Browse content similar to Carve Her Name with Pride. Check below for episodes and series from the same categories and more!
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Hurry along, please. We're late already. | 0:01:57 | 0:02:01 | |
Right, that's the lot. That's the lot! | 0:02:01 | 0:02:04 | |
Vi Bushell! Well, I'm blowed! Remember me? | 0:02:04 | 0:02:09 | |
-Stockwell Road School. -Shirley Wilson! -That's right. | 0:02:09 | 0:02:13 | |
-Dyed my hair. Suits the uniform. How are you keeping? -Fine, thanks. | 0:02:13 | 0:02:19 | |
Well, isn't this nice? My first day on this route and I pick you up. | 0:02:19 | 0:02:24 | |
< Do you work out west? So do we! | 0:02:24 | 0:02:28 | |
Come on! The manners of people these days! | 0:02:28 | 0:02:32 | |
Room for one more inside. | 0:02:32 | 0:02:35 | |
Sorry, that's the lot. | 0:02:36 | 0:02:39 | |
I say, Vi! Vi! | 0:02:44 | 0:02:47 | |
-Sorry. Hello! -I had to come and tell you - I've seen Sally Wilkins. | 0:02:48 | 0:02:54 | |
-She's joined the ATS. -Thank heavens! We've won! | 0:02:54 | 0:02:58 | |
-Can you come to Hyde Park on Saturday? -Yes. Why? | 0:02:58 | 0:03:03 | |
I have to pick up a French soldier. | 0:03:03 | 0:03:06 | |
-Eh? -It's a French national holiday. Mum suggested finding a French soldier | 0:03:06 | 0:03:12 | |
-and inviting him to supper. -I wish I had a French mother! -Will you come? -What for? | 0:03:12 | 0:03:19 | |
Well, I mean...I couldn't go on my own! | 0:03:19 | 0:03:23 | |
All right, if you do all the talking. I don't know enough French even to say no! | 0:03:23 | 0:03:29 | |
..This jewellery's imitation. | 0:03:29 | 0:03:32 | |
-There you are. Over there. -Oh, no, they're not French. -Oh, aren't they? | 0:03:41 | 0:03:47 | |
Look, Win, they're French! | 0:03:50 | 0:03:53 | |
THEY CHAT IN FRENCH | 0:03:53 | 0:03:57 | |
-I don't think we're cut out for this, Vi. -We'll probably get arrested. | 0:04:01 | 0:04:06 | |
Do you mean they'll think we're...? Oh, crikey! | 0:04:06 | 0:04:10 | |
Oh, dear! | 0:04:11 | 0:04:13 | |
There you are. He was looking at YOU, Vi. | 0:04:17 | 0:04:21 | |
-He's a French officer, isn't he? -Mm-hm, in the Foreign Legion. -Isn't that romantic, Vi? | 0:04:21 | 0:04:28 | |
What do we do now? Wait? | 0:04:32 | 0:04:34 | |
Mademoiselle, have you the time, if you please? | 0:04:37 | 0:04:41 | |
-I don't know. Vi? -Nearly trois heures et demie. | 0:04:41 | 0:04:46 | |
Vous avez raison. C'etait une excuse. Pardon, mademoiselle. | 0:04:46 | 0:04:50 | |
-Je vous pardonne! -Vous etes Francaise? | 0:04:50 | 0:04:54 | |
Non, ma mere est Francaise. | 0:04:54 | 0:04:56 | |
Ah, je vois. Et votre amie? | 0:04:56 | 0:04:59 | |
-I'm sorry, mademoiselle, now I speak English. May I sit down? -Oh, yes, sit down. | 0:04:59 | 0:05:06 | |
Well, go on, Vi, ask him. | 0:05:12 | 0:05:15 | |
Well, my mother thought you'd like to come and have supper with us. | 0:05:17 | 0:05:22 | |
-Mademoiselle, I don't know your mother. -That doesn't matter! -What? | 0:05:22 | 0:05:27 | |
C'est le quatorze juillet. | 0:05:27 | 0:05:30 | |
-Ah, she sent you to seek a lonely Frenchman that she might entertain him. -Will you come? | 0:05:30 | 0:05:37 | |
Why not? Oh, I beg your pardon, mademoiselle. | 0:05:37 | 0:05:42 | |
Etienne Szabo, a votre service. | 0:05:42 | 0:05:45 | |
-Oh, well, I'm Violette Bushell and this is Winnie Watson. -Mademoiselle. | 0:05:45 | 0:05:51 | |
Now we all know each other, don't we? | 0:05:51 | 0:05:55 | |
Please. | 0:05:56 | 0:05:58 | |
I bet you haven't heard this one. It's terrific. | 0:06:03 | 0:06:07 | |
-Another glass of wine like the officers have. -I wish health to you, monsieur et madame, | 0:06:07 | 0:06:14 | |
-and to the charming Violette. -It's been a lovely evening, hasn't it? | 0:06:14 | 0:06:19 | |
-First class. -Likewise for me. I'm so happy. | 0:06:19 | 0:06:23 | |
Such fine stories of your adventures. | 0:06:23 | 0:06:26 | |
If I'd been a man, I'd like to have been a professional soldier. | 0:06:26 | 0:06:31 | |
All those wonderful places you've seen - Algiers, Tunis, Morocco. | 0:06:31 | 0:06:37 | |
-How was Dunkirk? -Oh, please, sir. One day perhaps. | 0:06:37 | 0:06:41 | |
Maybe we dance, mademoiselle? | 0:06:41 | 0:06:44 | |
Yes. | 0:06:44 | 0:06:46 | |
Excuse me, madame. | 0:06:46 | 0:06:49 | |
Your parents are very charming. Where were you born? In England? | 0:06:54 | 0:06:59 | |
-Yes, in London but my parents met in France in the last war. -I understand. | 0:06:59 | 0:07:05 | |
Look at Vi. It's the first time I've seen her take an interest in a boy. | 0:07:05 | 0:07:10 | |
She may be my sister, chum, but she's a terror with the boys! | 0:07:10 | 0:07:15 | |
Ohh! | 0:07:15 | 0:07:17 | |
-You asked for it, Roy! -I'm sorry! Music! Start the music, quick! | 0:07:20 | 0:07:25 | |
Bully! | 0:07:25 | 0:07:28 | |
-The toughest one in the family! -Will you have another drink? | 0:07:28 | 0:07:33 | |
No, thank you, madame. I must get back. I'm on duty tonight. | 0:07:33 | 0:07:38 | |
Perhaps...in the next days, you will teach me something of London. | 0:07:38 | 0:07:43 | |
-If you will permit, madame. -Of course. -I'd love to. | 0:07:43 | 0:07:48 | |
-Well, I'll just walk with you... -No, no, Charles. -Au revoir, madame, et merci encore... | 0:07:48 | 0:07:54 | |
-Bon soir. -Cheerio. All the best. -Good night, monsieur. -Good night. | 0:07:54 | 0:08:00 | |
-Good night, mademoiselle. -I'll fetch your cap. | 0:08:00 | 0:08:03 | |
Dad, how about a sing-song? | 0:08:04 | 0:08:07 | |
-What shall we have? -My Old Dutch. -My Old Dutch. All right, off we go. | 0:08:07 | 0:08:12 | |
# We've been together now for 40 years | 0:08:13 | 0:08:19 | |
# And it don't seem a day too much... # | 0:08:19 | 0:08:24 | |
So, one o'clock tomorrow, Hyde Park, the same seat. | 0:08:32 | 0:08:36 | |
-I shall remember. -I'll try not to be late. | 0:08:36 | 0:08:40 | |
Good night, Violette. | 0:08:41 | 0:08:44 | |
Au revoir, Etienne. | 0:08:44 | 0:08:47 | |
INAUDIBLE REMARK | 0:09:11 | 0:09:14 | |
INAUDIBLE | 0:09:20 | 0:09:24 | |
HE PLAYS A CLASSICAL PIECE | 0:10:02 | 0:10:06 | |
You look very sweet in the moonlight. | 0:10:19 | 0:10:23 | |
What are you thinking? | 0:10:23 | 0:10:25 | |
I was pretending that we were in the South of France, | 0:10:25 | 0:10:30 | |
-in a lovely hotel by the sea. -From my home in Marseilles, I could look at the sea. | 0:10:30 | 0:10:37 | |
-Oh, I'd love to go to Marseilles. -When we are married, we will go together, | 0:10:37 | 0:10:44 | |
and to Paris. Have you been to Paris? | 0:10:44 | 0:10:47 | |
I used to go as a kid and stay with relations, but that was in the country. | 0:10:47 | 0:10:53 | |
It's the most wonderful city in the world - Paris. | 0:10:53 | 0:10:57 | |
The trees in the Bois, the shops in the Champs Elysees... | 0:10:57 | 0:11:03 | |
In the spring, it is fairyland. | 0:11:03 | 0:11:06 | |
DOOR OPENS | 0:11:06 | 0:11:08 | |
-Oh, I didn't know you were here. I, er... -Oi! Put that light out! | 0:11:11 | 0:11:16 | |
-Sorry, I forgot about the curtains. -It's all right. -I'm sorry, monsieur, I should have gone. -Yes, it's late. | 0:11:20 | 0:11:27 | |
-Vi, your mother wants you in the kitchen. -What for? -I don't know. Go on, now. | 0:11:27 | 0:11:34 | |
Well, now, Etienne... | 0:11:43 | 0:11:45 | |
Monsieur, I wish to say something. | 0:11:45 | 0:11:48 | |
Well, all right. | 0:11:48 | 0:11:50 | |
You know...I have known Violette only a little time. | 0:11:50 | 0:11:55 | |
-Soon I go away. -Exactly... -Please, monsieur. | 0:11:55 | 0:11:59 | |
I wish to say... Please, monsieur. I want your permission to marry your daughter. | 0:11:59 | 0:12:07 | |
Marry her? You want to marry her? | 0:12:07 | 0:12:10 | |
-Thank you, monsieur! -Not so fast. This wants thinking about. -But we are sure. | 0:12:10 | 0:12:17 | |
YOU may be sure but... Well, you've only known the girl for three days! | 0:12:17 | 0:12:22 | |
But, monsieur, it is not time that tells these things, but the heart. | 0:12:22 | 0:12:27 | |
We love each other. | 0:12:27 | 0:12:29 | |
No. No, no, it won't do. | 0:12:31 | 0:12:34 | |
She's too young. I'm not having it. | 0:12:34 | 0:12:37 | |
-Oh, aren't you? -No, Vi. -I'm sorry, Dad, but Etienne and I are getting married. -Monsieur... | 0:12:37 | 0:12:44 | |
-What you say won't change that. -Oh, no? -No, it won't! | 0:12:44 | 0:12:49 | |
Oh! Well... | 0:12:49 | 0:12:52 | |
All right, then, what are we arguing about? | 0:12:52 | 0:12:56 | |
Oh, Dad! | 0:12:57 | 0:13:00 | |
-Oh, Etienne! -Violette! | 0:13:00 | 0:13:02 | |
THEY SING IN FRENCH | 0:13:05 | 0:13:08 | |
-There we are, Madame Szabo. -A week ago today, we were on our way here. | 0:13:11 | 0:13:16 | |
-We'll celebrate the occasion tonight with champagne. -Oh, darling. | 0:13:16 | 0:13:21 | |
PLANES FLY PAST | 0:13:21 | 0:13:24 | |
Darling, don't look. After the honeymoon, we go back to the war. | 0:13:24 | 0:13:30 | |
See those trees over there? | 0:13:30 | 0:13:32 | |
-I'll race you to them! -All right! | 0:13:32 | 0:13:36 | |
Violette! | 0:13:43 | 0:13:45 | |
-Violette! -Did you call? | 0:13:53 | 0:13:55 | |
Make way for me! | 0:13:57 | 0:13:59 | |
-I'm coming up! -Too late. I'm coming down! | 0:13:59 | 0:14:04 | |
-Oh, darling! -Are you happy? | 0:14:05 | 0:14:08 | |
How long can we stay? | 0:14:09 | 0:14:12 | |
-What's the matter? -Nothing. | 0:14:13 | 0:14:16 | |
I was just thinking how very much I love you. | 0:14:16 | 0:14:20 | |
Darling, will you laugh if I tell you something? | 0:14:21 | 0:14:25 | |
Last night, when you were asleep, | 0:14:25 | 0:14:28 | |
-I wrote a little poem about my love for you. -A poem? | 0:14:28 | 0:14:32 | |
Oh, it's not very good but as the words came into my mind, I wrote them down. | 0:14:32 | 0:14:39 | |
Here. | 0:14:39 | 0:14:41 | |
You read it. I want to hear you read it. | 0:14:45 | 0:14:49 | |
I think I remember it. | 0:14:51 | 0:14:53 | |
"The life that I have Is all that I have | 0:14:53 | 0:14:57 | |
"And the life that I have is yours | 0:14:57 | 0:15:00 | |
"The love that I have Of the life that I have Is yours and yours and yours | 0:15:00 | 0:15:08 | |
"A sleep I shall have A rest I shall have | 0:15:08 | 0:15:12 | |
"Yet death will be but a pause | 0:15:12 | 0:15:14 | |
"For the peace of my years in the long green grass Will be yours and yours and yours." | 0:15:14 | 0:15:22 | |
That's all of it. | 0:15:23 | 0:15:25 | |
Thank you, darling. | 0:15:28 | 0:15:30 | |
It's beautiful. | 0:15:31 | 0:15:34 | |
ROAR OF PLANES | 0:15:34 | 0:15:36 | |
-Etienne. -Well? | 0:15:37 | 0:15:40 | |
You didn't answer my question. | 0:15:40 | 0:15:42 | |
How long can we stay here? | 0:15:43 | 0:15:46 | |
I heard this morning. In two days, we must return. | 0:15:47 | 0:15:51 | |
In three days, I go. | 0:15:51 | 0:15:54 | |
-Where? -Overseas. I don't know where. | 0:15:54 | 0:15:57 | |
Oh, Violette, my darling, you KNOW this must be. | 0:15:58 | 0:16:03 | |
Yes. | 0:16:04 | 0:16:06 | |
I know. | 0:16:06 | 0:16:08 | |
It can't be helped. | 0:16:10 | 0:16:12 | |
We've still got three days. | 0:16:13 | 0:16:16 | |
-Oh, you WILL come back, won't you?! -Of course I shall. | 0:16:17 | 0:16:22 | |
Soon, the war will be finished, then we'll have another honeymoon. | 0:16:22 | 0:16:27 | |
We'll go to Notre Dame and give thanks. | 0:16:27 | 0:16:31 | |
Which will we have first - a girl or a boy? | 0:16:31 | 0:16:35 | |
We'll have a girl, then we'll take her with us to Paris | 0:16:35 | 0:16:40 | |
-and I'll buy her a pretty dress. -I'd rather have a boy. | 0:16:40 | 0:16:45 | |
No, I insist upon a girl. Then she will grow up to look just like you | 0:16:45 | 0:16:50 | |
and I shall be twice as proud. | 0:16:50 | 0:16:52 | |
# Happy birthday to you | 0:17:12 | 0:17:15 | |
# Happy birthday to you | 0:17:15 | 0:17:18 | |
# Happy birthday, dear Tania | 0:17:18 | 0:17:23 | |
# Happy birthday to you! # | 0:17:23 | 0:17:28 | |
Very good. | 0:17:28 | 0:17:30 | |
Have something to eat. Would you dish out the jelly? | 0:17:30 | 0:17:34 | |
Oh, she's sweet, Vi. Really she is. | 0:17:35 | 0:17:38 | |
-Biscuit, Win? -Thank you. What a shame Etienne hasn't seen her yet. | 0:17:38 | 0:17:43 | |
I'd hoped he'd get leave but he's in North Africa. | 0:17:43 | 0:17:47 | |
-How is he? Have you heard from him? -No, I haven't. Not for some time. | 0:17:47 | 0:17:52 | |
-I've been a bit worried. -Letters take a long time to come, love. | 0:17:52 | 0:17:58 | |
-Isn't Tania going to cut her cake? > -Oh, yes! -No news is good news. | 0:17:58 | 0:18:03 | |
Come on, darling, stand up. | 0:18:03 | 0:18:06 | |
EXCITED CHATTERING | 0:18:06 | 0:18:09 | |
Push! Well done. Now the other side. | 0:18:09 | 0:18:11 | |
-There's a clever girl. -First plate. -That's too large. -I'll half it... -DOORBELL RINGS | 0:18:11 | 0:18:19 | |
-That's the doorbell, Vi. -Oh, thanks. Mum, could you answer it? -Yes. | 0:18:19 | 0:18:25 | |
Mrs Szabo? | 0:18:32 | 0:18:35 | |
-Mr Potter, please. -Fourth floor. -Thank you. | 0:19:21 | 0:19:25 | |
Mrs Szabo. | 0:19:26 | 0:19:29 | |
-Good morning. My name's Potter. Come and sit down, won't you? -Thank you. | 0:19:30 | 0:19:36 | |
-You'll be wondering why I sent for you. -I expect it's about the pension. | 0:19:40 | 0:19:45 | |
I understand you're partly French. | 0:19:45 | 0:19:48 | |
-My mother is French. -And your husband was in the French army. | 0:19:48 | 0:19:53 | |
-Yes. He was killed at El Alamein six months ago. -Yes. Yes, I know. I'm sorry. | 0:19:53 | 0:20:00 | |
-You, um... You speak French yourself, of course. -Yes, I was brought up to speak French and English. | 0:20:01 | 0:20:08 | |
And you're quite an athlete, I'm told. | 0:20:08 | 0:20:12 | |
And you're a crack shot with a rifle. | 0:20:14 | 0:20:17 | |
-Mr Potter, if it's about the pension... -Actually, Mrs Szabo, it's not. | 0:20:17 | 0:20:23 | |
-But you wrote to me. -Yes. Ministry of Pensions is not correct. I belong to quite a different department. | 0:20:23 | 0:20:31 | |
-Then why am I here? -Because I think you have certain qualifications which might be of great use. | 0:20:31 | 0:20:39 | |
Qualifications? | 0:20:39 | 0:20:41 | |
What for? | 0:20:41 | 0:20:44 | |
The war effort. I must tell you it comes under the heading of Dangerous Work. | 0:20:44 | 0:20:51 | |
Look, I really don't think you've got hold of the right person. | 0:20:51 | 0:20:56 | |
What kind of work? | 0:21:01 | 0:21:04 | |
Well, briefly, we're doing everything we can to make things as difficult for the Germans as we can, | 0:21:05 | 0:21:13 | |
in every way that we can, | 0:21:13 | 0:21:15 | |
from blowing up their troop trains to putting chalk in their ink. | 0:21:15 | 0:21:20 | |
The French are magnificent, but they have to be organised and supplied. | 0:21:21 | 0:21:26 | |
We need liaison people. | 0:21:26 | 0:21:29 | |
-It's quite a job. -Yes. | 0:21:29 | 0:21:32 | |
Yes, I suppose it is. | 0:21:32 | 0:21:35 | |
One more thing. The Germans don't like what we're doing. | 0:21:35 | 0:21:40 | |
They don't like it at all. | 0:21:40 | 0:21:42 | |
In certain circumstances, they react violently and brutally. | 0:21:42 | 0:21:47 | |
Well, now, are you interested? | 0:21:50 | 0:21:52 | |
I don't know. | 0:21:52 | 0:21:55 | |
I don't know. | 0:21:56 | 0:21:59 | |
Since your husband died, you've rather shut yourself away. | 0:21:59 | 0:22:04 | |
-Oh, we must make some fairly close enquiries before we interview people for this sort of work. -Yes, I see. | 0:22:05 | 0:22:13 | |
-Well, I just couldn't seem to face up to things. -Quite. | 0:22:13 | 0:22:17 | |
-But you're picking up the threads again now, aren't you? -I'm trying to. -Good. | 0:22:17 | 0:22:24 | |
I'd like you to think this over. | 0:22:24 | 0:22:27 | |
I'm sorry, Mr Potter, I don't think I can be of any use to you. | 0:22:28 | 0:22:33 | |
I suppose you're thinking about your baby. | 0:22:34 | 0:22:38 | |
Well, she's all I have. | 0:22:39 | 0:22:42 | |
What if anything happened to ME? | 0:22:42 | 0:22:45 | |
Yes, of course. | 0:22:45 | 0:22:48 | |
That's something you must think about. | 0:22:48 | 0:22:51 | |
But you don't have to make up your mind right away. Why don't you come and see me again in a week's time? | 0:22:51 | 0:22:59 | |
Yes, all right, if you wish. | 0:22:59 | 0:23:02 | |
You realise you must tell nobody about this interview, not even your parents. | 0:23:04 | 0:23:10 | |
Yes, of course. Mr Potter, wouldn't it be possible to find someone else for this job? | 0:23:10 | 0:23:17 | |
I don't know. It might be possible, but it's taken us a long time to find you. | 0:23:17 | 0:23:24 | |
There are so few people with your qualifications. | 0:23:24 | 0:23:28 | |
Oh, just a moment. | 0:23:31 | 0:23:34 | |
Don't forget your pass, otherwise you'll be here forever. | 0:23:38 | 0:23:42 | |
-Oh, good afternoon. My name's Vera Atkins. I'm looking for Mrs Szabo. -Oh, that's me. | 0:24:01 | 0:24:08 | |
-Will you come in? -Thank you. | 0:24:08 | 0:24:10 | |
You don't know me but I work in the same department as Mr Potter. | 0:24:11 | 0:24:17 | |
-Oh, would you come in here, please? -Thank you. | 0:24:18 | 0:24:22 | |
Mr Potter got your letter. He wants to make sure you understand the step you're taking. | 0:24:22 | 0:24:29 | |
Well, I've thought about it for two weeks and... | 0:24:29 | 0:24:33 | |
-I know now it's the only thing I can do. -Your decision is entirely voluntary. No pressure will be used. | 0:24:33 | 0:24:41 | |
I still want to join. | 0:24:41 | 0:24:43 | |
-Good. -Will you sit down? | 0:24:43 | 0:24:46 | |
-Thank you. Oh, what a dear little girl. Tania, isn't it? -Yes. | 0:24:46 | 0:24:51 | |
-How old is she? -Just over two. | 0:24:51 | 0:24:54 | |
-And yet you still want to do this? -My husband was killed fighting in the desert. | 0:24:54 | 0:25:01 | |
For his sake, I... I couldn't live the rest of my life knowing I'd failed to do my bit. | 0:25:01 | 0:25:08 | |
He never saw Tania | 0:25:11 | 0:25:14 | |
but I suppose, in a way, | 0:25:14 | 0:25:16 | |
he was fighting for her. | 0:25:16 | 0:25:19 | |
And now it's my turn. | 0:25:21 | 0:25:24 | |
-You DO realise it may end the same way for you. -Yes, I do realise that. | 0:25:24 | 0:25:31 | |
Right. We'll get you into uniform to avoid awkward questions about what you're doing. | 0:25:31 | 0:25:37 | |
-You'll be commissioned as an officer in the FANYs. Can you start at once? -Yes. Mother will look after Tania. | 0:25:37 | 0:25:46 | |
-May we come in? -Of course, Mum. | 0:25:46 | 0:25:48 | |
Hello, darling! Did you have a nice walk? | 0:25:48 | 0:25:52 | |
-Oh, this is my mother, Miss Atkins. And my father. -Pleased to meet you. | 0:25:52 | 0:25:57 | |
-I'm going to the FANYs. -You mean you've joined up? -What's the FANYs? | 0:25:57 | 0:26:03 | |
Oh, First Aid Nursing Yeomanry. Driving ambulances, running canteens. | 0:26:03 | 0:26:09 | |
Oh, well, that sounds a nice job. | 0:26:09 | 0:26:12 | |
Ohh! | 0:26:14 | 0:26:16 | |
Look, miss, you're gonna fight the Germans, help us win the war, right? | 0:26:18 | 0:26:25 | |
-Yes. -That's a very clever girl. Now we'll try again. | 0:26:25 | 0:26:30 | |
This is the best of the bunch! I can't stand it. I'm going sick. | 0:26:31 | 0:26:36 | |
Right, now, I'm a Gerry, and I'm coming towards you | 0:26:36 | 0:26:40 | |
and I've got a big knife so that's the hand you've gotta watch. Right. | 0:26:40 | 0:26:46 | |
Pay attention over there! | 0:26:49 | 0:26:51 | |
I'm not doing this for my benefit! | 0:26:51 | 0:26:54 | |
Look, miss, I... | 0:26:55 | 0:26:58 | |
Never mind. Get back into line. This ain't fair. | 0:26:58 | 0:27:02 | |
Ladies, I've told you. | 0:27:04 | 0:27:06 | |
I've told you time and time again. When you fall, fall PROPERLY! | 0:27:06 | 0:27:13 | |
Then you don't hurt yourselves. | 0:27:13 | 0:27:15 | |
It's very simple. | 0:27:15 | 0:27:18 | |
A child could do it. Watch me. | 0:27:18 | 0:27:22 | |
-If only he'd break his bloody neck! -Mm. | 0:27:24 | 0:27:28 | |
INAUDIBLE | 0:27:40 | 0:27:42 | |
-Finished? -Yes. -Right, get going. | 0:27:53 | 0:27:55 | |
Good evening, ladies. Are you quite comfortable? | 0:28:28 | 0:28:32 | |
-Are you waiting for the bang? -Yes. -Yes. | 0:28:32 | 0:28:35 | |
If I'd been a German sentry, I could've knocked you two off, | 0:28:35 | 0:28:40 | |
walked to the bridge, unplugged the fuse and gone home for dinner! | 0:28:40 | 0:28:46 | |
-Have you got a revolver? -Yes. -Tell me where it is. | 0:28:46 | 0:28:50 | |
-In the holster. -Keeping it warm, I suppose(!) | 0:28:50 | 0:28:54 | |
I've told you - never leave yourselves undefended! | 0:28:54 | 0:28:59 | |
Gimme a hand here, will you? | 0:29:17 | 0:29:20 | |
We've got you, Sergeant. | 0:29:20 | 0:29:22 | |
Put that away. You might do some harm with it. | 0:29:25 | 0:29:29 | |
Well, that was very good. | 0:29:29 | 0:29:32 | |
-Get back to base now. -In the lorry? | 0:29:32 | 0:29:35 | |
-No, you can walk. -But it's seven miles. -Eight. | 0:29:35 | 0:29:39 | |
Give you a nice appetite for breakfast, won't it? | 0:29:39 | 0:29:44 | |
Driver! | 0:29:44 | 0:29:46 | |
ENGINE STARTS | 0:29:46 | 0:29:49 | |
LORRY DRIVES OFF | 0:29:49 | 0:29:52 | |
"Appetite for breakfast." How far are we from base now? | 0:30:04 | 0:30:08 | |
-About two miles. -See where we are? Commander HQ. | 0:30:08 | 0:30:13 | |
-Ooh, what I wouldn't give for a nice, hot cup of tea! -Wouldn't you prefer a whisky? | 0:30:13 | 0:30:20 | |
-What are we waiting for? -Come on! | 0:30:20 | 0:30:24 | |
MAN COUGHS | 0:30:58 | 0:31:01 | |
What the devil are you...? | 0:31:06 | 0:31:08 | |
Quick! Get him in here! | 0:31:15 | 0:31:18 | |
(Onto the bed.) | 0:31:23 | 0:31:26 | |
(Cover him up. That's it.) | 0:31:29 | 0:31:31 | |
You've knocked out the CO! | 0:31:35 | 0:31:37 | |
-GROANING -(He's waking up!) | 0:31:42 | 0:31:46 | |
It's one thing to live off the land, | 0:32:04 | 0:32:07 | |
but it's another to raid government property, steal government liquor, | 0:32:07 | 0:32:12 | |
and damage government...personnel! | 0:32:12 | 0:32:16 | |
You'll be up before the CO this morning. | 0:32:16 | 0:32:20 | |
All right, now. Who's responsible? | 0:32:23 | 0:32:25 | |
-I am, Sergeant. -No, we all were! -OK, OK, all right! | 0:32:25 | 0:32:31 | |
But I can tell you, the CO's going to have something to say about this. | 0:32:31 | 0:32:36 | |
Did I say dismiss? | 0:32:36 | 0:32:38 | |
Come back here! What's the matter with you? | 0:32:38 | 0:32:42 | |
Cor blimey, women! | 0:32:43 | 0:32:46 | |
There's one thing more, | 0:32:48 | 0:32:50 | |
and it gives me pain, great pain, to say it. | 0:32:50 | 0:32:55 | |
I'm proud to have you in my section. | 0:32:56 | 0:32:58 | |
I've been trying to put something over on those commanders for a year! | 0:32:58 | 0:33:04 | |
Go on, you're dismissed! | 0:33:04 | 0:33:06 | |
Oh, there's an end-of-course party on Thursday night in the mess. The drinks are on you! | 0:33:06 | 0:33:13 | |
Well, I suppose Winston knows what he's doing. | 0:33:16 | 0:33:20 | |
GO! | 0:33:20 | 0:33:22 | |
GO! | 0:33:28 | 0:33:30 | |
-Morning. -Good morning. | 0:33:36 | 0:33:40 | |
Keep your legs together. Are you trying to split yourself in two? | 0:33:40 | 0:33:45 | |
Even the women are better than you! | 0:33:45 | 0:33:47 | |
All right, on parade again, 1400 hours. Fall out! | 0:33:47 | 0:33:52 | |
The thing is, I don't like heights. I get airsick on top of a bus. | 0:33:53 | 0:33:58 | |
You should've joined the Navy! | 0:33:58 | 0:34:01 | |
If you can do it, I suppose I can. | 0:34:05 | 0:34:07 | |
-It's the next course I'm scared of. -The finishing school? -Mm, all that psychological stuff. | 0:34:07 | 0:34:14 | |
-They invent a new personality for you. -Yes? -New name, new background. | 0:34:14 | 0:34:20 | |
-What about your present background? -"No exchange of personal information. | 0:34:20 | 0:34:26 | |
"Security instruction, subclause 144a." | 0:34:26 | 0:34:29 | |
Do you know the Studio Club in Knightsbridge? | 0:34:29 | 0:34:33 | |
-No, that's not my part of London. -We might meet. -Look at him! -Have a drink, go to the theatre? | 0:34:33 | 0:34:41 | |
What? Oh, yes, yes, we might. | 0:34:41 | 0:34:44 | |
Yes. | 0:34:44 | 0:34:46 | |
See you on the flying trapeze(!) | 0:34:46 | 0:34:49 | |
Yes! | 0:34:49 | 0:34:51 | |
-I want to get out and walk! -You were fine yesterday. -Beginner's luck. | 0:34:57 | 0:35:02 | |
I've landed on everything except my face. I think this is the day! | 0:35:02 | 0:35:08 | |
Right, we're coming up over the DZ now. | 0:35:08 | 0:35:12 | |
Just remember everything you've been told. | 0:35:24 | 0:35:28 | |
You'll be dropping in a stick of five. | 0:35:28 | 0:35:32 | |
Right, stand by for action! | 0:35:37 | 0:35:39 | |
Action stations! | 0:35:45 | 0:35:48 | |
GO! | 0:35:49 | 0:35:51 | |
Two! | 0:35:54 | 0:35:57 | |
TWO! | 0:35:58 | 0:36:00 | |
Five! | 0:36:06 | 0:36:09 | |
I did it, I did it! Easy. Nothing to it. What's the matter? | 0:36:43 | 0:36:48 | |
-My ankle's gone. -Hang on to me. | 0:36:48 | 0:36:51 | |
-You've got some leave. -I must finish the course! | 0:36:51 | 0:36:55 | |
No. "Medical orders, subclause 54b." | 0:36:55 | 0:36:58 | |
-Je vais mettre la belle au lit, cherie. -Merci, Mama. | 0:37:05 | 0:37:10 | |
-As soon as that's better, I suppose you'll be off again. -Yes, I shall. | 0:37:13 | 0:37:18 | |
-You might write to your mother more often. She worries. -I did write. | 0:37:18 | 0:37:24 | |
Twice in three months, and you said nothing. | 0:37:24 | 0:37:28 | |
Now, you say you help in canteens, drive lorries. | 0:37:28 | 0:37:32 | |
-Is that helping to win the war? -I've got to believe it. -Well, I don't believe it! | 0:37:32 | 0:37:39 | |
What do you do with your spare time? | 0:37:39 | 0:37:42 | |
-You meet men, don't you? -Sometimes. -Officers, I suppose. | 0:37:42 | 0:37:48 | |
Yes, officers. The men I work with. | 0:37:48 | 0:37:50 | |
Sometimes we make up a party and go out. | 0:37:50 | 0:37:54 | |
-So what? I'm not a child. -You're not much more. -Oh, Dad! | 0:37:54 | 0:37:58 | |
You've been married and you've got a baby, but you don't know it all. | 0:37:58 | 0:38:03 | |
Look, Vi, I don't know what it is, but you've changed. | 0:38:04 | 0:38:09 | |
-I wish you'd live at home instead of racketing round! -I've got to get around! -And crock yourself up? | 0:38:09 | 0:38:16 | |
-I twisted it jumping out of a lorry. Does that imply an affair with a colonel? -I don't know what to think. | 0:38:16 | 0:38:24 | |
-Oh, don't be so stupid! -All right, you do what you like, | 0:38:24 | 0:38:29 | |
but if you're not careful, you'll come to a bad end! | 0:38:29 | 0:38:33 | |
Thanks. | 0:38:43 | 0:38:45 | |
What's wrong, Charles? | 0:39:02 | 0:39:04 | |
It's Vi's. It fell out of her bag. | 0:39:06 | 0:39:08 | |
What is it? | 0:39:08 | 0:39:11 | |
A parachute badge. That's how she hurt her ankle. | 0:39:11 | 0:39:16 | |
Thanks. | 0:39:40 | 0:39:42 | |
It fell out of your bag. | 0:39:42 | 0:39:44 | |
I spoke out of turn, didn't I? I'm sorry, Vi. | 0:39:45 | 0:39:50 | |
Have you got much more of it to do? | 0:39:50 | 0:39:53 | |
-Sorry, I can't tell you anything. I'm not allowed to. -That's OK, Vi. | 0:39:53 | 0:39:59 | |
I'm sure you're doing this for a good reason. | 0:39:59 | 0:40:03 | |
Yes, I am. | 0:40:03 | 0:40:05 | |
Fair enough. No more questions. | 0:40:05 | 0:40:08 | |
And if you get a chance to have a bit of fun, | 0:40:08 | 0:40:13 | |
you take it, bless you. | 0:40:13 | 0:40:15 | |
Oh! | 0:40:16 | 0:40:18 | |
DANCE MUSIC PLAYS | 0:40:23 | 0:40:26 | |
-# -Da dee da dum | 0:40:31 | 0:40:34 | |
-# -Da da da dee | 0:40:34 | 0:40:37 | |
-# -Da da da dum | 0:40:37 | 0:40:39 | |
-# -One day I'll love another one. -# | 0:40:39 | 0:40:45 | |
Very nice. I hope you mean it. | 0:40:45 | 0:40:48 | |
It's taken me four weeks to get you here. | 0:40:48 | 0:40:52 | |
Now, what about tomorrow night? | 0:40:52 | 0:40:55 | |
-We can't plan as far ahead as that. -Oh. Pity. | 0:40:55 | 0:40:59 | |
That's the worst of war. No time. | 0:40:59 | 0:41:02 | |
Here today and gone tomorrow, new places, new faces, | 0:41:02 | 0:41:06 | |
-just when you're getting to like one particular face. -Perhaps that's the best of war - | 0:41:06 | 0:41:13 | |
-no time to get attached. -I see. | 0:41:13 | 0:41:16 | |
Tony, I'd like to ask you something sometime. | 0:41:21 | 0:41:25 | |
No time like the present. Let's go outside. | 0:41:25 | 0:41:29 | |
It's cooler out here, and quieter. | 0:41:42 | 0:41:45 | |
-Tony... -Mm-hm? | 0:41:48 | 0:41:51 | |
Um... | 0:41:52 | 0:41:54 | |
Do you think I can do this job? | 0:41:54 | 0:41:57 | |
Don't you? | 0:41:58 | 0:42:00 | |
I don't know. | 0:42:01 | 0:42:04 | |
-I get frightened. -You got through your training all right. -I know, | 0:42:04 | 0:42:09 | |
but when it comes to the real thing... | 0:42:09 | 0:42:12 | |
IF it does... shall I feel the same? | 0:42:12 | 0:42:17 | |
-It's so important not to fail. -You won't! You'll do a grand job. | 0:42:17 | 0:42:22 | |
-Oh, I want to SO much! -Don't worry. We're all in the same boat. | 0:42:22 | 0:42:28 | |
None of us really knows how he'll stand up to it. | 0:42:28 | 0:42:32 | |
I'm just afraid of...BEING afraid. | 0:42:32 | 0:42:35 | |
-It sounds silly but... -I know. | 0:42:37 | 0:42:40 | |
The thing is to face up to that one and accept it, | 0:42:40 | 0:42:44 | |
then you'll be able to control it. | 0:42:44 | 0:42:47 | |
Yes. | 0:42:47 | 0:42:49 | |
Yes, I see that. | 0:42:49 | 0:42:51 | |
-Thanks, Tony. -You're welcome. | 0:42:53 | 0:42:56 | |
-Oh, goodness, we ARE being serious! -Let's dance. | 0:42:57 | 0:43:01 | |
If this is true, it's damn bad luck. The Rouen group was one of our best. | 0:43:02 | 0:43:07 | |
What do we do? Have another try. I'm sending Fraser into France again. | 0:43:07 | 0:43:13 | |
Fraser? Yes. He formed the Rouen group originally. | 0:43:13 | 0:43:18 | |
Yes, I know. What's wrong? | 0:43:18 | 0:43:22 | |
Nothing. Just a personal reaction. I find him rather strange, remote. | 0:43:22 | 0:43:27 | |
That's what makes a good agent. He doesn't have to work at it all day! | 0:43:27 | 0:43:34 | |
-< Hello, Fraser. How did you like the parachute course? -I didn't, sir. | 0:43:35 | 0:43:41 | |
-Give me a nice French train every time. -You've seen the signal? -Yes, Vera showed it to me. | 0:43:41 | 0:43:48 | |
-Are you sure it's genuine? -It's from Paris. Absolutely reliable. | 0:43:48 | 0:43:54 | |
-Somebody's talked. There've been arrests. That's all we know. -Well, we'll soon know the truth. | 0:43:54 | 0:44:01 | |
It could be very dangerous, Tony. | 0:44:01 | 0:44:04 | |
-Your face is all over Rouen. You're bound to be recognised in a town of 116,000. -116,467 to be precise. | 0:44:04 | 0:44:12 | |
I'm the only one that knows all the contacts. We may have to begin again from scratch. | 0:44:12 | 0:44:19 | |
-The area is solid with Gestapo. -It's worth trying. -No, I don't think it is. | 0:44:19 | 0:44:25 | |
I'm going to send somebody over with you. You can stay out of Rouen. | 0:44:25 | 0:44:30 | |
Your assistant can go in, discover what's going on and report to you. | 0:44:30 | 0:44:35 | |
-Agreed? -If you say so, sir, of course. It must be somebody good. They'll be working blind. | 0:44:35 | 0:44:42 | |
-Who are you giving me? -Vera. | 0:44:42 | 0:44:46 | |
Come in, will you? | 0:44:51 | 0:44:54 | |
-Hello, how are you? -Fine, thank you. | 0:44:54 | 0:44:56 | |
- You know each other, of course. -Yes. | 0:44:56 | 0:44:59 | |
-We thought a woman would be less liable to suspicion in Rouen than a man. -I suppose so. | 0:44:59 | 0:45:06 | |
-Violette is confident she can carry out your instructions. -I hope so. | 0:45:06 | 0:45:11 | |
I'm sure she can. QUITE sure. | 0:45:11 | 0:45:14 | |
Good. Captain Fraser knows the area. | 0:45:14 | 0:45:17 | |
He organised the Rouen group so you in turn can rely on him. | 0:45:17 | 0:45:22 | |
Yes. I see. | 0:45:22 | 0:45:25 | |
Come and look at the map. | 0:45:25 | 0:45:28 | |
-Finding one of your old contacts and some explosive would be something. -What's in your mind, sir? | 0:45:28 | 0:45:35 | |
Here's the main railway line from Germany through Rouen to Le Havre. | 0:45:35 | 0:45:40 | |
-The line crosses a viaduct. It must be blown. -I know that viaduct. -Good. | 0:45:40 | 0:45:46 | |
With luck, we can get you over at the next moon. | 0:45:46 | 0:45:50 | |
Your identity card, | 0:45:50 | 0:45:53 | |
clothing coupons, ration cards, | 0:45:53 | 0:45:55 | |
and money - £600 in French francs. Will you sign for them here, please? | 0:45:55 | 0:46:00 | |
-If you want any more, I can let you have some. -I've never been so rich! | 0:46:00 | 0:46:05 | |
-I've checked your toilet things. I see you've used them. -Yes, last week. | 0:46:05 | 0:46:11 | |
-I'll check your handbag. -Right. | 0:46:11 | 0:46:14 | |
Well...how do I look? | 0:46:19 | 0:46:22 | |
-The perfect secretary. -I hate this jacket! | 0:46:23 | 0:46:27 | |
-As worn in Rouen. -You can't check the rest of me, but I assure you it's all French. -Fair enough. | 0:46:27 | 0:46:35 | |
Oh, just one other thing. | 0:46:35 | 0:46:37 | |
Your lethal pill, just in case of accidents. | 0:46:39 | 0:46:43 | |
Keep it somewhere safe and handy. | 0:46:43 | 0:46:46 | |
No, thanks. I don't have to have it, do I? | 0:46:49 | 0:46:53 | |
-Well, no, but... -It's all right. | 0:46:53 | 0:46:56 | |
Anyway, they're not going to catch me. | 0:46:56 | 0:46:59 | |
As you wish. | 0:46:59 | 0:47:02 | |
-Cigarettes, matches and a picture of a child. These, you must leave behind. -Right. | 0:47:02 | 0:47:08 | |
I'll just have one more English cigarette. | 0:47:08 | 0:47:12 | |
Well, this is where it really starts. | 0:47:16 | 0:47:19 | |
Yes. | 0:47:19 | 0:47:21 | |
How do you feel? | 0:47:21 | 0:47:24 | |
-A bit...sort of unreal. -I know. I did the first time. All those months | 0:47:25 | 0:47:31 | |
of training, blood, sweat and tears, | 0:47:31 | 0:47:34 | |
building up, you think, to an exciting climax, | 0:47:34 | 0:47:38 | |
and suddenly, here you are with your little suitcase | 0:47:38 | 0:47:42 | |
trotting off in an unarmed aircraft to fight the German army all by yourself. Crazy, isn't it? | 0:47:42 | 0:47:50 | |
Crazy. | 0:47:51 | 0:47:53 | |
Come on. They're waiting to kiss us goodbye. | 0:48:02 | 0:48:06 | |
-Bon voyage, Tony. -Thank you. | 0:48:29 | 0:48:31 | |
Goodbye, Vera. | 0:48:32 | 0:48:35 | |
Ils Sont la! Venez vite! | 0:49:03 | 0:49:06 | |
-Bon soir. -Comment ca va? Vous avez eu bon voyage? -Oui. | 0:49:13 | 0:49:17 | |
-Goodbye. Good luck. -Venez par ici. | 0:49:17 | 0:49:20 | |
-Monsieur Dumont, it is good to see you again. -Good to see you. | 0:49:22 | 0:49:27 | |
-Mademoiselle Leroi. -Welcome. -Can you get her to Rouen? -You can ride a bicycle? -Yes. | 0:49:27 | 0:49:34 | |
-We can take her to friends. Tomorrow, she can board a train for Rouen. -Good. | 0:49:34 | 0:49:39 | |
It's no good telling you where to start in Rouen. You've got the names and addresses? | 0:49:45 | 0:49:52 | |
-Yes. I hope they're still there. -Don't take any unnecessary risks. I need you to report back to me. | 0:49:52 | 0:50:00 | |
-Yes, of course. -We'll meet in Paris as arranged, three weeks from now - the 28th. -I'll be there. | 0:50:00 | 0:50:08 | |
Good luck, mademoiselle. | 0:50:08 | 0:50:10 | |
And you, monsieur. | 0:50:10 | 0:50:13 | |
We have a car waiting, monsieur. | 0:50:23 | 0:50:25 | |
THEY CHAT IN GERMAN | 0:50:40 | 0:50:44 | |
-Why not come in here, mademoiselle? We have a seat too many. -Oh. Thank you very much. | 0:50:51 | 0:50:58 | |
-May I offer you a cigarette? -Oh, no. No, thank you. | 0:51:02 | 0:51:07 | |
-Do you mind if we smoke? -Please do. | 0:51:07 | 0:51:09 | |
Cigarette? Danke schon. | 0:51:09 | 0:51:12 | |
-Are you going through to Rouen? -Yes. | 0:51:18 | 0:51:21 | |
-You work in the war? -No, I'm visiting relatives. -I see. | 0:51:21 | 0:51:26 | |
-What kind of work do you do? -Oh, I'm just a secretary. | 0:51:26 | 0:51:31 | |
-That's very interesting. My little daughter, she wants to be a secretary. -Oh, really? | 0:51:31 | 0:51:38 | |
-Oh, isn't she pretty? -< Here's a photograph of my wife. | 0:51:38 | 0:51:43 | |
TRAIN WHISTLE BLOWS | 0:51:43 | 0:51:46 | |
Danke. | 0:51:57 | 0:51:59 | |
Mademoiselle, where do your relatives live? | 0:52:12 | 0:52:16 | |
-I don't know. I have to find them. -Do you have somewhere to stay? -I shall stay in a hotel. Thank you. | 0:52:16 | 0:52:24 | |
Accommodation is very difficult in Rouen. | 0:52:24 | 0:52:28 | |
-I stay in a small hotel. I could find you a room. -No, thank you. I must find my relatives. | 0:52:28 | 0:52:35 | |
-I can find them much more quickly than you can. I insist that I help you. -Very well, monsieur. Thank you. | 0:52:35 | 0:52:43 | |
Right. This way. | 0:52:43 | 0:52:46 | |
INSTRUCTS DRIVER IN GERMAN | 0:52:46 | 0:52:49 | |
Bonjour, mademoiselle, monsieur. Bonjour, monsieur. | 0:53:01 | 0:53:05 | |
Have you a room for mademoiselle? Certainly, monsieur. The usual room for you, monsieur? | 0:53:05 | 0:53:12 | |
-Mademoiselle, I should be pleased if you would dine with me tonight. -Thank you. -At 8 o'clock. -Very well. | 0:53:12 | 0:53:20 | |
Mademoiselle. This way, mademoiselle. | 0:53:20 | 0:53:24 | |
RUMBLE OF GUNFIRE AND BOMBING | 0:53:27 | 0:53:31 | |
-I have a message for Madame Bonot. -She's not here. | 0:54:37 | 0:54:41 | |
-Is Monsieur Bonot here? -Neither my mother nor my father are here. -When will they be back? | 0:54:41 | 0:54:48 | |
They've been taken by the Germans! | 0:54:48 | 0:54:51 | |
I don't want to be seen talking to you. | 0:54:51 | 0:54:54 | |
Well, you're my last contact, madame. None of the others have been able to help me. | 0:55:22 | 0:55:29 | |
How many of the group ARE left? | 0:55:29 | 0:55:32 | |
If I knew, I would tell you, but I don't. | 0:55:32 | 0:55:36 | |
I only know that many have been caught. | 0:55:36 | 0:55:40 | |
-I'm trying to trace a Monsieur Garnier. -Garnier? | 0:55:41 | 0:55:46 | |
He works at Bertrand's garage. | 0:55:47 | 0:55:50 | |
-Where's that? -In the Rue de Bonier. | 0:55:50 | 0:55:53 | |
-But be careful. We are not too sure of him. -Bertrand's garage, Rue de Bonier. -Mm-hm. -Yes, I'll be careful. | 0:55:53 | 0:56:01 | |
Links, rechts... Hoch mit den Fuessen! | 0:56:04 | 0:56:08 | |
Monsieur Garnier? | 0:56:33 | 0:56:35 | |
-Mm? -Bonjour, monsieur. -Bonjour. | 0:56:35 | 0:56:39 | |
-Can I hire a bicycle here? -No, mademoiselle, no. | 0:56:39 | 0:56:43 | |
-Ohh. Is there anywhere else? -Not that I know of. | 0:56:43 | 0:56:48 | |
Oh, well. Never mind. It's a nice day for walking. It's good that the spring is here at last. | 0:56:49 | 0:56:57 | |
Yes. It has been a long winter. | 0:57:00 | 0:57:03 | |
And now the days are drawing out. | 0:57:03 | 0:57:06 | |
What do you want to know? | 0:57:13 | 0:57:16 | |
How many of the group are left? | 0:57:16 | 0:57:18 | |
-It's a tragedy, mademoiselle. Of 98 members, only myself and two others remain. -That's terrible. | 0:57:18 | 0:57:26 | |
-Have you any explosive? -Yes, plenty. -Do you know how to use it? -We are watched all the time - the Gestapo. | 0:57:26 | 0:57:33 | |
What is the target? | 0:57:38 | 0:57:40 | |
The viaduct that carries the main line to Le Havre, 20km west of here. | 0:57:42 | 0:57:47 | |
-The viaduct? But it's guarded night and day. -Will you try? -..I'll speak to the others. | 0:57:47 | 0:57:54 | |
-You must go. -When will you see them? -Tonight maybe. -Tonight. | 0:57:54 | 0:57:59 | |
-But, mademoiselle... -Please. | 0:57:59 | 0:58:01 | |
-I'll call back in the morning. -But... -I know that, if it's possible, you'll do it. | 0:58:02 | 0:58:09 | |
-Au revoir, monsieur. -Au revoir, mademoiselle. | 0:58:09 | 0:58:14 | |
-Geheime Staatspolizei. Your name? -Corinne Renne Leroi. -Address? -64 Rue Tierre, Le Havre. | 0:58:39 | 0:58:46 | |
Your papers. | 0:58:46 | 0:58:49 | |
-What are you doing in Rouen? -I'm trying to find some relatives. | 0:58:50 | 0:58:55 | |
-At Bertrand's garage? -I wanted to hire a bicycle. -Did you? -No, he said he had none. | 0:58:55 | 0:59:02 | |
-It took him a long time to tell you. -He's talkative. | 0:59:02 | 0:59:07 | |
You come with us. Allez! | 0:59:07 | 0:59:10 | |
Herein! | 0:59:25 | 0:59:28 | |
Heil, Hitler. Heil, Hitler. | 0:59:29 | 0:59:31 | |
This woman was talking to Garnier. I suspect he was passing information to her. | 0:59:40 | 0:59:46 | |
- This is a surprise. -Good morning. -You know each other? | 0:59:46 | 0:59:52 | |
Yes. A chair. You'll understand, mademoiselle, that we must take precautions. | 0:59:52 | 0:59:59 | |
I'm sure you meant no harm, | 0:59:59 | 1:00:01 | |
-but why were you talking to the man at the garage? -It's very simple. I was trying to hire a bicycle. | 1:00:01 | 1:00:09 | |
As I said, I'm trying to find some relatives. I got tired of walking. | 1:00:09 | 1:00:14 | |
The garage has no bicycles for hire yet they talked for several minutes. | 1:00:14 | 1:00:19 | |
I thought the man might know of my relatives and give me news of them. | 1:00:19 | 1:00:24 | |
-And did he? > -He knew my uncle by name but that's all. | 1:00:24 | 1:00:30 | |
Ye-es? And what IS your uncle's name? | 1:00:30 | 1:00:34 | |
Gourmier. Marcel Gourmier. | 1:00:34 | 1:00:36 | |
Herr Oberst, the woman is lying. | 1:00:36 | 1:00:39 | |
Isn't that for you to decide? | 1:00:42 | 1:00:44 | |
Mademoiselle, it appears that my men have been a little overzealous. Please accept my apologies. | 1:00:48 | 1:00:56 | |
-What happened last night? I waited over an hour. -Sorry. I got caught in the air raid. -Yes, of course. | 1:00:56 | 1:01:04 | |
-Then you'll dine with me tonight. -That would be charming. -Excellent. | 1:01:04 | 1:01:09 | |
-At 8 o'clock, then? -Good. Au revoir. -Mademoiselle. | 1:01:09 | 1:01:13 | |
She has tricked you, Herr Oberst. | 1:01:17 | 1:01:20 | |
You don't understand. I understand perfectly. | 1:01:20 | 1:01:24 | |
Do you think I can be easily fooled? | 1:01:24 | 1:01:27 | |
Was she receiving information? Probably. | 1:01:27 | 1:01:30 | |
Shall we have her followed? No, not yet. | 1:01:30 | 1:01:34 | |
Not until... Not until after dinner tonight. | 1:01:34 | 1:01:38 | |
-If he thinks I'm dining with him tonight, he's got a long wait ahead. -You're sure he suspects? -Quite sure. | 1:01:40 | 1:01:48 | |
He was so ready to believe me | 1:01:49 | 1:01:51 | |
and too quick with his dinner invitation. | 1:01:51 | 1:01:55 | |
Did M. Garnier help you at the garage? | 1:01:55 | 1:01:59 | |
I think he will. I...don't know. I didn't know what to make of him. | 1:02:01 | 1:02:07 | |
My child, you're in great danger. You must get out of Rouen by 8 o'clock tonight. | 1:02:07 | 1:02:13 | |
Yes. | 1:02:13 | 1:02:15 | |
-I've got to get to Paris. -I think I can help you. | 1:02:15 | 1:02:20 | |
-Bonjour, Corinne. -Bonjour, Robert. Ca va? -Ca va. | 1:02:26 | 1:02:30 | |
Come and sit down here. | 1:02:30 | 1:02:33 | |
Right on time. Good girl. | 1:02:33 | 1:02:36 | |
Oh, it's good to see you. | 1:02:36 | 1:02:38 | |
-You're looking tired. -I am. I'm all right, though. | 1:02:38 | 1:02:43 | |
What's the news? In brief, for now. | 1:02:43 | 1:02:46 | |
It's not good. The Rouen group's had it. Three left out of 98, | 1:02:46 | 1:02:52 | |
and I'm not sure of them. | 1:02:52 | 1:02:54 | |
-But you got the viaduct. -What? | 1:02:54 | 1:02:57 | |
The viaduct. It went up last night. | 1:02:57 | 1:03:00 | |
-Didn't you know? -He did it! Darn, he did it! -Blew it sky high with an ammo train on it. | 1:03:00 | 1:03:07 | |
-Oh, that's wonderful! -Let's go and find some lunch. | 1:03:07 | 1:03:12 | |
-When do we go home? Tonight? -Two or three days. Take a look at Paris. | 1:03:15 | 1:03:20 | |
Do some shopping. Or have you done it? | 1:03:20 | 1:03:23 | |
It's the most marvellous dress. I couldn't resist it. Black market. Terribly expensive. | 1:03:23 | 1:03:30 | |
-Where did you get it? -Molyneux. | 1:03:30 | 1:03:33 | |
But that's where the Germans take their girlfriends. | 1:03:33 | 1:03:37 | |
Is it? ..Ohh! | 1:03:37 | 1:03:40 | |
Oh, look! I must get that for Tania. | 1:03:43 | 1:03:46 | |
-But, my dear girl, you're broke. -You said you'd lend me some! -That was in an emergency. -This is! | 1:03:46 | 1:03:53 | |
Why do they let women into the army? Here. Help yourself. | 1:03:53 | 1:03:58 | |
-Thank you. -There's a restaurant. I'll go and get a table. -Yes. I won't be long. | 1:03:59 | 1:04:06 | |
-ETIENNE'S VOICE: -We shall have a girl. Then we will take her with us to Paris | 1:04:17 | 1:04:24 | |
and I shall buy her a pretty dress. | 1:04:24 | 1:04:26 | |
Soon the war will be finished | 1:04:26 | 1:04:29 | |
then we will go together to Notre Dame and give thanks. | 1:04:29 | 1:04:34 | |
End of the journey. | 1:05:41 | 1:05:43 | |
I'm so tired, I could sleep for a week. | 1:05:43 | 1:05:47 | |
Violette... | 1:05:47 | 1:05:49 | |
Enjoy your rest. | 1:05:49 | 1:05:52 | |
-You deserve it. -So do you. | 1:05:52 | 1:05:54 | |
It'll be wonderful to wake up without that tight feeling in the stomach. | 1:05:54 | 1:06:00 | |
We might not get the chance to work together again. | 1:06:00 | 1:06:06 | |
-I hope we won't lose sight of each other. -Of course not. After all we've been through? | 1:06:06 | 1:06:13 | |
You can't get rid of me so easily! | 1:06:14 | 1:06:17 | |
Right, I'll ring you tomorrow morning. | 1:06:17 | 1:06:20 | |
Oh, you're hopeless! | 1:06:20 | 1:06:23 | |
God bless you. | 1:06:23 | 1:06:26 | |
Good night. | 1:06:26 | 1:06:28 | |
Tania. | 1:06:56 | 1:06:58 | |
Darling! | 1:06:58 | 1:07:00 | |
Hello, darling! | 1:07:00 | 1:07:03 | |
Hello. Mummy's back. | 1:07:03 | 1:07:05 | |
Hello, darling! | 1:07:07 | 1:07:09 | |
-Would you like to see the lovely thing I brought for you? -Mm. -Come on, then! | 1:07:09 | 1:07:16 | |
What a good girl! Come on, just for a minute. | 1:07:16 | 1:07:20 | |
-Oh, Violette! -Hello, darling. -Darling! | 1:07:22 | 1:07:26 | |
-Hold on, what about my turn? -Hello, Dad! | 1:07:26 | 1:07:30 | |
-Oh, Vi, I've got so much to ask you. -No questions! -Let's have a cup of tea! | 1:07:30 | 1:07:36 | |
-No sleep tonight! -I've missed you. Have you missed me? -No! -Oh, no! | 1:07:36 | 1:07:41 | |
-She's been as naughty as you used to be! -Dad, can you bring those in? | 1:07:41 | 1:07:46 | |
-Oh, it's lovely to be home. -Well, things haven't changed much. -Sit there, darling. | 1:07:47 | 1:07:54 | |
-I'll open this box and you'll see what I've brought you. -Just like Christmas. -You open that one, Dad. | 1:07:54 | 1:08:01 | |
Now, what have we got here? | 1:08:01 | 1:08:04 | |
Stand up, darling. Let's see if it fits you. | 1:08:04 | 1:08:09 | |
-Oh, it's too big! -No, it isn't. | 1:08:09 | 1:08:12 | |
Never mind. You'll soon grow into it. | 1:08:12 | 1:08:15 | |
Now, Dad. | 1:08:15 | 1:08:17 | |
-This is for you. -Oh, Vi, you shouldn't have done that. | 1:08:17 | 1:08:22 | |
Well, that's just what I needed! | 1:08:22 | 1:08:25 | |
Mum, I've got some perfume for you. | 1:08:27 | 1:08:29 | |
-I know you like it. -What a wonderful surprise! -Dad, could pass that box? | 1:08:29 | 1:08:35 | |
-Yes, here you are. -Thanks. | 1:08:35 | 1:08:39 | |
Well, now, this... | 1:08:39 | 1:08:41 | |
Well, it's... | 1:08:41 | 1:08:44 | |
Oh, it's really beautiful, beautiful! | 1:08:45 | 1:08:48 | |
Only in Paris you could... Oh. | 1:08:48 | 1:08:51 | |
Oh, Mum! | 1:08:52 | 1:08:54 | |
-The boys are coming home tomorrow. -That's grand. | 1:08:54 | 1:08:58 | |
They'll be pleased to see you. I'll get the tea. | 1:08:58 | 1:09:03 | |
It will be the first time we've all been together for so long. | 1:09:07 | 1:09:12 | |
I wonder... Well! We must make the most of it. | 1:09:12 | 1:09:17 | |
BAND PLAYS | 1:09:18 | 1:09:21 | |
Doesn't that dress make you envious? | 1:09:23 | 1:09:26 | |
No, angry. Some people forget there's a war on. | 1:09:26 | 1:09:30 | |
Look who's here! Vi, how lovely! | 1:09:31 | 1:09:35 | |
-Come and have a drink. -Yes, please. -I don't believe it. | 1:09:35 | 1:09:39 | |
-Violette, that dress - if I didn't know better, I'd say it was from Paris. -French from head to toe! | 1:09:41 | 1:09:49 | |
-Bob Mortier - Violette Szabo. -How do you do? | 1:09:51 | 1:09:54 | |
-Would you like to dance? -Thank you. | 1:09:54 | 1:09:57 | |
Oh, no, you don't! This one's mine! | 1:09:57 | 1:10:00 | |
Sorry! | 1:10:00 | 1:10:02 | |
Couldn't miss this one. | 1:10:05 | 1:10:08 | |
-Denise's friend seems nice. -Bob Mortier? Yes, he does. | 1:10:08 | 1:10:13 | |
-Remember the last time we were here? -Yes, I do. | 1:10:14 | 1:10:19 | |
A lot's happened since then. | 1:10:19 | 1:10:22 | |
They were playing this tune. It's been my favourite ever since. | 1:10:22 | 1:10:26 | |
I hope you don't get too fond of it. | 1:10:26 | 1:10:29 | |
No, of course not. All the same, don't shut yourself up in the memory forever. | 1:10:29 | 1:10:36 | |
I know what you mean. | 1:10:38 | 1:10:40 | |
When will the next time be? | 1:10:46 | 1:10:49 | |
There won't be a next time. | 1:10:49 | 1:10:51 | |
-Not for you. -Why not? | 1:10:51 | 1:10:54 | |
Let's sit down. | 1:10:54 | 1:10:57 | |
-Table all ready, sir. -Thank you. | 1:11:00 | 1:11:02 | |
-Listen, you did a magnificent job, but they won't send you in again. -But surely...? | 1:11:02 | 1:11:09 | |
No, it's more dangerous second time. | 1:11:09 | 1:11:12 | |
Well, I don't WANT to go. | 1:11:13 | 1:11:16 | |
-It's not that I... -Tania? Is that it? -Yes. | 1:11:17 | 1:11:22 | |
I don't think I could bear to leave her any more. What about you? | 1:11:22 | 1:11:27 | |
-Will you go again? -That's beside the point. | 1:11:27 | 1:11:31 | |
Not really. | 1:11:31 | 1:11:34 | |
If you went, I should worry about you. | 1:11:34 | 1:11:37 | |
Oddly enough, I find that rather a comforting thought. | 1:11:37 | 1:11:42 | |
-Bob's bought you a drink. -Thanks. | 1:11:44 | 1:11:47 | |
I know it's asking a great deal. | 1:11:49 | 1:11:52 | |
You have every right to say no | 1:11:52 | 1:11:54 | |
but this is a vital operation and we're short of good people. | 1:11:54 | 1:12:00 | |
Well? | 1:12:01 | 1:12:03 | |
-Of course I'll go. -Thank you. | 1:12:07 | 1:12:10 | |
-I think if I could find a replacement... -No. | 1:12:10 | 1:12:14 | |
-But this is a very dangerous mission. -You're trying to get rid of me? | 1:12:14 | 1:12:20 | |
-Oh, no! You want her with you, don't you, Tony? -Yes. | 1:12:20 | 1:12:25 | |
But... | 1:12:25 | 1:12:27 | |
-Yes, I do. -Good. | 1:12:29 | 1:12:32 | |
I can't tell you what your mission will be. In fact, you may not be briefed until the last moment. | 1:12:32 | 1:12:39 | |
You'll operate at Limoges. You'll be dropped by parachute at Susaques. | 1:12:39 | 1:12:44 | |
I want you to go at the next moon. That's round about the 6th of June. Any comment? | 1:12:44 | 1:12:51 | |
Well, that's all for the moment. Forgive me. I have work to do. | 1:12:51 | 1:12:56 | |
-Vera, can I have a word? -Yes. | 1:12:56 | 1:12:59 | |
Well? What is it you want? | 1:12:59 | 1:13:02 | |
-Vera, I've taken your advice and made a will. -Oh. | 1:13:03 | 1:13:08 | |
-Would you look after it for me? -Of course. -Not that there's much. | 1:13:08 | 1:13:13 | |
There's £100 in the bank that Etienne left me, plus my pay. That's for Tania. | 1:13:13 | 1:13:19 | |
-If anything happened to me, would there be a pension? -Yes. | 1:13:19 | 1:13:23 | |
There are a few things for my mother - a bracelet Etienne left me and my wedding and engagement rings. | 1:13:23 | 1:13:32 | |
Well, everything's straight. I'll put this in my drawer till you come back. | 1:13:32 | 1:13:37 | |
Vera... | 1:13:39 | 1:13:41 | |
thanks for everything. | 1:13:41 | 1:13:43 | |
-Good luck, Violette. -Bye-bye. -Bye-bye. | 1:13:43 | 1:13:47 | |
Why do we insist that you do this? | 1:13:57 | 1:13:59 | |
So that...if anything happens to me, I... | 1:14:01 | 1:14:05 | |
-I can't remember the code I've used. -Exactly. So they can't get it out of you. | 1:14:05 | 1:14:11 | |
-What happens if you have to destroy this silk? -I have to use a poem instead. | 1:14:11 | 1:14:18 | |
The enemy know you'll have destroyed this code, so they'll do everything to make you tell them your poem. | 1:14:18 | 1:14:25 | |
If the Germans get your poem, they can transmit to England and endanger the lives of others. | 1:14:25 | 1:14:32 | |
Will you leave us now, Miss Shaw? Yes, sir. | 1:14:32 | 1:14:37 | |
Now, Violette, your poem. | 1:14:43 | 1:14:45 | |
This will only be known by us two. | 1:14:45 | 1:14:48 | |
Yes, I understand. | 1:14:48 | 1:14:50 | |
I have a large selection for you to choose from. They come in all sizes. | 1:14:50 | 1:14:55 | |
-Could I use one that I know? -Certainly, if you remember it well. | 1:14:55 | 1:15:00 | |
-I remember it very well. -Can I hear it? | 1:15:00 | 1:15:04 | |
The life that I have is all that I have | 1:15:07 | 1:15:10 | |
And the life that I have is yours | 1:15:10 | 1:15:13 | |
The love that I have of the life that I have Is yours and yours and yours | 1:15:13 | 1:15:19 | |
A sleep I shall, A rest I shall have, Yet death will be but a pause | 1:15:20 | 1:15:27 | |
For the peace of my years in the long green grass Will be yours and yours and yours. | 1:15:27 | 1:15:35 | |
-You'll never forget that, will you? -No, I'll never forget it. | 1:15:35 | 1:15:40 | |
I'll work something out on that and let you have it. That's settled. | 1:15:40 | 1:15:45 | |
-Here it's considered bad luck to say "good luck", so I'll just say "au revoir". -Au revoir. | 1:15:45 | 1:15:52 | |
Thank you, darling. | 1:16:00 | 1:16:02 | |
Going away again, Mummy? | 1:16:04 | 1:16:06 | |
Just for a little while. I'll be back soon, then we'll have a party and you can wear your lovely dress. | 1:16:06 | 1:16:14 | |
-Take care of yourself, love. -Of course I will. | 1:16:18 | 1:16:22 | |
-When the war's over, I'll start a new career! -What as? | 1:16:27 | 1:16:31 | |
A cat burglar. Climbing walls, opening safes, I know it all. | 1:16:31 | 1:16:36 | |
-Goodbye, Mum. -I WON'T worry. | 1:16:48 | 1:16:52 | |
Goodbye. | 1:17:19 | 1:17:21 | |
# My bonnie lies over the ocean | 1:17:57 | 1:18:01 | |
# Oh, bring back my bonnie to me To me | 1:18:01 | 1:18:07 | |
# Bring back, oh, bring back Oh, bring back... # What's the time? | 1:18:07 | 1:18:13 | |
Five minutes past midnight. | 1:18:14 | 1:18:17 | |
-D-day plus one? -We should be crossing Normandy now. I wonder how they're doing? -We'll soon see. | 1:18:17 | 1:18:25 | |
OK, chaps, let's get ready. | 1:18:30 | 1:18:33 | |
Are you OK, sir? Number two. | 1:18:53 | 1:18:56 | |
We're running up to target. | 1:19:18 | 1:19:20 | |
Action stations! | 1:19:24 | 1:19:26 | |
Container! | 1:19:31 | 1:19:33 | |
One! | 1:19:35 | 1:19:37 | |
Two! | 1:19:42 | 1:19:43 | |
Three! | 1:19:47 | 1:19:50 | |
Voila! | 1:19:53 | 1:19:55 | |
Bien merci. Bon soir. | 1:20:14 | 1:20:17 | |
There's an SS Panzer division approaching from Toulouse. | 1:20:21 | 1:20:26 | |
They should be passing 20 kilometres west of here tomorrow or the day after. | 1:20:26 | 1:20:32 | |
-They will not pass us! -More Germans will be coming up any day now, using every road. | 1:20:32 | 1:20:39 | |
-The other groups? -They will fight. -No random skirmishes. -Each group must know what to do. | 1:20:39 | 1:20:45 | |
Each leader will obey his orders. | 1:20:45 | 1:20:48 | |
-We must get word to each leader immediately. -I could go. | 1:20:48 | 1:20:52 | |
-No, stick by your radio. -Why not send me? | 1:20:52 | 1:20:56 | |
All right. | 1:20:59 | 1:21:01 | |
The group west of here first. Then south, then east. | 1:21:03 | 1:21:07 | |
-I will present her to the leader in the west. -But you're needed here. -I can be back in three hours. | 1:21:07 | 1:21:15 | |
-Make sure you are. We can't carry on without you. -When do we start? | 1:21:15 | 1:21:20 | |
-Tomorrow morning. -I'll prepare the car right away. Georges, Armand, come on. Bon soir. -Bon soir. | 1:21:20 | 1:21:28 | |
-Get madame to rustle up some food. Then we'll work out details. -Right. | 1:21:28 | 1:21:33 | |
-You don't want me to go, do you? -No, I don't. | 1:21:41 | 1:21:45 | |
-I can take care of myself. -I'd rather you didn't have to. | 1:21:47 | 1:21:52 | |
You might look after yourself, too! | 1:21:54 | 1:21:57 | |
Selon la Tour, that is where we cross the main road from the south. | 1:22:12 | 1:22:18 | |
-Through a village? Is that a good idea? -I was born there. They will warn us if Germans are around. | 1:22:18 | 1:22:25 | |
That's all right, then. | 1:22:25 | 1:22:27 | |
That is the house where I was born. | 1:22:30 | 1:22:33 | |
-You see that church tower? -Uh-huh. -I climbed to the top when I was nine. | 1:22:34 | 1:22:41 | |
I liked climbing trees when I was a kid. | 1:22:41 | 1:22:45 | |
I think you are too young and too pretty for this kind of work. | 1:22:45 | 1:22:50 | |
You ought to see me before breakfast! | 1:22:50 | 1:22:54 | |
TOOTS HORN | 1:22:55 | 1:22:58 | |
-Any Germans gone through today? -No. But I have this gun ready if they do. | 1:22:59 | 1:23:05 | |
-Keep your gun to shoot rabbits. -Au revoir. -Au revoir. | 1:23:05 | 1:23:09 | |
Don't look at him. | 1:23:12 | 1:23:16 | |
GUNSHOT | 1:23:17 | 1:23:19 | |
Imbecile! | 1:23:23 | 1:23:25 | |
Vite! A la voiture! | 1:23:37 | 1:23:39 | |
ENGINE WON'T START | 1:23:42 | 1:23:45 | |
Salauds! Finished. | 1:23:51 | 1:23:54 | |
Truck. Truck. | 1:23:56 | 1:23:58 | |
Come on. | 1:24:01 | 1:24:04 | |
Attention! | 1:24:10 | 1:24:12 | |
-Which is the best way out? -I know where there's a car. | 1:24:16 | 1:24:21 | |
Violette. | 1:24:21 | 1:24:23 | |
After them! | 1:24:48 | 1:24:50 | |
-Over to those trees. -But it's so open. -It's the only way to the car. | 1:25:05 | 1:25:10 | |
Ihr ganzen, feuern auf sie zu! | 1:25:17 | 1:25:20 | |
Let's go. | 1:25:21 | 1:25:23 | |
-Are you all right? -Yes. | 1:25:35 | 1:25:37 | |
SHOUTS ORDERS IN GERMAN | 1:25:37 | 1:25:40 | |
The car is gone. | 1:26:03 | 1:26:05 | |
Look. | 1:26:06 | 1:26:08 | |
-You go ahead. I'll cover you. -No, no, we stay together. | 1:26:39 | 1:26:44 | |
-Quickly. -I can't. -It is our last chance. -I can't. | 1:27:48 | 1:27:53 | |
-We must get over the river. -It's my ankle. -I'll carry you. -Don't be a fool. | 1:27:53 | 1:28:00 | |
-I'm not leaving you here, no. -Run! | 1:28:00 | 1:28:03 | |
< GUNSHOTS | 1:28:03 | 1:28:06 | |
Da drueben! | 1:28:31 | 1:28:33 | |
Kommen Sie herueber! | 1:29:19 | 1:29:20 | |
Da ist der Mann im Wasser! | 1:29:32 | 1:29:35 | |
Karl, da vorne, da im Baum! | 1:29:55 | 1:29:57 | |
Halt! Nicht schiessen! | 1:30:48 | 1:30:51 | |
Du Drecksau! | 1:31:23 | 1:31:25 | |
-Ich schneide dir den Hals! -Get off me! | 1:31:29 | 1:31:32 | |
Heben Sie die hoch! | 1:31:35 | 1:31:38 | |
Wo is der Mann? Er ist uber den Fluss entkommen. | 1:31:40 | 1:31:43 | |
You put up a good fight, mademoiselle. | 1:31:43 | 1:31:47 | |
Cigarette? | 1:31:47 | 1:31:50 | |
Well, we shall see. Abfuehren! | 1:31:57 | 1:32:01 | |
Your ankle is getting better? | 1:32:10 | 1:32:12 | |
I hope they are giving you treatment for it. | 1:32:12 | 1:32:16 | |
You Germans are most considerate(!) | 1:32:16 | 1:32:19 | |
Now, Violette... | 1:32:26 | 1:32:28 | |
You see? Already we know who you are. | 1:32:29 | 1:32:32 | |
It's only a question of time before we find out everything. | 1:32:32 | 1:32:36 | |
Tell us what we want to know and we'll guarantee your life and the lives of your friends. | 1:32:36 | 1:32:43 | |
You must think I'm a halfwit. | 1:32:47 | 1:32:50 | |
I'm sorry you choose to be difficult. But I'm used to that. | 1:32:55 | 1:32:59 | |
I'm very patient. | 1:32:59 | 1:33:02 | |
-Don't you realise the British are only making use of you? -I am British. | 1:33:02 | 1:33:08 | |
I thought you were French as your husband was. | 1:33:08 | 1:33:12 | |
I should have you shot right away but I don't want to. | 1:33:14 | 1:33:19 | |
You've a child, haven't you? | 1:33:24 | 1:33:27 | |
What will become of your child, if you die? | 1:33:27 | 1:33:31 | |
Come now, be sensible. | 1:33:32 | 1:33:34 | |
You're young, you're attractive. You're in Paris and the sun is shining. | 1:33:34 | 1:33:40 | |
Would you like some new clothes? | 1:33:43 | 1:33:45 | |
The theatre, perhaps? | 1:33:46 | 1:33:49 | |
Supper at Maxim's? I'd be honoured... | 1:33:50 | 1:33:53 | |
Violette... | 1:34:05 | 1:34:07 | |
..others before you have taken the same attitude. | 1:34:08 | 1:34:12 | |
But not for long. | 1:34:13 | 1:34:15 | |
We will try again tomorrow, madame. | 1:34:18 | 1:34:21 | |
When I came to your cell, you behaved very foolishly. | 1:34:51 | 1:34:56 | |
Here in the Avenue Foch, the change of scene may help you. | 1:34:56 | 1:35:01 | |
Now, when and where were you dropped? | 1:35:01 | 1:35:05 | |
I don't remember. | 1:35:06 | 1:35:09 | |
Who was your commanding officer? | 1:35:11 | 1:35:13 | |
What contacts did you make in France? | 1:35:15 | 1:35:19 | |
I never knew their names. | 1:35:21 | 1:35:23 | |
Violette, you mustn't take us for fools. | 1:35:24 | 1:35:29 | |
-Are you going to go on refusing to answer my questions? -I refuse to tell you anything! | 1:35:29 | 1:35:36 | |
You have only yourself to blame now. | 1:35:37 | 1:35:40 | |
And now, tell me from whom you take your orders. | 1:36:05 | 1:36:09 | |
I'll tell you nothing. | 1:36:21 | 1:36:23 | |
Nothing. | 1:36:24 | 1:36:27 | |
-SAWING -No! No! | 1:36:37 | 1:36:40 | |
How long has she been kept awake? 72 hours. That sort, very uncomfortable. | 1:36:55 | 1:37:02 | |
I'm ready for her. | 1:37:02 | 1:37:04 | |
Not yet, Violette. You cannot sleep yet. | 1:37:12 | 1:37:17 | |
Soon you can sleep. Can you hear me, Violette? | 1:37:17 | 1:37:22 | |
Soon you can sleep. | 1:37:22 | 1:37:24 | |
Sleep... | 1:37:25 | 1:37:28 | |
We know you destroyed your code. | 1:37:28 | 1:37:30 | |
You must tell us your poem. | 1:37:30 | 1:37:33 | |
All we want from you... | 1:37:34 | 1:37:36 | |
before we let you sleep, are the words of your poem. | 1:37:36 | 1:37:41 | |
-Poem... -Open your eyes, Violette, | 1:37:41 | 1:37:45 | |
and tell me your poem, and then you can sleep. | 1:37:45 | 1:37:50 | |
What are the words of your poem? | 1:37:52 | 1:37:55 | |
Tell me and then you can rest. | 1:37:55 | 1:37:58 | |
-'Rest I shall have...' -What kind of poem is it, Violette? | 1:37:58 | 1:38:02 | |
-You can sleep then. -'Sleep I shall have...' | 1:38:02 | 1:38:07 | |
Is it a love poem? | 1:38:07 | 1:38:09 | |
Not a love poem? ..A poem of death? | 1:38:09 | 1:38:13 | |
'Last night, I wrote a little poem about my love for you. | 1:38:13 | 1:38:18 | |
'Sleep I shall have, Rest I shall have... | 1:38:18 | 1:38:23 | |
'Death will be but a pause | 1:38:23 | 1:38:25 | |
'The peace of my years in the long green grass | 1:38:25 | 1:38:30 | |
'Will be yours and yours and yours. | 1:38:30 | 1:38:35 | |
'It's beautiful. | 1:38:35 | 1:38:37 | |
'Now it's my turn. | 1:38:37 | 1:38:40 | |
'Let me say it. I want to say it.' | 1:38:40 | 1:38:42 | |
Now. Now you can tell me your poem. | 1:38:43 | 1:38:47 | |
Now. | 1:38:48 | 1:38:51 | |
I...I...hate you! | 1:38:53 | 1:38:56 | |
-Tell me! -No. -Tell me! -No! No! No! | 1:38:57 | 1:39:00 | |
No. | 1:39:00 | 1:39:03 | |
No. | 1:39:03 | 1:39:05 | |
DOOR CLANKS OPEN | 1:39:26 | 1:39:29 | |
Gehen Sie herein! | 1:39:30 | 1:39:33 | |
Well...here we are. | 1:39:41 | 1:39:43 | |
Well, at least they didn't separate us. | 1:39:43 | 1:39:48 | |
Oh, it's perishing in here. | 1:39:49 | 1:39:51 | |
Be careful. VIOLETTE SOBS | 1:39:51 | 1:39:55 | |
-Vi! -Lily? | 1:39:59 | 1:40:01 | |
Denise? | 1:40:03 | 1:40:05 | |
Oh, don't cry, Vi. Everything will be all right. We're all together again. | 1:40:05 | 1:40:11 | |
Yes, the Allies are near Paris. | 1:40:11 | 1:40:14 | |
In a few days we will be free. | 1:40:14 | 1:40:17 | |
Oh! | 1:40:17 | 1:40:19 | |
Denise. | 1:40:19 | 1:40:22 | |
It's wonderful to be with you again. | 1:40:23 | 1:40:25 | |
Oh, please, don't cry, Vi. | 1:40:25 | 1:40:28 | |
VIOLETTE WEEPS | 1:40:28 | 1:40:31 | |
Any idea where they're taking us? | 1:40:54 | 1:40:56 | |
No idea. | 1:40:58 | 1:41:00 | |
I can't stop thinking about when I opened my eyes and saw you two in the cell. | 1:41:00 | 1:41:06 | |
Remember when Lillian fell out the train up in Scotland? | 1:41:07 | 1:41:12 | |
It took three days to find her. | 1:41:12 | 1:41:14 | |
Poor kid. She's had an awful time. | 1:41:16 | 1:41:18 | |
EXPLOSIONS AND ROAR OF AIRCRAFT | 1:41:20 | 1:41:23 | |
What is it? | 1:41:25 | 1:41:28 | |
It's all right. | 1:41:28 | 1:41:30 | |
-This is our chance to get away. -What about Lillian? -I'll look after her. | 1:41:53 | 1:41:59 | |
All right. | 1:41:59 | 1:42:01 | |
We can get out through that door. | 1:42:07 | 1:42:09 | |
MEN: Water! Water! | 1:42:09 | 1:42:13 | |
MACHINE GUNS RATTLE | 1:42:13 | 1:42:16 | |
-It's our last chance. -Let's give them water. | 1:42:20 | 1:42:24 | |
Here we are, boys. Here we are. | 1:42:40 | 1:42:43 | |
Water! You'll all get some. Careful. | 1:42:43 | 1:42:46 | |
That's enough! You'll all get some. | 1:42:46 | 1:42:49 | |
Next, come on. ..Careful. Take it easy. | 1:42:52 | 1:42:56 | |
Tony! Oh, Tony! | 1:42:59 | 1:43:01 | |
-Get some more. -Violette! -Take it easy. | 1:43:01 | 1:43:05 | |
-What are you doing here? -We're doing YOUR job. | 1:43:09 | 1:43:13 | |
Touch me and I'll report you for leaving us. | 1:43:14 | 1:43:18 | |
'Raus! 'Raus! 'Raus! | 1:43:19 | 1:43:22 | |
Heraus, schnell machen! 'Raus! | 1:43:26 | 1:43:28 | |
I'm sorry I can't get any closer. | 1:44:33 | 1:44:36 | |
Tony, what happened? How did they get you? | 1:44:37 | 1:44:42 | |
A train needed blowing up, I wasn't quick enough and they nabbed me. | 1:44:42 | 1:44:47 | |
-What about you? -Did Jacques get back? | 1:44:47 | 1:44:51 | |
-Yes, thanks to you. -Did the German division get through? -No, they held them up. | 1:44:51 | 1:44:57 | |
Thank God. | 1:44:57 | 1:45:00 | |
Violette...you were at Fresnes, weren't you? | 1:45:00 | 1:45:03 | |
-Did you go to the Avenue Foch? -Tony, don't spoil it. -DID you? | 1:45:04 | 1:45:09 | |
Well, once or twice, but... | 1:45:11 | 1:45:14 | |
they didn't get anything out of me. It wasn't bad. Really it wasn't. | 1:45:14 | 1:45:19 | |
-Oh, God. -You, too? | 1:45:19 | 1:45:22 | |
It doesn't matter now. | 1:45:22 | 1:45:25 | |
We're together again...for a while. | 1:45:25 | 1:45:28 | |
New places...new faces. That's what you said in the Studio Club. | 1:45:30 | 1:45:36 | |
Did I? I'm tired of new places, aren't you? | 1:45:36 | 1:45:40 | |
Darling... | 1:45:45 | 1:45:47 | |
-..if we get out of this... -WHEN we get out! It won't be long, just a few weeks. | 1:45:48 | 1:45:54 | |
I shan't ever let you out of my sight again. | 1:45:54 | 1:45:58 | |
I shan't ever want you to. | 1:45:59 | 1:46:02 | |
Schnell! | 1:46:20 | 1:46:23 | |
Fraulein. Allez! Allez! | 1:46:23 | 1:46:25 | |
< March! | 1:46:38 | 1:46:40 | |
My daughter used to have beautiful hair. | 1:47:10 | 1:47:15 | |
-Face powder! Where did you get it? -Whitewash from the wall in the kitchen. | 1:47:16 | 1:47:22 | |
-But what's the use? -I don't know. It just makes me feel better. | 1:47:22 | 1:47:27 | |
HACKING COUGH | 1:47:28 | 1:47:32 | |
-All right, Lily? -I don't feel too good. | 1:47:37 | 1:47:41 | |
Try and sit up. I'll help you. Come on. Come on. | 1:47:42 | 1:47:47 | |
I can't make it today, Vi. | 1:47:51 | 1:47:54 | |
Look, you've got to try. You mustn't let them see you can't. | 1:47:55 | 1:48:00 | |
'Raus! 'Raus! Heraus! | 1:48:01 | 1:48:05 | |
Du da! 'Raus! | 1:48:06 | 1:48:08 | |
Schnell! ..Bloch, Rolfe, Szabo! | 1:48:13 | 1:48:16 | |
You stay there! Oh, thank God! | 1:48:16 | 1:48:20 | |
Why are we to stay? We are fit for work. | 1:48:22 | 1:48:25 | |
-< You are coming with me. -Where to? | 1:48:25 | 1:48:28 | |
Commandant Suhren's orders. | 1:48:28 | 1:48:31 | |
< Marsch. Marsch, marsch, marsch. | 1:48:31 | 1:48:34 | |
Vi, is this it? | 1:48:40 | 1:48:42 | |
We're all together. | 1:48:48 | 1:48:50 | |
Halt! | 1:49:36 | 1:49:38 | |
"By order of the Fuhrer, | 1:49:52 | 1:49:55 | |
"the three British agents, Denise Bloch, Lillian Rolfe and Violette Szabo, | 1:49:55 | 1:50:02 | |
"are to be shot." ..Bereit machen! | 1:50:02 | 1:50:06 | |
< Bereit machen! | 1:50:06 | 1:50:09 | |
Heil Hitler! | 1:50:09 | 1:50:12 | |
Entstellung! | 1:50:16 | 1:50:18 | |
Laden! | 1:50:29 | 1:50:31 | |
Feuer! | 1:50:38 | 1:50:40 | |
'On the 28th of January 1947, | 1:51:04 | 1:51:06 | |
'Tania put on the dress which Violette had brought back from Paris. | 1:51:06 | 1:51:12 | |
'Now it fitted her. She wore it when she was invited with her grandparents to Buckingham Palace. | 1:51:12 | 1:51:20 | |
'His Majesty King George VI gave Tania the George Cross | 1:51:35 | 1:51:40 | |
'and said, "It is for your mother. Take great care of it. | 1:51:40 | 1:51:44 | |
' "She was a brave woman and you must always be very proud of her." ' | 1:51:44 | 1:51:50 | |
-Hello. -Hello. | 1:52:01 | 1:52:04 | |
-That's a very pretty dress. -It came from Paris. -You've got a medal, too. | 1:52:04 | 1:52:09 | |
-Take care of that. -I'm keeping it for Mummy. | 1:52:09 | 1:52:13 | |
-Hope to see you again soon. -Yes. | 1:52:16 | 1:52:20 | |
The life that I have is all that I have | 1:52:29 | 1:52:33 | |
And the life that I have is yours | 1:52:33 | 1:52:36 | |
The love I have of the life that I have Is yours and yours and yours | 1:52:36 | 1:52:42 | |
A sleep I shall have, A rest I shall have, Yet death will be but a pause | 1:52:42 | 1:52:49 | |
For the peace of my years in the long green grass... | 1:52:49 | 1:52:53 | |
Will be yours... | 1:52:53 | 1:52:56 | |
and yours... | 1:52:56 | 1:52:58 | |
..and yours. | 1:53:00 | 1:53:02 | |
Subtitles by Judith Simpson and Audrey Flynn BBC Scotland 1997 | 1:53:29 | 1:53:34 |