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BELL CHIMES | 0:01:36 | 0:01:39 | |
Morning! Morning! | 0:01:44 | 0:01:47 | |
Another drink before lunch, Skelton? | 0:01:47 | 0:01:49 | |
Major, anything to improve Anglo-American relations. I spent most of my life in India. | 0:01:49 | 0:01:57 | |
WOMAN SINGS ROMANTIC FRENCH SONG | 0:02:01 | 0:02:05 | |
BELL CHIMES | 0:02:17 | 0:02:20 | |
Why did you do that? I was enjoying it. | 0:02:38 | 0:02:42 | |
-It bores me. -You were singing it. | 0:02:42 | 0:02:45 | |
-It's sentimental. -Why not be sentimental on our honeymoon? | 0:02:47 | 0:02:52 | |
Oh, yes, of course, our honeymoon. | 0:02:55 | 0:02:57 | |
Happy? | 0:02:57 | 0:03:00 | |
You ought to know. | 0:03:00 | 0:03:02 | |
Come on. I'll buy you champagne for lunch. | 0:03:03 | 0:03:07 | |
There's an article here about the Australian Aborigines. | 0:03:11 | 0:03:16 | |
They catch their fish with some kind of wooden harpoon. | 0:03:16 | 0:03:21 | |
There's nothing wrong with my method. | 0:03:21 | 0:03:24 | |
YOU disturbed the fish. This has got to stop. | 0:03:24 | 0:03:29 | |
Day after day, as soon as I am about to catch a fish, you come by, paddling! | 0:03:29 | 0:03:35 | |
Hold it! | 0:03:35 | 0:03:37 | |
Thank you. That was perfect. | 0:03:41 | 0:03:43 | |
-We're only too glad. Now perhaps you'd take one of me by myself? -Sorry, that was my last film. | 0:03:43 | 0:03:51 | |
< Mr Vadassy, will you be long? | 0:03:51 | 0:03:54 | |
-I'm sorry, I couldn't miss those two. It's my last film. -Yesterday, it was lizards for your last film. | 0:03:56 | 0:04:04 | |
-There must be something wrong with me. -No, you're not such a good model. | 0:04:04 | 0:04:09 | |
-You can't stand still. -Because my hair gets in my eyes. -Why do you want hair? -It's usual. | 0:04:09 | 0:04:16 | |
-I'm terribly sorry. -Forget it. -Let's go fishing this afternoon. -I'd love that. | 0:04:16 | 0:04:22 | |
-Good. I must run to the village. I left my negatives to be developed. -You'll miss lunch. -I'll hurry. | 0:04:22 | 0:04:30 | |
-Albert! -Is anything wrong, madame? -How many times have I told you to decant one bottle at a time? | 0:04:50 | 0:04:57 | |
Now, don't let it happen again! | 0:04:57 | 0:05:00 | |
-..Good morning. -Madame. -I'm glad my guests are punctual for their meal. | 0:05:00 | 0:05:05 | |
-You set a good example. Always first to arrive. -And last to leave. | 0:05:05 | 0:05:11 | |
..Morning, Major. Having fun? Rather, dear lady. | 0:05:11 | 0:05:16 | |
-Morning. -..Madame. What have you been doing, M Duclos? | 0:05:16 | 0:05:20 | |
I've had a discussion on marine biology with our fisherman friend. | 0:05:20 | 0:05:25 | |
He has a theory that the whale is not a fish but a mammal. A mammal, I ask you! | 0:05:25 | 0:05:32 | |
You have so many interests, M Duclos. | 0:05:32 | 0:05:35 | |
-Fools talk and wise men listen, eh, M Vogel? M Duclos needs a gag. -Ssh! Andre, he will hear you. | 0:05:35 | 0:05:42 | |
I don't care if he does. ..Albert! | 0:05:42 | 0:05:45 | |
-Take this wine away. Champagne and ice, quickly. -Champagne? | 0:05:45 | 0:05:50 | |
-You heard. ..Cru '28, isn't it? -Yes. -..Bring a bottle at once. -Certainly, madame. | 0:05:50 | 0:05:56 | |
-Ah, Miss...? Have you been fishing? -No, I'm going later with Mr Vadassy. | 0:05:56 | 0:06:01 | |
-Monsieur, pleasant morning? -Yes, the Major and I discussed politics. | 0:06:01 | 0:06:06 | |
Politics? Yes, of course we have. I still don't understand what a republican is. | 0:06:06 | 0:06:13 | |
Don't bother, Major, no-one does. | 0:06:13 | 0:06:16 | |
The same applies to the porpoise. | 0:06:16 | 0:06:19 | |
Everyone knows a porpoise is a fish. | 0:06:19 | 0:06:21 | |
No, they come inshore to breed. And stay at the best hotels(!) | 0:06:21 | 0:06:26 | |
I'm serious. In subtropical waters, the shallows are full of them. Impossible! | 0:06:26 | 0:06:33 | |
It's a biological fact. I don't believe in facts. | 0:06:33 | 0:06:37 | |
Mankind is nature's supreme achievement. | 0:06:37 | 0:06:41 | |
What have you done with your young man, Miss Skelton? Mr Vadassy? He's not MY young man. | 0:06:41 | 0:06:49 | |
I never set eyes on him till yesterday. My wife is a great matchmaker! | 0:06:49 | 0:06:55 | |
He has betrayed me for a lizard. Her hair doesn't get in her eyes. < Lizard? | 0:06:55 | 0:07:01 | |
He spent yesterday afternoon taking her portrait. He's gone for the photographs, so he's late for lunch. | 0:07:01 | 0:07:09 | |
At the Hotel Reserve, one is never late for lunch. I will speak to Mr Vadassy. | 0:07:09 | 0:07:15 | |
Anybody in? | 0:07:35 | 0:07:38 | |
Anybody in? | 0:07:40 | 0:07:42 | |
-Yes, monsieur? -That roll of film I brought in, can I have it at once? | 0:07:44 | 0:07:50 | |
-It's not ready yet. -Not ready? But you said you'd have it this morning. It shouldn't take all that time. | 0:07:50 | 0:07:57 | |
-When will it be ready? -It's not ready yet. -You haven't damaged the negative? | 0:07:57 | 0:08:03 | |
-I wouldn't like anything to happen to it. -Oh, no, monsieur. | 0:08:03 | 0:08:09 | |
-If you'd be good enough to give me your name and address, I'll send the boy with it. -No, I'll call again. | 0:08:09 | 0:08:16 | |
-It's no trouble. Your name and address, please. -Peter Vadassy. Hotel Reserve. | 0:08:16 | 0:08:23 | |
Peter...Vadassy... | 0:08:23 | 0:08:26 | |
Hotel...Reserve... It shall be sent round as soon as it's ready. | 0:08:26 | 0:08:33 | |
-Monsieur Vadassy? -Yes. -I must ask you to accompany me to the police station. -What for? | 0:08:34 | 0:08:40 | |
-A slight passport formality. -My passport is at the hotel. All my papers are in order. | 0:08:40 | 0:08:47 | |
-I don't understand. -You will. | 0:08:50 | 0:08:53 | |
DRUNKEN MUMBLING | 0:09:01 | 0:09:04 | |
Vadassy. | 0:09:04 | 0:09:06 | |
-Peter Vadassy? -Yes. | 0:09:15 | 0:09:17 | |
-Your identity card? -I left it at the hotel. -Age? -32. | 0:09:17 | 0:09:22 | |
-Profession? -Medical student. -Scarcely a profession. -I teach languages. -You have a permit? -Yes. | 0:09:22 | 0:09:30 | |
-Give it to me. -If it were necessary to have a permit to bathe, I might have it on me(!) -Don't be flippant! | 0:09:30 | 0:09:37 | |
KNOCK ON DOOR Come in! | 0:09:37 | 0:09:40 | |
-You're German. -No, Austrian. -Austrian? -I don't carry my passport everywhere either. | 0:10:03 | 0:10:09 | |
We have your passport here. And all your other papers. | 0:10:09 | 0:10:14 | |
Have you any other professions besides the two you mentioned? Or other nationalities? | 0:10:14 | 0:10:20 | |
This is absurd. My father was Austrian. My mother was French. I left Austria before Hitler came in. | 0:10:20 | 0:10:28 | |
In another two days, I shall become a French citizen. I passed my final medical examination three weeks ago. | 0:10:28 | 0:10:35 | |
-Back in Paris, I shall be assistant house surgeon at my hospital. -And your other activities? | 0:10:35 | 0:10:42 | |
I was only teaching to pay my way through medical school. | 0:10:42 | 0:10:47 | |
It's always been my ambition to be a surgeon and a Frenchman. | 0:10:47 | 0:10:52 | |
-Teaching languages was my only means. -Your sentiments do you the greatest credit. | 0:10:52 | 0:10:59 | |
Thank you. ..Now, please, may I go? | 0:10:59 | 0:11:02 | |
-You are a photographer? -It's my hobby. -How many cameras do you have? | 0:11:02 | 0:11:08 | |
-One. I can't see why... -You're here to answer questions, not to ask them! | 0:11:08 | 0:11:13 | |
You say you have one camera. | 0:11:21 | 0:11:23 | |
-What make is it? -Contax. | 0:11:26 | 0:11:29 | |
That IS my camera. | 0:11:35 | 0:11:37 | |
Were these photographs taken by that camera? | 0:11:43 | 0:11:47 | |
Yes, those are mine. I took those yesterday afternoon. The light was good. | 0:11:47 | 0:11:53 | |
-Contax is an expensive make. How much did you pay for it? -5,000 francs. | 0:12:03 | 0:12:09 | |
A lot of money for a teacher of languages. | 0:12:09 | 0:12:13 | |
-Photography is an expensive hobby. -I saved to buy that camera, just as I saved for this holiday. | 0:12:13 | 0:12:20 | |
-It's the first one I've had in five years. -Calm down. -I have my rights. | 0:12:20 | 0:12:25 | |
Your rights as what? A stateless citizen? A doctor without a practice? A teacher of languages? | 0:12:25 | 0:12:32 | |
Perhaps as an amateur photographer? | 0:12:32 | 0:12:34 | |
Why pretend any longer, Vadassy? | 0:12:36 | 0:12:38 | |
-I've got nothing to pretend about. -You took these photographs? -I've said so. | 0:12:38 | 0:12:44 | |
Good. We will examine them together. | 0:12:44 | 0:12:47 | |
JUDGE: On the desk, here. | 0:12:51 | 0:12:55 | |
Take a look. | 0:13:06 | 0:13:09 | |
Lizards...lizards... | 0:13:14 | 0:13:16 | |
lizards...nothing but lizards. | 0:13:16 | 0:13:19 | |
Lizards...liz... | 0:13:21 | 0:13:24 | |
Come on, Vadassy, don't trouble to look surprised. | 0:13:24 | 0:13:28 | |
Curious lizards, eh, Vadassy? | 0:13:31 | 0:13:34 | |
-I don't understand. -You know that is an excellent photograph of the new fortifications outside of Toulon. | 0:13:34 | 0:13:42 | |
I suppose you'll say you've never been to Toulon. | 0:13:42 | 0:13:47 | |
-Yes, I spent two hours in Toulon yesterday. But I left my camera in my bag at the station. -Strange. | 0:13:47 | 0:13:55 | |
But I was only there a couple of hours. | 0:13:55 | 0:14:00 | |
Peter Vadassy, you are charged with espionage, | 0:14:00 | 0:14:04 | |
with taking photographs calculated to endanger the safety of the French Republic. | 0:14:04 | 0:14:11 | |
What's the charge? Espionage. That's why the chief of naval intelligence is here. | 0:14:11 | 0:14:18 | |
Exactly. That's the way it goes. That's the way it goes, my friend. | 0:14:20 | 0:14:26 | |
Sit down. | 0:14:32 | 0:14:35 | |
Cigarette? | 0:14:35 | 0:14:37 | |
Thank you. | 0:14:37 | 0:14:39 | |
-Why did you admit taking those photographs? -I took all except the first ten. -How do you explain that? | 0:14:50 | 0:14:57 | |
-The spool must've been changed. -By whom? -I haven't the faintest idea. | 0:14:57 | 0:15:02 | |
My camera never left my suitcase until I photographed the lizards. | 0:15:02 | 0:15:08 | |
-Do you recognise this? -Of course. -Examine it closely. | 0:15:08 | 0:15:13 | |
-Do you find anything curious about it? -It's exactly as I left it at the hotel. | 0:15:20 | 0:15:28 | |
Then why does your insurance policy give the the serial number as F2372? | 0:15:28 | 0:15:33 | |
But this isn't MY camera! This is Z44738. | 0:15:35 | 0:15:39 | |
Why were my photographs on that negative? | 0:15:39 | 0:15:44 | |
The Toulon exposures were made before you photographed your stupid lizards. The cameras were changed. | 0:15:44 | 0:15:52 | |
-Then why do you keep me here? -You were in possession of photographs calculated to endanger France. | 0:15:52 | 0:15:59 | |
You face a long term of imprisonment, deportation and your naturalisation papers will not be granted. | 0:15:59 | 0:16:07 | |
-France will lose an undistinguished citizen and the Third Reich will gain one. -This is grossly unjust. | 0:16:07 | 0:16:14 | |
-You know I am innocent. -Possibly. | 0:16:14 | 0:16:17 | |
Vadassy, there are ten guests at the hotel and Madame Koche. | 0:16:17 | 0:16:23 | |
The guilty one has your camera - a Contax identical to that. | 0:16:23 | 0:16:28 | |
It is impossible for us to arrest the entire hotel and search everyone. | 0:16:28 | 0:16:33 | |
-Inquiries must be made by someone whose presence would arouse no suspicion. -I see what you mean. | 0:16:33 | 0:16:40 | |
Yes. It's a pity for both of us that you're the only person who can help. | 0:16:40 | 0:16:46 | |
-But, M... -Beghin, is the name. Michel Beghin. | 0:16:46 | 0:16:50 | |
-But I've got to return on Saturday to Paris. -You will remain at the hotel till you're permitted to leave. | 0:16:50 | 0:16:59 | |
If you try to leave, you'll be re-arrested, | 0:16:59 | 0:17:02 | |
you'll be deported straightaway to Vienna | 0:17:02 | 0:17:06 | |
and your dossier will be handed to the police there. | 0:17:06 | 0:17:11 | |
Get this into your head - the quicker you find out who took those photographs, the better for you. | 0:17:16 | 0:17:24 | |
Don't try any tricks. Don't write any letters. | 0:17:24 | 0:17:28 | |
If you do, imprisonment... | 0:17:28 | 0:17:31 | |
deportation and the Gestapo. | 0:17:31 | 0:17:34 | |
Here is a list I made out for you. | 0:17:38 | 0:17:41 | |
Your fellow guests. Take it! | 0:17:41 | 0:17:44 | |
-M Vadassy, you are back! Nothing serious, I hope. The police were here before lunch. -Nothing serious. | 0:18:07 | 0:18:15 | |
Just a ridiculous mistake about my passport. However, they apologised. | 0:18:15 | 0:18:20 | |
I apologise to you for having missed lunch. You know what the police are. | 0:18:20 | 0:18:25 | |
-They took a long time to clear up such a small matter. -There was a delay in getting through to Paris. | 0:18:25 | 0:18:33 | |
I thought the police had priority, but you can never trust the telephone. | 0:18:33 | 0:18:39 | |
-Anyway, I'm back now. That's the main thing. -Yes. | 0:18:39 | 0:18:43 | |
-M Vadassy, when are you leaving? -We had agreed Saturday morning. -Oh, yes, the day after tomorrow. | 0:18:43 | 0:18:51 | |
The weather's so splendid, I might stay on a day or two. | 0:18:51 | 0:18:55 | |
-Oh, I'm afraid... -If the police have no objection and if you have a room. | 0:18:55 | 0:19:01 | |
I'll see what can be arranged. | 0:19:01 | 0:19:04 | |
Hello. Remember me? | 0:19:12 | 0:19:14 | |
-Oh, yes, of course. -The girl by the boat you photographed this morning. -Yes. | 0:19:14 | 0:19:21 | |
Where have you been all afternoon? A date with a lizard, I suppose. | 0:19:21 | 0:19:26 | |
-You did have a date with me to go fishing. -I'm sorry. -Aren't you well? | 0:19:26 | 0:19:31 | |
I've got a headache. A touch of the sun. I think I'll go and lie down. | 0:19:31 | 0:19:36 | |
-Is there anything I can do? -No. -Shall we see you for dinner? -Yes. I'll play you billiards afterwards. | 0:19:36 | 0:19:44 | |
-I'd love to. -I'll look forward to it. Now I'll go to my room. | 0:19:44 | 0:19:49 | |
'The quicker you find out who took those photographs, the better for you. | 0:20:16 | 0:20:22 | |
'Don't try any tricks and don't write any letters. | 0:20:22 | 0:20:26 | |
'If you do, imprisonment, deportation, the Gestapo.' | 0:20:26 | 0:20:30 | |
He misses his lunch, now he misses his dinner. I cannot understand it. | 0:22:16 | 0:22:22 | |
Everybody isn't like you, Walter. ..In Sweden last year, he never stopped eating! | 0:22:22 | 0:22:29 | |
I didn't want to die of cold and starvation. | 0:22:29 | 0:22:33 | |
They have very interesting fish in northern waters. I can well imagine it. | 0:22:33 | 0:22:40 | |
Harpooning whales all day! And fighting Eskimos for FISH blubber. | 0:22:40 | 0:22:45 | |
For the last time, a whale is NOT a fish. | 0:22:45 | 0:22:49 | |
Ladies and gentlemen, I appeal to... | 0:22:49 | 0:22:52 | |
Vadassy, good evening. | 0:22:52 | 0:22:54 | |
-I beg your pardon, madame. I'm afraid I'm late. -Not at all. | 0:22:55 | 0:23:00 | |
Hello, there. So, there you are! | 0:23:00 | 0:23:04 | |
-Good evening. -Good evening. Where have you been all day, monsieur? We missed you. | 0:23:04 | 0:23:10 | |
I went down to the village and... it was such a glorious day, I forgot the time. | 0:23:11 | 0:23:17 | |
-I walked along the coast, over the cliffs. -Which way did you go? | 0:23:17 | 0:23:23 | |
Not very far. Well, quite a long way. No, thank you, nothing to eat. | 0:23:23 | 0:23:27 | |
You're not eating anything, M Vadassy? | 0:23:27 | 0:23:31 | |
-No, I've got a headache. A touch of the sun. -A touch of the sun? You must be careful. | 0:23:31 | 0:23:38 | |
-How about a drink, Vadassy? ..Albert, a glass for M Vadassy. -No, thanks. I'm perfectly all right. | 0:23:38 | 0:23:45 | |
-I never drink champagne. -Nonsense! You look half-dead. ..Doesn't he, my pet? -M Vadassy looks charming. | 0:23:45 | 0:23:53 | |
-But champagne is good for everyone. -Take it over, Albert. | 0:23:53 | 0:23:58 | |
I stick always to beer. I can only drink it with sugar. | 0:23:58 | 0:24:03 | |
Vadassy, be a man. ..Odette, drink up. We've only got one honeymoon. Vadassy, you are not drinking | 0:24:03 | 0:24:10 | |
I'd rather not, if you don't mind. | 0:24:10 | 0:24:13 | |
..Albert. | 0:24:13 | 0:24:15 | |
-Perhaps Herr Schimler would like my glass. -Herr Schimler? -Yes. Take it over to him. | 0:24:17 | 0:24:24 | |
-Sir, there is no Herr Schimler here. -He's sitting over there. | 0:24:24 | 0:24:29 | |
-Oh, you mean M Heinberger? -Heinberger? -Yes. It's M Heinberger. | 0:24:31 | 0:24:36 | |
I'm sorry. I'm...a bit confused. | 0:24:38 | 0:24:41 | |
-Is your head really bad? -I don't think so. I'm perfectly all right. | 0:24:41 | 0:24:46 | |
-Are you sure? -Perhaps I do feel a bit...queer. | 0:24:46 | 0:24:51 | |
-Every minute is important. -I'll try again in the morning, Emil. | 0:25:02 | 0:25:07 | |
But I'm afraid it's useless. | 0:25:07 | 0:25:09 | |
You must keep trying for me. I must know what has happened. | 0:25:09 | 0:25:14 | |
-I must know what I have to do. -There's nothing you can do, Emil. Haven't we done all we can? | 0:25:14 | 0:25:21 | |
Month after month of waiting and planning, and now this has to happen. | 0:25:21 | 0:25:27 | |
-Darling. -There is so little time. -Look, I promise I'll try again in the morning. -You must. -Tomorrow. | 0:25:27 | 0:25:35 | |
There's nothing we can do tonight. | 0:25:35 | 0:25:37 | |
DOG WHINES | 0:25:37 | 0:25:40 | |
-What was that? -Wait. I'll see. | 0:25:41 | 0:25:44 | |
DOG BARKS | 0:25:46 | 0:25:50 | |
M Vadassy, is there anything wrong? | 0:25:53 | 0:25:57 | |
Nothing, madame. I couldn't sleep. I came to look for a book. | 0:25:57 | 0:26:01 | |
I'm going back to my room. I'm sorry I disturbed you. | 0:26:01 | 0:26:06 | |
-Good night. -Good night. | 0:26:07 | 0:26:10 | |
There we are, monsieur. Coffee. Milk. | 0:27:02 | 0:27:06 | |
Butter. | 0:27:06 | 0:27:08 | |
Sugar. | 0:27:08 | 0:27:10 | |
Croissant. Fresh this morning. | 0:27:10 | 0:27:14 | |
Good morning, Monsieur Vadassy. You are down early. | 0:27:18 | 0:27:23 | |
-Do you feel better today? -Yes, thank you. -Oh, good. | 0:27:23 | 0:27:27 | |
-Have you been here before? -No, never. | 0:27:27 | 0:27:30 | |
-A medical student doesn't have much spare time. -My son-in-law is a doctor in Zurich. | 0:27:30 | 0:27:36 | |
-Show him the photographs, Liebchen. ..You're interested, M Vadassy? -Yes. | 0:27:36 | 0:27:42 | |
This is my daughter. And this is our grandson. You wouldn't believe I was a grandmother, would you? | 0:27:42 | 0:27:49 | |
He's such a dear, little boy. That's Ernst, the doctor. And this is their house. | 0:27:49 | 0:27:56 | |
-With the little dog. You know Switzerland? -No. Do you always take photographs? | 0:27:56 | 0:28:03 | |
-Yes, I have an album for each holiday. -Were these taken with a half-plate camera? -An Excelsior. | 0:28:03 | 0:28:10 | |
-Have you any other cameras? -Oh, yes. I have always been fond of photography. | 0:28:10 | 0:28:17 | |
-Have you got them with you? -No, they're in Zurich. You must visit us. -Yes, I'd like to. | 0:28:17 | 0:28:23 | |
What a glorious morning. What a deuce of an appetite I've got! | 0:28:23 | 0:28:28 | |
What I wouldn't give for an English breakfast! | 0:28:28 | 0:28:32 | |
I wonder if the chef could make porridge? Vadassy, how are you? | 0:28:32 | 0:28:38 | |
-I'm all right, thank you. -Had your breakfast already? | 0:28:38 | 0:28:42 | |
Excuse me. | 0:28:42 | 0:28:45 | |
-Are you following me? -Unfortunately, yes. | 0:29:17 | 0:29:21 | |
I find it very fatiguing. And this suit is very hot. | 0:29:21 | 0:29:26 | |
-Why do you wear it? Have you been to a funeral? -Four months ago, my mother. She had stones. -Sit down. | 0:29:26 | 0:29:34 | |
Thank you. I would like to have a grenadine. | 0:29:34 | 0:29:38 | |
-Waiter, grenadine for this gentleman. -And for you? -Nothing, thank you. -Nothing? | 0:29:38 | 0:29:44 | |
I'm going to telephone M Beghin from that box. Stay here and enjoy your drink. He told me to telephone him. | 0:29:47 | 0:29:55 | |
-But it is my duty to come too. -But there isn't room for two in a telephone box. | 0:29:55 | 0:30:02 | |
But you cannot bribe the honour of a French policeman with a glass of grenadine. | 0:30:02 | 0:30:08 | |
All right, move your chair that way and you'll be able to watch me. | 0:30:08 | 0:30:14 | |
TELEPHONE RINGS | 0:30:27 | 0:30:30 | |
-Yes? -Peter Vadassy. -Any news about the camera? | 0:30:33 | 0:30:38 | |
-Not yet. -Then why are you bothering me? -I've discovered something. -What? | 0:30:38 | 0:30:43 | |
The German, Emil Schimler, is calling himself Paul Heinberger. | 0:30:43 | 0:30:47 | |
I heard him talking to Madame Koche last night. I think he's the spy. | 0:30:47 | 0:30:53 | |
-Are you insane? -Well, I thought it might be a clue. | 0:30:53 | 0:30:57 | |
I didn't ask you to play detective. | 0:30:57 | 0:31:00 | |
I asked you to find out which of the guests had cameras. Find out! | 0:31:00 | 0:31:06 | |
Miss Skelton, come and have a look at this. | 0:31:20 | 0:31:24 | |
Over there. What's the matter? It's Mr Asticot. | 0:31:24 | 0:31:28 | |
He looks as though he's drowning. | 0:31:28 | 0:31:31 | |
Give me those. Who's drowning? Take my binoculars. | 0:31:31 | 0:31:37 | |
He's been caught by an octopus. It must be a shark. | 0:31:37 | 0:31:42 | |
Poor chap! Give me those. No! | 0:31:42 | 0:31:45 | |
It is a gigantic shark. Oh, I say! | 0:31:45 | 0:31:49 | |
What's going on? Asticot. All is over. What happened? | 0:31:49 | 0:31:54 | |
Is he drowning? Eaten by a shark. No, it's not a shark! | 0:31:54 | 0:32:00 | |
He's made a wonderful catch. He's lost it. | 0:32:00 | 0:32:04 | |
No, he hasn't. It's dragging him under. | 0:32:04 | 0:32:09 | |
He's got it! It's a giant. | 0:32:09 | 0:32:12 | |
-Have I missed something? -I should think you have. Tremendous sport. Over there. | 0:32:12 | 0:32:19 | |
-That is a fish, isn't it?! -Isn't it? | 0:32:26 | 0:32:29 | |
-We ought to take a photograph. -I'll get my camera. And I'll get my Excelsior. | 0:32:31 | 0:32:37 | |
-Photograph - what for? -If you'd seen it, you wouldn't ask. | 0:32:37 | 0:32:42 | |
-I can't see anything remarkable about catching a fish. -Oh, Andre, it'd be fun to have a picture. | 0:32:42 | 0:32:51 | |
All right. | 0:32:51 | 0:32:53 | |
Splendid, my friend. An 80-pounder, by Jove! | 0:32:56 | 0:33:00 | |
Do you think I should hold the fish? | 0:33:00 | 0:33:04 | |
No, it's perfect as it is. ..Where's your camera, Mr Vadassy? You're missing the photograph of the season. | 0:33:04 | 0:33:11 | |
-I forgot to get a new roll of film. Just my luck. -Today of all days! | 0:33:11 | 0:33:16 | |
Mr Vadassy, would you please help me? There must be something wrong here. If you would straighten it... | 0:33:16 | 0:33:24 | |
There you are. How's that? | 0:33:25 | 0:33:28 | |
-I still can't see a thing. -Have you dropped your mirror? -Have I dropped...?! | 0:33:28 | 0:33:34 | |
At last! | 0:33:36 | 0:33:39 | |
We're ready now. Hold it. | 0:33:39 | 0:33:41 | |
PHWRRT! | 0:33:41 | 0:33:44 | |
I'm so sorry. Perhaps there's air in it. | 0:33:44 | 0:33:48 | |
M Asticot, just once more. PHWRRT! | 0:33:48 | 0:33:53 | |
Walter, do it without the bulb. Once more? No, Walter! | 0:33:53 | 0:33:58 | |
Bravo! Jolly good show. > | 0:34:01 | 0:34:04 | |
Now, put this round here. I'm so glad you took my advice about the harpoon. | 0:34:08 | 0:34:14 | |
I didn't. But you weren't paddling. | 0:34:14 | 0:34:17 | |
How are we going to cook it? This is going to be stuffed! I have a room at home full of them. | 0:34:17 | 0:34:24 | |
MUFFLED CHATTER | 0:36:42 | 0:36:46 | |
In the old days, one just wore ordinary riding... What?! | 0:37:13 | 0:37:18 | |
Who locked me in the writing room? | 0:37:22 | 0:37:24 | |
-Are you perfectly sure of that? -Yes! -My dear fellow, take it easy... | 0:37:24 | 0:37:29 | |
Old Buffy Davenport, similar case. | 0:37:29 | 0:37:32 | |
Found him crawling round the compound one morning on his hands and knees, raving mad. | 0:37:32 | 0:37:38 | |
-I know you all think I'm mad. -No, just take it easy. -But I was locked in. | 0:37:38 | 0:37:45 | |
-Well, it's a bit unlikely. -My dear Vadassy. | 0:37:45 | 0:37:50 | |
-It's quite a natural mistake to make. -Perhaps you locked yourself in. | 0:37:55 | 0:38:01 | |
-Difficult to do with the key on this side of the door, eh, M Duclos? -Point taken. | 0:38:01 | 0:38:07 | |
This calls for a snifter. One doesn't catch an 80-pounder every day. Swell idea! | 0:38:07 | 0:38:14 | |
You need a drink, too. What will you have, my friend? Brandy or champagne or what? | 0:38:14 | 0:38:21 | |
-Nothing, thank you. -Nonsense! Come up to my room. Let Odette fix you a cocktail. | 0:38:21 | 0:38:27 | |
No, thank you! | 0:38:27 | 0:38:30 | |
-Thank you very much, not now. -I'm sorry. Cheer up, my friend. You'll soon feel better. | 0:38:30 | 0:38:36 | |
Where were you when it happened? | 0:38:50 | 0:38:53 | |
-What happened? What do you mean? -You know what I mean. | 0:38:53 | 0:38:58 | |
-I was locked in the writing room. -Were you? I was sitting over here. -Where have you just come from? | 0:38:58 | 0:39:05 | |
-May I ask the reason for this interrogation? -You hypocrite! | 0:39:05 | 0:39:10 | |
-Sir, I have not the faintest idea what you're talking about. -You sit here smiling, and all the time... | 0:39:10 | 0:39:17 | |
I'm afraid, I'm rather upset. Forgive me. | 0:39:17 | 0:39:22 | |
Don't go! | 0:39:24 | 0:39:26 | |
Do YOU think I'm mad? | 0:39:28 | 0:39:31 | |
-Not at all. -THEY all think I am. | 0:39:31 | 0:39:34 | |
They think? Let them think! | 0:39:35 | 0:39:37 | |
I'm sure you're as sane as I am. | 0:39:37 | 0:39:41 | |
Now, pull yourself together. | 0:39:42 | 0:39:44 | |
What do you say to a game of Russian billiards? It will calm your nerves. | 0:39:44 | 0:39:50 | |
I'm no good at this game. | 0:39:55 | 0:39:57 | |
-There's only one thing I am good at. -That is? | 0:39:57 | 0:40:02 | |
-Photography. -Fascinating hobby. | 0:40:02 | 0:40:04 | |
-Have you a camera? -Will you please not speak while I make this shot? It is difficult. | 0:40:04 | 0:40:11 | |
Have I a camera? | 0:40:11 | 0:40:13 | |
No, I have no camera. In fact, I can't remember when I had one in my hands. | 0:40:13 | 0:40:19 | |
Excellent. | 0:40:26 | 0:40:28 | |
-M Heinberger has kindly been giving me lessons. -He's a very apt pupil. | 0:40:28 | 0:40:33 | |
We had some difficulties at first, but now we understand one another perfectly, don't we, Vadassy? | 0:40:33 | 0:40:41 | |
-You will always fail if you jab it. -I wasn't thinking. -A fatal mistake. | 0:40:41 | 0:40:46 | |
Keep your eye on the ball. | 0:40:46 | 0:40:49 | |
Decide what to do. Concentrate, then do it. | 0:40:49 | 0:40:53 | |
-Don't be in too great a hurry or you will fail. Your turn. -M Vadassy is a novice. One needs experience. | 0:40:53 | 0:41:00 | |
Yes, one must relax the muscles and take it easy. You're trying too hard. | 0:41:00 | 0:41:05 | |
-Oh! -You see? You're back where you started. -Now you must begin again. | 0:41:06 | 0:41:12 | |
So, there you are! What about that swim? | 0:41:12 | 0:41:16 | |
-Are you winning a fortune off Mr Heinberger? -No, Mr Heinberger's winning. ..Excuse me. | 0:41:16 | 0:41:23 | |
-I've been wasting your time. -Not at all. -Perhaps we'll play again later. | 0:41:23 | 0:41:28 | |
-..I'll go and change. -How long will you be? -Five minutes. -Make it three. | 0:41:28 | 0:41:34 | |
All right. | 0:41:34 | 0:41:37 | |
-A charming girl. -Yes, and the man? -I don't know. -Be careful, Emil. | 0:41:42 | 0:41:47 | |
-I know what I am doing. -Yes, but sometimes I'm afraid. -Don't worry. | 0:41:47 | 0:41:52 | |
-I can look after myself. And him, too, if necessary. -Take care, Emil. | 0:41:52 | 0:41:57 | |
Come along, Peter! Time's up. | 0:42:12 | 0:42:14 | |
Don't move. I'll get a doctor. | 0:42:46 | 0:42:48 | |
-You mustn't do that. -Why on earth not? -Nobody must know about this. | 0:42:48 | 0:42:54 | |
Don't get excited. What's been going on here? | 0:42:54 | 0:42:58 | |
-I don't exactly remember. -Take it easy. | 0:42:58 | 0:43:02 | |
-I must have fainted. -You don't have fits, do you? | 0:43:02 | 0:43:07 | |
-No. -From the look of the room, you must've been thrashing round. | 0:43:07 | 0:43:12 | |
-What really did happen? -Nothing. It's my sunstroke. I must have fainted. | 0:43:12 | 0:43:17 | |
First, you chewed up everything except the carpet. Then you fainted. You were all right when I left you. | 0:43:17 | 0:43:25 | |
I know. It sounds a ridiculous explanation. It IS ridiculous. | 0:43:25 | 0:43:30 | |
-Why not come clean? -I can't. Not now, at any rate. You must think I'm completely mad. | 0:43:30 | 0:43:37 | |
A little. I can't understand why you've got to be so mysterious. | 0:43:37 | 0:43:42 | |
-Mary, I'd like to take you into my confidence but...I simply can't. -OK, it's your affair. | 0:43:42 | 0:43:49 | |
-There's no-one I'd rather tell if I possibly could, but... -But you can't. | 0:43:49 | 0:43:55 | |
-The beautiful Romanian spy has the papers and the wicked agent has stolen the secret photographs. -Yes. | 0:43:55 | 0:44:03 | |
-Mary, keep this to yourself. I don't want anyone to know. -All right. | 0:44:03 | 0:44:08 | |
-Thank you. -Whatever you do, keep out of the sun. | 0:44:08 | 0:44:12 | |
TELEPHONE RINGS | 0:44:23 | 0:44:27 | |
-Hello? -Peter Vadassy. -Oh, Vadassy. Yes? Well, what is it? What is it? | 0:44:30 | 0:44:35 | |
-I was knocked out in my room just now. -Did you identify the man? -No, he attacked me from behind. | 0:44:35 | 0:44:42 | |
-Your room was searched? -Yes. Two rolls of film are missing. -Anything else? | 0:44:42 | 0:44:49 | |
No, nothing. | 0:44:49 | 0:44:51 | |
Hello? Hello? Are you still there? | 0:44:53 | 0:44:56 | |
Don't fuss, but listen carefully. | 0:44:56 | 0:44:58 | |
Go back and tell Madame Koche that your suitcase was forced open and that several things have been stolen. | 0:44:58 | 0:45:06 | |
A silver cigarette case, a diamond pin, a gold watch chain and the two rolls of film. | 0:45:06 | 0:45:13 | |
Make a scene. I want them all at the hotel to know about it. But do NOT ask for the police. | 0:45:13 | 0:45:20 | |
-Do you understand? -I can't do that. | 0:45:20 | 0:45:23 | |
Don't argue, but do as you're told. | 0:45:23 | 0:45:25 | |
-Was your suitcase forced? -No. -Then force it yourself before you tell Madame Koche. | 0:45:25 | 0:45:31 | |
-Is that clear? -Yes, but I have no cigarette case or a diamond pin. | 0:45:31 | 0:45:37 | |
Of course not. They've been stolen! Get on with it! | 0:45:37 | 0:45:41 | |
Why did he come here to telephone? There's a telephone in the hotel. And who's the guy with him? | 0:46:05 | 0:46:12 | |
His keeper(!) Another drink? Swell idea. | 0:46:12 | 0:46:15 | |
Waiter! Vermouth cassis and a whisky. | 0:46:15 | 0:46:19 | |
M Duclos! | 0:46:21 | 0:46:24 | |
M Duclos! | 0:46:27 | 0:46:29 | |
M Duclos! | 0:46:31 | 0:46:33 | |
I want to talk to you. It's very important. | 0:46:33 | 0:46:37 | |
M Duclos, you're a man of the world. Can you give me advice on a matter of some delicacy? | 0:46:53 | 0:47:00 | |
-I am at your disposal. I have experience of this. -But how...? -I am a man of the world. She's charming. | 0:47:00 | 0:47:07 | |
-What are you talking about? -Miss Skelton. -It's nothing to do with her. I've been robbed. | 0:47:07 | 0:47:14 | |
-A burglary?! -My suitcase has been forced and my valuables taken. -Who could it be? The major? Possibly. | 0:47:14 | 0:47:21 | |
Roux? Heinberger? Maybe someone from the village. | 0:47:21 | 0:47:25 | |
-You'll help me? -We must inform the police. -That would cause a scandal. -Yes. -We want to keep it dark. | 0:47:25 | 0:47:33 | |
-Naturally. -But a few discreet enquiries. -I understand perfectly. | 0:47:33 | 0:47:37 | |
-You can rely on me. I'll get to the bottom of this for you. You may trust me implicitly. -I do, M Duclos. I do. | 0:47:37 | 0:47:46 | |
M Duclos is coming. | 0:48:22 | 0:48:24 | |
Come here. A most terrible thing has happened. | 0:48:24 | 0:48:29 | |
M Vadassy has been robbed of valuable jewels. | 0:48:29 | 0:48:33 | |
Was there violence? What are we going to do? Wait. Meantime, not a word. | 0:48:33 | 0:48:40 | |
My watch! We must go back to the hotel. | 0:48:40 | 0:48:44 | |
Have you heard the news? There's been a burglary in the hotel. | 0:48:46 | 0:48:51 | |
Burglars? M Vadassy has had everything stolen. | 0:48:51 | 0:48:56 | |
His diamond pin. His pearl studs. And the watch presented to his father. | 0:48:56 | 0:49:01 | |
Gold? Yes. | 0:49:01 | 0:49:03 | |
I'm amazed Vadassy had such valuables. | 0:49:03 | 0:49:07 | |
I understand on the highest authority he's travelling incognito. | 0:49:07 | 0:49:12 | |
Good Lord! > Yes. So the utmost secrecy must be observed. | 0:49:12 | 0:49:18 | |
Not a word of this must leak out. | 0:49:18 | 0:49:21 | |
Pardon my intrusion. But there's a gang of crooks at large in the hotel. | 0:49:33 | 0:49:38 | |
They've stolen important papers from M Vadassy. Secret documents. | 0:49:38 | 0:49:43 | |
It may lead to international complications. | 0:49:43 | 0:49:47 | |
-What's going on, Peter? When I left you, you were completely down. What's so funny? -Isn't Duclos marvellous? | 0:49:55 | 0:50:02 | |
-What's all this about you travelling incognito? -Did he really say that? -I don't understand. Explain. | 0:50:02 | 0:50:11 | |
-Mary, I know this seems insane, but I think everything's going to be all right. -I'll take your word for it. | 0:50:11 | 0:50:18 | |
-Don't be angry, Mary. -I'm not angry. -I'll explain soon, I promise. | 0:50:18 | 0:50:23 | |
He's a genius. | 0:50:23 | 0:50:25 | |
Remember - I can't impress upon you enough the importance of secrecy. | 0:50:28 | 0:50:33 | |
The peace of the world may depend on it. I may be summoned to Geneva myself. | 0:50:33 | 0:50:39 | |
(I've already heard from the Minister of the Interior...) | 0:50:39 | 0:50:44 | |
HE MOUTHS | 0:50:44 | 0:50:48 | |
-Excuse me, monsieur. -Yes, Albert? -Madame would be grateful if you'd come to her office. | 0:50:55 | 0:51:02 | |
-What's the matter now? -I'll be back in a minute. | 0:51:02 | 0:51:07 | |
Come in! | 0:51:14 | 0:51:16 | |
M Vadassy. | 0:51:18 | 0:51:20 | |
Come in, M Vadassy. | 0:51:20 | 0:51:22 | |
Sit down, monsieur. | 0:51:28 | 0:51:30 | |
I hope you have some satisfactory news for me. | 0:51:41 | 0:51:45 | |
No, monsieur. None of the staff could throw any light on the affair. | 0:51:45 | 0:51:50 | |
Most of them have been with me for years and I'm satisfied they're telling me the truth. ..You may go. | 0:51:50 | 0:51:58 | |
This is really a case for the police. | 0:52:04 | 0:52:09 | |
-Do you think that's altogether advisable? -I have no intention of calling them. | 0:52:09 | 0:52:15 | |
I don't want any more scandal. I asked you to say nothing until I had gone into the matter. | 0:52:15 | 0:52:22 | |
-You lost no time in doing precisely the opposite. -I admit that I did discuss the matter with M Duclos. | 0:52:22 | 0:52:29 | |
M Duclos! M Vadassy, I have now been in the hotel business for a number of years. | 0:52:29 | 0:52:36 | |
-I've met gentlemen of your kind before. You broke open the case yourself. -But this is absurd! | 0:52:36 | 0:52:44 | |
-I assure you, madame... -Please, monsieur, there is nothing you can say. | 0:52:44 | 0:52:50 | |
You will leave my hotel tomorrow. I do not wish the other guests to know why. | 0:52:50 | 0:52:56 | |
You will find some plausible excuse. Here's your bill. | 0:52:56 | 0:53:00 | |
I cannot say that I hope to see you again at the Hotel Reserve. | 0:53:02 | 0:53:06 | |
KNOCKS GENTLY ON DOOR | 0:54:00 | 0:54:03 | |
I'm afraid you'll find nothing of value here. | 0:55:45 | 0:55:49 | |
-I... -Spare me your excuses. | 0:55:49 | 0:55:51 | |
Now, would you prefer to see Madame Koche here? Or in her office? | 0:55:53 | 0:55:58 | |
-I don't want to see her. I've taken nothing. -There is nothing to take. | 0:55:58 | 0:56:04 | |
Some valuables were stolen from MY suitcase. I suspected you. | 0:56:04 | 0:56:09 | |
I happen to have discussed your story with Madame Koche. She tells me you're leaving. | 0:56:09 | 0:56:16 | |
-Under protest. -This is part of your protest? -Put it that way if you like. | 0:56:16 | 0:56:21 | |
However, I see that you are not the thief. I can only apologise. | 0:56:21 | 0:56:26 | |
That will not do. It would be as well that you stayed here until we discuss this with Madame Koche. | 0:56:26 | 0:56:33 | |
You can't charge me with anything. | 0:56:33 | 0:56:36 | |
My dear Vadassy, you are already known to the police. You came here with the intention of stealing. | 0:56:36 | 0:56:43 | |
-You can explain yourself to the police. -Under what name are you going to lodge your complaint? | 0:56:43 | 0:56:50 | |
-Herr Heinberger? Emil Schimler of Berlin? Or Paul Czissar of Prague? -So, you're NOT a hotel sneak thief! | 0:56:50 | 0:56:59 | |
-I told you I wasn't a thief. -No, you're a filthy, little spy! | 0:56:59 | 0:57:04 | |
KNOCK ON DOOR | 0:57:04 | 0:57:07 | |
Yes? You rang, monsieur? It was a mistake. | 0:57:10 | 0:57:15 | |
That was a fortunate interruption for you, my friend. I was going to kill you. | 0:57:15 | 0:57:21 | |
-Perhaps we can talk sense. I suppose you've never heard of a man called Beghin? -No. | 0:57:21 | 0:57:28 | |
You soon will. He's attached to naval intelligence at Toulon. | 0:57:28 | 0:57:33 | |
-Doesn't that suggest anything to you? -I have a suspicion, Vadassy, that we're talking at cross purposes. | 0:57:33 | 0:57:40 | |
-Who are you? What do you want? -I want a piece of information. | 0:57:40 | 0:57:45 | |
-What did you do with that camera? -I don't know what you're talking about. | 0:57:45 | 0:57:50 | |
-Then I shall hand you over for interrogation. -You fool! | 0:57:50 | 0:57:54 | |
My reasons for using a different name are nothing whatever to do with you. | 0:57:55 | 0:58:00 | |
The police know who I am and so does Madame Koche. | 0:58:00 | 0:58:05 | |
-You are trying to blackmail me into giving information I don't possess. Am I right? -More or less. | 0:58:05 | 0:58:12 | |
You've seen the passports. I'll be frank with you. I daren't let this information get any further. | 0:58:12 | 0:58:19 | |
That's your affair. | 0:58:19 | 0:58:22 | |
Vadassy, in 1933, I was editor of the Social Democrat newspaper in Berlin. | 0:58:30 | 0:58:37 | |
That year, German social democracy died a bitter death. | 0:58:37 | 0:58:41 | |
I was arrested by the Nazis and sent to a concentration camp. | 0:58:41 | 0:58:46 | |
They're not very pleasant places. | 0:58:46 | 0:58:49 | |
I spent two years in that camp. | 0:58:49 | 0:58:52 | |
I finally got my release on the condition that I resigned my German citizenship. | 0:58:52 | 0:58:58 | |
I went to Paris to work in an anti-Nazi underground movement. | 0:58:58 | 0:59:03 | |
I was to smuggle anti-Nazi propaganda between Prague and Berlin, using the false passports. | 0:59:03 | 0:59:10 | |
The Gestapo found out my name. They tried to kidnap me in Switzerland and take me back to Germany. | 0:59:10 | 0:59:18 | |
Surely you're safe here? | 0:59:18 | 0:59:21 | |
When you are hunted, you develop an extra sense. | 0:59:21 | 0:59:26 | |
I thought I had been identified. | 0:59:27 | 0:59:30 | |
I thought YOU might be the man. | 0:59:30 | 0:59:33 | |
I was wrong. Now, what are you going to do? | 0:59:33 | 0:59:37 | |
If the police know who you are, what does it matter what name you go by? | 0:59:37 | 0:59:43 | |
They have a hold on me. | 0:59:43 | 0:59:46 | |
My wife and child are still in Germany. | 0:59:46 | 0:59:50 | |
I can trust you, Vadassy? | 0:59:52 | 0:59:55 | |
Of course you can. | 0:59:55 | 0:59:57 | |
Thank you, my friend. | 0:59:59 | 1:00:01 | |
What about your suspect? | 1:00:03 | 1:00:05 | |
Don't worry. I'll find him. | 1:00:07 | 1:00:11 | |
-Where have you been? Any news? -What did you say? -Have they called in the police yet? -No. -Why not? | 1:01:14 | 1:01:21 | |
-It wasn't necessary. -Have they found the thief? -No. There was no thief. -I don't understand. | 1:01:21 | 1:01:29 | |
I found my things. | 1:01:29 | 1:01:31 | |
Pressure was brought to bear from high quarters. The jewels are safe? | 1:01:42 | 1:01:47 | |
Oh, yes. Anybody hurt? Two gendarmes seriously wounded. | 1:01:47 | 1:01:53 | |
-Who were the criminals? -I can't say now. | 1:01:53 | 1:01:57 | |
-I must explain. -HILDA VOGEL: Was there a struggle? -No. | 1:01:57 | 1:02:02 | |
-Will the gendarmes recover? -Now, listen, please, just a minute. | 1:02:02 | 1:02:07 | |
I don't know what this is all about. There are NO criminals and none of my property's been stolen. | 1:02:07 | 1:02:14 | |
I found my things under the bed. | 1:02:14 | 1:02:17 | |
-They must have fallen down when my room was cleaned. -How amazing! | 1:02:17 | 1:02:22 | |
-THUNDER CRASHES -How did it happen that the locks on the suitcase were broken? | 1:02:22 | 1:02:28 | |
-And what about the two wounded gendarmes? I don't get it. -This is all ridiculous. | 1:02:28 | 1:02:35 | |
The only person I discussed this with, in confidence, was M Duclos. | 1:02:35 | 1:02:40 | |
There was no talk about wounded gendarmes or broken locks. | 1:02:40 | 1:02:45 | |
-Herr Vogel, did you think the locks had been forced? -No, I never said so. | 1:02:45 | 1:02:51 | |
Then, M Roux, your imagination ran away with you. | 1:02:51 | 1:02:56 | |
What is all this nonsense? That old fool made up the whole story. | 1:02:56 | 1:03:01 | |
Ladies, gentlemen, I am not in the habit of betraying confidences. | 1:03:01 | 1:03:06 | |
-You deny that you told all of us of the theft? You said the locks were forced. -In confidence. -Rubbish! | 1:03:06 | 1:03:13 | |
-..You heard him, Odette. -I did. -Well, he admits it. In confidence, of course(!) He invented the lot. | 1:03:13 | 1:03:20 | |
DUCLOS: This is unbearable. | 1:03:20 | 1:03:23 | |
-I agree with you, it's unbearable that we have to put up with you. -I resent your impertinence. | 1:03:23 | 1:03:31 | |
-If you were a younger man, I'd strike you. -M Duclos is an old fool. | 1:03:31 | 1:03:37 | |
-I beg your pardon? -I said - M Duclos is an old fool. | 1:03:37 | 1:03:43 | |
And you, sir, are a liar. Who stole the things from Vadassy's room? You! | 1:03:43 | 1:03:49 | |
How else did you know the lock on his suitcase was forced? I denounce you liar and thief! | 1:03:49 | 1:03:56 | |
THUNDER CRASHES | 1:04:01 | 1:04:04 | |
Andre! Hasn't this gone far enough? Andre, please! | 1:04:09 | 1:04:15 | |
-Come upstairs. -All right! | 1:04:15 | 1:04:17 | |
I am sick to death of the lot of you! You make me sick, all of you! | 1:04:19 | 1:04:25 | |
A pack of gossiping old women! | 1:04:25 | 1:04:28 | |
An extraordinary exhibition! Quite insane, apparently. | 1:04:41 | 1:04:45 | |
A manic depressive. I've met many similar cases. I treated him rather well. | 1:04:45 | 1:04:52 | |
Don't you think you deserve a drink? | 1:04:52 | 1:04:54 | |
You're most kind. Let's all go to the bar. | 1:04:54 | 1:04:58 | |
Of course, the thing to do is remain calm. The power of the human eye works wonders. I've made a study... | 1:04:58 | 1:05:06 | |
-So, you are just a common or garden thief. -Mary, you don't understand. I can't explain just now, but... | 1:05:06 | 1:05:14 | |
You said that before. I'm not interested. It's clear now - I just made a mistake. | 1:05:14 | 1:05:20 | |
ANDRE HUMS | 1:05:26 | 1:05:30 | |
Can't you stop humming that tune? It's getting on my nerves. | 1:05:34 | 1:05:39 | |
-It pleases me. -HE CONTINUES | 1:05:39 | 1:05:43 | |
-Don't just stand there - do something! -Don't panic. | 1:05:43 | 1:05:47 | |
-There's plenty of time. -If you hadn't bungled those photographs, we could have gone yesterday. | 1:05:47 | 1:05:55 | |
It's no use going over that again. | 1:05:55 | 1:05:57 | |
It's just our luck that he had a Contax, too. How was I to know they'd get mixed up? | 1:05:57 | 1:06:04 | |
-Is the car ready? -I'm not going without those photographs. | 1:06:04 | 1:06:09 | |
-Is the car ready? -SHUT UP! Of course it's ready. | 1:06:11 | 1:06:15 | |
What's the matter with you? | 1:06:20 | 1:06:22 | |
There's nothing the matter with me. I know what I'm doing. | 1:06:24 | 1:06:28 | |
-We can't go back to Berlin empty-handed. -Then do something! | 1:06:28 | 1:06:33 | |
Leave me alone! | 1:06:33 | 1:06:35 | |
KNOCK ON DOOR | 1:06:35 | 1:06:38 | |
HE HUMS SOFTLY | 1:06:38 | 1:06:41 | |
Monsieur Vadassy. | 1:06:47 | 1:06:49 | |
Excuse me for intruding. I came to see if you were all right. | 1:06:49 | 1:06:54 | |
Oh, of course we are. Come in. | 1:06:54 | 1:06:57 | |
-..Good evening. -Good evening. | 1:06:58 | 1:07:01 | |
Is that all you came about? | 1:07:02 | 1:07:04 | |
Well, no, I came to ask if you had a roll of film you could lend me. | 1:07:04 | 1:07:09 | |
Isn't that extraordinary? I was just saying to Odette that we've run out. | 1:07:09 | 1:07:14 | |
Well, I wouldn't be able to use it till tomorrow anyway. This is a nice camera. You didn't use it today. | 1:07:14 | 1:07:22 | |
-It was. We have no other camera. -I'm sorry the room is untidy, M Vadassy. We were getting ready for the party. | 1:07:22 | 1:07:29 | |
For M Duclos's delightful party. | 1:07:29 | 1:07:33 | |
-That scene in the hall was partly my fault. -Oh, not a bit. It was foolish of me to lose my temper. | 1:07:33 | 1:07:40 | |
-A drink? Shall we leave Odette to dress in peace? -Why not? | 1:07:40 | 1:07:45 | |
-M Vadassy, will you be staying here long? -Well, no. I'm leaving tomorrow. | 1:07:45 | 1:07:51 | |
That's strange, so are we. How interesting. Well, shall we go? | 1:07:51 | 1:07:56 | |
Vadassy, I like you. I'm going to put my cards on the table. | 1:08:08 | 1:08:13 | |
It's only fair to tell - and I want to be fair - I hold all the trumps. | 1:08:13 | 1:08:18 | |
Two days ago, by accident, I made use of a camera which was not my own. | 1:08:18 | 1:08:24 | |
Now, I took my own camera back, but a very annoying thing has happened. | 1:08:24 | 1:08:29 | |
Ten negatives were missing. | 1:08:29 | 1:08:32 | |
For sentimental reasons, I would like to have those negatives back. | 1:08:32 | 1:08:38 | |
I value them so highly, I'm willing to pay 5,000 francs for them. | 1:08:38 | 1:08:42 | |
-It's a high price to pay for ten negatives. -But you're a sentimentalist. | 1:08:42 | 1:08:48 | |
-Yes. -You're lucky to be able to pay so much for your pleasures. | 1:08:48 | 1:08:53 | |
-What do you mean? -Sentimentality seems to be an expensive hobby, that's all. | 1:08:55 | 1:09:02 | |
Vadassy, I... | 1:09:02 | 1:09:04 | |
..I MUST have those ten negatives. I'm offering you 500 francs each for them. | 1:09:06 | 1:09:12 | |
-Supposing they're not for sale? -Listen, my friend, I'm not playing parlour games! | 1:09:12 | 1:09:19 | |
If you won't sell those negatives, there are other means of getting them. | 1:09:19 | 1:09:25 | |
Herr Heinberger. | 1:09:36 | 1:09:39 | |
-Good night. -Good night. | 1:09:44 | 1:09:47 | |
-Give me those negatives, Vadassy. -No! | 1:09:56 | 1:10:00 | |
Give them to me! | 1:10:00 | 1:10:02 | |
KNOCKING ON DOOR | 1:10:02 | 1:10:05 | |
Forgive me, monsieur. We are looking for M Vadassy. Peter Vadassy. | 1:10:14 | 1:10:19 | |
This is M Vadassy. | 1:10:21 | 1:10:23 | |
Allow me to introduce you. | 1:10:25 | 1:10:29 | |
-Peter Vadassy, you're under arrest. -Why?! | 1:10:29 | 1:10:33 | |
-I'm not the man you want. Let me explain! -You can explain at the station. | 1:10:33 | 1:10:39 | |
What is the charge, my man? | 1:10:43 | 1:10:46 | |
That is not your concern, monsieur. I am a citizen of the Republic. I have a right to know. | 1:10:46 | 1:10:54 | |
The charge is one of espionage. You've had a spy amongst you. | 1:10:54 | 1:10:59 | |
I knew it from the start! He couldn't fool Duclos. | 1:10:59 | 1:11:03 | |
-A spy! -I knew he was fishy. I said so all along. | 1:11:03 | 1:11:08 | |
Yes. The moment I saw him, I said, "There's a dangerous spy." | 1:11:08 | 1:11:14 | |
He tried to bribe me this afternoon. | 1:11:14 | 1:11:16 | |
HILDA: I thought he was a nice young man. | 1:11:16 | 1:11:20 | |
You know what to do. As instructed. They'll make a run for it any time. | 1:11:26 | 1:11:31 | |
-..Vadassy, glad you've come. -Glad?! Is this another of your idiotic ideas? I had my hands on the man! | 1:11:31 | 1:11:39 | |
-I caught your spy! -Don't fuss. I'm busy. These are yours. | 1:11:39 | 1:11:43 | |
Why have I been re-arrested? They'll be halfway to Berlin by now. | 1:11:43 | 1:11:48 | |
Look at those - your naturalisation papers. | 1:11:48 | 1:11:52 | |
My natur...? | 1:11:52 | 1:11:55 | |
-This means... -You are a citizen of the French Republic. | 1:11:55 | 1:11:59 | |
Don't let it go to your head. ..Here. | 1:11:59 | 1:12:03 | |
Get away from there! | 1:12:28 | 1:12:31 | |
Andre! | 1:12:32 | 1:12:34 | |
Get in! | 1:12:36 | 1:12:38 | |
Emil? | 1:13:06 | 1:13:08 | |
You will follow the inspector. | 1:13:34 | 1:13:36 | |
Roux has taken the coast road to Toulon. Just as I expected. ..Come along. | 1:13:36 | 1:13:42 | |
Get him an overcoat. It'll be cold in the car. | 1:13:42 | 1:13:46 | |
Light me a cigarette. | 1:13:54 | 1:13:56 | |
BRAKES SQUEAL Be careful, Andre! | 1:13:57 | 1:14:02 | |
I know the road. | 1:14:02 | 1:14:04 | |
It was a mistake to shoot him. | 1:14:13 | 1:14:15 | |
Andre! | 1:14:16 | 1:14:19 | |
Thank you, darling. | 1:14:23 | 1:14:26 | |
Do up your coat. You'll catch cold. | 1:14:26 | 1:14:28 | |
Good. You know the road. | 1:14:44 | 1:14:46 | |
Roux's getting into Toulon now. That's what we've been waiting for. | 1:14:46 | 1:14:51 | |
I think I told you that we're not interested in spies but in who employed them. | 1:14:51 | 1:14:58 | |
We knew that Roux had taken those photographs, but we didn't know who he was taking them to. | 1:14:58 | 1:15:05 | |
We want the others. There's a big spy ring in Toulon. | 1:15:05 | 1:15:09 | |
-Tonight, we're going to smash it. -Why didn't you take me into your confidence? | 1:15:09 | 1:15:15 | |
The less you knew, the better. I wanted Roux to leave. You were the goat that baited the tiger. | 1:15:15 | 1:15:23 | |
-You've had an enjoyable game at my expense. -My profession isn't a game. | 1:15:23 | 1:15:28 | |
I used you because I wanted to use you. | 1:15:28 | 1:15:32 | |
When you started playing detective and had your camera stolen, I would cheerfully have seen you hang. | 1:15:32 | 1:15:40 | |
What are you looking round for? | 1:15:55 | 1:15:57 | |
-Police. Will they follow us to Toulon? -What for? They've got Vadassy. Idiots! | 1:15:57 | 1:16:03 | |
No, thank you. | 1:16:15 | 1:16:17 | |
More fool you. My wife makes an excellent pate. | 1:16:17 | 1:16:21 | |
Andre! | 1:16:58 | 1:17:00 | |
Don't go up there. Why not go over the border while there's still time? | 1:17:00 | 1:17:05 | |
-What are you talking about? -I'm frightened. I love you, Andre. | 1:17:05 | 1:17:10 | |
-And I please you a little, don't I? -Nice time to choose for light conversation. | 1:17:11 | 1:17:17 | |
In there, sir. Number 23. | 1:17:29 | 1:17:31 | |
I thought they'd pulled that place down years ago. | 1:17:31 | 1:17:36 | |
SHIP'S HORN BOOMS | 1:17:36 | 1:17:39 | |
Odette. | 1:17:45 | 1:17:47 | |
Andre. | 1:17:47 | 1:17:50 | |
I was wondering what had become of you. You have had a pleasant holiday? | 1:17:50 | 1:17:56 | |
You have the souvenirs of your visit? | 1:17:58 | 1:18:01 | |
DOOR CREAKS | 1:18:14 | 1:18:17 | |
-Were you followed? ANDRE! -No. | 1:18:41 | 1:18:44 | |
-I don't think so. -You don't think so?! Beghin is no fool. What a mess! | 1:18:44 | 1:18:51 | |
I'm going. You're doing nothing of the sort! | 1:18:56 | 1:19:00 | |
..Is your car outside? | 1:19:00 | 1:19:03 | |
CREAKING | 1:19:03 | 1:19:06 | |
KNOCK ON DOOR | 1:19:10 | 1:19:13 | |
< Put up your hands, all of you! | 1:19:23 | 1:19:25 | |
This is an unexpected pleasure. | 1:19:28 | 1:19:31 | |
I said all of you, Roux. | 1:19:33 | 1:19:35 | |
Surely this isn't necessary? | 1:19:38 | 1:19:41 | |
This is the gentleman you want. May I introduce you? | 1:19:43 | 1:19:48 | |
The police, Graf Kurt von Rothenhan. | 1:19:48 | 1:19:51 | |
Von Rothenhan, the police. Oh, and M Vadassy. | 1:19:51 | 1:19:55 | |
I was forgetting him. I can show you everything. | 1:19:55 | 1:19:59 | |
That file there, inspector, will interest you particularly. I've been waiting for this for a long time. | 1:20:04 | 1:20:12 | |
-Drop your gun, Vadassy. -I haven't got a gun. | 1:21:47 | 1:21:52 | |
YOU haven't got a gun either or you'd have shot me in the back. | 1:21:57 | 1:22:02 | |
You wouldn't have waited for me. | 1:22:10 | 1:22:13 | |
You're finished, Roux. | 1:22:13 | 1:22:15 | |
Stop. Stop one moment, please! | 1:22:16 | 1:22:20 | |
Don't let's be foolish, Vadassy. You know I like you. I always did. | 1:22:21 | 1:22:26 | |
An hour ago, I offered you 5,000 francs for ten negatives. | 1:22:27 | 1:22:32 | |
Sell me ten minutes, Vadassy. | 1:22:32 | 1:22:35 | |
I'll pay you 50,000. 50,000 francs for ten minutes. | 1:22:35 | 1:22:39 | |
It's no good, Roux. You're finished. | 1:22:39 | 1:22:41 | |
You don't understand. | 1:22:45 | 1:22:48 | |
50,000 francs... | 1:22:49 | 1:22:51 | |
You don't hate me, Vadassy. | 1:22:53 | 1:22:56 | |
-I don't hate you. -Then, don't do this to me, please. | 1:22:56 | 1:23:00 | |
You want money, don't you? | 1:23:00 | 1:23:03 | |
Lots of money. That's all anyone wants. Take it. | 1:23:03 | 1:23:07 | |
Take it. 50,000. | 1:23:07 | 1:23:10 | |
50,000 francs for ten minutes only. | 1:23:10 | 1:23:13 | |
I beg you, Vadassy! | 1:23:13 | 1:23:16 | |
Please, take it! TAKE it! | 1:23:16 | 1:23:19 | |
Aaagh! | 1:23:19 | 1:23:21 | |
BELL CHIMES | 1:23:35 | 1:23:37 | |
-Albert, what is this noise for? -Madame. | 1:23:37 | 1:23:41 | |
-How do you feel now? -I feel as if everything were just beginning. | 1:23:43 | 1:23:48 | |
-Is that nice? -Couldn't be nicer. | 1:23:48 | 1:23:51 | |
I'm afraid you're going to be a success. | 1:23:51 | 1:23:55 | |
Dr Vadassy, the great specialist. The well-known lizard fancier who can't swim! | 1:23:55 | 1:24:02 | |
-I will beat you... to the lighthouse and back? -You're getting above yourself. | 1:24:02 | 1:24:08 | |
They will be late for lunch. | 1:24:08 | 1:24:10 | |
It doesn't matter for once. | 1:24:10 | 1:24:13 | |
What does it matter? Let them be happy while they can. | 1:24:16 | 1:24:21 | |
For a few summers. | 1:24:21 | 1:24:24 | |
There's so little time. | 1:24:24 | 1:24:26 | |
Subtitles by Audrey Flynn BBC Scotland 2000 | 1:24:28 | 1:24:32 | |
E-mail us at [email protected] | 1:24:32 | 1:24:35 |