:19 | 0:19:22 | |
No, it's more than that. | 0:19:22 | 0:19:23 | |
It's like...deja-vu. Like I've... | 0:19:23 | 0:19:26 | |
like I've been here before. | 0:19:26 | 0:19:28 | |
It's like Roots! | 0:19:28 | 0:19:30 | |
No, no, it's like deja vu, like I've been here before. | 0:19:30 | 0:19:35 | |
How! | 0:19:35 | 0:19:37 | |
How! | 0:19:39 | 0:19:41 | |
Me, Alex. | 0:19:44 | 0:19:46 | |
Me and me friends fly. | 0:19:46 | 0:19:49 | |
Fly in great metal bird. | 0:19:49 | 0:19:52 | |
Then, plummet! HE WHISTLES | 0:19:54 | 0:19:57 | |
Smash ground. | 0:19:57 | 0:19:59 | |
Go, boom. | 0:19:59 | 0:20:01 | |
Then, here, we emerge. | 0:20:01 | 0:20:05 | |
We offer only happiness and good greetings. | 0:20:05 | 0:20:10 | |
Is he dancing about a plane crash? | 0:20:10 | 0:20:13 | |
Yeah. We just...yeah. | 0:20:13 | 0:20:15 | |
I thought... Sorry. | 0:20:15 | 0:20:17 | |
You mean you came from off the reserve? | 0:20:17 | 0:20:19 | |
Yeah, way off. From the Central Park Zoo, actually. | 0:20:19 | 0:20:22 | |
THEY ALL TALK AT ONCE | 0:20:22 | 0:20:24 | |
HE ROARS | 0:20:26 | 0:20:28 | |
HE COUGHS | 0:20:28 | 0:20:30 | |
Don't strain yourself. | 0:20:30 | 0:20:31 | |
What's going on here? What's all this hubbub? | 0:20:31 | 0:20:34 | |
They say they're from off the reserve. | 0:20:34 | 0:20:36 | |
That's impossible. Only people come from off the reserve. | 0:20:36 | 0:20:40 | |
-You look familiar, do I know you? -How could you survive the hunters? | 0:20:40 | 0:20:44 | |
-Hunters? We didn't see any... -What are you looking at? | 0:20:44 | 0:20:47 | |
-Me? Nothing! -This watering hole doesn't need any more | 0:20:47 | 0:20:50 | |
mouths to feed. So, just skedaddle back to where you came from. | 0:20:50 | 0:20:53 | |
OK, well, is there maybe a manager we could talk to? | 0:20:53 | 0:20:56 | |
Oh, I see. | 0:20:56 | 0:20:58 | |
-You're here to challenge me. -What? No! | 0:20:58 | 0:21:00 | |
-No. -That's what it's starting to look like. | 0:21:00 | 0:21:03 | |
-Hold on, Zuba. Wait. -Woman, don't you see I'm trying to... | 0:21:03 | 0:21:06 | |
Yeah, yeah, Zuba, hold on. | 0:21:06 | 0:21:09 | |
Alakay? | 0:21:09 | 0:21:11 | |
-Is that y... -No, it is Alex. | 0:21:11 | 0:21:14 | |
Ix, like New York Nicks. | 0:21:14 | 0:21:16 | |
Zuba, look! | 0:21:16 | 0:21:18 | |
Oh, I've always had that. The vet checked it out. | 0:21:18 | 0:21:21 | |
It's kind of a beauty spot, really. | 0:21:21 | 0:21:23 | |
A mark. | 0:21:23 | 0:21:26 | |
All right, this is a little weird. | 0:21:26 | 0:21:29 | |
Honey, he's come home. | 0:21:29 | 0:21:32 | |
What? | 0:21:32 | 0:21:34 | |
You've come home. | 0:21:34 | 0:21:35 | |
Whoa. | 0:21:38 | 0:21:40 | |
Son. | 0:21:43 | 0:21:45 | |
Dad? | 0:21:51 | 0:21:54 | |
Mom and Dad? Mom and Dad. | 0:21:54 | 0:21:57 | |
-Mom and Dad. -Yes, yes! | 0:21:57 | 0:21:59 | |
It's my mom and dad. | 0:21:59 | 0:22:01 | |
I got a mom and dad! | 0:22:01 | 0:22:03 | |
-Mom. -Dad. -My baby is alive! | 0:22:03 | 0:22:05 | |
-My son. -HE LAUGHS | 0:22:05 | 0:22:08 | |
My son is home! | 0:22:08 | 0:22:10 | |
CHEERING AND APPLAUSE | 0:22:10 | 0:22:13 | |
Whoo! Alakay! Yeah! | 0:22:16 | 0:22:20 | |
The prodigal son returns - this is perfect! | 0:22:20 | 0:22:23 | |
I thought you hated Zuba. | 0:22:23 | 0:22:26 | |
Oh, I do, I do. | 0:22:26 | 0:22:28 | |
I do. I hate him. Oh, I do. | 0:22:28 | 0:22:30 | |
And I am going to use Alakay, yes, | 0:22:30 | 0:22:33 | |
I am going to use him to get rid of Zuba once and for all. | 0:22:33 | 0:22:36 | |
Giddy up, feathered horse. | 0:22:36 | 0:22:38 | |
Make way, move it out the way. Stand aside. | 0:22:38 | 0:22:42 | |
New York! It's a bit of a dump. | 0:22:42 | 0:22:44 | |
Are you sure we're not in New Jersey? | 0:22:44 | 0:22:47 | |
Hello, New Yorkers. Your new king is here. | 0:22:47 | 0:22:50 | |
This calls for a celebration. | 0:22:50 | 0:22:52 | |
Maurice, I think they like me. | 0:22:52 | 0:22:54 | |
You got to love a non-hostile takeover. | 0:22:54 | 0:22:56 | |
# Boom sha chaka chaka la | 0:22:56 | 0:22:58 | |
Chaka chaka what? # Chaka chaka ha. # | 0:22:58 | 0:23:01 | |
HE LAUGHS, MUSIC PLAYS | 0:23:01 | 0:23:04 | |
Excuse me, excuse me. | 0:23:06 | 0:23:07 | |
I'm Marty. I'm kind of new around here. | 0:23:07 | 0:23:10 | |
ALL: Hey, Marty. | 0:23:10 | 0:23:12 | |
Hey. | 0:23:12 | 0:23:14 | |
You're a good-looking group. | 0:23:14 | 0:23:17 | |
-You like to run? -ALL: Oh, yeah! | 0:23:17 | 0:23:19 | |
Running is crackalacking. | 0:23:19 | 0:23:21 | |
That's right! Crackalacking. | 0:23:21 | 0:23:23 | |
You guys are speaking my crackalacking language. | 0:23:23 | 0:23:27 | |
What? You don't have doctors here? | 0:23:27 | 0:23:29 | |
Well, not any more. | 0:23:29 | 0:23:31 | |
What if you catch a cold? | 0:23:31 | 0:23:33 | |
We go over to the dying holes and we die. | 0:23:33 | 0:23:36 | |
HE COUGHS | 0:23:36 | 0:23:39 | |
OK, you guys really need a doctor! | 0:23:39 | 0:23:41 | |
-Hey, we have an opening. -Would you be interested? | 0:23:41 | 0:23:44 | |
Me? A doctor? | 0:23:44 | 0:23:47 | |
It's raining men. Hallelujah. | 0:23:51 | 0:23:52 | |
Y'all got it going on. | 0:23:52 | 0:23:54 | |
How come you don't have a man in your life? | 0:23:54 | 0:23:57 | |
-You got worms? -I've been got rid of those. | 0:23:57 | 0:23:59 | |
Listen, girls, Manhattan is short on two things - | 0:23:59 | 0:24:01 | |
parking and hippos. | 0:24:01 | 0:24:03 | |
Hey, everybody, I just found out that my son here is a dog garn king! | 0:24:03 | 0:24:08 | |
The King of New York. | 0:24:08 | 0:24:09 | |
CROWD: Ooh! | 0:24:09 | 0:24:11 | |
Show me some of your moves, son. Come on, don't be bashful. | 0:24:11 | 0:24:15 | |
All right. Ooh! This one always knocks them dead. | 0:24:15 | 0:24:18 | |
ROAR! | 0:24:18 | 0:24:20 | |
Look out! The King is mad. | 0:24:20 | 0:24:21 | |
The King is mad. | 0:24:21 | 0:24:23 | |
Now, let's all welcome him back into the pride with open arms. | 0:24:23 | 0:24:27 | |
Welcome to the herd, Marty. | 0:24:31 | 0:24:33 | |
-Me? -In the herd? I've always wanted to be part of a herd. | 0:24:33 | 0:24:36 | |
-It's one for all... -ALL: ..and all for all, y'all. | 0:24:36 | 0:24:39 | |
How do I look? | 0:24:41 | 0:24:43 | |
Technically, a traditional witch doctor | 0:24:43 | 0:24:45 | |
-has a bone through his nose. -Huh? | 0:24:45 | 0:24:47 | |
Don't worry, it's just a clip-on. | 0:24:47 | 0:24:50 | |
Voila! He's a witch doctor! | 0:24:50 | 0:24:53 | |
My mother will be so happy. | 0:24:53 | 0:24:55 | |
MUSIC: Big And Chunky by Will.I.Am | 0:24:55 | 0:24:58 | |
Look out, I think Moto Moto likes you. | 0:24:58 | 0:25:03 | |
Here he comes. | 0:25:05 | 0:25:07 | |
# I like 'em big # I like 'em chunky | 0:25:10 | 0:25:14 | |
# I like 'em big | 0:25:14 | 0:25:15 | |
# I like 'em plumpy SCREAMING | 0:25:15 | 0:25:17 | |
# I like 'em round | 0:25:17 | 0:25:19 | |
# With something, something | 0:25:19 | 0:25:21 | |
# They like my sound | 0:25:21 | 0:25:23 | |
-# They think I'm funky... # -Goodness girl, you huge. | 0:25:23 | 0:25:26 | |
Who's your friend? Or is that your butt? | 0:25:26 | 0:25:29 | |
Girl, you as quick as you are hefty. | 0:25:29 | 0:25:32 | |
So, you're Moto Moto. | 0:25:32 | 0:25:34 | |
The name's so nice, you say it twice. | 0:25:34 | 0:25:36 | |
I kind of like it, fatso. | 0:25:36 | 0:25:38 | |
I'll see you around, girl. | 0:25:38 | 0:25:40 | |
It won't be hard, cos you so plumpy. | 0:25:40 | 0:25:43 | |
CHEERING | 0:25:45 | 0:25:48 | |
Whoops. | 0:25:49 | 0:25:51 | |
I hate to be a party-pooper, Zuba. | 0:25:52 | 0:25:54 | |
But some of the other lions were wondering | 0:25:54 | 0:25:57 | |
when you were going to banish your son? | 0:25:57 | 0:25:59 | |
What are you talking about, Makunga? | 0:25:59 | 0:26:01 | |
It's nothing really, they're griping about how Alakay | 0:26:01 | 0:26:04 | |
never went through the rite of passage, blah, blah, blah... | 0:26:04 | 0:26:07 | |
So, technically speaking, | 0:26:07 | 0:26:09 | |
he can't be a member of the pride. It's nonsense. | 0:26:09 | 0:26:12 | |
-I had forgotten about the rite of passage. -What is it? | 0:26:12 | 0:26:15 | |
What's this rite of passage? | 0:26:15 | 0:26:17 | |
It is a traditional coming of age ceremony, | 0:26:17 | 0:26:19 | |
where young lions earn their manes by demonstrating their skills. | 0:26:19 | 0:26:23 | |
Sort of a show-skill talent show type of deal? | 0:26:23 | 0:26:25 | |
Yeah, strutting their stuff. | 0:26:25 | 0:26:27 | |
Great, a performance! I think that's up my alley, guys. | 0:26:27 | 0:26:30 | |
If it's tradition, I want to do it. | 0:26:30 | 0:26:32 | |
-Strut my stuff, earn my mane. I want to be Aleki. -Alakay. | 0:26:32 | 0:26:35 | |
Alakay, even better. | 0:26:35 | 0:26:37 | |
We will hold the rite of passage first thing in the morning. | 0:26:37 | 0:26:40 | |
That's wonderful. Good luck, Alakay. | 0:26:40 | 0:26:42 | |
Where I come from, we say, "Break a leg." | 0:26:42 | 0:26:45 | |
Oh, that's my boy! | 0:26:45 | 0:26:48 | |
# Cos I'm a private dancer | 0:26:53 | 0:26:56 | |
# A dancer for money Da da da da duh duh da... | 0:26:56 | 0:27:01 | |
# And any old music will do. # | 0:27:05 | 0:27:08 | |
Beautiful, isn't it? | 0:27:11 | 0:27:12 | |
-Yeah. -It's amazing. | 0:27:12 | 0:27:15 | |
Guys, this is where we belong. | 0:27:15 | 0:27:19 | |
Operation Tourist Trap is a go. | 0:27:21 | 0:27:23 | |
Oh, I like that one. That's a good one. | 0:27:23 | 0:27:25 | |
It works on many levels, sir. | 0:27:25 | 0:27:27 | |
-You guys are a bunch of suck-ups. -That too, sir. | 0:27:27 | 0:27:29 | |
-Absolutely. -Hey. -Stations. | 0:27:29 | 0:27:32 | |
Stage one, go. | 0:27:32 | 0:27:34 | |
Oh, no! What have I done? | 0:27:47 | 0:27:50 | |
Come on, take the bait. | 0:27:50 | 0:27:51 | |
-What happened? -Look at the poor little guy. | 0:27:51 | 0:27:54 | |
Is he dead? | 0:27:54 | 0:27:56 | |
Stage two, go, go, go. | 0:27:56 | 0:27:58 | |
I will give him the kiss of life. | 0:28:05 | 0:28:08 | |
ALL: Ooh! | 0:28:08 | 0:28:10 | |
Rico. | 0:28:10 | 0:28:12 | |
Rico! | 0:28:14 | 0:28:16 | |
Reverse. | 0:28:17 | 0:28:19 | |
Gas. Music. | 0:28:19 | 0:28:21 | |
MUSIC: More Than A Feeling by Boston | 0:28:21 | 0:28:23 | |
Stop! | 0:28:23 | 0:28:25 | |
Stop! Come back! | 0:28:25 | 0:28:29 | |
What is all this rock and roll racket? | 0:28:30 | 0:28:33 | |
Is she dead? | 0:28:39 | 0:28:41 | |
No. | 0:28:41 | 0:28:43 | |
Oi! | 0:28:45 | 0:28:47 | |
You hoodlums! | 0:28:50 | 0:28:52 | |
-Good heavens, are you OK? -Lady, I found your pocket book. | 0:28:54 | 0:28:59 | |
Oh, my handbag. Such a good boy. | 0:28:59 | 0:29:02 | |
Nana can't survive without it. | 0:29:02 | 0:29:05 | |
Wow, you are one tough cookie. | 0:29:05 | 0:29:07 | |
Brownies, Troop 416, Yonkers. | 0:29:07 | 0:29:09 | |
OK, nobody panic. | 0:29:09 | 0:29:11 | |
The best thing we can do is stay together. | 0:29:11 | 0:29:13 | |
We wait for another tour Jeep. | 0:29:13 | 0:29:15 | |
-It may take hours and it's getting dark, but... -Where are you going? | 0:29:15 | 0:29:18 | |
I'm not going to stay in the open and get attacked by more animals. | 0:29:18 | 0:29:22 | |
-I am too old to die. -I don't know about you guys, | 0:29:22 | 0:29:25 | |
but I'm going with her. Old lady, wait up! | 0:29:25 | 0:29:28 | |
Please, we need to stay... | 0:29:28 | 0:29:31 | |
together. | 0:29:31 | 0:29:34 | |
Fine, we'll go that way. | 0:29:34 | 0:29:36 | |
-Anyone want a hard candy? -ALL: Ooh! | 0:29:36 | 0:29:39 | |
-Easy now. -Watch your step. | 0:29:41 | 0:29:45 | |
This, right here. | 0:29:45 | 0:29:46 | |
OK. Are you ready? | 0:29:46 | 0:29:48 | |
This is where you always slept. | 0:29:50 | 0:29:52 | |
Oh, man! | 0:29:52 | 0:29:54 | |
Wow! | 0:29:55 | 0:29:57 | |
-Was this mine? -Look at you. Look at him, honey. -Oh, my... | 0:29:58 | 0:30:01 | |
Oh, this thing. Look. Look. | 0:30:01 | 0:30:03 | |
RATTLES I remember this. | 0:30:03 | 0:30:06 | |
He remembers. | 0:30:06 | 0:30:08 | |
-It's a little harder than I... -You never slept on the right end. | 0:30:08 | 0:30:11 | |
You always slept on the bottom end. | 0:30:11 | 0:30:13 | |
Is that, is that my...? | 0:30:13 | 0:30:18 | |
-Is that me? -Mm-hm. | 0:30:18 | 0:30:20 | |
You had the cutest little paws. | 0:30:20 | 0:30:22 | |
Little bitty old paws. | 0:30:22 | 0:30:25 | |
-You did that the day we lost you. -Mm, yeah. | 0:30:25 | 0:30:29 | |
Wow, I was so young. | 0:30:29 | 0:30:32 | |
What happened to me? | 0:30:32 | 0:30:34 | |
It was all my fault. | 0:30:34 | 0:30:36 | |
I turned my back for one minute and... | 0:30:36 | 0:30:38 | |
It was not your fault. Your father did everything he could. | 0:30:38 | 0:30:42 | |
He tracked those hunters for weeks. | 0:30:42 | 0:30:45 | |
Far off the reserve. | 0:30:45 | 0:30:47 | |
Finally, I had to assume that the hunters, well... | 0:30:47 | 0:30:51 | |
We thought... we thought they'd killed you. | 0:30:51 | 0:30:54 | |
But my son fought those hunters off, huh? | 0:30:54 | 0:30:57 | |
Don't mess with the King of New York. | 0:30:57 | 0:30:59 | |
-That's right. -All right, all right, you boys better be careful. | 0:30:59 | 0:31:03 | |
Watch out before you break something. | 0:31:03 | 0:31:05 | |
SHE LAUGHS | 0:31:05 | 0:31:06 | |
You used to call this Foofie. | 0:31:06 | 0:31:09 | |
"Foofie"? | 0:31:09 | 0:31:11 | |
-Foofie. -He doesn't want that thing. | 0:31:11 | 0:31:14 | |
It's my Foofie! | 0:31:14 | 0:31:16 | |
Zuba, you better give him his Foofie. | 0:31:18 | 0:31:21 | |
I mean, no, thank you. Thank you. | 0:31:21 | 0:31:24 | |
It's perfect. | 0:31:24 | 0:31:25 | |
Well, son, you get your rest. You have a big day tomorrow. | 0:31:25 | 0:31:28 | |
You're going to need all your strength. | 0:31:28 | 0:31:31 | |
I am going to bring the house down for you, Dad. | 0:31:31 | 0:31:33 | |
I hope so. Otherwise your father will have to banish you. | 0:31:33 | 0:31:37 | |
Oh, jeez, Mom, really? | 0:31:37 | 0:31:39 | |
I know you're going to do us proud. You know why? | 0:31:39 | 0:31:44 | |
You were born with it. | 0:31:44 | 0:31:47 | |
Good night, Alakay. | 0:31:47 | 0:31:48 | |
My boy. | 0:31:48 | 0:31:50 | |
My own boy. | 0:31:50 | 0:31:52 | |
My son's a king. | 0:31:54 | 0:31:56 | |
My son's a king! | 0:31:57 | 0:31:59 | |
Good night, Mom. | 0:32:08 | 0:32:10 | |
Good night, Alakay. | 0:32:10 | 0:32:13 | |
Foofie. | 0:32:19 | 0:32:20 | |
Foofie! Grr! My Foofie! | 0:32:20 | 0:32:23 | |
Foofie, Foofie, Foofie, my Foofie! | 0:32:23 | 0:32:26 | |
No sign of civilisation. | 0:32:28 | 0:32:31 | |
Everybody appears very tired. | 0:32:31 | 0:32:33 | |
I think we're lost. | 0:32:33 | 0:32:35 | |
Hey, Nana, do you even know where you're going? | 0:32:35 | 0:32:38 | |
No. But I'm going with a skip in my step and a smile on my face. | 0:32:38 | 0:32:42 | |
Sure, right, OK. Yeah, all right. | 0:32:42 | 0:32:44 | |
RUSTLING | 0:32:44 | 0:32:45 | |
-GASPS -Oh, it's people. | 0:32:45 | 0:32:48 | |
Where did you come from? | 0:32:48 | 0:32:49 | |
-Can you help us? We're lost. -We're lost too. -It was awful - | 0:32:49 | 0:32:53 | |
a flash of black and white, and they were gone. | 0:32:53 | 0:32:55 | |
-They took the Jeep, everything. -That happened to our Jeep too. | 0:32:55 | 0:32:58 | |
What are we going to do? | 0:32:58 | 0:33:00 | |
-How are we all going to survive? -No food, no water, no shelter. | 0:33:00 | 0:33:02 | |
What are we going to do?! | 0:33:02 | 0:33:04 | |
WHISTLE | 0:33:04 | 0:33:06 | |
You can let nature get the best of you | 0:33:06 | 0:33:09 | |
or you can get the best of nature. | 0:33:09 | 0:33:12 | |
THEY GASP | 0:33:13 | 0:33:14 | |
Gather round, children. | 0:33:14 | 0:33:16 | |
We are New Yorkers, right? | 0:33:16 | 0:33:18 | |
Yeah. | 0:33:18 | 0:33:19 | |
-We survived the concrete jungle. ALL: -That's right. | 0:33:19 | 0:33:22 | |
When we need food, we hunt for a decent hot-dog stand, | 0:33:22 | 0:33:26 | |
-am I right? -She's right. | 0:33:26 | 0:33:27 | |
-When we need shelter, we build skyscrapers. -Exactly! | 0:33:27 | 0:33:32 | |
We need water, we build a dam. | 0:33:32 | 0:33:35 | |
Come on! We're New Yorkers, for crying out loud! | 0:33:35 | 0:33:38 | |
If we can make it there, we can make it anywhere! | 0:33:38 | 0:33:41 | |
THEY CHEERS | 0:33:41 | 0:33:42 | |
I'm coming, King Julien. | 0:33:57 | 0:34:00 | |
# Tra la la la la... # | 0:34:00 | 0:34:02 | |
HE SCREAMS | 0:34:02 | 0:34:04 | |
Bad fishy! Bad fishy! | 0:34:06 | 0:34:09 | |
Oh! Nasher, no, no! | 0:34:09 | 0:34:11 | |
HE LAUGHS HYSTERICALLY | 0:34:11 | 0:34:14 | |
Why am I laughing? | 0:34:14 | 0:34:16 | |
Skipper, we have all the parts we need, | 0:34:20 | 0:34:22 | |
but we're slightly behind schedule. | 0:34:22 | 0:34:24 | |
-How slightly? -Six to nine years. | 0:34:24 | 0:34:26 | |
69 years?! | 0:34:26 | 0:34:28 | |
No, six TO nine years. | 0:34:28 | 0:34:30 | |
Right, what happened to our thumbs? | 0:34:30 | 0:34:32 | |
Haven't seen them since yesterday, sir. | 0:34:32 | 0:34:34 | |
Darn you, Darwin! | 0:34:34 | 0:34:36 | |
Nobody goes AWOL on my watch. | 0:34:36 | 0:34:38 | |
Private, you're coming with me. | 0:34:38 | 0:34:41 | |
Rico, you're coming with me. | 0:34:41 | 0:34:44 | |
We'll track them down for Court Martial. | 0:34:44 | 0:34:46 | |
That won't be necessary. | 0:34:46 | 0:34:48 | |
We've recruited a few extra thumbs for you, Skipper. | 0:34:48 | 0:34:51 | |
Well, I'll be a monkey's uncle. | 0:34:58 | 0:35:00 | |
Oh, I doubt that. | 0:35:00 | 0:35:02 | |
Stop lollygagging. Let's get to work. | 0:35:08 | 0:35:10 | |
We'll divide into three groups. | 0:35:10 | 0:35:12 | |
Group Alpha, you're in charge of sheet metal fabrication. | 0:35:12 | 0:35:14 | |
Group Bronson, you'll handle assembly. | 0:35:14 | 0:35:16 | |
Group George Peppard, you'll handle gas services. | 0:35:16 | 0:35:18 | |
Any questions? Good. | 0:35:18 | 0:35:20 | |
Now, let's get to work. | 0:35:20 | 0:35:22 | |
I'd like to kiss you, monkey man. | 0:35:29 | 0:35:32 | |
All right. But you're so darn ugly. | 0:35:32 | 0:35:35 | |
All right, so, little cub scouts, | 0:35:41 | 0:35:43 | |
just remember a great dance performance comes from the heart. | 0:35:43 | 0:35:46 | |
It just comes straight from the heart, you'll never go wrong. | 0:35:46 | 0:35:51 | |
-Sure, -Mr. Hey, Alakay. | 0:35:51 | 0:35:53 | |
I happened to walk by, thought I'd wish you luck. | 0:35:53 | 0:35:56 | |
You're not nervous, are you? | 0:35:56 | 0:35:58 | |
No, it's my thing. It's kind of what I do. | 0:35:58 | 0:36:00 | |
In my opinion, the key to this is choosing the right competitor. | 0:36:00 | 0:36:03 | |
Oh, you mean this is like a dance battle sort of thing? | 0:36:03 | 0:36:06 | |
-Like a dance-off? -Erm, sure. | 0:36:06 | 0:36:08 | |
Great. Love that, freestyle, put your moves out. | 0:36:08 | 0:36:11 | |
Who do you think would be a good match for me? | 0:36:11 | 0:36:13 | |
-Just to keep things interesting. -Oh, well. | 0:36:13 | 0:36:16 | |
I wish I could help, | 0:36:16 | 0:36:18 | |
but that's strictly against our tradition and all we hold sacred. | 0:36:18 | 0:36:22 | |
But if it was me out there, I'd choose Teetsi. | 0:36:22 | 0:36:25 | |
Teetsi. OK. Sounds interesting. | 0:36:25 | 0:36:27 | |
Makunga, right? Thank you. | 0:36:27 | 0:36:29 | |
Anything for Zuba's boy. | 0:36:29 | 0:36:32 | |
-Go get 'em, Tiger. -Shake it out. | 0:36:32 | 0:36:34 | |
Five, six, seven, eight. | 0:36:34 | 0:36:37 | |
Let's go, let's do it, let's do this. | 0:36:37 | 0:36:39 | |
CROWD CHANT AND CHEER | 0:36:39 | 0:36:42 | |
Let us begin the rite of passage ceremony. | 0:36:57 | 0:36:59 | |
-Come on, baby, make Momma proud! -Woman, I'm trying to take care of | 0:36:59 | 0:37:02 | |
-business here! -I'm on it, Mom. WHOOPING | 0:37:02 | 0:37:04 | |
-Who will be the first participant? -Oh, me. Me, me, me, me, please! | 0:37:04 | 0:37:08 | |
How about you, the tall handsome one? | 0:37:08 | 0:37:11 | |
Choose your opponent. | 0:37:11 | 0:37:13 | |
Let me see. Hmm... | 0:37:13 | 0:37:15 | |
I guess I'll pick... | 0:37:15 | 0:37:20 | |
..Teetsi. CROWD GASPS | 0:37:21 | 0:37:24 | |
Teetsi?! Why did he pick Teetsi? | 0:37:24 | 0:37:27 | |
That's my boy. | 0:37:27 | 0:37:28 | |
He got some gumption there. | 0:37:28 | 0:37:30 | |
Somebody wake him up. Wake him up. | 0:37:30 | 0:37:33 | |
HE ROARS | 0:37:43 | 0:37:45 | |
All right, so, Teetsi, come on, let's do this. | 0:37:45 | 0:37:48 | |
Come on, Teetsi-fly. Little Teetsi-fly. | 0:37:48 | 0:37:50 | |
Come on, let's see your stuff. Bring it. | 0:37:50 | 0:37:53 | |
Let's dance. | 0:37:53 | 0:37:55 | |
OK, but it's only fair to warn you | 0:37:55 | 0:37:57 | |
that I am a protegee of Fosse and Robbins. | 0:37:57 | 0:38:00 | |
Not dance, dance. Fight! | 0:38:00 | 0:38:03 | |
Oh, dance-fight. You got it. | 0:38:03 | 0:38:06 | |
# Do da do, do da do do. # | 0:38:06 | 0:38:09 | |
-Is he dancing? -What is he doing? | 0:38:13 | 0:38:15 | |
I know that boy is not dancing. | 0:38:15 | 0:38:17 | |
This is even better than I thought. | 0:38:17 | 0:38:20 | |
Alakay, turn around! | 0:38:22 | 0:38:23 | |
No, no, Pop. | 0:38:23 | 0:38:25 | |
It's hop, shuffle, ball change, hip swish, turn around. | 0:38:25 | 0:38:28 | |
Oh, no. | 0:38:37 | 0:38:40 | |
-Alakay, are you hurt? -Oh, yeah, I am. | 0:38:40 | 0:38:44 | |
Did I win? | 0:38:44 | 0:38:46 | |
No, no, son, I mean, how could this happen? | 0:38:46 | 0:38:49 | |
You told us you were a king. | 0:38:49 | 0:38:51 | |
A king does not get beat. | 0:38:51 | 0:38:53 | |
I AM a king. I'm the King of New York. | 0:38:53 | 0:38:57 | |
It's my stage name. | 0:38:57 | 0:38:59 | |
-I am like a... You know, for when I perform. -Perform? | 0:38:59 | 0:39:02 | |
Oh, no. This is horrible. | 0:39:02 | 0:39:05 | |
Alakay has failed the test. | 0:39:05 | 0:39:07 | |
Who would have ever imagined | 0:39:07 | 0:39:09 | |
that today Zuba would have to banish...his own son. | 0:39:09 | 0:39:14 | |
Zuba, no. | 0:39:14 | 0:39:16 | |
Zuba, yes. | 0:39:16 | 0:39:18 | |
Sadly, the alpha lion must cast out all failures. | 0:39:18 | 0:39:22 | |
Then I am no longer the alpha lion. | 0:39:34 | 0:39:36 | |
CROWD GASPS Dad, what are you doing? | 0:39:36 | 0:39:39 | |
Dad, no. | 0:39:39 | 0:39:41 | |
You can't do this. | 0:39:41 | 0:39:44 | |
Who could possibly take Zuba's place? | 0:39:44 | 0:39:47 | |
Anyone? | 0:39:47 | 0:39:48 | |
Someone? | 0:39:48 | 0:39:50 | |
-No-one? -Hey. | 0:39:50 | 0:39:52 | |
You, sir? I guess not. | 0:39:52 | 0:39:54 | |
I... This is all very awkward, but I suppose | 0:39:54 | 0:39:58 | |
I could carry this tremendous burden. | 0:39:58 | 0:40:01 | |
Teetsi. Get the hat. | 0:40:03 | 0:40:05 | |
As your new leader, I hereby banish Alakay. | 0:40:07 | 0:40:11 | |
He shall wear this hat of shame | 0:40:11 | 0:40:13 | |
and leave the watering hole | 0:40:13 | 0:40:16 | |
for 1,000 years or life. | 0:40:16 | 0:40:19 | |
Whichever comes last. | 0:40:20 | 0:40:22 | |
Come on, shoo shoo! | 0:40:24 | 0:40:26 | |
Get out of here! You should have told us, son. | 0:40:26 | 0:40:29 | |
You should have told us you weren't a real king. | 0:40:29 | 0:40:31 | |
You never told me I'd have to fight anybody. | 0:40:31 | 0:40:34 | |
What did you expect, son? | 0:40:34 | 0:40:35 | |
I don't know, maybe a little fatherly advice. | 0:40:35 | 0:40:38 | |
Like, "Hey, son, it's a fight." | 0:40:38 | 0:40:39 | |
-You're a lion, aren't you? -But I'd never fought another... | 0:40:39 | 0:40:42 | |
No, I guess not. You dance. | 0:40:42 | 0:40:44 | |
And other stuff. The point is, your pal Makunga set me up back there. | 0:40:44 | 0:40:48 | |
-None of this would have happened... -If you were a real lion. | 0:40:48 | 0:40:50 | |
-Zuba! -Yeah, I said it. | 0:40:50 | 0:40:52 | |
A real lion? | 0:40:54 | 0:40:56 | |
Thanks. | 0:40:56 | 0:40:59 | |
Thanks a lot. | 0:41:01 | 0:41:03 | |
Saw. | 0:41:12 | 0:41:15 | |
Suture. | 0:41:15 | 0:41:16 | |
Swab. | 0:41:18 | 0:41:19 | |
You're in my light, Stephen. | 0:41:19 | 0:41:21 | |
Ooh, sir, you've got a brown spot on your shoulder. | 0:41:21 | 0:41:23 | |
Yes, that's very observant of you, Stephen. | 0:41:23 | 0:41:25 | |
As you can see, I am covered in brown spots. | 0:41:25 | 0:41:28 | |
OK, that bone will be good as new in a few weeks. | 0:41:28 | 0:41:32 | |
So, I don't have to pick out a dying hole? | 0:41:32 | 0:41:34 | |
-No, Timo, you've got your whole life ahead of you. -Really? | 0:41:34 | 0:41:37 | |
Go out and grab it by the horns. | 0:41:37 | 0:41:39 | |
-Thank you, Dr Mankiewicz. -Break a leg. Sweet kid. | 0:41:39 | 0:41:42 | |
Erm, this spot looks like witch doctor's disease. | 0:41:42 | 0:41:45 | |
Witch doctor's disease? | 0:41:45 | 0:41:47 | |
That's the most ridiculous disease I've ever heard of, Stephen. | 0:41:47 | 0:41:50 | |
-Whoa! -Don't ask. | 0:41:50 | 0:41:52 | |
-Someone's been "knotty"! -HE LAUGHS | 0:41:52 | 0:41:55 | |
OK, this won't hurt a bit. | 0:41:55 | 0:41:57 | |
Joe, our last witch doctor, he had a spot just like that. | 0:41:57 | 0:42:01 | |
And Monday, Joe, Wednesday, no Joe. | 0:42:01 | 0:42:05 | |
Wednesday, no Joe? | 0:42:05 | 0:42:07 | |
Oh, I can breathe. Thanks, doc. | 0:42:07 | 0:42:10 | |
So, this witch doctor's disease is a real thing? | 0:42:10 | 0:42:12 | |
You'll find a cure. Hey, you've got at least 48 hours. | 0:42:12 | 0:42:17 | |
But I've never even heard of it. | 0:42:17 | 0:42:19 | |
I mean, I-I don't have any penicillin. | 0:42:19 | 0:42:22 | |
I'd need a Cat scan just to get started. | 0:42:22 | 0:42:24 | |
Have a lion look you over, they'd be happy to. | 0:42:24 | 0:42:27 | |
Ta-da! | 0:42:38 | 0:42:39 | |
-That guy's got talent. -Tremendous. | 0:42:39 | 0:42:41 | |
Bet you haven't seen that one before. | 0:42:43 | 0:42:45 | |
Knocked 'em dead in New York. | 0:42:45 | 0:42:47 | |
-Hey. Let's all give it a try. -Yeah! | 0:42:47 | 0:42:50 | |
Try all you want to, but it's going to take years of practice. | 0:42:50 | 0:42:54 | |
You're never going to get a tight stream till you build up | 0:42:54 | 0:42:57 | |
your lip muscles to the point where you can purse your lips | 0:42:57 | 0:43:00 | |
like this. You got it? | 0:43:00 | 0:43:02 | |
ALL: Ta-da! | 0:43:15 | 0:43:17 | |
How did you...? You guys got it right out the box. | 0:43:20 | 0:43:23 | |
-If you can do it, we can do it. -It's in our blood. | 0:43:23 | 0:43:26 | |
I always thought I was a little bit unique. | 0:43:26 | 0:43:29 | |
ALL: We are unique. Hey, we are like a force of nature. | 0:43:29 | 0:43:33 | |
-A million points of light. -And dark stripes! | 0:43:33 | 0:43:35 | |
ALL: Exactly the same. | 0:43:35 | 0:43:38 | |
Exactly the same. | 0:43:38 | 0:43:41 | |
Looks impressive, Kowalski. | 0:43:41 | 0:43:43 | |
-But will it fly? -Yes, if we fold it here, here and here. | 0:43:45 | 0:43:48 | |
Nice. | 0:43:51 | 0:43:53 | |
Oh, man. | 0:44:04 | 0:44:06 | |
My dad thinks I'm a total loser. | 0:44:06 | 0:44:08 | |
I've ruined my parents' lives. | 0:44:08 | 0:44:10 | |
That is definitely not crackalacking. | 0:44:10 | 0:44:12 | |
It is lacking in the cracking, my friend. | 0:44:12 | 0:44:15 | |
I've got to fix this. | 0:44:15 | 0:44:17 | |
So. | 0:44:17 | 0:44:19 | |
There's, erm, there's something I've got to tell you. | 0:44:19 | 0:44:23 | |
Hey, guys! | 0:44:23 | 0:44:24 | |
Is this place great or what?! | 0:44:24 | 0:44:26 | |
I'd go with "or what." | 0:44:26 | 0:44:29 | |
I'll tell you what, you're not going to believe it, but...ha!... | 0:44:29 | 0:44:32 | |
I got a date with Moto Moto. | 0:44:32 | 0:44:35 | |
Who's Moto Moto? | 0:44:35 | 0:44:37 | |
He is so big and handsome and big. | 0:44:37 | 0:44:40 | |
You know what Moto Moto means? | 0:44:40 | 0:44:42 | |
-Twins? -It means hot hot. | 0:44:42 | 0:44:45 | |
Hot hot? | 0:44:45 | 0:44:46 | |
OK, when did you start parlez-ing African? | 0:44:46 | 0:44:49 | |
It is in my blood. | 0:44:49 | 0:44:51 | |
Don't worry, you can flirt around with Mr Hot pants after I'm gone. | 0:44:51 | 0:44:54 | |
What's the deal, Melman? Why am I the parade and you're rain? | 0:44:54 | 0:44:57 | |
Why'd you drive your parade under my rain? | 0:44:57 | 0:44:59 | |
Maybe I'll just parade myself in another part of town. | 0:44:59 | 0:45:01 | |
-Whoa, whoa, guys. -Fine by me. Main Street's mine. | 0:45:01 | 0:45:04 | |
You can have your stinking Main Street. | 0:45:04 | 0:45:07 | |
-And you can take your hottie-tot float and your Mr Hot... -What? | 0:45:07 | 0:45:11 | |
What are we talking about? | 0:45:11 | 0:45:12 | |
Come on. Why don't you just tell her? | 0:45:12 | 0:45:14 | |
You tell... Tell her what? | 0:45:14 | 0:45:16 | |
I don't know what you're talking about. | 0:45:16 | 0:45:18 | |
So, I guess I'll go, then. | 0:45:18 | 0:45:20 | |
-You know what, don't bother. -Don't get up on my account. | 0:45:20 | 0:45:24 | |
No, no, Melman. Gloria. | 0:45:24 | 0:45:25 | |
I thought you guys were friends. | 0:45:25 | 0:45:27 | |
Guys, Marty is absolutely right. | 0:45:27 | 0:45:29 | |
-Marty? -Marty? | 0:45:29 | 0:45:31 | |
Marty? | 0:45:31 | 0:45:33 | |
What the heck is going on? | 0:45:33 | 0:45:34 | |
You're not... I thought he... Oh. You're not...him. He's... Oh. | 0:45:34 | 0:45:40 | |
You thought that guy was me? | 0:45:40 | 0:45:43 | |
No, no, I mean, yes, you guys do... | 0:45:43 | 0:45:46 | |
You thought I was him?! | 0:45:46 | 0:45:48 | |
You guys do, kind of, look a little... | 0:45:48 | 0:45:50 | |
You look a lot alike! Marty, you look alike, come on! | 0:45:50 | 0:45:53 | |
You laugh alike, you talk alike, you use the same speech pattern... | 0:45:53 | 0:45:57 | |
It's a little weird, really. Come on, Marty. | 0:45:57 | 0:46:00 | |
So, you're saying there's nothing unique about me. | 0:46:00 | 0:46:03 | |
I'm just like any other zebra. | 0:46:03 | 0:46:05 | |
No, of course you're different. | 0:46:05 | 0:46:07 | |
-BOTH: -How? | 0:46:07 | 0:46:08 | |
OK, OK, I can't tell you apart. | 0:46:10 | 0:46:13 | |
Maybe you could wear a bell or something? | 0:46:13 | 0:46:15 | |
-A bell? -OK, not a bell. A bell is a bad idea. | 0:46:15 | 0:46:18 | |
No, no, how about a T-shirt that says, "I'm with stupid"? | 0:46:18 | 0:46:21 | |
-I'm not stupid. -Not you, stupid, him stupid. | 0:46:21 | 0:46:23 | |
You know, while you've been off doing the prancing pony | 0:46:23 | 0:46:26 | |
with a new posse, I've been having pretty much | 0:46:26 | 0:46:29 | |
the worst day of my life. OK? | 0:46:29 | 0:46:31 | |
It's always about you, isn't it? | 0:46:31 | 0:46:34 | |
My problems are just a little bit bigger than yours, Marty. | 0:46:34 | 0:46:37 | |
All right, I couldn't tell you apart. So what? | 0:46:37 | 0:46:40 | |
Yeah, fine, run away, Marty. Run away. | 0:46:40 | 0:46:43 | |
That's what you do best. | 0:46:43 | 0:46:44 | |
Just like back in New York. | 0:46:44 | 0:46:46 | |
I'm right here. But you can't tell that, right? | 0:46:46 | 0:46:50 | |
Your one-of-a-million friend hopes you enjoy | 0:46:52 | 0:46:55 | |
your bigger-than-anyone-else's problems alone. | 0:46:55 | 0:46:58 | |
Good. Leave. I don't need you to help me solve my problems. | 0:46:58 | 0:47:01 | |
You know what, you're a dime a dozen. | 0:47:01 | 0:47:03 | |
I can't tell which one's Marty. | 0:47:03 | 0:47:05 | |
Wait a minute, wait a minute, I don't care. | 0:47:05 | 0:47:07 | |
-MARTY: -Nice hat, ya show-off! | 0:47:07 | 0:47:10 | |
Marty... | 0:47:15 | 0:47:18 | |
don't go. | 0:47:18 | 0:47:19 | |
Giddy up, giddy up. | 0:47:19 | 0:47:21 | |
Look, Maurice, here's the perfect spot for my summer palace. | 0:47:23 | 0:47:27 | |
So, please, fill in all these holes and relocate the riff-raff. Oh! | 0:47:27 | 0:47:32 | |
Who would leave a perfectly good head lying around? | 0:47:32 | 0:47:35 | |
-What a waste. -Tell me about it. | 0:47:35 | 0:47:37 | |
I am in my prime here. | 0:47:37 | 0:47:39 | |
I'm terminal, you know? | 0:47:39 | 0:47:41 | |
Probably only have another two days left to live. | 0:47:41 | 0:47:46 | |
That's a bummer, man. | 0:47:46 | 0:47:48 | |
If I, King Julien - that's my name - only had two days left to live, | 0:47:48 | 0:47:53 | |
I would do all the things I've ever dreamed of doing. | 0:47:53 | 0:47:56 | |
-Like what? -I would love to become a professional whistler. | 0:47:56 | 0:48:00 | |
I'm pretty amazing at it now but I want to get, | 0:48:00 | 0:48:03 | |
like, even better. And make my living out of it. | 0:48:03 | 0:48:06 | |
ATTEMPTS TO WHISTLE | 0:48:06 | 0:48:08 | |
You know what else I would do? | 0:48:14 | 0:48:16 | |
I would invade a neighbouring country and impose my own ideology. | 0:48:16 | 0:48:21 | |
Even if they didn't want it. | 0:48:21 | 0:48:23 | |
Easy for you to say, you're a king. | 0:48:23 | 0:48:25 | |
Yes, and you are only just a sad little head. | 0:48:25 | 0:48:30 | |
But there must be something you want to do before you die? | 0:48:30 | 0:48:33 | |
Well, there is this one thing. | 0:48:33 | 0:48:35 | |
-What is it? Tell me. -No, no, I couldn't. | 0:48:35 | 0:48:38 | |
-I mean... -What is it? | 0:48:38 | 0:48:40 | |
You know, I just never really had the guts | 0:48:40 | 0:48:42 | |
-to tell Gloria how I feel... -What is it? Please, tell me! | 0:48:42 | 0:48:45 | |
I never really had the guts to tell Gloria how I feel about her. | 0:48:45 | 0:48:48 | |
How I've always felt about her. | 0:48:48 | 0:48:50 | |
Fine, don't tell me. | 0:48:50 | 0:48:52 | |
Oh, is it a woman? | 0:48:52 | 0:48:54 | |
You didn't tell me we were talking about a woman. | 0:48:54 | 0:48:57 | |
What are you afraid of? | 0:48:57 | 0:48:59 | |
You're a dead man anyway, come on. | 0:48:59 | 0:49:01 | |
Yeah? Yeah, you're right. | 0:49:01 | 0:49:04 | |
Well, you're going to march right up to this woman. | 0:49:04 | 0:49:08 | |
Right? You look her right in the eye, you lean forward. | 0:49:08 | 0:49:11 | |
Almost all the way, then you let her lean forward just another little way | 0:49:11 | 0:49:16 | |
until you are just a lip's distance away from each other, | 0:49:16 | 0:49:21 | |
then you just tell her | 0:49:21 | 0:49:24 | |
how much you hate her. | 0:49:24 | 0:49:25 | |
Actually, it's more like love her. | 0:49:25 | 0:49:29 | |
Oh, you sly dog! | 0:49:29 | 0:49:31 | |
Woof woof! You are a real player, you know that? | 0:49:31 | 0:49:34 | |
Now, listen to me. | 0:49:34 | 0:49:36 | |
-You got to rise up. You hearing me? -Yeah. | 0:49:36 | 0:49:39 | |
-I don't think you hear it. -Yeah. | 0:49:39 | 0:49:41 | |
-Good. You got to rise up. -# Rising up! # | 0:49:41 | 0:49:44 | |
-Yeah. -You got to get out of that hole. -I'm rising up. | 0:49:44 | 0:49:46 | |
He's rising, Maurice. | 0:49:46 | 0:49:48 | |
-I'm rising, Maurice. -# Rising! # | 0:49:48 | 0:49:50 | |
-You go right up to this woman. -Yeah! | 0:49:50 | 0:49:52 | |
-# Do you feel it? # -Yeah! | 0:49:52 | 0:49:54 | |
You are going to go right up to her face... | 0:49:54 | 0:49:57 | |
-And tell her. -And then you're going to say, "Baby, | 0:49:57 | 0:49:59 | |
"I dig you." Yeah! | 0:49:59 | 0:50:01 | |
Yeah! I'm going to do it! I'm going to do it. | 0:50:01 | 0:50:04 | |
I love that happy little head. | 0:50:04 | 0:50:07 | |
-# La la la la la la... -She love you, yup, yup | 0:50:07 | 0:50:11 | |
-# La la la la la la... -She love you, yup. # | 0:50:11 | 0:50:15 | |
She loves me. She loves my eyes. | 0:50:15 | 0:50:18 | |
# She loves me | 0:50:18 | 0:50:20 | |
# She loves my thighs | 0:50:20 | 0:50:22 | |
# She loves my roundness | 0:50:22 | 0:50:24 | |
# She love that I'm chunky | 0:50:24 | 0:50:27 | |
# She love that I'm plumpy | 0:50:27 | 0:50:28 | |
# She love my heftiness | 0:50:28 | 0:50:30 | |
# She love my zestiness | 0:50:30 | 0:50:32 | |
# She love me restlessly | 0:50:32 | 0:50:34 | |
# She love me forever | 0:50:34 | 0:50:37 | |
# She love me cos she loves me. # | 0:50:37 | 0:50:40 | |
Moto Moto, before things get too serious... | 0:50:40 | 0:50:45 | |
Well, I was wondering, if I were to, for example, stay here, | 0:50:45 | 0:50:48 | |
I'd like to ask you... | 0:50:48 | 0:50:50 | |
Let your candy lips be the messengers to my ear canal. | 0:50:50 | 0:50:55 | |
Well, I don't know. I have so many questions. | 0:50:55 | 0:50:57 | |
Well, I promise, the answer will always be yes, | 0:50:57 | 0:51:00 | |
unless no is required. | 0:51:00 | 0:51:03 | |
OK, so, what it is about me that you find so interesting? | 0:51:03 | 0:51:08 | |
You are the most plumpinous girl I've ever met. | 0:51:08 | 0:51:11 | |
OK. Other than that. | 0:51:11 | 0:51:13 | |
Let's see. Well, you know, you chunky. | 0:51:13 | 0:51:18 | |
Right. | 0:51:18 | 0:51:20 | |
Erm... My gosh, girl, you huge. | 0:51:20 | 0:51:24 | |
You said that. | 0:51:24 | 0:51:25 | |
Yeah, that's right, we don't have to talk no more. | 0:51:25 | 0:51:29 | |
Gloria! | 0:51:29 | 0:51:32 | |
-Gloria? -Melman. | 0:51:32 | 0:51:35 | |
Erm, Melman, I want you to meet Moto Moto. | 0:51:37 | 0:51:40 | |
Ah, Moto Moto. | 0:51:40 | 0:51:42 | |
Yeah, nice to, erm, nice to meet you. | 0:51:42 | 0:51:45 | |
-Well, I guess I, erm... -It's OK, Melman. | 0:51:45 | 0:51:49 | |
Apology accepted. | 0:51:49 | 0:51:50 | |
Oh. Right, yes. That's why I... Good. | 0:51:50 | 0:51:55 | |
Phew! OK. That's... | 0:51:55 | 0:51:57 | |
-Well, that's it, then. -Yeah, good. | 0:51:57 | 0:52:00 | |
We kind of busy here, man. | 0:52:00 | 0:52:02 | |
No, no, that's not it. | 0:52:02 | 0:52:04 | |
Listen, Mototo. You better treat this lady like a queen. | 0:52:05 | 0:52:08 | |
Because you, my friend, you found yourself the perfect woman. | 0:52:08 | 0:52:12 | |
If I was ever so lucky to find the perfect woman, | 0:52:12 | 0:52:15 | |
I would give her flowers every day. | 0:52:15 | 0:52:17 | |
And not just any flowers, OK? Her favourites are orchids. | 0:52:17 | 0:52:20 | |
White. And breakfast in bed. | 0:52:20 | 0:52:22 | |
Six loaves of wheat toast with butter both sides, no crust, | 0:52:22 | 0:52:25 | |
the way she likes it. I'd be her shoulder to cry on | 0:52:25 | 0:52:28 | |
and her best friend. | 0:52:28 | 0:52:30 | |
And I'd spend every day trying to think of how to make her laugh. | 0:52:30 | 0:52:33 | |
She has the most... most amazing laugh. | 0:52:33 | 0:52:37 | |
That, I mean, that's what I would do if I were you. | 0:52:40 | 0:52:43 | |
But I'm not, so you do it. | 0:52:43 | 0:52:45 | |
Erm, OK. What? | 0:52:47 | 0:52:51 | |
That was beautiful. | 0:52:51 | 0:52:54 | |
Anyways. Where were we? | 0:52:54 | 0:52:57 | |
I'm huge? | 0:52:57 | 0:52:59 | |
Surprised to see me, Makunga? | 0:53:01 | 0:53:03 | |
Well, I'm here to set things straight. Like a real lion. | 0:53:03 | 0:53:06 | |
Is this real enough for you? | 0:53:06 | 0:53:08 | |
How about this? This is for setting me up. | 0:53:08 | 0:53:10 | |
This is for stealing my dad's job. | 0:53:10 | 0:53:12 | |
This is for humiliating my family and making me feel like a fool! | 0:53:12 | 0:53:17 | |
HE SCREAMS | 0:53:17 | 0:53:19 | |
Had enough? | 0:53:32 | 0:53:33 | |
Sure, fly away. Coward. | 0:53:33 | 0:53:36 | |
SCREAMING | 0:53:36 | 0:53:37 | |
The water. It's gone. | 0:53:47 | 0:53:50 | |
The watering hole has never gone dry before. | 0:53:50 | 0:53:52 | |
We're going to need a lot more dying holes. | 0:53:52 | 0:53:55 | |
Out of my way. What is going on here? | 0:53:55 | 0:53:58 | |
The watering hole's dried up. There's barely enough for one of us. | 0:53:58 | 0:54:01 | |
-Yes, good observation, Shirley. -I'm Bobby. | 0:54:01 | 0:54:03 | |
-What do we do? -Quiet! Listen up. | 0:54:03 | 0:54:06 | |
I am afraid there is only one solution to this horrible crisis. | 0:54:06 | 0:54:11 | |
We'll all have to fight for it. | 0:54:11 | 0:54:14 | |
-Fight for it? -That's crazy. | 0:54:14 | 0:54:17 | |
That's not fair. You'd win. | 0:54:17 | 0:54:19 | |
-Exactly, Shirley. -I'm Bob... | 0:54:19 | 0:54:22 | |
Sorry, folks, but life isn't fair. I am in charge now, | 0:54:22 | 0:54:25 | |
thanks to Alakay, the dancing lion. | 0:54:25 | 0:54:29 | |
Please, Makunga, this is the only water on the reserve. | 0:54:29 | 0:54:32 | |
If you're thirsty, you'll have to look for water off the reserve. | 0:54:32 | 0:54:36 | |
-Off the reserve? -It's too dangerous. | 0:54:36 | 0:54:38 | |
The hunters would shoot us. | 0:54:38 | 0:54:40 | |
No-one leaves the reserve and survives. | 0:54:40 | 0:54:42 | |
I left the reserve. | 0:54:42 | 0:54:44 | |
And survived. | 0:54:44 | 0:54:45 | |
I could do something about this. | 0:54:47 | 0:54:49 | |
Looks like a clogged pipe. Like we get in New York | 0:54:49 | 0:54:51 | |
all the time. I'll just travel upriver... | 0:54:51 | 0:54:54 | |
Off the reserve? | 0:54:54 | 0:54:56 | |
-You? -HE LAUGHS | 0:54:56 | 0:54:58 | |
Yeah, me. I'll unclog the pipe and bring back water. | 0:54:58 | 0:55:00 | |
Great. I'd help you pack, | 0:55:00 | 0:55:02 | |
but by the looks of that hat, I see you're all set! | 0:55:02 | 0:55:06 | |
Yeah, fine, go ahead, laugh. | 0:55:06 | 0:55:08 | |
Laugh your mane off. I'm going to prove you wrong. | 0:55:08 | 0:55:11 | |
Maybe you should try a little rain dance. | 0:55:11 | 0:55:14 | |
# Ba da bum, la la la. # | 0:55:14 | 0:55:18 | |
Zuba would know what to do. Where's Zuba? | 0:55:20 | 0:55:22 | |
-You don't care about us. -Zuba should be in charge, not you. | 0:55:22 | 0:55:25 | |
Yeah, where's Zuba? | 0:55:25 | 0:55:27 | |
All right! Fine. | 0:55:29 | 0:55:31 | |
As an added measure, I will consult with Zuba. | 0:55:31 | 0:55:35 | |
Marty? | 0:55:40 | 0:55:42 | |
Marty? | 0:55:51 | 0:55:53 | |
Marty? | 0:55:58 | 0:55:59 | |
Marty? | 0:56:01 | 0:56:03 | |
Excuse me. Excuse me. | 0:56:03 | 0:56:07 | |
Hi. Is Marty in there? | 0:56:07 | 0:56:10 | |
-Marty? -Has anyone seen Marty? | 0:56:10 | 0:56:13 | |
Which one of us is Marty? | 0:56:14 | 0:56:17 | |
All right. | 0:56:17 | 0:56:19 | |
-If you see him, tell him his friend, Alex, came to say goodbye. -Goodbye? | 0:56:19 | 0:56:23 | |
-Don't go. -Where you going? -Can we come? | 0:56:23 | 0:56:26 | |
No, no, this is something I have to do alone. | 0:56:26 | 0:56:30 | |
-What are you doing? -Hey, hunters are everywhere. | 0:56:42 | 0:56:45 | |
Could you leave the hat? | 0:56:45 | 0:56:47 | |
Marty, look, I know you're in there. | 0:56:47 | 0:56:49 | |
And before I go, I got something I want to say. | 0:56:49 | 0:56:54 | |
You've been a great friend. | 0:56:54 | 0:56:56 | |
You've helped me so often to see the bright side of my problems. | 0:56:56 | 0:56:59 | |
I never think of you as having any. | 0:56:59 | 0:57:03 | |
I wasn't there for you when you needed me. | 0:57:03 | 0:57:05 | |
Just like back at the zoo. | 0:57:05 | 0:57:08 | |
What kind of friend does that make me? | 0:57:08 | 0:57:10 | |
A pretty lousy friend, I guess. | 0:57:10 | 0:57:13 | |
Well, I just want you to know that... | 0:57:13 | 0:57:16 | |
you're one in a million. | 0:57:16 | 0:57:18 | |
This is just touching. | 0:57:18 | 0:57:19 | |
-It is touching. -SOBBING | 0:57:19 | 0:57:21 | |
So, could you please turn around so I can tell you to your face? | 0:57:21 | 0:57:25 | |
That's right. Got you. | 0:57:25 | 0:57:28 | |
I see you in there. Yeah, yeah, you. | 0:57:28 | 0:57:30 | |
That's right, you. You, right there. | 0:57:30 | 0:57:32 | |
12th row, 203rd from the left. | 0:57:32 | 0:57:36 | |
That's you, Marty. | 0:57:36 | 0:57:38 | |
I know it's you. | 0:57:38 | 0:57:41 | |
You know what makes you special? | 0:57:41 | 0:57:44 | |
These guys, they're white with black stripes. | 0:57:44 | 0:57:46 | |
You're black with white stripes. | 0:57:46 | 0:57:48 | |
You're a dreamer, Marty. | 0:57:48 | 0:57:50 | |
Always have been. | 0:57:50 | 0:57:51 | |
You have great taste in music | 0:57:51 | 0:57:54 | |
and horrible taste in friends. | 0:57:54 | 0:57:56 | |
Well, not Melman and Gloria, but me. | 0:57:56 | 0:58:00 | |
OK, I'm in. | 0:58:02 | 0:58:04 | |
No, Marty, you can't come with me. | 0:58:04 | 0:58:05 | |
I don't believe you have a choice. | 0:58:05 | 0:58:07 | |
People are out there. | 0:58:12 | 0:58:13 | |
You're crazy! Come back! No, no. The people will get you. | 0:58:13 | 0:58:17 | |
You got to leave the hat! | 0:58:17 | 0:58:19 | |
Any water? | 0:58:24 | 0:58:26 | |
No, just more diamonds and gold. | 0:58:26 | 0:58:29 | |
ALL SIGH | 0:58:32 | 0:58:34 | |
OK, don't give up hope. | 0:58:34 | 0:58:36 | |
Listen up! I will help you. | 0:58:36 | 0:58:38 | |
There's only one way to get your precious water. | 0:58:38 | 0:58:41 | |
I, your beloved King Julien, | 0:58:41 | 0:58:45 | |
must simply make a small sacrifice to my good friends the water gods... | 0:58:45 | 0:58:51 | |
in...the volcano. | 0:58:51 | 0:58:52 | |
DRAMATIC FLOURISH | 0:58:52 | 0:58:55 | |
What does that do? | 0:58:56 | 0:58:57 | |
"What does that do?" Excellent question. | 0:58:57 | 0:59:00 | |
My sacrifice goes in the volcano. | 0:59:00 | 0:59:02 | |
Then the friendly gods eat up my sacrifice. | 0:59:02 | 0:59:06 | |
"Mm, very nice. Thank you for the sacrifice. | 0:59:06 | 0:59:08 | |
"Good, have another sacrifice. No, I've had enough for today. | 0:59:08 | 0:59:11 | |
"Listen, I'm going to be very insulted if... | 0:59:11 | 0:59:14 | |
"I don't want another sacrifice! OK? | 0:59:14 | 0:59:16 | |
"Look at you, you look skinny. | 0:59:16 | 0:59:18 | |
"No, I think I've have had enough, clear?!" | 0:59:18 | 0:59:20 | |
The gods eat the sacrifice, they are grateful. | 0:59:22 | 0:59:25 | |
They give me some of their water. | 0:59:25 | 0:59:28 | |
-Then I give it to you. -What? | 0:59:28 | 0:59:30 | |
Does it work? | 0:59:30 | 0:59:32 | |
No. | 0:59:32 | 0:59:33 | |
I mean, yes. | 0:59:33 | 0:59:35 | |
Well, Maurice? | 0:59:35 | 0:59:37 | |
Erm...50/50. | 0:59:37 | 0:59:39 | |
THEY ALL BABBLE EXCITEDLY | 0:59:39 | 0:59:42 | |
Excellent. Now, all I need is someone | 0:59:42 | 0:59:45 | |
who'd like to go in the volcano and get eaten by gods. | 0:59:45 | 0:59:51 | |
Any hands? Hands, anybody? | 0:59:51 | 0:59:53 | |
OK, I need someone, perhaps, who has never found love. | 0:59:53 | 0:59:57 | |
Who could look death straight in the eyeball, a real genuine hero. | 0:59:57 | 1:00:02 | |
-I'll do it. -Melman? | 1:00:02 | 1:00:04 | |
CHEERING | 1:00:04 | 1:00:06 | |
Hurry up, before we all come to our senses. | 1:00:14 | 1:00:17 | |
Melman, what is wrong with you? | 1:00:18 | 1:00:20 | |
I'm dying anyway. | 1:00:20 | 1:00:21 | |
If there's a chance it will get you water, it will be worth it. | 1:00:21 | 1:00:24 | |
Are you nuts? | 1:00:24 | 1:00:26 | |
Gloria, I just want you to know, back at the zoo, | 1:00:26 | 1:00:28 | |
it was never the doctors or the prescriptions that kept me going. | 1:00:28 | 1:00:32 | |
It was always you. Seeing you every day, | 1:00:32 | 1:00:36 | |
that's what kept me going. | 1:00:36 | 1:00:39 | |
Melman, wait! | 1:00:42 | 1:00:44 | |
-You going to mope around like this all day? -Hmph. | 1:00:52 | 1:00:56 | |
Don't "hmph" me. Listen, Zuba. | 1:00:56 | 1:00:58 | |
A miracle happened. | 1:00:58 | 1:01:00 | |
Our son has come back to us. | 1:01:00 | 1:01:03 | |
How come that is not good enough for you? | 1:01:03 | 1:01:06 | |
What are you saying, woman? | 1:01:06 | 1:01:08 | |
We lost him once, Zuba. | 1:01:08 | 1:01:11 | |
Let's not lose him again. | 1:01:11 | 1:01:13 | |
Zuba. | 1:01:21 | 1:01:24 | |
-Zuba. -Get out of here! | 1:01:24 | 1:01:26 | |
What do you want, Makunga? | 1:01:26 | 1:01:27 | |
It's awful. The watering hole has dried up. | 1:01:27 | 1:01:30 | |
Dried up? That's impossible. | 1:01:30 | 1:01:33 | |
-There's nothing left. -Well, you're the alpha lion, Makunga. | 1:01:33 | 1:01:38 | |
What are you going to do about it? | 1:01:38 | 1:01:40 | |
Your son, Alakay, he said he could fix it. | 1:01:40 | 1:01:42 | |
-He's gone upriver. -Off the reserve?! -No! | 1:01:42 | 1:01:45 | |
I tried to stop him. I told him it was suicide, | 1:01:45 | 1:01:48 | |
but he was determined to prove himself to you. | 1:01:48 | 1:01:51 | |
You stay here in case he comes back. | 1:01:51 | 1:01:53 | |
Hurry, Zuba! | 1:01:56 | 1:01:58 | |
HE SNIGGERS | 1:01:58 | 1:02:00 | |
HE GASPS | 1:02:00 | 1:02:01 | |
I'm so parched. | 1:02:01 | 1:02:03 | |
HE COUGHS | 1:02:03 | 1:02:05 | |
Is this place starting to freak you out? | 1:02:08 | 1:02:11 | |
We'll slip in, find the problem, | 1:02:11 | 1:02:13 | |
-hunters will never know we were here. -Why are WE doing this? | 1:02:13 | 1:02:17 | |
Look, Marty, maybe my dad will think I'm... | 1:02:17 | 1:02:21 | |
I just want to show him that I'm a real lion. | 1:02:21 | 1:02:23 | |
As opposed to a chocolate lion. | 1:02:23 | 1:02:26 | |
Shh, I know this might sound hard to believe, | 1:02:26 | 1:02:29 | |
but, apparently, lions don't dance. | 1:02:29 | 1:02:32 | |
-WHAT?! -Shh! | 1:02:32 | 1:02:33 | |
At least as far as my dad is concerned. | 1:02:33 | 1:02:35 | |
As far as the people are concerned, you're a huge hit. | 1:02:35 | 1:02:39 | |
That was New York. This is Africa. It's a much tougher crowd. | 1:02:39 | 1:02:42 | |
-Marty, Marty, this is it! -Shh! | 1:02:42 | 1:02:44 | |
-This is the clog. -Shh-shush! -Come on. | 1:02:44 | 1:02:46 | |
Whoa! | 1:02:46 | 1:02:49 | |
-Oh. -Phew! | 1:02:52 | 1:02:54 | |
Well, there's the water. | 1:02:54 | 1:02:56 | |
Marty, stay down. Look at that. | 1:02:58 | 1:03:00 | |
-It's her. -Is this right? -Oh, very good. | 1:03:02 | 1:03:05 | |
Whoa, Nana, slow down there. | 1:03:05 | 1:03:07 | |
You're a little tangled. | 1:03:07 | 1:03:09 | |
-We need dynamite. Do you have any dynamite? -Oh, snap. | 1:03:13 | 1:03:16 | |
-I just used my last stick this morning. -SHH! | 1:03:16 | 1:03:20 | |
WAR-CRIES Savages! Evasive manoeuvres! | 1:03:20 | 1:03:23 | |
-Serpentine! -Squiggly-squid manoeuvre! | 1:03:23 | 1:03:25 | |
Zig-zag, zig-zag! Zig-zag, ziggy-zag. | 1:03:25 | 1:03:28 | |
No, squiggly-squid, squiggly-squid. | 1:03:28 | 1:03:30 | |
-Etch-A-Sketch! -No, too complex! | 1:03:30 | 1:03:32 | |
Octopus! Octopus! Whoa... | 1:03:32 | 1:03:35 | |
Alex! | 1:03:35 | 1:03:37 | |
-Run, Marty. -I can't leave you here. | 1:03:37 | 1:03:40 | |
Go get help! | 1:03:40 | 1:03:42 | |
Go, quick, squiggly-squid manoeuvre! | 1:03:42 | 1:03:45 | |
Etch-A-Sketch! Etch-A-Sketch! | 1:03:45 | 1:03:47 | |
# Save us | 1:03:47 | 1:03:50 | |
# We love you. # | 1:03:50 | 1:03:52 | |
OK, OK, OK. | 1:03:52 | 1:03:55 | |
OK, OK. | 1:03:55 | 1:03:57 | |
OK, here we go. | 1:04:06 | 1:04:08 | |
OK, OK. | 1:04:08 | 1:04:09 | |
Here we go. Here we go. | 1:04:12 | 1:04:15 | |
What's all the hoopla about? | 1:04:15 | 1:04:18 | |
-Joe? -Joe the witch doctor? | 1:04:18 | 1:04:20 | |
We thought you were dead. | 1:04:20 | 1:04:22 | |
So did I. Then I realised, I'm covered in brown spots. | 1:04:22 | 1:04:25 | |
So, Melman's not dying. | 1:04:25 | 1:04:27 | |
Oh, Melman's not dying. | 1:04:27 | 1:04:29 | |
Excuse me! Melman! Move up, people. | 1:04:29 | 1:04:33 | |
Don't do this! | 1:04:33 | 1:04:35 | |
Julien, stop this! This is crazy. | 1:04:35 | 1:04:37 | |
Oh, suddenly, throwing a giraffe into a volcano | 1:04:37 | 1:04:40 | |
-to make water is crazy. -Yes! | 1:04:40 | 1:04:42 | |
Please, Melman, stop! | 1:04:46 | 1:04:49 | |
-Gloria? -You can't do this. | 1:04:49 | 1:04:51 | |
-Why not? -Because... Oh! | 1:04:51 | 1:04:53 | |
HE SCREAMS | 1:04:55 | 1:04:58 | |
CROWD GASPS | 1:05:07 | 1:05:09 | |
CROWD SIGHS | 1:05:09 | 1:05:10 | |
-You can't do this, Melman. -First of all, that hurts. | 1:05:12 | 1:05:14 | |
Second of all, I've only got 18 hours to live anyway. | 1:05:14 | 1:05:18 | |
Melman. I got to know - | 1:05:18 | 1:05:21 | |
did you really mean all those things you said about me? | 1:05:21 | 1:05:24 | |
Of course I did. | 1:05:24 | 1:05:26 | |
-It's crazy. -It is? | 1:05:26 | 1:05:29 | |
It's crazy to think I had to go halfway around the world | 1:05:31 | 1:05:34 | |
to find out that the perfect guy for me lived right next door. | 1:05:34 | 1:05:41 | |
Then I guess it's you and me, neighbour. | 1:05:41 | 1:05:43 | |
You and me for the next 18 hours. | 1:05:43 | 1:05:46 | |
I'll take whatever you got. | 1:05:46 | 1:05:49 | |
CROWD COOS | 1:05:49 | 1:05:51 | |
-Maurice, what happened? -I believe the fat lady has sung. | 1:05:53 | 1:05:56 | |
-Hey, what's going on here? -Marty! | 1:05:56 | 1:05:58 | |
Hey, hey, listen up, Alex is in big trouble. | 1:05:58 | 1:06:01 | |
We got to get upriver fast. | 1:06:01 | 1:06:03 | |
-What about the plane? -Perfect! Come on! | 1:06:03 | 1:06:05 | |
The plane won't be fixed until the suits meet our demands. | 1:06:07 | 1:06:11 | |
Now, about maternity leave. | 1:06:11 | 1:06:13 | |
Maternity leave? You're all males. | 1:06:13 | 1:06:16 | |
Look, we need that plane for a rescue mission. | 1:06:16 | 1:06:18 | |
There is nothing I can do till we bust up this union. | 1:06:18 | 1:06:21 | |
I'm going to bust up all of you if you don't get this plane going. | 1:06:21 | 1:06:25 | |
Can't you see these Commies have my hands tied here? | 1:06:25 | 1:06:28 | |
No maternity leave. | 1:06:28 | 1:06:29 | |
Maybe a certain someone wouldn't want these | 1:06:31 | 1:06:34 | |
blowing around on the savanna. Hmm? | 1:06:34 | 1:06:36 | |
All right. You get your maternity leave. | 1:06:45 | 1:06:47 | |
Finally! | 1:06:48 | 1:06:50 | |
Where we headed? What's going on? | 1:06:54 | 1:06:56 | |
Where are we going? | 1:06:56 | 1:06:58 | |
Oh, no. Please. | 1:06:58 | 1:07:00 | |
You're not going to put me there. Oh, no. This is wrong. | 1:07:00 | 1:07:02 | |
You see? | 1:07:02 | 1:07:04 | |
You are survivors. | 1:07:04 | 1:07:07 | |
Now, how about a nice lion casserole? | 1:07:07 | 1:07:10 | |
We can't eat a lion. | 1:07:10 | 1:07:12 | |
Don't worry, tastes like chicken. | 1:07:12 | 1:07:14 | |
No, no, no. Don't listen to her! | 1:07:14 | 1:07:17 | |
She's out of her mind, people. | 1:07:17 | 1:07:20 | |
Hey. Hey, I'm from New York City too! | 1:07:20 | 1:07:23 | |
It's me, Alex the Lion. | 1:07:23 | 1:07:25 | |
From Central Park. | 1:07:25 | 1:07:27 | |
Whoa! | 1:07:27 | 1:07:29 | |
ROARING | 1:07:29 | 1:07:31 | |
Lion! | 1:07:31 | 1:07:33 | |
Dad! | 1:07:33 | 1:07:34 | |
What were you thinking, son?! | 1:07:34 | 1:07:36 | |
You got no business being out here. | 1:07:36 | 1:07:39 | |
This is it, I want you to stay behind me. | 1:07:41 | 1:07:43 | |
Dad, they're New Yorkers. They're just rude and frightened people. | 1:07:43 | 1:07:46 | |
Stay back. Are you going to let your dinner get away? | 1:07:46 | 1:07:49 | |
GUN COCKS | 1:07:49 | 1:07:52 | |
What are you doing, son? | 1:07:55 | 1:07:57 | |
The only thing I know how to do. | 1:07:57 | 1:08:00 | |
# I've been around the world in the pouring rain | 1:08:00 | 1:08:03 | |
# Feeling out of place I'm feeling strange | 1:08:03 | 1:08:06 | |
# Take me to a place | 1:08:06 | 1:08:08 | |
-# Where they know my name... # -Hey, I know those moves. | 1:08:08 | 1:08:11 | |
Alex? | 1:08:11 | 1:08:13 | |
# Check it, check it out I'm about to do my thing... # | 1:08:13 | 1:08:17 | |
-It's Alex the Lion! -It IS Alex! | 1:08:17 | 1:08:20 | |
Only one lion moves like that! | 1:08:20 | 1:08:22 | |
# Play a little jam I come alive, alive. # | 1:08:22 | 1:08:27 | |
It's beautiful. | 1:08:27 | 1:08:28 | |
I can't believe it. | 1:08:28 | 1:08:30 | |
How does he do that? | 1:08:36 | 1:08:39 | |
# This is my home This is my home | 1:08:40 | 1:08:44 | |
# King of the throne This is my home | 1:08:44 | 1:08:47 | |
# This is my home This is my home. # | 1:08:47 | 1:08:50 | |
Dad? What are you doing? | 1:08:50 | 1:08:53 | |
-I'm dancing with my son. I think. -Don't think, Dad, feel! | 1:08:53 | 1:08:57 | |
Butterfly! | 1:08:57 | 1:08:59 | |
I'm feeling it. I'm feeling it. | 1:09:01 | 1:09:04 | |
# Now that I'm home It's like I'm in heaven. # | 1:09:04 | 1:09:07 | |
-BOTH: -Roar! | 1:09:15 | 1:09:17 | |
Oh. That was beautiful. | 1:09:25 | 1:09:28 | |
-Now, let's eat. -Dad, look out! | 1:09:28 | 1:09:30 | |
-What the...? -Alex! Get in. | 1:09:32 | 1:09:35 | |
She's got a gun. Let's get out while we can! | 1:09:35 | 1:09:39 | |
-What? -She's got a gun. | 1:09:39 | 1:09:41 | |
Let's get out while we can. Pass it on. | 1:09:41 | 1:09:44 | |
He said, "Let's have some fun and take out the dam. Basset hound." | 1:09:47 | 1:09:51 | |
Skipper! | 1:09:51 | 1:09:53 | |
Alex wants to take out the dam. | 1:09:53 | 1:09:55 | |
-All right. It's his funeral. -What? | 1:09:55 | 1:09:58 | |
-Hard to port. -Aye-aye, Skippy. | 1:09:58 | 1:10:01 | |
Bring it on! Bring it on! | 1:10:01 | 1:10:04 | |
Whoa! | 1:10:04 | 1:10:06 | |
Come back! That's my dinner. | 1:10:09 | 1:10:12 | |
Kowalski, full throttle. | 1:10:12 | 1:10:14 | |
Music! | 1:10:16 | 1:10:17 | |
MUSIC: Copacabana by Barry Manilow | 1:10:17 | 1:10:19 | |
-I like this song. -It never gets old. | 1:10:19 | 1:10:21 | |
It does have a catchy hook. Come about. | 1:10:21 | 1:10:23 | |
Bring her in low. | 1:10:23 | 1:10:25 | |
Hold on to your skirts. It's dam-busting time. | 1:10:25 | 1:10:29 | |
Hold on tight, baby, here we go! | 1:10:29 | 1:10:33 | |
Tell them no, pull up! They'll kill us! | 1:10:33 | 1:10:36 | |
There's gotta be another way, pass it on! | 1:10:36 | 1:10:39 | |
They say, "Don't pull up, kill us. There's no other way. Basset hound." | 1:10:42 | 1:10:46 | |
Are you sure? | 1:10:46 | 1:10:48 | |
There is no sacrifice greater than someone else's. | 1:10:48 | 1:10:53 | |
No! Medic? | 1:10:53 | 1:10:55 | |
Manic speed. | 1:10:58 | 1:11:01 | |
Bring it on. | 1:11:04 | 1:11:06 | |
Bad kitties. | 1:11:07 | 1:11:10 | |
I don't know why the sacrifice didn't work. | 1:11:17 | 1:11:19 | |
The science seemed so solid. | 1:11:19 | 1:11:23 | |
I'd jump right in that volcano... if I wasn't so good at whistling. | 1:11:23 | 1:11:27 | |
HE BLOWS RASPBERRIES | 1:11:27 | 1:11:30 | |
-DISTANTLY: -# La la la. # | 1:11:30 | 1:11:33 | |
-WEARILY: -# La la la. # | 1:11:33 | 1:11:34 | |
Oh! It's you! | 1:11:34 | 1:11:37 | |
-I found you! -Mort? -Ah-ha-ha! | 1:11:37 | 1:11:41 | |
HE SCREAMS | 1:11:41 | 1:11:43 | |
Bad fishy! | 1:11:43 | 1:11:44 | |
BELCHING | 1:11:50 | 1:11:52 | |
HE GIGGLES | 1:11:52 | 1:11:54 | |
I wonder if the gods like seafood. | 1:11:54 | 1:11:55 | |
Let's go find out. | 1:11:55 | 1:11:57 | |
Look, Maurice. | 1:11:58 | 1:12:01 | |
-That was quick. -I did it! | 1:12:02 | 1:12:04 | |
I did it. I did it! | 1:12:04 | 1:12:06 | |
OK, YOU did it. | 1:12:08 | 1:12:09 | |
Oh, yes! | 1:12:09 | 1:12:11 | |
RUMBLING | 1:12:14 | 1:12:17 | |
Look! | 1:12:35 | 1:12:36 | |
-It's Alakay! -It's Zuba! | 1:12:36 | 1:12:39 | |
Alakay, Zuba, you did it! | 1:12:41 | 1:12:44 | |
CHEERING | 1:12:44 | 1:12:45 | |
Zuba! Alakay! | 1:12:50 | 1:12:52 | |
Oh, you're back! | 1:12:53 | 1:12:55 | |
I am so glad you're safe. | 1:12:55 | 1:12:58 | |
Out of my way. | 1:12:58 | 1:13:00 | |
Well, well, well, well, well. | 1:13:00 | 1:13:03 | |
You know, Zuba, if I remember correctly, you quit the pride. | 1:13:03 | 1:13:08 | |
And you were kicked out. | 1:13:08 | 1:13:10 | |
So, don't think for an instant that this changes anything. | 1:13:10 | 1:13:13 | |
You're right. | 1:13:13 | 1:13:15 | |
In fact, we humbly present you with this token of appreciation. | 1:13:15 | 1:13:19 | |
-It's a man bag, very popular where I come from. -I don't know what to say. | 1:13:19 | 1:13:21 | |
You can still be tough and carry stuff. | 1:13:21 | 1:13:23 | |
Does the strap adjust? | 1:13:23 | 1:13:25 | |
Yes, I think this will go very nicely for me when I go out hiking. | 1:13:25 | 1:13:29 | |
But I'm afraid you're still banished. | 1:13:29 | 1:13:30 | |
We figured you'd say that. | 1:13:30 | 1:13:32 | |
My handbag. | 1:13:34 | 1:13:37 | |
You bad kitty! | 1:13:37 | 1:13:40 | |
Ow! | 1:13:40 | 1:13:42 | |
No, no, no, no, no, no! | 1:13:42 | 1:13:44 | |
Argh! | 1:13:44 | 1:13:45 | |
Ow! | 1:13:45 | 1:13:47 | |
Ow! Ow! Ow! | 1:13:47 | 1:13:49 | |
You deserve this, son. | 1:13:54 | 1:13:56 | |
Welcome to the pride. | 1:13:56 | 1:13:58 | |
Thanks, Dad. | 1:14:03 | 1:14:05 | |
But this belongs to you. | 1:14:05 | 1:14:07 | |
No, no, son. To us. | 1:14:07 | 1:14:09 | |
CHEERING | 1:14:10 | 1:14:12 | |
My son, the King of New York. | 1:14:14 | 1:14:18 | |
That's my baby! | 1:14:20 | 1:14:21 | |
Love transcends all differences. | 1:14:28 | 1:14:32 | |
We are gathered here today to celebrate such a love. | 1:14:32 | 1:14:37 | |
Do you take each other for better or for worse? | 1:14:37 | 1:14:40 | |
For better, please. | 1:14:43 | 1:14:45 | |
Yay! | 1:14:45 | 1:14:47 | |
What a beautiful, weird couple! | 1:14:47 | 1:14:49 | |
That's not going to last. | 1:14:49 | 1:14:52 | |
-Can I kiss the bride, Skipper? -No. | 1:14:52 | 1:14:54 | |
Music! | 1:14:54 | 1:14:55 | |
MUSIC: More Than A Feeling by Boston | 1:14:55 | 1:14:57 | |
-Lights. -Check. | 1:14:57 | 1:14:59 | |
-Diamonds and gold. -Check. | 1:14:59 | 1:15:00 | |
-Bye-bye. -Going to miss you! -See you later. | 1:15:03 | 1:15:05 | |
We'll be back after the honeymoon in Monte Carlo | 1:15:05 | 1:15:08 | |
or whenever the gold runs out. | 1:15:08 | 1:15:10 | |
-Take care of yourselves. -Come back soon! | 1:15:10 | 1:15:12 | |
Hey, you know, Mom, let them take their time. | 1:15:12 | 1:15:14 | |
New York isn't going anywhere. Right, guys? | 1:15:14 | 1:15:16 | |
Yeah, you right about that, hey. | 1:15:16 | 1:15:18 | |
Well, as long as I'm with her... and you two, | 1:15:18 | 1:15:22 | |
-I don't care where we are. -SHE GIGGLES AND SNORTS | 1:15:22 | 1:15:25 | |
She has the most amazing laugh. | 1:15:25 | 1:15:27 | |
Love has no boundaries. | 1:15:29 | 1:15:32 | |
Well, looks like you're stuck with us for a while. | 1:15:32 | 1:15:35 | |
Dad? What's wrong? | 1:15:37 | 1:15:40 | |
I just thought we could hang out a bit and... | 1:15:40 | 1:15:44 | |
HE LAUGHS | 1:15:44 | 1:15:45 | |
-You got me. -I got you, son. | 1:15:45 | 1:15:47 | |
You did my thing. Brought it back around on me. I love it! | 1:15:47 | 1:15:51 | |
Come on! # Da da da... # | 1:15:51 | 1:15:54 | |
I got you, son. | 1:15:54 | 1:15:56 | |
Old man's not too bad, eh, Marty? | 1:15:56 | 1:15:58 | |
-Marty, who's Marty? -Come on. | 1:15:58 | 1:16:00 | |
-I don't know Marty. Don't call me Marty. -You can't fool me. | 1:16:00 | 1:16:03 | |
I don't see no Marty. Ain't no Marty here. | 1:16:03 | 1:16:06 | |
Marty, I can look into your eyes and I know it's you. | 1:16:06 | 1:16:10 | |
# See, I've been travelling Been travelling forever | 1:16:10 | 1:16:13 | |
# But now that I found a home Feels like I'm in heaven | 1:16:13 | 1:16:16 | |
# See, I've been travelling Been travelling forever | 1:16:16 | 1:16:20 | |
# But now that I'm home... # | 1:16:20 | 1:16:22 | |
-JULIEN: -Shake the hot thing! Shake the hot thing! | 1:16:22 | 1:16:25 | |
Shake 'em, shake 'em. Shake 'em, shake 'em! | 1:16:25 | 1:16:28 | |
MUSIC: I Like To Move It by Will.I.Am | 1:16:30 | 1:16:32 | |
# I like to move it, move it I like to move it, move it | 1:16:32 | 1:16:34 | |
# I like to move it, move it We like to move it! | 1:16:34 | 1:16:37 | |
# I like to move it, move it She like to move it, move it | 1:16:37 | 1:16:41 | |
# We like to move it, move it We like to move it! | 1:16:41 | 1:16:45 | |
# Keep on jumpin' off the floor Dancin' till your feet is sore | 1:16:45 | 1:16:48 | |
# Party hard just like a smarty girl Cos that's what life is for | 1:16:48 | 1:16:52 | |
# And we don't party hardly We just party hard | 1:16:52 | 1:16:54 | |
# Move it! # | 1:16:54 | 1:16:56 |