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APPLAUSE Thank you very much, and welcome to To Tell The Truth. | 0:02:57 | 0:03:00 | |
Our first guest - | 0:03:00 | 0:03:01 | |
he's made a career out of being | 0:03:01 | 0:03:03 | |
the most outrageous impostor that we've ever come across on this show, | 0:03:03 | 0:03:06 | |
and you're going to see what I mean. | 0:03:06 | 0:03:08 | |
Number one - what is your name, please? | 0:03:08 | 0:03:11 | |
My name is Frank William Abagnale. | 0:03:11 | 0:03:13 | |
-Number two? -MY name is Frank William Abagnale. | 0:03:13 | 0:03:16 | |
-Number three? -MY name is Frank William Abagnale. | 0:03:16 | 0:03:19 | |
-ANNOUNCER: -From 1964 to 1967, | 0:03:19 | 0:03:22 | |
I successfully impersonated an airline pilot for Pan Am Airways, | 0:03:22 | 0:03:26 | |
and I flew over two million miles for free. | 0:03:26 | 0:03:29 | |
During that time, | 0:03:29 | 0:03:31 | |
I was also the chief resident paediatrician at a Georgia hospital | 0:03:31 | 0:03:34 | |
and an assistant attorney-general for the state of Louisiana. | 0:03:34 | 0:03:38 | |
By the time I was caught, | 0:03:38 | 0:03:39 | |
I was considered the youngest and most daring conman in US history. | 0:03:39 | 0:03:44 | |
I had cashed almost 4 million in fraudulent cheques | 0:03:44 | 0:03:47 | |
in 26 foreign countries and all 50 states. | 0:03:47 | 0:03:50 | |
And I did it all before my 19th birthday. | 0:03:50 | 0:03:53 | |
My name is Frank William Abagnale. | 0:03:53 | 0:03:56 | |
APPLAUSE | 0:03:56 | 0:03:59 | |
So, for the first time, he's going to have to tell the truth | 0:04:01 | 0:04:03 | |
and we're going to start our questioning with Kitty. | 0:04:03 | 0:04:05 | |
Thank you. Number one, why, with all your talent - | 0:04:05 | 0:04:08 | |
and you're obviously a very bright fellow - | 0:04:08 | 0:04:10 | |
why didn't you go in for a legitimate profession? | 0:04:10 | 0:04:13 | |
It was really a question of dollars and cents. | 0:04:13 | 0:04:16 | |
When I was a young man, I needed the money, | 0:04:16 | 0:04:17 | |
and I thought this list of careers was the easiest way to get it. | 0:04:17 | 0:04:20 | |
I see. | 0:04:20 | 0:04:22 | |
Number two, I find this all very fascinating. | 0:04:22 | 0:04:24 | |
-Who was it that finally caught you? -His name was Carl Hanratty. | 0:04:24 | 0:04:29 | |
-STRONG FRENCH ACCENT: -Ratty? | 0:04:29 | 0:04:31 | |
-ALL IMITATE: -Ratty? -Hanratty! | 0:04:31 | 0:04:33 | |
-ALL: -Ratty! -Hanratty! | 0:04:33 | 0:04:36 | |
SLOWLY: I...am... Carl Hanratty. | 0:04:36 | 0:04:40 | |
OK? The FBI from the United States of America. | 0:04:40 | 0:04:44 | |
-ALL: -Oui. Oui. | 0:04:44 | 0:04:46 | |
I have orders to see the American prisoner Abagnale. | 0:04:46 | 0:04:49 | |
ALL ARGUE IN FRENCH | 0:04:49 | 0:04:51 | |
You sit here. | 0:05:17 | 0:05:20 | |
You do not open the door. | 0:05:20 | 0:05:23 | |
You do not pass him anything through the hole. | 0:05:23 | 0:05:28 | |
HE SPEAKS FRENCH | 0:05:33 | 0:05:35 | |
COUGHING | 0:05:36 | 0:05:38 | |
Oh, great. | 0:05:38 | 0:05:40 | |
COUGHS VIOLENTLY | 0:05:40 | 0:05:42 | |
THUNDER RUMBLES, WATER DRIPS | 0:05:45 | 0:05:48 | |
COUGHING | 0:05:55 | 0:05:58 | |
You know, I got a little bit of a cold myself. | 0:06:00 | 0:06:02 | |
COUGHS AND RETCHES | 0:06:02 | 0:06:03 | |
Frank, I'm here to read the articles of extradition | 0:06:03 | 0:06:06 | |
according to the European Court for Human Rights. | 0:06:06 | 0:06:09 | |
Article 1. "Extradition shall be granted in respect of all offences | 0:06:09 | 0:06:12 | |
"punishable under laws of deprivation of liberty and a detention order | 0:06:12 | 0:06:15 | |
"for the maximum period of at least one year of a severe penalty." | 0:06:15 | 0:06:18 | |
Help me. | 0:06:18 | 0:06:20 | |
Frank, stop it. | 0:06:20 | 0:06:23 | |
Help me. | 0:06:23 | 0:06:25 | |
You don't think you actually can fool me, do you? | 0:06:25 | 0:06:27 | |
COUGHS VIOLENTLY | 0:06:27 | 0:06:30 | |
16 pages to go. Stay with me. | 0:06:30 | 0:06:32 | |
Article 2. | 0:06:32 | 0:06:34 | |
READS RAPIDLY: "If the request for extradition includes..." | 0:06:34 | 0:06:37 | |
CONTINUES READING RAPIDLY | 0:06:37 | 0:06:38 | |
Frank. | 0:06:41 | 0:06:43 | |
Frank? | 0:06:45 | 0:06:46 | |
Get me a doctor in here! | 0:06:48 | 0:06:50 | |
-I need a doctor! -Yes. | 0:06:50 | 0:06:52 | |
Doctor, now! | 0:06:52 | 0:06:53 | |
Don't sweat it, Frank. We're going to get you right to a doctor. | 0:06:53 | 0:06:56 | |
MEN SPEAK IN FRENCH | 0:06:56 | 0:06:58 | |
Frank, if you can hear me, don't worry - | 0:07:00 | 0:07:02 | |
I'm going to take you home in the morning. | 0:07:02 | 0:07:04 | |
Home in the morning, Frank. | 0:07:04 | 0:07:05 | |
What are you doing? | 0:07:09 | 0:07:11 | |
Washing off the lice. | 0:07:11 | 0:07:12 | |
This man has to be on a plane for America. He has to see a doctor. | 0:07:12 | 0:07:15 | |
The doctor comes in tomorrow. | 0:07:15 | 0:07:17 | |
I have worked too long, too hard for you to take this away from me. | 0:07:17 | 0:07:20 | |
If he dies, I'm holding you responsible. | 0:07:20 | 0:07:22 | |
Monsieur! | 0:07:29 | 0:07:31 | |
ALL EXCLAIM IN FRENCH | 0:07:32 | 0:07:35 | |
Oh, Frank. | 0:07:35 | 0:07:36 | |
ALARM BLARES ALL CHEER | 0:07:36 | 0:07:39 | |
COUGHS VIOLENTLY | 0:07:42 | 0:07:44 | |
PRISONERS CHEER AND WHISTLE | 0:07:44 | 0:07:46 | |
OK, Carl. | 0:08:17 | 0:08:18 | |
Let's go home. | 0:08:18 | 0:08:21 | |
-MAN: -The New Rochelle Rotary Club | 0:08:22 | 0:08:23 | |
has a history that goes back to 1919. | 0:08:23 | 0:08:27 | |
In all those years, we've only seen a handful of deserving gentlemen | 0:08:27 | 0:08:32 | |
inducted as lifetime members. | 0:08:32 | 0:08:35 | |
It's an honour that has seen | 0:08:35 | 0:08:38 | |
57 names enshrined on the wall of honour, | 0:08:38 | 0:08:41 | |
and tonight we make it 58. | 0:08:41 | 0:08:44 | |
So, please stand as I present my very good friend - | 0:08:44 | 0:08:48 | |
a man who keeps our pencils sharp... and our pens in ink. | 0:08:48 | 0:08:53 | |
Frank William Abagnale! | 0:08:53 | 0:08:55 | |
I stand here humbled by the presence of Mayor Robert Wagner. | 0:09:14 | 0:09:19 | |
And our club president, Jack Barnes. | 0:09:23 | 0:09:26 | |
APPLAUSE | 0:09:26 | 0:09:29 | |
Most of all, I'm honoured to see my loving wife, Paula... | 0:09:31 | 0:09:34 | |
..and my son, Frank Jr... | 0:09:37 | 0:09:40 | |
Frank... | 0:09:40 | 0:09:42 | |
..sitting in the front row. SCATTERED LAUGHTER | 0:09:47 | 0:09:50 | |
Two little mice fell in a bucket of cream. | 0:09:54 | 0:09:58 | |
The first mouse quickly gave up and drowned. | 0:09:58 | 0:10:02 | |
The second mouse wouldn't quit. | 0:10:02 | 0:10:06 | |
He struggled so hard that eventually he churned that cream into butter | 0:10:06 | 0:10:12 | |
and crawled out. | 0:10:12 | 0:10:14 | |
Gentlemen, as of this moment, I am that second mouse. | 0:10:14 | 0:10:18 | |
MUSIC: Embraceable You by Judy Garland | 0:10:29 | 0:10:32 | |
-PAULA: -You're a better dancer than your father, Frankie. | 0:10:34 | 0:10:37 | |
-You hear that, Daddy? -FRANK SR: Like fun! | 0:10:37 | 0:10:39 | |
The girls don't know what they're in for. | 0:10:39 | 0:10:41 | |
Show him the dance you were doing when we met. | 0:10:41 | 0:10:43 | |
Oh, who can remember? | 0:10:43 | 0:10:45 | |
The people in that little French village | 0:10:45 | 0:10:47 | |
were so happy to see Americans. | 0:10:47 | 0:10:49 | |
They decided to put on a show for us. | 0:10:49 | 0:10:52 | |
-So, they crammed... -Yeah, we know the story, Daddy. | 0:10:52 | 0:10:55 | |
..into that tiny social hall, | 0:10:55 | 0:10:58 | |
and the first person to walk onstage is your mother, | 0:10:58 | 0:11:01 | |
and she starts to dance. | 0:11:01 | 0:11:03 | |
You know, it had been months since we'd even seen a woman. | 0:11:03 | 0:11:07 | |
Here's this blonde angel. | 0:11:07 | 0:11:09 | |
-Blonde bombshell. -GIGGLES | 0:11:09 | 0:11:12 | |
And the men are literally holding their breath. | 0:11:12 | 0:11:15 | |
Holding their breath for you. | 0:11:15 | 0:11:17 | |
-You hear that? -LAUGHS | 0:11:17 | 0:11:18 | |
And I turned to my buddies and I said... | 0:11:18 | 0:11:22 | |
"I will not leave France without her." | 0:11:22 | 0:11:24 | |
And I didn't. | 0:11:24 | 0:11:25 | |
You didn't. | 0:11:25 | 0:11:27 | |
I didn't. | 0:11:27 | 0:11:29 | |
Oh! Oh, shit, the rug. | 0:11:30 | 0:11:32 | |
-Oh, Mom. -I can't believe I did that. | 0:11:32 | 0:11:34 | |
No, no, it's nothing, it's nothing. | 0:11:34 | 0:11:35 | |
-Oh, Frankie! Frankie, get a towel. -Yeah. | 0:11:35 | 0:11:37 | |
Come on! | 0:11:37 | 0:11:39 | |
Dance with me, Paula. | 0:11:42 | 0:11:44 | |
SIGHS AND GIGGLES | 0:11:47 | 0:11:48 | |
Whenever I dance for you, I get in trouble. | 0:11:55 | 0:11:58 | |
Oh! | 0:12:08 | 0:12:10 | |
Frank, wake up! Come on, let's go! | 0:12:12 | 0:12:14 | |
Get up! Come on, come on! | 0:12:14 | 0:12:15 | |
Frank, wake up. | 0:12:15 | 0:12:17 | |
-SLEEPILY: -Dad... | 0:12:17 | 0:12:19 | |
You don't have to go to school today. It's OK. | 0:12:19 | 0:12:21 | |
Why? Is it snowing? | 0:12:21 | 0:12:23 | |
Do you have a black suit? | 0:12:23 | 0:12:25 | |
Oh, I overslept again, huh? | 0:12:25 | 0:12:26 | |
We have a very important meeting in the city. | 0:12:26 | 0:12:28 | |
Here, eat that. Come on, come on! | 0:12:28 | 0:12:31 | |
FRANK SR: Ma'am, open up! Just open up, please! | 0:12:31 | 0:12:33 | |
-FRANK JR: -Ma'am! | 0:12:33 | 0:12:34 | |
Oh, gosh! | 0:12:34 | 0:12:36 | |
-We don't open for half an hour. -Open the door, please. | 0:12:36 | 0:12:38 | |
Just open the door. It's important. | 0:12:38 | 0:12:40 | |
I'm sorry - we don't open for half an hour. | 0:12:40 | 0:12:42 | |
-What's your name, ma'am? -Darcy. | 0:12:42 | 0:12:44 | |
Darcy. That's a pretty name. | 0:12:44 | 0:12:45 | |
I'm in a bit of a fix. I need a suit for my kid. This is my son, Frank. | 0:12:45 | 0:12:49 | |
-Oh, hi. -He needs a black suit. | 0:12:49 | 0:12:51 | |
-Black suit? -There was a death in the family. | 0:12:51 | 0:12:53 | |
-My father - 85 years old, war hero. -Yeah? | 0:12:53 | 0:12:56 | |
There's a funeral this afternoon, military funeral. | 0:12:56 | 0:12:59 | |
Planes flying overhead, 21-gun salute. | 0:12:59 | 0:13:01 | |
Jeez. | 0:13:01 | 0:13:03 | |
Frank needs to borrow a suit for a couple of hours. | 0:13:03 | 0:13:05 | |
I'm sorry. We don't loan suits and we're not open. | 0:13:05 | 0:13:07 | |
Darcy. Darcy, please, come back. SHE SIGHS | 0:13:07 | 0:13:11 | |
Darcy, is this yours? | 0:13:11 | 0:13:13 | |
I just found it in the parking lot. | 0:13:19 | 0:13:21 | |
Uh-huh. | 0:13:21 | 0:13:23 | |
It must have slipped right off your neck. | 0:13:23 | 0:13:25 | |
TYRES SCREECH | 0:13:27 | 0:13:29 | |
FRANK SR: Don't hit the kerb! | 0:13:29 | 0:13:30 | |
Now, get out, walk around the back and hold the door open for me. | 0:13:35 | 0:13:38 | |
All right. What's next? | 0:13:48 | 0:13:50 | |
OK, stop grinning. | 0:13:50 | 0:13:51 | |
When I get inside, you go back to the front seat and wait. | 0:13:51 | 0:13:55 | |
Even if a cop comes and writes you a ticket, | 0:13:55 | 0:13:57 | |
you don't move the car, understood? | 0:13:57 | 0:13:59 | |
Dad, what's all this for? | 0:13:59 | 0:14:01 | |
You know why the Yankees always win, Frank? | 0:14:01 | 0:14:03 | |
Cos they have Mickey Mantle? | 0:14:03 | 0:14:04 | |
No, it's cos the other teams | 0:14:04 | 0:14:06 | |
can't stop staring at those damn pinstripes. | 0:14:06 | 0:14:08 | |
Watch this. | 0:14:08 | 0:14:10 | |
The manager of Chase Manhattan Bank | 0:14:10 | 0:14:12 | |
is about to open the door for your father. | 0:14:12 | 0:14:14 | |
Mr Abagnale, we don't usually loan money | 0:14:17 | 0:14:21 | |
to people who have unresolved business with the IRS. | 0:14:21 | 0:14:24 | |
That's a misunderstanding. I hired the wrong guy to do my books. | 0:14:24 | 0:14:27 | |
A mistake - anybody could make it. | 0:14:27 | 0:14:29 | |
I just need you guys to help me weather the storm. | 0:14:29 | 0:14:32 | |
Sir, you're being investigated by the government for tax fraud. | 0:14:32 | 0:14:35 | |
My store is a landmark in New Rochelle. | 0:14:35 | 0:14:37 | |
I have customers all over New York. | 0:14:37 | 0:14:39 | |
Well, you're not a customer at Chase Manhattan. We don't know you. | 0:14:39 | 0:14:43 | |
I'm sure your bank in New Rochelle, they know you. | 0:14:43 | 0:14:45 | |
-They can help you out. -My bank went out of business. | 0:14:45 | 0:14:47 | |
Banks like this one put them out of business. | 0:14:47 | 0:14:49 | |
Now, I know I made a mistake - | 0:14:49 | 0:14:51 | |
I admit that - but these people want blood. | 0:14:51 | 0:14:54 | |
They want my store. They've threatened to put me in jail. | 0:14:54 | 0:14:58 | |
This is America, right? I'm not a criminal. | 0:14:58 | 0:15:01 | |
I'm a Medal of Honor winner, | 0:15:01 | 0:15:02 | |
a lifetime member of the New Rochelle Rotary Club. | 0:15:02 | 0:15:05 | |
All I'm asking is for you to help me beat these guys. | 0:15:05 | 0:15:08 | |
It's not a question of winning and losing. It's a question of risk. | 0:15:08 | 0:15:12 | |
You're the largest bank in the world. | 0:15:12 | 0:15:15 | |
Where's the...? | 0:15:15 | 0:15:16 | |
Where's the risk? | 0:15:16 | 0:15:18 | |
Dad, how could you just let 'em take our car like that? | 0:15:24 | 0:15:26 | |
He didn't take anything. We took HIM. | 0:15:26 | 0:15:28 | |
He overpaid by 500. | 0:15:28 | 0:15:30 | |
Come on, Frank. Let's return the suit. | 0:15:30 | 0:15:33 | |
SHE SOBS | 0:15:34 | 0:15:35 | |
This place is good. | 0:15:42 | 0:15:43 | |
It's small, but, you know, it's going to be a lot less work, | 0:15:43 | 0:15:47 | |
a lot less work for you. | 0:15:47 | 0:15:49 | |
Hey, Dad. | 0:16:10 | 0:16:12 | |
Hi. | 0:16:12 | 0:16:13 | |
Where's your mother? | 0:16:17 | 0:16:19 | |
I don't know. | 0:16:19 | 0:16:21 | |
She said something about going to look for a job. | 0:16:21 | 0:16:25 | |
What's she going to be - a shoe salesman at a centipede farm? | 0:16:26 | 0:16:30 | |
What are you doing? | 0:16:34 | 0:16:36 | |
You want some pancakes? | 0:16:38 | 0:16:40 | |
For dinner, on my son's 16th birthday? | 0:16:40 | 0:16:43 | |
We're not going to eat pancakes! | 0:16:43 | 0:16:45 | |
Why are you looking at me like that? You thought I'd forgotten? | 0:16:47 | 0:16:51 | |
I didn't think you forgot. | 0:16:51 | 0:16:53 | |
I opened a chequing account in your name. | 0:16:53 | 0:16:56 | |
I put 25 in the account so you can buy whatever you want. | 0:16:56 | 0:16:59 | |
-Don't tell your mother. -I won't. | 0:16:59 | 0:17:02 | |
Thanks, Dad. | 0:17:02 | 0:17:03 | |
Didn't the bank turn you down for a loan, though? | 0:17:03 | 0:17:06 | |
Yes, they all turned me down. | 0:17:06 | 0:17:08 | |
Then why are you opening a banking account? | 0:17:08 | 0:17:11 | |
Because one day you'll want something from these people - a house, a car. | 0:17:11 | 0:17:16 | |
They have all the money. | 0:17:16 | 0:17:18 | |
There's 50 cheques there, Frank, which means from this day on... | 0:17:22 | 0:17:27 | |
..you're in their little club. | 0:17:29 | 0:17:30 | |
I'm in their little club. | 0:17:31 | 0:17:33 | |
You got that, you got it all. | 0:17:34 | 0:17:36 | |
It's even got my name there, huh? | 0:17:36 | 0:17:39 | |
To the moon. | 0:17:40 | 0:17:41 | |
To the moon! | 0:17:41 | 0:17:44 | |
To the moon. | 0:17:44 | 0:17:46 | |
BELLS CHIME | 0:17:46 | 0:17:48 | |
See that? It's just a school. No different than Westburn. | 0:17:54 | 0:17:58 | |
Ma, you said you were going to quit. | 0:17:58 | 0:18:02 | |
Frankie, you don't have to wear the uniform here. | 0:18:06 | 0:18:09 | |
Why don't you take off your jacket? | 0:18:09 | 0:18:12 | |
I'm used to it. | 0:18:12 | 0:18:14 | |
-Excuse me. -Oh, yes? | 0:18:19 | 0:18:20 | |
Do you know where room 17 French is? | 0:18:20 | 0:18:22 | |
Yeah, it's... | 0:18:22 | 0:18:24 | |
BOTH SNIGGER | 0:18:24 | 0:18:25 | |
BELL RINGS | 0:18:30 | 0:18:32 | |
You selling encyclopaedias? | 0:18:38 | 0:18:39 | |
Yeah, he looks like a substitute teacher. | 0:18:39 | 0:18:42 | |
GIRLS GIGGLE NOISILY Quiet down, people! | 0:18:56 | 0:18:59 | |
My name is Mr Abagnale. | 0:18:59 | 0:19:01 | |
That's A-big-nail - | 0:19:01 | 0:19:03 | |
not A-big-nah-lee, not A-big-naily, | 0:19:03 | 0:19:06 | |
but ABAGNALE. | 0:19:06 | 0:19:08 | |
Will somebody please tell me where you left off in your textbooks? | 0:19:08 | 0:19:11 | |
Excuse me, people - if I need to ask again, | 0:19:13 | 0:19:15 | |
I'm going to write up the entire class! Take your seats! | 0:19:15 | 0:19:18 | |
Chapter seven. | 0:19:22 | 0:19:24 | |
Will you please open your textbooks to chapter eight | 0:19:24 | 0:19:26 | |
and we'll get started? | 0:19:26 | 0:19:28 | |
-Excuse me - what's your name? -Brad. | 0:19:29 | 0:19:32 | |
Brad, why don't you get up here in front of the class here | 0:19:32 | 0:19:35 | |
and read conversation number five. | 0:19:35 | 0:19:37 | |
READS BADLY IN FRENCH | 0:19:42 | 0:19:45 | |
ALL LAUGH | 0:19:46 | 0:19:49 | |
They sent for me. They said they needed a sub for Roberta. | 0:19:51 | 0:19:55 | |
I came all the way from Dixon. | 0:19:55 | 0:19:58 | |
Well, I always sub for Roberta. | 0:19:58 | 0:20:01 | |
Excuse me - why aren't you reading? | 0:20:01 | 0:20:03 | |
BRAD CONTINUES READING | 0:20:03 | 0:20:04 | |
I'll never come back to Bellamy Jefferson again. | 0:20:04 | 0:20:08 | |
You tell them not to call me! | 0:20:08 | 0:20:10 | |
What - do they think it's easy for a woman my age? | 0:20:10 | 0:20:12 | |
And all the money that it costs to travel! | 0:20:12 | 0:20:14 | |
I tell you, they don't give a damn! | 0:20:14 | 0:20:15 | |
Mr and Mrs Abagnale, this is not a question of your son's attendance. | 0:20:15 | 0:20:20 | |
I regret to inform you that for the past week, | 0:20:20 | 0:20:23 | |
Frank has been teaching Mrs Glasser's French class. | 0:20:23 | 0:20:27 | |
He what? | 0:20:28 | 0:20:29 | |
Your son has been pretending to be a substitute teacher - | 0:20:29 | 0:20:34 | |
lecturing the students, giving out homework. | 0:20:34 | 0:20:37 | |
Mrs Glasser has been ill and there was some confusion with the real sub. | 0:20:37 | 0:20:42 | |
Your son held a teacher-parent conference yesterday | 0:20:43 | 0:20:47 | |
and was planning a class field trip | 0:20:47 | 0:20:49 | |
to a French bread factory in Trenton. | 0:20:49 | 0:20:52 | |
Do you see the problem we have? | 0:20:52 | 0:20:55 | |
Mrs Davenport, I have a note to miss fifth and sixth period today. | 0:20:57 | 0:21:00 | |
-Doctor's appointment. -One moment. I'll be right with you. | 0:21:00 | 0:21:03 | |
(Hey.) | 0:21:04 | 0:21:05 | |
-(You should fold it.) -What? | 0:21:05 | 0:21:08 | |
That note. It's a fake, right? You should fold it. | 0:21:08 | 0:21:11 | |
It's a note from my mom. I have a doctor's appointment. | 0:21:11 | 0:21:14 | |
Yeah, but there's no crease in the paper. | 0:21:14 | 0:21:17 | |
When your mom hands you a note to miss school, | 0:21:17 | 0:21:19 | |
the first thing you do is you fold it and you put it in your pocket. | 0:21:19 | 0:21:22 | |
I mean, if it's real, where's the crease? | 0:21:22 | 0:21:24 | |
BELL RINGS | 0:21:30 | 0:21:32 | |
Oh, Frankie. | 0:21:34 | 0:21:36 | |
-Ma, I'm home! -ROMANTIC MUSIC PLAYS | 0:21:50 | 0:21:52 | |
You remember that girl Joanna I was telling you about? | 0:21:55 | 0:21:58 | |
I asked her out today. | 0:21:58 | 0:22:01 | |
I think we're going to go to the junior prom. | 0:22:01 | 0:22:03 | |
-NEEDLE SCRATCHES RECORD -Ma, is this my driver's licence? | 0:22:05 | 0:22:07 | |
That's all there is - two bedrooms. | 0:22:07 | 0:22:09 | |
Oh, Frankie. | 0:22:09 | 0:22:11 | |
You remember Dad's friend? | 0:22:11 | 0:22:14 | |
Jack Barnes. From the club. | 0:22:14 | 0:22:17 | |
-Hello. -He came by looking for your father. | 0:22:17 | 0:22:19 | |
I was giving him a tour of the apartment. | 0:22:19 | 0:22:22 | |
It's very, er...er, spacious, Paula. | 0:22:22 | 0:22:25 | |
Dad's at the store. | 0:22:30 | 0:22:31 | |
So, Frank... | 0:22:32 | 0:22:35 | |
you're getting to look more like your old man every day. | 0:22:35 | 0:22:37 | |
Thanks for the sandwich, Paula. | 0:22:41 | 0:22:42 | |
-I'll see you later, huh? -Wait. | 0:22:42 | 0:22:46 | |
Is this yours? | 0:22:50 | 0:22:52 | |
Oh. | 0:22:52 | 0:22:54 | |
Well, thanks, Frank. That's the president's pin. | 0:22:55 | 0:22:58 | |
I'd be in deep trouble if I lost that. | 0:22:58 | 0:23:01 | |
I'll see you all later, huh? | 0:23:08 | 0:23:09 | |
Are you hungry, Frankie? | 0:23:19 | 0:23:20 | |
I'll make you a sandwich. | 0:23:20 | 0:23:22 | |
Jack wanted to talk business with your father. | 0:23:31 | 0:23:33 | |
He thinks we should get a lawyer and sue the government. | 0:23:33 | 0:23:37 | |
It is not legal, what they're doing to us. | 0:23:39 | 0:23:41 | |
Why aren't you saying anything? | 0:23:44 | 0:23:46 | |
You're not going to tell him, are you? | 0:23:53 | 0:23:56 | |
No. | 0:23:56 | 0:23:59 | |
That's right. There's nothing to tell. | 0:23:59 | 0:24:02 | |
I'm going out for a few hours | 0:24:02 | 0:24:05 | |
to visit some old friends from the tennis club | 0:24:05 | 0:24:07 | |
and when I get home, we'll all have dinner together, right? | 0:24:07 | 0:24:13 | |
But you won't say anything, because it's...it's just silly, isn't it? | 0:24:13 | 0:24:18 | |
How could we sue anybody? | 0:24:18 | 0:24:20 | |
Oh... | 0:24:24 | 0:24:25 | |
do you need some money, Frankie? | 0:24:25 | 0:24:28 | |
A few dollars to buy some...record albums? | 0:24:28 | 0:24:32 | |
Here. Take 5. | 0:24:32 | 0:24:34 | |
Oh, 10. | 0:24:34 | 0:24:36 | |
You promised you were going to quit. | 0:24:42 | 0:24:45 | |
Ma, I'm home. | 0:25:03 | 0:25:05 | |
DOOR OPENS | 0:25:15 | 0:25:17 | |
Hey, hey! | 0:25:19 | 0:25:20 | |
Look, you - you stay away from her, you hear me? | 0:25:20 | 0:25:22 | |
I don't know who you are, but if you ever come back here again... | 0:25:22 | 0:25:25 | |
Frank! Frank! Frank, calm down, will you? I'm Dick Kesner. | 0:25:25 | 0:25:28 | |
Now, I want you to leave your things here, | 0:25:28 | 0:25:30 | |
follow me into the next room, OK? They're all waiting for you. | 0:25:30 | 0:25:34 | |
PAULA: You don't have to be scared. | 0:25:37 | 0:25:38 | |
I'm right here, Frank. I'll always be here. | 0:25:38 | 0:25:41 | |
But there are laws. Everything in this country has to be legal. | 0:25:41 | 0:25:45 | |
So what we need to do is make some decisions. | 0:25:45 | 0:25:48 | |
That's what Mr Kesner is here for. | 0:25:48 | 0:25:49 | |
Many times these decisions are left up to the courts, | 0:25:49 | 0:25:52 | |
but that can be very expensive, Frank, | 0:25:52 | 0:25:54 | |
-people fighting over their children. -Nobody's fighting. | 0:25:54 | 0:25:56 | |
Look at me, Frank. Nobody's fighting. | 0:25:56 | 0:25:59 | |
SPEAKS FRENCH | 0:25:59 | 0:26:01 | |
SHE REPLIES IN FRENCH | 0:26:01 | 0:26:04 | |
Dad, what's going on? | 0:26:04 | 0:26:05 | |
Do you remember your grandma, Eve? She arrived this morning. | 0:26:07 | 0:26:11 | |
-Bonjour. -Hello. | 0:26:11 | 0:26:13 | |
SPEAKS FRENCH | 0:26:13 | 0:26:15 | |
Allez, Maman. | 0:26:19 | 0:26:20 | |
Do you understand what we're saying to you, Frank? | 0:26:22 | 0:26:25 | |
Your father and I... are getting a divorce. | 0:26:26 | 0:26:30 | |
SPEAKS FRENCH | 0:26:30 | 0:26:33 | |
Nothing's going to change. We're still going to see each other. | 0:26:33 | 0:26:35 | |
Oh, stop it, please, Frank. Don't interrupt. | 0:26:35 | 0:26:37 | |
Frank, you don't have to read all of this. | 0:26:37 | 0:26:39 | |
Most of it's for your parents - boring adult business - | 0:26:39 | 0:26:41 | |
but this paragraph right here, this IS important, | 0:26:41 | 0:26:44 | |
because it states who you are going to live with... | 0:26:44 | 0:26:47 | |
after the divorce. | 0:26:47 | 0:26:50 | |
Whose custody you will be in. | 0:26:50 | 0:26:51 | |
And there's a blank space right here. | 0:26:51 | 0:26:54 | |
MUTTERS IN FRENCH | 0:26:54 | 0:26:56 | |
Now, I want you to go into the kitchen, sit at the table, | 0:26:56 | 0:26:58 | |
and put a name down. | 0:26:58 | 0:27:00 | |
You can take as long as you want, | 0:27:00 | 0:27:02 | |
but when you come back into this room, | 0:27:02 | 0:27:03 | |
I want to see a name on that line. | 0:27:03 | 0:27:05 | |
Frank, just write down a name. | 0:27:05 | 0:27:08 | |
This will all be over. It's going to be OK. | 0:27:08 | 0:27:11 | |
What name? | 0:27:11 | 0:27:12 | |
Your mother or your father. | 0:27:12 | 0:27:14 | |
Just put the name there - it's as simple as that. | 0:27:14 | 0:27:17 | |
And don't look so scared. It's not a test. | 0:27:17 | 0:27:20 | |
There's no wrong answer. | 0:27:20 | 0:27:22 | |
Hi. | 0:27:35 | 0:27:37 | |
One ticket to Grand Central, please. | 0:27:37 | 0:27:39 | |
That'll be 3.50, sir. | 0:27:39 | 0:27:40 | |
Is it OK if I write you a cheque? | 0:27:42 | 0:27:44 | |
Carl, when do I get to call my father? | 0:27:49 | 0:27:52 | |
You can call him when we get to New York. | 0:27:52 | 0:27:55 | |
We leave for the airport in seven hours. | 0:27:55 | 0:27:58 | |
Until then, just sit there. Be quiet. | 0:27:58 | 0:28:01 | |
You know, Carl, on the other side of the hotel, they got suites that face the park. | 0:28:01 | 0:28:06 | |
It's the best room the FBI can afford. | 0:28:07 | 0:28:10 | |
That's OK. I've stayed in worse. | 0:28:13 | 0:28:15 | |
Mr Mertrick. Mr Mertrick, please! You have to listen to me! | 0:28:15 | 0:28:17 | |
I don't want to hear your story. This is two cheques that bounced. | 0:28:17 | 0:28:21 | |
You know how much trouble I'm in. | 0:28:21 | 0:28:23 | |
No, but listen. I'll telling you, the bank, THEY made the mistake. | 0:28:23 | 0:28:25 | |
I'll write you another cheque right now. | 0:28:25 | 0:28:27 | |
What - do I look like I was born yesterday? | 0:28:27 | 0:28:29 | |
Look, it's midnight, Mr Mertrick. Where am I going to go?! | 0:28:29 | 0:28:32 | |
You're a goddamn kid. Go HOME. | 0:28:32 | 0:28:35 | |
I mean, I hope you understand. | 0:29:20 | 0:29:22 | |
My boss sent me to Brooklyn, then Queens. | 0:29:22 | 0:29:24 | |
Now he wants me in Long Island | 0:29:24 | 0:29:25 | |
to take a few clients out for a night on the town. | 0:29:25 | 0:29:28 | |
I'm sorry, but we're not allowed to cash cheques from other banks. | 0:29:28 | 0:29:31 | |
How would we know if they're any good? | 0:29:31 | 0:29:33 | |
What did you say your name was? | 0:29:33 | 0:29:34 | |
-Ashley. -Ashley. | 0:29:34 | 0:29:36 | |
You know what I found on the sidewalk out there? | 0:29:36 | 0:29:38 | |
Must have slipped right off your neck. | 0:29:44 | 0:29:46 | |
Is there something I can help you with, son? | 0:29:50 | 0:29:53 | |
Well, you see, it's my grandmother's birthday next week | 0:29:53 | 0:29:56 | |
and I want to get her something extra special. | 0:29:56 | 0:29:58 | |
Please? I mean, it's my midterm next week and my books were stolen. | 0:29:58 | 0:30:01 | |
COUGHS AND SPLUTTERS | 0:30:01 | 0:30:03 | |
Please, it's just 5. No-one would have to know. | 0:30:03 | 0:30:06 | |
I'm sorry, BUT we are not allowed to take cheques | 0:30:06 | 0:30:09 | |
from people we don't know. | 0:30:09 | 0:30:12 | |
ALL LAUGH | 0:30:39 | 0:30:41 | |
Pleasure to have you back, Captain Carlson. | 0:30:51 | 0:30:53 | |
What do you think, Angelo? The tomatoes are ripe this afternoon! | 0:30:53 | 0:30:57 | |
-What have we here? -May I have your autograph? | 0:31:04 | 0:31:06 | |
-You betcha! -Can I have your autograph, too? | 0:31:06 | 0:31:09 | |
-You want to be a pilot? -Mm-hm. | 0:31:09 | 0:31:10 | |
All right, there you go. Work hard in school. | 0:31:10 | 0:31:13 | |
FRANK JR: Dear Dad, I have decided to become an airline pilot. | 0:31:13 | 0:31:17 | |
I have applied to all the big airlines | 0:31:17 | 0:31:19 | |
and I have several promising interviews lined up. | 0:31:19 | 0:31:22 | |
How's Mom? Have you called her lately? | 0:31:22 | 0:31:25 | |
Love, your son, Frank. | 0:31:25 | 0:31:28 | |
Hello. | 0:31:31 | 0:31:32 | |
I'm Frank Black from Monroe High School, | 0:31:32 | 0:31:35 | |
and I have an appointment with Mr Morgan. | 0:31:35 | 0:31:37 | |
You're the young man who's writing the article for the school paper. | 0:31:37 | 0:31:40 | |
Yes, ma'am, that's me. | 0:31:40 | 0:31:42 | |
I want to know everything about being a pilot. | 0:31:42 | 0:31:44 | |
What airports does Pan Am fly to? | 0:31:44 | 0:31:46 | |
What does a pilot make in a year, and who tells them where they're going to fly to? | 0:31:46 | 0:31:49 | |
Whoa. Let's take 'em one at a time. | 0:31:49 | 0:31:51 | |
All right - what does it mean when one pilot says to another pilot, | 0:31:51 | 0:31:54 | |
"What kind of equipment are you on?" | 0:31:54 | 0:31:56 | |
They want to know what kind of aircraft you're flying - | 0:31:56 | 0:31:58 | |
is it a DC8, 707, Constellation... | 0:31:58 | 0:32:00 | |
And what about those ID badges that I've seen pilots wear? | 0:32:00 | 0:32:02 | |
Every pilot has to have two things with him at all times - | 0:32:02 | 0:32:05 | |
one is his airline personnel badge, | 0:32:05 | 0:32:06 | |
looks just like this one here from Pan Am, | 0:32:06 | 0:32:09 | |
the other one is their FAA licence, and that looks just like this. | 0:32:09 | 0:32:13 | |
Oh! | 0:32:14 | 0:32:15 | |
Do you think I can make a copy of this to put into my article? | 0:32:15 | 0:32:18 | |
Well, Frank, you can have that one. It's three years expired. | 0:32:18 | 0:32:21 | |
Oh, thanks. What about your ID badge? Do you have one I could borrow? | 0:32:21 | 0:32:25 | |
No, I can't help you there. | 0:32:25 | 0:32:26 | |
Those are special order from Polaroid. | 0:32:26 | 0:32:28 | |
The only way to get one of those is to become a real live pilot | 0:32:28 | 0:32:31 | |
for Pan American Airways. | 0:32:31 | 0:32:33 | |
'Pan Am. May I help you?' | 0:32:37 | 0:32:39 | |
Yeah, hello. I'm calling about a uniform. | 0:32:39 | 0:32:41 | |
-'Hold for Purchasing.' -Thank you. | 0:32:41 | 0:32:43 | |
'Purchasing.' | 0:32:43 | 0:32:45 | |
I'm a co-pilot based out of San Francisco, | 0:32:45 | 0:32:47 | |
I flew a flight into New York last night, | 0:32:47 | 0:32:50 | |
but the problem is I'm headed out to Paris in three hours. | 0:32:50 | 0:32:52 | |
How can we help you? | 0:32:52 | 0:32:54 | |
I sent my uniform to be cleaned through the hotel, | 0:32:54 | 0:32:57 | |
and I...I guess they must have lost it. | 0:32:57 | 0:33:00 | |
'They lost a uniform. Happens all the time. | 0:33:00 | 0:33:02 | |
'Go down to the Well Built Uniform Company at 9th and Broadway - | 0:33:02 | 0:33:05 | |
'they're our uniform supplier. | 0:33:05 | 0:33:06 | |
'I'll tell Mr Rosen you're coming.' | 0:33:06 | 0:33:08 | |
You look too young to be a pilot. | 0:33:08 | 0:33:10 | |
I'm a co-pilot. | 0:33:10 | 0:33:12 | |
Why so nervous? | 0:33:12 | 0:33:13 | |
How'd you feel if you lost your uniform first week on the job? | 0:33:13 | 0:33:18 | |
Relax. | 0:33:18 | 0:33:19 | |
Pan Am's got lots of uniforms. It's going to be 164. | 0:33:19 | 0:33:23 | |
Great. I'll write you a cheque. | 0:33:23 | 0:33:26 | |
Sorry. No cheques. No cash. | 0:33:26 | 0:33:28 | |
You'll have to fill in your employee ID number and then I'll bill Pan Am. | 0:33:28 | 0:33:32 | |
They'll take it out of your next pay cheque. | 0:33:32 | 0:33:34 | |
Even better. | 0:33:35 | 0:33:37 | |
FRANK JR: Dear Dad, | 0:33:39 | 0:33:40 | |
you always told me that an honest man has nothing to fear, | 0:33:40 | 0:33:43 | |
so I'm trying my best not to be afraid. | 0:33:43 | 0:33:46 | |
I'm sorry I ran away, but you don't have to worry. | 0:33:46 | 0:33:49 | |
I'm going to get it all back now, Daddy. I promise. | 0:33:49 | 0:33:52 | |
I'm going to get it all back. | 0:33:52 | 0:33:54 | |
-Are you a real live pilot? -I sure am, little lady. | 0:34:00 | 0:34:03 | |
-And what's your name? -Celine. | 0:34:03 | 0:34:05 | |
Celine, it's a pleasure to meet you. | 0:34:05 | 0:34:07 | |
It's a pleasure to meet you, too! | 0:34:07 | 0:34:09 | |
That's 50, 70, 80, 90, 100. | 0:34:13 | 0:34:18 | |
You have yourself a great time in Paris. | 0:34:18 | 0:34:21 | |
I always do. | 0:34:21 | 0:34:22 | |
Excuse me. | 0:34:22 | 0:34:24 | |
I'm John Marticker. I manage this branch. | 0:34:26 | 0:34:28 | |
I want to thank you for coming in and using our institution. | 0:34:28 | 0:34:30 | |
-Well, it's a pleasure to meet you, John. I'll be back again. -Good. | 0:34:30 | 0:34:33 | |
Have you stayed with us before? | 0:34:33 | 0:34:35 | |
Uh, no. I've been primarily based on the west coast. | 0:34:35 | 0:34:39 | |
Is it all right if I write you a cheque for the room? | 0:34:39 | 0:34:41 | |
-No problem, sir. -Great. | 0:34:41 | 0:34:43 | |
Uh, I was also wondering if I could write you a personal cheque? | 0:34:51 | 0:34:55 | |
For airline personnel, we cash personal cheques up to 100. | 0:34:55 | 0:34:58 | |
Payroll cheques, we cash up to 300. | 0:34:58 | 0:35:00 | |
Did you say 300 for a payroll cheque? | 0:35:02 | 0:35:04 | |
TYPEWRITER CLACKS | 0:35:04 | 0:35:07 | |
FRANK JR: Dear Dad, | 0:35:09 | 0:35:10 | |
I've decided to become a pilot for Pan American Airways, | 0:35:10 | 0:35:14 | |
the most trusted name in the skies. | 0:35:14 | 0:35:16 | |
They've accepted me into their training programme | 0:35:16 | 0:35:19 | |
and told me that if I work hard, I should earn my wings real soon. | 0:35:19 | 0:35:22 | |
Please get in touch with Joanna Carlton from the 10th grade. | 0:35:22 | 0:35:26 | |
Tell her I'm sorry that I could not take her to the junior prom. | 0:35:26 | 0:35:29 | |
Love, your son, Frank. | 0:35:29 | 0:35:31 | |
-Hello. How are you? -Fine, thank you. | 0:36:08 | 0:36:10 | |
I have a payroll cheque here I'd like to cash. | 0:36:10 | 0:36:12 | |
-Certainly. -Thank you. | 0:36:12 | 0:36:14 | |
Uh, excuse me - I'm sure you hear this all the time, | 0:36:14 | 0:36:19 | |
but you have the most beautiful eyes I have ever seen. | 0:36:19 | 0:36:24 | |
I DO get that all the time. | 0:36:24 | 0:36:26 | |
How would you like it? | 0:36:26 | 0:36:28 | |
Oh, I'm sorry, sir. | 0:36:43 | 0:36:45 | |
We won't have any cash until the banks open in an hour. | 0:36:45 | 0:36:47 | |
But I'm sure they can cash your cheque at the airport. | 0:36:47 | 0:36:51 | |
The airport? Who cashes cheques at the airport? | 0:36:51 | 0:36:54 | |
Well, the airlines, sir. | 0:36:54 | 0:36:57 | |
They've always taken care of their own. | 0:36:57 | 0:36:59 | |
-Hello. -Hi. Are you deadheading? | 0:37:07 | 0:37:09 | |
-What? -Are you my deadhead to Miami? | 0:37:09 | 0:37:13 | |
Yes, yes. SHE LAUGHS | 0:37:16 | 0:37:17 | |
Yeah, I'm a deadhead. Here you go. | 0:37:17 | 0:37:20 | |
You're a little late, but the jump seat is open. | 0:37:20 | 0:37:24 | |
You know, it's been a while since I've done this. | 0:37:25 | 0:37:27 | |
Which one's the jump seat again? | 0:37:27 | 0:37:30 | |
Have a nice flight. | 0:37:31 | 0:37:33 | |
Are you my deadhead? | 0:37:33 | 0:37:36 | |
Frank, Captain Oliver. John Larkin, the co-pilot. | 0:37:37 | 0:37:40 | |
-Hello. -Fred Tully, flight engineer. | 0:37:40 | 0:37:42 | |
Frank Taylor, Pan Am. Thanks for giving me a lift, boys. | 0:37:42 | 0:37:45 | |
Go ahead and take a seat, Frank. We're about to push. | 0:37:45 | 0:37:47 | |
What kind of equipment you on - DC8? | 0:37:47 | 0:37:50 | |
707. | 0:37:50 | 0:37:52 | |
You turning around on the red-eye? | 0:37:52 | 0:37:53 | |
I'm jumping puddles for the next few months, | 0:37:53 | 0:37:56 | |
trying to earn my keep running leapfrogs for the weak and weary. | 0:37:56 | 0:37:59 | |
No shame in that. We all did it. | 0:37:59 | 0:38:02 | |
-Have a seat. -Thank you. | 0:38:08 | 0:38:10 | |
Would you like a drink after take-off? | 0:38:11 | 0:38:14 | |
Milk? | 0:38:14 | 0:38:15 | |
-LARKIN: -80 knots. -OLIVER: -Check. | 0:38:15 | 0:38:18 | |
V-1. Rotate. | 0:38:18 | 0:38:20 | |
V-2. Positive lift. | 0:38:21 | 0:38:24 | |
Gear up. | 0:38:24 | 0:38:26 | |
FRANK JR: Dear Dad, today was graduation. | 0:38:26 | 0:38:29 | |
I am now a co-pilot earning 1,400 a month plus benefits. | 0:38:29 | 0:38:34 | |
And the best part is, they tell me my family can fly for free. | 0:38:34 | 0:38:38 | |
So tell Mom to pack her bags and buy a new swimsuit, | 0:38:38 | 0:38:41 | |
because I'm taking us all to Hawaii for Christmas. | 0:38:41 | 0:38:43 | |
I love you, Dad. | 0:38:43 | 0:38:45 | |
Aloha. Frank. | 0:38:45 | 0:38:48 | |
-Hello, deadhead. -Hello. | 0:38:48 | 0:38:50 | |
Enjoying your free ride? | 0:38:50 | 0:38:52 | |
Marci, did you drop this? | 0:38:57 | 0:39:01 | |
Must have slipped right off your neck. | 0:39:05 | 0:39:06 | |
No. | 0:39:06 | 0:39:08 | |
No! | 0:39:08 | 0:39:10 | |
No. | 0:39:10 | 0:39:12 | |
MARCI GASPS: Yes! Yes! Yes! | 0:39:12 | 0:39:15 | |
Yes! | 0:39:15 | 0:39:17 | |
-Yes! -CRASH | 0:39:17 | 0:39:20 | |
Why are you stopping? | 0:39:22 | 0:39:24 | |
I want to tell you something, Marci. | 0:39:26 | 0:39:27 | |
This is by far the best date I have ever been on. | 0:39:30 | 0:39:36 | |
Welcome to Miami Mutual Bank. How may I help you? | 0:40:06 | 0:40:09 | |
My name is Frank Taylor. I'm a co-pilot for Pan Am. | 0:40:09 | 0:40:13 | |
I'd like to cash this cheque here and then... | 0:40:13 | 0:40:15 | |
I'd like to take you out for a steak dinner. | 0:40:15 | 0:40:18 | |
And then we feed the cheques into the MICR machine, | 0:40:28 | 0:40:30 | |
which uses special ink to encode the account numbers on the cheques. | 0:40:30 | 0:40:33 | |
And where are these numbers? | 0:40:35 | 0:40:36 | |
They're, um...right here. | 0:40:36 | 0:40:40 | |
-Right there. -See? | 0:40:40 | 0:40:42 | |
They're called the routing numbers. | 0:40:45 | 0:40:47 | |
So, where do the cheques get routed to? | 0:40:47 | 0:40:49 | |
You know, I don't exactly know. Nobody ever asked me that before. | 0:40:49 | 0:40:53 | |
Next item up for bid is also from the Jersey Central Bank foreclosure. | 0:40:55 | 0:40:58 | |
This is a MICR encoder - a machine used to encode bank cheques. | 0:40:58 | 0:41:02 | |
Do I have an opening bid? | 0:41:02 | 0:41:03 | |
HANRATTY: Our unknown subject is a paperhanger who started working on the east coast. | 0:41:03 | 0:41:07 | |
In the last few weeks, this unsub has developed a new form of cheque fraud which I'm calling "the float". | 0:41:07 | 0:41:11 | |
What he's doing is, he's opening chequing accounts at various banks | 0:41:11 | 0:41:14 | |
and then changing the MICR ink routing numbers at the bottom of those cheques. Next slide, please. | 0:41:14 | 0:41:19 | |
Next slide, please. | 0:41:19 | 0:41:21 | |
The remote thing is broken, you might have to do it by hand. | 0:41:21 | 0:41:25 | |
-You've gotta... -Try the... | 0:41:25 | 0:41:27 | |
Agent Molen, it should be the square button just there by the side. | 0:41:27 | 0:41:30 | |
That's a bad carousel you got here. | 0:41:30 | 0:41:32 | |
-Thank you, Agent Molen. -You've got to move it manually. | 0:41:32 | 0:41:34 | |
This is a map of the 12 banks of the US Federal Reserve. | 0:41:34 | 0:41:37 | |
Slide. | 0:41:37 | 0:41:39 | |
MICR scanners at every bank read these numbers | 0:41:40 | 0:41:42 | |
at the bottom of a cheque. Slide. | 0:41:42 | 0:41:44 | |
And then ship that cheque off to its corresponding branch. | 0:41:44 | 0:41:48 | |
Carl, for those of us who are unfamiliar with bank fraud, | 0:41:48 | 0:41:51 | |
do you mind telling us what the hell you're talking about? | 0:41:51 | 0:41:53 | |
The east coast branches are numbered 01 to 06, | 0:41:53 | 0:41:58 | |
the central branches are 07, 08, so on, so forth. | 0:41:58 | 0:42:01 | |
Do you mean those numbers on the bottom of a cheque mean something? | 0:42:01 | 0:42:04 | |
All of this was in the report I filed two days ago. | 0:42:04 | 0:42:06 | |
If you change a 02 to a 12, | 0:42:06 | 0:42:10 | |
that means that cheque which was cashed in New York | 0:42:10 | 0:42:13 | |
does not go to the New York federal branch, | 0:42:13 | 0:42:15 | |
but it is re-routed all the way to the San Francisco federal branch. | 0:42:15 | 0:42:18 | |
The bank doesn't even know the cheque has bounced for two weeks, | 0:42:18 | 0:42:21 | |
which means our unsub can stay in one place, | 0:42:21 | 0:42:24 | |
paper the same city over and over again while these cheques circle the country. | 0:42:24 | 0:42:27 | |
You know, you want to talk to my wife - | 0:42:27 | 0:42:30 | |
she's the one that balances the chequebook at our house. | 0:42:30 | 0:42:32 | |
LAUGHTER | 0:42:32 | 0:42:35 | |
Next slide. | 0:42:37 | 0:42:39 | |
Daddy! | 0:42:45 | 0:42:47 | |
My son the bird man. That's some uniform, Frank. | 0:42:49 | 0:42:52 | |
What do you think? | 0:42:52 | 0:42:54 | |
-Nice. -Sit down. | 0:42:54 | 0:42:56 | |
Dad... Daddy, have you gotten the postcards? | 0:43:00 | 0:43:02 | |
Of course. This fork is ice-cold. | 0:43:02 | 0:43:05 | |
No, no. Dad, that's a chilled salad fork. | 0:43:05 | 0:43:09 | |
(It's a fancy restaurant, you know?) | 0:43:09 | 0:43:11 | |
Here...I got you something. | 0:43:17 | 0:43:20 | |
What's that? | 0:43:20 | 0:43:22 | |
Open it. | 0:43:22 | 0:43:24 | |
You know what those are, right? | 0:43:28 | 0:43:31 | |
Those are the keys to a 1965 Cadillac DeVille convertible - brand-new, Dad. | 0:43:31 | 0:43:37 | |
Red, with white interior, | 0:43:37 | 0:43:39 | |
split seats, air-conditioning, the works. | 0:43:39 | 0:43:43 | |
-You're giving me a Cadillac? -I'm giving you a Cadillac. | 0:43:43 | 0:43:47 | |
Dad, she's parked downstairs. | 0:43:47 | 0:43:49 | |
When we're done eating lunch, why not drive on over to Mom's house, | 0:43:49 | 0:43:52 | |
pick her up, take a little joy-ride? | 0:43:52 | 0:43:54 | |
Do you know what would happen if the IRS found out | 0:43:54 | 0:43:57 | |
I was driving around in a new coupe? | 0:43:57 | 0:43:59 | |
I took the train here, Frank. I'm taking the train home. | 0:44:01 | 0:44:04 | |
All right. | 0:44:06 | 0:44:08 | |
I have plenty of money. You know, if you ever, ever need anything... | 0:44:15 | 0:44:18 | |
You worried...about me? | 0:44:18 | 0:44:22 | |
No, I'm not... I'm not worried. | 0:44:22 | 0:44:24 | |
You think I can't buy my own car? | 0:44:24 | 0:44:27 | |
Two mice fell in a bucket of cream, Frank - which one am I? | 0:44:27 | 0:44:32 | |
You're that second mouse. | 0:44:33 | 0:44:35 | |
I went by the store today... | 0:44:37 | 0:44:39 | |
I had to close the store for a while. | 0:44:41 | 0:44:42 | |
It's all about timing, Frank. | 0:44:42 | 0:44:44 | |
The goddamn government knows that - they hit you when you're down. | 0:44:44 | 0:44:47 | |
I wasn't going to let them take it from me, | 0:44:47 | 0:44:49 | |
so I just shut the doors myself, called their bluff. | 0:44:49 | 0:44:52 | |
Sooner or later, they'll forget about me. | 0:44:57 | 0:44:59 | |
I understand. I... | 0:44:59 | 0:45:01 | |
Have you told Ma? | 0:45:02 | 0:45:04 | |
She's so stubborn. Your mother... | 0:45:06 | 0:45:09 | |
Don't worry. I'm not going to let her go without a fight. | 0:45:13 | 0:45:16 | |
I've been fighting for us s... | 0:45:16 | 0:45:18 | |
Dad? | 0:45:20 | 0:45:22 | |
..since the day we met. | 0:45:24 | 0:45:26 | |
Daddy, out of all those men, | 0:45:26 | 0:45:29 | |
you were the one that took her home, remember that? | 0:45:29 | 0:45:32 | |
200 men sitting in that tiny social hall watching her dance. | 0:45:32 | 0:45:37 | |
What was the name of that town? | 0:45:40 | 0:45:41 | |
Montrichard, Dad. | 0:45:41 | 0:45:44 | |
I didn't speak a word of French and six weeks later, she was my... | 0:45:44 | 0:45:48 | |
She's your wife. | 0:45:51 | 0:45:53 | |
My son bought me a Cadillac today. I think that calls for a toast. | 0:45:55 | 0:45:59 | |
To the best damn pilot in the sky. | 0:46:08 | 0:46:11 | |
It's not what you think. I'm just a co-pilot. | 0:46:12 | 0:46:15 | |
You see these people staring at you? | 0:46:17 | 0:46:18 | |
These are the most powerful people in New York City | 0:46:22 | 0:46:26 | |
and they keep peeking over their shoulders wondering where you're going tonight. | 0:46:26 | 0:46:30 | |
Where are you going, Frank? | 0:46:30 | 0:46:32 | |
Dad, nobody's staring at me. | 0:46:32 | 0:46:35 | |
Someplace exotic? | 0:46:35 | 0:46:36 | |
Just tell me where you're going. | 0:46:39 | 0:46:40 | |
Los An... Hollywood. | 0:46:43 | 0:46:45 | |
Hollywood? | 0:46:45 | 0:46:47 | |
(The rest of us really are suckers.) | 0:46:53 | 0:46:56 | |
So, I got on this red dress and these high heels, right, | 0:47:02 | 0:47:04 | |
and I got a bra, like, out here, OK? | 0:47:04 | 0:47:07 | |
I'm chasing these two Puerto Rican guys through the park. | 0:47:07 | 0:47:09 | |
They got a suitcase filled with bank robbery loot. | 0:47:09 | 0:47:12 | |
OK, I'm screaming out, "FBI! Freeze!" And I'm reaching for my gun, | 0:47:12 | 0:47:15 | |
but I can't find it in the bra, it's so damn big. | 0:47:15 | 0:47:18 | |
I thought I was going to shoot my tits off. | 0:47:18 | 0:47:20 | |
You know, that's a funny story - people always laugh at that story. | 0:47:22 | 0:47:25 | |
Let me ask you a question, Mr Amdursky - | 0:47:25 | 0:47:27 | |
if you were having so much fun undercover, | 0:47:27 | 0:47:29 | |
why did you transfer to bank fraud? | 0:47:29 | 0:47:31 | |
I didn't transfer, I was censured and reassigned. | 0:47:31 | 0:47:34 | |
It's like being punished - I was punished. I screwed up in the field. | 0:47:34 | 0:47:38 | |
And you, Mr Fox? Were you punished for screwing up in the field? | 0:47:38 | 0:47:42 | |
Oh, no, no, I've never worked in the field before. | 0:47:42 | 0:47:44 | |
I audited background investigations | 0:47:44 | 0:47:46 | |
of Department of Justice clerical applicants. | 0:47:46 | 0:47:48 | |
Well, that's just great. | 0:47:48 | 0:47:49 | |
I ask for a team and they drag the bottom of the Pacific. | 0:47:49 | 0:47:52 | |
Mind if I ask you a question, Agent Hanratty? | 0:47:52 | 0:47:54 | |
How come you're so serious all the time? | 0:47:54 | 0:47:57 | |
Does it bother you, Mr Amdursky? | 0:47:57 | 0:47:58 | |
Yeah. Yeah, it does bother me. | 0:47:58 | 0:48:01 | |
-Does it bother you, Mr Fox? -A little, I guess. | 0:48:01 | 0:48:05 | |
Well, would you like to hear me tell a joke? | 0:48:05 | 0:48:08 | |
Yeah. Yeah, we'd love to hear a joke from you. | 0:48:10 | 0:48:13 | |
-Knock, knock. -Who's there? | 0:48:15 | 0:48:17 | |
-Go flog yourselves. -TURNS RADIO UP | 0:48:19 | 0:48:22 | |
MUSIC: Girl From Ipanema | 0:48:29 | 0:48:32 | |
MAN: He cashed three cheques, they all cleared. | 0:48:34 | 0:48:37 | |
I was going to deposit this one today. | 0:48:37 | 0:48:39 | |
I don't want any trouble. | 0:48:40 | 0:48:42 | |
No trouble. | 0:48:43 | 0:48:45 | |
No trouble at all. We'll take this cheque and be on our way. Thank you. | 0:48:45 | 0:48:48 | |
Good. Because I don't want my customers harassed. | 0:48:48 | 0:48:52 | |
What are you saying? Is he still here? | 0:48:54 | 0:48:56 | |
201. | 0:48:58 | 0:48:59 | |
Thank you. | 0:49:01 | 0:49:02 | |
-A corner here. -Oh, thanks, son. | 0:49:02 | 0:49:06 | |
-Some steps. -Steps. | 0:49:07 | 0:49:09 | |
-Hey, Mr Murphy, how are ya? -Is that Frank? | 0:49:12 | 0:49:15 | |
-Yeah, it's Frank. -Hey, Frank. How are you? | 0:49:15 | 0:49:17 | |
-How's the knee? -Come on, I'll race you right now. | 0:49:17 | 0:49:20 | |
-HE LAUGHS Take care. -OK, Frank. | 0:49:20 | 0:49:23 | |
Come on, Carl, this guy's a pen-and-ink man - | 0:49:23 | 0:49:25 | |
a goddamn paperhanger. | 0:49:25 | 0:49:27 | |
-He doesn't carry a gun. -Why can't we go with you? | 0:49:27 | 0:49:29 | |
Just keep your eyes open, do your job and I'll buy you both a Good Humor Bar. | 0:49:29 | 0:49:32 | |
-SHE GASPS -It's all right, ma'am - FBI. | 0:49:41 | 0:49:43 | |
201. 201. 201. | 0:49:46 | 0:49:49 | |
201. 201. 201. 201... | 0:49:50 | 0:49:56 | |
FBI! | 0:50:00 | 0:50:01 | |
TOILET FLUSHES | 0:50:08 | 0:50:09 | |
FBI! | 0:50:09 | 0:50:12 | |
Come out of the bathroom! | 0:50:12 | 0:50:14 | |
Step out of the bathroom! | 0:50:15 | 0:50:17 | |
Hands on your head. | 0:50:20 | 0:50:21 | |
You know, that's the new IBM Selectric. | 0:50:21 | 0:50:24 | |
You can change the print type in five seconds. | 0:50:24 | 0:50:26 | |
Shut up! Put your hands on your head! Put your hands... | 0:50:26 | 0:50:28 | |
You know, he's got over 200 cheques here. | 0:50:28 | 0:50:31 | |
Hands on your head! | 0:50:31 | 0:50:33 | |
He even has little payroll envelopes addressed to himself from... | 0:50:33 | 0:50:36 | |
-Put it down! DROP IT! -Relax! | 0:50:36 | 0:50:38 | |
You're late, all right? | 0:50:38 | 0:50:40 | |
My name's Barry Allen, United States Secret Service. | 0:50:40 | 0:50:42 | |
Your boy just tried to jump out the window. My partner has him in custody. | 0:50:42 | 0:50:45 | |
I don't know what you're talking about. | 0:50:45 | 0:50:47 | |
What - you think the FBI are the only ones on this guy? | 0:50:47 | 0:50:50 | |
I mean, come on...come on, he's dabbling in government cheques here. | 0:50:50 | 0:50:53 | |
I've been following a paper trail on this guy for months now. | 0:50:53 | 0:50:57 | |
Hey, do you mind taking that gun out of my face? | 0:50:57 | 0:50:59 | |
Please, really, I mean, it makes me nervous. | 0:50:59 | 0:51:01 | |
Let me see some credentials. | 0:51:01 | 0:51:03 | |
Yeah, sure. | 0:51:03 | 0:51:05 | |
Take my whole wallet. | 0:51:06 | 0:51:08 | |
You want my gun, too? Come over here, take my gun. | 0:51:08 | 0:51:11 | |
Hey. Hey, look. Just do me a favour, take a look outside. | 0:51:11 | 0:51:15 | |
Look, look out the window. | 0:51:15 | 0:51:16 | |
My partner's walking him to the car as we speak. Look. | 0:51:16 | 0:51:19 | |
The old guy almost pissed in his pants when I came through the door. | 0:51:21 | 0:51:25 | |
He jumped right through the window onto the hood of my car. | 0:51:25 | 0:51:28 | |
-Hey, Murph! -Yeah? | 0:51:28 | 0:51:30 | |
Call the LAPD again. I don't want people walking through my crime scene. | 0:51:30 | 0:51:34 | |
CLEARS THROAT | 0:51:34 | 0:51:35 | |
I didn't expect the secret service on this. | 0:51:35 | 0:51:38 | |
Don't worry about it. Well, what's your name? | 0:51:38 | 0:51:41 | |
Hanratty. Carl Hanratty. | 0:51:41 | 0:51:44 | |
-Mind if I see some identification? -Sure. | 0:51:50 | 0:51:53 | |
You know, you never can be too careful these days. | 0:51:53 | 0:51:55 | |
Well, tough luck, Carl. | 0:51:56 | 0:51:58 | |
Five minutes earlier, you would have landed yourself a pretty good collar. | 0:51:58 | 0:52:01 | |
Is that right? Ten seconds later and you would have been shot. | 0:52:01 | 0:52:04 | |
Mind if I come downstairs with you? I've got to take a look at this guy. | 0:52:04 | 0:52:08 | |
Sure thing - just do me a favour and sit tight for a second | 0:52:08 | 0:52:11 | |
while I get this evidence downstairs. | 0:52:11 | 0:52:12 | |
You know, I don't want some maid walking through here | 0:52:12 | 0:52:15 | |
-and making the bed. LAPD should be here any sec. -Wait. | 0:52:15 | 0:52:18 | |
Your wallet. | 0:52:22 | 0:52:24 | |
You hang on to it for a minute. I trust ya. | 0:52:24 | 0:52:27 | |
SIGHS | 0:52:30 | 0:52:31 | |
SIGHS HEAVILY | 0:52:33 | 0:52:35 | |
Oh. Oh. | 0:52:36 | 0:52:40 | |
Yeah. | 0:52:43 | 0:52:45 | |
Secret service. | 0:52:45 | 0:52:47 | |
Hey! | 0:53:28 | 0:53:30 | |
Oh, goddammit! | 0:53:30 | 0:53:32 | |
It was stupid. I made a stupid mistake. | 0:53:32 | 0:53:36 | |
Forget about it. There are hundreds of unknown subjects out there. | 0:53:36 | 0:53:40 | |
I can get this guy, Sean. | 0:53:40 | 0:53:41 | |
The worst thing a paperhanger can do is show his face. | 0:53:41 | 0:53:44 | |
I read the report - 6ft tall, brown hair, 27 to 30 years of age, 160lb. | 0:53:44 | 0:53:49 | |
This could be almost anybody. | 0:53:49 | 0:53:51 | |
I heard his voice, Sean. I saw his face. | 0:53:51 | 0:53:53 | |
There's nothing for him to hide behind any more. | 0:53:53 | 0:53:55 | |
Just be careful. | 0:53:55 | 0:53:58 | |
You've got 12 years in. | 0:53:58 | 0:54:00 | |
Nobody bothers you - you practically wrote the book on bank fraud. | 0:54:00 | 0:54:03 | |
That's the kind of thing that can make you section chief some day. | 0:54:03 | 0:54:06 | |
Just don't put yourself in this type of position. | 0:54:06 | 0:54:09 | |
What type of position? | 0:54:09 | 0:54:11 | |
The position of being humiliated. | 0:54:12 | 0:54:14 | |
Sean, would you like to hear me tell a joke? | 0:54:23 | 0:54:26 | |
Yeah, sure. | 0:54:26 | 0:54:28 | |
Knock, knock. | 0:54:28 | 0:54:31 | |
FRANK JR: So, my next question is, when a pilot retires, | 0:54:33 | 0:54:37 | |
Pan Am sends him a cheque every single month? | 0:54:37 | 0:54:41 | |
Ah, yeah, pension programme sends a cheque and benefits. | 0:54:41 | 0:54:44 | |
How much is that cheque for? | 0:54:44 | 0:54:45 | |
Er, kid, I'm really not in the mood for this right now. | 0:54:45 | 0:54:48 | |
-This skyway man's driving me crazy. -Who's the skyway man? | 0:54:48 | 0:54:50 | |
Some nut that's flying around the country posing as a Pan Am pilot. | 0:54:50 | 0:54:54 | |
There's a column about him in the paper today. | 0:54:54 | 0:54:56 | |
I keep telling them, this is not my problem. | 0:55:02 | 0:55:04 | |
This guy doesn't even fly Pan Am. Flies everybody else. | 0:55:04 | 0:55:07 | |
Flies United, TWA, Continental, Eastern. | 0:55:07 | 0:55:11 | |
The skyway man. | 0:55:11 | 0:55:13 | |
Newspaper loves this clown. | 0:55:13 | 0:55:15 | |
They call him the James Bond of the sky. | 0:55:15 | 0:55:18 | |
Did you say... | 0:55:20 | 0:55:22 | |
Bond, James Bond. | 0:55:22 | 0:55:24 | |
-Tell me, Jill, why does he do it? -He likes to win. | 0:55:32 | 0:55:36 | |
-Come on, come on! -We'll be landing in 20 minutes. | 0:55:36 | 0:55:39 | |
Do you want to play it easy, or the hard way? | 0:55:39 | 0:55:42 | |
And this isn't a tranquilliser. | 0:55:42 | 0:55:43 | |
Now, Pussy, you know a lot more about planes than guns. | 0:55:43 | 0:55:47 | |
IMITATES SEAN CONNERY: Hello, Pussy. | 0:55:47 | 0:55:49 | |
Now, you're sure this is the suit, right? | 0:55:49 | 0:55:51 | |
Positive. This is the exact suit he wore in the movie. | 0:55:51 | 0:55:54 | |
OK, I'll take three. | 0:55:54 | 0:55:57 | |
Certainly, Mr Fleming. | 0:55:57 | 0:55:59 | |
Now all you need is one of those foreign sports cars that he drives. | 0:55:59 | 0:56:02 | |
MUSIC: The Look Of Love by Dusty Springfield | 0:56:22 | 0:56:25 | |
-Hello. -Hi. | 0:56:29 | 0:56:32 | |
Haven't I seen you before? | 0:56:34 | 0:56:37 | |
Maybe. | 0:56:39 | 0:56:40 | |
A couple of years ago, I was on the cover of "17". | 0:56:40 | 0:56:44 | |
Yeah, you're that model, right - Cheryl? | 0:56:44 | 0:56:47 | |
Mm-hm. | 0:56:47 | 0:56:49 | |
Guys used to put your picture on their lockers. | 0:56:49 | 0:56:51 | |
Isn't that your silver car I saw parked out front? | 0:56:53 | 0:56:57 | |
Yeah...one of 'em. | 0:56:57 | 0:56:59 | |
So, do you think I could get an autograph? | 0:57:03 | 0:57:06 | |
Do you have a pen in your room? | 0:57:09 | 0:57:12 | |
Shh. | 0:57:45 | 0:57:47 | |
Men like you can buy anything you want. | 0:57:48 | 0:57:51 | |
He buys a deck of cards at the hotel gift shop. | 0:58:02 | 0:58:05 | |
Do you want to see a card trick? | 0:58:08 | 0:58:11 | |
How much did these cards cost? | 0:58:11 | 0:58:14 | |
Oh, 55 cents, I think. | 0:58:16 | 0:58:19 | |
And if they sold me downstairs at the hotel gift shop... | 0:58:21 | 0:58:25 | |
..how much would you pay? | 0:58:27 | 0:58:29 | |
I'm sor... I'm sorry, how much would I pay for what? | 0:58:29 | 0:58:35 | |
The entire night. | 0:58:37 | 0:58:39 | |
How much would you pay me for the entire night? | 0:58:41 | 0:58:44 | |
Cheryl, I...I really don't know. | 0:58:49 | 0:58:52 | |
Don't be scared. | 0:58:52 | 0:58:54 | |
Make me an offer. | 0:58:59 | 0:59:00 | |
300? | 0:59:08 | 0:59:11 | |
Go fish. | 0:59:11 | 0:59:13 | |
Er...500? | 0:59:16 | 0:59:18 | |
Go fish. | 0:59:18 | 0:59:20 | |
600? | 0:59:20 | 0:59:22 | |
Go fish. | 0:59:24 | 0:59:25 | |
1,000. | 0:59:28 | 0:59:30 | |
OK. | 0:59:32 | 0:59:34 | |
1,000. | 0:59:35 | 0:59:37 | |
OK. I'll be right back. | 0:59:38 | 0:59:43 | |
Wait a second, where are you going? | 0:59:43 | 0:59:44 | |
I'm going downstairs to cash a cheque. | 0:59:44 | 0:59:47 | |
Do you think this hotel is going to cash a 1,000 cheque at 3am? | 0:59:48 | 0:59:52 | |
It's a New York Savings and Loan cheque. | 0:59:54 | 0:59:56 | |
It's like gold - they'll cash it. | 0:59:56 | 0:59:58 | |
Don't you think they might get a little suspicious? | 0:59:58 | 1:00:01 | |
Here, let me see that. | 1:00:01 | 1:00:02 | |
It's a cashier's cheque. Endorse it over to me. | 1:00:04 | 1:00:06 | |
No, I couldn't do that. | 1:00:06 | 1:00:08 | |
You see, this cheque is for 1,400. We agreed upon 1,000. | 1:00:08 | 1:00:12 | |
Why don't I give you back 400 and you give me that cheque? | 1:00:13 | 1:00:18 | |
Even better. | 1:00:20 | 1:00:22 | |
Does this belong to anybody? | 1:00:52 | 1:00:54 | |
PHONE RINGS | 1:01:06 | 1:01:08 | |
This is Hanratty. Merry Christmas. | 1:01:10 | 1:01:12 | |
-FRANK JR: -Hello, Carl. | 1:01:12 | 1:01:15 | |
Hello. | 1:01:15 | 1:01:17 | |
Barry Allen, secret service. | 1:01:17 | 1:01:20 | |
I've been trying to track you down now for the last couple of hours. | 1:01:20 | 1:01:24 | |
What do you want? | 1:01:24 | 1:01:25 | |
I wanted to apologise for what happened out in Los Angeles. | 1:01:25 | 1:01:30 | |
'Uh-uh, uh-uh. No. No, you don't apologise to me.' | 1:01:30 | 1:01:33 | |
Do you always work on Christmas Eve, Carl? | 1:01:33 | 1:01:36 | |
I volunteered so the men with families could go home early. | 1:01:36 | 1:01:40 | |
You looked like you were wearing a wedding ring out in Los Angeles. | 1:01:40 | 1:01:43 | |
I thought maybe you had a family. | 1:01:43 | 1:01:45 | |
No, no family. | 1:01:45 | 1:01:47 | |
You want to talk to me... let's talk face to face. | 1:01:48 | 1:01:52 | |
All right. I'm at my suite at the Stuyvesant Arms, room 3113. | 1:01:52 | 1:01:57 | |
In the morning, I leave for Las Vegas for the weekend. | 1:01:57 | 1:02:00 | |
You think you're going to get me again? | 1:02:02 | 1:02:05 | |
You're not going to Vegas, you're not in the Stuyvesant Arms. | 1:02:05 | 1:02:08 | |
You'd love for me to send out 20 agents Christmas Eve. | 1:02:10 | 1:02:13 | |
We barge into your hotel, knock down the door | 1:02:13 | 1:02:15 | |
so you can make fools out of us all. | 1:02:15 | 1:02:17 | |
I'm really sorry if I made a fool out of you, I really am. | 1:02:17 | 1:02:21 | |
-Uh-uh. No. No, no. -Listen, I really am. | 1:02:21 | 1:02:23 | |
You do not feel sorry for me. | 1:02:23 | 1:02:26 | |
The truth is, I knew it was you. Maybe I didn't get the cuffs on you, but I knew. | 1:02:26 | 1:02:30 | |
Well, people only know what you tell them, Carl. | 1:02:30 | 1:02:33 | |
Well, then, tell me this, Barry Allen, secret service, | 1:02:33 | 1:02:38 | |
how did you know I wouldn't look in your wallet? | 1:02:38 | 1:02:41 | |
The same reason the Yankees always win - | 1:02:41 | 1:02:44 | |
nobody can keep their eyes off the pinstripes. | 1:02:44 | 1:02:47 | |
The Yankees win because they have Mickey Mantle. | 1:02:47 | 1:02:50 | |
No-one ever bets on the uniform. | 1:02:50 | 1:02:52 | |
You sure about that, Carl? | 1:02:52 | 1:02:55 | |
I'll tell you what I am sure of - | 1:02:55 | 1:02:57 | |
you're going to get caught, one way or another. | 1:02:57 | 1:03:00 | |
It's a mathematical fact - it's like Vegas, the house always wins. | 1:03:00 | 1:03:04 | |
Well, Carl, I'm sorry, but I have to go. | 1:03:10 | 1:03:14 | |
Oh, you didn't call just to apologise, did you? | 1:03:14 | 1:03:18 | |
What do you mean? | 1:03:18 | 1:03:20 | |
You have no-one else to call. | 1:03:20 | 1:03:23 | |
Whoa! | 1:03:26 | 1:03:27 | |
LAUGHS | 1:03:30 | 1:03:32 | |
SINGS ALONG TO RADIO | 1:03:32 | 1:03:36 | |
-You got that burger up? -Yep. | 1:03:48 | 1:03:50 | |
More coffee, sir? | 1:03:59 | 1:04:01 | |
Are you a collector? | 1:04:07 | 1:04:09 | |
Of what? | 1:04:09 | 1:04:10 | |
The Captives of the Cosmic Ray, The Big Freeze, | 1:04:10 | 1:04:12 | |
Land of the Golden Giants - I've got them all. | 1:04:12 | 1:04:14 | |
-What are you talking about? -Barry Allen. | 1:04:14 | 1:04:17 | |
The Flash. | 1:04:20 | 1:04:22 | |
Wait. Kid, kid, kid? | 1:04:24 | 1:04:26 | |
-You mean, like, the comic book? -Yeah, the comic book. | 1:04:28 | 1:04:30 | |
When he's not the Flash, that's his name - Barry Allen. | 1:04:30 | 1:04:32 | |
Thank you. | 1:04:34 | 1:04:35 | |
Now, get this - he reads comic books. | 1:04:39 | 1:04:42 | |
Comic books. Barry Allen is the Flash. | 1:04:42 | 1:04:45 | |
-'Carl, slow down. I don't know what you're talking about.' -He's a kid. Our unsub is a kid. | 1:04:45 | 1:04:49 | |
That's why we couldn't match his prints, why he doesn't have a record. | 1:04:49 | 1:04:52 | |
I want you to contact NYPD for every all-points juvenile runaways | 1:04:52 | 1:04:56 | |
in New York City, and don't forget the airports. | 1:04:56 | 1:04:58 | |
-He's been kiting cheques all over the country. -'Well, why New York?' | 1:04:58 | 1:05:01 | |
The Yankees - he said something about the Yankees. | 1:05:01 | 1:05:04 | |
-HANRATTY: -So, where are we on the list? | 1:05:06 | 1:05:08 | |
Number 53... | 1:05:08 | 1:05:10 | |
Abagnale. | 1:05:10 | 1:05:11 | |
Good morning, ma'am. We're the FBI agents who called. | 1:05:13 | 1:05:16 | |
Oh, yes, I've been waiting. | 1:05:16 | 1:05:17 | |
I hope you're all hungry. I put out the Sara Lee. | 1:05:17 | 1:05:21 | |
My husband, Jack, is a lawyer. | 1:05:24 | 1:05:26 | |
What about your first husband, Mrs Abagnale? | 1:05:26 | 1:05:29 | |
CORRECTS PRONUNCIATION: Abagnale. | 1:05:29 | 1:05:30 | |
But I prefer to be called Barnes. | 1:05:30 | 1:05:32 | |
Frank William Abagnale. | 1:05:34 | 1:05:36 | |
It says here he was in the service. Did you two meet during the war? | 1:05:36 | 1:05:39 | |
Yeah, I lived in a very small village in France - Montrichard - | 1:05:39 | 1:05:44 | |
the kind of place where they've never heard of Sara Lee. | 1:05:44 | 1:05:48 | |
-Help yourselves. -Nobody doesn't like Sara Lee. | 1:05:48 | 1:05:51 | |
You filled out a missing persons report for a runaway juvenile | 1:05:51 | 1:05:54 | |
by the name of Frank Abagnale Jr. | 1:05:54 | 1:05:56 | |
Is Frankie OK? | 1:05:56 | 1:05:58 | |
Are you aware of the fact that he wrote some cheques | 1:05:58 | 1:06:00 | |
on a closed account at Chase Manhattan Bank? | 1:06:00 | 1:06:02 | |
Oh, yes. The police think he's some type of criminal. | 1:06:02 | 1:06:06 | |
What he did was a felony, Mrs Barnes. | 1:06:06 | 1:06:08 | |
Oh, it was 1,000. | 1:06:08 | 1:06:10 | |
Half the kids his age are on dope, | 1:06:10 | 1:06:13 | |
throwing rocks at police, | 1:06:13 | 1:06:16 | |
and they scared me to death because my son made a little mistake. | 1:06:16 | 1:06:19 | |
A 17-year-old boy has to eat, has to have a place to sleep. | 1:06:21 | 1:06:25 | |
We understand, ma'am. | 1:06:25 | 1:06:27 | |
Would you happen to have a picture of your son? | 1:06:27 | 1:06:30 | |
Oh, yes. I have his old yearbook. | 1:06:30 | 1:06:31 | |
OK. | 1:06:40 | 1:06:42 | |
OK, OK. We need to send out an all-office teletype. | 1:06:42 | 1:06:47 | |
Our unsub's name is Frank Abagnale Jr, aged 17. | 1:06:47 | 1:06:50 | |
Is Frankie OK? Is he in trouble? | 1:06:50 | 1:06:52 | |
Ma'am, I'm sorry to have to tell you, your son is forging cheques. | 1:06:52 | 1:06:55 | |
Forging cheques? Wait, I'm sure we can take care of that. | 1:06:55 | 1:06:58 | |
I'm working part-time at the church now. | 1:06:58 | 1:07:00 | |
Just tells me how much he owes and I'll pay you back. | 1:07:00 | 1:07:03 | |
So far, it's about 1.3 million. | 1:07:03 | 1:07:05 | |
ALARM DINGS | 1:07:10 | 1:07:12 | |
-Hi, Melanie. How are you? -Hi. | 1:07:22 | 1:07:23 | |
When you're in the house, please just use an ashtray. | 1:07:23 | 1:07:26 | |
-Frank, this fondue is so good! -Wait, here, take this. | 1:07:26 | 1:07:29 | |
Oh, good! I love Moet! | 1:07:29 | 1:07:30 | |
MUSIC DISTORTS | 1:07:36 | 1:07:38 | |
James! James! Please, just stay away from the hi-fi system, all right? | 1:07:38 | 1:07:42 | |
It's reel-to-reel. You can't wind it like that. | 1:07:42 | 1:07:44 | |
Christ, Terry! | 1:07:48 | 1:07:50 | |
This is Italian knit! Watch where you're going! | 1:07:50 | 1:07:52 | |
It's just a shirt, man. | 1:07:52 | 1:07:54 | |
Frank, come quick! | 1:07:54 | 1:07:56 | |
Lance just fell into the conversation pit. | 1:07:56 | 1:07:59 | |
Excuse me, do you know where Lance Applebaum is? | 1:08:05 | 1:08:07 | |
Thank you. | 1:08:07 | 1:08:09 | |
-MAN: -Do you understand how dangerous this is? Do you? | 1:08:12 | 1:08:14 | |
Don't cry, just nod your head | 1:08:14 | 1:08:16 | |
and tell me you won't do it again. | 1:08:16 | 1:08:17 | |
Now dry up and get back to work. | 1:08:17 | 1:08:20 | |
Hey, hey. | 1:08:23 | 1:08:25 | |
Are you OK? | 1:08:25 | 1:08:27 | |
He told me to pick up the blood, so I did, | 1:08:27 | 1:08:30 | |
but he never told me to label it. | 1:08:30 | 1:08:32 | |
Hey, it's OK. Stop crying. | 1:08:32 | 1:08:35 | |
What's your name? | 1:08:35 | 1:08:37 | |
-Brenda. -Brenda. | 1:08:38 | 1:08:40 | |
Brenda, I wouldn't worry about it. | 1:08:40 | 1:08:42 | |
You know, these doctors, you know, they don't know everything. | 1:08:42 | 1:08:46 | |
It's my first week. And I think they're going to fire me. | 1:08:46 | 1:08:51 | |
No, no, nobody's going to fire you, Brenda. | 1:08:51 | 1:08:54 | |
I bet you're good at your job. | 1:08:54 | 1:08:56 | |
No, I'm not. | 1:08:56 | 1:08:58 | |
Yeah, I bet if I asked you to check on the status | 1:08:59 | 1:09:02 | |
of my friend Lance Applebaum that you could do that for me in a second. | 1:09:02 | 1:09:05 | |
Mr Applebaum fractured his ankle. | 1:09:14 | 1:09:17 | |
Dr Ashland is treating him in exam room seven. | 1:09:17 | 1:09:20 | |
You see that? No problem. | 1:09:20 | 1:09:23 | |
This is the emergency chart. | 1:09:25 | 1:09:26 | |
See that blue star there? That means that the patient has been diagnosed. | 1:09:27 | 1:09:31 | |
And then after he's been treated, we put a red circle here. | 1:09:31 | 1:09:35 | |
See? | 1:09:35 | 1:09:37 | |
How do you like those braces? | 1:09:37 | 1:09:38 | |
I guess they're all right. | 1:09:40 | 1:09:42 | |
I got mine off last year. Boy, I hated them. They were bottoms. | 1:09:42 | 1:09:47 | |
You know, I've still got to wear my mouthguard. | 1:09:47 | 1:09:50 | |
You have really nice teeth. | 1:09:51 | 1:09:53 | |
Well, thank you. You have a pretty smile. | 1:09:55 | 1:09:58 | |
No, I mean it - I really think those braces look good on you. | 1:10:02 | 1:10:06 | |
Thank you. | 1:10:06 | 1:10:08 | |
You're welcome. | 1:10:08 | 1:10:10 | |
-Brenda? -Yeah? | 1:10:13 | 1:10:15 | |
Do you know if they're hiring here at the hospital? | 1:10:15 | 1:10:18 | |
I'm not sure. What do you want to do? | 1:10:19 | 1:10:22 | |
I'm a doctor. | 1:10:24 | 1:10:25 | |
FRANK JR: Dear Dad, I've decided to get off the road for a while. | 1:10:29 | 1:10:33 | |
I've taken a night job at a hospital and met some really nice people. | 1:10:33 | 1:10:37 | |
It feels good to have my feet on the ground, | 1:10:37 | 1:10:39 | |
to wake up in the same bed every night. | 1:10:39 | 1:10:41 | |
Who knows? Maybe I'll even find someone to settle down WITH. | 1:10:42 | 1:10:46 | |
Harvard Medical School, top of your class. | 1:10:49 | 1:10:52 | |
Southern California Children's Hospital. | 1:10:53 | 1:10:56 | |
Well, that's a pretty impressive resume, Dr Conners. | 1:10:56 | 1:10:59 | |
But, unfortunately, | 1:10:59 | 1:11:01 | |
the only thing I need is an emergency room supervisor | 1:11:01 | 1:11:05 | |
for my midnight to 8am shift - | 1:11:05 | 1:11:09 | |
someone to baby-sit six interns and 20 nurses. | 1:11:09 | 1:11:13 | |
But, um... | 1:11:13 | 1:11:15 | |
Hell, I doubt that you'd be interested in that. | 1:11:15 | 1:11:19 | |
Well, in the past, they've always let me choose my own nurses. | 1:11:20 | 1:11:24 | |
FRANK JR: Dr Connelly. | 1:11:26 | 1:11:28 | |
-Dr Harris. -Present. | 1:11:28 | 1:11:31 | |
Dr Ashland. | 1:11:31 | 1:11:33 | |
Dr Conners...are you going to take roll every night? | 1:11:33 | 1:11:36 | |
Yes, I will, Dr Ashland, | 1:11:36 | 1:11:39 | |
and if you're going to be late, I suggest you bring a note. | 1:11:39 | 1:11:42 | |
Miss Vassman. | 1:11:45 | 1:11:47 | |
Miss Mase. | 1:11:47 | 1:11:49 | |
-Miss Strong. -Here. | 1:11:49 | 1:11:52 | |
Nurse Brown. | 1:11:52 | 1:11:54 | |
Nurse Sanford. | 1:11:54 | 1:11:56 | |
-TV: -30mg of codeine every four hours. | 1:11:56 | 1:11:58 | |
Run the plasma at 60 drops a minute | 1:11:58 | 1:12:00 | |
until we calculate the food requirements. | 1:12:00 | 1:12:02 | |
What do you estimate the degree and extent of the burns, Kildare? | 1:12:02 | 1:12:05 | |
Second and third degree burns over about 20% of the body surface. | 1:12:05 | 1:12:08 | |
-Do you concur? -I concur. Let's get him up to Paediatrics. | 1:12:08 | 1:12:11 | |
-Hello, Brenda. -Hi, Dr Conners. | 1:12:18 | 1:12:21 | |
-You need to sign these. -Thank you. | 1:12:21 | 1:12:24 | |
Do you notice anything different about me? | 1:12:30 | 1:12:33 | |
-You got your braces off. -Yeah! | 1:12:33 | 1:12:35 | |
-Come here, let me see. -I've been trying to show you all night. | 1:12:35 | 1:12:38 | |
Wow. Good job. | 1:12:38 | 1:12:41 | |
So, did it hurt when they took them off? Mine felt so weird after. | 1:12:41 | 1:12:44 | |
Mmm, I keep rubbing my tongue over them. I can't stop. | 1:12:44 | 1:12:47 | |
They're so slippery. | 1:12:47 | 1:12:49 | |
-It feels good, though, doesn't it? -Yeah, it feels incredible. | 1:12:49 | 1:12:52 | |
Oh, my. | 1:13:02 | 1:13:04 | |
I'm sorry. | 1:13:04 | 1:13:05 | |
-WOMAN OVER PA: -Dr Conners to the ER. | 1:13:17 | 1:13:19 | |
Dr Conners to the ER. | 1:13:19 | 1:13:20 | |
-Shouldn't you go? -No, no, no. | 1:13:20 | 1:13:23 | |
They have a staff doctor in the emergency ward. They'll be fine. | 1:13:23 | 1:13:27 | |
Oh, what if he's in surgery? | 1:13:32 | 1:13:34 | |
Do you really think I have to go? | 1:13:36 | 1:13:37 | |
Oh, in here, Dr Conners. | 1:13:37 | 1:13:39 | |
BOY CRIES OUT | 1:13:39 | 1:13:40 | |
CRIES | 1:13:50 | 1:13:52 | |
Gentlemen, what seems to be the problem? | 1:13:56 | 1:14:00 | |
Bicycle accident. Fractured tibia about five inches below the patella. | 1:14:00 | 1:14:05 | |
Hmm. | 1:14:05 | 1:14:06 | |
-Dr Harris? -Yes. | 1:14:09 | 1:14:11 | |
-Do you concur? -Concur with what, sir? | 1:14:11 | 1:14:15 | |
Well, with what Dr Ashland just said, do you concur? | 1:14:16 | 1:14:19 | |
Er...well, it's a bicycle accident. The boy told us. | 1:14:20 | 1:14:24 | |
-So you concur? -Concur? | 1:14:24 | 1:14:28 | |
I think we should take an X-ray, | 1:14:28 | 1:14:29 | |
then stitch him up and put him in a walking cast. | 1:14:29 | 1:14:31 | |
Very good, Dr Ashland, very good. | 1:14:35 | 1:14:37 | |
Well, you don't seem to have much need for me. | 1:14:37 | 1:14:40 | |
Carry on. | 1:14:40 | 1:14:41 | |
I blew it, didn't I? | 1:14:43 | 1:14:44 | |
Why didn't I concur? | 1:14:46 | 1:14:48 | |
VOMITS VIOLENTLY | 1:14:52 | 1:14:54 | |
Make yourself at home! | 1:15:08 | 1:15:10 | |
Frank Abagnale Sr. | 1:15:11 | 1:15:13 | |
You're not a cop. | 1:15:13 | 1:15:14 | |
Special Agent Hanratty, FBI. | 1:15:16 | 1:15:19 | |
You're not a cop. My landlord said you were not a cop. | 1:15:19 | 1:15:22 | |
Well, if you're going to arrest me, | 1:15:22 | 1:15:24 | |
I'd like to put on a different suit, if that's OK with you. | 1:15:24 | 1:15:27 | |
I'm not here to arrest you. I'm looking for your son. | 1:15:27 | 1:15:29 | |
He's in trouble. Do you know where he is? | 1:15:29 | 1:15:31 | |
If I tell you where he is, will you promise not to tell his mother? | 1:15:34 | 1:15:37 | |
Sure. | 1:15:37 | 1:15:39 | |
Frank made up a fake ID and enlisted in the marine corps. | 1:15:40 | 1:15:44 | |
He's over in Vietnam right now. | 1:15:44 | 1:15:46 | |
That kid is halfway round the world, | 1:15:46 | 1:15:48 | |
crawling through the damned jungle fighting the communists. | 1:15:48 | 1:15:51 | |
So... | 1:15:51 | 1:15:53 | |
please don't come to my home | 1:15:53 | 1:15:55 | |
and call my boy a criminal, because that kid... | 1:15:55 | 1:15:57 | |
I never said he was a criminal, Mr Abagnale. | 1:15:57 | 1:16:00 | |
I said he was in trouble. | 1:16:00 | 1:16:01 | |
If you'd like to give me a call and talk, here's my number. | 1:16:01 | 1:16:05 | |
You're not a father, are you? | 1:16:17 | 1:16:19 | |
Pardon me? | 1:16:21 | 1:16:23 | |
If you were a father, you'd know I would never give up my son. | 1:16:23 | 1:16:27 | |
I would never give up my son. | 1:16:28 | 1:16:31 | |
Yes, sir, I understand. | 1:16:32 | 1:16:34 | |
John... John, now get this. | 1:16:35 | 1:16:37 | |
Riverbend Apartments, 415 Landover, Atlanta, Georgia. | 1:16:37 | 1:16:42 | |
Atlanta, Georgia. Yeah, I'm on my way to the airport. | 1:16:42 | 1:16:45 | |
I'll meet the team in four hours. Bye-bye. | 1:16:45 | 1:16:48 | |
-Come on, it's OK. -WOMAN SOBS | 1:16:50 | 1:16:53 | |
You don't have to cry. | 1:16:53 | 1:16:55 | |
I'm sorry. | 1:16:55 | 1:16:57 | |
I'm so sorry, Frank. I just... | 1:16:57 | 1:16:59 | |
Brenda, listen to me... I don't care if you're a virgin, all right? | 1:16:59 | 1:17:04 | |
Really, I can wait. | 1:17:04 | 1:17:05 | |
I'm not a virgin. | 1:17:07 | 1:17:08 | |
I had an abortion two years ago. | 1:17:13 | 1:17:15 | |
My parents had a friend. | 1:17:18 | 1:17:20 | |
He was...this man my father plays golf with. | 1:17:20 | 1:17:24 | |
And then when I got better, they kicked me out of the house. | 1:17:25 | 1:17:29 | |
I had an abortion and I wasn't their daughter any more. | 1:17:30 | 1:17:33 | |
-Hey. -I'm so sorry. | 1:17:33 | 1:17:35 | |
Please don't be mad at me. Please. | 1:17:35 | 1:17:37 | |
-Please don't be mad at me. -No, no, no. | 1:17:37 | 1:17:40 | |
-Please don't be mad at me. -Shh. | 1:17:40 | 1:17:42 | |
Now...what if I spoke to your parents, right? | 1:17:42 | 1:17:46 | |
Maybe I can straighten things out, huh? | 1:17:46 | 1:17:48 | |
I ask them all the time, but they said I still can't come home. | 1:17:48 | 1:17:52 | |
My dad is...is a lawyer. | 1:17:53 | 1:17:56 | |
Brenda... | 1:18:04 | 1:18:05 | |
..what if you were engaged to a doctor, would that change anything? | 1:18:07 | 1:18:12 | |
What? | 1:18:12 | 1:18:14 | |
What if I went to your parents... | 1:18:17 | 1:18:19 | |
..and I spoke to your father... | 1:18:21 | 1:18:23 | |
..and I asked permission to marry you? | 1:18:26 | 1:18:29 | |
-It's empty. -Nobody here. | 1:18:42 | 1:18:44 | |
Dr Conners, are you Lutheran? | 1:19:07 | 1:19:10 | |
Yes, I am a Lutheran, but please call me Frank. | 1:19:11 | 1:19:15 | |
Frank, would you like to say grace? | 1:19:16 | 1:19:18 | |
Unless you're not comfortable. | 1:19:24 | 1:19:26 | |
Absolutely. | 1:19:27 | 1:19:28 | |
Two little mice fell into a bucket of cream. | 1:19:38 | 1:19:41 | |
The first mouse quickly gave up and drowned, | 1:19:43 | 1:19:45 | |
but the second mouse, he struggled so hard | 1:19:45 | 1:19:47 | |
that he eventually churned that cream into butter | 1:19:47 | 1:19:50 | |
and he walked out. | 1:19:50 | 1:19:51 | |
Amen. | 1:19:53 | 1:19:54 | |
-Amen. -Amen. | 1:19:54 | 1:19:56 | |
Oh, that was beautiful. | 1:19:56 | 1:19:59 | |
The mouse, he churned that cream into butter? | 1:19:59 | 1:20:01 | |
That's right. | 1:20:04 | 1:20:06 | |
Thank you. | 1:20:06 | 1:20:08 | |
Frank, have you decided which hospital you want to work at here in New Orleans? | 1:20:08 | 1:20:11 | |
Well, to be quite honest, I'm... thinking about getting back into law. | 1:20:11 | 1:20:16 | |
Oh, my! Are you a doctor or a lawyer? | 1:20:16 | 1:20:20 | |
Well, before I went to medical school, I passed the bar in California. | 1:20:20 | 1:20:23 | |
I practised law for one year, | 1:20:23 | 1:20:25 | |
then I decided, why not try my hand at paediatrics? | 1:20:25 | 1:20:28 | |
-Well, you're just full of surprises. -Yeah. | 1:20:30 | 1:20:34 | |
Oh, my, a doctor AND a lawyer. I'd say that Brenda hit the jackpot. | 1:20:35 | 1:20:39 | |
Where did you go to law school? | 1:20:39 | 1:20:41 | |
Berkeley. ALL GASP | 1:20:41 | 1:20:44 | |
Berkeley, Berkeley. Oh, my gosh. Isn't that where you went, Daddy? | 1:20:44 | 1:20:47 | |
Oh, maybe Frank could come work for you, Roger. | 1:20:47 | 1:20:49 | |
You're always saying how hard it is to find assistant prosecutors. | 1:20:49 | 1:20:52 | |
Could he, Daddy? Could he, please? Could he come work with you, please? | 1:20:52 | 1:20:55 | |
Was that snake Hollingsworth still teaching there | 1:20:55 | 1:20:57 | |
when you went through Berkeley? | 1:20:57 | 1:20:59 | |
Hollingsworth, yes. Grumpy old Hollingsworth, right? | 1:21:01 | 1:21:05 | |
I tell you - meaner than ever. | 1:21:05 | 1:21:06 | |
And that dog of his? | 1:21:06 | 1:21:08 | |
Tell me, Frank, what was the name of his little dog? | 1:21:11 | 1:21:14 | |
I'm sorry, er... | 1:21:23 | 1:21:25 | |
the dog was dead. | 1:21:25 | 1:21:28 | |
Oh. | 1:21:28 | 1:21:30 | |
How unfortunate. | 1:21:31 | 1:21:33 | |
Yeah. | 1:21:33 | 1:21:35 | |
A doctor, a lawyer, a Lutheran. | 1:22:04 | 1:22:07 | |
So what are you, Frank? | 1:22:09 | 1:22:11 | |
Cos I think you're about to ask for my daughter's hand in marriage, | 1:22:12 | 1:22:16 | |
and I have a right to know. | 1:22:16 | 1:22:17 | |
Know what, sir? | 1:22:17 | 1:22:19 | |
The truth. | 1:22:19 | 1:22:21 | |
Tell me the truth, Frank. | 1:22:23 | 1:22:25 | |
What are you doing here? | 1:22:26 | 1:22:28 | |
What is a man like you doing with Brenda? | 1:22:30 | 1:22:32 | |
If you want my blessing, if you want my daughter... | 1:22:34 | 1:22:38 | |
I'd like to hear it from you now. | 1:22:38 | 1:22:40 | |
The truth is, sir, that... | 1:22:43 | 1:22:44 | |
The truth is that... | 1:22:48 | 1:22:50 | |
..I'm not a doctor, I'm not a lawyer... | 1:22:53 | 1:22:55 | |
..I'm not an airline pilot. | 1:22:58 | 1:23:00 | |
I'm... I'm nothing, really. | 1:23:00 | 1:23:03 | |
I'm just a kid who's in love with your daughter. | 1:23:10 | 1:23:14 | |
No. | 1:23:15 | 1:23:17 | |
You know what you are? | 1:23:25 | 1:23:28 | |
You're a romantic. | 1:23:28 | 1:23:30 | |
Men like us are nothing without the women we love. | 1:23:30 | 1:23:33 | |
I must confess, I'm guilty of the same foolish whimsy. | 1:23:33 | 1:23:36 | |
I proposed to Carol after five dates with two nickels in my pockets | 1:23:36 | 1:23:39 | |
and holes in my shoes, because I knew she was the one. | 1:23:39 | 1:23:43 | |
So go ahead, Frank. | 1:23:43 | 1:23:45 | |
Don't be afraid. | 1:23:49 | 1:23:51 | |
Ask the question you came here to ask me. | 1:23:51 | 1:23:53 | |
Sir...what would I have to do to take the bar here in New Orleans? | 1:23:56 | 1:24:02 | |
No, the other question. | 1:24:07 | 1:24:09 | |
WOMAN: Right through that door. | 1:24:14 | 1:24:16 | |
-Good luck, Mr Conners. -Thank you. | 1:24:18 | 1:24:22 | |
Hey, Frank? | 1:24:29 | 1:24:31 | |
You know what I could never figure out? | 1:24:31 | 1:24:33 | |
How did you cheat in the bar exam in Louisiana? | 1:24:33 | 1:24:36 | |
Why - what's the difference? | 1:24:36 | 1:24:37 | |
Someone else took the test for you, didn't they? | 1:24:37 | 1:24:39 | |
Carl, I'm going to prison for a long time. | 1:24:39 | 1:24:42 | |
Seriously, what's the difference? | 1:24:42 | 1:24:45 | |
It's a simple question. | 1:24:45 | 1:24:47 | |
Are you going to eat that eclair? | 1:24:47 | 1:24:49 | |
Yeah, I'm saving it for later. | 1:24:52 | 1:24:55 | |
Well, you want to split it with me? | 1:24:55 | 1:24:57 | |
No. | 1:24:57 | 1:24:59 | |
Give me half of that eclair and I'll tell ya. | 1:25:01 | 1:25:04 | |
I'm going to figure it out sooner or later. | 1:25:14 | 1:25:17 | |
You'll be working under Philip Rigby in corporate law. | 1:25:23 | 1:25:27 | |
Why don't you settle in, organise your desk? | 1:25:27 | 1:25:30 | |
Thank you. | 1:25:30 | 1:25:32 | |
We're having lunch at 12.30 | 1:25:32 | 1:25:34 | |
with the attorney-general AND Governor McKithick himself. | 1:25:34 | 1:25:39 | |
-The governor? -Did we spell it right? | 1:25:39 | 1:25:42 | |
Sure did. | 1:25:42 | 1:25:44 | |
Congratulations. | 1:25:44 | 1:25:45 | |
-Thank you, sir. -Welcome aboard. | 1:25:45 | 1:25:47 | |
Now... | 1:25:47 | 1:25:49 | |
..look at this photograph, Mr Stuart. | 1:25:55 | 1:25:57 | |
It's a photograph of Prentice York where they found him, dead. | 1:25:57 | 1:26:02 | |
Now, here is an enlargement of part of that photograph. | 1:26:02 | 1:26:04 | |
This is a photograph of the defendant's signature | 1:26:04 | 1:26:07 | |
on a cancelled cheque. | 1:26:07 | 1:26:08 | |
Now here is an enlargement of that same signature | 1:26:08 | 1:26:11 | |
which matches the signature on the letters that he wrote to Mrs Simon | 1:26:11 | 1:26:15 | |
which discuss the possibility | 1:26:15 | 1:26:17 | |
of defrauding the great state of Louisiana. | 1:26:17 | 1:26:19 | |
Your Honour, ladies and gentlemen of the jury, | 1:26:19 | 1:26:22 | |
this is irrefutable evidence that the defendant is, in fact, lying. | 1:26:22 | 1:26:27 | |
Mr Conners, this is a preliminary hearing. | 1:26:32 | 1:26:36 | |
There is no...defendant. | 1:26:36 | 1:26:40 | |
There is no...jury. | 1:26:40 | 1:26:45 | |
It's just me. | 1:26:45 | 1:26:47 | |
Son, what in the hell is wrong with you? | 1:26:49 | 1:26:53 | |
-APPLAUSE ON TV -Is that Mitch? Roger...it's Mitch. | 1:26:53 | 1:26:58 | |
Oh, my, I lost all track of time. | 1:26:58 | 1:26:59 | |
MITCH MILLER ON TV: As studio guests for the sing-along tonight, | 1:26:59 | 1:27:03 | |
we have the children's choir of St Monica's Church in New York City. | 1:27:03 | 1:27:05 | |
Won't you join them and the gang in a few songs for the Irish? Everybody! | 1:27:05 | 1:27:09 | |
CHOIR SINGS: # Has anybody here seen Kelly? | 1:27:09 | 1:27:12 | |
-FAMILY SING: -# K-E-double L-Y | 1:27:12 | 1:27:15 | |
# Has anybody here seen Kelly? | 1:27:15 | 1:27:17 | |
# Have you seen him smile? | 1:27:17 | 1:27:19 | |
# So his hair is red and his eyes are blue | 1:27:19 | 1:27:22 | |
# And he's Irish through and through | 1:27:22 | 1:27:24 | |
# Has anybody here seen Kelly? | 1:27:24 | 1:27:26 | |
# Kelly from the Emerald Isle | 1:27:26 | 1:27:29 | |
# Has anybody here seen Kelly? | 1:27:29 | 1:27:31 | |
# K-E-double-L-Y | 1:27:31 | 1:27:34 | |
# Has anybody here seen Kelly? | 1:27:34 | 1:27:36 | |
# Have you seen him smile? | 1:27:36 | 1:27:38 | |
# So his hair is red and his eyes are blue | 1:27:38 | 1:27:41 | |
-ALL: -# And he's Irish Through and through | 1:27:41 | 1:27:44 | |
# Has anybody here seen Kelly? # | 1:27:44 | 1:27:46 | |
MUSIC: Embraceable You by Judy Garland | 1:27:46 | 1:27:49 | |
(Dad?) | 1:28:36 | 1:28:38 | |
What are you doing here? | 1:28:42 | 1:28:44 | |
I came to see you. | 1:28:45 | 1:28:47 | |
What are you doing dressed like this? | 1:28:51 | 1:28:53 | |
I took a job, a government job. You see what I'm doing. | 1:28:53 | 1:28:57 | |
Do you have a good lawyer? | 1:28:57 | 1:28:58 | |
Well... I sort of am a lawyer now. | 1:28:58 | 1:29:01 | |
Look at this letter - the IRS wants more. | 1:29:01 | 1:29:04 | |
I had a deal with them, two penalties. | 1:29:04 | 1:29:07 | |
They ate the cake, now they want the crumbs. | 1:29:07 | 1:29:10 | |
I want to sue them. | 1:29:10 | 1:29:11 | |
Well, they want the crumbs. | 1:29:13 | 1:29:14 | |
Here, sit down. They're trying to scare me, intimidate me. | 1:29:16 | 1:29:20 | |
Do you know what? | 1:29:20 | 1:29:22 | |
Do you know what? | 1:29:22 | 1:29:24 | |
I'll make them chase me... for the rest of their lives. | 1:29:24 | 1:29:28 | |
Hey, it's great to see you, Daddy. | 1:29:34 | 1:29:36 | |
Sit down. I want to show you something. | 1:29:38 | 1:29:41 | |
I came here to give you this. | 1:29:43 | 1:29:46 | |
It's an invitation to an engagement party. | 1:29:46 | 1:29:48 | |
Daddy, I'm getting married. | 1:29:51 | 1:29:53 | |
Can you believe that I'm getting married? | 1:29:53 | 1:29:56 | |
You don't need to worry about anything now, Dad. | 1:29:56 | 1:29:59 | |
Listen, I'm getting a brand-new Cadillac. | 1:29:59 | 1:30:01 | |
I'm getting a 60,000 house. I'm getting it all back. | 1:30:01 | 1:30:05 | |
All the jewellery, all the furs - everything, Dad. | 1:30:05 | 1:30:07 | |
Everything they took from us, I'm going to get it back. | 1:30:07 | 1:30:09 | |
Now...has Ma seen you dressed like this? | 1:30:09 | 1:30:14 | |
She came to pick up some boxes. | 1:30:16 | 1:30:18 | |
That's OK, that's OK. You know why? | 1:30:18 | 1:30:20 | |
Cos she's going to the wedding with us. | 1:30:20 | 1:30:22 | |
I'm going to get you a brand-new suit, Dad. | 1:30:22 | 1:30:24 | |
I'm getting you a brand-new suit, | 1:30:24 | 1:30:26 | |
one of those Manhattan eagle three-button suits. | 1:30:26 | 1:30:28 | |
-You'll look great. -Those are nice, yeah. | 1:30:28 | 1:30:30 | |
She won't see me. | 1:30:30 | 1:30:32 | |
Have you tried to call her? | 1:30:34 | 1:30:36 | |
No. | 1:30:36 | 1:30:38 | |
Why don't you call her right now? | 1:30:38 | 1:30:40 | |
Dad, why don't you call her right now? Here. | 1:30:40 | 1:30:42 | |
Dad, just call her. Call her for me. | 1:30:42 | 1:30:46 | |
You call her, you tell her | 1:30:46 | 1:30:47 | |
I have two first-class tickets to go see her son. | 1:30:47 | 1:30:49 | |
Your mother's married now to my friend Jack Barnes. | 1:30:49 | 1:30:51 | |
They have a house in Long Island. | 1:30:51 | 1:30:53 | |
I had an FBI agent come see me. | 1:30:55 | 1:30:57 | |
You got their number, son. That guy looked scared. | 1:30:59 | 1:31:02 | |
The United States Government, champ, running for the hills. | 1:31:02 | 1:31:07 | |
Pow! To the moon. | 1:31:07 | 1:31:09 | |
Dad, it's over. | 1:31:20 | 1:31:23 | |
I'm going to stop now. | 1:31:23 | 1:31:26 | |
But you've... They're never going to catch you, Frank. | 1:31:26 | 1:31:30 | |
-Dad, she wouldn't do that. -Why won't you sit down? | 1:31:30 | 1:31:33 | |
-Why would she do that to you? -Come on, sit with me, have a drink. I'm your father. | 1:31:33 | 1:31:36 | |
Then ask me to stop. | 1:31:38 | 1:31:40 | |
Then ask me to stop. | 1:31:40 | 1:31:43 | |
You can't stop. | 1:31:45 | 1:31:47 | |
Where are you going? | 1:31:49 | 1:31:51 | |
Come on, Frank, where are you going? | 1:31:51 | 1:31:53 | |
Where are you going? Where are you going tonight? | 1:31:53 | 1:31:56 | |
Someplace exotic? Where are you going tonight - Tahiti, Hawaii? | 1:31:56 | 1:32:00 | |
PHONE RINGS | 1:32:10 | 1:32:12 | |
This is Hanratty. | 1:32:17 | 1:32:19 | |
-FRANK JR: -Hello, Carl. Merry Christmas. | 1:32:19 | 1:32:23 | |
How are you, Dr Conners? | 1:32:23 | 1:32:26 | |
Carl, I haven't been Dr Conners for months now. | 1:32:26 | 1:32:30 | |
Well, I'm sitting here in my office on Christmas Eve. What do you want? | 1:32:32 | 1:32:38 | |
-FRANK SIGHS -OK. | 1:32:44 | 1:32:46 | |
I want it to be over. | 1:32:49 | 1:32:51 | |
Um... I want it to be over. | 1:32:54 | 1:32:56 | |
I'm getting married. You know, I'm settling down. | 1:32:56 | 1:33:00 | |
You've stolen almost 4 million. | 1:33:00 | 1:33:02 | |
You think we can just call that a wedding present? | 1:33:02 | 1:33:05 | |
No, this isn't something you get to walk away from, Frank. | 1:33:05 | 1:33:07 | |
I want to call a truce. | 1:33:07 | 1:33:09 | |
No truce. You will be caught, you will go to prison. | 1:33:09 | 1:33:11 | |
Where did you think this was going? | 1:33:11 | 1:33:13 | |
Please leave me alone, Carl. | 1:33:13 | 1:33:16 | |
Please. | 1:33:16 | 1:33:18 | |
I'm getting close, aren't I? | 1:33:18 | 1:33:20 | |
You're scared because I'm getting close. | 1:33:20 | 1:33:23 | |
I know you...you rented that car in Shreveport. | 1:33:23 | 1:33:25 | |
You stayed in that hotel in Lake Charles. | 1:33:25 | 1:33:28 | |
If you want to run, be my guest. | 1:33:28 | 1:33:30 | |
Your cheques don't lie as well as you do. | 1:33:30 | 1:33:32 | |
Stop chasing me. | 1:33:32 | 1:33:35 | |
I can't stop. | 1:33:37 | 1:33:39 | |
It's my job. | 1:33:40 | 1:33:42 | |
'It's OK, Carl.' | 1:33:43 | 1:33:44 | |
I just thought I'd ask, you know? | 1:33:46 | 1:33:49 | |
Hey... Merry Christmas, huh? | 1:33:51 | 1:33:54 | |
CALL DISCONNECTS | 1:33:54 | 1:33:57 | |
I love my job. | 1:33:57 | 1:33:58 | |
All right. | 1:34:00 | 1:34:01 | |
Let's get every newspaper we can, | 1:34:01 | 1:34:03 | |
every newspaper in Louisiana for the last two months. | 1:34:03 | 1:34:05 | |
What are we looking for? | 1:34:05 | 1:34:06 | |
Engagement announcements, name of Conners. | 1:34:06 | 1:34:09 | |
Conners? Come on, Carl, the kid would have changed his name by now. | 1:34:09 | 1:34:12 | |
Uh-uh. He can't change it. | 1:34:12 | 1:34:15 | |
She thinks he's Conners. | 1:34:15 | 1:34:16 | |
If he loses the name, he loses the girl. | 1:34:16 | 1:34:20 | |
-Congratulations. -Are you having a good time? | 1:34:29 | 1:34:31 | |
Keep dancin', huh? | 1:34:36 | 1:34:37 | |
-Hi. -Gee, thank you. | 1:34:40 | 1:34:43 | |
-I'm going to the little boys' room. -OK. Hurry back. | 1:34:43 | 1:34:46 | |
Good evening. I'm Agent Hanratty with the FBI. | 1:35:02 | 1:35:05 | |
I'd like to have a few quiet words with your host if possible. | 1:35:05 | 1:35:07 | |
I'll get him for you, sir. | 1:35:07 | 1:35:09 | |
Right over there. | 1:35:11 | 1:35:12 | |
-Hi, Roger. How are you? -Hi, Ben. | 1:35:12 | 1:35:14 | |
Good evening, gentlemen. I'm Roger Strong. | 1:35:15 | 1:35:17 | |
Carl Hanratty, FBI. This is agents Amdursky and Fox. | 1:35:17 | 1:35:21 | |
-Sorry to crash your party, sir. -Not at all. What can I do for you? | 1:35:21 | 1:35:25 | |
If it's not too much trouble, I'd like to meet the groom. | 1:35:25 | 1:35:28 | |
Is there a problem? | 1:35:28 | 1:35:30 | |
-Frank, can you hold all these? -Yeah. Come here. | 1:35:32 | 1:35:35 | |
They're cheques, from my dad's friends. | 1:35:35 | 1:35:37 | |
They're for us so we can start a new life. | 1:35:37 | 1:35:39 | |
Hey, what are you do... | 1:35:39 | 1:35:40 | |
-What's wrong? -We have to leave. | 1:35:40 | 1:35:43 | |
What? | 1:35:43 | 1:35:44 | |
Brenda, you love me, right? | 1:35:45 | 1:35:47 | |
-Yeah. -I mean, you love me no matter what. | 1:35:47 | 1:35:49 | |
You'd love me whether I was sick | 1:35:49 | 1:35:51 | |
or whether I was poor or even if I had a different name. | 1:35:51 | 1:35:54 | |
Frank, where did you get all that money? | 1:35:54 | 1:35:56 | |
Brenda, listen - a name, right, it doesn't matter. | 1:35:56 | 1:35:59 | |
My name is Frank Conners, right? That's who I am with you. | 1:35:59 | 1:36:01 | |
But...but we all have secrets. | 1:36:01 | 1:36:02 | |
Sometimes when I travel, I use the name Frank Taylor. | 1:36:02 | 1:36:05 | |
-That's my secret. -Frank Taylor? | 1:36:05 | 1:36:06 | |
Yeah, Frank Taylor, you know? Frank Black, you know? | 1:36:06 | 1:36:09 | |
-Frank Black? -Yeah, it doesn't matter. | 1:36:09 | 1:36:11 | |
Why are you saying all this? | 1:36:11 | 1:36:13 | |
Brenda...Brenda, I don't want to lie to you any more, all right? | 1:36:13 | 1:36:16 | |
I'm not a doctor, I never went to medical school. | 1:36:16 | 1:36:18 | |
I'm not a lawyer or a Harvard graduate or a Lutheran. | 1:36:18 | 1:36:22 | |
Brenda, I ran away from home a year and a half ago when I was 16. | 1:36:22 | 1:36:25 | |
Frank... | 1:36:25 | 1:36:27 | |
Frank? | 1:36:28 | 1:36:29 | |
You're not a Lutheran? | 1:36:30 | 1:36:32 | |
Brenda, you see all this money? | 1:36:32 | 1:36:35 | |
You see all this money? I have more. I have plenty more. | 1:36:35 | 1:36:38 | |
I have enough money to last us for the rest of our lives. Look. | 1:36:39 | 1:36:43 | |
Frank, stop teasing me. | 1:36:43 | 1:36:46 | |
You're Frank Conners. You're Frank Conners and you're 28 years old. | 1:36:46 | 1:36:49 | |
-Brenda. -Why would you lie to me? | 1:36:50 | 1:36:53 | |
-Brenda...Brenda... -I want to know your name. | 1:36:53 | 1:36:56 | |
-Brenda, listen to me. -You tell me your name. | 1:36:56 | 1:36:57 | |
Brenda, we can live anywhere we want, but you have to trust me, Brenda. | 1:36:57 | 1:37:01 | |
-Do you trust me? -Yes. | 1:37:01 | 1:37:02 | |
-Do you love me, Brenda? -Yes. | 1:37:02 | 1:37:04 | |
-You love me. -I love you. | 1:37:04 | 1:37:05 | |
Excuse me, Mother. | 1:37:05 | 1:37:07 | |
Honey, this is Mr Hanratty. My wife, Carol. | 1:37:07 | 1:37:10 | |
-Mr.. -Hanratty, ma'am. | 1:37:10 | 1:37:12 | |
-..Ratty. -Have you seen Frank or Brenda? | 1:37:12 | 1:37:14 | |
I think they went upstairs. | 1:37:14 | 1:37:16 | |
Frank. | 1:37:21 | 1:37:23 | |
Brenda, come here. | 1:37:25 | 1:37:27 | |
OK, in two days, you're going to meet me | 1:37:27 | 1:37:29 | |
at Miami International Airport, all right? | 1:37:29 | 1:37:31 | |
You're going to leave the house after your parents go to sleep, take a taxi cab. | 1:37:31 | 1:37:34 | |
You give the taxi driver this money | 1:37:34 | 1:37:36 | |
and tell him to drive through the night. | 1:37:36 | 1:37:38 | |
Brenda, you're going to leave at 10am - 10am, all right? | 1:37:38 | 1:37:41 | |
SCATS TO JAZZ MUSIC | 1:37:41 | 1:37:44 | |
# I never stop... # | 1:37:44 | 1:37:46 | |
-Which room, sir? -In the corner. | 1:38:00 | 1:38:02 | |
You have to listen to me, all right? The international terminal in Miami. | 1:38:02 | 1:38:06 | |
-Say it - no matter what. -No matter what. | 1:38:06 | 1:38:08 | |
-You're going to take a taxi cab. -A taxi. | 1:38:08 | 1:38:10 | |
-You're going to be there at 10am. -10am, no matter what. | 1:38:10 | 1:38:12 | |
In two days. Two days, Brenda. Two days. | 1:38:12 | 1:38:15 | |
In two days I'll be there, no matter what, at 10am. | 1:38:15 | 1:38:18 | |
We're not going to tell anyone, Brenda. You have to promise me now. | 1:38:25 | 1:38:28 | |
Wait, please! Before you go, please tell me your name. | 1:38:28 | 1:38:31 | |
Please tell me. | 1:38:31 | 1:38:32 | |
Frank William Abagnale Jr. | 1:38:34 | 1:38:37 | |
SHE SOBS | 1:39:03 | 1:39:05 | |
Brenda... | 1:40:44 | 1:40:46 | |
This guy's a no-show. He must have gotten wise to us. | 1:40:58 | 1:41:00 | |
We'll get him before he leaves the country. | 1:41:00 | 1:41:03 | |
He doesn't have a passport. | 1:41:03 | 1:41:05 | |
For the last six months, he's gone to Harvard and Berkeley. | 1:41:05 | 1:41:07 | |
I'm betting he can get a passport. | 1:41:07 | 1:41:09 | |
So we have all our men waiting for him here in Miami International. | 1:41:09 | 1:41:12 | |
He's used it before, he knows the layout. | 1:41:12 | 1:41:14 | |
Miami police have offered us 50 uniform cops in two shifts of 25. | 1:41:14 | 1:41:17 | |
With our guys, that's almost 100 men in one airport. | 1:41:17 | 1:41:20 | |
-Don't you think we should spread it around? -No, no, this is the exit point. | 1:41:20 | 1:41:23 | |
How do you know he hasn't driven to the airports in New York, Atlanta? | 1:41:23 | 1:41:26 | |
Because I'm not in New York, I'm not in Atlanta. | 1:41:26 | 1:41:29 | |
Yes, this is Frank Roberts | 1:41:29 | 1:41:31 | |
and I'm letting all the universities in the area know | 1:41:31 | 1:41:34 | |
that Pan Am will be initiating a new recruiting programme this year. | 1:41:34 | 1:41:38 | |
I'll be stopping by your campus tomorrow morning. | 1:41:38 | 1:41:41 | |
Thank you all very much for coming. | 1:41:41 | 1:41:44 | |
At the end of the day, I'll be choosing eight young ladies | 1:41:44 | 1:41:47 | |
to be a part of... CHEERING AND APPLAUSE | 1:41:47 | 1:41:50 | |
..Pan Am's Future Stewardess Flight Crew Programme. | 1:41:50 | 1:41:53 | |
Now, these eight young ladies will accompany me | 1:41:53 | 1:41:55 | |
on a two-month public relations tour through Europe. | 1:41:55 | 1:41:58 | |
EXCITED CHATTER | 1:41:58 | 1:41:59 | |
They will discover first-hand what it takes | 1:41:59 | 1:42:02 | |
to be a Pan American stewardess. | 1:42:02 | 1:42:04 | |
Give me at least two men...nah, one man per every two counters. | 1:42:06 | 1:42:10 | |
-Mm-hm. -All right? | 1:42:10 | 1:42:12 | |
-Amdursky? -Yeah. | 1:42:12 | 1:42:14 | |
Make sure your uniforms are covering the sidewalk entrances and exits. | 1:42:14 | 1:42:19 | |
Hey...let's have periodic sweeps of the men's lav. | 1:42:19 | 1:42:24 | |
What qualifies me to be a future stewardess? | 1:42:25 | 1:42:29 | |
Well, I think that I'm really friendly | 1:42:29 | 1:42:32 | |
and I can really help out | 1:42:32 | 1:42:33 | |
and make people feel welcome on the plane and... | 1:42:33 | 1:42:37 | |
We'll be travelling at 6,000 miles per hour at an altitude of 300ft. | 1:42:37 | 1:42:41 | |
# All my bags are packed | 1:42:41 | 1:42:43 | |
# I'm ready to go... # | 1:42:43 | 1:42:46 | |
HE PLAYS "COME FLY WITH ME" | 1:42:46 | 1:42:48 | |
Eileen Anderson. SCREAMING AND APPLAUSE | 1:42:48 | 1:42:51 | |
Miggy Acker. SCREAMING AND APPLAUSE | 1:42:57 | 1:43:00 | |
Debra Jo McMillan. SCREAMING AND APPLAUSE | 1:43:03 | 1:43:06 | |
Candy Haskin. SCREAMING | 1:43:12 | 1:43:14 | |
MUSIC: Come Fly With Me by Frank Sinatra | 1:43:14 | 1:43:17 | |
-You see that blonde out front? -Should have been a pilot. | 1:44:10 | 1:44:13 | |
Exactly. | 1:44:13 | 1:44:14 | |
-WOMAN OVER PA: -Mr Carl Hanratty, please pick up a courtesy telephone. | 1:44:14 | 1:44:17 | |
-Hanratty. -MAN: Carl, your walkie-talkie wasn't working. | 1:44:17 | 1:44:20 | |
There's a guy in a Pan Am uniform | 1:44:20 | 1:44:21 | |
sitting in a white coupe DeVille out front of terminal J. | 1:44:21 | 1:44:24 | |
That's the charter terminal. | 1:44:24 | 1:44:26 | |
-Can you get a look at his face? -He's got his pilot's cap on. | 1:44:26 | 1:44:28 | |
Carl, I think it's him. | 1:44:28 | 1:44:30 | |
SIREN WAILS | 1:44:31 | 1:44:34 | |
The DeVille! White coupe DeVille! | 1:44:35 | 1:44:38 | |
Get out of the car, Frank. | 1:44:41 | 1:44:44 | |
Frank! Step out of the car. | 1:44:44 | 1:44:46 | |
Keep your hands where I can see them. | 1:44:48 | 1:44:49 | |
Don't shoot me, I'm just a driver. | 1:44:49 | 1:44:51 | |
A man paid me 100 to wear this and pick someone up at the airport. | 1:44:51 | 1:44:54 | |
Who are you picking up? | 1:44:54 | 1:44:56 | |
Hey! | 1:44:56 | 1:44:58 | |
South America, Australia, Singapore, Egypt. | 1:45:20 | 1:45:23 | |
The kid's gone completely out of control. | 1:45:23 | 1:45:25 | |
-Why wasn't I called? -Nobody was called, sir. | 1:45:25 | 1:45:28 | |
The banks didn't know what was happening till last week. | 1:45:28 | 1:45:30 | |
-That's impossible. -They didn't call cos it's not counterfeiting, it's something else. | 1:45:30 | 1:45:34 | |
-What's he doing? -Making real cheques, sir. | 1:45:34 | 1:45:36 | |
These are so perfect, the airline couldn't tell. | 1:45:36 | 1:45:38 | |
The last cheque was cashed in Madrid a week ago. | 1:45:38 | 1:45:40 | |
I think he's still there. We have to leave today, sir. | 1:45:40 | 1:45:42 | |
Go where? Spain? You want to go to Spain? | 1:45:42 | 1:45:45 | |
He's got to go back to where the cheques were printed. | 1:45:45 | 1:45:47 | |
I think that's why he's moving back through Europe. | 1:45:47 | 1:45:49 | |
Look at the map, sir. He's making a circle, running out of cheques. | 1:45:49 | 1:45:52 | |
I know it's a long shot, sir, but we could still catch him. | 1:45:52 | 1:45:56 | |
I'm sorry, Carl, if you couldn't catch him here, | 1:45:56 | 1:45:58 | |
you're not going to catch him there. | 1:45:58 | 1:45:59 | |
But, sir, are we going to let him get away? | 1:45:59 | 1:46:01 | |
No, Carl, YOU let him get away. | 1:46:01 | 1:46:04 | |
A perfect one-sixteenth all the way around. | 1:46:45 | 1:46:49 | |
Hmm...the colour separation is flawless. | 1:46:49 | 1:46:53 | |
There's no bleeding. Hmm. | 1:46:56 | 1:46:58 | |
Nobody does work like this in the States. | 1:46:58 | 1:47:00 | |
Nobody but us. | 1:47:00 | 1:47:01 | |
Where was it printed? | 1:47:01 | 1:47:03 | |
It was printed on a monster. | 1:47:03 | 1:47:05 | |
-A monster. -A Heidelberg, an Istra. | 1:47:05 | 1:47:07 | |
-Heidelberg. -A dinosaur - four colours. | 1:47:07 | 1:47:10 | |
You can smell the weight. | 1:47:10 | 1:47:12 | |
Two tonnes, without the ink. | 1:47:12 | 1:47:14 | |
Where do they do printing like this? | 1:47:14 | 1:47:16 | |
Germany, Great Britain. | 1:47:16 | 1:47:19 | |
-France. PRINTERS: -France! | 1:47:19 | 1:47:22 | |
France? Frank's mother said the name of a village in France | 1:47:22 | 1:47:25 | |
where they didn't have Sara Lee, the village she met Frank's father. | 1:47:25 | 1:47:27 | |
-Oh, yeah, I don't remember... -It started with an M. | 1:47:27 | 1:47:30 | |
It was "Ma" something. Ma... Mr Fox? | 1:47:30 | 1:47:32 | |
Yes, yes. "Question - you met your husband during the war? | 1:47:32 | 1:47:35 | |
"Answer - yes, I lived in a very small village in France - | 1:47:35 | 1:47:37 | |
"the kind of place where they never heard of Sara Lee." | 1:47:37 | 1:47:40 | |
Tell me you wrote down the name of the village, Mr Fox. | 1:47:40 | 1:47:42 | |
Montrichard. | 1:47:43 | 1:47:45 | |
CHOIR SINGS | 1:47:45 | 1:47:47 | |
MACHINERY CLATTERS | 1:48:20 | 1:48:22 | |
ALARM RINGS | 1:48:35 | 1:48:37 | |
Carl. CARL! | 1:48:39 | 1:48:41 | |
Merry Christmas! | 1:48:43 | 1:48:44 | |
How is it that we're always talking on Christmas, Carl?! | 1:48:44 | 1:48:47 | |
Every Christmas, I'm talking to you! | 1:48:47 | 1:48:49 | |
Put your shirt on, Frank, you're under arrest. | 1:48:49 | 1:48:52 | |
Hey, are you hungry? Do you want some beans, Carl? | 1:48:52 | 1:48:54 | |
They've got the best French beans here! | 1:48:54 | 1:48:57 | |
There's two dozen French police officers outside. | 1:48:57 | 1:48:59 | |
-I gotta tell you, they're delicious. -They wanted to bring you in. Don't want the help of an American. | 1:48:59 | 1:49:04 | |
I wouldn't bring you in unless I put the cuffs on you myself. | 1:49:04 | 1:49:07 | |
Do you have a gun? | 1:49:07 | 1:49:09 | |
-No gun? -No. | 1:49:09 | 1:49:11 | |
And you're telling me what - there's two dozen French police officers | 1:49:12 | 1:49:18 | |
out there right now on Christmas Eve? | 1:49:18 | 1:49:19 | |
-That's what you're telling me? -Yeah. | 1:49:19 | 1:49:21 | |
All right - all right, well, there's no windows here, | 1:49:21 | 1:49:24 | |
I'm going to take a look out the front door. | 1:49:24 | 1:49:26 | |
No, no! I told them I'd walk out first and give a signal. | 1:49:26 | 1:49:29 | |
-Here, you can put these on yourself. -No, I can't do that. | 1:49:29 | 1:49:32 | |
I can't do that. | 1:49:32 | 1:49:33 | |
You know why? | 1:49:33 | 1:49:35 | |
Cos I think you're full of shit. | 1:49:35 | 1:49:36 | |
I don't think there's anyone else out there. | 1:49:36 | 1:49:38 | |
I think... I think it's just me and you. | 1:49:38 | 1:49:40 | |
That's right. I think it's just me and you. | 1:49:40 | 1:49:43 | |
And you know what? You're going to have to catch me yourself. | 1:49:43 | 1:49:46 | |
Now, we don't have time for this. | 1:49:46 | 1:49:47 | |
That's good, that's good. | 1:49:47 | 1:49:50 | |
Tell me what you want me to see, huh? | 1:49:50 | 1:49:52 | |
-I wouldn't lie to you. -Look, you're wearing a wedding ring. | 1:49:52 | 1:49:55 | |
A wedding ring, Carl. You lied to me about that. | 1:49:55 | 1:49:58 | |
-You lied to me about that! -You asked me if I had a family. | 1:49:58 | 1:50:01 | |
I did, but I don't any more. | 1:50:01 | 1:50:03 | |
PHONE RINGS | 1:50:03 | 1:50:05 | |
Yes. No, no, no, there is no problem. We're coming out right now. | 1:50:11 | 1:50:14 | |
FRANK LAUGHS | 1:50:14 | 1:50:16 | |
Oh, that was good. That was good. | 1:50:16 | 1:50:18 | |
What - did you pay some hotel desk clerk to make that call for you? | 1:50:18 | 1:50:22 | |
That was Captain Luc. I've got one minute to... | 1:50:22 | 1:50:24 | |
"Captain Luc"? | 1:50:24 | 1:50:25 | |
"Captain Luc"? Oooh, Captain Luc. | 1:50:25 | 1:50:27 | |
Well, Carl, I've got to say that sounds pretty official to me, | 1:50:27 | 1:50:30 | |
but like I said, I think it's just me and you here, just me and you, | 1:50:30 | 1:50:33 | |
so you're going to have to catch me. | 1:50:33 | 1:50:35 | |
Frank... Frank, you have to trust me on this. | 1:50:35 | 1:50:38 | |
These people have been embarrassed, Frank. They're angry. | 1:50:38 | 1:50:40 | |
You rob their banks, steal their money, live in their country. | 1:50:40 | 1:50:43 | |
I told you this was going to happen, | 1:50:43 | 1:50:46 | |
that there was no other way for it to end. | 1:50:46 | 1:50:47 | |
Don't make a mistake! | 1:50:47 | 1:50:50 | |
That's good. That's good, Carl, you know? | 1:50:50 | 1:50:53 | |
Keep pushing that lie. | 1:50:53 | 1:50:54 | |
Keep pushing it. Keep pushing till you make it true. | 1:50:54 | 1:50:57 | |
They're going to kill ya! | 1:50:57 | 1:50:59 | |
You walk out that door, they're going to kill you. | 1:50:59 | 1:51:02 | |
Is that the truth? | 1:51:07 | 1:51:08 | |
Yeah. | 1:51:12 | 1:51:15 | |
Do you have any children, Carl? | 1:51:19 | 1:51:21 | |
I have a four-year-old daughter. | 1:51:21 | 1:51:23 | |
You swear on your daughter? | 1:51:24 | 1:51:26 | |
You swear? | 1:51:29 | 1:51:31 | |
You swear? | 1:51:36 | 1:51:37 | |
CHOIR SINGS | 1:51:48 | 1:51:51 | |
That was really good, Carl. | 1:52:08 | 1:52:10 | |
SIREN WAILS | 1:52:11 | 1:52:13 | |
MAN SHOUTS IN FRENCH | 1:52:17 | 1:52:20 | |
I got him. I got him. It's all right! | 1:52:20 | 1:52:22 | |
It's all right. I got him. | 1:52:24 | 1:52:26 | |
SPEAKS FRENCH | 1:52:26 | 1:52:28 | |
Hey, I want it on the record... | 1:52:29 | 1:52:32 | |
Frank Abagnale surrendered of his own accord. | 1:52:32 | 1:52:34 | |
Understood? Understood? | 1:52:34 | 1:52:36 | |
Where are you taking him? I'm supposed to go. | 1:52:36 | 1:52:39 | |
Where are you taking him? | 1:52:39 | 1:52:41 | |
Let me in the car. Let me in the car. | 1:52:41 | 1:52:43 | |
Hey, let me in the car! | 1:52:43 | 1:52:45 | |
Don't worry, Frank, I'll have you extradited back to the United States. | 1:52:49 | 1:52:52 | |
Don't worry. SIREN WAILS | 1:52:52 | 1:52:55 | |
Carl... | 1:53:13 | 1:53:15 | |
Carl...you have to remember to let me call my father when we land. | 1:53:15 | 1:53:21 | |
I just want to talk to him before he sees me on television | 1:53:21 | 1:53:24 | |
or something like that. | 1:53:24 | 1:53:25 | |
Carl, look - that's La Guardia right there. | 1:53:35 | 1:53:39 | |
Runway 44. | 1:53:39 | 1:53:40 | |
Frank, your father is dead. | 1:53:40 | 1:53:43 | |
I'm sorry. | 1:53:43 | 1:53:45 | |
I didn't want to say anything until we got closer to home. | 1:53:45 | 1:53:48 | |
He...he fell down some steps at Grand Central Station | 1:53:48 | 1:53:52 | |
trying to catch a train. | 1:53:52 | 1:53:55 | |
I didn't want to be the one to tell you. | 1:53:55 | 1:53:57 | |
You're lying, right? | 1:53:57 | 1:53:59 | |
You said I could talk to him. | 1:54:01 | 1:54:03 | |
Carl, who are you to say something like that, huh? | 1:54:03 | 1:54:06 | |
Who are you to say something like that? You said I could talk to him. | 1:54:06 | 1:54:09 | |
He fell and he broke his neck. I'm sorry. | 1:54:09 | 1:54:12 | |
I'm really sorry. | 1:54:13 | 1:54:15 | |
Goddammit! | 1:54:26 | 1:54:28 | |
Carl, I'm going to be sick. Carl, I gotta go to the bathroom. | 1:54:28 | 1:54:33 | |
-I'm going to be sick. -Sure. Let's go in the bathroom. | 1:54:33 | 1:54:36 | |
Goddammit. | 1:54:43 | 1:54:44 | |
FRANK JR BANGS ON DOOR | 1:54:48 | 1:54:51 | |
(Oh, Daddy.) | 1:55:02 | 1:55:04 | |
You'll have to take your seat, sir. I've told you twice, we're landing. | 1:55:06 | 1:55:09 | |
-Sorry. Thank you. -ALL of you. | 1:55:09 | 1:55:11 | |
Frank, come on, now. Frank? | 1:55:11 | 1:55:13 | |
We're landing in six minutes. All of you need to be in your seats with your seat belts fastened. | 1:55:13 | 1:55:17 | |
Frank! | 1:55:17 | 1:55:19 | |
Frank! Frank! | 1:55:50 | 1:55:53 | |
-All right, remain seated, everyone, please. -FBI - stay seated. | 1:55:57 | 1:56:01 | |
-Please remain seated. -Stay seated. | 1:56:09 | 1:56:11 | |
-STEWARDESS: -You must stay seated | 1:56:11 | 1:56:12 | |
until the aircraft has come to a complete stop. | 1:56:12 | 1:56:14 | |
God almighty. | 1:56:14 | 1:56:16 | |
# Chestnuts roasting on an open fire... # | 1:56:17 | 1:56:20 | |
BLOWS HARMONICA | 1:56:53 | 1:56:55 | |
What's your name? | 1:57:03 | 1:57:04 | |
Where's your mommy? | 1:57:08 | 1:57:10 | |
Hands behind your head! | 1:57:50 | 1:57:51 | |
Carl... | 1:57:51 | 1:57:53 | |
get me in the car, please. | 1:57:53 | 1:57:55 | |
Get me in the car. | 1:57:55 | 1:57:57 | |
Put him in. | 1:57:58 | 1:58:00 | |
MAN: Taking into account the gravity of these crimes, | 1:58:16 | 1:58:19 | |
your history of bold and elusive behaviour | 1:58:19 | 1:58:22 | |
and your complete lack of respect for the laws of the United States, | 1:58:22 | 1:58:27 | |
I have no choice but to ignore your request to be treated as a minor | 1:58:27 | 1:58:31 | |
and sentence you to 12 years in Atlanta's maximum-security prison | 1:58:31 | 1:58:36 | |
and recommend strongly that you be kept in isolation | 1:58:36 | 1:58:40 | |
for the entirety of that sentence. | 1:58:40 | 1:58:42 | |
Merry Christmas, Frank. | 1:59:23 | 1:59:25 | |
Hey, I got you some comic books. | 1:59:27 | 1:59:29 | |
How's your daughter? What was her name? | 1:59:36 | 1:59:39 | |
Grace. | 1:59:39 | 1:59:40 | |
Well, I don't know, she lives with her mother in Chicago. | 1:59:40 | 1:59:43 | |
I don't get to see her much. | 1:59:43 | 1:59:45 | |
-What's in the briefcase? -Oh, I'm on my way to the airport. | 1:59:47 | 1:59:51 | |
It's a paperhanger who's working his way through Minnesota. | 1:59:51 | 1:59:54 | |
Oh, jeez, he's driving us crazy. | 1:59:56 | 1:59:58 | |
You got any of the cheques? | 1:59:58 | 2:00:00 | |
Yeah, I got a counterfeit that he drew on Great Lake Savings and Loan. | 2:00:00 | 2:00:05 | |
See, he's just using a stencil machine and an Underwood. | 2:00:05 | 2:00:08 | |
It's a teller at the bank. | 2:00:08 | 2:00:10 | |
-Say again? -It's definitely a teller, Carl. | 2:00:10 | 2:00:13 | |
I mean, banks, they always use hand stamps for the dates, see? | 2:00:13 | 2:00:17 | |
They get used over and over again, so they always get worn out | 2:00:17 | 2:00:19 | |
and the numbers are always cracking. | 2:00:19 | 2:00:21 | |
The sixes and the nines, see, they go first. | 2:00:21 | 2:00:24 | |
Thanks. | 2:00:27 | 2:00:28 | |
BUZZING | 2:00:28 | 2:00:30 | |
I'd like you to take a look at something for me. | 2:00:34 | 2:00:37 | |
Tell me what you think. | 2:00:41 | 2:00:43 | |
It's a fake. | 2:00:46 | 2:00:47 | |
How do you know? You haven't looked at it. | 2:00:47 | 2:00:49 | |
Well, there's no perforated edge, right? | 2:00:49 | 2:00:51 | |
I mean, this cheque was hand cut, not fed. | 2:00:51 | 2:00:54 | |
The paper is double-bonded, much too heavy to be a bank cheque. | 2:00:57 | 2:01:00 | |
Magnetic ink, it's raised against my fingers instead of flat. | 2:01:01 | 2:01:05 | |
HE SNIFFS | 2:01:05 | 2:01:07 | |
And this doesn't smell like MICR, it's some kind of a drafting ink, | 2:01:07 | 2:01:11 | |
you know, the kind you get at a stationery store. | 2:01:11 | 2:01:13 | |
Frank...would you be interested | 2:01:19 | 2:01:22 | |
in working with the FBI's financial crimes unit? | 2:01:22 | 2:01:24 | |
I already got a job here, you know - I deliver the mail. | 2:01:26 | 2:01:29 | |
Frank, we have the power to take you out of prison. | 2:01:31 | 2:01:34 | |
You'd be placed in the custody of the FBI | 2:01:35 | 2:01:37 | |
and serve out the remainder of your sentence | 2:01:37 | 2:01:39 | |
as an employee of the Federal Government. | 2:01:39 | 2:01:41 | |
Under whose custody? | 2:01:44 | 2:01:45 | |
Hi, I'm Frank Abagnale. | 2:01:54 | 2:01:56 | |
I'm supposed to start work here today. | 2:01:56 | 2:01:59 | |
It's a tour company operating out of a BBI. | 2:01:59 | 2:02:02 | |
-Sir, Mr Abagnale is here. -I'm going to call you back. | 2:02:02 | 2:02:05 | |
-Carl. -Welcome to the FBI. | 2:02:34 | 2:02:37 | |
I'll show you where you're working. | 2:02:37 | 2:02:39 | |
Carl...how long do I have to work here? | 2:02:46 | 2:02:51 | |
It's 8.15 in the morning till 5 in the afternoon. | 2:02:51 | 2:02:53 | |
45 minutes for lunch. | 2:02:53 | 2:02:55 | |
No... I mean, how long? | 2:02:55 | 2:02:58 | |
Every day. Every day, Frank, till we let you go. | 2:03:00 | 2:03:04 | |
-Yeah? -Hey, Carl. | 2:03:56 | 2:03:57 | |
Hi. | 2:03:57 | 2:03:59 | |
What are you doing? | 2:03:59 | 2:04:01 | |
It's not a good time, Frank. I'm clearing my desk for the weekend. | 2:04:01 | 2:04:04 | |
Carl, you mind if I come to work with you tomorrow? | 2:04:07 | 2:04:09 | |
Tomorrow? It's Saturday. | 2:04:09 | 2:04:12 | |
I'm flying to Chicago to see my daughter. | 2:04:12 | 2:04:14 | |
-I'll be back to work on Monday. -Are you going to see Grace, huh? | 2:04:14 | 2:04:17 | |
Well, that's the plan. | 2:04:17 | 2:04:19 | |
So what should I do till Monday? | 2:04:22 | 2:04:24 | |
I'm sorry, kid, I can't help you there. Excuse me. | 2:04:24 | 2:04:26 | |
PHONE RINGS | 2:04:30 | 2:04:32 | |
This is Hanratty. | 2:04:34 | 2:04:36 | |
Well, yeah, put him on. | 2:04:36 | 2:04:37 | |
Mr Sawyer...how are you? | 2:04:45 | 2:04:48 | |
I have a half a dozen more cheques on that tour operator at the BBI. | 2:04:49 | 2:04:53 | |
-WOMAN OVER PA: -American Airlines 355 | 2:05:25 | 2:05:28 | |
servicing Chicago and San Francisco is now open for passenger check-in. | 2:05:28 | 2:05:32 | |
How did you do it, Frank? | 2:05:32 | 2:05:33 | |
How did you pass the bar in Louisiana? | 2:05:35 | 2:05:38 | |
What are you doing here? | 2:05:38 | 2:05:39 | |
Listen...I'm sorry I put you through all this. | 2:05:40 | 2:05:44 | |
You go back to Europe, you're going to die in Perpignan Prison. | 2:05:44 | 2:05:47 | |
If you try to run here in the States, we'll send you back to Atlanta for 50 years. | 2:05:47 | 2:05:51 | |
I know that. | 2:05:51 | 2:05:53 | |
I spent four years trying to arrange your release. | 2:05:54 | 2:05:57 | |
I had to convince my bosses at the FBI | 2:05:57 | 2:05:58 | |
-and the attorney-general of the United States you wouldn't run. -Why'd you do it? | 2:05:58 | 2:06:04 | |
-You're just a kid. -I'm not YOUR kid. | 2:06:04 | 2:06:07 | |
You said you were going to Chicago. | 2:06:07 | 2:06:10 | |
My daughter can't see me this weekend, she's going skiing. | 2:06:10 | 2:06:13 | |
You said she was four years old. You're lying. | 2:06:13 | 2:06:16 | |
She was four when I left. Now she's 15. | 2:06:16 | 2:06:19 | |
My wife's been remarried for 11 years. | 2:06:19 | 2:06:22 | |
I see Grace every now and again. | 2:06:22 | 2:06:24 | |
-I don't understand. -Sure, you do. | 2:06:25 | 2:06:28 | |
Sometimes it's easier living the lie. | 2:06:28 | 2:06:30 | |
I'm going to let you fly tonight, Frank. | 2:06:33 | 2:06:36 | |
I'm not even going to try to stop you, | 2:06:37 | 2:06:39 | |
because I know you'll be back on Monday. | 2:06:39 | 2:06:41 | |
Yeah? How do you know I'll come back? | 2:06:41 | 2:06:44 | |
Look. | 2:06:47 | 2:06:49 | |
Frank...nobody's chasing you. | 2:06:49 | 2:06:52 | |
-WOMAN ON PA: -American Airlines Flight 131 to Pittsburgh | 2:06:54 | 2:06:57 | |
is now ready for boarding. | 2:06:57 | 2:06:59 | |
Passengers with boarding passes, please proceed to gate 23A. | 2:06:59 | 2:07:03 | |
Alice, has he still not called? | 2:07:12 | 2:07:15 | |
No, he hasn't. | 2:07:15 | 2:07:16 | |
Good morning. I've called this meeting to discuss | 2:07:28 | 2:07:31 | |
a new type of cheque fraud and counterfeiting | 2:07:31 | 2:07:33 | |
in which the unsub is washing and altering cheques | 2:07:33 | 2:07:35 | |
and then passing them throughout Arizona. | 2:07:35 | 2:07:37 | |
This unsub is a big dog, passing cheques as large as five figures. | 2:07:41 | 2:07:45 | |
DOOR OPENS | 2:07:45 | 2:07:46 | |
Sorry I'm late. | 2:07:48 | 2:07:50 | |
Sorry. | 2:07:51 | 2:07:53 | |
We have a recovered cheque on Agent Rayder's desk. | 2:07:57 | 2:07:59 | |
Why don't we step out to the bullpen? | 2:07:59 | 2:08:01 | |
There's impressions on every line. | 2:08:06 | 2:08:08 | |
Looks like the original amount was for 60. | 2:08:10 | 2:08:13 | |
Mind if I take a look? | 2:08:17 | 2:08:18 | |
Cashed in Flagstaff a week ago. | 2:08:21 | 2:08:23 | |
Cost the bank 16,000. | 2:08:26 | 2:08:28 | |
It's a real cheque. | 2:08:30 | 2:08:31 | |
Yeah. Yeah, it's been washed. | 2:08:31 | 2:08:34 | |
The only thing original is the signature. | 2:08:34 | 2:08:36 | |
But it's perfect, Carl. I mean, this isn't hydrochloride or bleach. | 2:08:36 | 2:08:41 | |
No, something new. | 2:08:41 | 2:08:44 | |
Maybe a nail polish remover | 2:08:44 | 2:08:45 | |
where the acetone removes the ink that's not been printed. | 2:08:45 | 2:08:48 | |
How did you do it, Frank? | 2:08:51 | 2:08:53 | |
How did you cheat on the bar exam in Louisiana? | 2:08:55 | 2:08:58 | |
I didn't cheat. | 2:09:02 | 2:09:04 | |
I studied for two weeks and I passed. | 2:09:06 | 2:09:08 | |
Is that the truth, Frank? Is that the truth? | 2:09:10 | 2:09:14 | |
I'll bet this guy steals cheques out of mailboxes, | 2:09:14 | 2:09:17 | |
he washes off their names and he puts on his own. | 2:09:17 | 2:09:19 | |
Are you saying that he's a local? | 2:09:21 | 2:09:23 | |
Well, if it were me, you know, I'd call the bank first, | 2:09:23 | 2:09:26 | |
I'd check out the balance. | 2:09:26 | 2:09:27 | |
-Make sure there's enough money in there to make it worth your while. -Exactly. | 2:09:27 | 2:09:31 | |
You know, Carl, I think this guy's pretty smart. | 2:09:31 | 2:09:34 | |
Huh, I guess all we have to do now is catch him. | 2:09:34 | 2:09:36 | |
We'll start first thing in the morning. | 2:09:37 | 2:09:40 |