Nightwatch


Nightwatch

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Transcript


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SHOUTING

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GUNFIRE

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Come on, Maria!

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SHE SCREAMS Maria!

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I can't swim!

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I don't want to!

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SHOUTING

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Maria, come back!

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Come back!

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It's OK, Maria.

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I've got you. You'll be OK.

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HE SHOUTS: Come on! Let's get out!

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LUKE! >

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Swim, Maria!

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Swim! Get your heads down! Get your heads down!

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MARIA SCREAMS

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MOVE IT! MOVE!

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Come on. We can do it!

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RAPID GUNFIRE

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Arghhh!

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COME ON!

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ARGHHHHHH!

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LU-U-U-U-U-KE! Come back!

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Luke!

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Come on!

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You can do it! Swim!

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Maria! Swim!

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Swim, baby!

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-Yeah!

-That's it. Come on!

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That's it!

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Honey. Honey. Are you OK? Let's go!

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GUNFIRE

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THUNDERCLAP

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BUZZ OF PHONES AND VOICES

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I'm going to activate one chip.

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'Our strategy will be...

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'Don't worry. I've just sent all my research papers to printing.'

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We've tapped into everything moving through the exchange from one phone.

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Isolate a conversation.

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'A billion.

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'Dollars? Not Yen?!

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'It's that or lose 50 billion.

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'We can't take that. OK.

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'I'll authorise 5 billion for discretionary buying...'

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Buy today, get rich tomorrow!

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What about military information?

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For that, we need just one phone.

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NATO, CIA, UN. Their superhighway will end right here.

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Now, show me Phase Two.

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So soon?

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Show me.

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THUNDER

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'..Hong Kong. I've got a bid of 51.

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'I've got a bid of 51. Just give me today's high.'

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'Give me 2,000. ARGHHHHH!'

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EXCITED SHOUTING

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Total information meltdown!

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Anywhere we have a phone!

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Now, we launch the satellite.

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THUNDER

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'Yesterday's meltdown of the Hong Kong Stock Exchange

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'roared through Wall Street like...'

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I can feel the panic.

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'The Dow fell 1,000 points. A broker sums it up.

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'Once Joe Average thinks the market is out of control, they want out.

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'Any price. It's sell, sell, sell,

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'but nobody's buying.'

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This is a nervous group.

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'What about the small investor?

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'We lost everything. Our kids' savings....'

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Who would think a thunderstorm in Hong Kong could make such a mess?

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It's more than a thunderstorm.

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'Trading in Hong Kong is suspended.'

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Sir. We lost communication with Graham and Sheen at 0700.

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What about the diplomat's children?

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-Not a word.

-Thank you.

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TV: 'Amid the global financial chaos, good news for Amsterdam.

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'After two years on a world tour,'

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Rembrandt's Night Watch finally returns to Amsterdam's Rijksmuseum.

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From tomorrow, the majestic piece

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'will again be on exhibition.'

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The finest example of baroque chiaroscuro ever created!

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Oh, what a magnificent piece!

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(Oh, I have to throw up!)

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Oh!

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Ah!

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-Stephanie?

-Yes?

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Bring me Abrahm's Rembrandt.

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Yes, Dr Armond.

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What is it, Louis?

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The drummer!

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What do you mean?

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Maybe it's his drum.

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Page 347, please.

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It looks fine, to me.

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-Yeah.

-Ah-ha!

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What colour is this dot?

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Blue.

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Yes. And this dot?

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Let's see what the X-ray machine shows.

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Miles? This is not the Night Watch.

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This is a fake.

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Thanks.

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Not one country will help.

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How can that be, Inspector?

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They don't want the blame.

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It should never have left here.

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Do I have to guard a painting, day and night, for two years?

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I would have,

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if it was my idea to launch a tour.

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-Gentlemen, calm down. We're getting in experts from the UN.

-The UN?!

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This isn't about terrorism.

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Because our intelligence was wrong.

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The kids were hidden in the village.

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You got them out. All of them.

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-Yeah.

-They're alive, because of you.

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Yeah.

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How do you feel about that?

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You want me to say the mission was a success. OK. It was a success.

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Opening up to your feelings

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is nothing to be ashamed about, Michael.

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You want to work, Michael?

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I don't think that would be wise.

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Make a note of that. Michael?

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I don't know.

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Detective work. No combat.

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Expense accounts...

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Something to keep me busy?

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-Exactly. It will be with Carver.

-Ah.

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I can't authorise field work before a psychological evaluation.

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Thank you. Make a note of that, too.

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Will this job be cushy?

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-You could say that.

-Travel?

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Here and there.

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Sabrina Carver, you said?

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I did.

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Hm!

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Thank you. Let's go.

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It's not Sabrina, you know.

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Of course not!

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No, I mean it. I couldn't stand another moment with that shrink.

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KNOCK AT DOOR

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Come on in.

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-Yes, sir?

-Carver, what do you know about Rembrandt's Night Watch?

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The Company of Capt Frans Banning Cocq and Lt Willem van Ruytenburch.

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Commissioned in 1640. Completed in 1642.

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I know a little bit about it, sir.

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Hi, Michael.

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-Hello, Sabrina.

-How are you?

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Not bad. You cut your hair.

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Oh, yeah!

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Look, I'm really sorry about what happened.

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I know it must be hard for you.

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You got the kids out.

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I've already heard that one.

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I've been thinking of teaming you two up. Any objections, Carver?

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No.

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Excellent. Night Watch has been stolen and a forgery substituted.

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Find the original. Start at the Rijksmuseum.

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This time, Carver is in command.

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Nick, just a moment!

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Her art expertise tips the scales.

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-OK.

-You could see that psychologist.

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Here.

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Special Services will fill you in.

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It does more than tell the time?

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-Indeed, it does.

-Oh, yeah!

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Dick Tracey to chief. See? I'm still a fun-loving guy!

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Yeah. That's what I'm afraid of.

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Your hair looks good, by the way.

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Boss!

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From our X-ray lab, this is what is underneath it.

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A real old painting?

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Yes. 17th century Dutch.

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A landscape.

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We rarely sample the paint. It's too destructive.

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Forgers generally use an old canvas as a base,

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hoping to pass a cursory analysis.

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Who owned the original painting?

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It was purchased at Sotheby's and stolen while being transported.

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Gosh! This is an amazing forgery.

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What Dutch craftsmen are known for.

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Indeed.

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But the paint is from the Far East.

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Meaning?

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Dutch painters use European paint.

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-Not necessarily.

-Whatever!

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All this happened because Miles insisted on the tour.

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Louis, maybe the painting

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was swapped before the tour.

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Impossible! I would have noticed.

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I would have noticed. And he knows it!

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Miss Carver, we catalogue our local artists. You can search our slides

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for the forger.

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I'd be glad to. Thank you.

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-I'll arrange it.

-Great.

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Yes, well... Quite a pair, our boys, aren't they?

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They're so enthusiastic.

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Yeah. So am I. So am I.

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The guy who bought this landscape lives in Amsterdam.

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-Lemmer's a dealer.

-Art?

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Heroin. He's been either pushing or in prison for the last 20 years.

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-Which is he now?

-Let's find out.

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Hi.

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Fascinating, isn't it?

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Yeah. How many images do you have?

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Over a million.

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Oh, great.

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-I'll leave you, now. Bye bye.

-Bye.

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Oh!

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Lemmer, the guy who bought the painting, lives here.

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It's not over his mantlepiece! I'll poke around.

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We don't have a warrant.

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I know that.

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OK. You'd better not be here. I'll see you later.

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No, no, no, no, no!

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I'll handle it myself!

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# Sugar

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# Oh, honey, honey

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# I am your candy girl

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# And you've got me wanting you... #

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RAP INTERLUDE

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# Sugar

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# Oh, honey, honey... #

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Hi.

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I'm looking for this big painting...

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Ooohhh!

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Ahhhhhhhh!

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# Honey

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# Oh, sugar, sugar

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# I am your candy girl

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# And you've got me wanting you... #

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RAP INTERLUDE

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ARGHHHHH!

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Arghhh!

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OHHH!

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What are you doing here?

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ME?!

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Who is this guy?

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What are you doing on his boat if you don't know who the hell he is?

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I ask the questions around here!

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Oh, gee. He cut me.

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Michael!

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You're hurt!

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Don't fuss. Please don't fuss.

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Michael!

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This job's supposed to be easy.

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MOTORBIKE APPROACHES

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I wanna talk to her.

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You burglarised his place. He's the one who can press charges.

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And you did it on my watch.

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If you just...

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At least we know Miles met Lemmer.

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Lemmer bought the painting and had it stolen.

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-No.

-I wanna tail this guy.

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You'd better not let them know.

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If we generate enough paperwork, Lemmer can't make trouble.

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Can I just ask you...

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Come now!

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Mike, you look so mad. Maybe you should talk to him!

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BLEEPING

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HE WHISTLES FRENCH NATIONAL ANTHEM

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Are we done?

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WATCH BLEEPS

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Hey. Do you think I enjoy staying late?

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WATCH BLEEPS

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BLEEPING STOPS

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BLEEPING

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Mike. He's home.

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Glad you're still on the job!

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CREAKING ELECTRONIC SOUNDS

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RADIO BLEEPS

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SOBBING

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Oh, man. Who did this to you?

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Lemmer?

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He's gone.

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SHE SOBS

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Where did he go?

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I don't know.

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Hey?

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He came home from the cops, mad.

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Oh, Jesus Christ. I'm sorry. Come on.

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Let's take you to the hospital. There you go.

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'Brokerage firms are still staggering

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'after the Hong Kong massacre.

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'Stock prices continued falling, with no bottom in sight.'

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BLEEPING Yup?

0:21:270:21:30

Michael, go to visual.

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Mmm. I see you.

0:21:330:21:36

'We may have a lead.

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'In every city the Night Watch toured, the museum paid.'

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Every city but Hong Kong. There,

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Martin Shrater, art connoisseur,

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'businessman, picked up the whole ticket.'

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American?

0:21:530:21:57

'Yeah. What about your suspects?'

0:21:540:21:57

Maybe. Gotta go. How're you doing?

0:21:570:21:59

OK. With painkillers.

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How come you're still here?

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I thought you might like a cup of coffee. Come on.

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BLEEPING

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Let me ask you a question. Has he done this to you before?

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I'm not going anywhere with you.

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OK. We'll just talk here.

0:22:450:22:50

I don't talk to cops. I'll go home.

0:22:460:22:50

If you're looking for Lemmer, he's not there. The cops picked him up.

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What for?

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Assault. I called it in.

0:22:570:22:59

-Leave me alone.

-Jennifer!

0:22:590:23:04

-Get out of my face!

-JENNIFER!

0:23:010:23:04

CLOCK CHIMES

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GUNSHOTS

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MAN SHOUTS IN DUTCH

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WOMAN SHOUTS

0:23:410:23:43

WOMAN SCREAMS IN TERROR

0:23:500:23:53

No! Oh!

0:23:540:23:57

Hey! Come here!

0:23:570:23:59

Call an ambulance!

0:24:010:24:03

GUN CLICKS

0:24:100:24:12

Oh!

0:24:120:24:14

Hey! Oh!

0:24:440:24:46

Move!

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I just want to talk, all right?

0:26:120:26:14

Arghhhh!

0:26:150:26:17

Ha ha! Oh! Oh! Oh!

0:26:170:26:20

Arghhh!

0:26:230:26:27

Ooohhhh!

0:26:280:26:30

Arghhhhh!

0:26:370:26:40

What happened next?

0:26:570:27:00

I don't remember.

0:27:000:27:03

You don't remember doing this?

0:27:030:27:05

Well, I didn't do that.

0:27:050:27:08

You are sure?

0:27:080:27:15

-Yes.

-What happened to your knuckles?

0:27:090:27:15

-I was working.

-What work?

0:27:120:27:15

This guy is not going to talk.

0:27:150:27:17

< That's what I said.

0:27:170:27:20

He might.

0:27:200:27:22

< I'm going for a cup of coffee.

0:27:220:27:24

I'm sorry I wasn't there for you.

0:27:270:27:30

So am I.

0:27:300:27:33

Look, it's no big deal.

0:27:370:27:41

-Yes, it is.

-Don't start that.

0:27:380:27:41

I mean, it's not like what happened at the beach with Luke. OK?

0:27:410:27:46

-Yeah.

-Not at all.

-Yeah, sure.

0:27:460:27:49

Sure. It's just that... um...

0:27:500:27:53

It's just that I feel I...

0:27:550:27:57

should have been there. I should have done more.

0:27:570:28:01

I should have gotten closer with the boat. I...

0:28:010:28:06

Nobody could have saved Luke if you couldn't have.

0:28:050:28:10

Someday, you'll know that, too.

0:28:120:28:16

Hey.

0:28:170:28:19

Come in. It's OK. He can't see you.

0:28:190:28:23

So what? She fell. We didn't fight.

0:28:230:28:26

She fell! She's a stupid, clumsy twit.

0:28:260:28:32

We're told she has scars for life.

0:28:280:28:32

Who gives a damn?

0:28:320:28:34

You don't care that she ended up in the hospital?

0:28:340:28:38

No, why should I?

0:28:380:28:41

Why does the waitress at the coffee shop say you told her...

0:28:410:28:48

I saw what he did with the painting.

0:28:450:28:48

Isn't that what you want to know?

0:28:480:28:52

Yes.

0:28:500:28:52

After it was nicked, he gave it to some guy.

0:28:530:28:57

Who?

0:28:580:29:03

Don't know. He lived in Hong Kong.

0:29:000:29:03

TRADITIONAL FAR EASTERN MUSIC

0:29:070:29:10

Thank you.

0:29:230:29:25

Welcome to the Regent Hong Kong, Mr and Mrs Graham.

0:29:290:29:33

Thank you. (How do they know us?)

0:29:330:29:36

Class.

0:29:360:29:38

Hi. Did you have a pleasant flight, Mrs Graham?

0:29:380:29:42

Yes, thank you.

0:29:420:29:48

Excellent. The manager reserved you our honeymoon suite.

0:29:430:29:48

Isn't that wonderful, darling?

0:29:480:29:53

-Thank you very much.

-Yes.

0:29:500:29:53

Oh, my sweet. What a lavish room.

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I can't wait to be in your loving arms.

0:30:000:30:06

-Mike, cool it.

-Is that an order?

0:30:030:30:06

Cauldwell created the perfect cover.

0:30:060:30:09

Whatever you say, dear.

0:30:090:30:15

It lets us work together and explains our trip.

0:30:110:30:15

It doesn't explain where you're sleeping!

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'Yeah. Yes, very nice.

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'Let me see the other one, next to it. That's it.

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'Oh. Uh-huh. That's good.'

0:30:300:30:32

They're both lovely.

0:30:320:30:38

WATCH BLEEPS Excuse me a moment.

0:30:340:30:38

'Michael. Mikie.'

0:30:380:30:41

Yup?

0:30:390:30:41

Your watch is on.

0:30:410:30:43

Uh-huh.

0:30:440:30:48

What are you doing?

0:30:450:30:48

I'm a guy on honeymoon.

0:30:500:30:54

'You're getting a chaperon!'

0:30:510:30:54

It's not necessary, I promise you.

0:30:540:31:02

You just need to avoid the Hong Kong police, to keep things greased.

0:30:560:31:02

Meet Myra Tang, your local CIA connection.

0:31:020:31:06

'Myra Tang. Hong Kong office.'

0:31:080:31:11

Easy on the eyes, eh?

0:31:110:31:18

One identity at a time!

0:31:120:31:18

-Yes, sir.

-'I'll see you tomorrow.'

0:31:150:31:18

Martin Shrater's.

0:31:240:31:26

Wow! What will he do when the red Chinese take over in 1997?

0:31:320:31:37

Good question. Stay, and trust the communists or move to safer ground?

0:31:370:31:42

Have you been inside, Myra?

0:31:420:31:47

Yeah. Parties. Art, everywhere.

0:31:440:31:47

But no Night Watch?

0:31:470:31:55

Sure(!) It probably has a sign: "Stolen from the Rijksmuseum".

0:31:490:31:55

Hey. He's the only lead I can offer.

0:31:550:31:57

OK. Maybe you two girls should knock on the door.

0:31:570:32:01

I'll introduce you at his casino.

0:32:010:32:04

You can do that?

0:32:040:32:07

Being the lottery girl does have its perks.

0:32:070:32:11

Wait a minute! You think this guy's gonna show us his stolen painting?

0:32:100:32:17

Tell me if you get a better idea.

0:32:140:32:17

OK. Fine.

0:32:170:32:21

Good.

0:32:190:32:21

INAUDIBLE CONVERSATION

0:32:320:32:36

Mike. This is Mao Yixin.

0:32:360:32:38

Hi. I'm Graham.

0:32:380:32:42

Call me Tim. You winning, Mike?

0:32:390:32:42

Just pocket change. Myra tells me you run this place. It's very nice.

0:32:420:32:49

Thank you.

0:32:460:32:49

This is a friend from my modelling days. Sabrina Carver.

0:32:490:32:53

It's Graham, now. Sabrina Graham.

0:32:530:32:58

Ah. Newlyweds.

0:32:550:32:58

-Mm-hm.

-Yes. Two days ago.

0:32:580:33:05

Then we would like to offer you 80 Hong Kong dollars of good luck!

0:33:000:33:05

Thanks. (That's about ten bucks!)

0:33:090:33:12

What a charmer, eh?

0:33:120:33:14

Martin Shrater.

0:33:150:33:17

Oh, yeah.

0:33:190:33:21

Well, that would make it show time, girls! Shall we?

0:33:210:33:26

What's the bet limit?

0:33:300:33:33

Five thousand US.

0:33:310:33:33

Five thousand.

0:33:360:33:38

Cauldwell won't cover you. This is your money.

0:33:380:33:42

Seventeen.

0:33:480:33:50

Hit me.

0:33:500:33:53

Nineteen.

0:33:510:33:53

House has a natural.

0:33:540:33:56

Shall we up the stakes?

0:34:010:34:08

Mike. Are you kidding? You already lost 5,000.

0:34:020:34:08

Shall we say 10,000?

0:34:080:34:10

How about a quarter million?

0:34:120:34:15

He's put Shrater on the spot.

0:34:220:34:25

(The customer with a moustache wants to bet 250,000.)

0:34:280:34:32

You want to bet 250,000 on one hand?

0:34:320:34:36

That's right.

0:34:370:34:39

Myra?

0:34:400:34:46

This is Mike Graham. His wife, Sabrina, is an old friend.

0:34:410:34:46

I'm good for it.

0:34:490:34:52

All right. One against the bank.

0:34:560:35:00

MIKE CLEARS HIS THROAT

0:34:580:35:00

Save the lecture, just wish me luck.

0:35:020:35:05

You know that I do!

0:35:050:35:08

Thank you.

0:35:080:35:10

A glass of water please, and a vodka martini waiting over there. Thanks.

0:35:100:35:16

The game is Blackjack. House rules. Mr Graham's bet is 250,000.

0:35:160:35:23

BUZZ OF EXCITEMENT

0:35:230:35:25

Eight.

0:35:340:35:36

Fifteen.

0:35:360:35:39

He could pull a five-card trick.

0:35:390:35:45

Meaning?

0:35:410:35:45

It would beat the house.

0:35:430:35:45

Hit me.

0:35:540:35:56

SPECTATORS GASP

0:35:580:36:00

One.

0:36:000:36:02

Er, wait. Um...

0:36:020:36:04

I'm gonna need another card.

0:36:050:36:12

For six cards under twenty-one, the house pays double.

0:36:070:36:12

The dealer gives me the sixth card face down.

0:36:120:36:15

The house plays its hand out. You have no option

0:36:150:36:19

but to go for a six-card trick.

0:36:190:36:22

Should the house bust, and my card is six or more, I pay you 250,000.

0:36:220:36:28

If the house busts and my last card is five or under...

0:36:300:36:36

..you pay me out.

0:36:380:36:41

Pay you out 1 million?

0:36:430:36:45

Done.

0:36:460:36:48

The house is bust.

0:37:080:37:11

Four of hearts. Mr Graham's total is 20. The house owes you 1 million.

0:37:350:37:42

APPLAUSE

0:37:420:37:44

I'm Shrater. It's my million you've just won!

0:37:440:37:48

Now, let me see. Myra, which is the most needy charity in town?

0:37:480:37:53

The Royal Orphans Fund.

0:37:530:37:59

There you have it. Give my winnings to the orphans.

0:37:550:37:59

Unbelievable.

0:37:590:38:04

Well, I made my fortune. Auto parts.

0:38:000:38:04

A little stock racing on the side.

0:38:040:38:06

Always happy to have more sponsors.

0:38:060:38:14

"Blue Grass Auto Parts." Kentucky?

0:38:080:38:14

Entire south. Started in Kentucky.

0:38:110:38:14

I'm from Indiana.

0:38:140:38:18

I won't tell anybody!

0:38:150:38:18

What would you have told Cauldwell if you lost all that money?

0:38:320:38:37

(What if Shrater has us under surveillance?)

0:38:400:38:43

I mean, how do you tell your best player

0:38:470:38:50

that you lost all that money on your honeymoon?!

0:38:500:38:54

I ain't gonna think about it because it didn't happen.

0:38:540:38:58

Mmmm. Nice buns.

0:38:580:39:01

Baby, you look good tonight. You look hot. Mmm. Yes, yes, yes.

0:39:020:39:07

Nice big, bouncy bed and everything.

0:39:070:39:10

You're going to slip into something cool, now.

0:39:100:39:14

Michael, I admit it's a turn-on,

0:39:180:39:21

but I'm really pretty tired.

0:39:210:39:24

You're tired, darling? I feel very... Very kind of up, and happy.

0:39:240:39:29

Michael, I'm actually really tired.

0:39:290:39:32

Yes. So... I must say, Hong Kong is a little sweaty, don't you think?

0:39:320:39:38

Yes.

0:39:380:39:40

I'm really very tired.

0:39:410:39:46

You're very tired? I feel good.

0:39:430:39:46

(Ooh! Socks!) I feel...

0:39:460:39:48

..very, very awake!

0:39:490:39:52

Good. Relaxed.

0:39:540:39:56

Yes.

0:39:580:40:00

Oh, baby!

0:40:000:40:02

Baby, baby! It's the PJs again! Ooh!

0:40:020:40:06

What is it about those PJs that gets me so hot?

0:40:060:40:09

My good luck(?)

0:40:100:40:13

In you get, honeybunch. I'm all yours. I'm waiting. Oh!

0:40:140:40:20

I'll get the light.

0:40:200:40:26

No! Leave it on.

0:40:210:40:26

Michael. Are you crazy?!

0:40:220:40:26

I don't think so.

0:40:260:40:30

-I'll get the light.

-I like it on.

0:40:270:40:30

Oohhh!

0:40:300:40:32

Very boisterous, my darling. Very boisterous. Oohhh!

0:40:320:40:36

Oh, darling.

0:40:360:40:38

SPRINGS CREAK

0:40:590:41:01

Ooh, Sabrina!

0:41:020:41:04

Oh! Oh, darling! Oh!

0:41:040:41:06

SPRINGS CREAK

0:41:060:41:08

Michael, shhhh!

0:41:080:41:11

Oh, darling! Oooh! Oooh!

0:41:090:41:11

MUFFLED MOANING

0:41:110:41:13

HE GIGGLES

0:41:130:41:17

Stop it! Michael!

0:41:150:41:17

HE BANGS THE HEADBOARD

0:41:170:41:20

Mmmmmm!

0:41:200:41:23

Uhhhh!

0:41:210:41:23

Hhhh! Oh, Michael!

0:41:240:41:26

That was great. Really great.

0:41:260:41:29

I'm so pleased, darling. I know you love quickies. Here I come again.

0:41:290:41:35

HE SIGHS

0:41:350:41:39

Well, goodnight.

0:41:360:41:39

I get the hint.

0:41:390:41:41

You were just overcome with passion, there. I'll go to the bathroom.

0:41:410:41:47

That's something I love about you.

0:41:470:41:49

I'm just walking a little funny, that's all.

0:41:490:41:53

I must say, darling,

0:41:540:41:56

marrying you was the smartest bet I ever made.

0:41:560:42:00

Oh, Mike!

0:42:020:42:04

-WOMAN'S VOICE:

-'Mike, here's your profile on Martin Shrater.

0:42:120:42:18

'He was chief engineer for a telecom company.

0:42:180:42:22

'He was accused of industrial espionage and fired.'

0:42:210:42:26

Did he do time?

0:42:250:42:29

'No. Charges were dropped.

0:42:270:42:29

'A year before, his wife and daughter died in a car accident.'

0:42:290:42:35

Sounds suspicious.

0:42:330:42:35

'No. Shrater was driving.

0:42:350:42:38

'I'm logging off. Take care.'

0:42:380:42:40

The company is sweeping your hotel room for surveillance gear.

0:42:510:42:59

Good. You can't honeymoon all day.

0:42:550:42:59

Speak for yourself!

0:42:590:43:05

What?! You like him?!

0:43:000:43:05

-Honey, who wouldn't?

-Oh, Myra!

0:43:020:43:05

You cheap slut!

0:43:050:43:10

With him, anytime.

0:43:070:43:10

Anywhere. You're not attracted?

0:43:100:43:15

Of course not. We work together.

0:43:120:43:15

Right(!)

0:43:150:43:17

It's true.

0:43:170:43:19

So, what do you think?

0:43:220:43:25

I think all your cards are on the table.

0:43:250:43:29

Good!

0:43:300:43:32

Graham to base. Graham to base.

0:43:510:43:54

'We got you.'

0:43:540:43:56

I'm sending you some video of two guys. Will you run it?

0:43:560:44:02

'I'll be delighted.'

0:44:010:44:04

INAUDIBLE CONVERSATION

0:44:130:44:17

Did you get that?

0:45:240:45:29

-'I did. We'll enhance.'

-Gracias.

0:45:250:45:29

We put the architect's drawings of Shrater's estate in the computer.

0:45:380:45:44

Here, he could have a hidden room.

0:45:440:45:46

This air vent is the only direct access from the outside.

0:45:460:45:51

It's about 100 feet off the ground.

0:45:510:45:56

It's 113 feet, to be exact.

0:45:530:45:56

Bathroom window.

0:45:560:45:59

No video surveillance.

0:45:590:46:01

Unless Shrater's a voyeur.

0:46:010:46:03

He's many things, but not that.

0:46:030:46:06

Any more on that industrial espionage charge?

0:46:060:46:11

Dropped. But Shrater didn't sue

0:46:080:46:11

for wrongful discharge. He's guilty of something.

0:46:110:46:15

You don't buy that estate on an engineer's salary.

0:46:150:46:19

-I can climb this.

-It's sheer rock.

0:46:190:46:22

-Go through the vent at the party and scope it out.

-Nick?

0:46:220:46:26

Ted! I want you to meet Mike Graham and Sabrina Carver.

0:46:260:46:31

This is Ted Fisk. Head of CIA operations here.

0:46:310:46:35

-Shall I show you what I got?

-Yes.

-The murder Mike taped -

0:46:350:46:40

the local police are hush hush.

0:46:400:46:42

The CIA aren't their favourite allies, I'm afraid.

0:46:420:46:47

The murder victim was a computer designer.

0:46:470:46:50

When the stock exchange collapsed, he was called in.

0:46:500:46:55

Here's an enhancement of the video.

0:46:550:46:57

That looks like a computer chip in Mao Yixin's hand.

0:46:570:47:02

Other than that Mao Yixin is Shrater's employee, we have nothing.

0:47:010:47:07

Nothing?! The CIA has nothing? We need prints, here.

0:47:070:47:12

I'll handle it.

0:47:120:47:15

Remember he's a killer.

0:47:130:47:15

The computer chips are installed in the phones like any other component.

0:47:170:47:23

ASKS A QUESTION IN ASIAN LANGUAGE

0:47:230:47:25

General Kim wonders about security.

0:47:250:47:30

No-one knows about this.

0:47:270:47:30

The General relies on me.

0:47:300:47:34

HE ASKS ANOTHER QUESTION

0:47:320:47:34

Will you explain his satellite?

0:47:340:47:39

Oh! It's HIS satellite?

0:47:360:47:39

HE SPEAKS IN ASIAN LANGUAGE

0:47:390:47:45

The People's Republic of North Korea paid for it.

0:47:450:47:51

Have a seat, General Kim.

0:47:470:47:51

This is what your money bought.

0:47:520:47:55

Executing worldwide data collection requires a satellite.

0:47:550:47:59

Once it's in orbit, we can use cellular transponders

0:47:590:48:04

to bounce signals from any point on the globe.

0:48:040:48:08

We can eavesdrop on worldwide telecommunications

0:48:070:48:12

or destroy whatever systems you choose.

0:48:120:48:16

Only North Korea would be safe.

0:48:160:48:18

And, unlike your nuclear programme,

0:48:180:48:22

it's reliable and secret.

0:48:220:48:24

HE TURNS TV ON

0:48:260:48:29

What if I can't keep Shrater busy?

0:48:290:48:32

Mike!

0:48:340:48:36

Are you listening to me?

0:48:360:48:41

Yes, of course I am.

0:48:380:48:41

You're so stubborn.

0:48:420:48:45

You ought to know.

0:48:470:48:49

OK. I admit it. I'm worried about your safety.

0:48:510:48:56

I'm worried about YOUR safety!

0:49:000:49:02

Artist?

0:49:080:49:15

Titus. Titan. Tittian.

0:49:100:49:15

It's pronounced Ti-shan. Title?

0:49:110:49:15

Er... Love.

0:49:150:49:22

Sacred and Profane Love. Know the difference? And this?

0:49:170:49:22

Oh, yeah.

0:49:220:49:23

This guy has a TV show. Van Dyck.

0:49:230:49:29

-Sure his name's not the Beaver?

-Hm.

0:49:260:49:29

What about this?

0:49:290:49:32

Mary Cassatt. The Bath.

0:49:300:49:32

An American who lived in Paris around 1890.

0:49:320:49:37

Wow!

0:49:370:49:38

Hm!

0:49:380:49:40

My mother loved Mary Cassatt.

0:49:400:49:43

We had The Bath in our kitchen.

0:49:440:49:47

Hm. Not such a savage, after all.

0:49:470:49:49

PAN PIPES MUSIC

0:49:500:49:53

MUSIC AND CHATTERING

0:49:550:49:58

Am I overdressed?

0:50:200:50:24

No. You look lovely. There's Myra.

0:50:210:50:24

Mike. No-one told you about Shrater's parties!

0:50:240:50:28

Really! What's that?

0:50:280:50:35

A tradition. A competition for the most daring dress.

0:50:300:50:35

Mm-hm. You look...

0:50:350:50:37

very traditional. Oh, there's Shrater. By the Gauguin.

0:50:370:50:42

Gauguin?

0:50:430:50:46

Oh, it is a Gauguin.

0:50:460:50:49

Yes, it is.

0:50:470:50:49

He's got a great sense of erotic sensuality. The tropical blush...

0:50:490:50:56

-I'll keep Shrater busy.

-Good idea.

0:50:530:50:56

Great eye for a good breast.

0:50:560:51:00

Mike? Get to work!

0:50:580:51:00

Got to go and make a living. Lovely dress.

0:51:020:51:06

How about a private tour? For a lady who will appreciate it.

0:51:210:51:26

Mike's not enthusiastic about art.

0:51:260:51:29

But he's a heck of a gambler!

0:51:290:51:31

That's true!

0:51:310:51:33

Let me know when he comes out.

0:52:010:52:03

(OK.)

0:53:000:53:02

Unfortunately, it's a copy. See?

0:53:070:53:11

"A copy of an original from the Wichita Art Museum, Kansas."

0:53:120:53:17

They're not forgeries. I admired them so much, I commissioned my own.

0:53:170:53:25

They're perfect!

0:53:220:53:25

Like that one! I remember seeing the original in Chicago.

0:53:250:53:30

I love Degas.

0:53:300:53:32

Look how he's captured her innocence. L'Etoile.

0:53:340:53:38

You're the star, tonight.

0:53:380:53:42

Arghhhhh!

0:54:040:54:06

I thought you might do that.

0:54:240:54:28

But you didn't move away.

0:54:260:54:28

No.

0:54:280:54:30

I understand you.

0:54:300:54:33

Do you?

0:54:330:54:35

SHIRT RIPS

0:54:520:54:54

Is Graham out?

0:55:080:55:13

No, sir.

0:55:090:55:13

Where is Shrater?

0:55:110:55:13

Tragical!

0:55:150:55:17

Graham to Cauldwell. Graham to Cauldwell.

0:55:530:55:57

'Cauldwell.'

0:55:570:56:01

Transmitting video.

0:55:580:56:01

There's your Night Watch, Nick.

0:56:070:56:10

'What's the other thing?'

0:56:090:56:12

Mao Yixin. Why the hurry?!

0:56:160:56:18

Oh! Nothing.

0:56:180:56:20

My fourth. Or is it my fifth champagne?! Please.

0:56:200:56:24

Get me some more.

0:56:240:56:26

Take me back to the party!

0:56:390:56:41

Sabrina. I thought you wanted...

0:56:410:56:45

Let me go!

0:56:420:56:45

This is your fifth, or is it sixth?

0:56:470:56:50

SHE GIGGLES

0:56:500:56:56

So you won't remember tomorrow if I tell you I want to kiss your breast

0:56:510:56:56

till dawn? But I'm working.

0:56:560:57:01

You know, you really...

0:56:580:57:01

Mr Graham?

0:57:170:57:19

'Mr Graham?'

0:57:210:57:23

Yes?

0:57:230:57:30

Is everything all right?

0:57:240:57:30

Uh... Uh... I've been better.

0:57:250:57:30

Is there anything I can do?

0:57:290:57:33

No. Thanks.

0:57:310:57:33

Uh!

0:57:390:57:41

You don't sound yourself, Mr Graham.

0:57:410:57:44

Patience, Timothy. Patience.

0:57:440:57:47

(Oh!)

0:57:510:57:53

RETCHING SOUND

0:57:580:58:02

Ughhhh!

0:58:090:58:11

HE FLUSHES TOILET

0:58:250:58:27

Hi.

0:58:390:58:42

Whew! It's all yours. Mind the step.

0:58:410:58:45

HE WHISTLES

0:58:470:58:49

Sabrina. I'm sorry I misread your signals.

0:58:520:58:56

Martin, act your age. OK?

0:58:560:59:03

-Telling Mike would only spoil your honeymoon.

-Such wisdom!

0:58:580:59:03

Oh, Mike! Martin showed me his collection. Such beautiful pictures.

0:59:030:59:09

-Great.

-Are you OK?

0:59:090:59:14

I have this terrible stomach. We should go.

0:59:100:59:14

Do you need a doctor?

0:59:140:59:17

No, that's OK. I just need some hotel time.

0:59:170:59:21

Listen, this was great. Good to see you again. Yeah.

0:59:210:59:27

-Goodnight.

-Goodbye.

0:59:240:59:27

Oh, hi.

0:59:290:59:31

Watch the Americans.

0:59:340:59:36

That was close.

0:59:400:59:44

It sure was! HE WHISTLES

0:59:410:59:44

Look at me.

0:59:520:59:54

Someone's on to us. Kiss me.

0:59:540:59:57

What?!

0:59:570:59:59

In a moment.

1:00:161:00:18

Thanks.

1:00:271:00:29

Myra! Do you want a ride?

1:00:541:00:57

Sure.

1:00:561:00:57

Heck of a party.

1:01:061:01:09

I wouldn't know.

1:01:091:01:16

Feeling badly?

1:01:101:01:16

Was. That kiss made me feel better.

1:01:121:01:16

Well, I'm glad I could be of help, darling.

1:01:161:01:21

I wish we'd danced, Mike. I could take you both to a club.

1:01:271:01:32

This corner's fine, thanks.

1:01:321:01:34

Myra, that'd be great! Mike, me, you and your date.

1:01:341:01:38

We'll talk tomorrow.

1:01:431:01:45

Goodnight!

1:01:471:01:49

Carry on.

1:01:501:01:53

Well?!

1:01:531:01:57

-Just a goodnight kiss.

-Oh!

1:01:541:01:57

BUSY STREET SOUNDS

1:02:001:02:03

Fisk.

1:02:521:02:55

-This is Myra. Code Red.

-Myra?

1:02:531:02:55

Mao Yixin's after me. I'm unarmed. Hurry!

1:02:551:03:00

Myra's in trouble.

1:03:061:03:08

EXCITED CHATTERING

1:03:121:03:14

DISTANT SIREN

1:03:211:03:25

What could I do? Turn away? She wanted to kiss me.

1:03:271:03:31

-Mm-hm!

-We had a mayday from Myra.

1:03:311:03:33

Myra? When?

1:03:331:03:35

Five minutes ago.

1:03:351:03:38

Mr Shrater. It's for you.

1:03:461:03:48

Hello. This is Martin.

1:03:501:03:57

Check the satellite. Someone knows.

1:03:511:03:57

-What do you mean?

-Just do it!

1:03:521:03:57

COMPUTER: Good evening, Mr Shrater.

1:04:061:04:09

Definitely a space vehicle.

1:04:411:04:43

Probably a satellite.

1:04:431:04:46

We're running Mao Yixin's fingerprints. Nothing yet.

1:04:461:04:51

Why would Shrater have all those reproductions in his private study?

1:04:511:04:56

I mean, they're not worth much.

1:04:561:04:59

What launch base does this satellite need?

1:04:591:05:05

Not a lot. It's so miniature.

1:05:011:05:05

-What if they're real.

-What?

1:05:051:05:08

Shrater's paintings. He swapped the Night Watch.

1:05:071:05:11

I'd recognise a real Degas.

1:05:111:05:15

Are you sure?

1:05:141:05:17

It's Nick. (Where was this Degas?)

1:05:191:05:24

Um... Chicago Art Institute.

1:05:211:05:24

Call the Chicago Art Institute

1:05:241:05:26

and ask them to check on the authenticity of L'Etoile by Degas.

1:05:261:05:32

Yeah. Now.

1:05:321:05:34

We need a list of Shrater's art.

1:05:341:05:37

Damn!

1:05:391:05:41

Myra and the Grahams worked together.

1:05:411:05:47

-You don't know that.

-Shut up!

1:05:431:05:47

This arrogant scheme! Why the hell did you insist on forging paintings?

1:05:471:05:54

You got over a million phones

1:05:521:05:54

and I've finished the satellite that controls them.

1:05:541:05:58

Remember that when you bad-mouth our deal.

1:05:581:06:04

Our deal is over.

1:06:041:06:06

We know Mao killed the girl. We know the painting's there.

1:06:221:06:28

OK.

1:06:251:06:28

But it's the satellite. We found a guy who built one.

1:06:281:06:32

For what? That's what Cauldwell's after.

1:06:321:06:35

Cauldwell barely knew Myra.

1:06:351:06:40

Mike, listen.

1:06:381:06:40

Cauldwell has to deal with a lot of red tape.

1:06:401:06:43

We have to give him some time.

1:06:431:06:46

He can take his time. I'm gonna go after Mao.

1:06:461:06:50

Mike! Listen! Mike!

1:06:501:06:53

SHE SIGHS

1:06:531:06:55

MIKE! That's an order!

1:07:041:07:07

MICHAEL! DAMMIT! MICHAEL!

1:07:151:07:18

HE MURMURS AN ORDER

1:07:251:07:28

-Arghhh!

-Ughhh! UGHHHH!

1:07:341:07:37

Arghhh! Uhhhhh! Uhhhhh!

1:07:371:07:41

Arghhhh!

1:07:431:07:46

HELP!

1:07:501:07:52

Stop it!

1:07:551:07:57

HELP!

1:08:161:08:18

GUNSHOTS

1:08:291:08:32

OK? Are you all right?

1:08:411:08:43

No.

1:08:431:08:48

Can I help you?

1:08:441:08:48

FRIGHTENED SHOUTING

1:08:471:08:51

Who do you work for? Answer me!

1:08:551:09:00

DRIVER SOUNDS HORN

1:08:571:09:00

RAPID GUNFIRE

1:09:041:09:07

ANGRY SHOUTING

1:09:121:09:15

Ugh! Uhhhhh!

1:09:171:09:19

Sabrina?

1:10:141:10:17

Hey. Have you seen a girl?

1:11:351:11:38

Mike! I'm here!

1:12:421:12:46

You screwed up, Graham.

1:12:521:12:55

I mean, this time. Just this time.

1:12:591:13:02

Didn't want to lose another partner.

1:13:021:13:06

I know.

1:13:041:13:06

Especially you.

1:13:061:13:08

Mao Yixin? I got something on his fingerprints from US customs.

1:13:201:13:25

Member of the Communist Party of North Korea.

1:13:251:13:32

North Korea!

1:13:301:13:32

He visited California the same year Shrater left for Hong Kong.

1:13:321:13:37

I bet Mao's running the show.

1:13:371:13:40

What do you think you're doing?

1:13:481:13:56

The satellite's ready to launch.

1:13:501:13:56

Since when...? Uhhhh! Oohhhh!

1:13:521:13:56

The capitalist, as his true self.

1:14:061:14:10

If you're thinking of killing me, there's a password you better know.

1:14:091:14:18

The one for the satellite software?

1:14:141:14:18

HE SHOUTS ORDERS IN KOREAN

1:14:201:14:23

On permanent loan from the National Gallery in Washington.

1:14:231:14:28

You see, I've spent the last eight years

1:14:281:14:31

baby-sitting a capitalist eccentric while he created

1:14:311:14:36

the weapon of the 21st century. A perfect marriage

1:14:361:14:40

of technology, convenience and greed.

1:14:401:14:45

Now, what's the password?

1:14:491:14:52

Uh-uh. You wouldn't do it.

1:14:521:14:55

You think I'll kill you, once I get the password? Oh, no.

1:14:541:14:59

What if the system fails? Now, the password.

1:14:591:15:03

No! You won't burn it.

1:15:031:15:06

Watch me.

1:15:061:15:08

Watch me, Martin.

1:15:111:15:14

STOP! OH, GOD!

1:15:171:15:19

There are many more paintings, and I have plenty of lighter fuel.

1:15:221:15:27

The password is "Hoosier".

1:15:311:15:33

H-O-O-S...

1:15:341:15:38

..I-E-R.

1:15:391:15:41

'The Hong Kong police say there were no witnesses.'

1:15:501:15:54

What else?

1:15:541:15:58

'The company that fired Shrater

1:15:551:15:58

'built the scrambling system for US military communications.'

1:15:581:16:03

Did he work on it?

1:16:031:16:10

'He designed it. Pentagon details soon. Logging off.'

1:16:051:16:10

The phone!

1:16:151:16:17

Bess!

1:16:431:16:45

Send your systems expert in here!

1:16:451:16:47

THEY SPEAK KOREAN

1:16:491:16:52

Watch this.

1:16:571:16:59

'Authorisation to commence routine procedural rotation of sector two.

1:16:591:17:04

'Agent Sang to supervise. Top six agents in Zone F...'

1:17:041:17:09

It's a secure line from Washington!

1:17:081:17:11

Not with this little guy. Let's patch it into the mainframe.

1:17:111:17:17

That's amazing!

1:17:241:17:26

Was that supposed to do that?

1:17:261:17:33

Apparently.

1:17:281:17:33

-A communication bomb.

-Wait a second.

1:17:291:17:33

When the eavesdropping phone gets the signal, it blows?

1:17:331:17:37

And it's all controlled by...?

1:17:371:17:42

By the satellite.

1:17:391:17:42

Snappy. Pretty snappy.

1:17:421:17:45

Is there anything worse than seeing your children die?

1:17:481:17:54

Take them. For mankind's sake!

1:17:511:17:54

Mankind has been enjoying your fakes for years.

1:17:541:17:58

Mankind doesn't know the difference.

1:17:581:18:01

After you've seen them burn, you can blow to kingdom come.

1:18:021:18:07

These last eight years have been hell, Martin, but today,

1:18:071:18:12

today makes up for it.

1:18:121:18:14

Goodbye, Martin.

1:18:291:18:32

The Degas in Chicago is a fake.

1:18:401:18:43

Shrater had a Mary Cassatt in his collection.

1:18:431:18:47

< OK! Move it!

1:18:471:18:50

SHIP HORN BLOWS

1:18:501:18:53

Red Star. On our way to you.

1:18:531:18:56

Roger. Docking in ten minutes.

1:18:561:18:59

ELECTRONIC BLEEPING

1:19:201:19:23

BLEEPING SPEEDS UP

1:19:301:19:33

NO! PLEASE! NO-O-O-O-O-O!

1:19:351:19:39

SERGEANT! ON THE DOOR!

1:19:511:19:53

FAST ELECTRONIC BLEEPING

1:19:571:20:00

Go! Go! Go!

1:20:071:20:09

Where's that coming from?!

1:20:131:20:15

I'll go.

1:20:231:20:27

No, I'll go. Wait!

1:20:241:20:27

-I like this. Let's go.

-HELP ME!

1:20:401:20:45

I hear Shrater!

1:20:431:20:45

They're burning the paintings!

1:20:451:20:48

HE SPEAKS KOREAN

1:20:571:21:01

REPLIES IN KOREAN

1:21:001:21:03

PLEASE! NO!

1:21:081:21:10

Shrater, is that you?

1:21:101:21:17

-Yes.

-It could be a set up. What are you doing?

-I'll decide.

1:21:121:21:17

How do we beat security, Shrater?

1:21:171:21:24

-You can't.

-I'll do it.

1:21:191:21:24

COMPUTER: Entry denied.

1:21:201:21:24

Go!

1:21:261:21:28

Mao booby-trapped the paintings!

1:21:301:21:32

Oh, Mom!

1:21:321:21:35

Where's the satellite?

1:21:441:21:52

-Mao took it to the launch.

-Where?

1:21:451:21:52

They're meeting a Korean freighter.

1:21:481:21:52

They have a rocket. Two Mercedes vans. White. One is ground control.

1:21:521:21:59

Fisk, search the estate. Let's go!

1:21:561:21:59

WAIT! There's a bomb.

1:21:581:22:01

A bomb?!

1:22:011:22:03

A bomb!

1:22:041:22:06

Mike!

1:22:061:22:11

It's OK. I got it. I got it.

1:22:071:22:11

Red, yellow...

1:22:111:22:15

Be careful.

1:22:121:22:15

..blue. Oh!

1:22:121:22:15

Oh! Out!

1:22:191:22:21

GO!

1:22:251:22:26

Everybody, clear the building!

1:22:261:22:30

What the...?! Come on!

1:22:301:22:33

Mike!

1:22:341:22:36

Ohhhh!

1:22:441:22:45

SHIP HORN BLOWS

1:22:521:22:54

The idea is to get there alive.

1:22:571:23:00

You know, this honeymoon cover is just a cover.

1:23:001:23:04

You don't get romantically involved.

1:23:041:23:07

Of course, sir.

1:23:071:23:09

Michael?

1:23:091:23:12

I'm just glad to be here.

1:23:101:23:12

SHIP HORN

1:23:121:23:15

EXCITED SHOUTING

1:23:151:23:18

Satellite dish.

1:23:351:23:37

Look out. It could be booby-trapped.

1:23:411:23:44

It's empty.

1:23:451:23:49

-Where's the satellite?

-Look.

1:23:461:23:49

That's our freighter, Michael. Sabrina, find mission control.

1:23:491:23:57

-Come on!

-Do it! Close the door.

1:23:531:23:57

HE SHOUTS ORDERS

1:24:051:24:08

Oi! Come here, buddy! We want your boat.

1:24:181:24:22

I'm on holiday, here!

1:24:221:24:27

Off! Off! Throw the line!

1:24:241:24:27

Come on!

1:24:271:24:29

When do I get my boat back? Hey!

1:24:291:24:32

How about that rope?

1:24:531:24:57

-I see it.

-I'll get you close.

1:24:551:24:57

Give me your gun.

1:24:571:24:59

THEY SPEAK KOREAN

1:25:261:25:32

I'll decoy.

1:25:371:25:39

SHOUTING

1:25:441:25:48

EXCITED SHOUTING

1:25:531:25:56

Arghhhh!

1:26:221:26:25

Countdown.

1:26:331:26:35

HE SHOUTS

1:26:471:26:49

COUNTDOWN CONTINUES IN KOREAN

1:27:111:27:14

COUNTDOWN CONTINUES

1:27:231:27:26

Uhhhhhh!

1:27:431:27:46

-Ooooh!

-Uhhhh!

1:27:581:28:01

Arghhhh!

1:28:061:28:08

COUNTDOWN CONTINUES

1:28:261:28:30

Lift off!

1:28:541:28:56

FREEZE!

1:29:181:29:19

Don't move! Get down! Where's the abort button? Come on!

1:29:191:29:25

Get back here!

1:29:251:29:27

Oh!

1:30:031:30:05

-Oh!

-Oh.

1:30:051:30:07

Now, children, this is Rembrandt's largest painting. The Night Watch.

1:30:151:30:21

How many people can you see in the shadows?

1:30:211:30:24

Now, that, the real one, is a beautiful piece of work.

1:30:261:30:30

Hmmm. Can you tell the difference? Are you sure it's the Night Watch?

1:30:301:30:36

The real, no-kidding Rembrandt's Night Watch?

1:30:361:30:40

Because, I don't know about you, but I can't tell the difference.

1:30:401:30:47

Of course I can tell. That's it!

1:30:431:30:47

OK.

1:30:471:30:49

Got you guessing, eh?!

1:31:011:31:04

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