Browse content similar to Things to Do in Denver When You're Dead. Check below for episodes and series from the same categories and more!
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CHILDREN SING: # Cinderella dressed in yella | 0:00:02 | 0:00:03 | |
# Went upstairs to kiss her fella | 0:00:03 | 0:00:07 | |
# Made a mistake and kissed a snake | 0:00:07 | 0:00:11 | |
# How many doctors did it take? | 0:00:11 | 0:00:14 | |
# One, two, three, | 0:00:14 | 0:00:17 | |
# ..four, five, six, seven... # | 0:00:17 | 0:00:21 | |
CHILDREN PLAYING DROWNS OUT SINGING | 0:00:21 | 0:00:23 | |
This film contains very strong language and some violent scenes | 0:00:23 | 0:00:33 | |
# Cinderella dressed in yella | 0:00:42 | 0:00:45 | |
# Went upstairs | 0:00:45 | 0:00:46 | |
# To kiss her fella | 0:00:46 | 0:00:49 | |
# Made a mistake and kissed a snake | 0:00:49 | 0:00:52 | |
# How many doctors did it take? | 0:00:52 | 0:00:56 | |
# One, two, three, four, | 0:00:56 | 0:01:00 | |
# Five... | 0:01:00 | 0:01:02 | |
# Six... | 0:01:02 | 0:01:04 | |
# Seven... | 0:01:04 | 0:01:06 | |
# Eight... | 0:01:06 | 0:01:08 | |
# Nine... | 0:01:07 | 0:01:09 | |
# Ten... | 0:01:09 | 0:01:10 | |
# Eleven... | 0:01:10 | 0:01:12 | |
# Twelve... | 0:01:12 | 0:01:13 | |
# Thirteen... | 0:01:13 | 0:01:14 | |
# Fourteen, fifteen, sixteen, seventeen... | 0:01:14 | 0:01:17 | |
# Cinderella | 0:01:21 | 0:01:23 | |
# Dressed in yella | 0:01:23 | 0:01:24 | |
# Went upstairs to kiss her... # | 0:01:24 | 0:01:27 | |
Hi. | 0:01:29 | 0:01:30 | |
What do you want, doofus? | 0:01:30 | 0:01:32 | |
SHE SCREAMS | 0:01:35 | 0:01:36 | |
< Hey! HEY! | 0:01:38 | 0:01:40 | |
CHILDREN CHANT: Loser, loser, loser! | 0:01:44 | 0:01:49 | |
SONG: "Jockey Full Of Bourbon" by Tom Waits | 0:01:49 | 0:01:51 | |
# Edna Million in a drop-dead suit | 0:01:51 | 0:01:52 | |
# Dutch Pink on a downtown train | 0:01:52 | 0:01:55 | |
# Two-dollar pistol but the gun won't shoot | 0:01:55 | 0:01:58 | |
# I'm in the corner on the pouring rain | 0:01:58 | 0:02:00 | |
# Sixteen men on a dead man's chest | 0:02:00 | 0:02:03 | |
# And I've been drinking from a broken cup | 0:02:03 | 0:02:06 | |
# Two pairs of pants and a mohair vest | 0:02:06 | 0:02:08 | |
# I'm full of bourbon, I can't stand up | 0:02:08 | 0:02:11 | |
# Hey, little bird, fly away home | 0:02:11 | 0:02:13 | |
# Your house is on fire, children are alone... # | 0:02:13 | 0:02:17 | |
In those days if you wanted some quim, | 0:02:17 | 0:02:20 | |
you knew where to go. You hit the spots with the big-noise guy. | 0:02:20 | 0:02:25 | |
Before you can say beef bayonets, you got a bangtail on your arm, | 0:02:25 | 0:02:30 | |
sweet as Dutch cheese. | 0:02:30 | 0:02:32 | |
Now you got fuckin' AIDS, | 0:02:32 | 0:02:34 | |
raised feminist consciousness, whatever the fuck that means, | 0:02:34 | 0:02:39 | |
and you got movements - a movement for this, for that. | 0:02:39 | 0:02:43 | |
Too many movements, if you ask me. | 0:02:43 | 0:02:45 | |
The only good movement is a fuckin' bowel movement! | 0:02:45 | 0:02:49 | |
Hey! | 0:02:49 | 0:02:50 | |
Look who's here! | 0:02:50 | 0:02:53 | |
Jimmy the Saint! | 0:02:53 | 0:02:57 | |
Hey, Malt! | 0:02:54 | 0:02:57 | |
What's it like, Jimmy? | 0:02:57 | 0:03:00 | |
What's going on, Joe? | 0:02:58 | 0:03:00 | |
You heard about fuckin' Bernard? | 0:03:00 | 0:03:03 | |
No. What happened? | 0:03:03 | 0:03:09 | |
OK, he's lunchy but... They got him at a school, fishin' for saplings! | 0:03:04 | 0:03:09 | |
No shit? | 0:03:09 | 0:03:13 | |
They oughta neuter that kid. | 0:03:10 | 0:03:13 | |
It's a brain thing with him, not a balls thing. | 0:03:13 | 0:03:17 | |
Oh, c'mon! | 0:03:15 | 0:03:17 | |
Anything that's a problem with a man is a balls thing. | 0:03:17 | 0:03:22 | |
Boat drinks. | 0:03:22 | 0:03:25 | |
Boat drinks. | 0:03:23 | 0:03:25 | |
Jimmy from Flatbush. | 0:03:25 | 0:03:27 | |
Went to seminary school but lost the calling. | 0:03:27 | 0:03:31 | |
But in his day... | 0:03:31 | 0:03:33 | |
the bitch's bastard! | 0:03:33 | 0:03:35 | |
SONG: "Jockey Full Of Bourbon" by Tom Waits | 0:03:35 | 0:03:36 | |
# "To the carnival," is what she said | 0:03:36 | 0:03:37 | |
# A hundred dollars makes it dark inside | 0:03:37 | 0:03:40 | |
# Edna Million in a drop-dead suit | 0:03:40 | 0:03:42 | |
# Dutch Pink on a downtown train | 0:03:42 | 0:03:45 | |
# Two-dollar pistol but the gun won't shoot | 0:03:45 | 0:03:48 | |
# I'm in the corner on the pouring rain... # | 0:03:48 | 0:03:51 | |
Because after you're gone, your money goes to somebody else, | 0:03:51 | 0:03:56 | |
another man comes along, marries your wife, | 0:03:56 | 0:04:00 | |
your kids fall in love with strangers. | 0:04:00 | 0:04:03 | |
But if you've been good, if you've been decent, | 0:04:03 | 0:04:07 | |
how you're remembered cannot be sullied. | 0:04:07 | 0:04:10 | |
Cannot be changed. | 0:04:10 | 0:04:12 | |
HE COUGHS | 0:04:13 | 0:04:16 | |
Very... Very nice, Mr Jergen. | 0:04:18 | 0:04:21 | |
Um, Barry, | 0:04:21 | 0:04:23 | |
could you get some water? | 0:04:23 | 0:04:25 | |
We're doing great. Why don't we take a break and continue later? | 0:04:25 | 0:04:30 | |
All right. | 0:04:30 | 0:04:32 | |
Good afternoon. | 0:04:35 | 0:04:37 | |
Here we have Mr Jergen. | 0:04:38 | 0:04:40 | |
He's doing his taping. | 0:04:40 | 0:04:42 | |
My associate, Mr Cuffland, follows a list of questions | 0:04:42 | 0:04:46 | |
which he poses to Mr Jergen, | 0:04:46 | 0:04:48 | |
which his loved ones can access once he's gone. Understand? | 0:04:48 | 0:04:53 | |
I'd like to introduce you to somebody. This way. | 0:04:53 | 0:04:57 | |
This is Stevie. His father passed away of pancreatic cancer | 0:04:59 | 0:05:03 | |
at a time in adolescence when Stevie needed him. | 0:05:03 | 0:05:07 | |
So if he needs advice from his dad, he goes back to see us. Understand? | 0:05:07 | 0:05:12 | |
Let me show you. | 0:05:12 | 0:05:14 | |
Hey, what's going on, Stevie? | 0:05:16 | 0:05:18 | |
Hey, Jimmy, how are you? | 0:05:18 | 0:05:20 | |
"Er, girls, I don't know. | 0:05:24 | 0:05:26 | |
"This is, er... | 0:05:26 | 0:05:29 | |
"Hey, if you chase a dog, it runs. Treat 'em like shit. | 0:05:29 | 0:05:34 | |
"I did that to your mother | 0:05:34 | 0:05:36 | |
"and she fell for me. Two months later we were married. | 0:05:36 | 0:05:40 | |
"Treat 'em like dirt and they come running." | 0:05:40 | 0:05:43 | |
< Thanks. | 0:05:43 | 0:05:45 | |
Your father has...? What was it? | 0:05:45 | 0:05:48 | |
Diabetes. But it's taken a turn for the worse. | 0:05:48 | 0:05:51 | |
Time is of the essence. | 0:05:51 | 0:05:54 | |
Yeah. Thanks. | 0:05:52 | 0:05:54 | |
Any grandchildren? | 0:05:54 | 0:05:57 | |
Eight altogether. | 0:05:55 | 0:05:57 | |
They'll benefit from a patriarch's advice. | 0:05:57 | 0:06:01 | |
Maybe not now, but some day soon. | 0:06:01 | 0:06:03 | |
Afternoon, Mr Jergen. | 0:06:03 | 0:06:06 | |
Hi. | 0:06:04 | 0:06:06 | |
Thank you. | 0:06:06 | 0:06:07 | |
Take our brochure. One for you, one for you. | 0:06:07 | 0:06:10 | |
And, please, give one to a friend. | 0:06:10 | 0:06:13 | |
On your way out there's a ledger to sign. It's our mailing list. Thanks. | 0:06:13 | 0:06:19 | |
Any luck? | 0:06:20 | 0:06:27 | |
He was into it but I thought she was gonna launch lunch over Mr Jergen! | 0:06:21 | 0:06:27 | |
We'll get the next one. | 0:06:27 | 0:06:29 | |
Happy hour at six. See you there. | 0:06:29 | 0:06:31 | |
OK. | 0:06:31 | 0:06:33 | |
BLUES BAND MUSIC | 0:06:39 | 0:06:41 | |
# My baby's a superstar! | 0:06:45 | 0:06:48 | |
# She's in a class by herself! | 0:06:48 | 0:06:50 | |
# I said, my-my baby's a superstar! | 0:06:53 | 0:06:56 | |
# She's in a class by herself... # | 0:06:56 | 0:06:59 | |
Hey. | 0:07:04 | 0:07:06 | |
Just picked it up. | 0:07:06 | 0:07:08 | |
The newspaper ad. | 0:07:08 | 0:07:10 | |
"Just because they're gone..."? | 0:07:10 | 0:07:12 | |
Who came up with that? | 0:07:12 | 0:07:16 | |
I did. | 0:07:14 | 0:07:16 | |
It's terrible. | 0:07:15 | 0:07:16 | |
Why? | 0:07:16 | 0:07:20 | |
It's clunky. It's fucking clunky. | 0:07:17 | 0:07:20 | |
What do you know about clunky? | 0:07:20 | 0:07:25 | |
I know about clunky and that's fuckin' clunky. | 0:07:21 | 0:07:25 | |
I thought you people were supposed to be good at this shit. | 0:07:25 | 0:07:29 | |
"You people"? | 0:07:29 | 0:07:33 | |
You people - homosexuals. You ARE one. | 0:07:30 | 0:07:33 | |
"You people..." | 0:07:33 | 0:07:35 | |
You people. Every fag is good at this shit and I get a clunky one! | 0:07:35 | 0:07:39 | |
-HE LAUGHS -OK, Jimmy! | 0:07:39 | 0:07:41 | |
Well, the video leasing company called YOU people today and said | 0:07:41 | 0:07:46 | |
if they don't get a cheque they'll take the equipment. | 0:07:46 | 0:07:50 | |
# That woman | 0:07:54 | 0:07:56 | |
# Man, she is somethin' | 0:07:56 | 0:07:58 | |
# That woman | 0:08:01 | 0:08:03 | |
# She's like something you've never seen... # | 0:08:03 | 0:08:06 | |
Jimmy? | 0:08:06 | 0:08:07 | |
So what do we do? | 0:08:09 | 0:08:11 | |
Jimmy? | 0:08:11 | 0:08:13 | |
I dunno. Maybe we should let Julie go. It's not like the phone rings. | 0:08:13 | 0:08:18 | |
Or maybe we could dip into your boat fund. | 0:08:18 | 0:08:21 | |
You're never gonna buy a boat. You live in Denver. | 0:08:21 | 0:08:25 | |
Who has a boat in Denver? | 0:08:25 | 0:08:27 | |
Goodbye! | 0:08:28 | 0:08:30 | |
Hi. | 0:08:32 | 0:08:33 | |
Dagney? That's your name? Tremendous name. | 0:08:37 | 0:08:42 | |
My name is Jimmy. And I just have one simple impulsive question. | 0:08:42 | 0:08:47 | |
Are you in love? | 0:08:47 | 0:08:49 | |
What? | 0:08:48 | 0:08:49 | |
Are you in love? | 0:08:49 | 0:08:52 | |
Why? | 0:08:50 | 0:08:52 | |
If you are, I won't waste your time. | 0:08:52 | 0:08:55 | |
I won't impede another man's happiness. | 0:08:55 | 0:08:58 | |
However, if you're NOT in love, I'll continue my rap. | 0:08:58 | 0:09:02 | |
Because you are most definitely the bees' knees. | 0:09:02 | 0:09:05 | |
Does this rap ever work? | 0:09:05 | 0:09:08 | |
In the old days. Now I rarely get a chance to try it. | 0:09:08 | 0:09:11 | |
But answer my question. | 0:09:11 | 0:09:16 | |
I...forgot it. | 0:09:12 | 0:09:16 | |
Are you in love? | 0:09:16 | 0:09:18 | |
Well, there IS someone. | 0:09:16 | 0:09:18 | |
But? | 0:09:18 | 0:09:20 | |
I know his phone number but I won't use his toothbrush. | 0:09:20 | 0:09:24 | |
We're somewhere in between. | 0:09:24 | 0:09:26 | |
And he's crazy about me. | 0:09:26 | 0:09:28 | |
As he should be. You glide. | 0:09:28 | 0:09:30 | |
I glide? | 0:09:30 | 0:09:33 | |
An attractive quality. | 0:09:31 | 0:09:33 | |
Most girls merely plod along. But you glide. | 0:09:33 | 0:09:36 | |
Tell me about him. What's his name? Chip? | 0:09:36 | 0:09:40 | |
Alex. | 0:09:40 | 0:09:41 | |
Same thing. Does he...make you thump? | 0:09:41 | 0:09:44 | |
Define "thump". | 0:09:44 | 0:09:46 | |
If you think about him, you can't eat. If he smiles | 0:09:46 | 0:09:50 | |
you forget about man's inhumanity to man. | 0:09:50 | 0:09:54 | |
No-one can do that. | 0:09:52 | 0:09:54 | |
Girls who glide need guys who make them thump. | 0:09:54 | 0:09:59 | |
Girls who glide need guys who... | 0:09:57 | 0:09:59 | |
Have dinner with me. | 0:09:59 | 0:10:03 | |
Oh, the sultan of segue(!) | 0:10:00 | 0:10:03 | |
It's a beautiful month. | 0:10:03 | 0:10:05 | |
Will you make me thump? | 0:10:05 | 0:10:09 | |
Or die trying. Dinner. | 0:10:06 | 0:10:09 | |
Just dinner. | 0:10:13 | 0:10:15 | |
I'm gonna regret this. | 0:10:15 | 0:10:17 | |
Only if we're lucky. | 0:10:17 | 0:10:19 | |
Right here. | 0:10:25 | 0:10:27 | |
Oh, my lucky fuckin' day! | 0:10:37 | 0:10:40 | |
What? | 0:10:39 | 0:10:41 | |
Hello, boys. | 0:10:41 | 0:10:43 | |
Nice suit. Versace? Armani? | 0:10:43 | 0:10:46 | |
-No. -Hugo Boss? | 0:10:46 | 0:10:47 | |
What's with this? | 0:10:47 | 0:10:50 | |
His PO said he needs a hobby. | 0:10:48 | 0:10:50 | |
Fashion is his hobby? | 0:10:50 | 0:10:53 | |
He tried making his own pasta. | 0:10:51 | 0:10:53 | |
It didn't move him. | 0:10:53 | 0:10:55 | |
Three-button vent-less. I like it. Classy! | 0:10:55 | 0:10:59 | |
Course, you gotta have the build for it. | 0:10:58 | 0:11:02 | |
What's up? | 0:11:03 | 0:11:07 | |
He wants to see ya. | 0:11:04 | 0:11:07 | |
What for? | 0:11:05 | 0:11:07 | |
What can I tell ya? He says, "Gus, I wanna see Jimmy the Saint." | 0:11:07 | 0:11:11 | |
I said, "Jimmy ain't mixin' it up no more." | 0:11:11 | 0:11:14 | |
He says, "Gus, I wanna see Jimmy the Saint." | 0:11:14 | 0:11:18 | |
Here we are. | 0:11:18 | 0:11:20 | |
The point of me arguing seemed...specious. | 0:11:20 | 0:11:23 | |
Gus is... | 0:11:24 | 0:11:26 | |
reading the dictionary. | 0:11:26 | 0:11:28 | |
When does he want to see me? | 0:11:28 | 0:11:30 | |
Now. | 0:11:30 | 0:11:32 | |
Now? | 0:11:31 | 0:11:32 | |
Anon. | 0:11:32 | 0:11:34 | |
DOGS BARK | 0:11:39 | 0:11:41 | |
You know the dance. | 0:11:58 | 0:12:00 | |
It's been a long time, huh, Jimmy? | 0:12:01 | 0:12:04 | |
Long time, Jimmy. You don't come round. | 0:12:27 | 0:12:31 | |
I've been busy. Working hard. | 0:12:34 | 0:12:36 | |
Right. | 0:12:37 | 0:12:39 | |
You're a citizen now. Legitimate businessman. | 0:13:08 | 0:13:12 | |
I heard about your endeavour. | 0:13:12 | 0:13:14 | |
Some kind of support-group thing for dying fags | 0:13:14 | 0:13:18 | |
or something. | 0:13:18 | 0:13:20 | |
Something. | 0:13:20 | 0:13:21 | |
I spend all my time with these two morons and my village-idiot son. | 0:13:21 | 0:13:27 | |
I miss my wife, Jimmy. | 0:13:27 | 0:13:29 | |
You remember Cynthia? | 0:13:30 | 0:13:34 | |
Beautiful lady. | 0:13:32 | 0:13:34 | |
Special. | 0:13:34 | 0:13:36 | |
Thank God she never had to see me like this. | 0:13:36 | 0:13:39 | |
Look at you. | 0:13:39 | 0:13:41 | |
Got a lady? | 0:13:41 | 0:13:43 | |
No. | 0:13:42 | 0:13:43 | |
That's cos you're hanging around with the virus breeders - VBs. | 0:13:43 | 0:13:49 | |
You into it? Biting the pillow? | 0:13:49 | 0:13:51 | |
No. | 0:13:51 | 0:13:53 | |
You will. | 0:13:52 | 0:13:53 | |
It's a liberal thing. | 0:13:53 | 0:13:55 | |
One day you're saving rain forests, the next you're chugging cock. | 0:13:55 | 0:14:00 | |
Talk to me, will ya? | 0:14:00 | 0:14:02 | |
I want peace. | 0:14:04 | 0:14:06 | |
I'm ass-fixed to this chair. I'm tired, old. | 0:14:07 | 0:14:11 | |
I shit in a bag, | 0:14:11 | 0:14:13 | |
I piss in another. | 0:14:13 | 0:14:16 | |
I got a nurse. | 0:14:16 | 0:14:18 | |
Call the nurse. | 0:14:20 | 0:14:22 | |
Nod to my friend Jimmy. | 0:14:29 | 0:14:31 | |
Hello. | 0:14:31 | 0:14:32 | |
How are ya? | 0:14:32 | 0:14:35 | |
Excuse us. | 0:14:34 | 0:14:35 | |
She's a ten. | 0:14:38 | 0:14:41 | |
Jimmy, she's a planet unto herself. | 0:14:41 | 0:14:44 | |
She can't nurse worth shit | 0:14:44 | 0:14:46 | |
but I keep her cos although I can't feel it, | 0:14:46 | 0:14:49 | |
I have erections in her presence. | 0:14:49 | 0:14:51 | |
I understand. | 0:14:51 | 0:14:57 | |
Good. Then you'll understand when I say this. | 0:14:53 | 0:14:57 | |
Bernard, my son, he's all that's left of my Cynthia. | 0:14:57 | 0:15:01 | |
He's crazy as a shithouse rat. | 0:15:01 | 0:15:04 | |
The other day they catch him in the elementary school playground, | 0:15:04 | 0:15:09 | |
grabbing itty-bitty titty. It was a mess. | 0:15:09 | 0:15:13 | |
The thing is, I understand the problem. Bernard's problem... | 0:15:13 | 0:15:18 | |
Do you remember Meg? | 0:15:22 | 0:15:25 | |
Yeah. | 0:15:23 | 0:15:25 | |
Meg was... | 0:15:25 | 0:15:27 | |
Bernard's high-school sweetheart. | 0:15:27 | 0:15:31 | |
'They kept it up through college. | 0:15:31 | 0:15:33 | |
'We thought they were gonna get hitched. | 0:15:35 | 0:15:39 | |
'Until she met this beat - Bruce. | 0:15:46 | 0:15:49 | |
'Studying to be an orthodontist.' | 0:15:49 | 0:15:52 | |
She busted up with Bernard, moved to LA. | 0:15:52 | 0:15:55 | |
'Bernard's never been the same.' | 0:15:58 | 0:16:01 | |
I understand part of this was inevitable. | 0:16:01 | 0:16:05 | |
Being the son of me, he lacks initiative. | 0:16:05 | 0:16:07 | |
But since this Meg thing, his behaviour has got...worse. | 0:16:07 | 0:16:13 | |
But now, | 0:16:19 | 0:16:21 | |
this thing in the schoolyard... is a fiasco. | 0:16:21 | 0:16:24 | |
My intelligence | 0:16:24 | 0:16:26 | |
tells me Bruce is coming to Denver to meet Meg's folks, | 0:16:26 | 0:16:30 | |
to ask permission to marry the little bangtail. | 0:16:30 | 0:16:34 | |
This can't happen. | 0:16:34 | 0:16:36 | |
Meg loved Bernard... for seven years. | 0:16:37 | 0:16:40 | |
She can learn to love him again. | 0:16:40 | 0:16:42 | |
What do you want done? | 0:16:44 | 0:16:46 | |
It's just an action, not a piece of work. | 0:16:46 | 0:16:49 | |
Catch the creep... | 0:16:49 | 0:16:51 | |
..on the highway before he gets to Meg's. | 0:16:51 | 0:16:54 | |
Brace him. Make it so he'd sooner fuck the fryolater than propose. | 0:16:54 | 0:16:59 | |
Why me? | 0:16:59 | 0:17:01 | |
Jimmy, you got a nice suit, you got a 70 haircut | 0:17:01 | 0:17:04 | |
but you are taking a dump in your video business. | 0:17:04 | 0:17:08 | |
I gotta call in the note. | 0:17:08 | 0:17:10 | |
I didn't take it off you. I took it off New Orleans Sal. | 0:17:10 | 0:17:14 | |
Off New Orleans Sal? Who d'you think New Orleans Sal took it off? | 0:17:14 | 0:17:20 | |
Hm, you ain't no entrepreneur, Jimmy. | 0:17:20 | 0:17:24 | |
OK. | 0:17:30 | 0:17:31 | |
I need a crew. | 0:17:31 | 0:17:34 | |
Maybe four. | 0:17:34 | 0:17:37 | |
I worship you. | 0:17:36 | 0:17:37 | |
I'm paying 50 Gs. It's just an action. | 0:17:37 | 0:17:40 | |
Split it any way you want. | 0:17:40 | 0:17:42 | |
You wanna throw the pathetic yuks some scratch, | 0:17:42 | 0:17:46 | |
I applaud your...sensitivity. | 0:17:46 | 0:17:49 | |
For Cynthia...do it. | 0:17:49 | 0:17:53 | |
For Cynthia. | 0:17:53 | 0:17:54 | |
May she rest in peace. | 0:17:54 | 0:17:56 | |
Do it! | 0:17:56 | 0:17:58 | |
For the old days. | 0:17:58 | 0:18:00 | |
Do it... | 0:18:00 | 0:18:01 | |
For your fag business. Just...do it. | 0:18:01 | 0:18:04 | |
Here's Ellie. He's brought you some seltzer. | 0:18:07 | 0:18:11 | |
Arr, I got ya! I got ya! | 0:18:23 | 0:18:26 | |
Arr, I got ya, too! | 0:18:26 | 0:18:29 | |
Ohh! | 0:18:29 | 0:18:31 | |
Oh, you bloody son of a... | 0:18:31 | 0:18:33 | |
Shit. | 0:18:39 | 0:18:41 | |
Things are different now, Slick. We're dug in here. | 0:18:44 | 0:18:48 | |
I'm managing the park now. | 0:18:48 | 0:18:50 | |
I do a few odd jobs, make some money. | 0:18:50 | 0:18:52 | |
Got free rent. Got a good situation. | 0:18:52 | 0:18:55 | |
I understand. It's a one-shot deal. We're in, we're out. | 0:18:55 | 0:18:59 | |
Give it a name. If it's easy, why d'you need a crew? | 0:18:59 | 0:19:03 | |
Safety in numbers. | 0:19:03 | 0:19:05 | |
Plus The Man wants to pay the freight. Who am I to argue? | 0:19:05 | 0:19:09 | |
I don't know, Jimmy. I got more than myself to think about now. | 0:19:09 | 0:19:14 | |
I understand. | 0:19:14 | 0:19:18 | |
I got Dodie. She's pregnant again. | 0:19:15 | 0:19:18 | |
Hey, put a harness on your tool. | 0:19:18 | 0:19:22 | |
Hey, give it a name. | 0:19:20 | 0:19:22 | |
I got her and the kids. | 0:19:22 | 0:19:24 | |
I know. Cute kids, man. | 0:19:24 | 0:19:26 | |
My last bit, man, locked down, this is all I thought about. | 0:19:27 | 0:19:32 | |
Ten large. Your call. It's not my call. | 0:19:35 | 0:19:38 | |
Ten large there. | 0:19:38 | 0:19:40 | |
Let's go say hello to Dodie. | 0:19:42 | 0:19:44 | |
Hey. How you doing? | 0:19:46 | 0:19:49 | |
Where you been? | 0:19:47 | 0:19:49 | |
Remember Jimmy the Saint? | 0:19:49 | 0:19:51 | |
Hello, Dodie. | 0:19:51 | 0:19:53 | |
Want a coke or something? | 0:19:53 | 0:19:56 | |
Sure. | 0:19:54 | 0:19:56 | |
How are you, Dodie? | 0:20:06 | 0:20:08 | |
Let me ask you somethin'. | 0:20:21 | 0:20:23 | |
You gonna go through with this thing, no matter what? | 0:20:23 | 0:20:27 | |
I got to. He's got me on the dangle. | 0:20:30 | 0:20:33 | |
I can't believe that Pieces is working in this joint. | 0:20:39 | 0:20:43 | |
Hey, Jimmy! You stake me for a cup of coffee? | 0:20:43 | 0:20:46 | |
Fuck off, cheese-breath. | 0:20:46 | 0:20:48 | |
Fuckin' Franchise. You're alive! I thought you were in County. | 0:20:48 | 0:20:53 | |
I escaped cos I was missing your nasty little pussy. | 0:20:53 | 0:20:57 | |
Jimmy, five bucks? I'll pay you tomorrow. | 0:20:57 | 0:21:00 | |
Your spread ain't sellin'? You ain't got good merchandise? | 0:21:00 | 0:21:04 | |
Hey, fuck you, Franchise! | 0:21:04 | 0:21:08 | |
No, thanks. | 0:21:06 | 0:21:08 | |
Jimmy knows I'm sweet on him, don't you? | 0:21:08 | 0:21:11 | |
That's my boy. | 0:21:11 | 0:21:13 | |
Clean? | 0:21:13 | 0:21:16 | |
Always. | 0:21:14 | 0:21:16 | |
Right. | 0:21:16 | 0:21:18 | |
That's my man! Ooh! | 0:21:18 | 0:21:20 | |
Me and Jimmy, one day we'll have a love child. | 0:21:20 | 0:21:24 | |
Whatever. | 0:21:22 | 0:21:24 | |
Ain't that right? | 0:21:24 | 0:21:27 | |
Right. | 0:21:25 | 0:21:27 | |
I gotta go. The pussy posse's rolling this neighbourhood. | 0:21:27 | 0:21:31 | |
Thanks for the money, baby. | 0:21:31 | 0:21:34 | |
Better stay clean! | 0:21:34 | 0:21:36 | |
SHE LAUGHS | 0:21:36 | 0:21:38 | |
She don't look good. You're contributing to her collapse. | 0:21:39 | 0:21:43 | |
Lucinda'll be dancing in the breeze after WE'RE taking the dirt nap. | 0:21:43 | 0:21:48 | |
Don't touch anything. | 0:21:48 | 0:21:51 | |
Whatever. | 0:21:49 | 0:21:51 | |
WOMAN ON FILM: 'I'm ready. Oh!' | 0:21:51 | 0:21:53 | |
You still got that disease, Pieces? | 0:21:53 | 0:21:56 | |
Cut the shit with that! | 0:21:56 | 0:21:58 | |
It's Olden. My name is Olden! | 0:21:58 | 0:22:00 | |
Always with this "Pieces" shit. Have a little respect. | 0:22:00 | 0:22:05 | |
Sorry. I didn't mean nothing. Did they find out what it is? | 0:22:05 | 0:22:09 | |
Nah. In fact, I lost a toe the other day. Believe that? A toe! | 0:22:09 | 0:22:14 | |
A croaker downtown diagnosed it as a circulatory problem. | 0:22:14 | 0:22:19 | |
Fuckin' circulatory problem! | 0:22:19 | 0:22:21 | |
I wanted to kill the bastard but I couldn't get my fingers around... | 0:22:21 | 0:22:26 | |
This is a bad beat, Olden. | 0:22:33 | 0:22:37 | |
Hey, give it a name. | 0:22:35 | 0:22:37 | |
You do your time, | 0:22:37 | 0:22:39 | |
you make an oath to go right and rigid, and this is how you end up! | 0:22:39 | 0:22:43 | |
Watchin' the raincoat types kick their gongs around | 0:22:43 | 0:22:47 | |
and losin' mother-fuckin' toes! | 0:22:47 | 0:22:50 | |
The Man... | 0:22:51 | 0:22:53 | |
mention me in particular? | 0:22:53 | 0:22:55 | |
Yes, he did. | 0:22:55 | 0:22:56 | |
I haven't seen him in years. | 0:22:56 | 0:22:58 | |
He likes you. | 0:22:58 | 0:23:01 | |
Yeah? | 0:23:01 | 0:23:02 | |
So, are you in? | 0:23:03 | 0:23:07 | |
Absolutely, Jimmy. | 0:23:05 | 0:23:07 | |
I'll use the dough to get me a legit croaker | 0:23:07 | 0:23:10 | |
to diagnose my malady on the up and up before I lose my dick! | 0:23:10 | 0:23:14 | |
Skull session tomorrow at the Thick n' Rich. Can you make it? | 0:23:14 | 0:23:18 | |
Aw... | 0:23:18 | 0:23:21 | |
I'm already there, baby. | 0:23:21 | 0:23:24 | |
See ya. | 0:23:24 | 0:23:27 | |
All right. | 0:23:25 | 0:23:27 | |
You're breaking my heart here, Frannie. | 0:23:31 | 0:23:34 | |
Good to see ya, Olden. | 0:23:36 | 0:23:38 | |
SEXUAL MOANS ON FILM | 0:23:38 | 0:23:41 | |
SONG: "Folsom Prison Blues" by Johnny Cash | 0:23:43 | 0:23:46 | |
# But that train keeps a-rollin' On down to San Antone | 0:23:46 | 0:23:49 | |
# When I was just a baby | 0:23:48 | 0:23:51 | |
# My momma told me, "Son, | 0:23:51 | 0:23:53 | |
# Always be a good boy, don't ever play with guns." | 0:23:53 | 0:23:56 | |
# But I shot a man in Reno | 0:23:56 | 0:24:00 | |
# Just to watch him die | 0:24:00 | 0:24:03 | |
# When I hear that whistle blowin', | 0:24:06 | 0:24:09 | |
# I hang my head and cry... # | 0:24:09 | 0:24:11 | |
Critical Bill, man. What the fuck are you doing? | 0:24:17 | 0:24:21 | |
Workin' out. It don't bother HIM much. | 0:24:21 | 0:24:25 | |
What's up with you? Show some respect for the dead! | 0:24:25 | 0:24:28 | |
I knew him when he was alive. He was a mammy-rammer. | 0:24:28 | 0:24:32 | |
Does Carlotti know about this? | 0:24:32 | 0:24:36 | |
Well... | 0:24:34 | 0:24:36 | |
He don't mind much. | 0:24:36 | 0:24:38 | |
Bill, uh, we're doing an action for The Man with the Plan. | 0:24:42 | 0:24:46 | |
Small time. One night. Ten large. | 0:24:48 | 0:24:50 | |
You want in? | 0:24:50 | 0:24:53 | |
Ten large? | 0:24:52 | 0:24:53 | |
Yeah. | 0:24:53 | 0:24:55 | |
Yeah. | 0:24:58 | 0:25:00 | |
OK. | 0:25:00 | 0:25:01 | |
I guess. | 0:25:01 | 0:25:02 | |
Good. | 0:25:02 | 0:25:04 | |
Critical Bill, you still crazy, man? | 0:25:04 | 0:25:07 | |
Cos if you are, | 0:25:07 | 0:25:09 | |
you stay here and beat up on your old friends. We don't need you. | 0:25:09 | 0:25:14 | |
Well, I am what I am. Back of beyond, right? | 0:25:14 | 0:25:17 | |
Same as always. I'm in the back of beyond. | 0:25:19 | 0:25:22 | |
Whatever. | 0:25:22 | 0:25:24 | |
-JOE: -'They call him Critical Bill cos he never went up against a guy | 0:25:34 | 0:25:38 | |
'Bill didn't put him in a critical condition.' | 0:25:38 | 0:25:42 | |
But there never was a better wing man when things got dange. | 0:25:41 | 0:25:46 | |
The boy's got equal parts | 0:25:46 | 0:25:48 | |
of piss, pesticide and pure petroleum jelly in his veins. | 0:25:48 | 0:25:52 | |
The kid's coming in at 10pm on Highway 70. | 0:25:52 | 0:25:55 | |
Olden's gonna get us some uniforms and we got a car. | 0:25:55 | 0:25:59 | |
Olden and me pull the kid over. | 0:25:59 | 0:26:02 | |
Bill, you're with Jimmy and the moving van. | 0:26:02 | 0:26:05 | |
Bring the kid, scare him. That's it. | 0:26:05 | 0:26:08 | |
It is what it is. | 0:26:08 | 0:26:10 | |
We play Cupid to a silver-spooned, simpleton, child-molesting fuck. | 0:26:10 | 0:26:15 | |
That's what it is. But it's good for ten each. Nobody gets hurt. | 0:26:15 | 0:26:20 | |
Give it a name. Any questions? | 0:26:20 | 0:26:22 | |
Got somebody to keep the beat? | 0:26:22 | 0:26:27 | |
DOOR SQUEAKS | 0:26:24 | 0:26:27 | |
Funny you should say that. | 0:26:25 | 0:26:27 | |
Everybody knows Easy Wind! | 0:26:27 | 0:26:30 | |
Look at this! Look at this! The pig brothers from back in the days. | 0:26:30 | 0:26:35 | |
Jimmy the Saint! | 0:26:35 | 0:26:37 | |
Easy does it! | 0:26:37 | 0:26:38 | |
Big bad Franchise! | 0:26:38 | 0:26:41 | |
Brother from another mother! | 0:26:39 | 0:26:41 | |
Pieces Polymeros! | 0:26:41 | 0:26:43 | |
Nobody told me about this booyah! | 0:26:46 | 0:26:48 | |
Nobody told me I'd be humping with no inky-dink. | 0:26:48 | 0:26:53 | |
I can't go with this! | 0:26:51 | 0:26:53 | |
No fuckin' way! | 0:26:53 | 0:26:56 | |
You boys used to be close. | 0:26:54 | 0:26:56 | |
Till we ended up in jail. Homeboy was a faecal freak! | 0:26:56 | 0:27:00 | |
What? | 0:27:00 | 0:27:04 | |
He spent his time raping kids! | 0:27:01 | 0:27:04 | |
Better than being a faecal freak. | 0:27:04 | 0:27:08 | |
What? | 0:27:05 | 0:27:08 | |
Faecal freak! A brown boy! | 0:27:06 | 0:27:08 | |
A dookie taster! | 0:27:08 | 0:27:12 | |
Who the fuck do you think you are?! | 0:27:09 | 0:27:12 | |
Settle down, man! | 0:27:12 | 0:27:16 | |
I'm gonna fuck your brains out! | 0:27:13 | 0:27:16 | |
THEY ARGUE | 0:27:15 | 0:27:18 | |
Cut it out! Cut it out! | 0:27:18 | 0:27:21 | |
There are children here! | 0:27:21 | 0:27:26 | |
Sit down. Get down! We're in a goddamn malt shop! | 0:27:22 | 0:27:26 | |
Sorry, Malt. | 0:27:26 | 0:27:28 | |
Sit down. | 0:27:28 | 0:27:30 | |
It's OK, kids. | 0:27:30 | 0:27:33 | |
Part of the show. | 0:27:34 | 0:27:37 | |
Nice. | 0:27:37 | 0:27:39 | |
Real nice... | 0:27:38 | 0:27:41 | |
Fuckin' shit eater... | 0:27:45 | 0:27:47 | |
GLASS SMASHES | 0:27:49 | 0:27:51 | |
Motherfucker! | 0:27:55 | 0:27:58 | |
Old friends gettin' together. | 0:27:57 | 0:28:00 | |
Kinda brings a tear to the eye, don't it, fellas? | 0:28:02 | 0:28:06 | |
See you around, Slick. Stay cool, Bill. | 0:28:07 | 0:28:10 | |
What's up? | 0:28:10 | 0:28:12 | |
Jimmy, y'know, when we go out there on the highway and brace that kid, | 0:28:12 | 0:28:18 | |
I would... I would really like to be one... | 0:28:18 | 0:28:21 | |
I would like to be one of the cops. | 0:28:21 | 0:28:24 | |
I'm 41 fuckin' years old and they still call me Critical Bill. | 0:28:24 | 0:28:28 | |
I have CHANGED, man. How d'you think that makes me feel? | 0:28:28 | 0:28:32 | |
You're beating up on corpses. | 0:28:32 | 0:28:35 | |
That's the point. Doing it with them bodies keeps my powder dry! | 0:28:35 | 0:28:40 | |
Billy... | 0:28:40 | 0:28:42 | |
It keeps my powder dry! | 0:28:40 | 0:28:42 | |
I haven't touched a live person in years! | 0:28:42 | 0:28:45 | |
Not since I started my exercise programme. | 0:28:45 | 0:28:49 | |
Prison shrinks said I should find a healthy outlet. I found it! | 0:28:49 | 0:28:53 | |
I remember the things in the days. No. | 0:28:53 | 0:28:56 | |
Well, a person can't change? | 0:28:56 | 0:28:59 | |
Word is, YOU'VE changed in a big way. How come nobody else can? | 0:28:59 | 0:29:03 | |
What happened inside? | 0:29:03 | 0:29:07 | |
Oh, come on. Please let me. | 0:29:05 | 0:29:07 | |
C'mon, man, just once. | 0:29:07 | 0:29:09 | |
Olden does all the talking. | 0:29:11 | 0:29:14 | |
Let's get out of here. C'mon. | 0:29:17 | 0:29:19 | |
Thank you, Jimmy. | 0:29:19 | 0:29:22 | |
Yeah, OK. Let's go. | 0:29:20 | 0:29:22 | |
Thank you, Jimmy. | 0:29:22 | 0:29:25 | |
All right. Don't be late. | 0:29:23 | 0:29:25 | |
Thank you, Jimmy. | 0:29:25 | 0:29:27 | |
Why do you teach at Vail? | 0:29:29 | 0:29:32 | |
The clientele at Vail has more money, | 0:29:32 | 0:29:35 | |
so you make great tips on private lessons. | 0:29:35 | 0:29:38 | |
I'm sure you're a fabulous skier. | 0:29:41 | 0:29:44 | |
I get down the mountain. | 0:29:45 | 0:29:48 | |
I'm sure you do. | 0:29:46 | 0:29:48 | |
I've never skied before in my life. | 0:29:48 | 0:29:51 | |
The only "skis" in my neighbourhood were the Polish couple down the hall. | 0:29:51 | 0:29:56 | |
Jimmy! | 0:29:57 | 0:29:58 | |
Jimmy lo Santo Tosnia! | 0:29:58 | 0:30:01 | |
Giovanni! | 0:30:01 | 0:30:03 | |
Where you been? You find a better joint? | 0:30:02 | 0:30:06 | |
I've been a homebody, Sal. | 0:30:06 | 0:30:08 | |
Dagney, Salvatore d'Amago. | 0:30:08 | 0:30:11 | |
Piacere, bella. | 0:30:09 | 0:30:11 | |
Watch it. | 0:30:13 | 0:30:16 | |
Scusi. Torno Sorriento. | 0:30:14 | 0:30:16 | |
For the return of Jimmy the Saint. And the angel who brought him. | 0:30:16 | 0:30:21 | |
Grazie. | 0:30:21 | 0:30:23 | |
ACCORDION STRIKES UP | 0:30:23 | 0:30:25 | |
I'm getting some heavy Lady And The Tramp vibes. | 0:30:25 | 0:30:29 | |
I'll translate. | 0:30:30 | 0:30:32 | |
SINGS IN ITALIAN | 0:30:32 | 0:30:34 | |
Look at the sea. How beautiful. | 0:30:36 | 0:30:39 | |
It inspires such feeling. | 0:30:41 | 0:30:43 | |
Someone you're thinking about. | 0:30:46 | 0:30:49 | |
I don't know what that means. | 0:30:51 | 0:30:54 | |
You say you're leaving. | 0:30:56 | 0:30:58 | |
Far away from my heart. | 0:31:00 | 0:31:02 | |
From our land of love. | 0:31:07 | 0:31:08 | |
You have my heart but you won't return. | 0:31:12 | 0:31:15 | |
Thank you. | 0:31:17 | 0:31:20 | |
You're welcome. | 0:31:18 | 0:31:20 | |
'You didn't buy it, huh?' | 0:31:21 | 0:31:23 | |
No, I didn't! | 0:31:23 | 0:31:25 | |
The maitre d', Sally...? He called you Jimmy the Saint. | 0:31:26 | 0:31:31 | |
Ah, yes. | 0:31:30 | 0:31:31 | |
How come? | 0:31:31 | 0:31:37 | |
Cos I say 11 Our Fathers and a Hail Mary every time I go to bed. | 0:31:32 | 0:31:37 | |
And I never kiss on the first date. | 0:31:37 | 0:31:39 | |
Really? | 0:31:39 | 0:31:42 | |
Sad but true. | 0:31:40 | 0:31:42 | |
You want to come in? | 0:31:44 | 0:31:49 | |
More than I want the ascot to come back into style. | 0:31:45 | 0:31:49 | |
But not tonight. Rules are rules. | 0:31:49 | 0:31:52 | |
I could look at you here for ever. I wouldn't have to do anything else. | 0:31:52 | 0:31:58 | |
Just stand and look at you. | 0:31:58 | 0:32:01 | |
You're a thing to be amazed by. | 0:32:00 | 0:32:03 | |
Good night. | 0:32:14 | 0:32:16 | |
Night. | 0:32:18 | 0:32:20 | |
KNOCK AT DOOR | 0:32:37 | 0:32:39 | |
Hi. | 0:32:42 | 0:32:44 | |
On the way out I happened to notice the time. | 0:32:44 | 0:32:47 | |
It's now 12.04, so...a new day. | 0:32:47 | 0:32:51 | |
So, technically... | 0:32:51 | 0:32:53 | |
It is now our second date. | 0:32:53 | 0:32:55 | |
Rules are rules. | 0:32:55 | 0:32:57 | |
Yes. | 0:32:57 | 0:32:59 | |
-OLD WOMAN: -'Beginnings are always the best. | 0:33:25 | 0:33:28 | |
'When you first start | 0:33:28 | 0:33:30 | |
'to explore each other, to learn.' | 0:33:30 | 0:33:33 | |
Call you later. | 0:33:36 | 0:33:38 | |
'When you watch the phone like it was the TV, waiting for it to ring. | 0:33:38 | 0:33:43 | |
'Oh, the insanity!' | 0:33:43 | 0:33:45 | |
That heartsick insanity. | 0:33:45 | 0:33:47 | |
It always fades eventually, | 0:33:47 | 0:33:50 | |
but, God, while it's happening | 0:33:50 | 0:33:52 | |
'there's nothing like it in the world.' | 0:33:52 | 0:33:56 | |
RADIO PLAYS | 0:33:59 | 0:34:00 | |
# I heard you leave me, baby | 0:34:00 | 0:34:03 | |
# Say you won't be back... # | 0:34:03 | 0:34:05 | |
'Talk to me, Big Man.' | 0:34:05 | 0:34:07 | |
The Big Man is getting older | 0:34:07 | 0:34:09 | |
'on his shoulder.' | 0:34:09 | 0:34:11 | |
Just hang tough. | 0:34:11 | 0:34:13 | |
Enjoy the scenery. It won't be long. | 0:34:13 | 0:34:17 | |
'What fuckin' scenery?' | 0:34:15 | 0:34:17 | |
Nothin' but cow shit and fruit flies. | 0:34:17 | 0:34:21 | |
'Then keep your mouth shut.' | 0:34:20 | 0:34:22 | |
DISTANT THUNDER | 0:34:35 | 0:34:37 | |
Where is this asshole? | 0:34:47 | 0:34:50 | |
ROCK MUSIC PLAYS ON RADIO | 0:34:50 | 0:34:53 | |
# I might never be a king | 0:34:55 | 0:34:57 | |
# May never be a millionaire | 0:34:57 | 0:34:59 | |
# So, baby, I don't care! # | 0:35:04 | 0:35:06 | |
SIREN SCREECHES | 0:35:06 | 0:35:08 | |
Shit! | 0:35:11 | 0:35:13 | |
The orthodontist has landed. | 0:35:28 | 0:35:30 | |
Here we go. | 0:35:30 | 0:35:33 | |
OK, fellas, just stay cool. | 0:35:33 | 0:35:35 | |
'Just bring him down here.' | 0:35:36 | 0:35:38 | |
I'm buying at the Thick. | 0:35:38 | 0:35:40 | |
THUNDER RUMBLES | 0:35:40 | 0:35:42 | |
Nice. | 0:35:45 | 0:35:47 | |
THUNDER CRASHES | 0:35:47 | 0:35:50 | |
Ah, shit... | 0:35:50 | 0:35:52 | |
You don't say dick, all right? Not dick. | 0:35:56 | 0:35:59 | |
My lips are locked. | 0:35:59 | 0:36:01 | |
The key is in the river. | 0:36:01 | 0:36:03 | |
RADIO PLAYS | 0:36:10 | 0:36:12 | |
Licence and registration. | 0:36:21 | 0:36:23 | |
What was I doing wrong? | 0:36:23 | 0:36:27 | |
Licence and registration. | 0:36:25 | 0:36:27 | |
HE SWITCHES RADIO OFF | 0:36:30 | 0:36:32 | |
You want to step from the vehicle, son? | 0:36:37 | 0:36:41 | |
Why? | 0:36:41 | 0:36:44 | |
Step from the vehicle. | 0:36:43 | 0:36:44 | |
Can I see some ID, please? | 0:36:48 | 0:36:50 | |
Now, son... | 0:36:50 | 0:36:52 | |
I know my rights. And some guys impersonate cops, to rob people. | 0:36:52 | 0:36:57 | |
I'm from LA. I know. I know my rights. Let me see some ID. | 0:36:57 | 0:37:01 | |
That's...not the way we do things here. | 0:37:01 | 0:37:05 | |
I don't like how your uniforms fit. | 0:37:05 | 0:37:07 | |
You wanna take that bass out of your voice, boy. | 0:37:07 | 0:37:11 | |
I got this under control here. | 0:37:11 | 0:37:13 | |
Son, we need some co-operation. | 0:37:15 | 0:37:18 | |
Maybe I'm a complete asshole, | 0:37:18 | 0:37:20 | |
but doesn't the highway fall to the STATE police? | 0:37:20 | 0:37:24 | |
It does, doesn't it? | 0:37:24 | 0:37:27 | |
Well, what are a couple of | 0:37:27 | 0:37:29 | |
Denver police doing way out here? | 0:37:29 | 0:37:32 | |
It's early yet. | 0:37:32 | 0:37:34 | |
I got a bad feeling, Jimmy. | 0:37:34 | 0:37:36 | |
THUNDER ROLLS | 0:37:37 | 0:37:39 | |
How's it looking, Big Man? | 0:37:39 | 0:37:41 | |
They're havin' a little chat. Lookin' good. | 0:37:41 | 0:37:45 | |
What's your badge number? | 0:37:45 | 0:37:47 | |
Come on. Let's just be easy about this... | 0:37:47 | 0:37:50 | |
Cos it seems to me | 0:37:50 | 0:37:52 | |
on a night like this - it's just my opinion - | 0:37:52 | 0:37:56 | |
you'd have Department-issue raincoats, hat guards... | 0:37:56 | 0:38:00 | |
What's up? You couldn't steal those? | 0:38:00 | 0:38:03 | |
We're cops. | 0:38:03 | 0:38:07 | |
You're cops? | 0:38:04 | 0:38:07 | |
Listen, kid... | 0:38:05 | 0:38:07 | |
Whoa! Time out! What is up with your fingers, man? | 0:38:07 | 0:38:11 | |
Carpentry accident. | 0:38:12 | 0:38:15 | |
Carpentry accident? | 0:38:15 | 0:38:17 | |
OK, so tell me, Officer Leper, how are things... | 0:38:17 | 0:38:20 | |
You wanna see some ID?! I'll give you fuckin' ID! | 0:38:20 | 0:38:24 | |
Fuckin' ID! | 0:38:24 | 0:38:26 | |
Stop it, Billy! | 0:38:25 | 0:38:28 | |
I ain't a cop, am I?! | 0:38:28 | 0:38:30 | |
The kid's out of the van. | 0:38:31 | 0:38:33 | |
I'll make him fuckin' believe! | 0:38:35 | 0:38:38 | |
Billy! Billy! | 0:38:37 | 0:38:39 | |
You're goddamn right I will! | 0:38:39 | 0:38:43 | |
Billy, easy, easy! | 0:38:41 | 0:38:43 | |
Do you?! Do you, boy?! | 0:38:43 | 0:38:46 | |
OK, Billy, it's OK! | 0:38:44 | 0:38:46 | |
It's OK. | 0:38:46 | 0:38:48 | |
Let's go. Stop it! | 0:38:48 | 0:38:50 | |
You fuckin' faecal freak. Don't fuckin' do it! | 0:38:50 | 0:38:54 | |
Let's go! It's OK! | 0:38:54 | 0:38:56 | |
It's OK. | 0:38:56 | 0:38:58 | |
Let's go. Come on! | 0:39:01 | 0:39:03 | |
Dumb fuckin' cracker! | 0:39:16 | 0:39:19 | |
Put the knife down, | 0:39:22 | 0:39:24 | |
damnit! | 0:39:24 | 0:39:25 | |
What the fuck is that?! | 0:39:25 | 0:39:27 | |
Surprise... Billy tripped a brain wire(!) | 0:39:27 | 0:39:30 | |
Are you pointing a gun at me?! | 0:39:30 | 0:39:35 | |
Put the blade down! | 0:39:32 | 0:39:35 | |
I'll shoot you! I will shoot you! | 0:39:34 | 0:39:37 | |
We got a thing. Brown boy wants to do some wrecking. | 0:39:38 | 0:39:41 | |
Shit! Fuck! I knew it! | 0:39:41 | 0:39:45 | |
Get over there, Big Man. | 0:39:43 | 0:39:45 | |
'Right now.' | 0:39:45 | 0:39:47 | |
I'm not fuckin' believing this! | 0:39:47 | 0:39:49 | |
Earl, talk to me! Earl! | 0:39:53 | 0:39:56 | |
Fuck, man, we're fucked! | 0:39:57 | 0:39:59 | |
HE DROPS KNIFE | 0:40:03 | 0:40:05 | |
Stupid cunt. | 0:40:07 | 0:40:09 | |
Bill! | 0:40:14 | 0:40:15 | |
No! | 0:40:19 | 0:40:21 | |
What the fuck?! | 0:40:38 | 0:40:40 | |
Don't tell me. This is Meg. | 0:40:44 | 0:40:47 | |
Ohh! | 0:40:48 | 0:40:50 | |
They did it, J. They fucked it. They fucked it all! | 0:40:50 | 0:40:54 | |
'They're dead. Fuckin' dead! I'm standing here with dead bodies! | 0:40:54 | 0:41:00 | |
'They're kids. They're fuckin' kids!' | 0:41:00 | 0:41:03 | |
Two of 'em! | 0:41:03 | 0:41:05 | |
What the fuck did you do?! | 0:41:05 | 0:41:07 | |
How the hell did she go and sleep through this whole goddamn thing? | 0:41:07 | 0:41:12 | |
We gotta clean this shit up, man. | 0:41:12 | 0:41:15 | |
We gotta clean this shit up! C'mon, Pieces! | 0:41:15 | 0:41:18 | |
'The fuckin' booyah. The brown boy!' | 0:41:29 | 0:41:32 | |
He cut that kid's throat for no reason! | 0:41:32 | 0:41:37 | |
Hey, he called Pieces a leper! | 0:41:34 | 0:41:37 | |
We don't stand up for each other, we're gone! | 0:41:37 | 0:41:40 | |
You mudflaps are dying off cos you don't stand up for each other! | 0:41:40 | 0:41:46 | |
You crazy bitch! | 0:41:43 | 0:41:46 | |
< ARGUING CONTINUES | 0:41:46 | 0:41:48 | |
Sorry, Boris. | 0:41:54 | 0:41:55 | |
You know how this works. The intended decedent goes on top. | 0:41:55 | 0:42:00 | |
Your whacks go in the bottom. | 0:42:00 | 0:42:02 | |
The bereaved family never knows | 0:42:02 | 0:42:05 | |
their beloved is to spend eternity with a hit vic. | 0:42:05 | 0:42:08 | |
You putting one down tomorrow? | 0:42:08 | 0:42:12 | |
Thomas Donahue, dry cleaner. | 0:42:10 | 0:42:12 | |
You pulled a gun on me! | 0:42:12 | 0:42:16 | |
You're gonna be fuckin' dead! | 0:42:13 | 0:42:16 | |
INAUDIBLE | 0:42:16 | 0:42:18 | |
'I don't see how it's our fault.' | 0:42:30 | 0:42:33 | |
The Man's intelligence said she wouldn't be in the van. | 0:42:33 | 0:42:37 | |
How the fuck were we supposed to know? | 0:42:37 | 0:42:40 | |
This whole thing's been bullshit from the start. | 0:42:40 | 0:42:44 | |
-WOMAN: -'Talk about what's compelling. About... | 0:43:03 | 0:43:07 | |
'..how one... | 0:43:07 | 0:43:11 | |
'visit to the doctor's can change your life. You can be thinking' | 0:43:11 | 0:43:16 | |
about two million things - | 0:43:16 | 0:43:18 | |
work or the man you're dating or your family or... | 0:43:18 | 0:43:22 | |
the latest Kevin Costner picture. | 0:43:22 | 0:43:25 | |
And all of a sudden you feel a lump. | 0:43:25 | 0:43:27 | |
And you go to the doctor's and... | 0:43:29 | 0:43:31 | |
..in the course of a single office visit, everything changes. | 0:43:32 | 0:43:38 | |
You tell me there's a worse word than "malignant". | 0:43:40 | 0:43:44 | |
I don't think so. I really...don't think so. | 0:43:44 | 0:43:47 | |
DIALLING | 0:43:47 | 0:43:49 | |
PHONE RINGS | 0:43:50 | 0:43:52 | |
-ANSWER MACHINE MESSAGE: -'This is Dagney. | 0:43:56 | 0:43:58 | |
'Leave me a message and I'll call you back.' | 0:43:58 | 0:44:02 | |
SIREN BLARES | 0:44:02 | 0:44:04 | |
You remember Lieutenant Atwater, Jimmy? | 0:44:24 | 0:44:27 | |
Hello, Jimmy. | 0:44:27 | 0:44:29 | |
"An action. Not a piece of work." I said that. | 0:44:39 | 0:44:44 | |
Did I not say that? | 0:44:44 | 0:44:47 | |
Sir, if I can explain. | 0:44:45 | 0:44:47 | |
Don't "Sir" me, Jim! | 0:44:47 | 0:44:49 | |
You gonna beg? | 0:44:52 | 0:44:54 | |
Then get down on your knees in your pretty suit and beg. | 0:44:55 | 0:45:00 | |
Grovel! | 0:45:00 | 0:45:02 | |
You asked me back in. | 0:45:01 | 0:45:03 | |
I'm taking you out. | 0:45:04 | 0:45:06 | |
So that's it? These two will stab me in a crowded Italian restaurant, | 0:45:10 | 0:45:15 | |
garotte me in my sleep? | 0:45:15 | 0:45:17 | |
Never. | 0:45:17 | 0:45:19 | |
Not these two and not that way. We go back, me and you. | 0:45:25 | 0:45:29 | |
You lent the operation a modicum of class in the days. That's why. | 0:45:29 | 0:45:35 | |
The milk of human kindness I'm giving you. And out. | 0:45:35 | 0:45:39 | |
You got 48 hours. Put it in the wind. | 0:45:39 | 0:45:43 | |
Leave Denver. | 0:45:46 | 0:45:48 | |
Go to Rome, to the Vatican. Pray to the God you abandoned in Brooklyn. | 0:45:48 | 0:45:53 | |
Just put it in the fuckin' wind! | 0:45:53 | 0:45:55 | |
Or else I gotta do you, too. | 0:45:55 | 0:45:57 | |
What about the others? | 0:45:57 | 0:46:01 | |
Buckwheats. | 0:45:59 | 0:46:01 | |
It wasn't their fault. They followed my orders. I take responsibility. | 0:46:03 | 0:46:09 | |
Lovely... | 0:46:09 | 0:46:11 | |
You're not a human being, you're a waltz. | 0:46:11 | 0:46:15 | |
Buckwheats, Jim, for your miserable band of misfits. | 0:46:17 | 0:46:22 | |
Buck-fucking-wheats! | 0:46:22 | 0:46:24 | |
THEY GROAN | 0:46:40 | 0:46:42 | |
VICAR: ..Death is not something to be... > | 0:46:55 | 0:46:59 | |
Check it out. | 0:46:59 | 0:47:01 | |
Little Lord Homicide. | 0:47:01 | 0:47:03 | |
Any word? | 0:47:07 | 0:47:10 | |
Here it comes. | 0:47:08 | 0:47:10 | |
VICAR: ..Experience teaches us this affliction knows no bounds... > | 0:47:18 | 0:47:23 | |
I'm dying here, Jimmy. | 0:47:23 | 0:47:25 | |
Give it to us straight, Slick. | 0:47:25 | 0:47:28 | |
Buckwheats. | 0:47:29 | 0:47:31 | |
What? | 0:47:31 | 0:47:33 | |
Buckwheats. | 0:47:32 | 0:47:33 | |
Oh, my God... | 0:47:35 | 0:47:37 | |
He said that? | 0:47:38 | 0:47:42 | |
That's what he said. Buckwheats. | 0:47:39 | 0:47:42 | |
Let's take his fuckin' ass out. | 0:47:42 | 0:47:45 | |
Shut the fuck up! You got us in this shit in the first place. | 0:47:45 | 0:47:49 | |
It's impossible. Since he got shot, his security is insane. | 0:47:49 | 0:47:53 | |
Easier to get the President. | 0:47:53 | 0:47:55 | |
What do we do? | 0:47:55 | 0:47:59 | |
Leave town, | 0:47:57 | 0:47:59 | |
go under. I'm talking to some people. You'll be safe. | 0:47:59 | 0:48:02 | |
Buckwheats for all of us, Jimmy? | 0:48:05 | 0:48:07 | |
Even you? | 0:48:07 | 0:48:09 | |
All of us, Frannie. Even me. | 0:48:12 | 0:48:14 | |
-JOE: -'Buckwheats is another animal. | 0:48:16 | 0:48:18 | |
'Guy orders a buckwheats, you don't just | 0:48:18 | 0:48:21 | |
'take the guy out. You take him out as painfully as possible. | 0:48:21 | 0:48:26 | |
'It means he should suffer.' | 0:48:26 | 0:48:28 | |
Typical buckwheat hit is to shoot a guy up the ass. | 0:48:28 | 0:48:32 | |
Yeah. Ba-bing! | 0:48:32 | 0:48:34 | |
Slug up the ass, you don't die, so much as contort for 15 minutes. | 0:48:34 | 0:48:39 | |
Then you die. | 0:48:39 | 0:48:41 | |
I imagine it's like crapping white-hot razor blades, y'know? | 0:48:41 | 0:48:46 | |
Urgh... Ooh. | 0:48:47 | 0:48:49 | |
You want to take care of business, you gotta do it in close. | 0:48:50 | 0:48:55 | |
You can't shit where you eat. | 0:48:55 | 0:48:57 | |
'Hear what I'm sayin'? | 0:48:57 | 0:49:00 | |
'I hear tell, Man with the Plan put it on front street. | 0:49:00 | 0:49:04 | |
'Called in a guy from El Paso, a Mr Shhh. | 0:49:04 | 0:49:08 | |
'They call him Mr Shhh cos he don't say much. | 0:49:08 | 0:49:11 | |
'Can't even see his face. Won't say five words unless you beg him. | 0:49:11 | 0:49:16 | |
'He's a turtle. Yeah, I would've called him that - the Turtle. | 0:49:16 | 0:49:21 | |
'He's a turtle. | 0:49:21 | 0:49:23 | |
'The most lethal contract killer west of the Mississippi. | 0:49:23 | 0:49:28 | |
'They say he's clipped over 200 believers.' | 0:49:29 | 0:49:33 | |
< GROANING | 0:49:33 | 0:49:35 | |
What's up, bro? What do you need? | 0:49:46 | 0:49:49 | |
What can I get for ya? | 0:49:49 | 0:49:51 | |
'Yes, sir, when Mr Shhh accepts your buckwheats paper, | 0:50:05 | 0:50:10 | |
you kiss the day goodbye and get cosy with eternity.' | 0:50:10 | 0:50:14 | |
You sure about this shit? | 0:50:16 | 0:50:18 | |
Yeah. I was by the Lazy Bird today. Baby Sinister is definitely | 0:50:18 | 0:50:22 | |
with the programme. | 0:50:22 | 0:50:24 | |
Baby Sinister hates my fuckin' guts. | 0:50:24 | 0:50:27 | |
He owes me. And the idea of getting The Man crossed up appeals to him. | 0:50:27 | 0:50:32 | |
He's bug-fuckin' crazy, man. All the way. | 0:50:32 | 0:50:35 | |
So is The Man with the Plan, Earl. They're all bug-fuckin' crazy. | 0:50:35 | 0:50:40 | |
How do you think they got to be big noises? | 0:50:40 | 0:50:43 | |
Baby inside? | 0:50:46 | 0:50:50 | |
Yeah. | 0:50:47 | 0:50:50 | |
Let me see him. I'm clean. | 0:50:48 | 0:50:50 | |
OK, we're cool. Let's go. C'mon. | 0:51:00 | 0:51:03 | |
Damn. When your saviours look like those motherfuckers, | 0:51:10 | 0:51:14 | |
you know you stepped in it one time too many. | 0:51:14 | 0:51:17 | |
When you was a kid, you'd spend the year waiting for summer vacation. | 0:51:19 | 0:51:24 | |
Then it'd come and fly by just like that. | 0:51:24 | 0:51:27 | |
Hm. | 0:51:27 | 0:51:28 | |
It's funny, Jimmy. | 0:51:30 | 0:51:32 | |
Life has a way of passing by faster than any old summer vacation. | 0:51:32 | 0:51:37 | |
It really fuckin' does. | 0:51:37 | 0:51:39 | |
Give me a squeeze, Big Man. | 0:51:43 | 0:51:45 | |
Give me some. | 0:51:51 | 0:51:53 | |
# I can drop ones and twos and threes and fours | 0:51:56 | 0:52:00 | |
# And still have something left for encores | 0:52:00 | 0:52:02 | |
# Once my mind locks in on a dope idea | 0:52:02 | 0:52:05 | |
# Motherfuckin' dutch | 0:52:05 | 0:52:06 | |
# She's stayin' clear | 0:52:06 | 0:52:07 | |
# Cos I'm gonna hit the top at point blank | 0:52:07 | 0:52:09 | |
# You'd better keep your shank | 0:52:09 | 0:52:11 | |
# Cos I got mine and I'm out on the solo creek | 0:52:11 | 0:52:15 | |
# Your face is concrete | 0:52:15 | 0:52:17 | |
# You wanna roll with the niggers that don't play... # | 0:52:17 | 0:52:20 | |
SONG: "Bittersweet" by Big Head Todd & the Monsters | 0:52:20 | 0:52:24 | |
# I have known in the breeze | 0:52:24 | 0:52:26 | |
# She can't see me watchin'... # | 0:52:29 | 0:52:31 | |
Four beers, please. | 0:52:33 | 0:52:35 | |
# I'm thinkin' | 0:52:35 | 0:52:37 | |
# Liar... | 0:52:37 | 0:52:39 | |
# Liar... | 0:52:40 | 0:52:42 | |
# Liar... | 0:52:44 | 0:52:46 | |
# Liar... # | 0:52:48 | 0:52:50 | |
Jimmy! | 0:52:55 | 0:52:57 | |
Where are you goin'? | 0:53:07 | 0:53:08 | |
Gotta meet a friend. | 0:53:12 | 0:53:15 | |
Oh. | 0:53:13 | 0:53:15 | |
Who's that, uh, good-looking fella you came in with? Is that Chip? | 0:53:20 | 0:53:25 | |
Alex. | 0:53:25 | 0:53:26 | |
He has a gameshow-host look to him. | 0:53:27 | 0:53:30 | |
Does he have his own gameshow? | 0:53:30 | 0:53:33 | |
Wanna go somewhere? | 0:53:34 | 0:53:36 | |
1988. It's a good year. | 0:53:47 | 0:53:49 | |
I think. | 0:53:49 | 0:53:51 | |
Is it the odd years or the even years? | 0:53:52 | 0:53:55 | |
I don't know. | 0:53:55 | 0:53:57 | |
You don't know? I thought you knew everything. | 0:53:57 | 0:54:01 | |
Uh-huh. | 0:54:02 | 0:54:04 | |
Still ticking? | 0:54:14 | 0:54:17 | |
Sorry. | 0:54:17 | 0:54:19 | |
Are you OK? | 0:54:21 | 0:54:22 | |
Timing is everything. | 0:54:25 | 0:54:27 | |
What? | 0:54:29 | 0:54:30 | |
You can go years without a Dagney. | 0:54:34 | 0:54:37 | |
You can be a man armed with only a fork in a land of soup. | 0:54:39 | 0:54:44 | |
And then one day you meet one. | 0:54:44 | 0:54:46 | |
You see one. | 0:54:47 | 0:54:49 | |
And then... | 0:54:51 | 0:54:53 | |
And then what? | 0:54:54 | 0:54:56 | |
Hm... | 0:55:03 | 0:55:05 | |
I gotta go. | 0:55:05 | 0:55:07 | |
Now? | 0:55:09 | 0:55:10 | |
Yeah, now. | 0:55:11 | 0:55:13 | |
Sorry. | 0:55:41 | 0:55:43 | |
Olden! | 0:56:20 | 0:56:22 | |
-< -Hello, Jim! | 0:56:23 | 0:56:25 | |
Look at you. | 0:56:32 | 0:56:35 | |
Olden... | 0:56:36 | 0:56:38 | |
How are you? | 0:56:39 | 0:56:42 | |
I'm all right. | 0:56:40 | 0:56:42 | |
I can see that. | 0:56:42 | 0:56:44 | |
You seen Critical Bill? I can't find him anywhere. | 0:56:44 | 0:56:48 | |
Um, I haven't seen him. | 0:56:48 | 0:56:50 | |
Listen, I have something for you. | 0:56:50 | 0:56:53 | |
What's going on? | 0:56:54 | 0:56:56 | |
Charter flight in the morning. Lay over in Rome - | 0:56:59 | 0:57:04 | |
Ah, get outta here! | 0:57:02 | 0:57:04 | |
Greek Islands. Moussaka on Mykonos tomorrow night! | 0:57:04 | 0:57:09 | |
I don't think so, Jimmy. | 0:57:07 | 0:57:09 | |
No more porn, or guys stroking it around you. The blue Mediterranean. | 0:57:09 | 0:57:14 | |
Ah, Jimmy... | 0:57:14 | 0:57:17 | |
What? | 0:57:15 | 0:57:17 | |
I-I ain't gonna run. | 0:57:16 | 0:57:17 | |
What are you talking about, Olden? | 0:57:17 | 0:57:21 | |
I've been thinking... | 0:57:19 | 0:57:21 | |
Olden, listen to me. | 0:57:21 | 0:57:23 | |
I've been thinking about this guy - | 0:57:23 | 0:57:26 | |
my neighbour next door, a few years ago. A citizen. | 0:57:26 | 0:57:31 | |
Never married, no kids. | 0:57:31 | 0:57:33 | |
Just a sweet guy. | 0:57:33 | 0:57:36 | |
And he got a cancer. A bad one. | 0:57:36 | 0:57:39 | |
He was dyin'. | 0:57:40 | 0:57:42 | |
I've been thinking about him. | 0:57:42 | 0:57:44 | |
Thinkin' how if, in his last days | 0:57:44 | 0:57:48 | |
when he was...laying on the bed, | 0:57:47 | 0:57:50 | |
staring at the ceiling in his shitty little apartment, | 0:57:50 | 0:57:55 | |
knowin' he was gonna die... | 0:57:54 | 0:57:57 | |
..was he sorry he never did nothin'? | 0:57:58 | 0:58:01 | |
Was he sorry that he never did the foxtrot | 0:58:03 | 0:58:06 | |
with a 2,000-a-night hooker in a Paris nightclub? | 0:58:06 | 0:58:11 | |
Jimmy... WE did the things. | 0:58:13 | 0:58:16 | |
I appreciate what you're saying. But... | 0:58:16 | 0:58:19 | |
I need you on this island, man. | 0:58:19 | 0:58:22 | |
Jimmy, Jimmy... | 0:58:22 | 0:58:24 | |
I need you there. | 0:58:24 | 0:58:25 | |
I-I... I don't... | 0:58:25 | 0:58:28 | |
I don't have any regrets. | 0:58:28 | 0:58:31 | |
I'm not gonna stare up at the ceiling. | 0:58:31 | 0:58:34 | |
Maybe I coulda been a better old man to my kids. | 0:58:35 | 0:58:39 | |
Maybe I shouldn't have pulled as much time as I did. | 0:58:39 | 0:58:42 | |
But, shit, Jimmy... | 0:58:42 | 0:58:44 | |
We did the things. | 0:58:44 | 0:58:46 | |
Them days... | 0:58:46 | 0:58:49 | |
I had a snap-brim hat! | 0:58:49 | 0:58:51 | |
You walked into a joint... | 0:58:51 | 0:58:53 | |
Ah! Forget about it! | 0:58:53 | 0:58:56 | |
Olden, I want you to take this money, please. | 0:58:56 | 0:58:59 | |
Take it. | 0:58:59 | 0:59:01 | |
You keep it. | 0:59:01 | 0:59:03 | |
You do something good with it. | 0:59:03 | 0:59:06 | |
I'm all right. | 0:59:09 | 0:59:11 | |
This is what I wanted to tell ya, Jim. | 0:59:12 | 0:59:15 | |
You all right? | 0:59:18 | 0:59:19 | |
Ah... | 0:59:19 | 0:59:21 | |
I'm OK. | 0:59:23 | 0:59:24 | |
Well... | 0:59:27 | 0:59:29 | |
Olden! | 0:59:36 | 0:59:38 | |
Did you really do the foxtrot with a 2,000-a-night hooker | 0:59:38 | 0:59:42 | |
in a Paris nightclub? | 0:59:42 | 0:59:44 | |
What do you think, Jimmy? | 0:59:45 | 0:59:47 | |
Olden... | 0:59:50 | 0:59:51 | |
Boat drinks. | 0:59:53 | 0:59:55 | |
Boat drinks, Jimmy. | 0:59:56 | 0:59:58 | |
-JOE: -'"Boat drinks." That's a common toast in prison - an ideal. | 1:00:02 | 1:00:07 | |
'At the end of a long, bad life, there you are.' | 1:00:07 | 1:00:10 | |
On a big cabin cruiser somewhere in the Florida Keys, | 1:00:10 | 1:00:15 | |
havin' boat drinks. | 1:00:15 | 1:00:17 | |
You seen Bill Dolittle around? | 1:00:23 | 1:00:27 | |
No, man, I ain't seen nobody. | 1:00:25 | 1:00:27 | |
I don't know where he is. | 1:00:27 | 1:00:29 | |
Where you runnin' to? | 1:00:29 | 1:00:31 | |
Nowhere. | 1:00:30 | 1:00:31 | |
Nowhere, huh? What's the matter with you? | 1:00:31 | 1:00:35 | |
What's the matter with YOU? | 1:00:35 | 1:00:37 | |
Turn around. | 1:00:37 | 1:00:38 | |
Why? | 1:00:38 | 1:00:42 | |
Turn around! | 1:00:39 | 1:00:42 | |
Jimmy! | 1:00:40 | 1:00:42 | |
Turn around! | 1:00:42 | 1:00:45 | |
There! OK? | 1:00:43 | 1:00:45 | |
Come here. | 1:00:45 | 1:00:46 | |
Come here. Let me see. | 1:00:46 | 1:00:48 | |
Man, what's it to you? Got a dollar for me? | 1:00:48 | 1:00:51 | |
Turn around. Let me see. | 1:00:51 | 1:00:53 | |
The other way. Don't fuck with me! | 1:00:53 | 1:00:55 | |
Fuck, Jimmy! | 1:00:55 | 1:00:58 | |
Let me see! | 1:00:56 | 1:00:58 | |
What happened? | 1:00:58 | 1:01:04 | |
Fuck, nothing, all right?! The same old fucking shit. A bad beat. | 1:00:59 | 1:01:04 | |
It was fuckin' uptown fuckin' motherfuckers. | 1:01:04 | 1:01:08 | |
He's a regular. He had a little party with a couple of beer bottles. | 1:01:08 | 1:01:13 | |
Oh, nice(!) Beer bottles? | 1:01:13 | 1:01:15 | |
I told him. "Lucinda doesn't take no shit that way." | 1:01:15 | 1:01:19 | |
Then he did what he wanted | 1:01:19 | 1:01:21 | |
and...he took me out back and he alley-whipped me. I'm fine. | 1:01:21 | 1:01:26 | |
Happy with yourself? Exciting life, eh? | 1:01:26 | 1:01:30 | |
Fuck you! | 1:01:29 | 1:01:30 | |
Get in the fuckin' car! | 1:01:30 | 1:01:35 | |
Fuck you! I don't need this shit! | 1:01:31 | 1:01:35 | |
Get in the fuckin' car! | 1:01:33 | 1:01:35 | |
Get in the car! Get in...! | 1:01:35 | 1:01:37 | |
Get in the fucking car! | 1:01:37 | 1:01:42 | |
One day I'm gonna fuckin' kill you! | 1:01:39 | 1:01:42 | |
Get in the fucking car! Shut the fuck up! | 1:01:42 | 1:01:45 | |
Fuck you! | 1:01:44 | 1:01:46 | |
What's his name? | 1:01:46 | 1:01:48 | |
What is his name? | 1:01:48 | 1:01:50 | |
WHAT is his name? | 1:01:50 | 1:01:53 | |
I don't know. | 1:01:51 | 1:01:53 | |
You know where he works but not his name? | 1:01:53 | 1:01:57 | |
I don't fuckin' know! | 1:01:55 | 1:01:57 | |
Where are the accounts, please? | 1:01:57 | 1:02:00 | |
Um... | 1:01:58 | 1:02:00 | |
The accountants. Where are they? | 1:02:00 | 1:02:04 | |
Er, they're down the hall. | 1:02:02 | 1:02:04 | |
Hey! | 1:02:04 | 1:02:05 | |
Jimmy, fuck you! | 1:02:05 | 1:02:07 | |
Is that him? | 1:02:07 | 1:02:10 | |
No! | 1:02:08 | 1:02:10 | |
..software package can be applicable to... | 1:02:13 | 1:02:16 | |
Point him out. | 1:02:18 | 1:02:20 | |
Point him out. | 1:02:20 | 1:02:24 | |
He's that guy over there. The blond guy. | 1:02:21 | 1:02:24 | |
You like it rough? | 1:02:36 | 1:02:38 | |
See that? | 1:02:40 | 1:02:42 | |
See her? Remember? You remember that girl? | 1:02:42 | 1:02:46 | |
Know what this maggot did? | 1:02:46 | 1:02:48 | |
SIT THE FUCK...! SIT DOWN! | 1:02:48 | 1:02:50 | |
Huh? You wanna tell 'em what you did?! | 1:02:50 | 1:02:53 | |
He took a bottle, not unlike this bottle, | 1:02:56 | 1:03:00 | |
and he put it in places where you're not supposed to put bottles. | 1:03:00 | 1:03:05 | |
How'd you like it if I did it to you? | 1:03:06 | 1:03:09 | |
You'd like that? How'd you like it if I put this bottle up your arse?! | 1:03:09 | 1:03:14 | |
To take a dump, you'd need a nickel deposit! | 1:03:14 | 1:03:18 | |
Come on, let's try it! | 1:03:18 | 1:03:20 | |
Jimmy! Jimmy! | 1:03:20 | 1:03:23 | |
He wouldn't charge, even though you dogged him out? | 1:03:30 | 1:03:35 | |
The alternative was nasty. | 1:03:33 | 1:03:35 | |
He had a wife, a kid AND a mistress. | 1:03:35 | 1:03:40 | |
Ooh! A wife and a mistress? | 1:03:37 | 1:03:40 | |
Those were the days, eh? | 1:03:40 | 1:03:43 | |
Oh, shit... | 1:03:42 | 1:03:43 | |
Mooncalf alert. | 1:03:43 | 1:03:46 | |
Hey, Jimmy. | 1:03:54 | 1:03:56 | |
Jimmy the Saint. | 1:03:57 | 1:03:59 | |
Hey, Jimmy, can I have a word with you for a minute? | 1:04:04 | 1:04:09 | |
What's up, Bernard? | 1:04:09 | 1:04:11 | |
I mean, in private, Jimmy. | 1:04:12 | 1:04:15 | |
No offence. | 1:04:15 | 1:04:17 | |
'I'm very upset, Jimmy.' | 1:04:21 | 1:04:23 | |
I know that. I heard about Meg. | 1:04:23 | 1:04:26 | |
Oh, it's unbelievably sad. It's a heartbreak. | 1:04:26 | 1:04:30 | |
She's missing. I don't know what to do. | 1:04:30 | 1:04:32 | |
My letters come back, "Return to sender". | 1:04:32 | 1:04:35 | |
I sent her flowers. They came back - dead. | 1:04:35 | 1:04:39 | |
Be patient. | 1:04:41 | 1:04:43 | |
She'll turn up. | 1:04:43 | 1:04:46 | |
Jimmy the Saint. | 1:04:44 | 1:04:46 | |
HE LAUGHS | 1:04:46 | 1:04:48 | |
Hey, look, I just need some advice, you know - to get on through it. | 1:04:50 | 1:04:56 | |
I mean, I love her, Jimmy. | 1:04:55 | 1:04:58 | |
I just want to talk to her. I just want to hear her say... | 1:04:59 | 1:05:03 | |
"Bernard, I'm happy now. I love this guy. But I'm happy now." | 1:05:03 | 1:05:08 | |
If I could hear her say that, I'd get on with the rest of my life. | 1:05:08 | 1:05:13 | |
You see, her happiness is more important to me than my happiness. | 1:05:16 | 1:05:21 | |
You understand? | 1:05:21 | 1:05:23 | |
I understand. It's very noble of you. | 1:05:24 | 1:05:27 | |
Thank you. | 1:05:27 | 1:05:29 | |
She'll turn up. And you can tell her how you feel. | 1:05:33 | 1:05:37 | |
Just be patient. | 1:05:37 | 1:05:39 | |
Yeah... You're right. | 1:05:39 | 1:05:41 | |
Thanks, Jimmy. | 1:05:43 | 1:05:45 | |
Y'know, I like that thing you said about being noble. | 1:05:46 | 1:05:50 | |
I could be noble. | 1:05:50 | 1:05:52 | |
I mean, you... YOU'RE noble. | 1:05:54 | 1:05:57 | |
Hey... | 1:06:00 | 1:06:02 | |
Hey... | 1:06:04 | 1:06:05 | |
You wanna go bowl a few strings with me some time? | 1:06:05 | 1:06:09 | |
Yeah. | 1:06:09 | 1:06:11 | |
Yeah? Diamond Mike Ettlers. | 1:06:11 | 1:06:14 | |
Yeah, I know it. | 1:06:12 | 1:06:14 | |
All Strike Lanes. | 1:06:14 | 1:06:16 | |
On Brownville. | 1:06:16 | 1:06:18 | |
OK. I'll call you. We'll bowl a few frames. | 1:06:18 | 1:06:21 | |
Great. | 1:06:21 | 1:06:23 | |
That's great. | 1:06:25 | 1:06:26 | |
OK. | 1:06:25 | 1:06:26 | |
Thanks again. | 1:06:26 | 1:06:28 | |
Jimmy the Saint. | 1:06:30 | 1:06:32 | |
I arranged this thing with Petey Weed for you guys to go to Canada. | 1:06:42 | 1:06:47 | |
I appreciate what you're doing, I really do, | 1:06:49 | 1:06:52 | |
but I got everything under control. | 1:06:52 | 1:06:55 | |
Now, get out of here yourself or you're gonna end up terminal. | 1:06:55 | 1:06:59 | |
Gotta find Bill first. | 1:06:59 | 1:07:01 | |
Yeah, whatever. | 1:07:01 | 1:07:04 | |
DOOR SQUEAKS | 1:07:04 | 1:07:07 | |
Come here. | 1:07:05 | 1:07:07 | |
Take this. | 1:07:13 | 1:07:15 | |
What's that? Your boat fund money? | 1:07:16 | 1:07:20 | |
Take the money. | 1:07:18 | 1:07:20 | |
I can't. | 1:07:20 | 1:07:24 | |
Please. | 1:07:20 | 1:07:24 | |
No, Jimmy, I can't. | 1:07:22 | 1:07:24 | |
WOMAN MOANS ON FILM | 1:07:55 | 1:07:57 | |
WOMAN ON FILM: 'Oh, baby, I love you! | 1:07:57 | 1:08:00 | |
'You're so good to me! | 1:08:00 | 1:08:02 | |
'You're so hard, you're so strong, you make me so wet. | 1:08:02 | 1:08:07 | |
'I love it...' | 1:08:07 | 1:08:08 | |
RUMBLING | 1:08:14 | 1:08:17 | |
CREAKING | 1:08:35 | 1:08:38 | |
Do it quickly. | 1:09:00 | 1:09:02 | |
SEXUAL MOANS ON FILM | 1:09:04 | 1:09:06 | |
GUNSHOT | 1:09:08 | 1:09:09 | |
GUNSHOT | 1:09:09 | 1:09:12 | |
SEXUAL MOANS ON FILM | 1:09:13 | 1:09:15 | |
FILM HISSES | 1:09:15 | 1:09:17 | |
Are we having an affair? | 1:09:45 | 1:09:47 | |
What do you mean? | 1:09:51 | 1:09:52 | |
You call me in the middle of the afternoon | 1:09:52 | 1:09:56 | |
and ask me to meet you at the Natural History Museum. | 1:09:56 | 1:10:00 | |
Thanks for coming. | 1:10:03 | 1:10:05 | |
LOUD RAP MUSIC | 1:10:06 | 1:10:09 | |
The fact of the matter is, | 1:10:08 | 1:10:11 | |
by the year 2,000 every city will be black. | 1:10:11 | 1:10:14 | |
Thanks to the fax, the modem, | 1:10:15 | 1:10:17 | |
the conference call, Federal Express, | 1:10:17 | 1:10:20 | |
the beast will conduct his business from his home in the white suburb, | 1:10:20 | 1:10:25 | |
leaving the city a war zone full of brothers. | 1:10:25 | 1:10:29 | |
Modem, fax, FTD. | 1:10:28 | 1:10:30 | |
What the fuck you talking about? | 1:10:30 | 1:10:34 | |
Gotta have flowers in a war zone. | 1:10:32 | 1:10:34 | |
Man here to see you. | 1:10:34 | 1:10:36 | |
Who's that? | 1:10:36 | 1:10:39 | |
A spooky-ass fuck. | 1:10:37 | 1:10:39 | |
Find out what he wants, House. | 1:10:39 | 1:10:41 | |
The man says he wants to see YOU. | 1:10:41 | 1:10:44 | |
You've definitely got some kind of double-life thing happening. | 1:10:47 | 1:10:53 | |
Are you a gangster? | 1:10:53 | 1:10:55 | |
A gangster? Do they still have gangsters? | 1:10:56 | 1:11:00 | |
Yes. | 1:11:01 | 1:11:03 | |
"Jimmy the Saint" sounds kind of gangsterish. | 1:11:03 | 1:11:06 | |
And you got slicked-back hair. | 1:11:06 | 1:11:09 | |
Always a dead giveaway. | 1:11:09 | 1:11:11 | |
Say, "You dirty rat." | 1:11:11 | 1:11:13 | |
What? | 1:11:13 | 1:11:16 | |
Say it. "You dirty rat." | 1:11:14 | 1:11:16 | |
You dirty rat. | 1:11:20 | 1:11:22 | |
Oh, no sale! | 1:11:23 | 1:11:25 | |
Boss. | 1:11:34 | 1:11:36 | |
I know you, Sylvester? | 1:11:39 | 1:11:41 | |
Turn this shit down. | 1:11:43 | 1:11:45 | |
MUSIC TURNED DOWN | 1:11:45 | 1:11:49 | |
I said, I know you? | 1:11:47 | 1:11:49 | |
No. | 1:11:49 | 1:11:50 | |
What the fuck you doin' coming here, dressed like THAT, | 1:11:50 | 1:11:54 | |
frontin' me for a piece of ear? | 1:11:54 | 1:11:56 | |
I'm looking for Earl Denton. | 1:11:56 | 1:12:00 | |
He lookin' for Earl Denton. | 1:11:58 | 1:12:00 | |
Earl Denton? | 1:12:00 | 1:12:03 | |
Aka Easy Wind. | 1:12:01 | 1:12:03 | |
Aka Easy Wind? What the fuck? You hear this boy? | 1:12:03 | 1:12:08 | |
Aka my dick, Uncle Salty! | 1:12:08 | 1:12:11 | |
Aka his dick, Uncle Salty! | 1:12:11 | 1:12:14 | |
I need to find Earl Denton. | 1:12:12 | 1:12:14 | |
What are you thinking about? | 1:12:16 | 1:12:18 | |
What are YOU thinking about? | 1:12:21 | 1:12:24 | |
I asked you first. | 1:12:25 | 1:12:27 | |
I'm thinking about getting married. | 1:12:27 | 1:12:30 | |
Alex...asked me to marry him. | 1:12:35 | 1:12:37 | |
He did? | 1:12:37 | 1:12:40 | |
He did. | 1:12:40 | 1:12:42 | |
What did you say? | 1:12:42 | 1:12:44 | |
I said I'd think about it. | 1:12:45 | 1:12:47 | |
Are you in love? | 1:12:51 | 1:12:53 | |
'Ladies and gentlemen, the museum will close in five minutes. | 1:12:54 | 1:12:58 | |
'Thank you for coming to the Natural History Museum.' | 1:12:58 | 1:13:02 | |
What d'you think? | 1:13:02 | 1:13:04 | |
Huh? | 1:13:05 | 1:13:07 | |
Think we just gonn' give him up? | 1:13:07 | 1:13:09 | |
Like I'm your house nigger? | 1:13:09 | 1:13:11 | |
He look like your house nigger? | 1:13:11 | 1:13:17 | |
Will you shut the fuck up for eleven seconds?! | 1:13:13 | 1:13:17 | |
Please, tell me where he is. | 1:13:17 | 1:13:21 | |
Co-operate...and no-one gets hurt. | 1:13:21 | 1:13:24 | |
Say goodbye, bitch. | 1:13:30 | 1:13:32 | |
Put-Put the gun down. | 1:13:39 | 1:13:43 | |
Shoot this motherfucker! | 1:13:40 | 1:13:43 | |
Don't. | 1:13:43 | 1:13:44 | |
Let that motherfucker go. | 1:13:44 | 1:13:47 | |
Get this motherfucker off me! | 1:13:45 | 1:13:47 | |
HE CHOKES | 1:13:47 | 1:13:49 | |
You tell me where he is. | 1:13:49 | 1:13:51 | |
Put the gun down! | 1:13:51 | 1:13:53 | |
Oh, no, no. See, that's not... You ain't... It's cool. | 1:14:11 | 1:14:15 | |
A choice. You can tell ME where Earl Denton is | 1:14:19 | 1:14:22 | |
or you can tell it to the worms. | 1:14:22 | 1:14:25 | |
Jimmy? | 1:14:32 | 1:14:34 | |
Hm? | 1:14:34 | 1:14:35 | |
I've been thinkin'. There's this course. | 1:14:35 | 1:14:39 | |
Massage therapy - a 12-week programme. | 1:14:39 | 1:14:42 | |
Then you're a registered masseuse. | 1:14:42 | 1:14:44 | |
Then I'm legit. I'm clean. Just like that. | 1:14:44 | 1:14:47 | |
Just like that? | 1:14:47 | 1:14:50 | |
Yeah, just like that. | 1:14:48 | 1:14:50 | |
So I'm a masseuse. | 1:14:50 | 1:14:52 | |
I'm a citizen. | 1:14:52 | 1:14:54 | |
And then I'm thinkin'... | 1:14:54 | 1:14:57 | |
Well, then, you never thought about being a dad, have you? | 1:14:57 | 1:15:02 | |
No. | 1:15:02 | 1:15:03 | |
Never? | 1:15:03 | 1:15:05 | |
Never. | 1:15:04 | 1:15:05 | |
You know... cos I think about being a mom a lot. | 1:15:05 | 1:15:09 | |
Y'know, I think that it could... | 1:15:10 | 1:15:13 | |
Maybe it could get me out of the life, y'know? | 1:15:12 | 1:15:16 | |
Maybe off the street, maybe out of Denver. | 1:15:16 | 1:15:19 | |
I could go someplace warm, | 1:15:21 | 1:15:23 | |
sunny all the time. That'd be so cool. | 1:15:23 | 1:15:26 | |
How are you gonna support the kid? | 1:15:26 | 1:15:29 | |
IBM's having a hiring freeze. | 1:15:29 | 1:15:32 | |
I just told you. | 1:15:30 | 1:15:32 | |
Massage therapy? You're gonna massage people? | 1:15:32 | 1:15:36 | |
Is it just me or are you being a prick to me? | 1:15:36 | 1:15:39 | |
I'm being a prick. Why me? | 1:15:39 | 1:15:41 | |
Why you? | 1:15:43 | 1:15:46 | |
Yeah. | 1:15:44 | 1:15:46 | |
I dunno. | 1:15:46 | 1:15:48 | |
You're different, Jimmy. | 1:15:49 | 1:15:51 | |
What you did today... | 1:15:51 | 1:15:53 | |
That was like... God... | 1:15:53 | 1:15:55 | |
I mean, you got some strength. You got decency. | 1:15:57 | 1:16:01 | |
You know? | 1:16:01 | 1:16:03 | |
And you got a...beautiful ass! | 1:16:04 | 1:16:08 | |
Who needs strength and decency when you have a nice ass? | 1:16:08 | 1:16:12 | |
Exactly! | 1:16:11 | 1:16:12 | |
So...I'm ovulating right now. | 1:16:12 | 1:16:15 | |
We could do it. We could make it work. | 1:16:15 | 1:16:18 | |
Right now... Here? | 1:16:18 | 1:16:21 | |
Right here if you want! | 1:16:19 | 1:16:21 | |
What do you think? Only got two days, though. Two days. | 1:16:23 | 1:16:27 | |
Then after, we gotta wait a whole other month. | 1:16:27 | 1:16:31 | |
What do you say, Jimmy? | 1:16:31 | 1:16:33 | |
Hey, Malt... | 1:16:38 | 1:16:40 | |
Lucinda wants my baby. | 1:16:41 | 1:16:43 | |
Should I give her the seed? | 1:16:43 | 1:16:46 | |
Just what the world needs - | 1:16:44 | 1:16:46 | |
the unholy offspring of you baggage smashers. | 1:16:46 | 1:16:50 | |
That kid'd be the antichrist, I tell you that. 666 all over his body. | 1:16:50 | 1:16:55 | |
What do YOU know? You're just a soda jerk, with the emphasis on "jerk". | 1:16:55 | 1:17:01 | |
That's a funny one! I never heard that one. | 1:17:01 | 1:17:05 | |
What are you still doing here? | 1:17:06 | 1:17:08 | |
They killed Olden. | 1:17:09 | 1:17:11 | |
When? What happened? | 1:17:13 | 1:17:18 | |
Tonight at the theatre. Put one in his heart. | 1:17:14 | 1:17:18 | |
He was dead before he hit the ground. | 1:17:18 | 1:17:21 | |
Shit! | 1:17:25 | 1:17:26 | |
What? | 1:17:28 | 1:17:30 | |
What?! | 1:17:30 | 1:17:36 | |
For a man with a buckwheats hit on him, you seem awfully relaxed. | 1:17:30 | 1:17:36 | |
What is that supposed to mean? | 1:17:35 | 1:17:38 | |
What are you saying, Frannie? | 1:17:38 | 1:17:43 | |
Nothing. It's none of my business. | 1:17:40 | 1:17:43 | |
Anyway, I gonna put it in the wind. | 1:17:43 | 1:17:45 | |
I gotta get out of here. | 1:17:45 | 1:17:47 | |
Good luck, man. | 1:17:47 | 1:17:49 | |
I gotta go, man. | 1:17:54 | 1:17:56 | |
Jimmy... Jimmy, where you going? | 1:17:58 | 1:18:01 | |
We had some pretty good times here. | 1:18:03 | 1:18:06 | |
It's a grievous error to still be here, Jim. | 1:18:06 | 1:18:11 | |
You're still here, Jimmy? | 1:18:20 | 1:18:22 | |
You're still in Denver? | 1:18:22 | 1:18:24 | |
Why don't you spit a green looey in my crippled face? | 1:18:24 | 1:18:28 | |
Cos you still being here is the equal of just that. | 1:18:28 | 1:18:32 | |
I'm leaving town. I want to talk about Francis Chyser. | 1:18:32 | 1:18:36 | |
What about him? | 1:18:36 | 1:18:37 | |
Slower! | 1:18:37 | 1:18:38 | |
Rub slower. | 1:18:38 | 1:18:40 | |
You gotta call your man off Chyser. | 1:18:41 | 1:18:47 | |
I gotta? | 1:18:43 | 1:18:47 | |
It'd be good to call him off. | 1:18:45 | 1:18:47 | |
He's got a family. Three kids. And he's got a wife. | 1:18:47 | 1:18:51 | |
He won't be in your face. | 1:18:51 | 1:18:53 | |
He'll disappear. | 1:18:53 | 1:18:55 | |
Disappear? | 1:18:54 | 1:18:55 | |
Like Easy Earl Denton? | 1:18:55 | 1:18:57 | |
What do you mean? | 1:18:59 | 1:19:02 | |
The niggers gave him up. | 1:19:00 | 1:19:02 | |
GUNSHOT | 1:19:02 | 1:19:04 | |
He was shot. Five bullets. | 1:19:04 | 1:19:06 | |
He's gone, Jimmy. | 1:19:06 | 1:19:08 | |
'First, Pieces. Now, Easy Wind. | 1:19:08 | 1:19:11 | |
'Took 20 minutes to die. He suffered like you would not fuckin' believe. | 1:19:11 | 1:19:16 | |
'You gonna stay here and die,' | 1:19:16 | 1:19:18 | |
like a fuckin' dog? Like Easy Wind? | 1:19:18 | 1:19:21 | |
Bullet up the ass - you don't die for 20 minutes. | 1:19:21 | 1:19:25 | |
I wanna talk about Francis. He's got kids. | 1:19:25 | 1:19:28 | |
I'd trade the memories of childhood just to stroke this girl's stomach. | 1:19:28 | 1:19:34 | |
The sense of touch | 1:19:34 | 1:19:36 | |
is the most under-appreciated of the five senses. | 1:19:36 | 1:19:41 | |
OK. | 1:19:42 | 1:19:44 | |
Just so as he disappears. | 1:19:44 | 1:19:46 | |
He's got a family. He's got three kids. They need him. | 1:19:46 | 1:19:50 | |
And you... Follow him! | 1:19:52 | 1:19:54 | |
Be gone, Jimmy. Be fuckin' gone! | 1:19:54 | 1:19:56 | |
It's me - Jimmy. Any luck finding Bill? | 1:20:19 | 1:20:22 | |
Yeah. | 1:20:22 | 1:20:25 | |
Who? Brophy? | 1:20:25 | 1:20:27 | |
Yeah, I'm ready. | 1:20:27 | 1:20:29 | |
You're leaving tomorrow. | 1:20:48 | 1:20:50 | |
And you're not coming back. | 1:20:54 | 1:20:56 | |
Am I right? | 1:20:56 | 1:20:58 | |
I could send for you. | 1:21:03 | 1:21:05 | |
Will you teach me to ski? | 1:21:16 | 1:21:18 | |
Huh? | 1:21:19 | 1:21:21 | |
Nothin'. | 1:21:24 | 1:21:26 | |
< BABY CRIES | 1:21:42 | 1:21:45 | |
GUN COCKED | 1:22:11 | 1:22:14 | |
Who's there? > | 1:22:12 | 1:22:14 | |
Billy? It's me, Jimmy. | 1:22:17 | 1:22:19 | |
I'm alone. Open up. | 1:22:19 | 1:22:21 | |
All right, Jimmy... | 1:22:21 | 1:22:23 | |
It's OK. | 1:22:28 | 1:22:30 | |
How'd you find me? | 1:22:37 | 1:22:39 | |
Billy... | 1:22:43 | 1:22:45 | |
What the fuck are you doing, man? | 1:22:45 | 1:22:47 | |
He comes a-callin', I'll be ready. | 1:22:47 | 1:22:50 | |
When's the last time you went out? | 1:23:03 | 1:23:05 | |
Couple of days ago. I quit workin' at Carlotti's. | 1:23:05 | 1:23:09 | |
You sleep at all? | 1:23:09 | 1:23:14 | |
I've been up for four days straight. | 1:23:11 | 1:23:14 | |
Keeps you alert. Fine-tuned. | 1:23:14 | 1:23:16 | |
Why don't we go out and get something to eat? | 1:23:20 | 1:23:23 | |
I'm not real keen on leaving here. | 1:23:23 | 1:23:26 | |
You hungry? | 1:23:27 | 1:23:31 | |
No. | 1:23:28 | 1:23:31 | |
I can fix you something. | 1:23:29 | 1:23:31 | |
URINATES IN BOTTLE | 1:23:31 | 1:23:33 | |
No. | 1:23:32 | 1:23:33 | |
I got beans... | 1:23:33 | 1:23:35 | |
I got corn, I got...spinach - salt-free. | 1:23:36 | 1:23:40 | |
I got beef stew. Want me to fix you some stew? | 1:23:43 | 1:23:46 | |
Some rolls? | 1:23:46 | 1:23:48 | |
No. Thanks. It's OK. | 1:23:48 | 1:23:49 | |
All right. OK. | 1:23:49 | 1:23:51 | |
Jimmy, y'know, I'm... | 1:23:52 | 1:23:54 | |
I'm glad you found me, man. Cos I been...wanting to talk to you. | 1:23:54 | 1:24:00 | |
You know... | 1:24:00 | 1:24:02 | |
I've been wantin' to apologise to you about that... | 1:24:06 | 1:24:10 | |
What happened out on the highway. | 1:24:10 | 1:24:12 | |
Y'know, I mean, I just... | 1:24:13 | 1:24:16 | |
Well, I kinda lost my shit out there, you know? | 1:24:16 | 1:24:19 | |
But... Damn, Jimmy, | 1:24:19 | 1:24:21 | |
it was kinda irresponsible of you to put me out on point at all. | 1:24:21 | 1:24:26 | |
When you think about it, it really WAS your fault. | 1:24:26 | 1:24:29 | |
Everybody knows... | 1:24:29 | 1:24:32 | |
I'm out of my tits. | 1:24:32 | 1:24:34 | |
Bill... | 1:24:42 | 1:24:44 | |
I went to see Red the Lawyer. Mexico City. | 1:24:44 | 1:24:47 | |
I ain't goin' nowhere! | 1:24:47 | 1:24:49 | |
They can send whoever. I'll fuck them up five days from Tuesday! | 1:24:49 | 1:24:54 | |
Billy, listen. | 1:24:54 | 1:24:56 | |
The Man with the Plan is a fuckin' head! | 1:24:56 | 1:24:59 | |
We all bow and cower and run chicken from some fuckin' head! | 1:24:59 | 1:25:03 | |
No more, Jimmy! | 1:25:03 | 1:25:06 | |
My new motto - fuck the head! | 1:25:05 | 1:25:08 | |
You like that?! Fuck the head! | 1:25:09 | 1:25:12 | |
Yeah, man. | 1:25:12 | 1:25:14 | |
-Fuck the head... -HE LAUGHS | 1:25:15 | 1:25:17 | |
They got Easy Wind, Bill. | 1:25:19 | 1:25:21 | |
I know. | 1:25:22 | 1:25:24 | |
Easy Wind... | 1:25:24 | 1:25:26 | |
He was a fuck. | 1:25:27 | 1:25:30 | |
I kinda liked him, anyhow. | 1:25:30 | 1:25:32 | |
All that faecal freak stuff, it was lies, man. | 1:25:33 | 1:25:37 | |
I know. | 1:25:37 | 1:25:38 | |
Not lies like you think. Not out and out. | 1:25:38 | 1:25:41 | |
I ain't no brown boy. But... | 1:25:41 | 1:25:44 | |
Billy, you don't - | 1:25:44 | 1:25:47 | |
Buried in the basement. | 1:25:45 | 1:25:47 | |
Billy, I don't wanna - | 1:25:47 | 1:25:51 | |
Gotta prove yourself or you're hosed. | 1:25:48 | 1:25:51 | |
This skell offered me five centuries to do it. | 1:25:51 | 1:25:56 | |
To do what, Bill? | 1:25:54 | 1:25:56 | |
Eat it, man. | 1:25:58 | 1:26:00 | |
Not a lot. Just a piece. | 1:26:00 | 1:26:02 | |
Billy, I don't wanna - | 1:26:02 | 1:26:05 | |
Easy is a lying moon-prick. | 1:26:03 | 1:26:05 | |
But maybe he wasn't really lying | 1:26:05 | 1:26:08 | |
cos I did it. For a small nickel. | 1:26:08 | 1:26:10 | |
See, he leaves that part out. | 1:26:10 | 1:26:12 | |
Five yards, man. | 1:26:12 | 1:26:14 | |
And it was only a little bitty piece of shit. | 1:26:14 | 1:26:17 | |
It didn't really have no taste, either. | 1:26:17 | 1:26:20 | |
Spongy. | 1:26:21 | 1:26:23 | |
Jesus, Bill! | 1:26:23 | 1:26:26 | |
It don't make me no faecal freak. | 1:26:23 | 1:26:26 | |
Some geezo juice and five yards, what the fuck, YOU might do it! | 1:26:26 | 1:26:31 | |
That's right. I might. | 1:26:31 | 1:26:33 | |
Easy Wind oughtn't to say that shit without, uh... | 1:26:33 | 1:26:37 | |
Qualifying. | 1:26:36 | 1:26:41 | |
Qualifyin' it. Without qualifyin'. | 1:26:38 | 1:26:41 | |
That nigger's just a trash-mouth. | 1:26:41 | 1:26:44 | |
I tell you what - he'll get himself killed if he don't watch out. | 1:26:44 | 1:26:49 | |
Sure you don't want something to eat? | 1:26:51 | 1:26:55 | |
I gotta go, Bill. | 1:26:55 | 1:26:57 | |
-OLD MAN: -'And when you're 70, you realise that life is nonsense.' | 1:26:59 | 1:27:03 | |
In the grand scheme of things, | 1:27:03 | 1:27:06 | |
one life is nothing. | 1:27:06 | 1:27:08 | |
One life is a mustard burp. | 1:27:08 | 1:27:11 | |
Momentarily tangy, | 1:27:10 | 1:27:13 | |
then forgotten in the air. | 1:27:12 | 1:27:15 | |
DOG BARKS | 1:27:23 | 1:27:25 | |
SONG: "Mustang Sally" by Buddy Guy | 1:27:56 | 1:28:00 | |
God! Jesus! | 1:28:18 | 1:28:22 | |
Like it, huh? | 1:28:20 | 1:28:22 | |
What are you doing?! | 1:28:22 | 1:28:24 | |
Why are you following her? | 1:28:24 | 1:28:27 | |
I'm a cop! | 1:28:25 | 1:28:27 | |
Talk to me! Why are you following her?! | 1:28:27 | 1:28:30 | |
Fuck you! | 1:28:30 | 1:28:32 | |
She had nothing to do with this. She has nothing to do with this. | 1:28:32 | 1:28:37 | |
If you go near that girl, if you fuckin' go near her...! | 1:28:37 | 1:28:41 | |
If you're in the same zip code as her, I'm gonna come after you! YOU! | 1:28:41 | 1:28:46 | |
You'll be wearing a flag-draped coffin! | 1:28:46 | 1:28:49 | |
Stay the fuck away from her! | 1:28:49 | 1:28:52 | |
You hear me on this? Stay the fuck away from her. | 1:28:51 | 1:28:55 | |
Hey, I got a question for you. | 1:28:55 | 1:28:58 | |
What's ugly, tattooed and just got sliced up like provolone? | 1:28:58 | 1:29:02 | |
SIRENS WAIL | 1:29:02 | 1:29:04 | |
What? | 1:29:04 | 1:29:06 | |
Let me go, let me go! | 1:29:06 | 1:29:09 | |
No! | 1:29:09 | 1:29:11 | |
SHE SCREAMS | 1:29:14 | 1:29:16 | |
Choo-choo. Or aeroplane. | 1:29:25 | 1:29:27 | |
Choo-choo. | 1:29:27 | 1:29:30 | |
Let's do aeroplane. | 1:29:28 | 1:29:30 | |
DOOR SLAMS | 1:29:31 | 1:29:34 | |
Jimmy Toz! | 1:29:37 | 1:29:39 | |
That's enough, sweetie. Take the night off. | 1:29:40 | 1:29:44 | |
Rent a video. | 1:29:44 | 1:29:46 | |
What the fuck did you do | 1:29:49 | 1:29:51 | |
to my Irish mallet? He looks terrible. | 1:29:51 | 1:29:54 | |
You gave me your word on Franchise. | 1:29:54 | 1:29:58 | |
I gave my word... | 1:29:56 | 1:29:58 | |
But, Jimmy, I'm a criminal. My word don't mean dick. | 1:29:58 | 1:30:03 | |
You gave me your word! | 1:30:02 | 1:30:04 | |
YOUR WORD YOU GAVE ME THE OTHER DAY! | 1:30:04 | 1:30:07 | |
You gave me YOUR word. | 1:30:07 | 1:30:09 | |
I met someone. I met a girl. | 1:30:16 | 1:30:18 | |
I'm askin', I don't want her hurt. | 1:30:18 | 1:30:21 | |
I hear she's lovely. Maybe we'll get her in here, | 1:30:21 | 1:30:24 | |
dance...for the boys. | 1:30:24 | 1:30:26 | |
Ooh. | 1:30:31 | 1:30:32 | |
Enough! | 1:30:37 | 1:30:39 | |
Let me go, let me go! | 1:30:45 | 1:30:47 | |
Let me go! | 1:30:47 | 1:30:50 | |
Come here, you shitty...! | 1:30:48 | 1:30:50 | |
Crippled fuck! | 1:30:50 | 1:30:52 | |
All right. He's all right. | 1:30:55 | 1:30:57 | |
He's all right. | 1:30:57 | 1:30:59 | |
He's all right. I know him. | 1:30:59 | 1:31:01 | |
He's a friend. | 1:31:01 | 1:31:03 | |
I love this tough-guy thing - very exciting. Get on your knees. | 1:31:06 | 1:31:11 | |
What? | 1:31:11 | 1:31:12 | |
Get on your knees. | 1:31:12 | 1:31:17 | |
Why are you doing this? | 1:31:14 | 1:31:17 | |
Cos I got pressure sores. | 1:31:15 | 1:31:17 | |
They leak pus. | 1:31:17 | 1:31:19 | |
Now, get on your knees. | 1:31:19 | 1:31:21 | |
No. | 1:31:21 | 1:31:22 | |
Get on your belly. | 1:31:33 | 1:31:35 | |
I'm not gonna beg. | 1:31:35 | 1:31:37 | |
Get on your fuckin' belly! | 1:31:37 | 1:31:39 | |
Or I send the boys out with 30 vials of rock and your quim's address. | 1:31:39 | 1:31:44 | |
They find eight crackhead niggers to gang-rape her. | 1:31:44 | 1:31:48 | |
Get on your fuckin' belly! | 1:31:48 | 1:31:51 | |
No. | 1:31:49 | 1:31:51 | |
Beg for your life, Jim. | 1:31:52 | 1:31:55 | |
-I beg, I die! -Beg, you fuck! | 1:31:55 | 1:31:57 | |
-Beg, asshole! -No. | 1:31:57 | 1:31:59 | |
Beg me. Or... I'll let you suck my dead dick in return for your life. | 1:31:59 | 1:32:04 | |
No. | 1:32:05 | 1:32:06 | |
-Beg! -Beg! | 1:32:06 | 1:32:08 | |
Beg, fuck! | 1:32:08 | 1:32:10 | |
No! | 1:32:09 | 1:32:10 | |
Take out my dick. | 1:32:10 | 1:32:12 | |
Huh? | 1:32:12 | 1:32:14 | |
Atwood. | 1:32:14 | 1:32:15 | |
Take it out. | 1:32:15 | 1:32:17 | |
Take it out! | 1:32:17 | 1:32:19 | |
Take it out! | 1:32:19 | 1:32:21 | |
Please, I don't want her hurt. | 1:32:25 | 1:32:27 | |
You scumbag. | 1:32:34 | 1:32:36 | |
Didn't you learn nothing from me? | 1:32:36 | 1:32:38 | |
Never beg. | 1:32:38 | 1:32:40 | |
Never, ever fuckin' beg. | 1:32:40 | 1:32:42 | |
Now I gotta buckwheats YOU, Jim. | 1:32:42 | 1:32:45 | |
Go to Switzerland, go to China, | 1:32:45 | 1:32:47 | |
Washington fuckin' Zoo. | 1:32:47 | 1:32:49 | |
But an example must be made. | 1:32:49 | 1:32:51 | |
If your bangtail's with you, | 1:32:51 | 1:32:53 | |
Miss Dagney Croft, ski instructor at Vail, | 1:32:53 | 1:32:56 | |
if she's with you, then she goes, too. | 1:32:56 | 1:32:59 | |
Ten minutes before you, so as you gotta watch her. | 1:32:59 | 1:33:03 | |
You gotta watch her drain. | 1:33:03 | 1:33:05 | |
Or...maybe not. | 1:33:06 | 1:33:09 | |
Maybe I decide to be a stand-up guy, | 1:33:09 | 1:33:12 | |
forget the whole thing. | 1:33:12 | 1:33:14 | |
Or buckwheats. Maybe buckwheats, buckwheats... | 1:33:14 | 1:33:18 | |
Or, no. | 1:33:18 | 1:33:20 | |
Live with that. | 1:33:20 | 1:33:23 | |
The fun part, the shit-and-giggles part, is | 1:33:24 | 1:33:27 | |
you won't ever know what I decide | 1:33:27 | 1:33:30 | |
till you're staring at your guts... | 1:33:30 | 1:33:33 | |
-..on the wall. | 1:33:34 | 1:33:36 | |
THEY GROAN | 1:33:39 | 1:33:41 | |
Song: Ac-cent-tchu-ate The Positive by Bing Crosby | 1:33:46 | 1:33:49 | |
# You gotta ac-cent-tchu-ate the positive | 1:33:49 | 1:33:51 | |
# Elim-i-nate the negative | 1:33:51 | 1:33:54 | |
# Latch on | 1:33:54 | 1:33:56 | |
# To the affirmative | 1:33:56 | 1:33:58 | |
# Don't mess with Mr In Between | 1:33:58 | 1:34:00 | |
# You gotta spread joy | 1:34:01 | 1:34:03 | |
# Up to the maximum | 1:34:03 | 1:34:05 | |
# Bring gloom down to the minimum | 1:34:05 | 1:34:09 | |
# Have faith or pandemonium | 1:34:09 | 1:34:11 | |
# Is liable to walk upon the scene | 1:34:11 | 1:34:15 | |
# To illustrate this last remark | 1:34:15 | 1:34:17 | |
# Jonah in the whale | 1:34:17 | 1:34:19 | |
# Noah in the ark | 1:34:19 | 1:34:22 | |
# What did they do | 1:34:22 | 1:34:24 | |
# Just when everything looked so dark? | 1:34:24 | 1:34:27 | |
# Man, they said, we better | 1:34:27 | 1:34:30 | |
# Ac-cent-tchu-ate... # | 1:34:30 | 1:34:32 | |
Boat drinks, Malt. | 1:34:31 | 1:34:34 | |
All right, Jimmy? | 1:34:34 | 1:34:37 | |
Boat drinks, Joe. | 1:34:35 | 1:34:37 | |
He's got a lot on his mind. | 1:34:41 | 1:34:43 | |
What'd you say your name was again, friend? | 1:34:43 | 1:34:47 | |
PARTY! | 1:36:07 | 1:36:09 | |
I AM GODZILLA! | 1:36:12 | 1:36:14 | |
YOU ARE JAPAN! | 1:36:14 | 1:36:16 | |
Your reputation far exceeds your skills, mammy-rammer. | 1:36:20 | 1:36:24 | |
SHOT | 1:36:26 | 1:36:27 | |
-JOE: -'Blood runs when the time comes. | 1:36:52 | 1:36:55 | |
'First rule of the life - blood runs when the time comes.' | 1:36:55 | 1:37:00 | |
Just because Mr Shhh has got it don't mean shit. | 1:37:02 | 1:37:05 | |
I hear he already made a call. | 1:37:05 | 1:37:08 | |
The Montirez brothers out of Albuquerque have been called. | 1:37:08 | 1:37:13 | |
'Assassinos locos.' | 1:37:13 | 1:37:15 | |
SONG: "Born Under a Bad Sign" by Neville Bros & Buddy Guy | 1:37:24 | 1:37:29 | |
Hi, baby. | 1:37:32 | 1:37:33 | |
Jimmy, what happened to your face? | 1:37:33 | 1:37:37 | |
It's OK. | 1:37:35 | 1:37:37 | |
Alex. | 1:37:37 | 1:37:40 | |
This is the guy, right? | 1:37:38 | 1:37:40 | |
Yes, I'm the guy. | 1:37:41 | 1:37:44 | |
Yeah. | 1:37:42 | 1:37:44 | |
Jimmy, what are you doing here? | 1:37:44 | 1:37:48 | |
I have a favour...to ask. | 1:37:46 | 1:37:48 | |
I bought this ring. | 1:37:51 | 1:37:53 | |
It's a good ring. | 1:37:53 | 1:37:55 | |
It's near colourless, perfect. I'd like you to give it to Dagney. | 1:37:55 | 1:38:00 | |
You... You want to buy MY engagement ring for Dagney? | 1:38:00 | 1:38:05 | |
I BOUGHT your engagement ring. Give her the ring, please. | 1:38:05 | 1:38:09 | |
-Jimmy, don't... -Please... | 1:38:09 | 1:38:11 | |
You don't think that's odd? | 1:38:11 | 1:38:13 | |
Please take the ring. | 1:38:13 | 1:38:15 | |
-Dagney... -Open your heart. Take it. | 1:38:15 | 1:38:18 | |
-Jimmy! -Take it! | 1:38:17 | 1:38:19 | |
Is that what you want, Dagney? | 1:38:19 | 1:38:24 | |
Take the ring. Take the ring. | 1:38:20 | 1:38:24 | |
TAKE THE RING! | 1:38:24 | 1:38:25 | |
Take the ring! | 1:38:25 | 1:38:27 | |
What the hell are you doing?! | 1:38:28 | 1:38:30 | |
Sorry. | 1:38:30 | 1:38:31 | |
I don't even like you any more, Jimmy. | 1:38:31 | 1:38:34 | |
You swept through here, | 1:38:34 | 1:38:37 | |
talking the talk! Now I don't know what's what! | 1:38:37 | 1:38:40 | |
You know, I'm just like all the others. | 1:38:40 | 1:38:43 | |
I just need you more than all the others. | 1:38:43 | 1:38:46 | |
You said we were an exception! | 1:38:46 | 1:38:48 | |
People wanna bring you paradise, live out their days with you. | 1:38:48 | 1:38:53 | |
You're doing that talk! | 1:38:53 | 1:38:56 | |
I wanna do that. But I can't. | 1:38:54 | 1:38:56 | |
Why?! Just tell me why! | 1:38:56 | 1:38:58 | |
I'm dying. | 1:38:58 | 1:39:00 | |
I went to see a doctor. He tells me I'm dying. | 1:39:00 | 1:39:03 | |
He says I have to give you back to all the others. | 1:39:03 | 1:39:07 | |
You're dying? What d'you mean? | 1:39:07 | 1:39:09 | |
Dagney... | 1:39:09 | 1:39:11 | |
Listen, I have to go. I'm-I'm... | 1:39:11 | 1:39:13 | |
Cryin' in the Silver Naked Lady is bad for my reputation. | 1:39:13 | 1:39:17 | |
I love you. You know that? | 1:39:17 | 1:39:20 | |
And if I'd had a chance to possess your soul, I'd have made it smile. | 1:39:20 | 1:39:25 | |
Don't cry. | 1:39:25 | 1:39:27 | |
CAR HORN HOOTS | 1:39:57 | 1:39:59 | |
BERNARD LAUGHS | 1:40:04 | 1:40:06 | |
Jimmy? | 1:40:06 | 1:40:08 | |
How are you? | 1:40:08 | 1:40:10 | |
Did you want to bowl? | 1:40:10 | 1:40:12 | |
You need a ride, Bernard. | 1:40:12 | 1:40:15 | |
Gus and Ellie are supposed to pick me up. | 1:40:15 | 1:40:18 | |
I know. | 1:40:18 | 1:40:22 | |
They're always late. | 1:40:19 | 1:40:22 | |
I'll come aboard with you. What the hell? Sure. | 1:40:23 | 1:40:27 | |
Serve them guys right for being tardy. | 1:40:27 | 1:40:30 | |
What happened to you? | 1:40:31 | 1:40:34 | |
Come on, let's go. | 1:40:32 | 1:40:34 | |
-Something wrong? -HE LAUGHS | 1:40:58 | 1:41:01 | |
Yes. | 1:41:01 | 1:41:02 | |
Lucinda! | 1:42:03 | 1:42:05 | |
Hey, Jimmy, what's up? | 1:42:08 | 1:42:10 | |
Get in the car. | 1:42:12 | 1:42:14 | |
What happened to you? | 1:42:20 | 1:42:22 | |
What happened to you? | 1:42:22 | 1:42:25 | |
It's gonna be a beautiful baby, Jimmy. | 1:42:29 | 1:42:32 | |
'Most of all you'll have to remember, it's not gonna be a perfect world.' | 1:42:37 | 1:42:41 | |
'It's gonna be harder than Chinese math. | 1:42:41 | 1:42:44 | |
'Though cold as it's gonna seem sometimes, you must have faith.' | 1:42:47 | 1:42:52 | |
-Jimmy? -'Gotta have faith.' | 1:42:54 | 1:42:56 | |
'Have a list. | 1:42:59 | 1:43:01 | |
'Come up with a list. | 1:43:01 | 1:43:03 | |
'Of what's important to you. | 1:43:03 | 1:43:05 | |
'The ten most important things to you | 1:43:05 | 1:43:09 | |
'Write 'em down. | 1:43:09 | 1:43:11 | |
'No-one can satisfy all ten. | 1:43:12 | 1:43:15 | |
'It's impossible. If you can satisfy five or six, | 1:43:15 | 1:43:18 | |
'you're nearly there. You're on your way to your own perfect world. | 1:43:18 | 1:43:22 | |
CLICKING | 1:43:22 | 1:43:24 | |
'It's important that you listen to your mother. | 1:43:28 | 1:43:31 | |
'She's a fine woman. | 1:43:34 | 1:43:36 | |
'Decent, smart... | 1:43:36 | 1:43:39 | |
'Listen to her. | 1:43:40 | 1:43:43 | |
'A good man once told me | 1:43:49 | 1:43:50 | |
'that life goes by faster than the summer vacation. | 1:43:50 | 1:43:54 | |
'And he was right. One day you'll be old enough to understand that. | 1:43:54 | 1:43:58 | |
'So, enjoy it. | 1:43:58 | 1:44:01 | |
'Enjoy your life. Enjoy it all.' | 1:44:01 | 1:44:04 | |
You were on my list. | 1:44:06 | 1:44:09 | |
Me doing this has given me my own perfect world. | 1:44:12 | 1:44:17 | |
And I thank you for that. | 1:44:17 | 1:44:20 | |
I really do. | 1:44:20 | 1:44:22 | |
'See, a man with a plan can never be killed. | 1:44:48 | 1:44:50 | |
'Jimmy's the Saint, he did it. | 1:44:50 | 1:44:53 | |
'He didn't have to scale no walls, either. | 1:44:53 | 1:44:57 | |
'He just took Bernard out for a ride. | 1:44:57 | 1:44:59 | |
'Man With The Plan never spilt another drop of blood again. | 1:44:59 | 1:45:03 | |
Gentlemen, we have boat drinks. | 1:45:41 | 1:45:44 | |
'Is this the way we shake hands?' | 1:45:49 | 1:45:52 | |
We touch palms, flat like that. | 1:45:52 | 1:45:54 | |
Know what, that's when we were locked out. | 1:45:54 | 1:45:58 | |
In the visitor's room, they had this clear plastic divider. | 1:45:58 | 1:46:02 | |
To separate you and your visitor. | 1:46:02 | 1:46:04 | |
Used to touch hello and goodbye, like that. | 1:46:04 | 1:46:07 | |
Did I ever tell you about Jimmy the Saint Tosnia? Flatbush. | 1:46:07 | 1:46:12 | |
In his day... | 1:46:12 | 1:46:14 | |
'Bitches' bastard.' | 1:46:14 | 1:46:17 | |
# I called up my friend LeRoy on the phone | 1:46:29 | 1:46:33 | |
# I said, "Buddy, I'm afraid to be alone | 1:46:34 | 1:46:38 | |
# "Cos I got some weird ideas in my head | 1:46:39 | 1:46:43 | |
# "About things to do in Denver when you're dead" | 1:46:45 | 1:46:48 | |
# You won't need a cab to find a priest | 1:46:50 | 1:46:54 | |
# Maybe you should find a place to stay | 1:46:56 | 1:46:59 | |
# Some place where they never change the sheets | 1:47:01 | 1:47:04 | |
# And you just roll around Denver all day | 1:47:05 | 1:47:12 | |
# You won't need a cab to find a priest | 1:47:25 | 1:47:29 | |
# Maybe you should find a place to stay | 1:47:31 | 1:47:34 | |
# Some place where they never change the sheets | 1:47:36 | 1:47:39 | |
# And you just roll around Denver all day... # | 1:47:41 | 1:47:46 |