The Big Easy


The Big Easy

Drama about a corrupt New Orleans cop (Dennis Quaid) who finds his department under investigation by an uncompromising female DA at the same time as a gang war erupts on his patch.


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Transcript


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LIVELY MUSIC PLAYS

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# Mais tout partout au ras du bayou

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# La mousse-la balance Aux les gros chenes verts

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# Le cocodris dormir Dans la cypriere

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# Les bebes, filles Les grands bonard

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# La fille belle crie Des loups devant

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# Les cocos de grand-mere Mais touts la-bas

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# Moune-la connait Y'ole zydeco

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# Milattes ape Grouiller aux os

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# Zydeco chaud Ape vini plus chaud

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# Et gens de couleur Ole plus...

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# La grande eau

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# Plie Ben frette Qu'ape mouilli

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# Pas capab' froidir Sang qu'ape...

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# Bouilli

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# Beaux et belles ape Fait zo projets

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# Et maman fait grand...

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# Gris-gris!

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# Loin, loin En cypriere noire

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# Tout quequ'n creole Crie pour plis...

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# Zydeco!

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# Rrrrr-aahh! Aahh! Aahh! #

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SHIP'S HORN BLOWS

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SHIP'S HORN BLOWS

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All right, hold it.

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Oh, sorry, Lieutenant.

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RADIO DJ: 'It's two AM in New Orleans,

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'the Big Easy, and we're stirring up that gumbo.'

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Hey, Remy!

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CAMERA CLICKING

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Hey, where you at?

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Where you been? Don't you ever go home?

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Only when the music stops.

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Hey, who's the dead meat?

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Let's see if you can make him.

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Oh, man, yeah. Hello, Freddie.

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That's Freddie Angelo, wise guy, scumbag.

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Works for Vinnie "The Cannon" d'Imoti.

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Handles Mexican imports for the family.

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Mama!

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Can't find any bullet hits, spent shells. Very little blood.

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We figure they lit him up someplace else,

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then brought his body here.

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Here's the wallet. They just got through liftin' the prints.

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The driver's licence... is missing.

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I guess they took it for proof of the hit.

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Standard wise-guy procedure, right, Remy?

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If you're gonna wrap him in a concrete overcoat

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and dump him in Lake Pontchartrain,

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but Freddie is in the middle of Piazza d'Italia.

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What's that gonna tell us, huh, given the surroundings?

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Somebody is sending a message.

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To the president of the Italian-American Renaissance Association.

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Vinnie "The Cannon" d'Imoti.

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There you go.

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Pick up Vinnie "The Cannon" tomorrow morning at his barbershop

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and bring him in for questionin'.

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Hi, Remy.

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Cavanaugh, where you at?

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I'm doin' it.

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What is this? The Dodge and De Soto Follies?

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Who would know what you were thinkin' about?

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Captain, it was Andre's idea.

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Is he the brains in the partnership now?

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What did they do now?

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Impounded a boat. They spent half their shift at the police dock.

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What am I gonna do with them?

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Why don't we shoot them?

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Yeah! No. They're too much fun at Mardi Gras.

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Who's that in my office?

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Assistant District Attorney Anne Osborne.

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Hmm, nice neck.

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We have orders to cooperate.

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Her be part of a special task force

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that's investigating police corruption.

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Corruption in the police department? Where'd she get that idea?

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She says she's here about the Angelo murder.

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I'm going to get some coffee. Give her whatever she needs.

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She's in good hands, cher.

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Excuse me.

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Excuse me.

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Anne...

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Hi.

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I'm Remy McSwain.

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Oh! I'll get it.

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Ow! Ow!

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Your pencil.

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Lieutenant -

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Ah, ah...Remy.

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Lieutenant, any progress on the Angelo murder?

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What's your hurry? He's not even stiff yet.

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He's dead though, isn't he?

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Last time I saw him, yeah.

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Is that it? You have no leads?

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No. I've seen dozens of these wise-guy jobs.

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We usually find out why the hit went down.

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Sometimes who did it, but we never have enough to take to court.

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DOOR OPENS

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He wasn't at the barbershop, so we picked him up at home.

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Bring him in.

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Thank you for comin', Mr d'Imoti.

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This is Miss Anne Osborne,

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with the DA's office.

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My lawyer's gettin' me out of here in five minutes.

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I got nothin' to say till then. Nothin'.

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Why? You're not under arrest.

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Did McCabe give you that impression?

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McCabe, apologise to Mr d'Imoti.

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I'm sorry about the misunderstanding, Mr d'Imoti.

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You're free to go any time you want, sir.

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Again, we really do apologise.

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Ohh!

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We just wanted to express our sympathy about Freddie.

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About who?

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Freddie Angelo, the guy found floatin' in the fountain

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behind your office.

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He used to work for me. Terrible.

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Nobody's got any respect for monuments any more.

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Mr d'Imoti, isn't it true that Mr Angelo worked for you

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for nearly 2O years, and was, in fact,

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still in your employ at the time of death?

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Can I go?

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Kid, your father would never drag me down here.

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He wanted to see me, he'd come to the house!

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He knew a little something about respect.

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DOOR SLAMS

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Get out of my way!

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I cannot believe you were so obsequious with him!

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What does obsequious mean?

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It means a high-ranking member of the Mafia

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was in your office, and you kissed his ass.

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Oh, yeah? Let me point out a few things.

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First, nobody uses the word Mafia any more. We call them wise-guys.

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You're not from here, are you? I only say this to save embarrassment.

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I'll bear that in mind, Lieutenant.

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Anything else?

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Hey, you like spicy food?

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Why don't we have dinner tonight?

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Just relax, Romeo.

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Just tell me what you've learned

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from two minutes of ass-kissing.

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Actually, I learned a lot from that little interview.

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Oh, really? You read minds?

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No, I read people. After seeing "The Cannon",

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I can probably tell you why Freddie sprung a leak.

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I suppose you know the killer, too?

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No, but I bet we find him in Lake Pontchartrain soon.

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Then what will you do?

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Nothin'. We never have enough to take to court.

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Hell, I'd close the case now,

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except for one thing.

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And what's that?

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I'll tell you over dinner.

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CAJUN MUSIC PLAYING

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Hey, come on. We don't have to stand in line.

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Hey! Hey!

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This is embarrassing.

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No, that's what's great about being a cop.

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SINGING IN CAJUN FRENCH

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All right, Willie!

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Yeah!

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We're gonna work up an appetite, all right?

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I thought we were gonna discuss business?

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Business and pleasure.

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What's wrong with that, huh?

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I can't do this.

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Wait a minute.

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Didn't they dance where you're from?

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No. We barely spoke.

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This is New Orleans, the Big Easy.

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Down here, dancing's a way of life.

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Feel the music.

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Now you're gettin' it.

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That's right.

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# Look in your eyes

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# Whoa, yeah

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# Girl, I realise... #

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My grandpapa on my mama's side, he was a real Cajun,

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born and deaded on the bayou teche.

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I thought you came from a family of Irish cops.

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No. That was on my daddy's side.

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He was the first one to become a cop.

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Followed by three brothers, one son, and four nephews.

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My cousin Terry joined the fire department.

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He's the black sheep of the family.

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You were the youngest detective

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in the NOPD to make lieutenant.

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I had an in in the department.

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Careful who you say that to.

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Yeah, that's right.

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You bust cops... for a livin'.

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I'm not embarrassed to put bad cops behind bars.

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Why don't you tell me somethin'

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about your life?

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It's not as colourful as yours.

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Oh, yeah?

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You want me to tell you why

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I'm not closin' the Angelo case?

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That's supposed to be why I'm here.

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It's you.

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Oh, please!

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No, no, no, no, no, chere. It's you.

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I mean, er...

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how come...

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an Assistant District Attorney

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and her corruption strike force

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is suddenly so interested

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in a routine Mafia hit?

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Routine wise-guy hit, remember?

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Whatever. What gives?

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We have the jurisdiction

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to investigate any crime we see fit.

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You got some kind of police corruption angle?

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No comment, Lieutenant.

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You got any evidence?

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No comment again.

0:11:360:11:38

Hey, Remy, how's everythin'?

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You like that gumbo?

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Remy's great-aunt Emeline, she teach me my gumbo.

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She uses more sassafras filet in her gumbo.

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Watch your mouth! You don't get no dessert!

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We got dobosh cake.

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No, thanks.

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I have to be up very early tomorrow.

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We gonna just take the check.

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What you talkin' about?

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I mean I want the check, Paul.

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Remy done lost his mind.

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He knows his money's no good here.

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Why not give me the check?

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Paul, have you met Anne Osborne with the DA's office?

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Oh, really?

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You lookin' for that check? Right here it is.

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You honestly don't see the harm in any of this?

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No, I don't. These are the perks.

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But the restaurant will expect extra protection in return.

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Oh, big deal.

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And expect the officer to overlook code violations.

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If all the codes were enforced,

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every restaurant would be closed.

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So now you're defending organised corruption.

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I'm not defending anything. This is New Orleans, darlin'.

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Folks have a way of doin' things down here

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people like to show their appreciation.

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Oh, really? How does it work? Do you get free suits?

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You get an envelope from Chef Paul every week?

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Are you wearin' a wire in there or somethin'?

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ENGINE REVS

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HORN BLARES

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I'm serious. How far does this go?

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Is everything for sale?

0:13:080:13:10

What's it cost to beat a murder rap these days?

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Is that what you think about cops?

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You got a real serious attitude problem.

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Being around you for an evening hasn't improved it.

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I've never seen one person

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break so many laws in such a short space of time.

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Forget the laws for a minute. It's simple on the street.

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There's good guys and bad guys.

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And you're the good guys? You're damn right!

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We're all that stands between you and them.

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Just drop me off at the corner up there.

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Yeah.

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BRAKES SQUEAL

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Don't think that I'm naive. I know how the system works,

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but things can change.

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Oh, yeah? You gonna change it?

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Don't you dare be amused at me.

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Hey, is this your building?

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No, I live up the street, but I need to get a few things.

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I'll wait for you. I'll drive you home.

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No, thank you. I'd rather walk.

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Well, I'll walk with you.

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No.

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And thank you very much for a very illuminating evening.

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FOOTSTEPS APPROACHING

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< WOMAN: Stop!

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My purse!

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Ugh! Aah!

0:14:420:14:44

Aah!

0:14:450:14:46

Let's go, blood!

0:14:460:14:47

Somebody help!

0:14:470:14:49

Let go, woman!

0:14:490:14:52

Ugh! Aah!

0:14:530:14:54

Police!

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Don't screw up!

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Scumbag, get your face on the pavement now!

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You stay down a second.

0:15:050:15:07

Uh!

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Oh!

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Aha! Aha!

0:15:110:15:14

You a cop?

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Yes, ma'am.

0:15:150:15:16

Thank God you were here.

0:15:160:15:17

I just cashed my pay cheque.

0:15:170:15:19

Stay here. A patrolman will take your statement.

0:15:190:15:22

You think I'm crazy or what?

0:15:220:15:24

I'm not taking any chances! No police!

0:15:240:15:27

All right...

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a patrol car is gonna come by for you.

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Now, if you do anything to my car,

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if you even get your fingerprints on it,

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they are gonna beat the ever-livin' shit out of you.

0:15:390:15:43

Now, do you fully understand

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each of these rights as I've explained them to you?

0:15:470:15:50

BOTH: Yes, sir!

0:15:500:15:52

Good thing I'm such a pushy guy, huh?

0:15:570:16:00

Hey, Remy, listen to this.

0:16:090:16:10

Remember Laverne Williams

0:16:100:16:12

who stabbed her husband last week?

0:16:120:16:14

We tell her, "Your husband died,

0:16:140:16:16

"and you're busted for homicide."

0:16:160:16:18

TELEPHONE BUZZES

0:16:180:16:19

She said, "That bastard!

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"I stabbed him before, and he never died."

0:16:200:16:23

HE LAUGHS

0:16:230:16:24

Homicide, McSwain.

0:16:240:16:26

Hello, Lieutenant.

0:16:260:16:28

'Anne, you must be psychic.'

0:16:280:16:31

I was thinkin' about you.

0:16:310:16:33

'What's new on the Angelo case?'

0:16:330:16:34

Oh, not a thing.

0:16:340:16:36

'Why not? Aren't you working on it?'

0:16:360:16:38

I got a poisoned heiress in the garden district,

0:16:380:16:40

'a strangled transvestite in the French quarter,

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'and a suspicious asphyxiation.

0:16:430:16:45

'Angelo has to wait his turn.'

0:16:450:16:46

The Angelo murder was supposed to take priority.

0:16:460:16:49

'When can I see your report?'

0:16:490:16:51

The Neville Brothers are playing at Tipitina's tonight.

0:16:510:16:55

'I could give it to you then, huh?'

0:16:550:16:58

I think that we ought to keep this relationship strictly professional.

0:16:580:17:03

'Hey, why? I thought we passed a good time last night, chere.

0:17:030:17:06

'Didn't you like the music?'

0:17:060:17:08

It was very nice.

0:17:080:17:09

'Didn't you like the crawfish?'

0:17:090:17:12

Food was delicious,

0:17:130:17:14

but, look, Remy,

0:17:140:17:17

let's just forget about last night.

0:17:170:17:19

There's too much possibility for conflict of interest.

0:17:190:17:22

'Oh, really?'

0:17:220:17:23

Why? You investigatin' me, chere, huh?

0:17:230:17:25

'Of course not.'

0:17:250:17:27

I'll pick you up at eight.

0:17:270:17:29

'And don't be late, huh?'

0:17:290:17:31

No. Just have somebody send me a copy of the report.

0:17:310:17:35

Thank you, Lieutenant.

0:17:350:17:36

Hmm...

0:17:410:17:43

THUNDER RUMBLES

0:17:430:17:46

ENGINE STARTS

0:17:480:17:50

HONKS HORN

0:17:500:17:52

Hey!

0:17:520:17:53

Annie!

0:17:530:17:54

HONKS HORN

0:17:540:17:55

What are you doing here?

0:17:550:17:57

HONKS HORN

0:17:570:17:58

MAN: What the hell you think you're doin'?

0:17:580:18:01

I got a large pizza.

0:18:010:18:03

Pepperoni, extra cheese.

0:18:030:18:06

HONKS HORN

0:18:060:18:07

Move your god-damned car, will you?

0:18:070:18:09

It's not that easy, Lieutenant. Where's my report?

0:18:090:18:12

Right here.

0:18:120:18:13

Where?

0:18:130:18:14

Under the pizza.

0:18:140:18:16

You got to eat the pie to get to the report.

0:18:160:18:18

Go on, girlie,

0:18:180:18:20

get in the car!

0:18:200:18:21

You write a pretty good report.

0:18:330:18:37

Does that mean we go to Tipitina's now?

0:18:370:18:40

No.

0:18:400:18:41

I'd like to ask you a few questions.

0:18:410:18:44

Now, Angelo was shot at a downward angle

0:18:440:18:46

with a Mac ten pistol.

0:18:460:18:48

What are you thinking? Dope smugglers?

0:18:480:18:50

Possibly, but a lot of your younger wise-guys

0:18:500:18:54

use Mac ten pistols, too.

0:18:540:18:56

You found his car on Tchoupitala Street.

0:18:560:18:58

Tchoupitoulas street.

0:18:580:19:00

Tchoupitoulas.

0:19:000:19:02

But you couldn't find any evidence of a crime?

0:19:020:19:05

Yeah, but what it doesn't say in there

0:19:050:19:07

is that Angelo's car was parked across the street

0:19:070:19:09

from a wharf warehouse owned by Carmine Tandino,

0:19:090:19:12

a well-known hit man

0:19:120:19:14

in the family of our mutual friend

0:19:140:19:16

Vinnie "The Cannon" d'Imoti.

0:19:160:19:19

I'll check out that warehouse tomorrow.

0:19:190:19:22

Why isn't that in your report, Lieutenant?

0:19:220:19:24

We're not supposed to draw conclusions.

0:19:240:19:26

You know that.

0:19:260:19:28

If someone asked you,

0:19:280:19:30

what conclusion would you draw?

0:19:300:19:31

Well...Freddie imported heroin for a livin'.

0:19:310:19:36

Carmine Tandino's warehouse is on the river.

0:19:360:19:40

Sometimes heroin comes up the river.

0:19:400:19:43

You draw your own conclusions.

0:19:430:19:45

What?

0:19:510:19:52

I'm impressed.

0:19:520:19:54

By what?

0:19:540:19:56

You've obviously given this a great deal of thought.

0:19:560:19:59

You're doing a really thorough job.

0:19:590:20:02

Oh, thank you!

0:20:020:20:03

You think I'd do a very lousy job?

0:20:030:20:06

No. I didn't mean that.

0:20:060:20:07

Why don't you like me, Anne?

0:20:070:20:10

I do like you.

0:20:120:20:14

Why don't you trust me?

0:20:140:20:16

Huh?

0:20:160:20:17

What? You think I'm a rotten,

0:20:170:20:20

don't-give-a-shit,

0:20:200:20:22

dishonest,

0:20:220:20:24

no-good,

0:20:240:20:26

dirty cop?

0:20:260:20:28

Is that what you think of me?

0:20:280:20:31

No.

0:20:310:20:32

I do trust you. I do. I-

0:20:320:20:35

THUNDER RUMBLES

0:20:350:20:38

# Lace curtain blowin' on a river breeze

0:21:170:21:23

# Slips across the bed and it rustles the sheets

0:21:230:21:27

# Seems everything nowadays

0:21:280:21:33

# Just reminds me of you

0:21:330:21:36

# Smell of the mornin' in a rainy land

0:21:380:21:42

# The touch of satin across my hand

0:21:440:21:47

# Just makes me... #

0:21:490:21:50

Aah!

0:21:500:21:52

Sorry. I'm not very good at this.

0:21:520:21:56

Shh!

0:21:560:21:58

# ..Closer to you

0:21:580:22:00

# Closer to you... #

0:22:030:22:06

I can't do this.

0:22:080:22:10

I'm-I'm, er, too nervous.

0:22:100:22:12

I can't relax.

0:22:120:22:14

I'm very embarrassed.

0:22:210:22:23

Oh, no...

0:22:230:22:25

don't be embarrassed, chere.

0:22:250:22:28

Just relax, darlin'.

0:22:280:22:30

This is the Big Easy.

0:22:300:22:33

Folks have a certain way

0:22:330:22:35

of doin' things down here, huh?

0:22:350:22:38

I noticed.

0:22:380:22:39

Oh, stop that.

0:22:460:22:48

Stop what?

0:22:480:22:49

That.

0:22:490:22:50

What?

0:22:500:22:51

That.

0:22:510:22:53

What? That?

0:22:530:22:54

Or that?

0:22:540:22:55

Ohh!

0:22:580:23:00

Ah!

0:23:030:23:04

Ahh!

0:23:080:23:10

Uhh!

0:23:100:23:11

Ahh!

0:23:130:23:15

Ahh! Ah!

0:23:160:23:19

Uhh!

0:23:190:23:20

# If I said that I loved you

0:23:200:23:23

# Would you turn away?

0:23:230:23:25

# Afraid of what you think you're supposed to say

0:23:270:23:31

# Well, that's all right, baby

0:23:330:23:37

# Cos I already know

0:23:370:23:39

# I can see it in your eyes

0:23:410:23:43

# I can hear it in your voice

0:23:430:23:46

# Believe me, baby

0:23:470:23:50

# You got no choice... #

0:23:500:23:52

PAGER BEEPS

0:23:520:23:55

ANNE: Yours or mine?

0:23:550:23:57

REMY: Mine.

0:23:570:23:58

Shit!

0:23:590:24:01

McSwain. This better be good.

0:24:120:24:15

What? Slow down a minute!

0:24:150:24:17

All right, I'll be right there.

0:24:170:24:21

Shit!

0:24:210:24:22

What is it?

0:24:220:24:24

Triple murder... in Storyville.

0:24:240:24:29

I'm sorry.

0:24:290:24:31

I'm really sorry.

0:24:310:24:33

It's OK.

0:24:330:24:35

I never did have much luck with sex, anyway.

0:24:350:24:39

You're luck's about to change, chere.

0:24:390:24:42

Ooh-la-la!

0:24:470:24:49

Ooh!

0:24:490:24:50

How long does a murder take?

0:24:510:24:54

Oh...

0:24:540:24:56

a couple of hours at least.

0:24:560:24:58

Come back.

0:24:580:25:00

What?

0:25:010:25:03

You sure?

0:25:030:25:05

I'm sure.

0:25:050:25:07

We'll, er, talk about the Angelo case.

0:25:100:25:15

Sure!

0:25:150:25:16

Oh!

0:25:180:25:19

SIREN

0:25:210:25:23

Get out of the way!

0:25:230:25:25

Get out of the car, man!

0:25:250:25:28

Get out of our neighbourhood!

0:25:280:25:31

Hey, Hollywood!

0:25:310:25:33

Why don't you call your mother on the telephone?

0:25:330:25:36

She hasn't heard from you in over a week.

0:25:360:25:37

When you gonna make an honest woman

0:25:370:25:39

out of her, cher?

0:25:390:25:40

She ain't gonna marry me until I retire.

0:25:400:25:43

Oh, yeah? That'll be the day.

0:25:430:25:45

BOTTLE CRASHES

0:25:450:25:46

What? We got a carnival goin' on here?

0:25:460:25:49

Hey, what the hell's goin' on?

0:25:490:25:52

There's a rumour that the killers

0:25:530:25:56

were in an unmarked police car.

0:25:560:25:58

Great. That's all we need.

0:25:580:26:00

MAN: Y'all be lookin' at us,

0:26:020:26:04

but y'all did it!

0:26:040:26:06

OK to roll him over?

0:26:120:26:14

Yeah, roll away.

0:26:140:26:16

WHISTLES

0:26:190:26:20

Jamaal Washington, huh?

0:26:200:26:23

Hey, Jack!

0:26:250:26:26

Everything under control out there?

0:26:260:26:29

Oh, yeah. Our riot's turned into a party.

0:26:290:26:32

I love this town.

0:26:320:26:33

You remember Miss Anne Osborne?

0:26:360:26:38

It's nice to see you again.

0:26:380:26:40

Yeah, you, too.

0:26:400:26:42

The DA'S office is interested

0:26:420:26:45

since there's an allegation of police involvement.

0:26:450:26:48

You believe every rumour you hear?

0:26:480:26:50

Do you have evidence one way or another?

0:26:500:26:52

Oh, right now, we got two unknown white suspects-

0:26:520:26:56

not officers, suspects-

0:26:560:26:57

and one unsubstantiated rumour.

0:26:570:26:59

Anything on the victims yet?

0:27:010:27:04

Yeah.

0:27:040:27:05

You don't want to see him.

0:27:060:27:09

He kind of lost his face.

0:27:090:27:12

We're goin' to have to wait

0:27:120:27:15

for a fingerprint ID on him.

0:27:150:27:17

The third victim- a Nobilier brother.

0:27:170:27:19

Also narcotics, also a runner for Daddy Mention.

0:27:190:27:22

Who's Daddy Mention?

0:27:220:27:24

He handles the black side of New Orleans' narcotics.

0:27:240:27:27

Vinnie's got the white action.

0:27:270:27:29

Why don't you believe the killers were cops?

0:27:310:27:34

If they were cops, they'd have stayed here.

0:27:340:27:37

When we arrived, we'd have found plants-

0:27:370:27:40

guns, knives, evidence that they resisted arrest.

0:27:400:27:43

Every cop knows how to do that.

0:27:430:27:45

That doesn't surprise me.

0:27:450:27:46

You probably know how to bribe jurors,

0:27:460:27:49

though you probably never have.

0:27:490:27:51

Hey, Remy!

0:27:510:27:52

Look what I got.

0:27:520:27:54

Feels like about a key.

0:27:540:27:56

Well, that's really great work, dodge,

0:27:560:27:58

really great work.

0:27:580:28:01

Let's just pass it around

0:28:010:28:03

and get everyone's fingerprints on it.

0:28:030:28:05

What's this?

0:28:050:28:06

Heroin. Mexican brown.

0:28:060:28:08

Somebody's been using shotguns here,

0:28:080:28:10

so...

0:28:100:28:11

I figure Tandino.

0:28:110:28:13

Mm-hmm.

0:28:130:28:14

Carmine Tandino,

0:28:140:28:16

hit man for Vinnie "the Cannon".

0:28:160:28:19

Shotguns are his signature.

0:28:190:28:21

Resulting in... spaghetti sauce.

0:28:210:28:23

Captain, you want to take over here?

0:28:260:28:29

I'll take Miss Osborne home.

0:28:290:28:31

Oh, thank you.

0:28:310:28:32

Watch your step.

0:28:380:28:39

Don't they make a lovely couple?

0:28:440:28:46

Hey, we'll go to my apartment. It's closer.

0:28:460:28:49

All right? Huh?

0:28:490:28:51

After a while, you get used to it.

0:28:510:28:54

You get hardened.

0:28:540:28:55

Everybody gets sick the first time.

0:28:550:28:58

Don't be embarrassed, huh?

0:28:580:29:00

I'll be fine.

0:29:000:29:01

If you're gonna throw up,

0:29:010:29:03

I'll pull over.

0:29:030:29:04

I'm not going to throw up.

0:29:040:29:07

THROWING UP

0:29:070:29:08

Ugh!

0:29:080:29:09

You think that Carmine Tandino

0:29:090:29:11

killed those men tonight?

0:29:110:29:13

Even with your head in the toilet,

0:29:130:29:16

you still want to talk business?

0:29:160:29:18

Yeah, I think that Carmine Tandino

0:29:180:29:20

killed those boys tonight.

0:29:200:29:22

Therefore they must have murdered Angelo.

0:29:220:29:23

What does that do to your theory

0:29:230:29:26

that Angelo's murder was a message for Vinnie to retire?

0:29:260:29:29

Now we know who sent it- Daddy Mention.

0:29:290:29:32

Now we're dealin' with somethin' more

0:29:320:29:34

than one wise-guy killin' another wise-guy.

0:29:340:29:37

We sure are.

0:29:370:29:39

What's that mean?

0:29:390:29:40

Is Carmine Tandino the only person in the world

0:29:400:29:42

who uses a shotgun to kill people?

0:29:420:29:44

No, but he's one of the few

0:29:440:29:47

who turn a profit at it.

0:29:470:29:49

You don't think the cops had anything to do with this?

0:29:490:29:52

No. Cops don't do that sort of thing.

0:29:520:29:55

People accuse cops of everythin'.

0:29:550:29:57

Hey, hey, hey, hey, hey!

0:29:570:29:59

How do you feel now, huh?

0:29:590:30:02

Does this stuff ever get to you?

0:30:030:30:06

Who, me?

0:30:060:30:07

Bullets bounce off me.

0:30:070:30:10

You're never afraid?

0:30:100:30:12

All the time.

0:30:140:30:16

Look out for the gator, baby!

0:30:240:30:27

Hee hee hee!

0:30:270:30:29

Gotcha!

0:30:300:30:31

# Allons danser, colinda

0:30:430:30:46

# Danser colle, colinda... #

0:30:460:30:47

SQUEAK SQUEAK

0:30:470:30:49

# Allons danser colle, colle

0:30:490:30:52

# Pour faire facher les vieilles gens

0:30:520:30:55

# Mais c'est pas tout le monde qui connait

0:30:550:30:58

# Danser les danses de bons temps

0:30:580:31:01

# Allons danser colle, colle

0:31:010:31:04

# Ah, va c'est legere

0:31:040:31:06

# Allons danser

0:31:070:31:11

# Allons danser

0:31:110:31:13

# Allons danser

0:31:130:31:16

# Allons danser

0:31:160:31:19

# Allons danser... #

0:31:190:31:21

Aah!

0:31:210:31:22

Oh! Shit!

0:31:220:31:24

Who are you?

0:31:240:31:25

I'm Bobby. Remy's brother.

0:31:250:31:27

You scared the hell out of me.

0:31:270:31:28

Where did you come from?

0:31:280:31:29

I spent the night here on the couch.

0:31:290:31:31

Oh, my God!

0:31:310:31:33

Excuse me.

0:31:330:31:34

I'm sorry if I embarrassed you.

0:31:340:31:37

# Allons danser

0:31:370:31:38

# Yeah, yeah. #

0:31:380:31:41

Hey, chere!

0:31:440:31:46

I was getting us some breakfast.

0:31:460:31:48

I'm late for a meeting.

0:31:480:31:50

I have to get to work.

0:31:500:31:52

I'll drive you.

0:31:520:31:53

It's OK. I'll take a cab.

0:31:530:31:55

You meet my brother?

0:31:550:31:57

Kind of.

0:31:570:31:59

Hey, sugar, somethin' wrong?

0:31:590:32:01

# Allons danser

0:32:060:32:08

# Allons danser... #

0:32:080:32:10

What's for breakfast?

0:32:100:32:11

# Allons danser. #

0:32:110:32:12

Your ass!

0:32:120:32:14

# Allons danser. #

0:32:140:32:16

Jesus Christ! You scared the shit out of me!

0:32:220:32:24

Don't walk into an interrogation room without knocking.

0:32:240:32:27

Where are the Storyville witnesses?

0:32:270:32:30

I heard you saw somethin'

0:32:330:32:35

last night in Storyville

0:32:350:32:37

when those three guys got stovepiped.

0:32:370:32:39

You saw an unmarked police car?

0:32:390:32:42

We don't know what you're talking about.

0:32:420:32:43

Me and my brother was home watchin' TV.

0:32:430:32:44

We didn't see nothin'.

0:32:440:32:46

Yeah? Andre, you take their statements,

0:32:460:32:48

you let them go home.

0:32:480:32:50

Be nice to Andre.

0:32:500:32:52

That's "we didn't see nothin'.

0:32:520:32:53

"We was home watchin' TV." Is that right?

0:32:530:32:56

# You say you love me once

0:32:560:33:00

# But I want to hear it twice. #

0:33:000:33:01

Get me out of here. I hate this job!

0:33:010:33:04

Property's a dirty job. You're next in line.

0:33:040:33:07

Remember the guy who lost his face last night?

0:33:070:33:11

The morgue guys found this in his pocket.

0:33:110:33:12

Ah, Freddie Angelo's driver's licence.

0:33:120:33:15

Beautiful! I knew those guys killed Freddie.

0:33:150:33:18

All right!

0:33:180:33:19

What time did he leave?

0:33:190:33:20

You're sure?

0:33:200:33:22

# Scoo do do do

0:33:230:33:24

# Bop bop a do. #

0:33:240:33:26

Carmine Tandino has an airtight alibi.

0:33:260:33:28

He was at Mosca's with his wife till 4am.

0:33:280:33:32

I got 12 witnesses who corroborate his story.

0:33:320:33:34

You know who owns Mosca's?

0:33:340:33:36

Carmine Tandino's nephew.

0:33:360:33:37

It's a popular spot for alibis.

0:33:370:33:38

I'll talk to Carmine myself.

0:33:380:33:40

I got Anne Osborne on line.

0:33:400:33:42

You want me to tell her you're not here?

0:33:420:33:45

No. I'll take it myself.

0:33:450:33:47

I can tell her you're not here.

0:33:470:33:49

No. I'll take it.

0:33:490:33:51

Yeah, Miss Osborne,

0:33:510:33:53

I haven't got the forensics

0:33:530:33:55

or the ballistics reports back yet.

0:33:550:33:58

ANNE: I didn't call about that.

0:33:580:34:00

I'm sorry about this morning,

0:34:020:34:04

the way I just ran out.

0:34:040:34:06

Me, too.

0:34:060:34:09

I'm just sort of confused.

0:34:090:34:11

Oh, no. Don't be confused, chere, no.

0:34:110:34:15

'Things like last night don't happen to me.'

0:34:150:34:18

Me, either.

0:34:180:34:19

Oh, please.

0:34:190:34:21

No, I mean it. I really do.

0:34:210:34:23

I know too much about your reputation to believe you.

0:34:230:34:27

DIAL TONE

0:34:270:34:28

Gol!

0:34:280:34:30

You want get out of my office, huh?

0:34:320:34:35

Jesus.

0:34:360:34:38

TELEPHONE RINGS

0:34:380:34:40

Anne Osborne.

0:34:420:34:43

Look, I'm gonna take you to lunch.

0:34:430:34:46

You look into my eyes,

0:34:460:34:47

and you tell me whether you believe me or not.

0:34:470:34:50

No, I can't.

0:34:500:34:53

Great! I'll make us a reservation

0:34:530:34:55

for Antoine's at 1.00.

0:34:550:34:57

What did she want?

0:35:010:35:03

Who, Anne?

0:35:030:35:04

Anne he calls her.

0:35:040:35:06

She's got everybody scared shitless,

0:35:060:35:08

and he's calling her Anne.

0:35:080:35:10

She's using the Angelo murder

0:35:100:35:12

as an excuse to sniff around our widows-

0:35:120:35:15

Shh!

0:35:150:35:16

Widows and orphans' fund.

0:35:160:35:18

Why don't you relax?

0:35:180:35:20

Remy's got the lady wrapped around his finger.

0:35:200:35:22

Which reminds me... what's the beef?

0:35:220:35:25

I got a call from the sho-bar.

0:35:250:35:28

The new owner's having some trouble.

0:35:280:35:30

He wants to talk to you.

0:35:300:35:32

I got laryngitis.

0:35:320:35:34

He's got this thing about rank.

0:35:340:35:36

He don't talk to no sergeant or flatfoot.

0:35:360:35:39

Don't look at me, Lou.

0:35:390:35:41

I got to go talk to Carmine Tandino.

0:35:410:35:44

For the widows and orphans.

0:35:440:35:46

It's right on your way.

0:35:460:35:48

All right, dude, but you owe me one.

0:35:480:35:51

Oh, come on!

0:35:510:35:53

Watch out! Loose ball.

0:35:530:35:55

Aah!

0:35:550:35:56

Hey, that's 200 bucks!

0:35:560:35:59

HONKY-TONK PIANO PLAYING

0:36:130:36:18

Hi, darling.

0:36:180:36:19

I'm lookin' for George Joel.

0:36:200:36:22

You got him.

0:36:220:36:24

I think your mother's callin' you.

0:36:250:36:28

I wanted to see the captain.

0:36:280:36:30

Hey, wait a minute. Come back.

0:36:300:36:32

I didn't mean to offend you.

0:36:320:36:35

I got a different cop in here every night

0:36:350:36:37

shaking me down.

0:36:370:36:38

I can't stay in business like that.

0:36:380:36:39

You got cops botherin' you? Just send them to me.

0:36:390:36:43

I want to pay one guy one amount once a month,

0:36:430:36:46

not half the cops in the city.

0:36:460:36:49

Settle down. I'll take care of it.

0:36:490:36:51

I'll give you a number you can call any time.

0:36:510:36:54

I knew I should talk to you.

0:36:540:36:57

What's this?

0:36:580:36:59

It's my way of saying thanks.

0:36:590:37:06

You wearin' a wire?

0:37:060:37:07

Help!

0:37:070:37:08

Hold it! Freeze!

0:37:080:37:10

Get down!

0:37:110:37:13

Internal affairs! Hold it!

0:37:160:37:18

What's he chewin'?

0:37:230:37:24

Spit it out!

0:37:240:37:25

Chew all you want, asshole.

0:37:250:37:27

We've got everything on videotape.

0:37:270:37:30

GULPS

0:37:300:37:32

Miss Osborne? Telephone call.

0:37:360:37:38

SIGH

0:37:380:37:39

Jesus, Hugh,

0:37:410:37:42

can't I leave the office for an hour?

0:37:420:37:45

What?

0:37:470:37:48

I'm sorry. What?

0:37:520:37:53

Keep movin'! Go!

0:37:550:37:57

Step up, boys.

0:37:570:37:59

Hey, hold up!

0:37:590:38:00

I got to talk with this man.

0:38:000:38:03

What's the special treatment?

0:38:030:38:05

Come on, man!

0:38:050:38:06

It's a cop.

0:38:060:38:08

What the hell happened?

0:38:080:38:10

They set a trap. I got caught, Jack.

0:38:100:38:13

The thing that Dodge was talkin' about?

0:38:130:38:16

That was supposed to be me.

0:38:160:38:18

I can handle it.

0:38:180:38:20

Lamar Parmentel's defending you.

0:38:230:38:25

Lamar?

0:38:250:38:27

I know, he's beat your brains 1,000 times,

0:38:270:38:28

but he knows what he's doing.

0:38:280:38:30

The guys have agreed

0:38:300:38:31

the widows and orphans' fund

0:38:310:38:33

is payin' his fees.

0:38:330:38:34

You want to keep your voice down, huh?

0:38:340:38:37

Thanks.

0:38:370:38:38

MAN: Look at them shoes.

0:38:400:38:41

Make room for the clyde.

0:38:410:38:43

Remy...

0:38:430:38:44

We take care of our own.

0:38:490:38:51

Remember that.

0:38:510:38:53

I'll take care of you.

0:38:550:38:56

We got the bribery conviction locked up.

0:38:560:38:59

I don't know.

0:38:590:39:01

It skirts the edge of entrapment.

0:39:010:39:03

The wrong judge will throw it out.

0:39:030:39:06

Maybe he'll make a deal.

0:39:060:39:08

We shouldn't offer a deal now.

0:39:080:39:10

I think we should get a conviction.

0:39:100:39:12

Then we can offer a deal.

0:39:120:39:13

Anne, ask for very high bail.

0:39:130:39:15

Let him sweat.

0:39:150:39:17

Help! Help!

0:39:170:39:18

BAILIFF: All rise.

0:39:380:39:40

JUDGE: These are the custodies?

0:39:410:39:43

Be seated.

0:39:430:39:45

OK, what have we got?

0:39:450:39:47

Thibodeaux.

0:39:480:39:50

Two Thibodeauxs, your honour.

0:39:500:39:52

Unrelated cases.

0:39:520:39:53

Sit down. We'll get back with you.

0:39:530:39:56

You.

0:39:560:39:57

You look familiar.

0:39:570:39:58

I'm certainly sorry to see you before me, Lieutenant.

0:40:000:40:03

Extortion, bribery.

0:40:030:40:06

Do you have counsel?

0:40:060:40:08

I'm his counsel, Your Honour.

0:40:080:40:09

We waive rights and plead not guilty.

0:40:090:40:12

We petition the court

0:40:120:40:14

for the earliest possible date

0:40:140:40:15

for a preliminary hearing.

0:40:150:40:17

The 22nd is the earliest date I've got.

0:40:170:40:20

Your Honour,

0:40:200:40:21

every day my client

0:40:210:40:23

is suspended from the force

0:40:230:40:24

does great damage to his reputation

0:40:240:40:26

as well as his investigations.

0:40:260:40:28

All right. All right.

0:40:280:40:30

We can get you in day after tomorrow,

0:40:300:40:32

before Judge Garrison,

0:40:320:40:34

if that's all right with the State.

0:40:340:40:37

We're ready, Your Honour.

0:40:370:40:38

Giving due weight to the seriousness of the charges

0:40:380:40:41

against a public official,

0:40:410:40:42

the state asks for 50,000 bail.

0:40:420:40:45

Your Honour,

0:40:450:40:46

defendant has been a police officer

0:40:460:40:48

for 11 years

0:40:480:40:49

and has very strong ties to the community.

0:40:490:40:52

Bail is set at 500.

0:40:520:40:55

All right. Thibodeaux, Andrew.

0:40:590:41:02

That girl's after your ass.

0:41:020:41:04

Why don't you let me make a deal?

0:41:040:41:07

What kind?

0:41:070:41:09

Plead you guilty to an unlawful

0:41:090:41:11

acceptance of a gratuity.

0:41:110:41:12

Is that a misdemeanour?

0:41:120:41:14

A felony. You get maybe three months' jail time.

0:41:140:41:17

One felony conviction, and I'm off the job.

0:41:170:41:20

I'm a cop. It's all I know.

0:41:200:41:23

Remy, Remy, they've got a videotape.

0:41:230:41:25

You ever seen a juror watch a videotape?

0:41:250:41:28

It's like watching Mike Wallace

0:41:280:41:30

on 60 Minutes.

0:41:300:41:31

Lamar!

0:41:310:41:33

I can't go to jail.

0:41:330:41:35

WHISTLING

0:41:430:41:45

Help you?

0:41:450:41:46

Yeah, I called about,

0:41:460:41:48

er...

0:41:480:41:50

alnico magnet.

0:41:500:41:51

I got it. Are you wearing a quartz watch?

0:41:510:41:55

What?

0:41:550:41:56

Uh...

0:41:560:41:57

it's a powerful magnet it will ruin a quartz watch.

0:41:570:41:59

I ain't got time for no watch.

0:41:590:42:01

Good. 183.

0:42:010:42:03

Yeah, I know.

0:42:030:42:04

ALARM RINGS

0:42:220:42:24

# Oohh, ohh, oh, oh

0:42:380:42:41

# Er! Uh! Uh! Uh! Uh! Uh! Uh! Uh!

0:42:410:42:43

# Ho, haa! #

0:42:430:42:44

Hey, brother.

0:42:440:42:45

Don't you recognise

0:42:450:42:48

your own brother, brother?

0:42:480:42:49

Jesus, Remy.

0:42:510:42:53

You know Mardi Gras ain't till February.

0:42:530:42:56

What are you doin' in that get-up?

0:42:560:42:59

A little undercover work.

0:42:590:43:01

I thought you was suspended.

0:43:010:43:03

Who told you that?

0:43:030:43:05

Mama.

0:43:050:43:07

She said you were framed.

0:43:070:43:09

Look, bro,

0:43:090:43:10

this is hard for me to explain to you.

0:43:100:43:13

You don't have to explain.

0:43:130:43:15

I want to be honest with you.

0:43:150:43:18

In this particular case...

0:43:180:43:21

it was a set-up.

0:43:210:43:23

But I been on the take

0:43:230:43:27

in little bitty ways since practically

0:43:270:43:30

the first day on the job.

0:43:300:43:32

I know that.

0:43:320:43:34

Oh, yeah? Who told you?

0:43:340:43:37

What? Do you think I'm stupid?

0:43:370:43:39

Nobody had to tell me.

0:43:390:43:41

I know you give Mama the money for my tuition.

0:43:410:43:46

It sure don't come out of your salary.

0:43:460:43:49

I'm just glad I can finally thank you.

0:43:520:43:55

I didn't want you

0:43:550:43:57

to know about that.

0:43:570:43:59

Shit.

0:43:590:44:00

I remember once...

0:44:000:44:02

I must have been about six or seven...

0:44:020:44:05

and I was looking in Daddy's pocket

0:44:050:44:07

for a candy bar,

0:44:070:44:09

and I found 78 10 bills.

0:44:090:44:14

You knew about Daddy?

0:44:140:44:16

Yeah, about Daddy and the relatives.

0:44:160:44:19

I just... I figured it was understood.

0:44:190:44:22

I didn't understand it.

0:44:220:44:24

I didn't know Daddy was on the take

0:44:240:44:27

till I was on the job myself.

0:44:270:44:29

You serious?

0:44:290:44:30

You were eight when Daddy died.

0:44:300:44:33

I should have asked you.

0:44:330:44:34

Want to ask me about anything else?

0:44:340:44:37

Sex?

0:44:370:44:39

Drugs?

0:44:390:44:41

You been having sex?

0:44:460:44:48

Ha ha ha!

0:44:480:44:51

Ha ha ha!

0:44:510:44:52

Don't you want to introduce your mama

0:44:530:44:56

to your lawyer, cher?

0:44:560:44:57

Mama, this is Lamar Parmentel.

0:44:570:44:59

The renowned queen of the McSwain clan.

0:44:590:45:02

Delightful to meet you in the flesh.

0:45:020:45:05

I know all about you.

0:45:050:45:06

You got the governor acquitted.

0:45:060:45:08

You gonna do a fine job defending my Remy.

0:45:080:45:11

Yeah, Mama, yeah.

0:45:110:45:13

You know his outstanding record,

0:45:130:45:15

but did he tell you about when he saved that drowning boy...

0:45:150:45:18

He knows-

0:45:180:45:20

Hey, there.

0:45:200:45:21

Who is that?

0:45:230:45:25

The prosecuting attorney, Mama.

0:45:250:45:27

Ain't she cute?

0:45:270:45:28

Oh, yeah.

0:45:280:45:30

BAILIFF: Oyez! Oyez! Oyez!

0:45:300:45:31

Criminal district court

0:45:310:45:32

for the parish of Orleans is now in session.

0:45:320:45:34

The Honourable Jim Garrison presiding.

0:45:340:45:36

ANNE: What occurred next?

0:45:360:45:38

I clearly saw George Joel

0:45:380:45:40

hand the defendant the white envelope.

0:45:400:45:42

And what did the defendant do?

0:45:420:45:44

He accepted the envelope.

0:45:440:45:46

And from the balcony

0:45:470:45:49

you were unable to hear the conversation

0:45:490:45:52

between this George Joel

0:45:520:45:53

and the defendant, right?

0:45:530:45:54

Yes.

0:45:540:45:56

You testified that there were eight

0:45:560:45:57

50 bills in the envelope.

0:45:570:45:59

Correct.

0:45:590:46:00

Can you produce this money in court?

0:46:000:46:03

The defendant dropped the money in the bar.

0:46:030:46:05

The people in the bar took the money,

0:46:050:46:08

but we couldn't search everybody who was there.

0:46:080:46:11

Thank you.

0:46:110:46:12

MURMURING

0:46:120:46:14

LAUGHTER

0:46:140:46:16

Mr Joel,

0:46:160:46:18

did the defendant promise that uniformed officers

0:46:180:46:19

would stop harassing you?

0:46:190:46:21

Yeah. If I paid him, he would.

0:46:210:46:24

What would happen

0:46:240:46:25

if you didn't pay the defendant?

0:46:250:46:27

If I don't pay, the police close me down.

0:46:270:46:30

Have you ever been arrested?

0:46:330:46:35

The prosecution will stipulate

0:46:350:46:37

that the witness is under indictment.

0:46:370:46:38

I don't have to remind the court

0:46:380:46:41

that clergymen and bankers are seldom witnesses

0:46:410:46:43

at criminal trials.

0:46:430:46:45

Is it not true that you would say anything

0:46:450:46:48

the prosecution wanted you to

0:46:480:46:50

to avoid being sent to prison?

0:46:500:46:52

Yeah.

0:46:520:46:52

Objection!

0:46:520:46:53

I mean no.

0:46:530:46:54

Sustained.

0:46:540:46:56

ANNE: Lieutenant, you said you went to the tavern

0:46:590:47:02

to see an informer.

0:47:020:47:03

Yes, ma'am.

0:47:030:47:04

Why did you run away

0:47:040:47:06

from the internal affairs officer?

0:47:060:47:08

He did not identify himself as a police officer.

0:47:080:47:12

I thought he was a mugger.

0:47:120:47:14

LAUGHTER

0:47:140:47:16

Were you armed?

0:47:160:47:18

Yes, I was.

0:47:180:47:19

And you ran away from a mugger?

0:47:190:47:21

I was calling for assistance,

0:47:210:47:23

which is proper police procedure.

0:47:230:47:24

Was it also proper police procedure

0:47:240:47:26

for you to swallow the envelope?

0:47:260:47:28

What envelope?

0:47:280:47:31

Lieutenant, earlier today, Officer Krinkey swore under oath

0:47:310:47:34

that he saw you accept an envelope.

0:47:340:47:36

Were you here for that testimony?

0:47:360:47:38

Yes, I was.

0:47:380:47:40

Are you calling your fellow police officer a liar?

0:47:400:47:42

No. I just don't know what envelope you're talking about?

0:47:420:47:45

The envelope Mr Joel gave you

0:47:450:47:48

that contained eight 50 bills.

0:47:480:47:50

Objection, Your Honour!

0:47:500:47:51

Counsel is drawing conclusions.

0:47:510:47:53

Sustained.

0:47:530:47:54

The eight 50 bills that you threw into the air.

0:47:540:47:57

The envelope that you ate.

0:47:570:47:58

Objection!

0:47:580:47:59

Sustained.

0:47:590:48:01

MURMURING

0:48:010:48:03

I have no further questions.

0:48:030:48:05

The witness may step down.

0:48:050:48:07

Tomorrow the prosecution will present a videotape

0:48:130:48:16

that will not only corroborate every state's witness,

0:48:160:48:20

but will refute every statement the defendant has made

0:48:200:48:23

and show that in addition to the crime charged,

0:48:230:48:26

the defendant has perjured himself

0:48:260:48:28

before this court.

0:48:280:48:29

This court is adjourned until 10.00 tomorrow morning.

0:48:290:48:33

TELEPHONE RINGS

0:48:560:48:58

RING

0:49:000:49:02

It's 3.00 in the morning.

0:49:050:49:07

'Yes, but this is McCabe, Remy.'

0:49:070:49:09

Somebody blew up Carmine Tandino's warehouse,

0:49:090:49:11

with him in it.

0:49:110:49:13

No kidding.

0:49:130:49:14

There's another body. No ID.

0:49:140:49:16

Maybe you can make him.

0:49:160:49:18

I'll be right down.

0:49:180:49:20

You'd better not, Remy.

0:49:200:49:21

Deputy supe's talkin' to the TV guys.

0:49:210:49:24

Film at 11.00?

0:49:240:49:25

Meet us at the morgue in an hour.

0:49:250:49:28

I'll meet you at the scene in 15 minutes.

0:49:280:49:32

CLASSICAL MUSIC PLAYING

0:49:320:49:36

TELEPHONE RINGS

0:49:370:49:39

Anne Osborne.

0:49:390:49:40

Carmine Tandino was just killed

0:49:400:49:42

at his warehouse down on the Third Street wharf.

0:49:420:49:45

I thought you'd want to know.

0:49:450:49:48

Hey, Remy!

0:49:520:49:54

SHIP'S HORN BLOWS

0:49:580:50:00

Psst. Hey!

0:50:010:50:03

Come here! Come here!

0:50:030:50:05

I told you not to come.

0:50:050:50:07

I'm not here. Where are the bods?

0:50:070:50:10

This way. It looks like this-

0:50:100:50:11

the killer sets the fire to destroy the bodies,

0:50:110:50:14

the fire explodes a drum of paint thinner,

0:50:140:50:17

the explosion blows out the fire.

0:50:170:50:19

How'd you identify Tandino?

0:50:190:50:21

Oh, yeah!

0:50:210:50:23

He had a glass eye.

0:50:230:50:25

Ain't that a beautiful shooter?

0:50:250:50:27

This is the guy we can't make.

0:50:270:50:30

He must have been hiding back here.

0:50:300:50:33

Oh, God.

0:50:330:50:34

I know who that is.

0:50:340:50:37

It's Tandino's older brother.

0:50:370:50:39

I didn't know he had a brother.

0:50:390:50:42

Yeah. Poor guy's retarded.

0:50:420:50:43

Family kept him at home.

0:50:430:50:45

Did a little work

0:50:450:50:46

sweeping up the warehouse.

0:50:460:50:48

Now they killin' retards!

0:50:480:50:50

Then why ain't you dead?

0:50:500:50:51

They work up floats here-

0:50:520:50:55

watch your step-

0:50:550:50:57

Mardi Gras stuff and all that.

0:50:570:50:59

Some of these- hold it!

0:51:010:51:02

CRASH

0:51:020:51:04

You OK?

0:51:040:51:05

Who does this remind you of?

0:51:050:51:08

That's part of the world's fair.

0:51:080:51:10

Let me show you this one.

0:51:100:51:12

When I was a kid, we used to...

0:51:120:51:15

Wait! Hey!

0:51:150:51:17

Miss Osborne...

0:51:170:51:19

Look, are you sure

0:51:190:51:22

that you want to see this?

0:51:220:51:24

What the hell is this man doing here?

0:51:240:51:27

What the hell is this man doin' here?

0:51:270:51:30

Better yet, what are you doin' here?

0:51:300:51:33

Yeah. What are you doin' here?

0:51:330:51:36

I got an anonymous phone call.

0:51:380:51:41

Anne.

0:51:410:51:42

They ripped the heart right out of his chest.

0:51:440:51:48

Why?

0:51:480:51:49

Voodoo.

0:51:490:51:50

Daddy Mention.

0:51:500:51:51

The heroin dealer?

0:51:510:51:52

And voodoo priest.

0:51:520:51:54

Black magic... gris-gris.

0:51:540:51:55

That's Daddy Mention's thing.

0:51:550:51:57

The heart of your enemy makes you strong.

0:51:570:52:00

What you're saying is

0:52:000:52:02

that Daddy Mention killed Carmine Tandino,

0:52:020:52:04

supporting your theory

0:52:040:52:05

that Tandino murdered Daddy Mention's men.

0:52:050:52:08

We got a cute little drug war.

0:52:080:52:09

Doesn't satisfy you, Miss Osborne?

0:52:090:52:11

Not particularly.

0:52:110:52:13

I'll see you in court tomorrow, McSwain.

0:52:130:52:16

CRASH

0:52:180:52:19

That's women for you, Jack.

0:52:210:52:23

Never satisfied.

0:52:230:52:24

BAILIFF: Order in the court.

0:52:300:52:32

All remain seated.

0:52:320:52:33

What's her problem?

0:52:390:52:40

It seems her key piece of evidence was erased

0:52:400:52:43

when a powerful magnet was placed beside it

0:52:430:52:45

in the police property room.

0:52:450:52:47

Really?

0:52:470:52:48

What? The videotape?

0:52:480:52:50

Unusable?

0:52:500:52:52

New Orleans is a marvellous environment

0:52:520:52:54

for coincidence.

0:52:540:52:55

Your Honour, because the key piece of evidence in this case

0:53:000:53:05

has been suspiciously tampered with,

0:53:050:53:06

the state is compelled

0:53:060:53:08

to withdraw its charges against Lieutenant McSwain.

0:53:080:53:12

JUDGE: The defendant is ordered released,

0:53:120:53:14

and bond is vacated.

0:53:140:53:16

Court is adjourned.

0:53:170:53:19

Praise God!

0:53:250:53:27

Lamar, Lamar.

0:53:340:53:35

Told you I'd get him off!

0:53:420:53:45

# Look at my king all dressed in red

0:53:460:53:48

# Iko, iko, unday

0:53:480:53:51

# I betcha five dollars he'll kill you dead

0:53:510:53:53

# Jockamo fee nane

0:53:530:53:55

# Talkin' 'bout hey, now

0:53:550:53:56

# Hey, now Hey, now

0:53:560:53:57

# Iko, iko, unday

0:53:570:53:59

# Oh

0:53:590:54:00

# Jockamo feeno ai nane

0:54:000:54:02

# Jockamo fee nane

0:54:020:54:04

# Talkin' 'bout hey, now

0:54:040:54:05

# Hey, now Hey, now

0:54:050:54:07

# Iko, iko, unday

0:54:070:54:08

# Oh

0:54:080:54:09

# Jockamo feeno ai nane

0:54:090:54:11

# Jockamo fee nane... #

0:54:110:54:12

Miss Osborne.

0:54:120:54:14

Yes?

0:54:140:54:15

Would you come with me, please?

0:54:150:54:17

What? Where?

0:54:170:54:18

Well, I really can't tell you right now.

0:54:180:54:21

Is this a joke?

0:54:210:54:23

No, it's no joke.

0:54:230:54:25

Well, am I under arrest?

0:54:250:54:27

What are the charges?

0:54:270:54:29

Well, you were jaywalking over there.

0:54:290:54:31

Then when you run across the bridge, that's trespassing.

0:54:310:54:35

Get out of my way!

0:54:350:54:37

That I'm gonna call resisting arrest.

0:54:370:54:39

You don't happen to be Remy McSwain's relative?

0:54:390:54:43

Look, chere. Listen to your uncle Sos.

0:54:430:54:46

Put your pretty face in the car, huh?

0:54:460:54:49

# He negresse!

0:54:580:55:01

# Quoi tu veux, mon homme?

0:55:090:55:14

# Ayou toi t'as ete hier au soir

0:55:150:55:18

# Ma negresse?

0:55:180:55:19

# J'ai ete au bal, negre

0:55:220:55:26

# T'as arrive a ce matin

0:55:280:55:32

# Quelle heure!

0:55:320:55:33

# Que t'es toute passe?

0:55:330:55:35

# Ca me fait de la peine pour toi. #

0:55:350:55:37

Whoo!

0:55:400:55:41

Do these Cajuns know how to throw a party or what?

0:55:430:55:46

Yeah!

0:55:460:55:48

I want to be serious for a minute.

0:55:480:55:51

Most of y'all know that a policeman's life

0:55:510:55:53

is made up of short pay, long hours, mortal danger,

0:55:530:55:57

and little thanks from the public which we serve,

0:55:570:55:59

but once in a while, we win one.

0:55:590:56:02

Once in a while, justice triumphs!

0:56:020:56:04

Remy, come here.

0:56:040:56:05

I want you to raise your cup or your glass.

0:56:050:56:09

Raise your nose if you have to.

0:56:090:56:12

I give you the New Orleans police department!

0:56:120:56:16

< And the fire department!

0:56:160:56:17

Oh, yeah. Fire department, too!

0:56:170:56:20

Get some of this food over here.

0:56:200:56:23

Come on, let's party!

0:56:230:56:26

MUSIC PLAYS

0:56:260:56:27

Now you're adding kidnapping

0:56:270:56:29

and false arrest to your crimes!

0:56:290:56:31

You're not under arrest.

0:56:310:56:33

Uncle Sos give you that impression?

0:56:330:56:35

Uncle Sos, you apologise.

0:56:350:56:37

I'm sorry.

0:56:370:56:38

Now you'll tell me I'm free to go anytime?

0:56:380:56:40

Absolutely. Anytime you want.

0:56:400:56:42

Where's the telephone?

0:56:420:56:44

On the porch. I'll show you.

0:56:440:56:46

I'll get it myself.

0:56:460:56:47

Whoo!

0:56:470:56:49

That pretty girl kind of mad, huh?

0:56:490:56:52

MAN: Where is she comin' from?

0:56:520:56:54

WOMAN: She got some nerve.

0:56:540:56:56

Annie, you were great in court today.

0:56:560:56:58

I want to be a lawyer...

0:56:580:57:00

I lost.

0:57:000:57:02

What the hell is she doin' here?

0:57:020:57:05

She's a pushy broad. I told you.

0:57:050:57:07

Look at this.

0:57:090:57:11

She don't look bad in those short shorts.

0:57:110:57:14

When can you be here?

0:57:140:57:16

Fine.

0:57:160:57:17

You were sayin' some pretty hard things

0:57:210:57:24

about my boy in that courtroom today.

0:57:240:57:26

Yes, I did.

0:57:260:57:28

He's a good boy.

0:57:280:57:30

Could be a hell of a lot better.

0:57:300:57:33

What you gonna do? You gonna help him?

0:57:330:57:35

You got your work cut out for you, chere.

0:57:370:57:40

What did he do, chere?

0:57:410:57:43

Drag you out the bathtub or what?

0:57:430:57:46

No. I was running.

0:57:460:57:48

Running?

0:57:480:57:49

MUSIC PLAYS

0:57:490:57:53

# You used to call me in the mornin'

0:58:000:58:03

# You used to call me late at night

0:58:030:58:06

# Now you don't call me anymore

0:58:060:58:10

# Talk all night long

0:58:120:58:14

# On the telephone

0:58:140:58:17

# But now you don't call me anymore

0:58:170:58:20

# You know you used to call me daddy

0:58:220:58:25

# Oh, Daddy

0:58:250:58:26

# Oh, Daddy

0:58:260:58:28

# But now you don't call me anymore

0:58:280:58:33

# Why, oh, why?

0:58:330:58:36

# Why?

0:58:360:58:37

# Tell me why

0:58:370:58:39

# Why you don't call me anymore... #

0:58:390:58:42

Et toi!

0:58:420:58:44

Et toi, fille moi,

0:58:490:58:51

danse avec moi.

0:58:510:58:53

Dance with me. Come on.

0:58:530:58:55

No.

0:58:550:58:56

I cut a hell of a rug, you know?

0:58:560:58:59

Take your hand off of me!

0:58:590:59:01

Dance with him, chere.

0:59:010:59:03

He's a good dancer.

0:59:030:59:05

Allons danser, everybody!

0:59:050:59:07

# Quoi fa? Quoi fa?

0:59:160:59:20

# Chere, quoi fa?

0:59:200:59:22

# Toi, qui m'appelle plus d'un telephone... #

0:59:220:59:27

Aren't you going to look at me?

0:59:290:59:31

# Talk all night long

0:59:390:59:41

# On the telephone

0:59:410:59:44

# But now you don't call me anymore

0:59:440:59:49

# Why, oh, why?

0:59:490:59:52

# Why?

0:59:520:59:53

# Tell me why

0:59:530:59:55

# Why you don't call me... #

0:59:550:59:56

Are you satisfied?

0:59:560:59:58

You still mad at me, chere, huh?

0:59:581:00:00

You don't get it? You're a cop.

1:00:001:00:03

You're supposed to uphold the law.

1:00:031:00:05

Instead you bend it

1:00:051:00:07

and twist it and sell it.

1:00:071:00:09

I saw you take that bribe,

1:00:091:00:11

resist arrest, tamper with evidence,

1:00:111:00:13

and perjure yourself under oath.

1:00:131:00:15

Don't forget I ran a red light, too.

1:00:151:00:18

You still think it's funny.

1:00:181:00:20

HORN HONKS

1:00:201:00:22

You're not one of the good guys anymore.

1:00:221:00:25

KNOCK ON DOOR

1:01:121:01:14

Remy, good to see you back.

1:01:151:01:17

I want you to do me favour.

1:01:171:01:19

Sure, Remy.

1:01:191:01:20

Take me off the widows and orphans' fund.

1:01:201:01:24

Jesus Christ, Remy.

1:01:241:01:25

What do you mean, take you off?

1:01:251:01:28

I don't mean nothing. Just take me off.

1:01:281:01:31

Widows and orphans will do fine without me.

1:01:311:01:34

Hey, don't even think about it.

1:01:381:01:41

Remy.

1:01:411:01:42

Yeah.

1:01:421:01:42

Look at this.

1:01:421:01:44

What's this? Retirement papers?

1:01:441:01:46

You finally did it? No!

1:01:461:01:48

As of December 31st,

1:01:481:01:50

you're the ranking officer of the homicide bureau.

1:01:501:01:53

I don't believe you.

1:01:531:01:54

Your mother didn't believe it either.

1:01:541:01:56

You're finally gonna marry the girl?

1:01:561:01:58

New Year's Day. Will you be my best man?

1:01:581:02:01

You bet I would, you huggie bear!

1:02:011:02:03

Bye, Daddy!

1:02:031:02:05

What's so funny? Come here.

1:02:051:02:06

Dodge, De Soto, McCabe, Foster - my office.

1:02:061:02:09

Welcome back, Remy. >

1:02:091:02:11

APPLAUSE

1:02:111:02:12

Foster has an interesting angle on the Angelo murder.

1:02:121:02:16

Two floaters were pulled from the canal last night.

1:02:161:02:19

Turned out to be Mexican deep-sea fishermen.

1:02:191:02:22

Sufferin' from lead poisoning.

1:02:221:02:24

Worked out of Veracruz.

1:02:241:02:25

Long records of smuggling.

1:02:251:02:27

So what's this got to do Freddie Angelo?

1:02:271:02:29

Mexican customs was wiretapping them.

1:02:291:02:31

Guess who their last phone call was from.

1:02:311:02:34

Angelo.

1:02:341:02:35

Right.

1:02:351:02:36

Angelo was in Veracruz three days before his death.

1:02:361:02:40

Narcotics said he never dealt

1:02:401:02:41

personally with less than 20 or 30 keys.

1:02:411:02:42

That can explain a gang war.

1:02:421:02:45

One kilo of heroin always seemed smalltime

1:02:451:02:48

for all these people to get killed over.

1:02:481:02:51

20 or 30 keys makes more sense.

1:02:511:02:53

So where's the rest?

1:02:531:02:54

Did anybody talk to Daddy Mention?

1:02:541:02:57

What is he gonna tell us?

1:03:011:03:04

"Come on in, fellas. It's under the sink."

1:03:041:03:07

Come on.

1:03:071:03:08

Hello in there!

1:03:081:03:10

It's not what he says, it's what you hear.

1:03:101:03:13

Daddy Mention's the number one suspect.

1:03:131:03:15

You don't talk to him?

1:03:151:03:18

Daddy Mention's trying to move in

1:03:181:03:20

on Vinnie's action.

1:03:201:03:21

That sounds neat, but I don't buy it.

1:03:211:03:24

Why not? Works for me.

1:03:241:03:26

Anne Osborne.

1:03:261:03:28

What the hell does she know?

1:03:281:03:30

She knows somethin', which is more than you guys.

1:03:301:03:33

You haven't done shit since I been gone.

1:03:331:03:35

They're doin' our job for us.

1:03:351:03:38

One kills creep another creep.

1:03:381:03:40

Why not let them wipe each other out?

1:03:401:03:41

Because we're the police, that's why. We got guns.

1:03:411:03:44

We're supposed to be good guys.

1:03:441:03:46

I'll go talk to Daddy Mention myself.

1:03:461:03:50

You still don't know what Anne Osborne knows?

1:03:501:03:52

You're losing your touch.

1:03:521:03:54

You really should become a defence lawyer.

1:04:051:04:08

You meet a more colourful class of people.

1:04:081:04:11

You're gonna love Daddy Mention.

1:04:111:04:13

He's a doctor of roots, fruits, and snoots.

1:04:131:04:15

You don't have any scruples, do you, Lamar?

1:04:151:04:18

Is there anybody you wouldn't represent?

1:04:181:04:21

Every man's entitled to the best defence

1:04:211:04:22

money can buy.

1:04:221:04:24

Oh, there you are.

1:04:331:04:35

I thought I'd lost you.

1:04:351:04:37

Why does Daddy Mention want to see me?

1:04:371:04:39

Actually, it was my idea.

1:04:391:04:41

I thought you might be interested

1:04:411:04:44

in what he had to say about the killings.

1:04:441:04:47

I know you've been looking into one or two.

1:04:471:04:51

Daddy's expecting us.

1:04:591:05:01

CHILDREN YELLING

1:05:121:05:13

Daddy, here's the woman I told you about, Anne Osborne.

1:05:131:05:17

How do you do, Mr Daddy, er, Mention?

1:05:171:05:20

Excuse my left hand.

1:05:201:05:22

Are they all yours?

1:05:221:05:24

21 children and 14 grandchildren.

1:05:241:05:26

I got lost in one of those Bible verses

1:05:261:05:29

that says, "be fruitful and multiply."

1:05:291:05:32

I just didn't read any further.

1:05:321:05:35

You kids run out. Daddy's gonna talk business.

1:05:351:05:38

You're a very lovely lady.

1:05:381:05:40

Thank you very much.

1:05:401:05:42

Let's get down to business.

1:05:421:05:44

You're lookin' into the murder of them Italian boys.

1:05:441:05:47

Carmine Tandino and Freddie Angelo,

1:05:471:05:49

as well as Jamaal Washington, Michael and Darnell Nobilier -

1:05:491:05:53

all of whom allegedly worked for you.

1:05:531:05:55

That's what I want to talk to you about.

1:05:551:05:57

The police are puttin' out this story

1:05:571:06:00

that there's a gang war going on.

1:06:001:06:02

Do you believe that?

1:06:021:06:03

What do you believe?

1:06:031:06:05

My people didn't kill no Freddie Angelo

1:06:051:06:08

or no what's-his-name Tandino.

1:06:081:06:11

Then who did?

1:06:111:06:12

I don't know,

1:06:121:06:13

but they're killin' my people, too.

1:06:131:06:16

Why didn't you tell the police?

1:06:161:06:18

LAMAR: Daddy's had some unfortunate experiences

1:06:181:06:21

talking with the police.

1:06:211:06:23

Policeman here to see you, Daddy.

1:06:231:06:25

Give me a minute.

1:06:251:06:27

Thanks, son.

1:06:281:06:30

Lamar.

1:06:311:06:32

I didn't know

1:06:321:06:34

you represented this sleaze bag.

1:06:341:06:36

I only represent sleaze bags.

1:06:361:06:38

What are you doing here?

1:06:381:06:40

I came to talk to chubby.

1:06:401:06:43

He might not want to talk to you.

1:06:431:06:46

I didn't know you two were like that.

1:06:461:06:47

There are a lot of things about me that you don't know.

1:06:471:06:49

GUNSHOTS

1:06:491:06:50

Aah!

1:06:501:06:52

Stay here!

1:06:521:06:54

Help!

1:06:541:06:55

Help! Big Daddy's been shot!

1:06:551:06:58

No!

1:06:581:06:59

No!

1:06:591:07:01

No!

1:07:011:07:02

Oh!

1:07:041:07:06

Ah!

1:07:501:07:51

HONK HONK

1:07:581:07:59

What's the big secret, Anne?

1:08:191:08:22

Don't you bullshit me now.

1:08:221:08:23

What evidence do you people got

1:08:231:08:25

on the Freddie Angelo murder?

1:08:251:08:26

You're beginning to think cops were involved. Why?

1:08:261:08:29

That was an unmarked police car.

1:08:291:08:31

Besides, you know anybody that can drive like that?

1:08:311:08:32

Only cops drive like that!

1:08:321:08:34

Now, what do you know?

1:08:341:08:36

An eyewitness saw two men

1:08:361:08:38

in an unmarked police car

1:08:381:08:40

dump Freddie Angelo's body

1:08:401:08:42

in the Piazza d'Italia.

1:08:421:08:44

Why did they think it was a police car?

1:08:441:08:47

They saw a blue light and a radio

1:08:471:08:49

in the front seat.

1:08:491:08:50

Why did you withhold this information

1:08:501:08:52

from the police?

1:08:521:08:54

The police are the suspects.

1:08:541:08:56

SIREN

1:08:561:08:58

All right, what we got here?

1:09:081:09:10

Hey, hey, get back.

1:09:101:09:11

Get back, man. Come on.

1:09:111:09:14

Off the street.

1:09:141:09:16

There is no gang war.

1:09:171:09:20

Is there?

1:09:211:09:23

So what are you going to do about it?

1:09:251:09:29

I don't know.

1:09:291:09:31

The police department is my family.

1:09:311:09:33

These people are killers, Remy.

1:09:331:09:36

What do you want me to do?

1:09:371:09:40

Go undercover in my precinct house?

1:09:401:09:42

No. I have a better idea.

1:09:421:09:45

Come on.

1:09:461:09:48

Anne, this is my cousin Frank,

1:10:001:10:03

my Uncle Ernest.

1:10:031:10:04

You remember Uncle Sos,

1:10:041:10:06

cousin Pete.

1:10:061:10:07

Hey, guys, thanks for helping out.

1:10:071:10:09

Uncle Sos, check everybody

1:10:111:10:13

comin' in or out.

1:10:131:10:15

You got it, Remy.

1:10:151:10:16

Hey, Remy, what's going on?

1:10:161:10:19

Ask her.

1:10:191:10:20

Come on.

1:10:201:10:21

Are you the desk sergeant on duty?

1:10:211:10:24

Do I look like

1:10:241:10:26

the king of Mardi Gras?

1:10:261:10:28

Then this is for you.

1:10:281:10:29

What the hell?

1:10:311:10:33

Hey, Captain.

1:10:331:10:35

Some broad up here with a search warrant.

1:10:351:10:38

Can you believe this shit?

1:10:431:10:45

Anybody who does not co-operate

1:10:481:10:50

fully and cheerfully with this investigation

1:10:501:10:53

will wish his mother and father never met!

1:10:531:10:56

Was your car damaged?

1:10:561:10:58

Yes. It was in the lot for two days.

1:10:581:10:59

What was the nature of the damage?

1:10:591:11:02

If you'd told me about this,

1:11:021:11:04

we could've sent out invitations.

1:11:041:11:06

Is your car 17?

1:11:061:11:08

That's right.

1:11:081:11:09

Hey, Sos.

1:11:091:11:11

Sorry. I got orders to pat everybody down.

1:11:111:11:14

This lawyer is leadin' Remy around

1:11:141:11:16

by his nose.

1:11:161:11:17

Try his dick. Higher, Sos.

1:11:171:11:19

Don't touch me, you dirty old man.

1:11:191:11:23

Everything.

1:11:231:11:24

Andre's afraid of the dark.

1:11:271:11:29

Ha ha ha!

1:11:291:11:31

Dark, my ass.

1:11:311:11:32

It's a jungle out there.

1:11:321:11:34

If that don't work, I piss on 'em.

1:11:341:11:37

There it is, right there.

1:11:391:11:40

Uh-uh. Those are junkers over there.

1:11:401:11:43

That baby hasn't been out of here

1:11:431:11:46

in three months.

1:11:461:11:47

Uh-huh.

1:11:471:11:49

Not a bad shot.

1:11:491:11:50

Thanks.

1:11:501:11:51

I want this car impounded and dusted for fingerprints.

1:11:511:11:54

Mine are all over the hood.

1:11:541:11:57

You want to come over

1:11:571:11:59

and clean up my house?

1:11:591:12:01

I hope you feel good about this.

1:12:011:12:04

Eat or work?

1:12:061:12:08

Work.

1:12:081:12:09

My place or yours?

1:12:091:12:11

Yours. That way I can leave anytime I want.

1:12:111:12:14

Did you find something?

1:12:351:12:36

Hmm?

1:12:361:12:38

You look a little strange.

1:12:381:12:39

Oh, no. Just fried oysters

1:12:391:12:41

at 1.00 in the mornin'.

1:12:411:12:43

Why don't we just call it a night?

1:12:451:12:48

Mm-hmm.

1:12:501:12:51

Who are you callin'?

1:12:551:12:56

A cab.

1:12:561:12:58

Why don't you just stay here?

1:12:581:13:00

I'll sleep on the couch.

1:13:001:13:02

Thanks, anyway.

1:13:021:13:03

Oh, now.

1:13:031:13:05

No, hey, ma'am.

1:13:051:13:07

You're just gonna be over here

1:13:071:13:10

first thing in the mornin'.

1:13:101:13:12

Hey, I won't try no cha-cha.

1:13:121:13:15

I promise.

1:13:151:13:16

The bed is yours if you want it.

1:13:161:13:19

No, thank you. I'd rather go home.

1:13:191:13:22

Annie, you gonna be pissed off at me

1:13:221:13:25

for the rest of your life?

1:13:251:13:28

Maybe.

1:13:301:13:32

Can I get you anything?

1:13:331:13:35

No, thank you.

1:13:351:13:37

I'll be asleep

1:13:371:13:38

as soon as my head hits the pillow.

1:13:381:13:41

Hey.

1:13:431:13:45

If I can't have you...

1:13:451:13:47

can I have my gator?

1:13:471:13:49

SQUEAK

1:13:531:13:54

# If you wa-ant

1:13:591:14:05

# Somethin' to play with

1:14:051:14:07

# Go and find yourself a toy

1:14:071:14:11

# Cos, baby, my time is too expensive

1:14:141:14:19

# And I'm not a little boy

1:14:221:14:27

# Whoa oh, whoa oh... #

1:14:271:14:30

DOOR LOCK TURNS

1:14:301:14:32

# If you

1:14:341:14:36

# Are serious... #

1:14:361:14:38

Freeze!

1:14:411:14:42

What is this? Scare Bobby week?

1:14:421:14:45

You're gonna give me a heart attack!

1:14:451:14:47

Annie's sleepin' in the bedroom.

1:14:471:14:49

Be quiet.

1:14:491:14:51

And you're sleepin' on the couch?

1:14:511:14:53

Yeah. What about it?

1:14:551:14:56

Where am I supposed to sleep?

1:14:561:14:59

I thought college boys liked sleepin' on the floor.

1:14:591:15:02

# Tell it like it is... #

1:15:021:15:05

Yeah, well, we don't.

1:15:051:15:07

# Don't be ashamed

1:15:071:15:10

# Let your conscience be your guide... #

1:15:101:15:14

SQUEAK

1:15:141:15:15

THUNDER

1:15:151:15:18

# I know that deep down inside of me

1:15:181:15:21

# Oh, I believe

1:15:211:15:23

# I believe you love me

1:15:231:15:25

# Forget your

1:15:251:15:27

# Foolish pride

1:15:271:15:30

# Ooh

1:15:321:15:33

# You know life is too short

1:15:371:15:39

# To have sorrow, yeah, yeah, yeah

1:15:391:15:43

# You may be here today and gone tomorrow... #

1:15:451:15:48

Morning.

1:15:491:15:50

Mornin'.

1:15:501:15:52

Is the coffee ready?

1:15:521:15:53

We're out of coffee.

1:15:531:15:55

Why don't you go get some?

1:15:551:15:57

But it's pouring.

1:15:571:15:59

Here, take my raincoat.

1:15:591:16:00

I have no money.

1:16:001:16:02

Here's some money.

1:16:021:16:03

Take a cab to the farthest place you can find.

1:16:031:16:07

Have a nice large breakfast.

1:16:071:16:09

Then take in a movie

1:16:091:16:11

and give me a phone call.

1:16:111:16:13

# But

1:16:181:16:19

# I know

1:16:191:16:21

# Deep down inside of me

1:16:211:16:25

# I believe you love me... #

1:16:251:16:28

Annie?

1:16:281:16:29

# Oh, believe me

1:16:291:16:32

# Oh, believe me

1:16:321:16:33

# Oh oh, oh oh

1:16:331:16:36

# Tell it like it is

1:16:361:16:39

# Oh, I love you

1:16:391:16:40

# Oh, I love you, oh, I love you

1:16:401:16:43

# Oh, I love you... #

1:16:431:16:45

Oh.

1:16:451:16:47

We have to get back to work.

1:16:491:16:52

Absolutely.

1:16:521:16:54

# Why, oh, why, you wanna break my heart?

1:16:541:16:57

# Girl, you know, you know, you know

1:16:581:17:01

# That I love ya that I love ya

1:17:011:17:03

# Yeah

1:17:031:17:07

# Tell it

1:17:071:17:08

# So long, so long, so long, so long, so long

1:17:081:17:12

# So long

1:17:121:17:14

# Tell it like it is... #

1:17:141:17:18

GUNSHOT

1:17:181:17:20

What was that?

1:17:221:17:24

Get away from the window!

1:17:241:17:26

Do you see anything?

1:17:261:17:27

Dial 911. Tell them shots fired, this address.

1:17:271:17:31

I'll meet them on the street.

1:17:311:17:33

I'm a cop!

1:17:351:17:37

Bobby!

1:17:391:17:40

Bobby!

1:17:401:17:41

He's dead.

1:17:411:17:43

No, look, he's breathing.

1:17:431:17:45

Oh, please!

1:17:451:17:47

Oh, my God!

1:17:471:17:48

Bobby!

1:17:481:17:50

Hold that!

1:17:501:17:52

Hold that tight!

1:17:521:17:54

SIREN

1:17:541:17:55

Stop!

1:17:551:17:56

Get out of there!

1:17:571:17:59

Call Trinity Hospital!

1:17:591:18:01

Tell them we're on our way!

1:18:011:18:02

God, please.

1:18:051:18:06

Move over!

1:18:161:18:17

SIREN

1:18:191:18:22

WOMAN ON PA: Dr Lebowitz,

1:18:221:18:24

please report to OR six.

1:18:241:18:26

Oh, oh, God!

1:18:281:18:29

Jack, they tried to kill my baby.

1:18:291:18:32

Is he gonna be all right?

1:18:321:18:34

I got to talk to you, Jack.

1:18:341:18:37

What is it, chere?

1:18:371:18:39

Nothin', mama. Just police business.

1:18:391:18:41

Come on.

1:18:411:18:43

Come on.

1:18:431:18:45

THUNDER

1:18:481:18:50

I was goin' over the logs last night.

1:18:501:18:52

Yeah?

1:18:521:18:54

Some of them been tampered with.

1:18:541:18:56

Vehicle logs, patrol logs, arrest logs...

1:18:561:19:00

all different departments.

1:19:001:19:02

So what's that tell you?

1:19:031:19:05

Only someone in command has access to them files.

1:19:061:19:10

That's either me or you.

1:19:101:19:12

Was it you?

1:19:131:19:15

Who is it, Jack?

1:19:151:19:17

You got a wire on?

1:19:211:19:24

No wire.

1:19:241:19:26

Just you and me...

1:19:261:19:28

family.

1:19:281:19:30

You got a friend in Mexican customs?

1:19:381:19:40

You got that right.

1:19:401:19:42

What happened?

1:19:421:19:44

Once you found out

1:19:441:19:45

about Freddie Angelo's heroin deal,

1:19:451:19:47

decided to rip him off,

1:19:471:19:49

go into business for yourself?

1:19:491:19:50

It was a good idea.

1:19:501:19:52

We got a lot of scum off the street.

1:19:521:19:54

Somebody shot my brother, Jack!

1:19:541:19:57

They thought it was me!

1:19:571:19:59

You think I had somethin' to do with that?

1:19:591:20:02

You're all like my own flesh and blood.

1:20:021:20:04

I don't know what happened.

1:20:041:20:06

Somebody panicked.

1:20:061:20:07

Who panicked?

1:20:071:20:09

You were behind this thing

1:20:141:20:16

all the way from the beginnin', weren't you?

1:20:161:20:18

Freddie Angelo and the Mexicans...

1:20:181:20:20

Yeah, and Carmine Tandino

1:20:201:20:22

and the boys in Storyville.

1:20:221:20:24

And Daddy Mention.

1:20:241:20:26

Garbage!

1:20:261:20:27

Where's the heroin, Jack?

1:20:291:20:31

If I told you,

1:20:311:20:33

you wouldn't believe me.

1:20:331:20:35

It must be worth more than 5 million.

1:20:431:20:47

That's a very big pie.

1:20:471:20:50

You're entitled to a fair slice,

1:20:501:20:51

so why don't you take it?

1:20:511:20:53

Walk away.

1:20:531:20:54

You taught me a lot

1:21:011:21:03

when I first came on the job...

1:21:031:21:06

what was OK, what wasn't OK.

1:21:061:21:09

Dealin' heroin OK, Jack?

1:21:091:21:12

Murder OK?

1:21:121:21:14

I just wanted to go out a winner.

1:21:161:21:19

30 years.

1:21:211:21:24

Your daddy never cared anything about that.

1:21:261:21:28

All he wanted to do was chase the girls,

1:21:281:21:32

and he caught the best one.

1:21:321:21:34

I just want to spend my life with her.

1:21:341:21:38

Touch her again, I'll kill you!

1:21:381:21:40

You can't talk to me that way.

1:21:401:21:41

GUN COCKS

1:21:431:21:45

He's gonna be all right!

1:21:451:21:47

# Oh, oh, oh, pass... #

1:21:531:21:57

Jack.

1:22:011:22:02

# Ooohhh

1:22:031:22:05

# Pass me not

1:22:051:22:09

# Oohhh oohhh

1:22:091:22:10

# Ooohhhh... #

1:22:101:22:11

ENGINE STARTS

1:22:111:22:14

# Gentle saviour

1:22:151:22:21

# Oh, lord

1:22:221:22:23

# Oohhh, oohhh, oohhh... #

1:22:231:22:25

OK, so Kellorn has an alibi

1:22:251:22:28

for every one of the killings.

1:22:281:22:31

Well, then somebody's

1:22:311:22:32

pulling that trigger for him.

1:22:321:22:35

Don't you have any idea who it is?

1:22:351:22:37

# Just listen... #

1:22:371:22:39

I've run out of ideas, Annie.

1:22:391:22:42

# Ple-ee-ase

1:22:421:22:45

# Hear my

1:22:451:22:47

# Oooh

1:22:471:22:51

# Humble cry... #

1:22:511:22:55

Trinity Hospital.

1:22:551:22:57

Give me intensive care.

1:22:571:22:59

Mrs McSwain...

1:23:001:23:02

please.

1:23:021:23:03

# I say... #

1:23:051:23:07

MRS MCSWAIN: Remy, I still can't believe it.

1:23:071:23:10

I can't either.

1:23:101:23:11

He admitted it right to my face.

1:23:111:23:13

He was so good to us.

1:23:131:23:16

Take care of Bobby.

1:23:161:23:17

I'll call you later.

1:23:171:23:20

Bye, Mama.

1:23:201:23:21

# Our lovin'

1:23:211:23:23

# Lovin', lovin'

1:23:231:23:26

# Saviour

1:23:261:23:29

# It's not any harm to call the name

1:23:291:23:32

# Yeah... #

1:23:321:23:33

SHIP'S HORN BLOWS

1:23:331:23:36

# Ooohhhhh

1:23:361:23:40

# Don't pass me by... #

1:23:401:23:42

There's somethin' you should know.

1:23:421:23:44

SHIP'S HORN BLOWS

1:23:461:23:48

I had that magnet placed in the property room...

1:23:481:23:55

next to the videotape.

1:23:551:23:57

A guy owed me a favour.

1:23:571:24:00

And you promoted him.

1:24:001:24:03

You knew that, too, huh?

1:24:051:24:08

Before I got promoted,

1:24:081:24:10

I used to be a bagman for Kellorn...

1:24:101:24:14

just nickel and dime stuff.

1:24:141:24:16

You figure...

1:24:201:24:22

it's the system...

1:24:221:24:24

that it's not gonna make any difference

1:24:241:24:28

if you take a few hundred here and there.

1:24:281:24:32

You figure you deserve a good life...

1:24:331:24:36

a decent livin' for doin' a dirty job.

1:24:381:24:42

You tell yourself

1:24:451:24:47

that you can be just as good a cop.

1:24:471:24:51

I know.

1:24:521:24:54

But you can't.

1:24:541:24:57

ANNE: Wait a minute.

1:25:411:25:42

Maybe we should look at this another way.

1:25:421:25:45

How did those two Mexican smugglers

1:25:471:25:49

end up in the industrial canal?

1:25:491:25:53

Floated down from Lake Pontchartrain, I guess.

1:25:531:25:56

And how did they get there?

1:25:581:26:01

On a fishin' boat...

1:26:011:26:03

probably.

1:26:031:26:05

Well, where's the boat?

1:26:051:26:07

How are we supposed to find the boat?

1:26:481:26:51

Dodge and De Soto impounded a boat

1:26:511:26:54

the night Angelo was killed.

1:26:541:26:55

They're the killers? Those two clowns.

1:26:551:26:58

CRYING

1:26:581:27:00

Hey, captain!

1:27:001:27:02

You're cryin' all over our future.

1:27:041:27:06

We don't have any future, boys.

1:27:061:27:08

Maybe you don't.

1:27:081:27:10

We got a plane to catch.

1:27:101:27:12

We got to get rid of this shit.

1:27:121:27:15

Captain, put the stuff down, and get out of here.

1:27:151:27:19

We're dumpin' it.

1:27:211:27:23

We don't have to listen to you anymore.

1:27:231:27:25

I'm not tellin' you again!

1:27:251:27:27

Uh!

1:27:281:27:29

Oh, shit.

1:27:331:27:34

Just stay here. Stay put.

1:27:541:27:57

CREAK

1:28:131:28:14

Oh!

1:28:141:28:15

Jesus.

1:28:151:28:16

Jack!

1:28:351:28:36

Aagh...

1:28:471:28:49

Oh!

1:28:491:28:50

Remy, where you at?

1:28:551:28:57

Throw the gun up on the deck.

1:28:591:29:01

THUMP

1:29:031:29:04

Climb up on out of there.

1:29:061:29:07

We had a perfectly good situation,

1:29:121:29:14

and you had to go screw it up.

1:29:141:29:17

You turned on us, Remy.

1:29:171:29:19

Hey, I didn't turn on you.

1:29:191:29:22

We're all family here, aren't we?

1:29:221:29:25

Couldn't we work somethin' out?

1:29:251:29:27

That's that old Remy.

1:29:271:29:29

What do you say? What's it gonna be?

1:29:291:29:32

Move out on the dock.

1:29:321:29:34

You know, I got to hand it to you guys...

1:29:361:29:39

the way you handled that situation.

1:29:391:29:41

It was genius...

1:29:411:29:44

real genius.

1:29:441:29:45

What do you take us for?

1:29:451:29:47

Assholes!

1:29:471:29:48

GUNSHOT

1:29:481:29:50

See them?

1:29:511:29:53

Can't see a goddamn thing!

1:29:531:29:54

They got to come up for air sometime.

1:30:001:30:03

The bitch is over here!

1:30:381:30:40

Come on. Come on.

1:30:401:30:42

What's that?

1:30:521:30:54

He's on the other boat!

1:30:541:30:56

Come on, you mother!

1:30:571:30:58

Aah!

1:31:221:31:23

We got them now! Next stop, Tahiti!

1:31:261:31:29

FOOTSTEPS

1:31:291:31:32

Oh!

1:31:371:31:38

Andre!

1:31:431:31:44

Aaah!

1:32:011:32:02

Aaaaah!

1:32:101:32:12

ANNE: Remy!

1:32:201:32:22

You all right?

1:32:291:32:30

Uh-huh.

1:32:301:32:32

Jesus Christ! It's gonna blow!

1:32:341:32:35

Run!

1:32:351:32:37

MUSIC PLAYING

1:32:531:32:58

Colourful drama, set in New Orleans, about the relationship which develops between a young police lieutenant and an uncompromising female DA who is unimpressed with the bribery and corruption in the officer's department.

A vicious gang war is also simmering and looks set to erupt at any moment, as the murder of a Mafia soldier is followed swiftly by the killing of three drug-dealing gangsters.


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