Browse content similar to Build My Gallows High. Check below for episodes and series from the same categories and more!
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WHISTLES FOR ATTENTION | 0:01:28 | 0:01:32 | |
TOOTS HORN | 0:01:36 | 0:01:40 | |
< Where's Bailey? | 0:01:49 | 0:01:52 | |
Deaf and dumb, eh? | 0:01:55 | 0:01:57 | |
< Can you read lips? | 0:02:07 | 0:02:10 | |
Where is Bailey? | 0:02:11 | 0:02:15 | |
Coming back today? Come on...! | 0:02:16 | 0:02:22 | |
-Hello, Marny. -Well, look who's back! | 0:02:48 | 0:02:51 | |
-Hey, I thought you were a blonde. -For all your thinking of me I could be bald! | 0:02:51 | 0:02:57 | |
-Ham on rye. Did you miss me, honey? -I can't think of anyone else who did. | 0:02:57 | 0:03:03 | |
-But Bailey doesn't miss nothin'. -Nor you! | 0:03:03 | 0:03:06 | |
She's your girl and he ain't my man. I just see what I see. | 0:03:06 | 0:03:11 | |
-Sure you don't see what you hear? -Nothing happens I don't hear about. | 0:03:11 | 0:03:16 | |
-Every day they go fishing together. -Look, the sandwich. | 0:03:16 | 0:03:22 | |
Two things I can smell anywhere - a burning hamburger and a romance! | 0:03:22 | 0:03:26 | |
-You got a customer. -What'll you have? | 0:03:26 | 0:03:29 | |
Coffee? Nothing else? Cream. | 0:03:29 | 0:03:33 | |
-Where you been this time? -LA. -Coffee? -No, thanks. | 0:03:33 | 0:03:37 | |
First she's got you, now him too. The only thing I get is older. | 0:03:37 | 0:03:42 | |
I'll see you later, Marny. | 0:03:42 | 0:03:45 | |
Hmm...guess I must have said something. Enough. | 0:03:48 | 0:03:52 | |
They just don't want to hear. That's the trouble with the world. | 0:03:52 | 0:03:58 | |
Maybe you're right. Tell me something... I didn't know I could! | 0:03:58 | 0:04:04 | |
Does Bailey run the gas station? Know him? | 0:04:04 | 0:04:08 | |
I might have once. | 0:04:08 | 0:04:11 | |
If he keeps mooning around Jim's girl, no-one will know him! | 0:04:11 | 0:04:16 | |
You...er...see much of Bailey? | 0:04:16 | 0:04:19 | |
Yeah, every day. From here. | 0:04:19 | 0:04:22 | |
I often wondered what happened to him. Then I see his sign up there. | 0:04:22 | 0:04:29 | |
It's a small world. Yeah...or a big sign. | 0:04:29 | 0:04:34 | |
-They're just not feeding today. -They will later. It's clouding up. | 0:04:49 | 0:04:54 | |
-They say the day you die, your name is written on a cloud. -Who says? | 0:04:54 | 0:04:59 | |
-They. -Never heard of them. | 0:04:59 | 0:05:02 | |
-Nothin' in that one but rain. We oughta go. -Yes. | 0:05:02 | 0:05:06 | |
-Do you want to? -No. | 0:05:06 | 0:05:09 | |
When I look at the sky, I think of all the places I've never been. | 0:05:09 | 0:05:14 | |
Yes, but they're all the same. | 0:05:14 | 0:05:17 | |
-You've been a lot of places, haven't you? -One too many! | 0:05:17 | 0:05:22 | |
-Which did you like best? -This one. -Bet you say that everywhere. | 0:05:22 | 0:05:27 | |
See that cove over there? I'd like to build a house in it, marry you and stay there. | 0:05:27 | 0:05:34 | |
I wish you would. | 0:05:34 | 0:05:37 | |
-You weren't ever married before? -Not that I can remember. | 0:05:44 | 0:05:49 | |
That's good. People talk about you - the mysterious Jeff Bailey. | 0:05:49 | 0:05:58 | |
My mother asks me where did you come from and what did you do? | 0:05:58 | 0:06:05 | |
My father was... | 0:06:06 | 0:06:09 | |
-We'd better go. -Something wrong? | 0:06:19 | 0:06:22 | |
Maybe not. | 0:06:22 | 0:06:24 | |
Here... | 0:06:27 | 0:06:29 | |
You sure are a secret man. | 0:06:33 | 0:06:36 | |
Thanks. | 0:06:38 | 0:06:40 | |
-No...a man just wants to see me. -Oh. | 0:06:40 | 0:06:44 | |
-Long time. -Hello, Joe. I wish it was nicer to see you. | 0:07:02 | 0:07:07 | |
-Everyone's missed you, but not as much as I have. -Oh? | 0:07:07 | 0:07:12 | |
-Whit wishes I had brains like you. -What's the other reason? | 0:07:12 | 0:07:16 | |
I had to find you. | 0:07:16 | 0:07:19 | |
-I owe you or something? -Not me. -Who? | 0:07:20 | 0:07:23 | |
-How far can that kid read lips? -I'll ask him sometime(!) -This far? | 0:07:23 | 0:07:29 | |
-Don't like to make mistakes, eh? -They don't let me. | 0:07:29 | 0:07:33 | |
All right, come on inside. | 0:07:33 | 0:07:35 | |
-Funny racket to find you in. -Me and the kid laugh all the time! | 0:07:40 | 0:07:45 | |
I guess it's respectable. That hash-slinger says so, too. | 0:07:45 | 0:07:50 | |
-How did you happen to find me, Joe? -Well, I was driving down the street and saw you pumping gasoline. | 0:07:50 | 0:07:58 | |
-Of course, there's a different name. -Just dropped in? -Why not? | 0:07:58 | 0:08:03 | |
OK, then I'm glad to see an old pal, too. | 0:08:03 | 0:08:06 | |
So, I take you to dinner, then you hop in your car and you're gone. Right? | 0:08:06 | 0:08:12 | |
-Almost. -What else? -I'm still working for that guy. -Whit? | 0:08:12 | 0:08:18 | |
-He'd like to see you. -As much as you did? -Worse. | 0:08:18 | 0:08:23 | |
-I see. -No-one ever thought more of you than Whit. | 0:08:23 | 0:08:27 | |
-Or more about me(!) -Well, that could be true. | 0:08:27 | 0:08:31 | |
-All right, what does he want? -Maybe he's got something for you. | 0:08:31 | 0:08:36 | |
-Try once more. -Look, Whit never steered you into anything bad. | 0:08:36 | 0:08:41 | |
-Why, he never squawked when you blew the best thing he had. -Go on. | 0:08:41 | 0:08:46 | |
The guy just wants to see you. | 0:08:46 | 0:08:49 | |
-Well, since you put it that way, OK. -Know any other way to put it? | 0:08:49 | 0:08:54 | |
-Say tomorrow morning? -Where? | 0:08:56 | 0:08:59 | |
Lake Tahoe. Turn right at the bay. Big house. You won't miss it. | 0:08:59 | 0:09:04 | |
You can't. | 0:09:04 | 0:09:06 | |
TOOTS HORN | 0:09:13 | 0:09:17 | |
< John, are you letting her out like this? Are you gonna stand for it? | 0:09:26 | 0:09:33 | |
< With a man who won't even come to the door? | 0:09:33 | 0:09:37 | |
Don't worry about them. | 0:09:37 | 0:09:40 | |
-Darling... -It's no good, is it? | 0:09:40 | 0:09:44 | |
-It's just that they... -Oh, honey, I know how they feel. | 0:09:44 | 0:09:48 | |
-Don't worry about it. -I'm not. -Then don't look so grim. | 0:09:48 | 0:09:53 | |
-No, it's something else. -What? | 0:09:53 | 0:09:56 | |
-That guy who showed up today... -Yes? | 0:09:56 | 0:09:59 | |
-Want to take a ride with me up to Lake Tahoe? -Now? -Yes, now. | 0:09:59 | 0:10:04 | |
-I want to tell you something. -All right. | 0:10:04 | 0:10:08 | |
You told me once I'd have to tell you sometime. | 0:10:08 | 0:10:11 | |
Well...this is it. | 0:10:11 | 0:10:15 | |
Well, first of all, my name isn't Bailey. It's Markham. | 0:10:27 | 0:10:33 | |
Markham? Jeff Markham? | 0:10:33 | 0:10:35 | |
I should have told you before. I just kept putting it off, because I didn't like any of it. | 0:10:35 | 0:10:43 | |
-Please tell me, Jeff. -It'll hurt you. -It doesn't matter. | 0:10:43 | 0:10:48 | |
Well, our friend Markham lived in New York. He worked for a sort of stupid, oily gent called Fisher. | 0:10:48 | 0:10:56 | |
We called ourselves detectives. | 0:10:56 | 0:11:00 | |
That was about 3 years ago, maybe more. | 0:11:00 | 0:11:03 | |
Wintertime. One of the coldest days I remember. | 0:11:03 | 0:11:08 | |
-We got a call to see a big op... -What? -A big operator - a gambler. | 0:11:08 | 0:11:14 | |
He didn't come to see us, because he was too high-powered. | 0:11:14 | 0:11:18 | |
Also, because some dame had taken 4 shots at him with a .38, | 0:11:18 | 0:11:22 | |
and made one of them good. | 0:11:22 | 0:11:25 | |
He was taking it in stride, but his friend was a ball of fire. | 0:11:28 | 0:11:32 | |
Newspaper guys! Who are they kidding? | 0:11:32 | 0:11:36 | |
So, I shot the ace of spades out of his sleeve in a gin game(!) | 0:11:36 | 0:11:41 | |
A guy can't even get shot by a dame without the town buzzing like a... | 0:11:41 | 0:11:46 | |
Like you? Smoke a cigarette, Joe. | 0:11:46 | 0:11:50 | |
You just sit quiet. You wait for me to talk. I like that. | 0:11:50 | 0:11:56 | |
I never found out much listening to myself! | 0:11:56 | 0:12:00 | |
-Ahh...! It's amazing she missed me so often. -Maybe you were moving. | 0:12:01 | 0:12:07 | |
A dame with a rod is lethal. | 0:12:07 | 0:12:10 | |
-What's he doing here? -My partner. | 0:12:10 | 0:12:14 | |
-Should I ask why you didn't call the law? -Should you? | 0:12:16 | 0:12:20 | |
I guess not. Anything happened to her? | 0:12:20 | 0:12:24 | |
-She's gone. -With 40,000. -I want her. | 0:12:24 | 0:12:27 | |
Or the money? | 0:12:27 | 0:12:30 | |
-I once bet on a horse that ran dead last. So, I bought... -That's what I mean. | 0:12:31 | 0:12:37 | |
Oh, you're wrong. That horse is in a nice green pasture so he won't have any accidents. | 0:12:37 | 0:12:44 | |
You should visit it sometime. | 0:12:44 | 0:12:47 | |
No...I just want her back. | 0:12:48 | 0:12:51 | |
-When you see, you'll understand. -Maybe she's just impulsive. | 0:12:51 | 0:12:56 | |
Shall we let it go at that? | 0:12:56 | 0:12:59 | |
I can let it all go. | 0:12:59 | 0:13:02 | |
Even 5,000 now and the same when you bring her back? | 0:13:02 | 0:13:06 | |
-And expenses. -Now, that should have been the first thing you said. | 0:13:06 | 0:13:12 | |
-Find her, Jeff. Bring her back. -Why me? | 0:13:12 | 0:13:15 | |
I know a lot of smart guys and a few honest ones. You're both. | 0:13:15 | 0:13:21 | |
What happens to her? | 0:13:24 | 0:13:27 | |
I won't touch her. | 0:13:27 | 0:13:29 | |
OK. | 0:13:34 | 0:13:36 | |
Get me some stuff on her. Family. Pictures. | 0:13:37 | 0:13:41 | |
-You'll get it. -Bring it over. Come on, let's go. | 0:13:41 | 0:13:45 | |
Oh, by the way, d'you mind telling me her name? | 0:13:46 | 0:13:51 | |
..Kathie Moffatt. | 0:13:51 | 0:13:54 | |
Thanks. | 0:13:54 | 0:13:56 | |
She must be quite a dame... A wild goose with forty G's! | 0:13:57 | 0:14:03 | |
-For a smart guy that Sterling sure trusts you, don't he? -Why not? | 0:14:03 | 0:14:08 | |
-Am I going along? -No. -Doesn't like my personality, huh? | 0:14:08 | 0:14:13 | |
-It's still fifty-fifty, Jeff. -Did I say different? -All right. | 0:14:13 | 0:14:19 | |
But don't get any cute ideas. | 0:14:19 | 0:14:22 | |
BIG BAND DANCE MUSIC | 0:14:23 | 0:14:26 | |
This is an old friend of mine, Jeff Markham. He wants to talk. | 0:14:39 | 0:14:44 | |
-Which one of you is Eunice Leonard? -..Me. | 0:14:44 | 0:14:48 | |
May I ask you a few questions? | 0:14:48 | 0:14:51 | |
Come on, honey. Let's dance. | 0:14:53 | 0:14:56 | |
You work for Katherine Moffatt? | 0:14:59 | 0:15:01 | |
Not any more. She's gone. | 0:15:01 | 0:15:04 | |
I only stayed 'cos she got sick bein' vaccinated. | 0:15:04 | 0:15:08 | |
-Why? -I want to find her. | 0:15:08 | 0:15:10 | |
-For that man? -No, for myself. Where'd she go? | 0:15:10 | 0:15:15 | |
-I'm not sure... -She may come to harm. | 0:15:15 | 0:15:18 | |
-Is she hurt? -I don't know. | 0:15:18 | 0:15:21 | |
Maybe you'd better say. It's not much. | 0:15:21 | 0:15:25 | |
The clothes she took, she was looking for sun. Florida. | 0:15:25 | 0:15:31 | |
-Sure about that? -Yeah, I'm sure. | 0:15:31 | 0:15:35 | |
-Trunk? -Only suitcases. | 0:15:35 | 0:15:38 | |
-I weighed them for her. -How much? -131 pounds. | 0:15:38 | 0:15:44 | |
-Exactly? -Exactly. That's what I weigh myself. | 0:15:44 | 0:15:48 | |
Thanks... Bring them another round. | 0:15:48 | 0:15:51 | |
You don't get vaccinated for Florida. You do for Mexico. | 0:15:53 | 0:15:56 | |
I followed that excess baggage to Mexico City. | 0:15:56 | 0:16:00 | |
She'd been at the Reforma and gone south. | 0:16:00 | 0:16:03 | |
It was hot in Taxco. You ask "How hot can it get?" | 0:16:03 | 0:16:07 | |
In Acapulco, you find out. | 0:16:07 | 0:16:10 | |
I knew she'd come here to get a boat. | 0:16:11 | 0:16:15 | |
All I had to do was wait. | 0:16:15 | 0:16:17 | |
Near the Plaza was a little cafe called La Mar Azul. | 0:16:17 | 0:16:21 | |
I sat there in the afternoons and drank beer. | 0:16:21 | 0:16:26 | |
I used to sit there half-asleep with the beer. | 0:16:26 | 0:16:30 | |
Only the music kept jarring me awake. | 0:16:30 | 0:16:33 | |
And then I saw her. | 0:16:33 | 0:16:36 | |
And I knew why he didn't care about that forty grand. | 0:16:36 | 0:16:41 | |
-Cuba Libre. -Si, senorita. | 0:16:41 | 0:16:44 | |
COIN ROLLS ALONG FLOOR | 0:16:56 | 0:17:00 | |
Senorita. Senor. May I speak some words? | 0:17:03 | 0:17:06 | |
-You will be seated, Senor? -With pleasure, Senor. | 0:17:06 | 0:17:11 | |
-I am Jose Rodriguez, a guide. A most excellent guide. -Indeed? | 0:17:11 | 0:17:17 | |
You ask them. Jose Rodriguez knows Acapulco as no-one else. Each street... | 0:17:17 | 0:17:23 | |
-I don't want a guide. -A difficult girl. -They all are. | 0:17:23 | 0:17:28 | |
-Perhaps a lottery ticket? -No. | 0:17:28 | 0:17:31 | |
I have here, wrought by skilled hands, a ring. | 0:17:31 | 0:17:35 | |
-And earrings of jade and pure silver. -These. | 0:17:35 | 0:17:39 | |
Gracias, Senor. Gracias. | 0:17:41 | 0:17:44 | |
-I never wear them. -Nor I. Please. -No, thank you. | 0:17:46 | 0:17:51 | |
I haven't talked to anyone who hasn't tried to sell me something for 10 days. | 0:17:51 | 0:17:57 | |
If I don't talk, I think. And it's too late in life for that. | 0:17:57 | 0:18:02 | |
I could go and look at the sea like a good tourist, | 0:18:02 | 0:18:07 | |
but no-one says, "Nice view, huh?" | 0:18:07 | 0:18:10 | |
It's the same with the churches, the moonlight or a Cuba Libre. | 0:18:10 | 0:18:14 | |
-It's no good unless you share it. -You should go home. | 0:18:14 | 0:18:18 | |
-Maybe that's why I'm here. -Is it? | 0:18:18 | 0:18:22 | |
Well, there's always Jose Rodriguez. | 0:18:23 | 0:18:26 | |
There's also a cantina called Pablo's. | 0:18:26 | 0:18:30 | |
It's quiet. A man there plays American music for a dollar. | 0:18:30 | 0:18:35 | |
Sip bourbon and shut your eyes - it's like 56th Street. | 0:18:35 | 0:18:39 | |
-I'll wear my earrings. -..I sometimes go there. | 0:18:39 | 0:18:44 | |
I went to wire Whit that I'd found her, but the telegraph office was closed. | 0:18:55 | 0:19:01 | |
I was glad it was and I suddenly knew why. | 0:19:01 | 0:19:05 | |
I went to Pablo's that night. I'd go every night until she showed up. | 0:19:09 | 0:19:15 | |
And I knew she knew it. | 0:19:15 | 0:19:17 | |
I drank bourbon and shut my eyes, but I didn't think of 56th Street. | 0:19:19 | 0:19:25 | |
I knew where I was and thought what a sucker I was. | 0:19:25 | 0:19:30 | |
I even knew she wouldn't come the first night. | 0:19:30 | 0:19:34 | |
And I sat there grinding it out. | 0:19:34 | 0:19:37 | |
SOULFUL VIOLIN PLAYS | 0:19:37 | 0:19:41 | |
But the next night I knew she'd show. | 0:19:42 | 0:19:46 | |
She waited until it was late. | 0:19:46 | 0:19:49 | |
But then she walked in out of the moonlight, smiling. | 0:19:49 | 0:19:54 | |
VIOLIN PLAYS LINGERING MELODY | 0:20:01 | 0:20:05 | |
-Ah, this is a coincidence. -Yes, it is. | 0:20:13 | 0:20:17 | |
..American music. | 0:20:17 | 0:20:20 | |
-I've been here for two nights. -Thinking? -No, waiting. | 0:20:20 | 0:20:24 | |
I haven't been lonely. Bourbon...? | 0:20:24 | 0:20:28 | |
-As you suggest. -Thank you, sir. | 0:20:28 | 0:20:31 | |
I've been waiting for the guy to break into Melancholy Baby! | 0:20:31 | 0:20:37 | |
You know, you're a curious man. | 0:20:38 | 0:20:41 | |
-You'd make every guy curious. -That's not what I mean. | 0:20:41 | 0:20:45 | |
You don't ask questions. You don't even ask my name. | 0:20:45 | 0:20:49 | |
-All right, what's your name? -Kathie. | 0:20:49 | 0:20:54 | |
-I like it. -..Or where I come from? | 0:20:54 | 0:20:58 | |
I'm thinking about where we're going. | 0:20:58 | 0:21:01 | |
-Don't you like it? -I'm restless. | 0:21:01 | 0:21:04 | |
-Shall I take you somewhere else? -You can take me anywhere. | 0:21:04 | 0:21:08 | |
I'm a much better guide than Jose Rodriguez. Wanna try me? | 0:21:08 | 0:21:13 | |
Le jeux sont faits - rien ne vas plus. | 0:21:18 | 0:21:21 | |
-That isn't the way to win. -Is there a way to win? -You can lose more slowly. | 0:21:21 | 0:21:28 | |
-Le numero sept rouge. -I prefer it like that. | 0:21:28 | 0:21:32 | |
-Chuck it in. -Don't you gamble? -Not against a wheel. | 0:21:32 | 0:21:36 | |
-Why are you so hard to please? -Take me where I can tell you. | 0:21:36 | 0:21:42 | |
All right, come on. | 0:21:42 | 0:21:45 | |
Wait a minute. | 0:21:55 | 0:21:58 | |
When are you taking me back? | 0:22:31 | 0:22:34 | |
-Is that why you kissed me? -No. | 0:22:34 | 0:22:39 | |
Whit didn't die. | 0:22:39 | 0:22:41 | |
-He didn't?! -No. | 0:22:41 | 0:22:44 | |
-Then why... -He just wants you back. | 0:22:44 | 0:22:47 | |
I HATE him. | 0:22:47 | 0:22:50 | |
-I'm sorry he didn't die. -Give him time(!) | 0:22:50 | 0:22:55 | |
-But you are taking me back? -There's no hurry. | 0:22:55 | 0:23:00 | |
I could have run away last night. | 0:23:00 | 0:23:03 | |
I'd find you. | 0:23:03 | 0:23:06 | |
Yes, I believe you would. | 0:23:06 | 0:23:08 | |
-Are you glad you did? -I don't know. | 0:23:08 | 0:23:13 | |
I am. | 0:23:15 | 0:23:17 | |
-There was a little business about 40,000. -I didn't take it! | 0:23:17 | 0:23:22 | |
How did you know it was taken? | 0:23:22 | 0:23:25 | |
It's what you meant. I don't want ANYTHING of his! | 0:23:25 | 0:23:30 | |
-Except his life. -I didn't know what I was doing. I only knew how I hated him. | 0:23:30 | 0:23:37 | |
But I didn't take anything. | 0:23:37 | 0:23:39 | |
I DIDN'T, Jeff. | 0:23:39 | 0:23:43 | |
Won't you believe me? | 0:23:44 | 0:23:47 | |
Baby, I don't care! | 0:23:47 | 0:23:50 | |
I never saw her in the daytime. We lived by night. | 0:23:56 | 0:24:00 | |
The rest of the day went like a pack of cigarettes. | 0:24:00 | 0:24:04 | |
I didn't know where she lived. All I ever had was a place and time to see her again. | 0:24:04 | 0:24:11 | |
What were we waiting for? Maybe we thought it was a dream and we'd wake up with a hangover. | 0:24:11 | 0:24:18 | |
I wired Whit, but didn't tell him. I said, "Wish you were here." | 0:24:18 | 0:24:22 | |
And every night I went to meet her. | 0:24:22 | 0:24:25 | |
How did I know she'd ever show up? I didn't. | 0:24:25 | 0:24:30 | |
What stopped her taking a boat to Chile or Guatemala? Nothing. | 0:24:30 | 0:24:35 | |
How big a chump can you be? I found out. | 0:24:35 | 0:24:38 | |
And then she'd come along like school was out. | 0:24:38 | 0:24:43 | |
And everything else was a stone you sailed at the sea. | 0:24:43 | 0:24:47 | |
-You're so small. -I'm taller than Napoleon. -Prettier, too. | 0:24:47 | 0:24:51 | |
-Miss me? -No more than I would my eyes. Where shall we go? | 0:24:54 | 0:24:59 | |
Let's go to my place. | 0:24:59 | 0:25:02 | |
It was the first time she had mentioned her place. | 0:25:04 | 0:25:09 | |
Maybe it was because the sky was full of rain. | 0:25:09 | 0:25:13 | |
It was a nice little joint with Mexican furniture and gimcracks. | 0:25:26 | 0:25:31 | |
The rain hammering on the window made it good to be in there. | 0:25:31 | 0:25:37 | |
Here... | 0:25:37 | 0:25:39 | |
Hey, hey, not so hard! | 0:25:41 | 0:25:44 | |
-ROMANTIC MELODY PLAYS -Now yours. -Oh, no, Jeff... | 0:25:46 | 0:25:52 | |
-Ohh...not so hard, Jeff. -Hush! Gotta dry your hair. | 0:25:52 | 0:25:56 | |
HOWL OF WIND | 0:26:00 | 0:26:03 | |
-Are you going with me? -Where? | 0:26:18 | 0:26:21 | |
-Wherever it takes us. -Why? -To make a life for ourselves. | 0:26:21 | 0:26:25 | |
To get away from Whit. He knows I'm here. | 0:26:25 | 0:26:29 | |
-..When? -Tomorrow. | 0:26:29 | 0:26:32 | |
You can meet me at the hotel, if you can make it. | 0:26:32 | 0:26:37 | |
I can make it, but can we get away with it? | 0:26:37 | 0:26:40 | |
-Let's find out. -He won't forget. -Everybody forgets. | 0:26:40 | 0:26:45 | |
-Not Whit! -So, we'll send him a postcard every Christmas. | 0:26:45 | 0:26:49 | |
I'm glad you're not afraid of him. | 0:26:49 | 0:26:52 | |
-I've been afraid of half the things I ever did. -And now? | 0:26:52 | 0:26:56 | |
I'm only afraid you might not go. | 0:26:56 | 0:26:59 | |
Don't be. | 0:26:59 | 0:27:02 | |
I'll be there tomorrow. | 0:27:02 | 0:27:05 | |
-Love me? -Uh-huh. | 0:27:05 | 0:27:08 | |
-Poco? -What's that? | 0:27:08 | 0:27:11 | |
-A little. -Mucho! | 0:27:11 | 0:27:14 | |
WHISTLING | 0:27:18 | 0:27:21 | |
KNOCK AT DOOR | 0:27:27 | 0:27:30 | |
-WHISTLING TRAILS OFF -It's you. | 0:27:34 | 0:27:38 | |
-I don't like surprises myself. Wanna just shut the door? -No, come in. | 0:27:38 | 0:27:44 | |
I like surprises. When I was a kid we were so busted that anything was a surprise. | 0:27:44 | 0:27:51 | |
-Sit down. Have a chair. -Thanks. -Been here long? | 0:27:51 | 0:27:56 | |
-How long, Joe? -Just in. | 0:27:56 | 0:28:00 | |
I just wondered who might be following whom? | 0:28:00 | 0:28:04 | |
What makes you think that? | 0:28:04 | 0:28:07 | |
Look, you trust people about as far as you can throw Joe! | 0:28:07 | 0:28:11 | |
That's all right with me, but let's not get cute about it. | 0:28:11 | 0:28:15 | |
I'm on my way to Mexico City. To see a man about a horse. | 0:28:15 | 0:28:20 | |
On the level. A racehorse from South America. | 0:28:20 | 0:28:24 | |
-Checking out? -Sure, why waste your money? -Did you find her? | 0:28:27 | 0:28:31 | |
No. Only her trail. | 0:28:31 | 0:28:34 | |
Not quite as hot as a prairie fire, but there. A little too obvious. | 0:28:34 | 0:28:39 | |
-She's a clever little girl. -Is she? | 0:28:41 | 0:28:46 | |
You should have told me, Whit. I'd have played it differently. | 0:28:46 | 0:28:51 | |
Maybe she heard my shoes squeak. Always a jump ahead of me. | 0:28:51 | 0:28:56 | |
-Mexico City to Taxco to here. -Here? Did you see her? -No. | 0:28:56 | 0:29:01 | |
I wish I had. I don't like playing games. | 0:29:01 | 0:29:05 | |
KNOCK AT DOOR | 0:29:05 | 0:29:08 | |
Thank you. | 0:29:19 | 0:29:21 | |
Gracias. | 0:29:21 | 0:29:23 | |
Nice shoes. Sporty for you, aren't they? | 0:29:27 | 0:29:31 | |
I got them here. I told you the others squeaked. | 0:29:31 | 0:29:35 | |
Let's go to the bar. You can cool off while we impress each other(!) | 0:29:35 | 0:29:40 | |
..Fine. | 0:29:40 | 0:29:42 | |
-Nice place. Like to stay here a while myself. -You did, by proxy. | 0:29:47 | 0:29:52 | |
-Something cool. -Make it two. -Three. | 0:30:02 | 0:30:06 | |
-So you blew it? -Anybody can have bad luck! | 0:30:06 | 0:30:11 | |
-And squeaky shoes. -Cool it, Joe. ..Where were you off to? | 0:30:11 | 0:30:16 | |
Telegraph Office. To wire you. I told you, I don't like spending your money. | 0:30:16 | 0:30:22 | |
-I can stand it. -Well, it's your business. | 0:30:22 | 0:30:27 | |
-Whit, my friend, there's a million dames out there look like her. -No, they don't. | 0:30:27 | 0:30:33 | |
-So, she was here? -Well, according to all available evidence she was. | 0:30:35 | 0:30:40 | |
-Maybe if I'd sent Joe. Could YOU find a dame in a million? -The one with forty grand! | 0:30:40 | 0:30:47 | |
-Sorry! -Picked up some nerves(?) | 0:30:52 | 0:30:55 | |
I don't need a crack like that, or your dough! | 0:30:55 | 0:30:59 | |
I missed her. The dame caught a boat south. | 0:30:59 | 0:31:03 | |
-Where? -Look, I ate well before this job. If there's something you don't like you can say so! | 0:31:03 | 0:31:10 | |
-I just asked where? -Chile...Guatemala... | 0:31:10 | 0:31:14 | |
-You want to go and see the guy in the steamship company? -Why not? | 0:31:14 | 0:31:20 | |
-Taxi, sir? -Yeah. | 0:31:29 | 0:31:32 | |
I'm sorry. You're feeling bad. I shouldn't have joked about it. | 0:31:32 | 0:31:37 | |
All right. You get your 5 grand back and Stefanos takes over. | 0:31:37 | 0:31:43 | |
Wrong! Nobody quits ME! You started this and you'll end it. | 0:31:43 | 0:31:47 | |
Besides, Joe couldn't find a prayer in the Bible! | 0:31:47 | 0:31:53 | |
You'll find her. Take it easy. Take your time. | 0:31:53 | 0:31:57 | |
Well, I better get back to the airport. | 0:31:57 | 0:32:00 | |
See you someday! | 0:32:00 | 0:32:03 | |
It wasn't all a lie, she did take a steamer, but it went north. I was on it, too. | 0:32:09 | 0:32:15 | |
I took an office in San Francisco. A cheap little rathole that suited the work I did. | 0:32:15 | 0:32:23 | |
Shabby jobs for whoever hired me. | 0:32:23 | 0:32:26 | |
It was the bottom of the barrel, but I didn't care. I had her. | 0:32:26 | 0:32:32 | |
We kept pretty much to ourselves, except for the movie house. | 0:32:34 | 0:32:38 | |
After a while, when we were more sure of ourselves, we went back to the familiar places. | 0:32:38 | 0:32:45 | |
Ball parks, race tracks. Why not? After all, there wasn't a chance in a million we'd bump into our past. | 0:32:45 | 0:32:53 | |
One chance in a million... | 0:32:55 | 0:32:58 | |
That was all that chump ever had, and he made good! | 0:32:58 | 0:33:03 | |
I knew if he ever saw her he'd sell us both for 1.95! | 0:33:03 | 0:33:08 | |
So, we had to separate. | 0:33:09 | 0:33:12 | |
I went alone to LA, making it easy for him to follow. | 0:33:12 | 0:33:16 | |
He was a good gum-shoe, though. | 0:33:16 | 0:33:20 | |
All this time I didn't write to her or phone or telegraph. | 0:33:20 | 0:33:26 | |
I just waited. And when it seemed right, I arranged to meet her. | 0:33:26 | 0:33:31 | |
I wasn't bad at the game myself, and was sure I'd shaken him. | 0:33:31 | 0:33:35 | |
Fisher was back there somewhere and I could see her again. | 0:33:41 | 0:33:46 | |
We took a cabin at Pyramid Creek. It was dark when I was getting there... | 0:33:46 | 0:33:51 | |
and then I saw her walking up the road in the headlights. | 0:33:51 | 0:33:56 | |
-You wanna a lift, babe? -Well, I really hadn't ought. | 0:34:00 | 0:34:05 | |
-You're a cute little package to be out alone at night. -You're cute yourself ANY night. | 0:34:06 | 0:34:12 | |
It was meeting her somewhere like the first times. There was something about her that got me. | 0:34:17 | 0:34:24 | |
I could hold her and laugh, because we were together again. | 0:34:24 | 0:34:30 | |
We'd played it smart and forgotten nothing. | 0:34:30 | 0:34:34 | |
-Except one thing... -CAR DOOR | 0:34:34 | 0:34:38 | |
He had followed her. | 0:34:43 | 0:34:46 | |
Hello, Jeff. | 0:34:46 | 0:34:49 | |
Don't I get introduced(?) | 0:34:57 | 0:35:00 | |
I don't blame you, Jeff. Maybe I'd have lied my head off, too. | 0:35:02 | 0:35:08 | |
Your pictures don't do you justice, baby. | 0:35:08 | 0:35:11 | |
Why don't you break his head, Jeff! | 0:35:11 | 0:35:13 | |
Cute(!) From what I understand, Whit and her deserved each other. | 0:35:13 | 0:35:18 | |
-You working for him? -Who else would find you? -OK, what's the pitch? | 0:35:18 | 0:35:24 | |
You and I had a little deal, Jeff. Ten grand and expenses. Fifty-fifty. Remember? | 0:35:24 | 0:35:31 | |
-You did have a good memory. -I didn't collect. -Not the 10 grand. | 0:35:31 | 0:35:36 | |
-But, if you tell Whit where we are he might tip you a sawbuck. -Jeff... | 0:35:36 | 0:35:41 | |
-He won't tell Whit anything. -Sure not! Give me the 40 grand and we're pals. | 0:35:41 | 0:35:48 | |
-I might cut you in... -There's no 40 grand! | 0:35:48 | 0:35:51 | |
Of course, Whit's broadminded. He don't care about a few slugs in the stomach. | 0:35:51 | 0:35:58 | |
Or Jeff falling down on the job. | 0:35:58 | 0:36:01 | |
-But you two ganging up together, he might not like that! -Tell him, Kathie. | 0:36:01 | 0:36:06 | |
Sure I shot him. I'm not sorry about that. But I DIDN'T take his money. | 0:36:06 | 0:36:13 | |
-Beat it! -Look at all the angles... You know how far Whit can reach. Just pay me off and I'm quiet. | 0:36:13 | 0:36:21 | |
But use cash. I don't want any pitch from this cheap piece of baggage! | 0:36:21 | 0:36:27 | |
I was hoping you'd do this... | 0:36:27 | 0:36:29 | |
GUNSHOT RINGS OUT | 0:36:46 | 0:36:50 | |
-You didn't have to KILL him! -I did. You wouldn't have done. | 0:37:06 | 0:37:11 | |
-You'd have just hit him. -Why...? | 0:37:11 | 0:37:14 | |
YOU wouldn't have killed him! He'd have gone to Whit. | 0:37:14 | 0:37:20 | |
CAR ENGINE STARTS | 0:37:28 | 0:37:32 | |
I buried him there. I wasn't sorry for him or sore at her. | 0:37:55 | 0:38:00 | |
I wasn't anything. | 0:38:00 | 0:38:03 | |
-Did you ever see her again? -No. | 0:38:03 | 0:38:06 | |
Did you want to? | 0:38:06 | 0:38:09 | |
..No. | 0:38:09 | 0:38:11 | |
-I said it wasn't a nice story. -Whatever happened is done! | 0:38:20 | 0:38:25 | |
-But you should have known long ago. -It's all right. I understand. | 0:38:25 | 0:38:30 | |
-And it's all past. -Maybe it isn't. | 0:38:30 | 0:38:34 | |
-What'll happen? -I don't know. I don't know how much he knows. | 0:38:34 | 0:38:39 | |
-Don't go, Jeff! -I'm tired running. I've got to clean this up some way. | 0:38:39 | 0:38:44 | |
-Just one thing, Ann. D'you want me to come back? -Of course! | 0:38:44 | 0:38:49 | |
Put that in your pocket. | 0:38:54 | 0:38:57 | |
Look who's here! | 0:39:29 | 0:39:32 | |
-Hello, Markham. Glad to see you. -I wondered if you missed me(!) | 0:39:34 | 0:39:38 | |
-Same guy...time-proof! Cigarette? -I'm smoking. | 0:39:38 | 0:39:43 | |
-Thanks. Had breakfast? -No. -Joe, tell the boy we have a guest. | 0:39:48 | 0:39:53 | |
-I understand you run a gas station? -Is it hard to understand? | 0:39:53 | 0:39:57 | |
-Well, yes. -It's simple. I sell gas and make a profit. | 0:39:57 | 0:40:01 | |
It's called earning your living. You may have heard of it somewhere. | 0:40:01 | 0:40:07 | |
I may have. But it wasn't from YOU ! | 0:40:07 | 0:40:11 | |
-I didn't mean to hurt any feelings. -Feelings?! I haven't been able to find any. | 0:40:11 | 0:40:17 | |
-Where did you look? -In my pocket-book! | 0:40:17 | 0:40:21 | |
-..Nice, isn't it? -Must have set you back a few shillings. | 0:40:21 | 0:40:26 | |
-Always worrying about my expenses! -Nice view. Am I here to admire it? | 0:40:26 | 0:40:31 | |
Not exactly. | 0:40:31 | 0:40:34 | |
-I need your help. -Like old times. | 0:40:34 | 0:40:37 | |
-I always liked you. -You liked me because I was smart. I'm not smart any more, I run a gas station! | 0:40:37 | 0:40:44 | |
-I like the view. -Can you still listen? -I can hear. | 0:40:44 | 0:40:49 | |
Well, my business is a little more precarious and I earn considerably more than you. | 0:40:49 | 0:40:56 | |
-So I heard. -So has the Government! | 0:40:56 | 0:40:59 | |
-Well, you could pay them. -That would be against my nature. | 0:40:59 | 0:41:03 | |
-Forget I said it. -I met a man who understands these things. | 0:41:03 | 0:41:09 | |
He saved me some money - 1 million. | 0:41:09 | 0:41:12 | |
I didn't trust him, so I paid him well. But he's unhappy. He wants more. | 0:41:12 | 0:41:18 | |
-He saved you some. -I appreciate it. I remember what a man did for me. | 0:41:18 | 0:41:22 | |
-Or didn't? -Perhaps. | 0:41:22 | 0:41:25 | |
-Now he wants 200,000. -He could get 10% of the million if he turned you in. | 0:41:25 | 0:41:31 | |
-Oh, you're up on this. -Anything to trade? | 0:41:31 | 0:41:35 | |
The tax records. But why buy them when you might get them for me? | 0:41:35 | 0:41:41 | |
-Then I'd have them. -Yes, but I trust you. | 0:41:41 | 0:41:44 | |
I don't think you can trust anyone. You'd better get them yourself. | 0:41:44 | 0:41:49 | |
-Pass. -You don't like it? -No, I've got my business to run. | 0:41:49 | 0:41:55 | |
Well...it's a nice view. Let's have some breakfast. | 0:41:55 | 0:42:00 | |
You remember Kathie, don't you? | 0:42:05 | 0:42:08 | |
..Yeah, I remember Kathie. | 0:42:11 | 0:42:14 | |
Sit down. | 0:42:15 | 0:42:17 | |
Kathie's back in the fold now. | 0:42:17 | 0:42:20 | |
-You're back in the fold, too. -I see. | 0:42:20 | 0:42:23 | |
Jeff, you owe me. That is until you square yourself. | 0:42:23 | 0:42:28 | |
-Did you bare your heart, Kathie(?) -I couldn't help it. | 0:42:28 | 0:42:33 | |
-Well, that settles things. -Does it? | 0:42:33 | 0:42:36 | |
You're working for ME. | 0:42:36 | 0:42:39 | |
This man's name is Leonard Eels. But don't go to him directly. | 0:42:39 | 0:42:43 | |
He has a secretary whose name is Meta Carson. | 0:42:43 | 0:42:47 | |
She might even find you charming. I understand that women have. | 0:42:47 | 0:42:53 | |
She'll tell you how it's lined up. | 0:42:53 | 0:42:56 | |
-You know San Francisco(?) -Yeah, I was there once on a party. | 0:42:56 | 0:43:01 | |
-You get around. -That's right! | 0:43:01 | 0:43:05 | |
You'll get a train this afternoon. | 0:43:05 | 0:43:08 | |
-Right now I'd like to sleep. -Joe will show you your room. | 0:43:08 | 0:43:12 | |
-And don't start worrying. -..Why should I? | 0:43:13 | 0:43:18 | |
FRENCH WINDOWS OPENING | 0:43:35 | 0:43:38 | |
I HAD to come back. What else could I do? | 0:43:39 | 0:43:42 | |
You never can help it! You're like a leaf blown from gutter to gutter. | 0:43:42 | 0:43:48 | |
-You can't help anything you do. Even murder. -You can't say that. | 0:43:48 | 0:43:54 | |
I can say that. I buried him! | 0:43:54 | 0:43:56 | |
What did you tell him? About us? | 0:43:56 | 0:43:59 | |
-But you couldn't help it, could you(?) -He knew it! -How much? | 0:44:01 | 0:44:06 | |
-What, Jeff? -I mean about Fisher. -No, I didn't tell him. | 0:44:06 | 0:44:10 | |
Don't lie to me! | 0:44:10 | 0:44:13 | |
I didn't...I wouldn't. I wouldn't tell anyone that! | 0:44:13 | 0:44:17 | |
-I swear it, Jeff. Believe me! -Sure, I believe you(!) | 0:44:17 | 0:44:21 | |
I didn't know what to do. I was afraid of what I'd done. I couldn't live that way. | 0:44:21 | 0:44:28 | |
Oh, Jeff, I've missed you. Wondered about you. I prayed you'd understand. | 0:44:28 | 0:44:34 | |
-Can you? -YOU prayed, Kathie? | 0:44:34 | 0:44:37 | |
-Can't you even feel sorry for me? -I'm not going to try. Just get out! I have to sleep in this room. | 0:44:37 | 0:44:45 | |
Let's just leave it where it is. Get out! | 0:44:47 | 0:44:52 | |
-Meta Carson? -Yes. -My name is Bailey. -Come in. | 0:45:36 | 0:45:41 | |
-I was expecting you. -I wasn't expecting you! | 0:45:43 | 0:45:47 | |
-Is that a compliment? -Whit told me you were charming. -Oh? | 0:45:47 | 0:45:51 | |
-Gin and tonic? -That would be nice. | 0:45:51 | 0:45:53 | |
-Or whisky if you'd like. -That would be nicer. | 0:45:53 | 0:45:57 | |
Miserable weather we're having, isn't it? | 0:46:00 | 0:46:03 | |
-Are you acquainted with the city? -We were quite intimate. | 0:46:03 | 0:46:07 | |
-Indeed? -We lived together. | 0:46:07 | 0:46:10 | |
-It's a nice apartment. -Yes, these old houses can be quite amusing. | 0:46:10 | 0:46:16 | |
I used to live in one in New York that was old. It wasn't amusing. | 0:46:16 | 0:46:20 | |
-I've never been there. -That's one reason why I'm in San Francisco! | 0:46:20 | 0:46:26 | |
-Whit said you'd tell me the other. -I'm afraid I don't quite understand you. | 0:46:26 | 0:46:32 | |
Well, maybe we should get to the point. | 0:46:32 | 0:46:35 | |
-You worried about something? -I don't know. Should I be? | 0:46:35 | 0:46:40 | |
-Not if you do as you're told. -That's why I'm here. | 0:46:40 | 0:46:44 | |
People trust me. Whit trusted me twice. Do you? | 0:46:44 | 0:46:48 | |
Just as far as I have to. | 0:46:48 | 0:46:50 | |
-Find your way to One-Fourteen Fulton Street. -When? -Tonight. | 0:46:50 | 0:46:56 | |
It's the apartment of Leonard Eels. | 0:46:56 | 0:46:59 | |
Call for me at eight. Look around. I CAN depend upon that. | 0:46:59 | 0:47:04 | |
In a day or so, he'll take some papers home. I'll let you know. | 0:47:04 | 0:47:09 | |
-Then you get them. He'll be away. -Where will he be? -With me. | 0:47:09 | 0:47:14 | |
-I'm his secretary. -That sounds simple enough. -It is. | 0:47:14 | 0:47:18 | |
-Like two and two make four. -That's right. | 0:47:18 | 0:47:22 | |
Just remember, I'm coming out in one piece. | 0:47:24 | 0:47:28 | |
Do you always go round leaving fingerprints on a girl's shoulders? | 0:47:28 | 0:47:33 | |
Not that I mind. You've got nice strong hands. | 0:47:33 | 0:47:38 | |
-Jeff! -Petey, how are you? -Where've you been? | 0:47:53 | 0:47:57 | |
-I went down the line. -Lookin' for me? | 0:47:57 | 0:48:01 | |
Come on, let's take a ride in your hack. | 0:48:01 | 0:48:04 | |
-You look like you're in trouble. -Why? | 0:48:07 | 0:48:11 | |
'Cos you don't act like it! | 0:48:11 | 0:48:13 | |
I think I'm in a frame. | 0:48:13 | 0:48:16 | |
-Don't sound like you. -I don't know. I'm going in there to look at the picture. | 0:48:16 | 0:48:22 | |
-I don't have to tell you to wait. -No, you don't have to. | 0:48:22 | 0:48:26 | |
-My name is Bailey. -Oh, yes. Miss Carson told me. | 0:48:54 | 0:48:58 | |
< Bring him out here, Leonard. | 0:48:58 | 0:49:01 | |
Thank you. | 0:49:06 | 0:49:08 | |
Hello, Jeffrey. I always wanted my favourite cousin to meet my boss. | 0:49:08 | 0:49:14 | |
-Martini? -Meta says you're the ninth wonder of the world. | 0:49:14 | 0:49:18 | |
All women are wonders. They reduce all men to the obvious. So do Martinis! > | 0:49:18 | 0:49:26 | |
It's so nice here, I hate to go. | 0:49:26 | 0:49:29 | |
Don't then. Why not stay for dinner? | 0:49:29 | 0:49:32 | |
-Why not? -We can't... We promised the Bigelows. Remember? | 0:49:32 | 0:49:37 | |
-Call them. -No, I'm sorry, Leonard. | 0:49:37 | 0:49:41 | |
How long are you in town, Mr Bailey? | 0:49:41 | 0:49:43 | |
-I don't know. -Here on business? -You might call it that. | 0:49:43 | 0:49:48 | |
-Where are you from? The South? -No...Tahoe. | 0:49:48 | 0:49:52 | |
-We MUST go, Jeff. -All right. | 0:49:52 | 0:49:55 | |
Your...er...cousin is a charming young lady. | 0:49:58 | 0:50:02 | |
HE isn't! He's a bookmaker in Cleveland. | 0:50:02 | 0:50:06 | |
..Where did you say you were from? | 0:50:07 | 0:50:09 | |
Tahoe. Where we worry as much about the Income Tax as anybody. | 0:50:09 | 0:50:14 | |
..Frankly, you don't make sense. | 0:50:14 | 0:50:17 | |
Nor does my being her cousin. Or being brought here to leave fingerprints around. | 0:50:17 | 0:50:24 | |
Or maybe it's that I'm the patsy and you're on the spot. | 0:50:24 | 0:50:29 | |
-Coming, Jeff? > -Right away! | 0:50:29 | 0:50:31 | |
I'll be back. | 0:50:31 | 0:50:34 | |
I'm glad you could come, both of you. | 0:50:39 | 0:50:42 | |
-You make a great Martini. -Thank you. | 0:50:42 | 0:50:45 | |
Goodnight, Leonard. Goodnight. | 0:50:45 | 0:50:48 | |
For a man who appears to be clever, you can act the idiot! | 0:50:53 | 0:50:57 | |
That's one way to be clever! | 0:50:57 | 0:51:00 | |
-What did you say to him? -I told him he made a great Martini. | 0:51:01 | 0:51:06 | |
-You are an idiot! -So is he! | 0:51:06 | 0:51:08 | |
-You think so? -He's in love with you. | 0:51:08 | 0:51:11 | |
Mason Building. | 0:51:16 | 0:51:18 | |
-Doesn't your conscience bother you crossing a nice guy? -Maybe he isn't nice. He crosses people, too. | 0:51:23 | 0:51:31 | |
-Do I go along? -No, go to your hotel and wait. -Yes, Ma'am(!) | 0:51:36 | 0:51:41 | |
-Nice! -Awfully cool around the heart. Let's go. | 0:51:45 | 0:51:49 | |
..Hold it! Drive round the block and stop here. | 0:51:49 | 0:51:53 | |
Follow her, Petey. Then wait for me at Eels' apartment house. | 0:52:38 | 0:52:43 | |
-I lost her. -She's worth losing! | 0:55:21 | 0:55:23 | |
I jumped a signal and got stopped by a gabby cop. | 0:55:23 | 0:55:28 | |
Here...you finish it. | 0:55:28 | 0:55:30 | |
-Shall I pick up her hack? -No. -Where to? -Telegraph Hill. | 0:55:30 | 0:55:35 | |
-D'you have some bad luck? -Yeah, my timing was a bit late. | 0:55:35 | 0:55:39 | |
STRAINS OF PARTY INSIDE | 0:55:39 | 0:55:43 | |
SOMEONE IS PLAYING PIANO | 0:55:47 | 0:55:51 | |
PHONE RINGS | 0:56:34 | 0:56:37 | |
DOOR BEING UNLOCKED | 0:56:53 | 0:56:55 | |
-DIALS NUMBER -Mr Tillotson? -'Yes.' -This is Mr Eels' secretary. | 0:57:05 | 0:57:11 | |
Mr Eels isn't answering his phone. Would you see if he's all right? | 0:57:11 | 0:57:17 | |
-'Maybe he's out.' -He was waiting for me. | 0:57:17 | 0:57:20 | |
I don't want to be a nuisance, but I'm worried. | 0:57:20 | 0:57:24 | |
-Would you call me back? -'Yes.' -Filmore 0710. | 0:57:24 | 0:57:28 | |
-Yes, Miss Carson. Right away. -Thank you. | 0:57:28 | 0:57:32 | |
PHONE RINGS | 0:57:55 | 0:57:59 | |
-Yes? -'He isn't there.' -He isn't?! | 0:58:03 | 0:58:07 | |
-Did you go in? -'Yeah.' -He must be there! | 0:58:07 | 0:58:10 | |
Thank you. | 0:58:10 | 0:58:13 | |
DIALS AGAIN | 0:58:16 | 0:58:19 | |
-'Hello.' -Joe Stefanos, please. -'He's out!' | 0:58:24 | 0:58:28 | |
Ask him to phone Miss Carson right away. | 0:58:28 | 0:58:32 | |
Is there a slip-up, baby? | 0:58:35 | 0:58:38 | |
-Did you send your friend up there to find Eels dead? -No! -Tell me! | 0:58:41 | 0:58:47 | |
-TELL me... -Don't, Jeff! -Don't what? | 0:58:48 | 0:58:50 | |
-I don't want to die! -Neither do I, baby. | 0:58:50 | 0:58:54 | |
They told you they were going to knock him off and they haven't! | 0:58:54 | 0:58:58 | |
They haven't, because I tipped him off. | 0:58:58 | 0:59:02 | |
-He's OK? -Do you want him to be? -Yes - they'll say you did it. | 0:59:02 | 0:59:07 | |
Oh, you're wonderful, Kathie(!) You can change sides so smoothly! | 0:59:07 | 0:59:12 | |
Stop, Jeff...you're hurting me! | 0:59:12 | 0:59:15 | |
I'm almost getting it. It's very pretty. | 0:59:15 | 0:59:18 | |
Whit wants Eels out of the way. And he wants to square with me. Two birds together. | 0:59:18 | 0:59:25 | |
I visit the chump. Have a drink. Leave my prints there. | 0:59:25 | 0:59:29 | |
I leave and somebody gets him. | 0:59:29 | 0:59:32 | |
And the tax papers...they were in the briefcase Meta took. | 0:59:32 | 0:59:36 | |
I'm the fall-guy. | 0:59:36 | 0:59:39 | |
There's only one thing missing. The plant. | 0:59:39 | 0:59:43 | |
What was the motive? I wouldn't kill for a Martini(!) | 0:59:43 | 0:59:47 | |
-They made me sign it! -What? -An affidavit. | 0:59:47 | 0:59:51 | |
I couldn't help it, Jeff. I swear I couldn't! | 0:59:51 | 0:59:55 | |
-They said they'd tell the police I killed him! -Fisher? | 0:59:55 | 0:59:59 | |
-Then you did tell them about him. Only you said -I -killed him! | 0:59:59 | 1:00:04 | |
Foolproof. Whit can really hate, can't he? You said it once. | 1:00:04 | 1:00:10 | |
I NEVER stopped hating him, Jeff. I was caught, too! | 1:00:10 | 1:00:15 | |
-We don't have to be against each other! -No? -All we need is the briefcase. | 1:00:15 | 1:00:21 | |
-We can get anything from them. -I'd like that affidavit you signed! | 1:00:21 | 1:00:26 | |
It's in Eels' office safe. We can make Meta get it. | 1:00:26 | 1:00:30 | |
-We can make them do anything! -Sure! | 1:00:30 | 1:00:33 | |
-Oh, Jeff. You could have killed me for what I did. -There's time. | 1:00:33 | 1:00:37 | |
No, you won't. I've never stopped loving you. | 1:00:37 | 1:00:43 | |
I was afraid, but I never stopped. | 1:00:43 | 1:00:46 | |
-Even if you hated me. Did you? -Yes. | 1:00:46 | 1:00:50 | |
But you don't now? | 1:00:50 | 1:00:52 | |
..No. | 1:00:53 | 1:00:55 | |
We could be together again, in a way we never were. | 1:00:55 | 1:01:00 | |
We can go back to Acapulco and start all over again. | 1:01:00 | 1:01:04 | |
How do we get the briefcase? | 1:01:11 | 1:01:14 | |
Whit owns a club. The Sterling Club on North Beach. | 1:01:14 | 1:01:18 | |
Meta took it to a man called Baylord. | 1:01:18 | 1:01:20 | |
-I might get by with it. -You will. | 1:01:20 | 1:01:24 | |
BUZZER | 1:01:24 | 1:01:28 | |
INSISTENT BUZZING | 1:01:28 | 1:01:31 | |
KNOCKING | 1:01:40 | 1:01:43 | |
What happened to you? | 1:01:46 | 1:01:49 | |
-I went to a bar and had a double. I must be slipping. -Yes. | 1:01:49 | 1:01:53 | |
He just stood there shaking so hard he couldn't even pray. | 1:01:53 | 1:01:58 | |
-I never saw anyone so afraid to die. I didn't like it. -You killed him?! | 1:01:58 | 1:02:03 | |
Certainly. | 1:02:04 | 1:02:06 | |
But I called. He wasn't there! | 1:02:06 | 1:02:10 | |
-Eels? -Yes, Eels! He wasn't there. | 1:02:10 | 1:02:14 | |
The way I left him, he didn't walk away. | 1:02:14 | 1:02:17 | |
-What's goin' on? -I don't know. | 1:02:18 | 1:02:21 | |
I do. Where's Bailey? | 1:02:22 | 1:02:24 | |
BAND PLAYS DANCE MUSIC | 1:02:41 | 1:02:45 | |
What d'you want? | 1:03:05 | 1:03:08 | |
PHONE RINGS | 1:03:08 | 1:03:10 | |
-Yeah? -'Mr Baylord, a man's on his way up.' -Forget it! | 1:03:13 | 1:03:17 | |
LOUD MUSIC FROM DOWNSTAIRS | 1:03:39 | 1:03:43 | |
-Want to see somebody? -I just saw him. Thanks. | 1:03:49 | 1:03:53 | |
Know that hack driver? Yeah. | 1:04:19 | 1:04:22 | |
Rafferty...Get Joe. | 1:04:22 | 1:04:25 | |
Bring him back any way, just so that briefcase comes too! | 1:04:25 | 1:04:29 | |
-All arranged. -Twenty for you. The rest is for transportation. | 1:04:31 | 1:04:36 | |
Have the boy meet me at the airport. | 1:04:36 | 1:04:39 | |
Sometimes a bad memory can blow somebody's luck. | 1:04:39 | 1:04:43 | |
I always say everybody's right. | 1:04:43 | 1:04:46 | |
After you! | 1:04:54 | 1:04:56 | |
I'll take this. Sorry, Jeff! | 1:04:57 | 1:05:00 | |
-Start moving! -I sure get into a lot of trouble. -You shouldn't steal. | 1:05:00 | 1:05:06 | |
Ah, we meet in all kinds of places. | 1:05:16 | 1:05:20 | |
-Fold your hands or I'll fold 'em for you! -You talk big, Mister! | 1:05:24 | 1:05:30 | |
UNZIPS BRIEFCASE | 1:05:32 | 1:05:36 | |
-All right, wise-guy... -I wouldn't. Don't push me around. | 1:05:40 | 1:05:44 | |
-It won't do any good, will it, Joe? -Cut it, Lou! | 1:05:44 | 1:05:49 | |
Your move is to do some thinking. I've got the files that were in your briefcase. | 1:05:49 | 1:05:55 | |
They can be posted to the Treasury. Now, the theory is to save Whit from 10 years in the Federal Pen. | 1:05:55 | 1:06:03 | |
-Correct me if I make a mistake. -We may do that! | 1:06:03 | 1:06:07 | |
Of course, the Government may just say to Whit, "Go on home we've got all the dough we need." | 1:06:07 | 1:06:14 | |
-Want a bet on that? -How did you know I had the briefcase? | 1:06:14 | 1:06:18 | |
I...had Meta tailed. | 1:06:19 | 1:06:23 | |
-Sure about that? -Look, all I have to be sure about are the files! | 1:06:23 | 1:06:29 | |
-Now, do you want to do business or play house? -What's your idea? | 1:06:29 | 1:06:35 | |
You get the files and Eels' body, in case you want to keep it from the cops. | 1:06:35 | 1:06:40 | |
-What do you want? -I want the affidavit that Meta put in Eels' safe. | 1:06:40 | 1:06:46 | |
A lie that somebody put on paper that I killed a guy called Fisher, | 1:06:46 | 1:06:51 | |
because you don't get the gas for being the undertaker! | 1:06:51 | 1:06:55 | |
Only four of us knew about that affidavit. Somebody talked. | 1:06:55 | 1:07:01 | |
-Did Meta tell you? -No. | 1:07:06 | 1:07:09 | |
Sorry. | 1:07:09 | 1:07:11 | |
-Whit Sterling... -No...! | 1:07:13 | 1:07:17 | |
He's right, Kathie. Oh, you've hurt her feelings, Lou. She's sensitive. | 1:07:17 | 1:07:23 | |
-I'm sensitive myself! -Then you'll need Meta to unlock that safe. | 1:07:23 | 1:07:29 | |
-I hope she's around. -Yeah. | 1:07:29 | 1:07:31 | |
Good. Then you can start right now. | 1:07:31 | 1:07:34 | |
I'll ring you in an hour. That gives you time to get there. | 1:07:34 | 1:07:38 | |
And a little extra time to figure how to cross me. But you won't! | 1:07:38 | 1:07:43 | |
POLICE SIRENS WAIL | 1:07:48 | 1:07:52 | |
Will you bust this for me, Jackson? Sure. | 1:08:32 | 1:08:36 | |
That's right. The Blue Sky Club in Reno...Shut that door! | 1:08:38 | 1:08:43 | |
Don't forget. Those dames listen. | 1:08:43 | 1:08:46 | |
PHONE RINGS | 1:08:46 | 1:08:49 | |
-Hello. -'Mr Sterling?' -Yes. -'One moment, please.' -Thank you. | 1:08:51 | 1:08:56 | |
-Whit, this is Kathie. -Everything all right? -No-o. | 1:08:56 | 1:09:01 | |
I think you'd better stay where you are. | 1:09:01 | 1:09:03 | |
-Can you tell me why? -I can't talk. Things are mixed up. | 1:09:03 | 1:09:08 | |
-Bailey mix them? -Look, we're trying to get a plane. | 1:09:08 | 1:09:13 | |
-You're bringing something? -No. I can't explain. I just wanted to tell you. | 1:09:13 | 1:09:19 | |
-I didn't want anything to happen to you. -Like what, honey? | 1:09:19 | 1:09:23 | |
Don't go to Tahoe. Wait in Reno for me. Goodbye. | 1:09:23 | 1:09:27 | |
-Looks like I'm in trouble. -You are if we don't find Bailey! | 1:09:35 | 1:09:39 | |
I might be if I do! | 1:09:39 | 1:09:41 | |
"Bridgeport man sought in San Francisco slaying... | 1:10:08 | 1:10:12 | |
< "Five-year-old murder motive. | 1:10:12 | 1:10:15 | |
"Leonard Eels, prominent attorney, was found murdered in his apartment this morning. | 1:10:15 | 1:10:21 | |
"Jeff Bailey, one time detective, now operator of a small gas station in Bridgeport, | 1:10:22 | 1:10:28 | |
"is hunted for two murders." | 1:10:28 | 1:10:31 | |
I said all along, that man was no good. | 1:10:31 | 1:10:36 | |
Look at that... hunted for two murders! | 1:10:36 | 1:10:40 | |
< I told you! Ann... | 1:10:40 | 1:10:43 | |
Oh, leave me alone! | 1:10:43 | 1:10:45 | |
RADIO: Road is now blocked 20 miles south of Bridgeport. | 1:10:53 | 1:10:59 | |
-Hello, Jim. -Hello. Talked to the kid? -He's gone. The station's locked up. | 1:10:59 | 1:11:05 | |
-Gone where? -Maybe with Bailey. | 1:11:05 | 1:11:08 | |
If you had the law on your tail, would you let a kid come along? | 1:11:08 | 1:11:13 | |
I'd want a partner - if I could get him. | 1:11:13 | 1:11:17 | |
Ed! Yeah? | 1:11:17 | 1:11:22 | |
Bailey took a plane to LA last night. Maybe headed this way. | 1:11:22 | 1:11:27 | |
OK...Would you consider it too dumb for him to hole up here? | 1:11:27 | 1:11:33 | |
He'll come. And when he does, I'll know! | 1:11:33 | 1:11:36 | |
See ya. | 1:11:36 | 1:11:38 | |
What does he mean? What do you suppose? Ann Miller. | 1:11:41 | 1:11:47 | |
Me, I'll take the kid. | 1:11:47 | 1:11:49 | |
You all right, Ann? | 1:12:00 | 1:12:02 | |
I know what you're going to say. Don't, Jim! | 1:12:02 | 1:12:06 | |
Jeff didn't do it. He told me everything. | 1:12:06 | 1:12:10 | |
-Has he got you mixed up in this? -Whatever he's mixed up in, I am too. | 1:12:10 | 1:12:17 | |
I won't see him hurt you! | 1:12:17 | 1:12:19 | |
-If he comes back here... -You won't go to the police? | 1:12:19 | 1:12:23 | |
-I don't know what I'll do. -No, Jim. -You expect me to help him (?) | 1:12:23 | 1:12:29 | |
Jim... | 1:12:29 | 1:12:31 | |
(He can read your lips.) | 1:12:37 | 1:12:41 | |
Mr Sterling is fishing. | 1:12:42 | 1:12:44 | |
No, in the high mountains. Tell Jeff we're sending for him. | 1:12:45 | 1:12:50 | |
Where can we reach you? | 1:12:50 | 1:12:52 | |
Joe will find you when we have word. | 1:13:00 | 1:13:03 | |
-I'm not sure this is a bright idea. -Can you think of a brighter one? | 1:13:13 | 1:13:19 | |
ROAR OF WATERFALL | 1:13:53 | 1:13:56 | |
GUNSHOT | 1:14:42 | 1:14:44 | |
Followed you from Tahoe? | 1:15:03 | 1:15:06 | |
Who'd you see, Sterling? Kathie? | 1:15:06 | 1:15:09 | |
Cute kids, aren't they? | 1:15:14 | 1:15:16 | |
What are you scared about? Joe isn't coming back. | 1:15:45 | 1:15:49 | |
He got careless and fell in a river. Didn't you hear? | 1:15:49 | 1:15:54 | |
Joe's dead, Kathie! Can't you find some tears for him? | 1:15:54 | 1:15:59 | |
-Come on! -What are you going to do? | 1:15:59 | 1:16:02 | |
-Talk things over with Whit. Don't you think I should? -Yes... | 1:16:02 | 1:16:07 | |
-He wants to see you. He's waiting. -With his fishing rod (?) | 1:16:07 | 1:16:11 | |
-He...came back. -I bet he's just pacing the floor worrying about Joe. | 1:16:11 | 1:16:16 | |
-You think -I -sent Joe? -Oh, you're wonderful! | 1:16:16 | 1:16:21 | |
-All right, where is the gentleman? -Downstairs, in the library. | 1:16:21 | 1:16:25 | |
Jeff...don't let him trick you. | 1:16:25 | 1:16:28 | |
-He'll do anything you ask. -Sure he will, anything (!) | 1:16:28 | 1:16:33 | |
-If only there was some way about Fisher. -There is! | 1:16:37 | 1:16:42 | |
APPROACHING FOOTSTEPS | 1:16:50 | 1:16:53 | |
-Getting things in shape for the Treasury boys? -Jeff, I was expecting you. | 1:16:53 | 1:16:59 | |
Well, let's get down to business. Right? | 1:16:59 | 1:17:02 | |
You have some papers of mine. | 1:17:02 | 1:17:05 | |
Take the frame off me. Pin the Eels murder on Joe. | 1:17:05 | 1:17:10 | |
Sure...sure. | 1:17:11 | 1:17:14 | |
I get a modest settlement. Say, oh...say fifty thousand? | 1:17:14 | 1:17:18 | |
To spend my waning years in Mazatlan. | 1:17:18 | 1:17:22 | |
Not Acapulco, because I'd think of you. Up in the women's prison in Tehachipi. | 1:17:22 | 1:17:28 | |
It won't be TOO bad. Plenty of sun. | 1:17:28 | 1:17:31 | |
..You make me nervous. | 1:17:32 | 1:17:34 | |
You'll be happier if you let the cops have her, Whit. | 1:17:34 | 1:17:39 | |
I'M not going to take the rap for Fisher! | 1:17:39 | 1:17:43 | |
-Wait a minute. I'm not framing any woman. -When did you reform? | 1:17:43 | 1:17:48 | |
I wouldn't. You're out of shape. | 1:17:48 | 1:17:51 | |
-Besides, she shot him! -He was going to kill you! | 1:17:51 | 1:17:55 | |
Self-defence. She might not even do time. | 1:17:55 | 1:17:59 | |
-I'll say it was you. They'll believe me! -Do you, Whit? | 1:17:59 | 1:18:02 | |
-Go on, tell him about Joe. -What about Joe? | 1:18:04 | 1:18:09 | |
He's in the East Walker River. | 1:18:09 | 1:18:11 | |
-I DIDN'T send him after Jeff. It was his own idea! -..Did you kill him? | 1:18:11 | 1:18:18 | |
He slipped and fell. When I got there it was too late. | 1:18:18 | 1:18:24 | |
-He was trailing you? -You don't go fishing with a .45! | 1:18:24 | 1:18:28 | |
Stop worrying. Fish him out. Stick a note in his pocket. Suicide. | 1:18:28 | 1:18:34 | |
Don't look so stricken, Whit. You'll get over it. I did. | 1:18:34 | 1:18:40 | |
Talk it out if you want, I'll wait in there. | 1:18:40 | 1:18:44 | |
Oh, Kathie, did it take much to make you say I killed Fisher? | 1:18:44 | 1:18:49 | |
Come on, feed my ego. Tell me he beat you. Dragged every word out of you. | 1:18:49 | 1:18:56 | |
-..Well, that's the way it is. -You said you were going. Get out! | 1:18:56 | 1:19:02 | |
You dirty little phony! | 1:19:18 | 1:19:21 | |
Tell me about San Francisco. Tell me it was Joe's idea. Go on, squirm your way out of this. | 1:19:21 | 1:19:28 | |
-Listen... -You took me for a sucker! | 1:19:28 | 1:19:31 | |
I took you back when you came whimpering. I should have kicked your teeth in! | 1:19:31 | 1:19:38 | |
No, I'm not going to. Not now, Kathie. | 1:19:38 | 1:19:42 | |
-We'll let the law push you around. -You can't! -You're wrong. | 1:19:42 | 1:19:46 | |
-You're going to take the rap. You're going to do as -I -tell you. | 1:19:46 | 1:19:51 | |
If you don't, I'll kill you. And I promise, it won't be quick! | 1:19:51 | 1:19:57 | |
You won't be able to answer a door without thinking this is it. | 1:19:57 | 1:20:02 | |
And when it comes, it still won't be quick. AND it won't be pretty! | 1:20:02 | 1:20:08 | |
You can take your choice. | 1:20:09 | 1:20:12 | |
Whit...! | 1:20:12 | 1:20:14 | |
-I have to go to Reno for the money. Where's the file? -I'll mail it. | 1:20:32 | 1:20:38 | |
Look, I wouldn't cross you twice. | 1:20:39 | 1:20:41 | |
I want to be let alone. You'll get the file after I'm out of reach. | 1:20:41 | 1:20:48 | |
..If that's the way it has to be. | 1:20:49 | 1:20:52 | |
And find yourself a pilot who can keep his mouth shut. | 1:20:52 | 1:20:55 | |
Tell him to set his plane down in the desert at about dawn. | 1:20:55 | 1:21:00 | |
And cheer up, Kathie! You'll get out of it. You always have. | 1:21:00 | 1:21:06 | |
RUSTLE OF LEAVES | 1:21:42 | 1:21:45 | |
-They say you killed a man. -Do you believe them? | 1:21:51 | 1:21:55 | |
-Not until you tell me. -You believe everything I say? | 1:21:55 | 1:21:59 | |
-Everything you say to me I believe. -I don't know why I do this... | 1:21:59 | 1:22:04 | |
Why do I let you into my stinking life? | 1:22:04 | 1:22:08 | |
I ought to slap you and send you home. | 1:22:08 | 1:22:11 | |
-You said you'd come back. -Not like this. | 1:22:11 | 1:22:14 | |
-You didn't kill him, did you? -No. | 1:22:14 | 1:22:17 | |
You know I had to come back. | 1:22:17 | 1:22:20 | |
-Take me with you, Jeff. -I have to play this alone. | 1:22:24 | 1:22:28 | |
-You've seen her again? -Yeah, I saw her. | 1:22:28 | 1:22:32 | |
-Was it the same? -I saw her and it was nothing. | 1:22:32 | 1:22:36 | |
-She can't be all bad. No-one is. -Well, she comes the closest! | 1:22:36 | 1:22:42 | |
-Will you see her again? -Tonight. | 1:22:42 | 1:22:45 | |
Then look at her and look at yourself. | 1:22:45 | 1:22:48 | |
And be VERY sure that there isn't a little love left for her. | 1:22:48 | 1:22:53 | |
Then, when you find out, and you know it once and for all, send for me. | 1:22:53 | 1:22:59 | |
I don't have to find out. I know! | 1:22:59 | 1:23:03 | |
That's all I wanted to hear. | 1:23:05 | 1:23:08 | |
Maybe luck is like love. Go all the way and you find it. | 1:23:08 | 1:23:12 | |
-You do to keep it. -..You better go. | 1:23:12 | 1:23:15 | |
-Did the kid do what I told him? -They're following him south, all of them. | 1:23:15 | 1:23:21 | |
..I can't go. | 1:23:22 | 1:23:25 | |
-You can put that away. -Oh, can I? | 1:23:44 | 1:23:47 | |
-I just want to tell you something. -Tell it. | 1:23:47 | 1:23:50 | |
I WAS going to kill you. | 1:23:50 | 1:23:53 | |
-Who isn't (?) -Or tell the cops. | 1:23:53 | 1:23:56 | |
I followed Ann tonight. | 1:23:57 | 1:24:00 | |
-What stopped you? -Some things you said to her. | 1:24:00 | 1:24:03 | |
What were you going to tell me? | 1:24:03 | 1:24:06 | |
I grew up with her. I don't know if I'm good enough for her, but I know YOU aren't! | 1:24:06 | 1:24:13 | |
The difference is that she loves ME. | 1:24:13 | 1:24:17 | |
I don't know who you were, or what got you where you are, or where it's taking you... | 1:24:17 | 1:24:24 | |
but she's NOT going with it! | 1:24:24 | 1:24:27 | |
Say it to the law. Then, you can tell her how you did it! | 1:24:27 | 1:24:33 | |
You can't make deals with a dead man, Jeff. | 1:25:17 | 1:25:21 | |
No, you can't. | 1:25:21 | 1:25:24 | |
-Let's get out. -Is there some place left to go? -I think so. | 1:25:29 | 1:25:33 | |
YOU'RE running the show now. | 1:25:33 | 1:25:36 | |
Do you mind, Jeff? | 1:25:39 | 1:25:41 | |
Remember the mountains? We should have stayed there. | 1:25:43 | 1:25:48 | |
I'm trying to remember something else. | 1:25:48 | 1:25:51 | |
I never told you I was anything but what I am. You imagined it. | 1:25:51 | 1:25:57 | |
-That's why I left. Now, we're back to stay! -Do I have a say about it? | 1:25:57 | 1:26:02 | |
Well, have you? Whit's dead. That bundle of papers is no good. | 1:26:02 | 1:26:07 | |
If Joe was here you could use him. But Joe's dead. And Eels and Fisher. | 1:26:07 | 1:26:13 | |
And what about this? Someone has to take the blame. | 1:26:13 | 1:26:18 | |
They've nothing on me. But I'd make a fine witness! | 1:26:18 | 1:26:21 | |
Don't you see, you've ONLY me to make deals with. | 1:26:21 | 1:26:26 | |
-Build my gallows high, baby. -No... | 1:26:26 | 1:26:30 | |
No, we're starting all over. I want to go back to Mexico. | 1:26:30 | 1:26:34 | |
I want to sit in the moonlight and tell you all the things I never told you... | 1:26:34 | 1:26:41 | |
until you don't hate me... until you love again. | 1:26:41 | 1:26:45 | |
-They'll look for us until we die! -I don't care, as long as we're together. | 1:26:45 | 1:26:51 | |
If you're thinking of anyone else, don't. It wouldn't work. | 1:26:51 | 1:26:56 | |
You're no good for anyone. You're no good and neither am I. | 1:26:56 | 1:27:01 | |
That's why we deserve each other. | 1:27:01 | 1:27:03 | |
Did he get the plane? | 1:27:08 | 1:27:11 | |
-Where is it? -I'm running the show, don't forget. -Where's the money? | 1:27:11 | 1:27:16 | |
-Upstairs. -Better pack a couple of bags and get it. | 1:27:16 | 1:27:21 | |
-Put a few things in for me. -I have. | 1:27:22 | 1:27:26 | |
-Thanks. -Por nada! | 1:28:14 | 1:28:16 | |
Do you remember La Mar Azul? | 1:28:16 | 1:28:20 | |
-I remember you were a clumsy flirt. -We owe it all to Jose Rodriguez! | 1:28:20 | 1:28:26 | |
..I wonder if he'll ever know what a bad guide he really was? | 1:28:26 | 1:28:30 | |
Jeff, we've been wrong a lot and unlucky a long time. I think we deserve a break. | 1:28:30 | 1:28:37 | |
-We deserve each other! -GLASS SMASHES | 1:28:39 | 1:28:43 | |
Hurry, Jeff! | 1:29:11 | 1:29:14 | |
ENGINE SPLUTTERS | 1:29:25 | 1:29:28 | |
ENGINE CATCHES | 1:29:31 | 1:29:34 | |
You...double-crossing rat! | 1:29:57 | 1:30:00 | |
GUN GOES OFF | 1:30:00 | 1:30:03 | |
-CROWD MURMURING -Sorry... | 1:30:42 | 1:30:47 | |
Too many people. Too much talk. Maybe that's why I like this town. | 1:30:50 | 1:30:56 | |
Here, three people are really a crowd. | 1:30:56 | 1:30:59 | |
Let's get in the car and get away. | 1:31:00 | 1:31:03 | |
-I won't talk to you, Ann. I just want to be with you. -Thanks, Jim, but I can't! | 1:31:03 | 1:31:09 | |
YOU can tell me. You knew him better than I did. | 1:31:19 | 1:31:23 | |
Was he going away with her? | 1:31:23 | 1:31:26 | |
I HAVE to know! | 1:31:26 | 1:31:29 | |
Was he going away with HER? | 1:31:29 | 1:31:32 |