Carve Her Name with Pride


Carve Her Name with Pride

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Transcript


LineFromTo

Hurry along, please. We're late already.

0:01:570:02:01

Right, that's the lot. That's the lot!

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Vi Bushell! Well, I'm blowed! Remember me?

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-Stockwell Road School.

-Shirley Wilson!

-That's right.

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-Dyed my hair. Suits the uniform. How are you keeping?

-Fine, thanks.

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Well, isn't this nice? My first day on this route and I pick you up.

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< Do you work out west? So do we!

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­ Come on! The manners of people these days!

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Room for one more inside.

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Sorry, that's the lot.

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I say, Vi! Vi!

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-Sorry. Hello!

-I had to come and tell you - I've seen Sally Wilkins.

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-She's joined the ATS.

-Thank heavens! We've won!

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-Can you come to Hyde Park on Saturday?

-Yes. Why?

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I have to pick up a French soldier.

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-Eh?

-It's a French national holiday. Mum suggested finding a French soldier

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-and inviting him to supper.

-I wish I had a French mother!

-Will you come?

-What for?

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Well, I mean...I couldn't go on my own!

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All right, if you do all the talking. I don't know enough French even to say no!

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..This jewellery's imitation.

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-There you are. Over there.

-Oh, no, they're not French.

-Oh, aren't they?

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Look, Win, they're French!

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THEY CHAT IN FRENCH

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-I don't think we're cut out for this, Vi.

-We'll probably get arrested.

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Do you mean they'll think we're...? Oh, crikey!

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Oh, dear!

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There you are. He was looking at YOU, Vi.

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-He's a French officer, isn't he?

-Mm-hm, in the Foreign Legion.

-Isn't that romantic, Vi?

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What do we do now? Wait?

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Mademoiselle, have you the time, if you please?

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-I don't know. Vi?

-Nearly trois heures et demie.

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Vous avez raison. C'etait une excuse. Pardon, mademoiselle.

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-Je vous pardonne!

-Vous etes Francaise?

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Non, ma mere est Francaise.

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Ah, je vois. Et votre amie?

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-I'm sorry, mademoiselle, now I speak English. May I sit down?

-Oh, yes, sit down.

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Well, go on, Vi, ask him.

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Well, my mother thought you'd like to come and have supper with us.

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-Mademoiselle, I don't know your mother.

-That doesn't matter!

-What?

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C'est le quatorze juillet.

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-Ah, she sent you to seek a lonely Frenchman that she might entertain him.

-Will you come?

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Why not? Oh, I beg your pardon, mademoiselle.

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Etienne Szabo, a votre service.

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-Oh, well, I'm Violette Bushell and this is Winnie Watson.

-Mademoiselle.

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Now we all know each other, don't we?

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Please.

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I bet you haven't heard this one. It's terrific.

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-Another glass of wine like the officers have.

-I wish health to you, monsieur et madame,

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-and to the charming Violette.

-It's been a lovely evening, hasn't it?

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-First class.

-Likewise for me. I'm so happy.

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Such fine stories of your adventures.

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If I'd been a man, I'd like to have been a professional soldier.

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All those wonderful places you've seen - Algiers, Tunis, Morocco.

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-How was Dunkirk?

-Oh, please, sir. One day perhaps.

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Maybe we dance, mademoiselle?

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Yes.

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Excuse me, madame.

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Your parents are very charming. Where were you born? In England?

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-Yes, in London but my parents met in France in the last war.

-I understand.

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Look at Vi. It's the first time I've seen her take an interest in a boy.

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She may be my sister, chum, but she's a terror with the boys!

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Ohh!

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-You asked for it, Roy!

-I'm sorry! Music! Start the music, quick!

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Bully!

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-The toughest one in the family!

-Will you have another drink?

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No, thank you, madame. I must get back. I'm on duty tonight.

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Perhaps...in the next days, you will teach me something of London.

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-If you will permit, madame.

-Of course.

-I'd love to.

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-Well, I'll just walk with you...

-No, no, Charles.

-Au revoir, madame, et merci encore...

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-Bon soir.

-Cheerio. All the best.

-Good night, monsieur.

-Good night.

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-Good night, mademoiselle.

-I'll fetch your cap.

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Dad, how about a sing-song?

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-What shall we have?

-My Old Dutch.

-My Old Dutch. All right, off we go.

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# We've been together now for 40 years

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# And it don't seem a day too much... #

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So, one o'clock tomorrow, Hyde Park, the same seat.

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-I shall remember.

-I'll try not to be late.

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Good night, Violette.

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Au revoir, Etienne.

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INAUDIBLE REMARK

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INAUDIBLE

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HE PLAYS A CLASSICAL PIECE

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You look very sweet in the moonlight.

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What are you thinking?

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I was pretending that we were in the South of France,

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-in a lovely hotel by the sea.

-From my home in Marseilles, I could look at the sea.

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-Oh, I'd love to go to Marseilles.

-When we are married, we will go together,

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and to Paris. Have you been to Paris?

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I used to go as a kid and stay with relations, but that was in the country.

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It's the most wonderful city in the world - Paris.

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The trees in the Bois, the shops in the Champs Elysees...

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In the spring, it is fairyland.

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DOOR OPENS

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-Oh, I didn't know you were here. I, er...

-Oi! Put that light out!

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-Sorry, I forgot about the curtains.

-It's all right.

-I'm sorry, monsieur, I should have gone.

-Yes, it's late.

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-Vi, your mother wants you in the kitchen.

-What for?

-I don't know. Go on, now.

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Well, now, Etienne...

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Monsieur, I wish to say something.

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Well, all right.

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You know...I have known Violette only a little time.

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-Soon I go away.

-Exactly...

-Please, monsieur.

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I wish to say... Please, monsieur. I want your permission to marry your daughter.

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Marry her? You want to marry her?

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-Thank you, monsieur!

-Not so fast. This wants thinking about.

-But we are sure.

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YOU may be sure but... Well, you've only known the girl for three days!

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But, monsieur, it is not time that tells these things, but the heart.

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We love each other.

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No. No, no, it won't do.

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She's too young. I'm not having it.

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-Oh, aren't you?

-No, Vi.

-I'm sorry, Dad, but Etienne and I are getting married.

-Monsieur...

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-What you say won't change that.

-Oh, no?

-No, it won't!

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Oh! Well...

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All right, then, what are we arguing about?

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Oh, Dad!

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-Oh, Etienne!

-Violette!

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THEY SING IN FRENCH

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-There we are, Madame Szabo.

-A week ago today, we were on our way here.

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-We'll celebrate the occasion tonight with champagne.

-Oh, darling.

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PLANES FLY PAST

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Darling, don't look. After the honeymoon, we go back to the war.

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See those trees over there?

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-I'll race you to them!

-All right!

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Violette!

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-Violette!

-Did you call?

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Make way for me!

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-I'm coming up!

-Too late. I'm coming down!

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-Oh, darling!

-Are you happy?

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How long can we stay?

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-What's the matter?

-Nothing.

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I was just thinking how very much I love you.

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Darling, will you laugh if I tell you something?

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Last night, when you were asleep,

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-I wrote a little poem about my love for you.

-A poem?

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Oh, it's not very good but as the words came into my mind, I wrote them down.

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Here.

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You read it. I want to hear you read it.

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I think I remember it.

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"The life that I have Is all that I have

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"And the life that I have is yours

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"The love that I have Of the life that I have Is yours and yours and yours

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"A sleep I shall have A rest I shall have

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"Yet death will be but a pause

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"For the peace of my years in the long green grass Will be yours and yours and yours."

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That's all of it.

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Thank you, darling.

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It's beautiful.

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ROAR OF PLANES

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-Etienne.

-Well?

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You didn't answer my question.

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How long can we stay here?

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I heard this morning. In two days, we must return.

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In three days, I go.

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-Where?

-Overseas. I don't know where.

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Oh, Violette, my darling, you KNOW this must be.

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Yes.

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I know.

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It can't be helped.

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We've still got three days.

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-Oh, you WILL come back, won't you?!

-Of course I shall.

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Soon, the war will be finished, then we'll have another honeymoon.

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We'll go to Notre Dame and give thanks.

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Which will we have first - a girl or a boy?

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We'll have a girl, then we'll take her with us to Paris

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-and I'll buy her a pretty dress.

-I'd rather have a boy.

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No, I insist upon a girl. Then she will grow up to look just like you

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and I shall be twice as proud.

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# Happy birthday to you

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# Happy birthday to you

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# Happy birthday, dear Tania

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# Happy birthday to you! #

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Very good.

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Have something to eat. Would you dish out the jelly?

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Oh, she's sweet, Vi. Really she is.

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-Biscuit, Win?

-Thank you. What a shame Etienne hasn't seen her yet.

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I'd hoped he'd get leave but he's in North Africa.

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-How is he? Have you heard from him?

-No, I haven't. Not for some time.

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-I've been a bit worried.

-Letters take a long time to come, love.

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-Isn't Tania going to cut her cake? >

-Oh, yes!

-No news is good news.

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Come on, darling, stand up.

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EXCITED CHATTERING

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Push! Well done. Now the other side.

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-There's a clever girl.

-First plate.

-That's too large.

-I'll half it...

-DOORBELL RINGS

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-That's the doorbell, Vi.

-Oh, thanks. Mum, could you answer it?

-Yes.

0:18:190:18:25

Mrs Szabo?

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-Mr Potter, please.

-Fourth floor.

-Thank you.

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Mrs Szabo.

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-Good morning. My name's Potter. Come and sit down, won't you?

-Thank you.

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-You'll be wondering why I sent for you.

-I expect it's about the pension.

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I understand you're partly French.

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-My mother is French.

-And your husband was in the French army.

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-Yes. He was killed at El Alamein six months ago.

-Yes. Yes, I know. I'm sorry.

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-You, um... You speak French yourself, of course.

-Yes, I was brought up to speak French and English.

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And you're quite an athlete, I'm told.

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And you're a crack shot with a rifle.

0:20:140:20:17

-Mr Potter, if it's about the pension...

-Actually, Mrs Szabo, it's not.

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-But you wrote to me.

-Yes. Ministry of Pensions is not correct. I belong to quite a different department.

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-Then why am I here?

-Because I think you have certain qualifications which might be of great use.

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Qualifications?

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What for?

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The war effort. I must tell you it comes under the heading of Dangerous Work.

0:20:440:20:51

Look, I really don't think you've got hold of the right person.

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What kind of work?

0:21:010:21:04

Well, briefly, we're doing everything we can to make things as difficult for the Germans as we can,

0:21:050:21:13

in every way that we can,

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from blowing up their troop trains to putting chalk in their ink.

0:21:150:21:20

The French are magnificent, but they have to be organised and supplied.

0:21:210:21:26

We need liaison people.

0:21:260:21:29

-It's quite a job.

-Yes.

0:21:290:21:32

Yes, I suppose it is.

0:21:320:21:35

One more thing. The Germans don't like what we're doing.

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They don't like it at all.

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In certain circumstances, they react violently and brutally.

0:21:420:21:47

Well, now, are you interested?

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I don't know.

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I don't know.

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Since your husband died, you've rather shut yourself away.

0:21:590:22:04

-Oh, we must make some fairly close enquiries before we interview people for this sort of work.

-Yes, I see.

0:22:050:22:13

-Well, I just couldn't seem to face up to things.

-Quite.

0:22:130:22:17

-But you're picking up the threads again now, aren't you?

-I'm trying to.

-Good.

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I'd like you to think this over.

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I'm sorry, Mr Potter, I don't think I can be of any use to you.

0:22:280:22:33

I suppose you're thinking about your baby.

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Well, she's all I have.

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What if anything happened to ME?

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Yes, of course.

0:22:450:22:48

That's something you must think about.

0:22:480:22:51

But you don't have to make up your mind right away. Why don't you come and see me again in a week's time?

0:22:510:22:59

Yes, all right, if you wish.

0:22:590:23:02

You realise you must tell nobody about this interview, not even your parents.

0:23:040:23:10

Yes, of course. Mr Potter, wouldn't it be possible to find someone else for this job?

0:23:100:23:17

I don't know. It might be possible, but it's taken us a long time to find you.

0:23:170:23:24

There are so few people with your qualifications.

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Oh, just a moment.

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Don't forget your pass, otherwise you'll be here forever.

0:23:380:23:42

-Oh, good afternoon. My name's Vera Atkins. I'm looking for Mrs Szabo.

-Oh, that's me.

0:24:010:24:08

-Will you come in?

-Thank you.

0:24:080:24:10

You don't know me but I work in the same department as Mr Potter.

0:24:110:24:17

-Oh, would you come in here, please?

-Thank you.

0:24:180:24:22

Mr Potter got your letter. He wants to make sure you understand the step you're taking.

0:24:220:24:29

Well, I've thought about it for two weeks and...

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-I know now it's the only thing I can do.

-Your decision is entirely voluntary. No pressure will be used.

0:24:330:24:41

I still want to join.

0:24:410:24:43

-Good.

-Will you sit down?

0:24:430:24:46

-Thank you. Oh, what a dear little girl. Tania, isn't it?

-Yes.

0:24:460:24:51

-How old is she?

-Just over two.

0:24:510:24:54

-And yet you still want to do this?

-My husband was killed fighting in the desert.

0:24:540:25:01

For his sake, I... I couldn't live the rest of my life knowing I'd failed to do my bit.

0:25:010:25:08

He never saw Tania

0:25:110:25:14

but I suppose, in a way,

0:25:140:25:16

he was fighting for her.

0:25:160:25:19

And now it's my turn.

0:25:210:25:24

-You DO realise it may end the same way for you.

-Yes, I do realise that.

0:25:240:25:31

Right. We'll get you into uniform to avoid awkward questions about what you're doing.

0:25:310:25:37

-You'll be commissioned as an officer in the FANYs. Can you start at once?

-Yes. Mother will look after Tania.

0:25:370:25:46

-May we come in?

-Of course, Mum.

0:25:460:25:48

Hello, darling! Did you have a nice walk?

0:25:480:25:52

-Oh, this is my mother, Miss Atkins. And my father.

-Pleased to meet you.

0:25:520:25:57

-I'm going to the FANYs.

-You mean you've joined up?

-What's the FANYs?

0:25:570:26:03

Oh, First Aid Nursing Yeomanry. Driving ambulances, running canteens.

0:26:030:26:09

Oh, well, that sounds a nice job.

0:26:090:26:12

Ohh!

0:26:140:26:16

Look, miss, you're gonna fight the Germans, help us win the war, right?

0:26:180:26:25

-Yes.

-That's a very clever girl. Now we'll try again.

0:26:250:26:30

This is the best of the bunch! I can't stand it. I'm going sick.

0:26:310:26:36

Right, now, I'm a Gerry, and I'm coming towards you

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and I've got a big knife so that's the hand you've gotta watch. Right.

0:26:400:26:46

Pay attention over there!

0:26:490:26:51

I'm not doing this for my benefit!

0:26:510:26:54

Look, miss, I...

0:26:550:26:58

Never mind. Get back into line. This ain't fair.

0:26:580:27:02

Ladies, I've told you.

0:27:040:27:06

I've told you time and time again. When you fall, fall PROPERLY!

0:27:060:27:13

Then you don't hurt yourselves.

0:27:130:27:15

It's very simple.

0:27:150:27:18

A child could do it. Watch me.

0:27:180:27:22

-If only he'd break his bloody neck!

-Mm.

0:27:240:27:28

INAUDIBLE

0:27:400:27:42

-Finished?

-Yes.

-Right, get going.

0:27:530:27:55

Good evening, ladies. Are you quite comfortable?

0:28:280:28:32

-Are you waiting for the bang?

-Yes.

-Yes.

0:28:320:28:35

If I'd been a German sentry, I could've knocked you two off,

0:28:350:28:40

walked to the bridge, unplugged the fuse and gone home for dinner!

0:28:400:28:46

-Have you got a revolver?

-Yes.

-Tell me where it is.

0:28:460:28:50

-In the holster.

-Keeping it warm, I suppose(!)

0:28:500:28:54

I've told you - never leave yourselves undefended!

0:28:540:28:59

Gimme a hand here, will you?

0:29:170:29:20

We've got you, Sergeant.

0:29:200:29:22

Put that away. You might do some harm with it.

0:29:250:29:29

Well, that was very good.

0:29:290:29:32

-Get back to base now.

-In the lorry?

0:29:320:29:35

-No, you can walk.

-But it's seven miles.

-Eight.

0:29:350:29:39

Give you a nice appetite for breakfast, won't it?

0:29:390:29:44

Driver!

0:29:440:29:46

ENGINE STARTS

0:29:460:29:49

LORRY DRIVES OFF

0:29:490:29:52

"Appetite for breakfast." How far are we from base now?

0:30:040:30:08

-About two miles.

-See where we are? Commander HQ.

0:30:080:30:13

-Ooh, what I wouldn't give for a nice, hot cup of tea!

-Wouldn't you prefer a whisky?

0:30:130:30:20

-What are we waiting for?

-Come on!

0:30:200:30:24

MAN COUGHS

0:30:580:31:01

What the devil are you...?

0:31:060:31:08

Quick! Get him in here!

0:31:150:31:18

(Onto the bed.)

0:31:230:31:26

(Cover him up. That's it.)

0:31:290:31:31

You've knocked out the CO!

0:31:350:31:37

-GROANING

-(He's waking up!)

0:31:420:31:46

It's one thing to live off the land,

0:32:040:32:07

but it's another to raid government property, steal government liquor,

0:32:070:32:12

and damage government...personnel!

0:32:120:32:16

You'll be up before the CO this morning.

0:32:160:32:20

All right, now. Who's responsible?

0:32:230:32:25

-I am, Sergeant.

-No, we all were!

-OK, OK, all right!

0:32:250:32:31

But I can tell you, the CO's going to have something to say about this.

0:32:310:32:36

Did I say dismiss?

0:32:360:32:38

Come back here! What's the matter with you?

0:32:380:32:42

Cor blimey, women!

0:32:430:32:46

There's one thing more,

0:32:480:32:50

and it gives me pain, great pain, to say it.

0:32:500:32:55

I'm proud to have you in my section.

0:32:560:32:58

I've been trying to put something over on those commanders for a year!

0:32:580:33:04

Go on, you're dismissed!

0:33:040:33:06

Oh, there's an end-of-course party on Thursday night in the mess. The drinks are on you!

0:33:060:33:13

Well, I suppose Winston knows what he's doing.

0:33:160:33:20

GO!

0:33:200:33:22

GO!

0:33:280:33:30

-Morning.

-Good morning.

0:33:360:33:40

Keep your legs together. Are you trying to split yourself in two?

0:33:400:33:45

Even the women are better than you!

0:33:450:33:47

All right, on parade again, 1400 hours. Fall out!

0:33:470:33:52

The thing is, I don't like heights. I get airsick on top of a bus.

0:33:530:33:58

You should've joined the Navy!

0:33:580:34:01

If you can do it, I suppose I can.

0:34:050:34:07

-It's the next course I'm scared of.

-The finishing school?

-Mm, all that psychological stuff.

0:34:070:34:14

-They invent a new personality for you.

-Yes?

-New name, new background.

0:34:140:34:20

-What about your present background?

-"No exchange of personal information.

0:34:200:34:26

"Security instruction, subclause 144a."

0:34:260:34:29

Do you know the Studio Club in Knightsbridge?

0:34:290:34:33

-No, that's not my part of London.

-We might meet.

-Look at him!

-Have a drink, go to the theatre?

0:34:330:34:41

What? Oh, yes, yes, we might.

0:34:410:34:44

Yes.

0:34:440:34:46

See you on the flying trapeze(!)

0:34:460:34:49

Yes!

0:34:490:34:51

-I want to get out and walk!

-You were fine yesterday.

-Beginner's luck.

0:34:570:35:02

I've landed on everything except my face. I think this is the day!

0:35:020:35:08

Right, we're coming up over the DZ now.

0:35:080:35:12

Just remember everything you've been told.

0:35:240:35:28

You'll be dropping in a stick of five.

0:35:280:35:32

Right, stand by for action!

0:35:370:35:39

Action stations!

0:35:450:35:48

GO!

0:35:490:35:51

Two!

0:35:540:35:57

TWO!

0:35:580:36:00

Five!

0:36:060:36:09

I did it, I did it! Easy. Nothing to it. What's the matter?

0:36:430:36:48

-My ankle's gone.

-Hang on to me.

0:36:480:36:51

-You've got some leave.

-I must finish the course!

0:36:510:36:55

No. "Medical orders, subclause 54b."

0:36:550:36:58

-Je vais mettre la belle au lit, cherie.

-Merci, Mama.

0:37:050:37:10

-As soon as that's better, I suppose you'll be off again.

-Yes, I shall.

0:37:130:37:18

-You might write to your mother more often. She worries.

-I did write.

0:37:180:37:24

Twice in three months, and you said nothing.

0:37:240:37:28

Now, you say you help in canteens, drive lorries.

0:37:280:37:32

-Is that helping to win the war?

-I've got to believe it.

-Well, I don't believe it!

0:37:320:37:39

What do you do with your spare time?

0:37:390:37:42

-You meet men, don't you?

-Sometimes.

-Officers, I suppose.

0:37:420:37:48

Yes, officers. The men I work with.

0:37:480:37:50

Sometimes we make up a party and go out.

0:37:500:37:54

-So what? I'm not a child.

-You're not much more.

-Oh, Dad!

0:37:540:37:58

You've been married and you've got a baby, but you don't know it all.

0:37:580:38:03

Look, Vi, I don't know what it is, but you've changed.

0:38:040:38:09

-I wish you'd live at home instead of racketing round!

-I've got to get around!

-And crock yourself up?

0:38:090:38:16

-I twisted it jumping out of a lorry. Does that imply an affair with a colonel?

-I don't know what to think.

0:38:160:38:24

-Oh, don't be so stupid!

-All right, you do what you like,

0:38:240:38:29

but if you're not careful, you'll come to a bad end!

0:38:290:38:33

Thanks.

0:38:430:38:45

What's wrong, Charles?

0:39:020:39:04

It's Vi's. It fell out of her bag.

0:39:060:39:08

What is it?

0:39:080:39:11

A parachute badge. That's how she hurt her ankle.

0:39:110:39:16

Thanks.

0:39:400:39:42

It fell out of your bag.

0:39:420:39:44

I spoke out of turn, didn't I? I'm sorry, Vi.

0:39:450:39:50

Have you got much more of it to do?

0:39:500:39:53

-Sorry, I can't tell you anything. I'm not allowed to.

-That's OK, Vi.

0:39:530:39:59

I'm sure you're doing this for a good reason.

0:39:590:40:03

Yes, I am.

0:40:030:40:05

Fair enough. No more questions.

0:40:050:40:08

And if you get a chance to have a bit of fun,

0:40:080:40:13

you take it, bless you.

0:40:130:40:15

Oh!

0:40:160:40:18

DANCE MUSIC PLAYS

0:40:230:40:26

-#

-Da dee da dum

0:40:310:40:34

-#

-Da da da dee

0:40:340:40:37

-#

-Da da da dum

0:40:370:40:39

-#

-One day I'll love another one.

-#

0:40:390:40:45

Very nice. I hope you mean it.

0:40:450:40:48

It's taken me four weeks to get you here.

0:40:480:40:52

Now, what about tomorrow night?

0:40:520:40:55

-We can't plan as far ahead as that.

-Oh. Pity.

0:40:550:40:59

That's the worst of war. No time.

0:40:590:41:02

Here today and gone tomorrow, new places, new faces,

0:41:020:41:06

-just when you're getting to like one particular face.

-Perhaps that's the best of war -

0:41:060:41:13

-no time to get attached.

-I see.

0:41:130:41:16

Tony, I'd like to ask you something sometime.

0:41:210:41:25

No time like the present. Let's go outside.

0:41:250:41:29

It's cooler out here, and quieter.

0:41:420:41:45

-Tony...

-Mm-hm?

0:41:480:41:51

Um...

0:41:520:41:54

Do you think I can do this job?

0:41:540:41:57

Don't you?

0:41:580:42:00

I don't know.

0:42:010:42:04

-I get frightened.

-You got through your training all right.

-I know,

0:42:040:42:09

but when it comes to the real thing...

0:42:090:42:12

IF it does... shall I feel the same?

0:42:120:42:17

-It's so important not to fail.

-You won't! You'll do a grand job.

0:42:170:42:22

-Oh, I want to SO much!

-Don't worry. We're all in the same boat.

0:42:220:42:28

None of us really knows how he'll stand up to it.

0:42:280:42:32

I'm just afraid of...BEING afraid.

0:42:320:42:35

-It sounds silly but...

-I know.

0:42:370:42:40

The thing is to face up to that one and accept it,

0:42:400:42:44

then you'll be able to control it.

0:42:440:42:47

Yes.

0:42:470:42:49

Yes, I see that.

0:42:490:42:51

-Thanks, Tony.

-You're welcome.

0:42:530:42:56

-Oh, goodness, we ARE being serious!

-Let's dance.

0:42:570:43:01

If this is true, it's damn bad luck. The Rouen group was one of our best.

0:43:020:43:07

What do we do? Have another try. I'm sending Fraser into France again.

0:43:070:43:13

Fraser? Yes. He formed the Rouen group originally.

0:43:130:43:18

Yes, I know. What's wrong?

0:43:180:43:22

Nothing. Just a personal reaction. I find him rather strange, remote.

0:43:220:43:27

That's what makes a good agent. He doesn't have to work at it all day!

0:43:270:43:34

-< Hello, Fraser. How did you like the parachute course?

-I didn't, sir.

0:43:350:43:41

-Give me a nice French train every time.

-You've seen the signal?

-Yes, Vera showed it to me.

0:43:410:43:48

-Are you sure it's genuine?

-It's from Paris. Absolutely reliable.

0:43:480:43:54

-Somebody's talked. There've been arrests. That's all we know.

-Well, we'll soon know the truth.

0:43:540:44:01

It could be very dangerous, Tony.

0:44:010:44:04

-Your face is all over Rouen. You're bound to be recognised in a town of 116,000.

-116,467 to be precise.

0:44:040:44:12

I'm the only one that knows all the contacts. We may have to begin again from scratch.

0:44:120:44:19

-The area is solid with Gestapo.

-It's worth trying.

-No, I don't think it is.

0:44:190:44:25

I'm going to send somebody over with you. You can stay out of Rouen.

0:44:250:44:30

Your assistant can go in, discover what's going on and report to you.

0:44:300:44:35

-Agreed?

-If you say so, sir, of course. It must be somebody good. They'll be working blind.

0:44:350:44:42

-Who are you giving me?

-Vera.

0:44:420:44:46

Come in, will you?

0:44:510:44:54

-Hello, how are you?

-Fine, thank you.

0:44:540:44:56

-­ You know each other, of course.

-Yes.

0:44:560:44:59

-We thought a woman would be less liable to suspicion in Rouen than a man.

-I suppose so.

0:44:590:45:06

-Violette is confident she can carry out your instructions.

-I hope so.

0:45:060:45:11

I'm sure she can. QUITE sure.

0:45:110:45:14

Good. Captain Fraser knows the area.

0:45:140:45:17

He organised the Rouen group so you in turn can rely on him.

0:45:170:45:22

Yes. I see.

0:45:220:45:25

Come and look at the map.

0:45:250:45:28

-Finding one of your old contacts and some explosive would be something.

-What's in your mind, sir?

0:45:280:45:35

Here's the main railway line from Germany through Rouen to Le Havre.

0:45:350:45:40

-The line crosses a viaduct. It must be blown.

-I know that viaduct.

-Good.

0:45:400:45:46

With luck, we can get you over at the next moon.

0:45:460:45:50

Your identity card,

0:45:500:45:53

clothing coupons, ration cards,

0:45:530:45:55

and money - £600 in French francs. Will you sign for them here, please?

0:45:550:46:00

-If you want any more, I can let you have some.

-I've never been so rich!

0:46:000:46:05

-I've checked your toilet things. I see you've used them.

-Yes, last week.

0:46:050:46:11

-I'll check your handbag.

-Right.

0:46:110:46:14

Well...how do I look?

0:46:190:46:22

-The perfect secretary.

-I hate this jacket!

0:46:230:46:27

-As worn in Rouen.

-You can't check the rest of me, but I assure you it's all French.

-Fair enough.

0:46:270:46:35

Oh, just one other thing.

0:46:350:46:37

Your lethal pill, just in case of accidents.

0:46:390:46:43

Keep it somewhere safe and handy.

0:46:430:46:46

No, thanks. I don't have to have it, do I?

0:46:490:46:53

-Well, no, but...

-It's all right.

0:46:530:46:56

Anyway, they're not going to catch me.

0:46:560:46:59

As you wish.

0:46:590:47:02

-Cigarettes, matches and a picture of a child. These, you must leave behind.

-Right.

0:47:020:47:08

I'll just have one more English cigarette.

0:47:080:47:12

Well, this is where it really starts.

0:47:160:47:19

Yes.

0:47:190:47:21

How do you feel?

0:47:210:47:24

-A bit...sort of unreal.

-I know. I did the first time. All those months

0:47:250:47:31

of training, blood, sweat and tears,

0:47:310:47:34

building up, you think, to an exciting climax,

0:47:340:47:38

and suddenly, here you are with your little suitcase

0:47:380:47:42

trotting off in an unarmed aircraft to fight the German army all by yourself. Crazy, isn't it?

0:47:420:47:50

Crazy.

0:47:510:47:53

Come on. They're waiting to kiss us goodbye.

0:48:020:48:06

-Bon voyage, Tony.

-Thank you.

0:48:290:48:31

Goodbye, Vera.

0:48:320:48:35

Ils Sont la! Venez vite!

0:49:030:49:06

-Bon soir.

-Comment ca va? Vous avez eu bon voyage?

-Oui.

0:49:130:49:17

-Goodbye. Good luck.

-Venez par ici.

0:49:170:49:20

-Monsieur Dumont, it is good to see you again.

-Good to see you.

0:49:220:49:27

-Mademoiselle Leroi.

-Welcome.

-Can you get her to Rouen?

-You can ride a bicycle?

-Yes.

0:49:270:49:34

-We can take her to friends. Tomorrow, she can board a train for Rouen.

-Good.

0:49:340:49:39

It's no good telling you where to start in Rouen. You've got the names and addresses?

0:49:450:49:52

-Yes. I hope they're still there.

-Don't take any unnecessary risks. I need you to report back to me.

0:49:520:50:00

-Yes, of course.

-We'll meet in Paris as arranged, three weeks from now - the 28th.

-I'll be there.

0:50:000:50:08

Good luck, mademoiselle.

0:50:080:50:10

And you, monsieur.

0:50:100:50:13

We have a car waiting, monsieur.

0:50:230:50:25

THEY CHAT IN GERMAN

0:50:400:50:44

-Why not come in here, mademoiselle? We have a seat too many.

-Oh. Thank you very much.

0:50:510:50:58

-May I offer you a cigarette?

-Oh, no. No, thank you.

0:51:020:51:07

-Do you mind if we smoke?

-Please do.

0:51:070:51:09

Cigarette? Danke schon.

0:51:090:51:12

-Are you going through to Rouen?

-Yes.

0:51:180:51:21

-You work in the war?

-No, I'm visiting relatives.

-I see.

0:51:210:51:26

-What kind of work do you do?

-Oh, I'm just a secretary.

0:51:260:51:31

-That's very interesting. My little daughter, she wants to be a secretary.

-Oh, really?

0:51:310:51:38

-Oh, isn't she pretty?

-< Here's a photograph of my wife.

0:51:380:51:43

TRAIN WHISTLE BLOWS

0:51:430:51:46

Danke.

0:51:570:51:59

Mademoiselle, where do your relatives live?

0:52:120:52:16

-I don't know. I have to find them.

-Do you have somewhere to stay?

-I shall stay in a hotel. Thank you.

0:52:160:52:24

Accommodation is very difficult in Rouen.

0:52:240:52:28

-I stay in a small hotel. I could find you a room.

-No, thank you. I must find my relatives.

0:52:280:52:35

-I can find them much more quickly than you can. I insist that I help you.

-Very well, monsieur. Thank you.

0:52:350:52:43

Right. This way.

0:52:430:52:46

INSTRUCTS DRIVER IN GERMAN

0:52:460:52:49

Bonjour, mademoiselle, monsieur. Bonjour, monsieur.

0:53:010:53:05

Have you a room for mademoiselle? Certainly, monsieur. The usual room for you, monsieur?

0:53:050:53:12

-Mademoiselle, I should be pleased if you would dine with me tonight.

-Thank you.

-At 8 o'clock.

-Very well.

0:53:120:53:20

Mademoiselle. This way, mademoiselle.

0:53:200:53:24

RUMBLE OF GUNFIRE AND BOMBING

0:53:270:53:31

-I have a message for Madame Bonot.

-She's not here.

0:54:370:54:41

-Is Monsieur Bonot here?

-Neither my mother nor my father are here.

-When will they be back?

0:54:410:54:48

They've been taken by the Germans!

0:54:480:54:51

I don't want to be seen talking to you.

0:54:510:54:54

Well, you're my last contact, madame. None of the others have been able to help me.

0:55:220:55:29

How many of the group ARE left?

0:55:290:55:32

If I knew, I would tell you, but I don't.

0:55:320:55:36

I only know that many have been caught.

0:55:360:55:40

-I'm trying to trace a Monsieur Garnier.

-Garnier?

0:55:410:55:46

He works at Bertrand's garage.

0:55:470:55:50

-Where's that?

-In the Rue de Bonier.

0:55:500:55:53

-But be careful. We are not too sure of him.

-Bertrand's garage, Rue de Bonier.

-Mm-hm.

-Yes, I'll be careful.

0:55:530:56:01

Links, rechts... Hoch mit den Fuessen!

0:56:040:56:08

Monsieur Garnier?

0:56:330:56:35

-Mm?

-Bonjour, monsieur.

-Bonjour.

0:56:350:56:39

-Can I hire a bicycle here?

-No, mademoiselle, no.

0:56:390:56:43

-Ohh. Is there anywhere else?

-Not that I know of.

0:56:430:56:48

Oh, well. Never mind. It's a nice day for walking. It's good that the spring is here at last.

0:56:490:56:57

Yes. It has been a long winter.

0:57:000:57:03

And now the days are drawing out.

0:57:030:57:06

What do you want to know?

0:57:130:57:16

How many of the group are left?

0:57:160:57:18

-It's a tragedy, mademoiselle. Of 98 members, only myself and two others remain.

-That's terrible.

0:57:180:57:26

-Have you any explosive?

-Yes, plenty.

-Do you know how to use it?

-We are watched all the time - the Gestapo.

0:57:260:57:33

What is the target?

0:57:380:57:40

The viaduct that carries the main line to Le Havre, 20km west of here.

0:57:420:57:47

-The viaduct? But it's guarded night and day.

-Will you try?

-..I'll speak to the others.

0:57:470:57:54

-You must go.

-When will you see them?

-Tonight maybe.

-Tonight.

0:57:540:57:59

-But, mademoiselle...

-Please.

0:57:590:58:01

-I'll call back in the morning.

-But...

-I know that, if it's possible, you'll do it.

0:58:020:58:09

-Au revoir, monsieur.

-Au revoir, mademoiselle.

0:58:090:58:14

-Geheime Staatspolizei. Your name?

-Corinne Renne Leroi.

-Address?

-64 Rue Tierre, Le Havre.

0:58:390:58:46

Your papers.

0:58:460:58:49

-What are you doing in Rouen?

-I'm trying to find some relatives.

0:58:500:58:55

-At Bertrand's garage?

-I wanted to hire a bicycle.

-Did you?

-No, he said he had none.

0:58:550:59:02

-It took him a long time to tell you.

-He's talkative.

0:59:020:59:07

You come with us. Allez!

0:59:070:59:10

Herein!

0:59:250:59:28

Heil, Hitler. Heil, Hitler.

0:59:290:59:31

This woman was talking to Garnier. I suspect he was passing information to her.

0:59:400:59:46

-­ This is a surprise.

-Good morning.

-You know each other?

0:59:460:59:52

Yes. A chair. You'll understand, mademoiselle, that we must take precautions.

0:59:520:59:59

I'm sure you meant no harm,

0:59:591:00:01

-but why were you talking to the man at the garage?

-It's very simple. I was trying to hire a bicycle.

1:00:011:00:09

As I said, I'm trying to find some relatives. I got tired of walking.

1:00:091:00:14

The garage has no bicycles for hire yet they talked for several minutes.

1:00:141:00:19

I thought the man might know of my relatives and give me news of them.

1:00:191:00:24

-And did he? >

-He knew my uncle by name but that's all.

1:00:241:00:30

Ye-es? And what IS your uncle's name?

1:00:301:00:34

Gourmier. Marcel Gourmier.

1:00:341:00:36

Herr Oberst, the woman is lying.

1:00:361:00:39

Isn't that for you to decide?

1:00:421:00:44

Mademoiselle, it appears that my men have been a little overzealous. Please accept my apologies.

1:00:481:00:56

-What happened last night? I waited over an hour.

-Sorry. I got caught in the air raid.

-Yes, of course.

1:00:561:01:04

-Then you'll dine with me tonight.

-That would be charming.

-Excellent.

1:01:041:01:09

-At 8 o'clock, then?

-Good. Au revoir.

-Mademoiselle.

1:01:091:01:13

She has tricked you, Herr Oberst.

1:01:171:01:20

You don't understand. I understand perfectly.

1:01:201:01:24

Do you think I can be easily fooled?

1:01:241:01:27

Was she receiving information? Probably.

1:01:271:01:30

Shall we have her followed? No, not yet.

1:01:301:01:34

Not until... Not until after dinner tonight.

1:01:341:01:38

-If he thinks I'm dining with him tonight, he's got a long wait ahead.

-You're sure he suspects?

-Quite sure.

1:01:401:01:48

He was so ready to believe me

1:01:491:01:51

and too quick with his dinner invitation.

1:01:511:01:55

Did M. Garnier help you at the garage?

1:01:551:01:59

I think he will. I...don't know. I didn't know what to make of him.

1:02:011:02:07

My child, you're in great danger. You must get out of Rouen by 8 o'clock tonight.

1:02:071:02:13

Yes.

1:02:131:02:15

-I've got to get to Paris.

-I think I can help you.

1:02:151:02:20

-Bonjour, Corinne.

-Bonjour, Robert. Ca va?

-Ca va.

1:02:261:02:30

Come and sit down here.

1:02:301:02:33

Right on time. Good girl.

1:02:331:02:36

Oh, it's good to see you.

1:02:361:02:38

-You're looking tired.

-I am. I'm all right, though.

1:02:381:02:43

What's the news? In brief, for now.

1:02:431:02:46

It's not good. The Rouen group's had it. Three left out of 98,

1:02:461:02:52

and I'm not sure of them.

1:02:521:02:54

-But you got the viaduct.

-What?

1:02:541:02:57

The viaduct. It went up last night.

1:02:571:03:00

-Didn't you know?

-He did it! Darn, he did it!

-Blew it sky high with an ammo train on it.

1:03:001:03:07

-Oh, that's wonderful!

-Let's go and find some lunch.

1:03:071:03:12

-When do we go home? Tonight?

-Two or three days. Take a look at Paris.

1:03:151:03:20

Do some shopping. Or have you done it?

1:03:201:03:23

It's the most marvellous dress. I couldn't resist it. Black market. Terribly expensive.

1:03:231:03:30

-Where did you get it?

-Molyneux.

1:03:301:03:33

But that's where the Germans take their girlfriends.

1:03:331:03:37

Is it? ..Ohh!

1:03:371:03:40

Oh, look! I must get that for Tania.

1:03:431:03:46

-But, my dear girl, you're broke.

-You said you'd lend me some!

-That was in an emergency.

-This is!

1:03:461:03:53

Why do they let women into the army? Here. Help yourself.

1:03:531:03:58

-Thank you.

-There's a restaurant. I'll go and get a table.

-Yes. I won't be long.

1:03:591:04:06

-ETIENNE'S VOICE:

-We shall have a girl. Then we will take her with us to Paris

1:04:171:04:24

and I shall buy her a pretty dress.

1:04:241:04:26

Soon the war will be finished

1:04:261:04:29

then we will go together to Notre Dame and give thanks.

1:04:291:04:34

End of the journey.

1:05:411:05:43

I'm so tired, I could sleep for a week.

1:05:431:05:47

Violette...

1:05:471:05:49

Enjoy your rest.

1:05:491:05:52

-You deserve it.

-So do you.

1:05:521:05:54

It'll be wonderful to wake up without that tight feeling in the stomach.

1:05:541:06:00

We might not get the chance to work together again.

1:06:001:06:06

-I hope we won't lose sight of each other.

-Of course not. After all we've been through?

1:06:061:06:13

You can't get rid of me so easily!

1:06:141:06:17

Right, I'll ring you tomorrow morning.

1:06:171:06:20

Oh, you're hopeless!

1:06:201:06:23

God bless you.

1:06:231:06:26

Good night.

1:06:261:06:28

Tania.

1:06:561:06:58

Darling!

1:06:581:07:00

Hello, darling!

1:07:001:07:03

Hello. Mummy's back.

1:07:031:07:05

Hello, darling!

1:07:071:07:09

-Would you like to see the lovely thing I brought for you?

-Mm.

-Come on, then!

1:07:091:07:16

What a good girl! Come on, just for a minute.

1:07:161:07:20

-Oh, Violette!

-Hello, darling.

-Darling!

1:07:221:07:26

-Hold on, what about my turn?

-Hello, Dad!

1:07:261:07:30

-Oh, Vi, I've got so much to ask you.

-No questions!

-Let's have a cup of tea!

1:07:301:07:36

-No sleep tonight!

-I've missed you. Have you missed me?

-No!

-Oh, no!

1:07:361:07:41

-She's been as naughty as you used to be!

-Dad, can you bring those in?

1:07:411:07:46

-Oh, it's lovely to be home.

-Well, things haven't changed much.

-Sit there, darling.

1:07:471:07:54

-I'll open this box and you'll see what I've brought you.

-Just like Christmas.

-You open that one, Dad.

1:07:541:08:01

Now, what have we got here?

1:08:011:08:04

Stand up, darling. Let's see if it fits you.

1:08:041:08:09

-Oh, it's too big!

-No, it isn't.

1:08:091:08:12

Never mind. You'll soon grow into it.

1:08:121:08:15

Now, Dad.

1:08:151:08:17

-This is for you.

-Oh, Vi, you shouldn't have done that.

1:08:171:08:22

Well, that's just what I needed!

1:08:221:08:25

Mum, I've got some perfume for you.

1:08:271:08:29

-I know you like it.

-What a wonderful surprise!

-Dad, could pass that box?

1:08:291:08:35

-Yes, here you are.

-Thanks.

1:08:351:08:39

Well, now, this...

1:08:391:08:41

Well, it's...

1:08:411:08:44

Oh, it's really beautiful, beautiful!

1:08:451:08:48

Only in Paris you could... Oh.

1:08:481:08:51

Oh, Mum!

1:08:521:08:54

-The boys are coming home tomorrow.

-That's grand.

1:08:541:08:58

They'll be pleased to see you. I'll get the tea.

1:08:581:09:03

It will be the first time we've all been together for so long.

1:09:071:09:12

I wonder... Well! We must make the most of it.

1:09:121:09:17

BAND PLAYS

1:09:181:09:21

Doesn't that dress make you envious?

1:09:231:09:26

No, angry. Some people forget there's a war on.

1:09:261:09:30

Look who's here! Vi, how lovely!

1:09:311:09:35

-Come and have a drink.

-Yes, please.

-I don't believe it.

1:09:351:09:39

-Violette, that dress - if I didn't know better, I'd say it was from Paris.

-French from head to toe!

1:09:411:09:49

-Bob Mortier - Violette Szabo.

-How do you do?

1:09:511:09:54

-Would you like to dance?

-Thank you.

1:09:541:09:57

Oh, no, you don't! This one's mine!

1:09:571:10:00

Sorry!

1:10:001:10:02

Couldn't miss this one.

1:10:051:10:08

-Denise's friend seems nice.

-Bob Mortier? Yes, he does.

1:10:081:10:13

-Remember the last time we were here?

-Yes, I do.

1:10:141:10:19

A lot's happened since then.

1:10:191:10:22

They were playing this tune. It's been my favourite ever since.

1:10:221:10:26

I hope you don't get too fond of it.

1:10:261:10:29

No, of course not. All the same, don't shut yourself up in the memory forever.

1:10:291:10:36

I know what you mean.

1:10:381:10:40

When will the next time be?

1:10:461:10:49

There won't be a next time.

1:10:491:10:51

-Not for you.

-Why not?

1:10:511:10:54

Let's sit down.

1:10:541:10:57

-Table all ready, sir.

-Thank you.

1:11:001:11:02

-Listen, you did a magnificent job, but they won't send you in again.

-But surely...?

1:11:021:11:09

No, it's more dangerous second time.

1:11:091:11:12

Well, I don't WANT to go.

1:11:131:11:16

-It's not that I...

-Tania? Is that it?

-Yes.

1:11:171:11:22

I don't think I could bear to leave her any more. What about you?

1:11:221:11:27

-Will you go again?

-That's beside the point.

1:11:271:11:31

Not really.

1:11:311:11:34

If you went, I should worry about you.

1:11:341:11:37

Oddly enough, I find that rather a comforting thought.

1:11:371:11:42

-Bob's bought you a drink.

-Thanks.

1:11:441:11:47

I know it's asking a great deal.

1:11:491:11:52

You have every right to say no

1:11:521:11:54

but this is a vital operation and we're short of good people.

1:11:541:12:00

Well?

1:12:011:12:03

-Of course I'll go.

-Thank you.

1:12:071:12:10

-I think if I could find a replacement...

-No.

1:12:101:12:14

-But this is a very dangerous mission.

-You're trying to get rid of me?

1:12:141:12:20

-Oh, no! You want her with you, don't you, Tony?

-Yes.

1:12:201:12:25

But...

1:12:251:12:27

-Yes, I do.

-Good.

1:12:291:12:32

I can't tell you what your mission will be. In fact, you may not be briefed until the last moment.

1:12:321:12:39

You'll operate at Limoges. You'll be dropped by parachute at Susaques.

1:12:391:12:44

I want you to go at the next moon. That's round about the 6th of June. Any comment?

1:12:441:12:51

Well, that's all for the moment. Forgive me. I have work to do.

1:12:511:12:56

-Vera, can I have a word?

-Yes.

1:12:561:12:59

Well? What is it you want?

1:12:591:13:02

-Vera, I've taken your advice and made a will.

-Oh.

1:13:031:13:08

-Would you look after it for me?

-Of course.

-Not that there's much.

1:13:081:13:13

There's £100 in the bank that Etienne left me, plus my pay. That's for Tania.

1:13:131:13:19

-If anything happened to me, would there be a pension?

-Yes.

1:13:191:13:23

There are a few things for my mother - a bracelet Etienne left me and my wedding and engagement rings.

1:13:231:13:32

Well, everything's straight. I'll put this in my drawer till you come back.

1:13:321:13:37

Vera...

1:13:391:13:41

thanks for everything.

1:13:411:13:43

-Good luck, Violette.

-Bye-bye.

-Bye-bye.

1:13:431:13:47

Why do we insist that you do this?

1:13:571:13:59

So that...if anything happens to me, I...

1:14:011:14:05

-I can't remember the code I've used.

-Exactly. So they can't get it out of you.

1:14:051:14:11

-What happens if you have to destroy this silk?

-I have to use a poem instead.

1:14:111:14:18

The enemy know you'll have destroyed this code, so they'll do everything to make you tell them your poem.

1:14:181:14:25

If the Germans get your poem, they can transmit to England and endanger the lives of others.

1:14:251:14:32

Will you leave us now, Miss Shaw? Yes, sir.

1:14:321:14:37

Now, Violette, your poem.

1:14:431:14:45

This will only be known by us two.

1:14:451:14:48

Yes, I understand.

1:14:481:14:50

I have a large selection for you to choose from. They come in all sizes.

1:14:501:14:55

-Could I use one that I know?

-Certainly, if you remember it well.

1:14:551:15:00

-I remember it very well.

-Can I hear it?

1:15:001:15:04

The life that I have is all that I have

1:15:071:15:10

And the life that I have is yours

1:15:101:15:13

The love that I have of the life that I have Is yours and yours and yours

1:15:131:15:19

A sleep I shall, A rest I shall have, Yet death will be but a pause

1:15:201:15:27

For the peace of my years in the long green grass Will be yours and yours and yours.

1:15:271:15:35

-You'll never forget that, will you?

-No, I'll never forget it.

1:15:351:15:40

I'll work something out on that and let you have it. That's settled.

1:15:401:15:45

-Here it's considered bad luck to say "good luck", so I'll just say "au revoir".

-Au revoir.

1:15:451:15:52

Thank you, darling.

1:16:001:16:02

Going away again, Mummy?

1:16:041:16:06

Just for a little while. I'll be back soon, then we'll have a party and you can wear your lovely dress.

1:16:061:16:14

-Take care of yourself, love.

-Of course I will.

1:16:181:16:22

-When the war's over, I'll start a new career!

-What as?

1:16:271:16:31

A cat burglar. Climbing walls, opening safes, I know it all.

1:16:311:16:36

-Goodbye, Mum.

-I WON'T worry.

1:16:481:16:52

Goodbye.

1:17:191:17:21

# My bonnie lies over the ocean

1:17:571:18:01

# Oh, bring back my bonnie to me To me

1:18:011:18:07

# Bring back, oh, bring back Oh, bring back... # What's the time?

1:18:071:18:13

Five minutes past midnight.

1:18:141:18:17

-D-day plus one?

-We should be crossing Normandy now. I wonder how they're doing?

-We'll soon see.

1:18:171:18:25

OK, chaps, let's get ready.

1:18:301:18:33

Are you OK, sir? Number two.

1:18:531:18:56

We're running up to target.

1:19:181:19:20

Action stations!

1:19:241:19:26

Container!

1:19:311:19:33

One!

1:19:351:19:37

Two!

1:19:421:19:43

Three!

1:19:471:19:50

Voila!

1:19:531:19:55

Bien merci. Bon soir.

1:20:141:20:17

There's an SS Panzer division approaching from Toulouse.

1:20:211:20:26

They should be passing 20 kilometres west of here tomorrow or the day after.

1:20:261:20:32

-They will not pass us!

-More Germans will be coming up any day now, using every road.

1:20:321:20:39

-The other groups?

-They will fight.

-No random skirmishes.

-Each group must know what to do.

1:20:391:20:45

Each leader will obey his orders.

1:20:451:20:48

-We must get word to each leader immediately.

-I could go.

1:20:481:20:52

-No, stick by your radio.

-Why not send me?

1:20:521:20:56

All right.

1:20:591:21:01

The group west of here first. Then south, then east.

1:21:031:21:07

-I will present her to the leader in the west.

-But you're needed here.

-I can be back in three hours.

1:21:071:21:15

-Make sure you are. We can't carry on without you.

-When do we start?

1:21:151:21:20

-Tomorrow morning.

-I'll prepare the car right away. Georges, Armand, come on. Bon soir.

-Bon soir.

1:21:201:21:28

-Get madame to rustle up some food. Then we'll work out details.

-Right.

1:21:281:21:33

-You don't want me to go, do you?

-No, I don't.

1:21:411:21:45

-I can take care of myself.

-I'd rather you didn't have to.

1:21:471:21:52

You might look after yourself, too!

1:21:541:21:57

Selon la Tour, that is where we cross the main road from the south.

1:22:121:22:18

-Through a village? Is that a good idea?

-I was born there. They will warn us if Germans are around.

1:22:181:22:25

That's all right, then.

1:22:251:22:27

That is the house where I was born.

1:22:301:22:33

-You see that church tower?

-Uh-huh.

-I climbed to the top when I was nine.

1:22:341:22:41

I liked climbing trees when I was a kid.

1:22:411:22:45

I think you are too young and too pretty for this kind of work.

1:22:451:22:50

You ought to see me before breakfast!

1:22:501:22:54

TOOTS HORN

1:22:551:22:58

-Any Germans gone through today?

-No. But I have this gun ready if they do.

1:22:591:23:05

-Keep your gun to shoot rabbits.

-Au revoir.

-Au revoir.

1:23:051:23:09

Don't look at him.

1:23:121:23:16

GUNSHOT

1:23:171:23:19

Imbecile!

1:23:231:23:25

Vite! A la voiture!

1:23:371:23:39

ENGINE WON'T START

1:23:421:23:45

Salauds! Finished.

1:23:511:23:54

Truck. Truck.

1:23:561:23:58

Come on.

1:24:011:24:04

Attention!

1:24:101:24:12

-Which is the best way out?

-I know where there's a car.

1:24:161:24:21

Violette.

1:24:211:24:23

After them!

1:24:481:24:50

-Over to those trees.

-But it's so open.

-It's the only way to the car.

1:25:051:25:10

Ihr ganzen, feuern auf sie zu!

1:25:171:25:20

Let's go.

1:25:211:25:23

-Are you all right?

-Yes.

1:25:351:25:37

SHOUTS ORDERS IN GERMAN

1:25:371:25:40

The car is gone.

1:26:031:26:05

Look.

1:26:061:26:08

-You go ahead. I'll cover you.

-No, no, we stay together.

1:26:391:26:44

-Quickly.

-I can't.

-It is our last chance.

-I can't.

1:27:481:27:53

-We must get over the river.

-It's my ankle.

-I'll carry you.

-Don't be a fool.

1:27:531:28:00

-I'm not leaving you here, no.

-Run!

1:28:001:28:03

< GUNSHOTS

1:28:031:28:06

Da drueben!

1:28:311:28:33

Kommen Sie herueber!

1:29:191:29:20

Da ist der Mann im Wasser!

1:29:321:29:35

Karl, da vorne, da im Baum!

1:29:551:29:57

Halt! Nicht schiessen!

1:30:481:30:51

Du Drecksau!

1:31:231:31:25

-Ich schneide dir den Hals!

-Get off me!

1:31:291:31:32

Heben Sie die hoch!

1:31:351:31:38

Wo is der Mann? Er ist uber den Fluss entkommen.

1:31:401:31:43

You put up a good fight, mademoiselle.

1:31:431:31:47

Cigarette?

1:31:471:31:50

Well, we shall see. Abfuehren!

1:31:571:32:01

Your ankle is getting better?

1:32:101:32:12

I hope they are giving you treatment for it.

1:32:121:32:16

You Germans are most considerate(!)

1:32:161:32:19

Now, Violette...

1:32:261:32:28

You see? Already we know who you are.

1:32:291:32:32

It's only a question of time before we find out everything.

1:32:321:32:36

Tell us what we want to know and we'll guarantee your life and the lives of your friends.

1:32:361:32:43

You must think I'm a halfwit.

1:32:471:32:50

I'm sorry you choose to be difficult. But I'm used to that.

1:32:551:32:59

I'm very patient.

1:32:591:33:02

-Don't you realise the British are only making use of you?

-I am British.

1:33:021:33:08

I thought you were French as your husband was.

1:33:081:33:12

I should have you shot right away but I don't want to.

1:33:141:33:19

You've a child, haven't you?

1:33:241:33:27

What will become of your child, if you die?

1:33:271:33:31

Come now, be sensible.

1:33:321:33:34

You're young, you're attractive. You're in Paris and the sun is shining.

1:33:341:33:40

Would you like some new clothes?

1:33:431:33:45

The theatre, perhaps?

1:33:461:33:49

Supper at Maxim's? I'd be honoured...

1:33:501:33:53

Violette...

1:34:051:34:07

..others before you have taken the same attitude.

1:34:081:34:12

But not for long.

1:34:131:34:15

We will try again tomorrow, madame.

1:34:181:34:21

When I came to your cell, you behaved very foolishly.

1:34:511:34:56

Here in the Avenue Foch, the change of scene may help you.

1:34:561:35:01

Now, when and where were you dropped?

1:35:011:35:05

I don't remember.

1:35:061:35:09

Who was your commanding officer?

1:35:111:35:13

What contacts did you make in France?

1:35:151:35:19

I never knew their names.

1:35:211:35:23

Violette, you mustn't take us for fools.

1:35:241:35:29

-Are you going to go on refusing to answer my questions?

-I refuse to tell you anything!

1:35:291:35:36

You have only yourself to blame now.

1:35:371:35:40

And now, tell me from whom you take your orders.

1:36:051:36:09

I'll tell you nothing.

1:36:211:36:23

Nothing.

1:36:241:36:27

-SAWING

-No! No!

1:36:371:36:40

How long has she been kept awake? 72 hours. That sort, very uncomfortable.

1:36:551:37:02

I'm ready for her.

1:37:021:37:04

Not yet, Violette. You cannot sleep yet.

1:37:121:37:17

Soon you can sleep. Can you hear me, Violette?

1:37:171:37:22

Soon you can sleep.

1:37:221:37:24

Sleep...

1:37:251:37:28

We know you destroyed your code.

1:37:281:37:30

You must tell us your poem.

1:37:301:37:33

All we want from you...

1:37:341:37:36

before we let you sleep, are the words of your poem.

1:37:361:37:41

-Poem...

-Open your eyes, Violette,

1:37:411:37:45

and tell me your poem, and then you can sleep.

1:37:451:37:50

What are the words of your poem?

1:37:521:37:55

Tell me and then you can rest.

1:37:551:37:58

-'Rest I shall have...'

-What kind of poem is it, Violette?

1:37:581:38:02

-You can sleep then.

-'Sleep I shall have...'

1:38:021:38:07

Is it a love poem?

1:38:071:38:09

Not a love poem? ..A poem of death?

1:38:091:38:13

'Last night, I wrote a little poem about my love for you.

1:38:131:38:18

'Sleep I shall have, Rest I shall have...

1:38:181:38:23

'Death will be but a pause

1:38:231:38:25

'The peace of my years in the long green grass

1:38:251:38:30

'Will be yours and yours and yours.

1:38:301:38:35

'It's beautiful.

1:38:351:38:37

'Now it's my turn.

1:38:371:38:40

'Let me say it. I want to say it.'

1:38:401:38:42

Now. Now you can tell me your poem.

1:38:431:38:47

Now.

1:38:481:38:51

I...I...hate you!

1:38:531:38:56

-Tell me!

-No.

-Tell me!

-No! No! No!

1:38:571:39:00

No.

1:39:001:39:03

No.

1:39:031:39:05

DOOR CLANKS OPEN

1:39:261:39:29

Gehen Sie herein!

1:39:301:39:33

Well...here we are.

1:39:411:39:43

Well, at least they didn't separate us.

1:39:431:39:48

Oh, it's perishing in here.

1:39:491:39:51

Be careful. VIOLETTE SOBS

1:39:511:39:55

-Vi!

-Lily?

1:39:591:40:01

Denise?

1:40:031:40:05

Oh, don't cry, Vi. Everything will be all right. We're all together again.

1:40:051:40:11

Yes, the Allies are near Paris.

1:40:111:40:14

In a few days we will be free.

1:40:141:40:17

Oh!

1:40:171:40:19

Denise.

1:40:191:40:22

It's wonderful to be with you again.

1:40:231:40:25

Oh, please, don't cry, Vi.

1:40:251:40:28

VIOLETTE WEEPS

1:40:281:40:31

Any idea where they're taking us?

1:40:541:40:56

No idea.

1:40:581:41:00

I can't stop thinking about when I opened my eyes and saw you two in the cell.

1:41:001:41:06

Remember when Lillian fell out the train up in Scotland?

1:41:071:41:12

It took three days to find her.

1:41:121:41:14

Poor kid. She's had an awful time.

1:41:161:41:18

EXPLOSIONS AND ROAR OF AIRCRAFT

1:41:201:41:23

What is it?

1:41:251:41:28

It's all right.

1:41:281:41:30

-This is our chance to get away.

-What about Lillian?

-I'll look after her.

1:41:531:41:59

All right.

1:41:591:42:01

We can get out through that door.

1:42:071:42:09

MEN: Water! Water!

1:42:091:42:13

MACHINE GUNS RATTLE

1:42:131:42:16

-It's our last chance.

-Let's give them water.

1:42:201:42:24

Here we are, boys. Here we are.

1:42:401:42:43

Water! You'll all get some. Careful.

1:42:431:42:46

That's enough! You'll all get some.

1:42:461:42:49

Next, come on. ..Careful. Take it easy.

1:42:521:42:56

Tony! Oh, Tony!

1:42:591:43:01

-Get some more.

-Violette!

-Take it easy.

1:43:011:43:05

-What are you doing here?

-We're doing YOUR job.

1:43:091:43:13

Touch me and I'll report you for leaving us.

1:43:141:43:18

'Raus! 'Raus! 'Raus!

1:43:191:43:22

Heraus, schnell machen! 'Raus!

1:43:261:43:28

I'm sorry I can't get any closer.

1:44:331:44:36

Tony, what happened? How did they get you?

1:44:371:44:42

A train needed blowing up, I wasn't quick enough and they nabbed me.

1:44:421:44:47

-What about you?

-Did Jacques get back?

1:44:471:44:51

-Yes, thanks to you.

-Did the German division get through?

-No, they held them up.

1:44:511:44:57

Thank God.

1:44:571:45:00

Violette...you were at Fresnes, weren't you?

1:45:001:45:03

-Did you go to the Avenue Foch?

-Tony, don't spoil it.

-DID you?

1:45:041:45:09

Well, once or twice, but...

1:45:111:45:14

they didn't get anything out of me. It wasn't bad. Really it wasn't.

1:45:141:45:19

-Oh, God.

-You, too?

1:45:191:45:22

It doesn't matter now.

1:45:221:45:25

We're together again...for a while.

1:45:251:45:28

New places...new faces. That's what you said in the Studio Club.

1:45:301:45:36

Did I? I'm tired of new places, aren't you?

1:45:361:45:40

Darling...

1:45:451:45:47

-..if we get out of this...

-WHEN we get out! It won't be long, just a few weeks.

1:45:481:45:54

I shan't ever let you out of my sight again.

1:45:541:45:58

I shan't ever want you to.

1:45:591:46:02

Schnell!

1:46:201:46:23

Fraulein. Allez! Allez!

1:46:231:46:25

< March!

1:46:381:46:40

My daughter used to have beautiful hair.

1:47:101:47:15

-Face powder! Where did you get it?

-Whitewash from the wall in the kitchen.

1:47:161:47:22

-But what's the use?

-I don't know. It just makes me feel better.

1:47:221:47:27

HACKING COUGH

1:47:281:47:32

-All right, Lily?

-I don't feel too good.

1:47:371:47:41

Try and sit up. I'll help you. Come on. Come on.

1:47:421:47:47

I can't make it today, Vi.

1:47:511:47:54

Look, you've got to try. You mustn't let them see you can't.

1:47:551:48:00

'Raus! 'Raus! Heraus!

1:48:011:48:05

Du da! 'Raus!

1:48:061:48:08

Schnell! ..Bloch, Rolfe, Szabo!

1:48:131:48:16

You stay there! Oh, thank God!

1:48:161:48:20

Why are we to stay? We are fit for work.

1:48:221:48:25

-< You are coming with me.

-Where to?

1:48:251:48:28

Commandant Suhren's orders.

1:48:281:48:31

< Marsch. Marsch, marsch, marsch.

1:48:311:48:34

Vi, is this it?

1:48:401:48:42

We're all together.

1:48:481:48:50

Halt!

1:49:361:49:38

"By order of the Fuhrer,

1:49:521:49:55

"the three British agents, Denise Bloch, Lillian Rolfe and Violette Szabo,

1:49:551:50:02

"are to be shot." ..Bereit machen!

1:50:021:50:06

< Bereit machen!

1:50:061:50:09

Heil Hitler!

1:50:091:50:12

Entstellung!

1:50:161:50:18

Laden!

1:50:291:50:31

Feuer!

1:50:381:50:40

'On the 28th of January 1947,

1:51:041:51:06

'Tania put on the dress which Violette had brought back from Paris.

1:51:061:51:12

'Now it fitted her. She wore it when she was invited with her grandparents to Buckingham Palace.

1:51:121:51:20

'His Majesty King George VI gave Tania the George Cross

1:51:351:51:40

'and said, "It is for your mother. Take great care of it.

1:51:401:51:44

' "She was a brave woman and you must always be very proud of her." '

1:51:441:51:50

-Hello.

-Hello.

1:52:011:52:04

-That's a very pretty dress.

-It came from Paris.

-You've got a medal, too.

1:52:041:52:09

-Take care of that.

-I'm keeping it for Mummy.

1:52:091:52:13

-Hope to see you again soon.

-Yes.

1:52:161:52:20

The life that I have is all that I have

1:52:291:52:33

And the life that I have is yours

1:52:331:52:36

The love I have of the life that I have Is yours and yours and yours

1:52:361:52:42

A sleep I shall have, A rest I shall have, Yet death will be but a pause

1:52:421:52:49

For the peace of my years in the long green grass...

1:52:491:52:53

Will be yours...

1:52:531:52:56

and yours...

1:52:561:52:58

..and yours.

1:53:001:53:02

Subtitles by Judith Simpson and Audrey Flynn BBC Scotland 1997

1:53:291:53:34

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