Browse content similar to Jersey Girl. Check below for episodes and series from the same categories and more!
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Snooch to the nooch! | 0:00:16 | 0:00:18 | |
HE GASPS | 0:00:18 | 0:00:20 | |
This film contains some strong language. | 0:00:20 | 0:00:25 | |
HE WHISTLES | 0:00:25 | 0:00:27 | |
BELL RINGS | 0:00:30 | 0:00:32 | |
WOMAN: Everyone, please take your seats. | 0:00:32 | 0:00:33 | |
You heard the bell. | 0:00:33 | 0:00:34 | |
You know what it means. Last week, | 0:00:34 | 0:00:37 | |
the assignment was to write an essay about your family. | 0:00:37 | 0:00:44 | |
Who they... CLASS: Are! | 0:00:44 | 0:00:47 | |
And what they... | 0:00:47 | 0:00:49 | |
CLASS: Mean to us! | 0:00:49 | 0:00:51 | |
Excellent droning. | 0:00:51 | 0:00:53 | |
So I want everyone to take out their essays. | 0:00:53 | 0:00:55 | |
We're going to read them aloud to the class right up here. | 0:00:55 | 0:00:59 | |
My mom says that me and my dad have very healthy appetites. | 0:00:59 | 0:01:07 | |
My mom and dad are very religious. | 0:01:07 | 0:01:10 | |
When they're in their bedroom at night, | 0:01:10 | 0:01:12 | |
I always hear them yelling, "Jesus!" | 0:01:12 | 0:01:15 | |
My mom says my dad's eyes are brown because he is so full of sh... | 0:01:15 | 0:01:21 | |
< TEACHER: Brian! | 0:01:21 | 0:01:23 | |
My brother Jack is in eighth grade. | 0:01:23 | 0:01:25 | |
He told me to ask my dad who he voted for... | 0:01:25 | 0:01:27 | |
for...for president. | 0:01:27 | 0:01:29 | |
I did and my dad said he's a total Bush-man. | 0:01:29 | 0:01:32 | |
That made my brother laugh really hard. | 0:01:32 | 0:01:36 | |
Whenever my Uncle Stu comes over to play pool with my dad, | 0:01:36 | 0:01:40 | |
my mom says the basement smells like a Cheech and Chong movie. | 0:01:40 | 0:01:45 | |
Well...it's like this. My dog ate my paper. | 0:01:45 | 0:01:50 | |
I checked, but he didn't poop it out. | 0:01:50 | 0:01:52 | |
CLASS LAUGH | 0:01:52 | 0:01:54 | |
What a lovely sentiment, Mr Etheridge. | 0:01:54 | 0:01:56 | |
Maybe your dog can eat the zero you'll be receiving, too. | 0:01:56 | 0:01:59 | |
Aw, man! BOY: Harsh. > | 0:01:59 | 0:02:03 | |
Miss Trinke? It's your turn now. | 0:02:03 | 0:02:06 | |
My dad says life can be split into two categories... | 0:02:18 | 0:02:21 | |
New Jersey...and New York. | 0:02:21 | 0:02:24 | |
MUSIC PLAYS | 0:02:32 | 0:02:34 | |
GIRL: 'My dad was a Jersey boy who became the youngest | 0:02:37 | 0:02:39 | |
and most successful music publicist in New York City. | 0:02:39 | 0:02:43 | |
'By the time he was 27, he had 100 people working for him. | 0:02:43 | 0:02:47 | |
'And even though they all loved him, he loved them even more.' | 0:02:47 | 0:02:51 | |
My fellow flacks and spin doctors, salud. | 0:02:51 | 0:02:57 | |
GIRL: 'Daddy loved his job, | 0:02:57 | 0:02:58 | |
'but not as much as he loved my mom. | 0:02:58 | 0:03:01 | |
'Mommy was a book editor in New York City when her and Daddy met. | 0:03:01 | 0:03:05 | |
'Daddy said their jobs were kind of the same... | 0:03:05 | 0:03:07 | |
'They made slight corrections for their clients.' | 0:03:07 | 0:03:10 | |
Because George Michael is a pimp | 0:03:10 | 0:03:12 | |
who is all about the ladies, my friend. | 0:03:12 | 0:03:16 | |
Come on, "I want your sex"? | 0:03:16 | 0:03:17 | |
That sound like he's singing to a guy? | 0:03:17 | 0:03:20 | |
'Daddy worked so much that sometimes | 0:03:20 | 0:03:22 | |
'Mommy could only see him late at night. | 0:03:22 | 0:03:25 | |
'Daddy says that's why they both loved the city so much... | 0:03:25 | 0:03:28 | |
'It never went to sleep. | 0:03:28 | 0:03:32 | |
'And neither did him and Mommy. | 0:03:32 | 0:03:35 | |
'But after a year of romance in New York City, | 0:03:35 | 0:03:37 | |
'Daddy said it was time to show Mommy where he came from. | 0:03:37 | 0:03:41 | |
'So he took her home to New Jersey | 0:03:41 | 0:03:44 | |
'and put her through what he said | 0:03:44 | 0:03:45 | |
'was the biggest test their love would ever face - | 0:03:45 | 0:03:49 | |
' "introducing her to my pop." ' | 0:03:49 | 0:03:54 | |
Hey, how are ya? How're ya doin'? | 0:03:54 | 0:03:56 | |
How're ya doin' yourself? This is Gertrude. | 0:03:56 | 0:03:58 | |
Hi. Merry Christmas. | 0:03:58 | 0:04:01 | |
And what do you do, Mr Trinke? | 0:04:01 | 0:04:04 | |
Easy on the "Mr Trinke". It's Bart. | 0:04:04 | 0:04:06 | |
I work for the borough for 30 years now. | 0:04:06 | 0:04:08 | |
He's the only man in Highlands | 0:04:08 | 0:04:10 | |
licensed to operate the street sweeper. | 0:04:10 | 0:04:12 | |
Oh, man, I always wanted to ride in one of those things. | 0:04:12 | 0:04:15 | |
Well, you continue seeing my son, | 0:04:15 | 0:04:17 | |
I can probably get you a turn at the wheel. | 0:04:17 | 0:04:19 | |
I was only gonna sleep with him a few more times and then dump him, | 0:04:19 | 0:04:23 | |
but now, after an offer like that... | 0:04:23 | 0:04:24 | |
Holy shit. Listen to the mouth on this one! | 0:04:24 | 0:04:27 | |
Oh, yeah, they don't make 'em like Mom any more, do they, Dad? | 0:04:27 | 0:04:29 | |
Now, listen, I'm goin' to the bar. | 0:04:29 | 0:04:31 | |
What a shock. | 0:04:31 | 0:04:32 | |
If you guys are gonna do anything while I'm gone, | 0:04:32 | 0:04:34 | |
stay the hell off of my bed. | 0:04:34 | 0:04:36 | |
You're going to a bar? | 0:04:36 | 0:04:37 | |
Didn't he tell ya? I'm an alcoholic. | 0:04:37 | 0:04:40 | |
Well, I wanna go to the bar, too. | 0:04:40 | 0:04:42 | |
Oh, no. You don't wanna go to this bar. | 0:04:42 | 0:04:44 | |
It's a bunch of old guys | 0:04:44 | 0:04:45 | |
talkin' about how good they had it under Kennedy. | 0:04:45 | 0:04:47 | |
The man was a goddamn saint. | 0:04:47 | 0:04:49 | |
I'm goin' to the bar with your dad. | 0:04:49 | 0:04:51 | |
You can come if you want. | 0:04:51 | 0:04:53 | |
No, that's OK. I'll stay here and do the dishes. | 0:04:53 | 0:04:55 | |
I only cooked. Why shouldn't I clean? | 0:04:55 | 0:04:57 | |
Suit yourself. But don't wash that pan. | 0:04:57 | 0:04:59 | |
I got a layer of juice built up for the pork roll, | 0:04:59 | 0:05:02 | |
and I don't want you scrubbin' it off. | 0:05:02 | 0:05:04 | |
That juice is called grease, Dad. | 0:05:04 | 0:05:05 | |
It's bad for you. It clogs your arteries. | 0:05:05 | 0:05:08 | |
It's called juice, and it greases a father's insides | 0:05:08 | 0:05:11 | |
so that he can better swallow | 0:05:11 | 0:05:13 | |
the shit his son feeds him twice a year | 0:05:13 | 0:05:14 | |
when he can be bothered coming to visit him. | 0:05:14 | 0:05:17 | |
GIRL: 'So that night, Daddy took Mommy to Pop's bar, | 0:05:17 | 0:05:21 | |
'where she got to meet pop's other children, | 0:05:21 | 0:05:24 | |
'his best friends Greenie and Block.' | 0:05:24 | 0:05:27 | |
Hey, your kid's cuttin' a rug. | 0:05:27 | 0:05:30 | |
Who are you, Connie Chung? | 0:05:34 | 0:05:35 | |
'Daddy said because Mommy survived her first trip to Jersey, | 0:05:37 | 0:05:42 | |
'he knew she was a keeper. | 0:05:42 | 0:05:43 | |
'He said they celebrated their engagement | 0:05:48 | 0:05:52 | |
'by going out for pizza. | 0:05:52 | 0:05:55 | |
'And that's how I got here.' | 0:05:55 | 0:05:58 | |
Do we have enough of these at home, or should I steal some? | 0:05:58 | 0:06:00 | |
If you're gonna steal something, steal some rubber gloves. | 0:06:00 | 0:06:03 | |
KNOCK AT THE DOOR | 0:06:03 | 0:06:05 | |
Thank you! You're welcome! | 0:06:17 | 0:06:21 | |
'And with that, everyone lived happily ever after. | 0:06:21 | 0:06:25 | |
'Almost.' | 0:06:25 | 0:06:26 | |
Look, you've got two minutes, and then we have to go, OK? | 0:06:26 | 0:06:29 | |
Or I'm gonna leave. Would you stop rushing me? | 0:06:29 | 0:06:31 | |
I don't understand how somebody | 0:06:31 | 0:06:32 | |
who had all day sitting around to get ready | 0:06:32 | 0:06:34 | |
waits till 20 minutes before we have to leave! | 0:06:34 | 0:06:36 | |
You try getting anything accomplished with this big gut in your way! | 0:06:36 | 0:06:38 | |
This is one of the few days of the year | 0:06:38 | 0:06:40 | |
that I can be fired for being late! | 0:06:40 | 0:06:41 | |
Anytime that you wanna carry this baby, Ollie, you let me know. OK? | 0:06:41 | 0:06:46 | |
I would be glad to go back to wearing regular dresses instead of this tent! | 0:06:46 | 0:06:49 | |
The dress looks fine. It's gorgeous, OK? It's beautiful. | 0:06:49 | 0:06:52 | |
Yeah, until I'm standing next to Janet Jackson or Sheryl Crow. | 0:06:52 | 0:06:54 | |
Then you'll see how not fine it looks. | 0:06:54 | 0:06:56 | |
Gertie, I asked you, please, to use your own brush, OK? | 0:06:56 | 0:06:59 | |
Can you just not use my brush? Don't start. | 0:06:59 | 0:07:01 | |
It's just that every time I wanna comb my hair | 0:07:01 | 0:07:02 | |
I spend 15 minutes taking these long bushy hairs out of my brush. | 0:07:02 | 0:07:07 | |
And I mean, you ask me to... | 0:07:07 | 0:07:08 | |
SHE CRIES | 0:07:08 | 0:07:10 | |
I'm sorry. | 0:07:10 | 0:07:12 | |
Baby, I'm sorry. I'm sorry. | 0:07:12 | 0:07:15 | |
You don't understand what it's like to be this fat! | 0:07:15 | 0:07:18 | |
I've always been thin, and now I'm a disgusting pig! | 0:07:18 | 0:07:21 | |
And it's my first time going to the video music awards | 0:07:21 | 0:07:24 | |
and all the other girls are gonna be skinny, and I'm gonna look like a whale! | 0:07:24 | 0:07:29 | |
Baby, baby, they're just skinny cos they're all coked-out whores. | 0:07:29 | 0:07:33 | |
I wanna be a coked-out whore! | 0:07:33 | 0:07:35 | |
OK, you can be a coked-out whore, too. | 0:07:35 | 0:07:37 | |
You can be a coked-out, coked-out whore. | 0:07:37 | 0:07:40 | |
I'm sorry. | 0:07:40 | 0:07:42 | |
I should be more sensitive. I'm sorry. | 0:07:42 | 0:07:43 | |
I should be more sensitive, honey. I know. | 0:07:43 | 0:07:46 | |
Yes. I know. | 0:07:46 | 0:07:48 | |
Baby, we have to go now, OK? OK. | 0:07:48 | 0:07:51 | |
I love you. We have to go now. OK. | 0:07:51 | 0:07:53 | |
I love you, too. All right, let's go. OK? | 0:07:53 | 0:07:55 | |
Just give me two minutes. | 0:07:55 | 0:07:58 | |
OLLIE: What time is it? MAN: 20 after. | 0:07:58 | 0:08:00 | |
She's gonna kill me! | 0:08:00 | 0:08:01 | |
I need the quote for the Madonna release. | 0:08:01 | 0:08:04 | |
OK. "Madonna trusts the public will judge for itself that... | 0:08:04 | 0:08:09 | |
"this latest in a long line of breakthrough music videos | 0:08:09 | 0:08:12 | |
"is not the tasteless sexploitation it's accused of being. | 0:08:12 | 0:08:16 | |
"It's artistic expression." Of what? | 0:08:16 | 0:08:20 | |
Of one woman's constant need to show the world... | 0:08:20 | 0:08:24 | |
Her labia. | 0:08:24 | 0:08:25 | |
Hey, can I use the word "labia" in a press release? | 0:08:27 | 0:08:30 | |
See you next week. | 0:08:49 | 0:08:51 | |
One of these days, I'll get me one of those husbands that show up for Lamaze. | 0:08:53 | 0:08:57 | |
I'm sorry, babe. It was Madonna. | 0:08:57 | 0:09:00 | |
So you were late because of another woman. That's nice. | 0:09:00 | 0:09:03 | |
Come on. I still gotta do my job. | 0:09:03 | 0:09:04 | |
And I still gotta do mine, too. | 0:09:04 | 0:09:06 | |
But I was at Lamaze on time. | 0:09:06 | 0:09:11 | |
Look, all I'm saying is | 0:09:11 | 0:09:13 | |
that guy who used to spend all night at the office | 0:09:13 | 0:09:15 | |
and barely live in his apartment... | 0:09:15 | 0:09:17 | |
That's not you any more. | 0:09:17 | 0:09:19 | |
Now you have to be the guy who's done by six | 0:09:19 | 0:09:21 | |
and comes home and hangs out with his family. | 0:09:21 | 0:09:25 | |
That's the only way we're gonna work. | 0:09:25 | 0:09:29 | |
OK? | 0:09:29 | 0:09:31 | |
OK. | 0:09:33 | 0:09:34 | |
OK. OK. | 0:09:34 | 0:09:36 | |
OK! | 0:09:36 | 0:09:39 | |
OK. OK. | 0:09:40 | 0:09:42 | |
HE PANTS | 0:09:44 | 0:09:46 | |
Can I help you? Yes. | 0:09:46 | 0:09:49 | |
My wife's water broke. She's gonna have a baby. | 0:09:49 | 0:09:51 | |
You're gonna have to check in, hon. | 0:09:51 | 0:09:53 | |
Check in?! Where, at the concierge desk?! | 0:09:53 | 0:09:55 | |
Why are you being so combative with me?! | 0:09:55 | 0:09:58 | |
First of all, take your hands off my uniform. | 0:09:58 | 0:10:01 | |
And second, I'm gonna need a patient here. | 0:10:01 | 0:10:05 | |
This is my wife. This is the belligerent nurse | 0:10:08 | 0:10:10 | |
that's being so difficult with me, | 0:10:10 | 0:10:11 | |
giving me such a hard time. | 0:10:11 | 0:10:13 | |
I'm sorry. He's a little panicky. | 0:10:13 | 0:10:14 | |
Can I get a wheelchair? | 0:10:14 | 0:10:16 | |
Let's get you up to delivery... | 0:10:16 | 0:10:18 | |
And let him fill out the paperwork. | 0:10:18 | 0:10:19 | |
OK. If we can trust him with a pen. | 0:10:19 | 0:10:21 | |
Here, sweetie. | 0:10:21 | 0:10:23 | |
OK, just relax, breathe. Remember, take it easy. | 0:10:23 | 0:10:24 | |
I love you. I'll be right there, OK? I love you. | 0:10:24 | 0:10:26 | |
I love you, too. OK, I love you. | 0:10:26 | 0:10:29 | |
We've practised this a thousand times. | 0:10:29 | 0:10:30 | |
It'll be great. How hard can it be? | 0:10:30 | 0:10:32 | |
SHE SCREAMS | 0:10:32 | 0:10:34 | |
Push. You're doing good. | 0:10:34 | 0:10:36 | |
DOCTOR: You're doing real good. | 0:10:36 | 0:10:38 | |
No, I can't! I can't do it! | 0:10:38 | 0:10:39 | |
DOCTOR: Take a breath. | 0:10:39 | 0:10:41 | |
It hurts! I know it hurts. | 0:10:41 | 0:10:43 | |
It's OK, baby. Push. You can do it. | 0:10:43 | 0:10:46 | |
Take a deep breath. In 5, 4... | 0:10:46 | 0:10:49 | |
OK. Here you go. ...3, 2, 1. | 0:10:49 | 0:10:52 | |
DOCTOR: Push. Push harder, Gertie. Push harder. | 0:10:52 | 0:10:55 | |
The baby's crowning. I can see her. I just need one more push. | 0:10:55 | 0:10:57 | |
Can you see her? | 0:10:57 | 0:10:59 | |
Holy shit! I can see the head! | 0:10:59 | 0:11:00 | |
DOCTOR: One more. Breathe. | 0:11:00 | 0:11:02 | |
Push! It's almost there, baby. | 0:11:02 | 0:11:04 | |
Push! You're doing it. Push! | 0:11:04 | 0:11:06 | |
Push! | 0:11:06 | 0:11:06 | |
DOCTOR: Here she comes! Here she comes! | 0:11:10 | 0:11:12 | |
Here she is. | 0:11:12 | 0:11:14 | |
Do you wanna cut the cord, Dad? | 0:11:14 | 0:11:15 | |
Yeah. Scissors, please. | 0:11:15 | 0:11:18 | |
Yes. And she's got all ten fingers, ten toes. | 0:11:18 | 0:11:24 | |
We'll get her all cleaned up and then we're gonna check... | 0:11:24 | 0:11:28 | |
Gertie? | 0:11:28 | 0:11:29 | |
OLLIE: Baby, look. Gertie? | 0:11:29 | 0:11:32 | |
Gertie! | 0:11:32 | 0:11:34 | |
Gertie, can you hear me? | 0:11:34 | 0:11:36 | |
She's OK. Sweetheart? | 0:11:36 | 0:11:37 | |
Nurse, get Dr Mortimer right away! | 0:11:37 | 0:11:39 | |
OLLIE: She's resting. Who's Dr Mortimer? | 0:11:39 | 0:11:41 | |
Dr Mortimer! | 0:11:41 | 0:11:43 | |
What's happening? She's unresponsive. | 0:11:43 | 0:11:44 | |
NURSE: Gertie! Gertie. Gertie! | 0:11:44 | 0:11:46 | |
Gertie, it's me! Gertie? | 0:11:46 | 0:11:49 | |
DOCTOR: Healthy baby. Unresponsive. | 0:11:49 | 0:11:51 | |
DOCTOR: Respiratory arrest. | 0:11:51 | 0:11:52 | |
NURSE: Turn it around! | 0:11:52 | 0:11:54 | |
What's happening to my wife? | 0:11:54 | 0:11:55 | |
Let's open that IV, please. | 0:11:55 | 0:11:57 | |
Baby, are you OK? Sweetheart, sweetheart, wake up! | 0:11:57 | 0:12:01 | |
Please, someone take Mr Trinke outside. Please! | 0:12:01 | 0:12:04 | |
I'm gonna have to intubate. | 0:12:04 | 0:12:06 | |
Gertie, wake up, my love. Wake up. | 0:12:06 | 0:12:08 | |
Gertie, please. Wake up. | 0:12:08 | 0:12:11 | |
Get off me. Gertie! | 0:12:11 | 0:12:14 | |
I wanna stay with my wife! Gertie. Gertie! | 0:12:14 | 0:12:17 | |
What's happening?! | 0:12:17 | 0:12:19 | |
Ollie... | 0:12:38 | 0:12:40 | |
If I don't get to go in there right now, I swear to God! | 0:12:40 | 0:12:42 | |
Ollie, calm down. | 0:12:42 | 0:12:43 | |
Fuck you, calm down! OK?! | 0:12:43 | 0:12:45 | |
I got dragged out of there, I haven't got to see my baby! | 0:12:45 | 0:12:47 | |
Your baby is fine. She's healthy, she's normal. | 0:12:47 | 0:12:50 | |
What's wrong with Gertie? | 0:12:50 | 0:12:51 | |
I need you to calm down before I... | 0:12:51 | 0:12:54 | |
Look, I'm calm! OK?! | 0:12:54 | 0:12:56 | |
HE SIGHS | 0:12:56 | 0:13:00 | |
I'm calm. | 0:13:00 | 0:13:03 | |
We think Gertie had an aneurysm. | 0:13:03 | 0:13:08 | |
Is she OK? | 0:13:08 | 0:13:12 | |
We lost her, Ollie. | 0:13:12 | 0:13:16 | |
The strain of the contractions | 0:13:16 | 0:13:17 | |
and the pushing caused the aneurysm to rupture. | 0:13:17 | 0:13:21 | |
There are rarely symptoms for aneurysms... | 0:13:21 | 0:13:24 | |
MUSIC: "That's How I Knew This Story Would Break My Heart" by Aimee Mann | 0:13:24 | 0:13:28 | |
# I drew a picture of you | 0:13:28 | 0:13:32 | |
# You and your anchor tattoo | 0:13:36 | 0:13:40 | |
# And saw the face that I knew | 0:13:42 | 0:13:46 | |
# Covered in shame | 0:13:48 | 0:13:52 | |
# You drew the bird that was here | 0:13:56 | 0:14:00 | |
# The kind of sweet chanticleer | 0:14:03 | 0:14:08 | |
# But with a terrible fear | 0:14:10 | 0:14:15 | |
# That the cage couldn't tame | 0:14:16 | 0:14:21 | |
# That's how I knew the story would break my heart | 0:14:26 | 0:14:33 | |
# When you're older | 0:14:34 | 0:14:38 | |
# That's how I knew the story would break my heart... # | 0:14:40 | 0:14:48 | |
OLLIE: You sure you're OK with this, Dad? | 0:15:04 | 0:15:06 | |
What, OK? She's my granddaughter. | 0:15:06 | 0:15:09 | |
Yeah, you can stay with me anytime, can't you? | 0:15:09 | 0:15:13 | |
Yes, you can. | 0:15:13 | 0:15:15 | |
Until you're a teenager, with the boys and a reefer. | 0:15:15 | 0:15:18 | |
Then I don't wanna know about you. | 0:15:18 | 0:15:21 | |
I wouldn't impose on you, you know. | 0:15:21 | 0:15:24 | |
I just got a lot of work... Piled up from before and... | 0:15:24 | 0:15:30 | |
I'll be back late tonight, OK? | 0:15:30 | 0:15:32 | |
Yeah, take your time. | 0:15:32 | 0:15:34 | |
Your daddy really misses your mommy, kid. | 0:15:38 | 0:15:40 | |
I miss her, too. | 0:15:40 | 0:15:43 | |
Especially right now. | 0:15:43 | 0:15:45 | |
BABY FARTS Oh, Jesus! | 0:15:45 | 0:15:48 | |
KNOCK AT THE DOOR | 0:15:54 | 0:15:56 | |
Yeah. | 0:15:56 | 0:15:58 | |
You wanted to see me, Ollie? | 0:15:58 | 0:15:59 | |
Yeah, come on in. | 0:15:59 | 0:16:03 | |
I didn't think you were gonna be in this week. How you doin'? | 0:16:03 | 0:16:05 | |
You all right? I'm fine. | 0:16:05 | 0:16:07 | |
Look, this piece in the post. | 0:16:07 | 0:16:09 | |
Why didn't you call me when this broke? | 0:16:09 | 0:16:11 | |
I had to read about it in New Jersey. | 0:16:11 | 0:16:13 | |
I covered it. It's cool. The nurse is a fan. | 0:16:13 | 0:16:15 | |
Will she still be a fan when the Enquirer | 0:16:15 | 0:16:16 | |
flashes a stack of 50s in her face? | 0:16:16 | 0:16:18 | |
Listen, something like this breaks, I'm not in the city, | 0:16:18 | 0:16:21 | |
you find me or you find another job. | 0:16:21 | 0:16:24 | |
Yeah, OK. | 0:16:24 | 0:16:25 | |
OK. | 0:16:29 | 0:16:32 | |
What else have we got? | 0:16:32 | 0:16:34 | |
Um, Will Smith. | 0:16:34 | 0:16:36 | |
Who? The Fresh Prince? | 0:16:36 | 0:16:39 | |
"DJ Jazzy Jeff and the Fresh Prince." Fresh Prince? | 0:16:39 | 0:16:41 | |
Yeah. > What about him? | 0:16:41 | 0:16:43 | |
You remember the first album, | 0:16:43 | 0:16:44 | |
the one with "girls ain't..." | 0:16:44 | 0:16:46 | |
Rock The House. Yeah? | 0:16:46 | 0:16:48 | |
Right. You remember on the cover of the album | 0:16:48 | 0:16:50 | |
Jazzy Jeff is holding a model of a house? | 0:16:50 | 0:16:52 | |
Vaguely. | 0:16:52 | 0:16:54 | |
Will Smith is donating that house to the Hard Rock Cafe. | 0:16:54 | 0:16:57 | |
Well, stop the presses. You put the word out yet? | 0:16:57 | 0:16:59 | |
Date pending, yeah. Anybody give a shit? | 0:16:59 | 0:17:01 | |
Every outlet wants in. | 0:17:01 | 0:17:03 | |
You're kidding me. | 0:17:03 | 0:17:06 | |
No. Even US News & World Report. | 0:17:06 | 0:17:09 | |
Why? It's an eight-year-old album. | 0:17:09 | 0:17:11 | |
Doesn't matter. Everyone loves that Fresh Prince TV show. | 0:17:11 | 0:17:14 | |
He's got that movie coming out in a couple of weeks, | 0:17:14 | 0:17:16 | |
Independence Day. | 0:17:16 | 0:17:18 | |
Let the film division handle it. | 0:17:18 | 0:17:21 | |
No, we can't. Will wants to keep | 0:17:21 | 0:17:22 | |
his music career separate from his movie career. | 0:17:22 | 0:17:24 | |
Like the Fresh Prince of Bel-Air is ever gonna have a movie career. | 0:17:24 | 0:17:29 | |
Get me everything you can. | 0:17:29 | 0:17:31 | |
I'll put together a press kit on him, and we'll just do it. | 0:17:31 | 0:17:33 | |
OK. Patty, get me Kirsch. | 0:17:33 | 0:17:35 | |
PATTY: Sure, Ollie. | 0:17:35 | 0:17:37 | |
I can handle this Fresh Prince stuff | 0:17:37 | 0:17:39 | |
if you wanna take a couple of days... | 0:17:39 | 0:17:41 | |
Hey, Arthur, I can do my job. | 0:17:41 | 0:17:43 | |
I'm all set, OK? You do your job. | 0:17:43 | 0:17:45 | |
Go ahead. Patty, did you not hear me? | 0:17:45 | 0:17:47 | |
I asked you to please get Kirsch on the phone. | 0:17:47 | 0:17:48 | |
Ollie? PATTY: I'm trying. | 0:17:48 | 0:17:49 | |
What, man? | 0:17:49 | 0:17:51 | |
I know I told you at the funeral, but I'm really sorry... | 0:17:51 | 0:17:54 | |
I'm fine. OK, Arthur. I am fine! | 0:17:54 | 0:17:55 | |
Please go do what I asked you to do now. | 0:17:55 | 0:17:58 | |
Kirschner on one. | 0:17:58 | 0:17:59 | |
OK. Put him on the phone, then! | 0:17:59 | 0:18:00 | |
How's the baby? | 0:18:00 | 0:18:01 | |
The baby is fine, Arthur! | 0:18:01 | 0:18:03 | |
Forget about the baby! I just wanna do my job! | 0:18:03 | 0:18:05 | |
KIRSCH: Jesus Christ, Ollie! | 0:18:05 | 0:18:07 | |
What the hell you screamin' about? | 0:18:07 | 0:18:09 | |
Patty, was that...? | 0:18:09 | 0:18:10 | |
TURNS INTERCOM OFF | 0:18:10 | 0:18:11 | |
BABY CRIES | 0:18:22 | 0:18:23 | |
OLLIE: I'm working on that right now. Don't worry. | 0:18:23 | 0:18:25 | |
Just get there early and deal with the menu. OK? | 0:18:25 | 0:18:27 | |
Hey. Are you deaf? The kid is cryin' up there. | 0:18:27 | 0:18:30 | |
Can you deal with that? | 0:18:30 | 0:18:32 | |
I'm doing something important. OK. Thanks. | 0:18:32 | 0:18:34 | |
What the hell could be more important than your kid crying? | 0:18:34 | 0:18:36 | |
I have a memorabilia donation ceremony in the morning | 0:18:36 | 0:18:38 | |
that my company is treating like a royal wedding | 0:18:38 | 0:18:41 | |
cos apparently the client's | 0:18:41 | 0:18:42 | |
the most beloved American musician since Elvis. | 0:18:42 | 0:18:44 | |
The kid's been screaming for the last ten minutes. | 0:18:44 | 0:18:47 | |
If it bothers you so much, go up there and give her a bottle. OK? | 0:18:47 | 0:18:50 | |
Sorry. It's a nightmare trying to work at this house. | 0:18:50 | 0:18:52 | |
Jesus. Let me call you back, OK? | 0:18:52 | 0:18:57 | |
What, Dad? | 0:18:57 | 0:18:58 | |
Listen, kid. I lost a wife too, remember? | 0:18:58 | 0:19:01 | |
So I get how you're feeling. But come on. | 0:19:01 | 0:19:03 | |
You were married for what, 20 years? I got about 20 minutes. | 0:19:03 | 0:19:06 | |
So you don't "get" how I'm feeling at all, OK? | 0:19:06 | 0:19:09 | |
I'm sorry, Oliver, but that don't change the fact | 0:19:09 | 0:19:11 | |
that you're a goddamn father now | 0:19:11 | 0:19:12 | |
and you haven't acted like it since that kid got home from the hospital! | 0:19:12 | 0:19:15 | |
I been calling in sick for a month | 0:19:15 | 0:19:17 | |
to do the things you're supposed to be doin'! | 0:19:17 | 0:19:19 | |
Jesus Christ, if Gertie could see the shit you've been pulling... | 0:19:19 | 0:19:23 | |
Gertie doesn't see anything any more, Dad. She's dead. | 0:19:23 | 0:19:27 | |
Yeah, she's dead. | 0:19:28 | 0:19:33 | |
But you ain't. And neither is that kid. | 0:19:33 | 0:19:36 | |
BABY CONTINUES CRYING | 0:19:36 | 0:19:39 | |
HE DIALS | 0:19:44 | 0:19:48 | |
Yeah. It's nothin'. Uh... | 0:19:48 | 0:19:52 | |
All right, so I'm gonna do the kit. It's almost finished. | 0:19:52 | 0:19:54 | |
You can deal with the menu. | 0:19:54 | 0:19:56 | |
What time's Will getting there? | 0:19:56 | 0:19:58 | |
BABY CRIES | 0:20:02 | 0:20:08 | |
Dad, the baby's up! | 0:20:08 | 0:20:10 | |
CRYING CONTINUES | 0:20:13 | 0:20:15 | |
Dad, the baby needs to be fed! | 0:20:15 | 0:20:18 | |
Dad! | 0:20:21 | 0:20:22 | |
BART: What the hell...?! | 0:20:30 | 0:20:32 | |
Are you nuts? What, are you trying to get killed?! | 0:20:34 | 0:20:36 | |
What are you doing? | 0:20:36 | 0:20:37 | |
Searching for Christ. What's it look like? | 0:20:37 | 0:20:39 | |
It would have been nice | 0:20:39 | 0:20:41 | |
if you'd told me you were leaving the house! | 0:20:41 | 0:20:42 | |
That way, I could've given you the baby | 0:20:42 | 0:20:44 | |
instead of driving all the way down here! NOW I'm gonna hit traffic! | 0:20:44 | 0:20:47 | |
No, you ain't giving me the baby. | 0:20:47 | 0:20:49 | |
Hey. Excuse me? | 0:20:53 | 0:20:56 | |
I got uptown and downtown to do this morning. | 0:20:56 | 0:20:58 | |
You're on your own with the kid today. | 0:20:58 | 0:20:59 | |
What?! No. I have this press conference | 0:20:59 | 0:21:02 | |
I have to do this morning, Dad! You know that! | 0:21:02 | 0:21:04 | |
I got a job to do, too. | 0:21:04 | 0:21:06 | |
If I don't leave right now... | 0:21:06 | 0:21:08 | |
So leave! And do what with the baby?! | 0:21:08 | 0:21:10 | |
Take her with you! Goddamn it. I... | 0:21:10 | 0:21:14 | |
Look, I know I haven't been helping out that much with the baby... | 0:21:14 | 0:21:17 | |
Listen to you. "Helping out that much with the baby." | 0:21:17 | 0:21:19 | |
She's your daughter, for chrissake! | 0:21:19 | 0:21:20 | |
What am I supposed to do with her?! | 0:21:20 | 0:21:23 | |
Try acting like her father, shithead! | 0:21:23 | 0:21:25 | |
Goddamn it! | 0:21:26 | 0:21:28 | |
Folks, I'm sorry. | 0:21:59 | 0:22:02 | |
Sorry. Steve. | 0:22:02 | 0:22:04 | |
What the...?! | 0:22:04 | 0:22:06 | |
I ordered diapers. Did they get here yet? | 0:22:06 | 0:22:07 | |
You mean baby diapers? | 0:22:07 | 0:22:09 | |
Why didn't you start half an hour ago? You shouldn't have waited for me! | 0:22:09 | 0:22:11 | |
We're waiting for Will. | 0:22:11 | 0:22:12 | |
Will's not here?! No. | 0:22:12 | 0:22:14 | |
Are either of you guys... Trinket? | 0:22:14 | 0:22:16 | |
Close enough. Where is he? We're not sure. | 0:22:16 | 0:22:18 | |
Damn. That baby smells like shit. You know that, right? | 0:22:18 | 0:22:20 | |
ARTHUR: It's a good thing you finally showed up, man. | 0:22:20 | 0:22:22 | |
They're gettin' all rowdy out there. | 0:22:22 | 0:22:23 | |
Oh, mother of God! | 0:22:23 | 0:22:25 | |
What? Jesus... Ollie! | 0:22:25 | 0:22:27 | |
Ollie, the guy from Rolling Stone... | 0:22:27 | 0:22:28 | |
Holy shit! What is that smell? | 0:22:28 | 0:22:31 | |
Grow up, Susan! It's a dirty diaper. | 0:22:31 | 0:22:32 | |
What did the Rolling Stone guy say? | 0:22:32 | 0:22:34 | |
If we don't start in five minutes, they're leaving | 0:22:34 | 0:22:36 | |
to go cover the Blues Traveller signing at Tower. | 0:22:36 | 0:22:38 | |
Jesus Christ! | 0:22:38 | 0:22:39 | |
Hey, you're doing that wrong. | 0:22:39 | 0:22:41 | |
What? | 0:22:41 | 0:22:42 | |
You're doing that wrong. | 0:22:42 | 0:22:43 | |
You're supposed to wipe front to back. | 0:22:43 | 0:22:45 | |
You're wiping back to front. | 0:22:45 | 0:22:46 | |
You do that, you're just wiping the poop into her... | 0:22:46 | 0:22:50 | |
crevice. | 0:22:50 | 0:22:51 | |
Get outta here! Beat it! | 0:22:51 | 0:22:54 | |
Mark my words, you're gonna give her the crotch-rot. | 0:22:54 | 0:22:56 | |
Would one of you do...? You do this. | 0:22:56 | 0:22:57 | |
Oh, not me. No | 0:22:57 | 0:22:58 | |
Will you do this so I can go out there? | 0:22:58 | 0:23:00 | |
Why, because I'm a girl? I've never even seen a naked baby. No! | 0:23:00 | 0:23:03 | |
Fine. Thank you very much. I'm gonna remember this. | 0:23:03 | 0:23:06 | |
How much of this am I supposed to use? | 0:23:06 | 0:23:07 | |
Should I get that guy back? | 0:23:07 | 0:23:08 | |
He knew a lot about changing babies. | 0:23:08 | 0:23:09 | |
If it's for the smell, I suggest you use a lot. | 0:23:09 | 0:23:12 | |
Ooh. You gotta turn it. You gotta turn the top! | 0:23:12 | 0:23:16 | |
Oh. Direct it at the baby. | 0:23:16 | 0:23:19 | |
Thank you! Go out there, please, | 0:23:19 | 0:23:20 | |
and tell them we're about to start! | 0:23:20 | 0:23:22 | |
I'd say more. | 0:23:28 | 0:23:30 | |
That's a lot. | 0:23:35 | 0:23:36 | |
MUSIC PLAYS | 0:23:36 | 0:23:39 | |
All right, the Fresh Prince is almost here. | 0:23:39 | 0:23:41 | |
Is that blow on your shirt? | 0:23:41 | 0:23:44 | |
What do you think, Stretch? This is show business. | 0:23:44 | 0:23:48 | |
That was a joke, people. | 0:23:48 | 0:23:50 | |
Where's the Fresh Prince? | 0:23:50 | 0:23:51 | |
The Fresh Prince is on his way. | 0:23:51 | 0:23:53 | |
It's crying. Will you take it? No. No. | 0:23:53 | 0:23:55 | |
Is that Jazzy Jeff? ALL LAUGH | 0:23:55 | 0:23:59 | |
This is bullshit! Where's the Fresh Prince? | 0:23:59 | 0:24:01 | |
Will someone please shut that girl up? | 0:24:01 | 0:24:03 | |
Enough with the romper room! Bring out the Fresh Prince! | 0:24:03 | 0:24:06 | |
CHANTING: Fresh Prince! Fresh Prince! | 0:24:06 | 0:24:09 | |
Please take her. | 0:24:09 | 0:24:10 | |
I, er... | 0:24:12 | 0:24:16 | |
Goddamn it. Christ! Give her to me! Give me the baby. | 0:24:16 | 0:24:21 | |
CHANTING CONTINUES | 0:24:21 | 0:24:24 | |
Would you people just shut the hell up with the "Fresh Prince" already?! | 0:24:31 | 0:24:35 | |
He's a two-bit TV actor... | 0:24:35 | 0:24:37 | |
Who won't be around any longer than it takes for the ink to dry | 0:24:37 | 0:24:39 | |
on the pages of the worthless rags you jerk-offs write for! | 0:24:39 | 0:24:44 | |
SILENCE | 0:24:44 | 0:24:48 | |
Shit. | 0:24:48 | 0:24:49 | |
That guy's toast. | 0:24:52 | 0:24:53 | |
That's a hell of a quote. | 0:24:53 | 0:24:54 | |
MUSIC: "Swing Low Sweet Chariot" by George Jones | 0:24:59 | 0:25:03 | |
BABY CRIES | 0:25:03 | 0:25:04 | |
# Well, I looked over Jordan | 0:25:04 | 0:25:06 | |
# And what did I see? # | 0:25:06 | 0:25:09 | |
It's all right, Arthur. | 0:25:09 | 0:25:10 | |
# ..Comin' for to carry me home | 0:25:10 | 0:25:18 | |
# A band of angels | 0:25:18 | 0:25:21 | |
# Coming after me | 0:25:21 | 0:25:25 | |
# Coming for to carry me home | 0:25:25 | 0:25:31 | |
# Swing low, sweet chariot | 0:25:34 | 0:25:41 | |
# Coming for to carry me home | 0:25:41 | 0:25:46 | |
# Swing low, sweet chariot | 0:25:46 | 0:25:53 | |
# Coming for to carry me home | 0:25:53 | 0:26:00 | |
# Coming for to carry me home. # | 0:26:00 | 0:26:07 | |
we won't be here too long, Dad. | 0:26:14 | 0:26:16 | |
We'll be out of your hair as soon as I get another job. | 0:26:16 | 0:26:19 | |
I have some feelers out to the other firms right now. | 0:26:19 | 0:26:22 | |
As soon as this whole thing blows over... | 0:26:22 | 0:26:25 | |
It's OK to stay here as long as you need to, | 0:26:25 | 0:26:28 | |
till you get back on your feet. | 0:26:28 | 0:26:29 | |
I appreciate that. | 0:26:29 | 0:26:31 | |
On one condition. | 0:26:31 | 0:26:32 | |
Here we go. | 0:26:32 | 0:26:33 | |
You put the kid to bed every night. | 0:26:33 | 0:26:36 | |
That's it? For starters. | 0:26:36 | 0:26:39 | |
And no whores. I don't want no whores in my house. | 0:26:39 | 0:26:43 | |
I'm not really a whoremonger, Dad. | 0:26:43 | 0:26:47 | |
Here, the kid gets this. | 0:26:47 | 0:26:48 | |
That's cute. 8 o'clock - you both get a bottle. | 0:26:48 | 0:26:52 | |
Just shut the hell up and go be a father, would ya, please? | 0:26:52 | 0:26:56 | |
No? | 0:27:19 | 0:27:20 | |
HE CLEARS THROAT Yeah, this is only temporary, us...you know... | 0:27:28 | 0:27:32 | |
Living with your grandfather here. | 0:27:32 | 0:27:36 | |
So... | 0:27:36 | 0:27:40 | |
How about that Fresh Prince thing, huh? | 0:27:40 | 0:27:43 | |
It was quite a show. | 0:27:43 | 0:27:46 | |
Your dad's one big horse's ass. | 0:27:46 | 0:27:50 | |
Daddy's ex-bosses said the guys who did PR for Hitler | 0:27:50 | 0:27:53 | |
have a better chance of working in this business again than Daddy does. | 0:27:53 | 0:27:56 | |
So, OK... | 0:28:00 | 0:28:04 | |
How're you doin'? | 0:28:04 | 0:28:06 | |
Yeah. You know, you kinda look like your mom. | 0:28:10 | 0:28:14 | |
Like a squishier, balder version of your mom. | 0:28:14 | 0:28:19 | |
Man... | 0:28:23 | 0:28:25 | |
I just wish you could've gotten to meet your mom. | 0:28:25 | 0:28:29 | |
I know she wanted to meet you | 0:28:29 | 0:28:32 | |
in a big, bad way. | 0:28:32 | 0:28:36 | |
In a big, bad way. | 0:28:37 | 0:28:40 | |
Sometimes, Daddy wishes he'd have died instead of Mommy... | 0:28:43 | 0:28:48 | |
Because Mommy never would've... | 0:28:48 | 0:28:51 | |
let work get in the way of...getting to know you, | 0:28:51 | 0:28:55 | |
like Daddy has for the last...month or so. | 0:28:55 | 0:29:02 | |
It's just that Daddy... He didn't expect mommy... | 0:29:02 | 0:29:08 | |
HE SIGHS ..to leave the way she did. | 0:29:08 | 0:29:13 | |
It's just really hard on Daddy, | 0:29:13 | 0:29:16 | |
who's been trying to fill up his days with work, | 0:29:16 | 0:29:18 | |
so he wouldn't have to think about Mommy never being around again. | 0:29:18 | 0:29:22 | |
I just loved your mom so much. You know? | 0:29:24 | 0:29:28 | |
She really lit my world on fire. | 0:29:30 | 0:29:35 | |
When that happens... | 0:29:35 | 0:29:38 | |
You kinda think it'll go on like that | 0:29:38 | 0:29:40 | |
until one of you dies. You know? | 0:29:40 | 0:29:44 | |
You just don't expect... | 0:29:44 | 0:29:47 | |
I miss her so much. So, so much. | 0:29:47 | 0:29:51 | |
And you're a little piece of Mommy, | 0:29:56 | 0:29:58 | |
and that makes you really special to Daddy. | 0:29:58 | 0:30:01 | |
Just don't go anywhere, | 0:30:13 | 0:30:15 | |
cos you're the next best thing to Mommy, | 0:30:15 | 0:30:18 | |
and I love you so much, and I'll always be here for you, | 0:30:18 | 0:30:21 | |
and I'm sorry about the way I've been acting. | 0:30:21 | 0:30:24 | |
I promise you... I'll be better now. | 0:30:24 | 0:30:28 | |
I'm gonna be the best daddy in the world. | 0:30:28 | 0:30:32 | |
Cos that's what Mommy wanted. And that's what you deserve. | 0:30:32 | 0:30:38 | |
And that's all I am now. | 0:30:38 | 0:30:41 | |
I'm just your dad. | 0:30:41 | 0:30:44 | |
Your dad likes to run off at the mouth sometimes, you know. | 0:31:01 | 0:31:05 | |
BABY SNEEZES | 0:31:05 | 0:31:06 | |
Your mother wasn't a fan, either. | 0:31:09 | 0:31:12 | |
You wanna see a picture of your mom. I have one. | 0:31:13 | 0:31:18 | |
This was your mommy. She was really pretty. | 0:31:18 | 0:31:22 | |
OK. You can keep it. | 0:31:22 | 0:31:26 | |
Daddy's got a bunch. | 0:31:26 | 0:31:28 | |
There you go. | 0:31:30 | 0:31:32 | |
Goodnight, Gertie. | 0:31:43 | 0:31:44 | |
BELL RINGS | 0:32:02 | 0:32:04 | |
MUSIC: "Worlds They Rise And Fall" by Mike Heron | 0:32:04 | 0:32:09 | |
# Worlds... | 0:32:09 | 0:32:13 | |
# They rise and fall... # | 0:32:13 | 0:32:17 | |
OLLIE: Gertie! | 0:32:17 | 0:32:18 | |
# ..Within her eyes... # | 0:32:18 | 0:32:21 | |
Your chariot awaits, princess. Let's go! | 0:32:21 | 0:32:25 | |
We gotta go. Argh! | 0:32:27 | 0:32:30 | |
# ..To fly in the sky... # | 0:32:30 | 0:32:33 | |
How was school, good? Mm-hmm. | 0:32:33 | 0:32:34 | |
You have a nice time? Yep. | 0:32:34 | 0:32:36 | |
Remember to put your seat belt on. Know where to find it? | 0:32:36 | 0:32:38 | |
Yep. | 0:32:38 | 0:32:39 | |
Lock and load. Comin' around. Get ready. | 0:32:39 | 0:32:44 | |
Ready? Punch it, chewy! | 0:32:53 | 0:32:55 | |
Can we go see Cats? | 0:32:59 | 0:33:00 | |
Absolutely not. Why? | 0:33:00 | 0:33:02 | |
Cats was the second-worst thing | 0:33:02 | 0:33:03 | |
that ever happened to New York City. | 0:33:03 | 0:33:05 | |
Besides, Cats closed three years ago. | 0:33:05 | 0:33:07 | |
We never do anything cool. | 0:33:07 | 0:33:09 | |
You're ridin' in the Batmobile, aren't ya? How cool is that? | 0:33:09 | 0:33:12 | |
Oh, my God. | 0:33:12 | 0:33:14 | |
Look, no-one's more depressed than me | 0:33:14 | 0:33:15 | |
that driving the street sweeper | 0:33:15 | 0:33:16 | |
is considered the height of excitement in my life. | 0:33:16 | 0:33:19 | |
I used to live in New York City. | 0:33:19 | 0:33:20 | |
I could've gone to see Cats three times a day. | 0:33:20 | 0:33:23 | |
It's not like I ever ask for anything. | 0:33:23 | 0:33:25 | |
Oh-ho-ho! | 0:33:25 | 0:33:26 | |
"And the Oscar goes to Gertie Trinke, | 0:33:26 | 0:33:29 | |
"for her performance in Laying It On Thick For My Old Man." | 0:33:29 | 0:33:33 | |
What is it with you and Cats all of a sudden? | 0:33:33 | 0:33:35 | |
I wanna sing a Cats song in the big show like everybody else. | 0:33:35 | 0:33:38 | |
What big show? | 0:33:38 | 0:33:39 | |
There's gonna be this big show at school. | 0:33:39 | 0:33:41 | |
All the people have to sing a song | 0:33:41 | 0:33:42 | |
with people from their family. | 0:33:42 | 0:33:44 | |
Are you inviting me to this big show? | 0:33:44 | 0:33:46 | |
Duh. Yeah, you and Pop, too. | 0:33:46 | 0:33:48 | |
Oh-ho. I'm sure that'll go over huge with your pop. | 0:33:48 | 0:33:51 | |
Can Uncle Greenie and Uncle Block be in it, too? | 0:33:51 | 0:33:53 | |
Those men are not your uncles. | 0:33:53 | 0:33:54 | |
They're barely even your peers. | 0:33:54 | 0:33:57 | |
Pee-ers? | 0:33:57 | 0:33:58 | |
When is this big show? | 0:33:58 | 0:33:59 | |
Right before Thanksgiving break. | 0:33:59 | 0:34:01 | |
Does it have to be something from the Bible? | 0:34:01 | 0:34:03 | |
I don't think so. Is Cats in the Bible? | 0:34:03 | 0:34:06 | |
The Satanic Bible, yes. | 0:34:06 | 0:34:07 | |
What? | 0:34:16 | 0:34:17 | |
When you taking her to see the cats? | 0:34:17 | 0:34:19 | |
Jesus, you, too? Gertie! | 0:34:19 | 0:34:23 | |
Do you even know what Cats is, Dad? | 0:34:25 | 0:34:27 | |
What, I don't read the papers? | 0:34:27 | 0:34:29 | |
You don't read that paper. | 0:34:29 | 0:34:31 | |
What are you doing with a New York Times? | 0:34:31 | 0:34:33 | |
They ran out of the Ledger. | 0:34:33 | 0:34:34 | |
They don't have the jumble in the Times, Dad. | 0:34:34 | 0:34:37 | |
Shit. | 0:34:37 | 0:34:38 | |
Where were you? | 0:34:40 | 0:34:40 | |
I was in the bathroom. | 0:34:40 | 0:34:42 | |
Why didn't I hear the toilet flush? | 0:34:42 | 0:34:43 | |
Oh. I forgot. | 0:34:43 | 0:34:45 | |
OK, march your butt back upstairs and flush that toilet. | 0:34:45 | 0:34:48 | |
And when I say "no" about something, | 0:34:48 | 0:34:49 | |
like, I don't know, Cats, maybe, I mean no. | 0:34:49 | 0:34:52 | |
OK? | 0:34:52 | 0:34:53 | |
Pop, you were supposed to be subtle! | 0:34:53 | 0:34:55 | |
Why do you teach her words like that? | 0:34:55 | 0:34:57 | |
You're gonna have to mow the park for me tomorrow. I can't do it. | 0:34:57 | 0:35:00 | |
Why the hell not? | 0:35:00 | 0:35:01 | |
I have an appointment in the city at 11.00. | 0:35:01 | 0:35:03 | |
Jesus, kid, why do you keep doin' it to yourself? | 0:35:03 | 0:35:05 | |
How many of these interviews you gotta go on | 0:35:05 | 0:35:07 | |
before you get it through your thick head | 0:35:07 | 0:35:09 | |
they don't want you in that business any more? | 0:35:09 | 0:35:11 | |
For chrissake, you made fun of that Prince Charles guy. | 0:35:11 | 0:35:14 | |
TOILET FLUSHES Thank you! | 0:35:14 | 0:35:16 | |
First of all, Dad, I didn't "make fun" of anybody. | 0:35:16 | 0:35:19 | |
I made one remark about Will Smith, the Fresh Prince. | 0:35:19 | 0:35:23 | |
Sooner or later, everyone's gonna forget about that | 0:35:23 | 0:35:25 | |
and I'm gonna go back to doing what I'm really good at, | 0:35:25 | 0:35:27 | |
instead of sweeping streets | 0:35:27 | 0:35:28 | |
and ploughing snow and picking up garbage. | 0:35:28 | 0:35:30 | |
OK? | 0:35:30 | 0:35:32 | |
If you're going into the city anyway, | 0:35:32 | 0:35:34 | |
at least take the kid to see the cats. | 0:35:34 | 0:35:36 | |
OLLIE SIGHS | 0:35:36 | 0:35:38 | |
Oh, God... | 0:35:38 | 0:35:39 | |
I'll tell you what. Since there is no more Cats, | 0:35:39 | 0:35:42 | |
Gertie, why don't you come over here | 0:35:42 | 0:35:44 | |
and pick out another play that you wanna see? | 0:35:44 | 0:35:47 | |
Look through here. Anything you want. Go nuts. | 0:35:47 | 0:35:51 | |
The cats is a show? | 0:35:51 | 0:35:53 | |
Yeah, you read the papers. | 0:35:53 | 0:35:57 | |
You think you're slick, don't ya, young lady? | 0:35:57 | 0:35:59 | |
Next time you're lookin' for a partner in crime, | 0:35:59 | 0:36:01 | |
you're gonna have to aim higher than your grandfather. | 0:36:01 | 0:36:03 | |
(He's soft in the head.) | 0:36:03 | 0:36:05 | |
BART: I heard that! > | 0:36:05 | 0:36:07 | |
Here. Can we go see this show? | 0:36:09 | 0:36:12 | |
Sweeney Todd. Do you know that this has a lot of singing? | 0:36:12 | 0:36:15 | |
It's still a play. | 0:36:15 | 0:36:16 | |
OK. I'm just checking. | 0:36:16 | 0:36:18 | |
Your dad one time lost a bet with someone at his work, | 0:36:18 | 0:36:21 | |
and he had to go see a singing play, | 0:36:21 | 0:36:23 | |
done by people on roller skates. | 0:36:23 | 0:36:25 | |
Cool! | 0:36:25 | 0:36:25 | |
Your dad didn't think so. | 0:36:25 | 0:36:27 | |
OLLIE: I handled primarily recording artists, | 0:36:27 | 0:36:30 | |
but when I initially trained, | 0:36:30 | 0:36:31 | |
I trained in film PR, so I can do that, too. | 0:36:31 | 0:36:34 | |
I, er...took the last six or seven years off. | 0:36:34 | 0:36:38 | |
I was raising my daughter in New Jersey. | 0:36:38 | 0:36:40 | |
But I kept abreast, so... I'm pretty comfortable jumping back in. | 0:36:40 | 0:36:44 | |
What else can I tell you guys? Uh... | 0:36:44 | 0:36:47 | |
That's it. I can start, you know, right away. | 0:36:47 | 0:36:49 | |
You guys all right? | 0:36:53 | 0:36:55 | |
HE CLEARS THROAT | 0:36:55 | 0:36:57 | |
Are you THE Ollie Trinke? | 0:36:59 | 0:37:02 | |
The one who used to work at Mandel-Kirschner? | 0:37:02 | 0:37:04 | |
Yeah, that was me... | 0:37:05 | 0:37:06 | |
Son of a bitch! Yes! | 0:37:06 | 0:37:08 | |
I told you, Reynolds! Pay up! | 0:37:08 | 0:37:10 | |
REYNOLDS: I got it. | 0:37:10 | 0:37:11 | |
Am I missing something? | 0:37:11 | 0:37:12 | |
Nah, nah, he just bet me you were THE Ollie Trinke, | 0:37:12 | 0:37:15 | |
the one who pulled "the Fresh Prince." | 0:37:15 | 0:37:17 | |
They named it? | 0:37:17 | 0:37:18 | |
Of course. Are you kidding? You're a legend, man! | 0:37:18 | 0:37:21 | |
You did what every flack only dreams about doing! | 0:37:21 | 0:37:24 | |
Which was what? | 0:37:24 | 0:37:25 | |
You went apeshit! | 0:37:25 | 0:37:26 | |
You trashed your client back to the Stone Age. | 0:37:26 | 0:37:28 | |
Yeah. | 0:37:28 | 0:37:29 | |
We bow to you, man. | 0:37:29 | 0:37:30 | |
You're like a god around here. | 0:37:30 | 0:37:31 | |
Yep, exactly. > | 0:37:31 | 0:37:33 | |
God enough to get a job? | 0:37:33 | 0:37:34 | |
No. Ha ha ha! | 0:37:34 | 0:37:36 | |
What, are you insane? | 0:37:36 | 0:37:37 | |
No chance, Trinke! THEY LAUGH | 0:37:37 | 0:37:39 | |
Pop, I'm home! | 0:37:41 | 0:37:42 | |
BART: Yeah, like I give a shit. | 0:37:42 | 0:37:44 | |
You know, thanks a lot, Pop! | 0:37:44 | 0:37:46 | |
That's what it looks like? | 0:37:53 | 0:37:55 | |
I guess. What does yours look like? | 0:37:55 | 0:37:58 | |
Not like that. | 0:37:58 | 0:37:59 | |
Yeah. Let me see. | 0:37:59 | 0:38:01 | |
All right. | 0:38:01 | 0:38:04 | |
OLLIE: Gertie, it's time for Bryan to go home. | 0:38:04 | 0:38:07 | |
OK... | 0:38:17 | 0:38:18 | |
What are your intentions? | 0:38:25 | 0:38:27 | |
Huh? | 0:38:27 | 0:38:28 | |
What are your intentions with my daughter? | 0:38:28 | 0:38:31 | |
Do you plan on marrying her? | 0:38:31 | 0:38:33 | |
I don't know. | 0:38:33 | 0:38:35 | |
Well, only married boys and girls, ahem... | 0:38:35 | 0:38:39 | |
show each other their, er... | 0:38:39 | 0:38:41 | |
their, you know, er... | 0:38:41 | 0:38:44 | |
...parts. OK? | 0:38:44 | 0:38:47 | |
OK, Bryan, you can go now. | 0:38:49 | 0:38:52 | |
If you come back, come back with a ring. | 0:38:52 | 0:38:54 | |
Yes, Mr Trinke. | 0:38:54 | 0:38:56 | |
Bye, Gertie. Bye. | 0:38:56 | 0:38:57 | |
Goodbye, Bryan. | 0:38:57 | 0:39:00 | |
OK. Do you have any, er... | 0:39:02 | 0:39:08 | |
questions about what you... | 0:39:08 | 0:39:12 | |
you know... | 0:39:12 | 0:39:15 | |
you know, whatever, saw? | 0:39:15 | 0:39:17 | |
Do you have what Bryan has? | 0:39:21 | 0:39:24 | |
Yes, I have one...too. | 0:39:27 | 0:39:32 | |
Is yours as big as his? | 0:39:32 | 0:39:37 | |
Sadly, yes. | 0:39:39 | 0:39:42 | |
Can we rent a movie? Yes. | 0:39:42 | 0:39:44 | |
So they wouldn't give you a job, huh? | 0:39:47 | 0:39:49 | |
No. But apparently, Daddy's a legend. | 0:39:49 | 0:39:51 | |
You don't need that job anyway. You already got a job. | 0:39:51 | 0:39:54 | |
Yes, well, Daddy used to have a job | 0:39:54 | 0:39:57 | |
where a nightly shower was an option, not a necessity. | 0:39:57 | 0:39:59 | |
You know what job you should do? | 0:39:59 | 0:40:01 | |
What's that? | 0:40:01 | 0:40:02 | |
You should be a dance teacher, like Johnny in Dirty Dancing. | 0:40:02 | 0:40:04 | |
I should? | 0:40:04 | 0:40:06 | |
Should I say, "nobody puts baby in a corner"? | 0:40:06 | 0:40:08 | |
Oh, can we rent Dirty Dancing again? | 0:40:08 | 0:40:10 | |
Ohh...Dirty Dancing ranks one notch below Cats in my book. | 0:40:10 | 0:40:14 | |
Can you pick out something else? | 0:40:14 | 0:40:15 | |
Can we rent this? | 0:40:18 | 0:40:20 | |
Absolutely not. | 0:40:20 | 0:40:22 | |
Go pick out something from the children's section. | 0:40:22 | 0:40:24 | |
All those movies suck. | 0:40:24 | 0:40:26 | |
Watch your language. | 0:40:26 | 0:40:28 | |
Nah, that's... | 0:40:55 | 0:40:57 | |
No, I guess that's it. Yep, yep, that's it. | 0:40:57 | 0:41:00 | |
I'll just take this and whatever the kid's getting. | 0:41:01 | 0:41:04 | |
Just go ahead and put it in the bag. I'm all set. It's good. | 0:41:04 | 0:41:09 | |
"Bi-bi Guys - featuring Curious Jordie"? | 0:41:12 | 0:41:17 | |
Interesting choice. | 0:41:17 | 0:41:19 | |
Does the wife know you're looking into your options? | 0:41:19 | 0:41:21 | |
It's...I got the... | 0:41:21 | 0:41:24 | |
I got the wrong box by accident. | 0:41:24 | 0:41:25 | |
Oh, right. | 0:41:25 | 0:41:26 | |
Would you mind exchanging that for me for something... | 0:41:26 | 0:41:29 | |
Anything you can get your hands on that's, you know... | 0:41:29 | 0:41:32 | |
So, then you want something... | 0:41:32 | 0:41:33 | |
That's non-bi. | 0:41:33 | 0:41:35 | |
Can I have your membership card, please? | 0:41:41 | 0:41:42 | |
Yeah, sure. | 0:41:42 | 0:41:44 | |
Would you mind if I asked you a few questions | 0:41:44 | 0:41:46 | |
about your renting practices? | 0:41:46 | 0:41:48 | |
Uh...sure. | 0:41:48 | 0:41:50 | |
Really. Uh... | 0:41:50 | 0:41:51 | |
Do you always rent adult titles with your daughter in tow, | 0:41:51 | 0:41:54 | |
or is this the first time? | 0:41:54 | 0:41:56 | |
Excuse me? | 0:41:56 | 0:41:57 | |
When you rent porn, do you usually do it with family around, | 0:41:57 | 0:42:00 | |
or is this like a, you know, special occasion? | 0:42:00 | 0:42:03 | |
Do I have to answer this? | 0:42:04 | 0:42:06 | |
I'm a grad student writing a thesis paper... | 0:42:06 | 0:42:09 | |
"A Bird In The Hand - | 0:42:09 | 0:42:10 | |
"the family man and the pornographic fixation." | 0:42:10 | 0:42:13 | |
OK. I would rather not take part. | 0:42:15 | 0:42:17 | |
Really. Frank, is Bi-bi Guys a one or a two-night rental? | 0:42:17 | 0:42:22 | |
What are you getting, Daddy? | 0:42:22 | 0:42:23 | |
Yeah, Daddy. Let's just take a look. | 0:42:23 | 0:42:26 | |
Let's not, OK? | 0:42:26 | 0:42:27 | |
Would you mind not asking me those questions | 0:42:31 | 0:42:33 | |
when my daughter's with me? | 0:42:33 | 0:42:34 | |
How about when you bring these back? | 0:42:34 | 0:42:37 | |
That's...yeah. | 0:42:37 | 0:42:39 | |
In an effort to get honest feedback, | 0:42:39 | 0:42:41 | |
leave the kid and the wife at home. | 0:42:41 | 0:42:44 | |
My mom's dead. She died when I was born. | 0:42:44 | 0:42:47 | |
Oh, Jesus. | 0:42:47 | 0:42:49 | |
Man, I'm sorry. I didn't... | 0:42:49 | 0:42:52 | |
No, you didn't. | 0:42:52 | 0:42:55 | |
Let's go. | 0:42:57 | 0:42:58 | |
I'm sorry. | 0:43:00 | 0:43:02 | |
Do I have to? | 0:43:02 | 0:43:05 | |
Major Damage didn't have to go to bed | 0:43:05 | 0:43:07 | |
when he fought the Tiki Terrors! | 0:43:07 | 0:43:10 | |
MOM: Melvin! And do they... | 0:43:10 | 0:43:12 | |
KNOCK AT THE DOOR I'll get it. | 0:43:12 | 0:43:13 | |
You will not. | 0:43:13 | 0:43:15 | |
You're not even supposed to be up this late. | 0:43:15 | 0:43:17 | |
Watch your video. | 0:43:17 | 0:43:19 | |
MELVIN: But, Mom! MOM: say, "OK, Mom." | 0:43:19 | 0:43:22 | |
MELVIN: Ahh! MOM: Say, "OK, mom." | 0:43:22 | 0:43:25 | |
Hi. | 0:43:25 | 0:43:27 | |
Hey. You're the lady from the video store. | 0:43:27 | 0:43:29 | |
Let's not use that term too loosely, OK? | 0:43:29 | 0:43:32 | |
Go back and watch your video. | 0:43:32 | 0:43:34 | |
Yes? | 0:43:36 | 0:43:38 | |
I just wanted to come here and tell you | 0:43:38 | 0:43:40 | |
that I'm really sorry about earlier tonight. | 0:43:40 | 0:43:43 | |
I feel like shit about what I said | 0:43:43 | 0:43:45 | |
and your daughter and everything. | 0:43:45 | 0:43:47 | |
Well...you should. | 0:43:47 | 0:43:50 | |
You know that kid was crying in the car the whole way home? | 0:43:50 | 0:43:52 | |
Oh, no... | 0:43:52 | 0:43:53 | |
GERTIE: No, I wasn't. | 0:43:53 | 0:43:55 | |
Get back inside and watch your video! | 0:43:55 | 0:43:57 | |
Nice. Real nice. | 0:43:57 | 0:43:59 | |
See, now you have to let me interview you for my paper. | 0:43:59 | 0:44:02 | |
Is that why you're here? | 0:44:02 | 0:44:04 | |
I just think you'd make one hell of an interesting case study. | 0:44:04 | 0:44:07 | |
The sympathetic widower who doesn't have time to date | 0:44:07 | 0:44:10 | |
cos he's raising a kid, so he rents porn instead. | 0:44:10 | 0:44:12 | |
I mean, I think that's very interesting stuff. | 0:44:12 | 0:44:14 | |
Jesus Christ! You've got some nerve, lady. | 0:44:14 | 0:44:17 | |
And besides, I'd really like to make it up to you, | 0:44:17 | 0:44:20 | |
for what I said and for embarrassing you before that. | 0:44:20 | 0:44:23 | |
You're really having a banner evening. | 0:44:23 | 0:44:25 | |
You're batting a thousand tonight. | 0:44:25 | 0:44:26 | |
You're Ollie, right? I'm Maya Harding. | 0:44:26 | 0:44:29 | |
"Hi, Maya. Nice to meet you." | 0:44:32 | 0:44:33 | |
Hi. | 0:44:33 | 0:44:35 | |
Come on, why don't you let me take you | 0:44:35 | 0:44:36 | |
out one day this week? You do eat lunch when | 0:44:36 | 0:44:39 | |
you're not knee-deep in adult movies, right? | 0:44:39 | 0:44:42 | |
I appreciate it, but, er...no, thanks. | 0:44:42 | 0:44:45 | |
Ollie, come on, you're ruining my karma level here. | 0:44:45 | 0:44:48 | |
What, buying me one lunch is gonna square you with Krishna? | 0:44:48 | 0:44:51 | |
Hare hare! | 0:44:51 | 0:44:54 | |
Is Monday OK? Sound good? | 0:44:54 | 0:44:57 | |
I mean, I was thinking nothing fancy. | 0:44:57 | 0:45:00 | |
I was thinking maybe, like, the diner. | 0:45:00 | 0:45:02 | |
Around noon? No! | 0:45:02 | 0:45:05 | |
Noon it is! | 0:45:07 | 0:45:08 | |
Well... | 0:45:08 | 0:45:10 | |
See you there. Bye! | 0:45:10 | 0:45:13 | |
An incredibly strange woman. | 0:45:15 | 0:45:17 | |
HORN TOOTS | 0:45:17 | 0:45:19 | |
I did not hear the toilet flush. | 0:45:26 | 0:45:29 | |
Thank you. | 0:45:34 | 0:45:35 | |
Can we get popcorn? | 0:45:38 | 0:45:40 | |
This isn't the movies, sweetheart. | 0:45:40 | 0:45:42 | |
They don't sell popcorn here. | 0:45:42 | 0:45:43 | |
This is Broadway. This is class. | 0:45:43 | 0:45:47 | |
# And if you're beautiful | 0:45:47 | 0:45:50 | |
# What then with yellow hair like wheat | 0:45:50 | 0:45:53 | |
# I think we shall not meet again, my little dove | 0:45:53 | 0:45:57 | |
# My sweet Joanna | 0:45:57 | 0:46:05 | |
# Goodbye, Joanna | 0:46:05 | 0:46:08 | |
# You're gone and yet you're mine | 0:46:08 | 0:46:10 | |
# I'm fine, Joanna | 0:46:10 | 0:46:13 | |
# ..I'm fine... # | 0:46:13 | 0:46:17 | |
OLLIE: OK, now, you see that floor. | 0:46:17 | 0:46:19 | |
Now look three windows in from the right. | 0:46:19 | 0:46:21 | |
See that window? | 0:46:21 | 0:46:22 | |
That's where we used to live before we lived with Pop. | 0:46:22 | 0:46:24 | |
We'd still live there if we lived in the city. | 0:46:24 | 0:46:27 | |
If Mommy was still alive? Yep. | 0:46:27 | 0:46:31 | |
Dad? Yes? | 0:46:31 | 0:46:32 | |
Do you miss Mommy? | 0:46:32 | 0:46:35 | |
I do. Every day. | 0:46:35 | 0:46:37 | |
What was she like? | 0:46:37 | 0:46:39 | |
I've told you a million times what she was like. | 0:46:39 | 0:46:42 | |
I know, but I forget. | 0:46:42 | 0:46:44 | |
No, I don't think you forget. | 0:46:44 | 0:46:45 | |
I think you just like to hear me tell you. | 0:46:45 | 0:46:46 | |
Which is OK. It's all right. | 0:46:46 | 0:46:48 | |
You can ask about your mommy as much as you want. | 0:46:48 | 0:46:49 | |
So tell me already. | 0:46:49 | 0:46:51 | |
Well, she was pushy, like you were right there. | 0:46:51 | 0:46:54 | |
She was beautiful, like you are right now. | 0:46:54 | 0:46:58 | |
And she was...smart... | 0:46:58 | 0:47:02 | |
And strong, like you'll grow up to be one day. | 0:47:02 | 0:47:05 | |
I'm smart now. | 0:47:05 | 0:47:07 | |
I wasn't impugning your intelligence or anything. | 0:47:07 | 0:47:09 | |
What's "impugning" mean? | 0:47:09 | 0:47:11 | |
Oh, not so smart now, are you? | 0:47:11 | 0:47:13 | |
That's a big word. | 0:47:13 | 0:47:14 | |
Yes, you're right, it is. | 0:47:14 | 0:47:16 | |
Let's see. To impugn means to criticise. | 0:47:16 | 0:47:18 | |
So...pop's always impugning you, right? | 0:47:18 | 0:47:23 | |
Well, he thinks he is. | 0:47:23 | 0:47:24 | |
But he's just talking to make sure he's still alive. | 0:47:24 | 0:47:27 | |
Pop is a very, very old man. | 0:47:27 | 0:47:31 | |
What do you think? You like the city? | 0:47:31 | 0:47:33 | |
It's OK. But I like Highlands better. | 0:47:33 | 0:47:36 | |
You do? Yeah. | 0:47:36 | 0:47:38 | |
My school's there, and my friends... | 0:47:38 | 0:47:40 | |
And we can rent movies there. | 0:47:40 | 0:47:41 | |
Well, if memory serves, | 0:47:41 | 0:47:43 | |
you can rent movies here, too. | 0:47:43 | 0:47:45 | |
Yeah, but not from that pretty lady at the video store. | 0:47:45 | 0:47:48 | |
Oh, you think she's pretty, do you? | 0:47:48 | 0:47:49 | |
Don't you. Isn't that why you're taking her on a date? | 0:47:49 | 0:47:52 | |
It's not a date. | 0:47:53 | 0:47:54 | |
The only girl I take on dates is you, OK? | 0:47:54 | 0:47:57 | |
This is a date. We're on a date. | 0:47:57 | 0:47:59 | |
We are? Mm-hmm. | 0:47:59 | 0:48:00 | |
It doesn't feel like a date. | 0:48:00 | 0:48:02 | |
It doesn't? | 0:48:02 | 0:48:04 | |
Well, I can fix that. | 0:48:04 | 0:48:07 | |
Sir! | 0:48:08 | 0:48:09 | |
MAYA: So, er, question one... | 0:48:27 | 0:48:28 | |
How often do you rent adult movies? | 0:48:28 | 0:48:31 | |
Do I really have to do this? | 0:48:32 | 0:48:33 | |
You have nothing to be ashamed about. | 0:48:33 | 0:48:35 | |
Interest in adult film can be healthy, | 0:48:35 | 0:48:37 | |
as long as it's not habitual. | 0:48:37 | 0:48:39 | |
So come on, how often? | 0:48:39 | 0:48:40 | |
Three or four times a week. | 0:48:40 | 0:48:43 | |
OK, maybe I was wrong. You should be ashamed. | 0:48:43 | 0:48:46 | |
You have a real talent for making the subject | 0:48:46 | 0:48:49 | |
feel open and comfortable in a safe environment. | 0:48:49 | 0:48:51 | |
So you're renting it presumably to masturbate to, right? | 0:48:51 | 0:48:53 | |
Good God! | 0:48:53 | 0:48:54 | |
Come on, don't be such a tight-ass. | 0:48:54 | 0:48:56 | |
We're all adults here. | 0:48:56 | 0:48:57 | |
I know I'm an adult. How old are you, exactly? | 0:48:57 | 0:48:59 | |
I'll be 26 in March. | 0:48:59 | 0:49:01 | |
26. You still haven't learned | 0:49:01 | 0:49:02 | |
some things aren't polite to talk about in public? | 0:49:02 | 0:49:04 | |
If it makes you feel any better, I do it, like, twice a day. | 0:49:04 | 0:49:08 | |
Good God! | 0:49:08 | 0:49:09 | |
What can I tell ya? I get bored easily. | 0:49:09 | 0:49:12 | |
You're gonna get carpal tunnel syndrome. | 0:49:12 | 0:49:14 | |
Don't get all judgmental with me. | 0:49:14 | 0:49:16 | |
You're no slouch yourself. | 0:49:16 | 0:49:17 | |
Well, no, I... | 0:49:17 | 0:49:19 | |
I just have a healthy sexual appetite. | 0:49:19 | 0:49:21 | |
Why don't you go out and get yourself a boyfriend? | 0:49:21 | 0:49:22 | |
Why don't you just go out and get yourself a girlfriend? | 0:49:22 | 0:49:25 | |
I work all day, I hang out with my kid all night. | 0:49:25 | 0:49:27 | |
So you'd rather hang out with your kid than get laid? | 0:49:27 | 0:49:29 | |
Yeah. | 0:49:29 | 0:49:30 | |
Aw...that's kinda sweet. | 0:49:30 | 0:49:35 | |
I'm kinda crushing on you right now, Trinke. | 0:49:35 | 0:49:37 | |
OK. Can I go home now? | 0:49:37 | 0:49:39 | |
No. When was the last time you had sex? | 0:49:39 | 0:49:44 | |
I would rather not disclose that information. | 0:49:44 | 0:49:46 | |
Oh, come on, don't clam up on me now. | 0:49:46 | 0:49:48 | |
You're gonna remain anonymous in my paper. | 0:49:48 | 0:49:50 | |
Ha. Anonymity doesn't concern me. Embarrassment does. | 0:49:50 | 0:49:54 | |
Why would you be embarrassed? | 0:49:54 | 0:49:55 | |
Because it's been a long time. | 0:49:55 | 0:49:57 | |
How long? A long time. | 0:49:57 | 0:50:00 | |
Come on, champ. Own it. Just put it out there. | 0:50:00 | 0:50:03 | |
I swear I won't make any editorial cracks about it. | 0:50:03 | 0:50:06 | |
Not in front of you, at least. | 0:50:06 | 0:50:09 | |
Seven years. | 0:50:11 | 0:50:13 | |
Seven years? | 0:50:13 | 0:50:15 | |
Since my wife died, yeah. | 0:50:15 | 0:50:19 | |
You know, a dumbfounded, mouth-agape look of shock | 0:50:19 | 0:50:22 | |
might be construed by some as an editorial crack too. | 0:50:22 | 0:50:25 | |
I'm sorry. | 0:50:25 | 0:50:27 | |
It's OK. It's fine. | 0:50:27 | 0:50:28 | |
No, it's not. I mean, it's not at all. | 0:50:28 | 0:50:31 | |
With all due respect to your wife, | 0:50:31 | 0:50:34 | |
you've gotta get back on the horse, man. | 0:50:34 | 0:50:35 | |
No, I don't, actually. | 0:50:35 | 0:50:37 | |
Yes, you do. | 0:50:37 | 0:50:38 | |
No, I don't. | 0:50:38 | 0:50:40 | |
Yes, you...get up. | 0:50:40 | 0:50:42 | |
Are we done? | 0:50:42 | 0:50:43 | |
With this, for now. But come with me. | 0:50:43 | 0:50:44 | |
Lord have mercy. | 0:50:44 | 0:50:47 | |
Where are we going? | 0:50:47 | 0:50:48 | |
To your place. We're gonna have some sex. | 0:50:48 | 0:50:52 | |
What, did you forget something? | 0:50:55 | 0:50:56 | |
No. Look, I appreciate the offer. | 0:50:56 | 0:51:00 | |
I'm very flattered. But I can't do this. | 0:51:00 | 0:51:04 | |
What's the matter? Don't you think I'm cute? | 0:51:04 | 0:51:06 | |
Of course I think you're cute. | 0:51:06 | 0:51:07 | |
Well, then? | 0:51:07 | 0:51:09 | |
Look, I'm not just celibate because of my daughter. | 0:51:09 | 0:51:12 | |
There are a lot of emotional issues in it, too. | 0:51:12 | 0:51:14 | |
I mean, my wife may be dead. | 0:51:14 | 0:51:16 | |
I'm still very much in love with her. | 0:51:16 | 0:51:18 | |
Hey, I respect that. | 0:51:18 | 0:51:20 | |
I'm not telling you to fall in love with me here, | 0:51:20 | 0:51:21 | |
and I'm not trying to replace your wife. | 0:51:21 | 0:51:23 | |
I'm just talking about two consenting adults having some casual sex. | 0:51:23 | 0:51:28 | |
Probably some really short casual sex, | 0:51:28 | 0:51:30 | |
with you being a little out of practice. | 0:51:30 | 0:51:32 | |
I can't do it, I'm sorry. | 0:51:32 | 0:51:34 | |
What are you, a monk? | 0:51:34 | 0:51:35 | |
God. Let's look at this logically, OK? | 0:51:35 | 0:51:38 | |
You rent porn and touch yourself, right? | 0:51:38 | 0:51:40 | |
Would you lower your voice? | 0:51:40 | 0:51:41 | |
If you're not sweating how your wife would feel about you and porn, | 0:51:41 | 0:51:44 | |
then you shouldn't sweat what I'm proposing | 0:51:44 | 0:51:47 | |
cos it's the same thing. | 0:51:47 | 0:51:49 | |
Only somebody else is doing the touching | 0:51:49 | 0:51:50 | |
and you're saving a 2 rental fee. | 0:51:50 | 0:51:54 | |
Come on, stud. | 0:51:54 | 0:51:56 | |
Man cannot live on porn alone. | 0:51:56 | 0:51:58 | |
Oh, God... | 0:52:15 | 0:52:17 | |
I'm home! | 0:52:18 | 0:52:19 | |
GERTIE: Pop?! | 0:52:20 | 0:52:21 | |
Oh, my God... What do I do? | 0:52:21 | 0:52:24 | |
Get in the bathroom! | 0:52:24 | 0:52:25 | |
SHOWER RUNNING | 0:52:38 | 0:52:41 | |
GERTIE: Pop? | 0:52:42 | 0:52:44 | |
Uh, no, honey, it's me. | 0:52:44 | 0:52:46 | |
Daddy? | 0:52:46 | 0:52:47 | |
Why aren't you at work? | 0:52:47 | 0:52:50 | |
Because I had to come home and do, er... | 0:52:50 | 0:52:52 | |
I had to...come home and take a shower. | 0:52:52 | 0:52:57 | |
Can we rent a movie? | 0:52:57 | 0:52:58 | |
Yeah, sure, sure, sure. | 0:52:58 | 0:53:00 | |
Soon as I get done up here and dry off, I'll come down. | 0:53:00 | 0:53:02 | |
OK. | 0:53:02 | 0:53:05 | |
Oh, my God. That was so close. | 0:53:06 | 0:53:09 | |
What do we do now? I'm wet. | 0:53:09 | 0:53:11 | |
Sorry, Dad, I forgot again. | 0:53:17 | 0:53:19 | |
TOILET FLUSHES | 0:53:19 | 0:53:20 | |
THEY SCREAM | 0:53:20 | 0:53:22 | |
Shh! | 0:53:22 | 0:53:24 | |
Hi, honey. You remember Maya. | 0:53:31 | 0:53:34 | |
From the video store. | 0:53:34 | 0:53:37 | |
What are your intentions? | 0:53:48 | 0:53:50 | |
Excuse me? | 0:53:50 | 0:53:52 | |
What are your intentions with my father? | 0:53:52 | 0:53:54 | |
Like, do you plan on marrying him? | 0:53:54 | 0:53:56 | |
Uh...I don't... | 0:53:56 | 0:53:58 | |
Because I was taught that only married girls | 0:53:58 | 0:54:00 | |
show their girl parts to boys. Right, Daddy? | 0:54:00 | 0:54:03 | |
Uh...right. Yes. | 0:54:03 | 0:54:07 | |
Mm-hmm. | 0:54:07 | 0:54:09 | |
Can we rent all the movies we want for free? | 0:54:09 | 0:54:12 | |
What? | 0:54:12 | 0:54:13 | |
Can we rent all the movies we want for free? | 0:54:13 | 0:54:16 | |
Yes. Yes, yes. For God's sake, yes. | 0:54:16 | 0:54:19 | |
If it means we're not, you know, | 0:54:19 | 0:54:21 | |
that we're not in trouble any more. | 0:54:21 | 0:54:23 | |
And, er... Right, Maya. Yes! | 0:54:23 | 0:54:24 | |
Uh, whatever you want. It's on the house. | 0:54:24 | 0:54:27 | |
Even Dirty Dancing? | 0:54:27 | 0:54:28 | |
Yeah. | 0:54:34 | 0:54:35 | |
And we can do Sweeney Todd for the show at school? | 0:54:35 | 0:54:38 | |
What? | 0:54:38 | 0:54:39 | |
We can do Sweeney Todd for the show at school? | 0:54:39 | 0:54:41 | |
No, honey, that's too grown-up. | 0:54:41 | 0:54:43 | |
Really. Oh, man, what am I gonna tell Pop about you guys? | 0:54:43 | 0:54:49 | |
Fine. | 0:54:53 | 0:54:54 | |
We can do Sweeney Todd for the show at school. | 0:54:54 | 0:54:56 | |
OK! | 0:54:56 | 0:54:58 | |
Would you shut the hell up already? | 0:54:58 | 0:55:00 | |
Christ, Greenie, you're always... | 0:55:00 | 0:55:01 | |
Oh, Jesus. Oh! | 0:55:01 | 0:55:03 | |
Christ Almighty. | 0:55:03 | 0:55:04 | |
You wearin' a... wearin' a towel. | 0:55:04 | 0:55:09 | |
Just as long as you didn't do it on my bed. | 0:55:09 | 0:55:11 | |
Oh, Jesus Christ, it was one time in high school! | 0:55:11 | 0:55:14 | |
You wanna let it go already? | 0:55:14 | 0:55:15 | |
I banged a broad in my parents' bed once. | 0:55:15 | 0:55:17 | |
It was nice. | 0:55:17 | 0:55:19 | |
Terrific. | 0:55:19 | 0:55:21 | |
Just so you know, we didn't "bang". | 0:55:21 | 0:55:24 | |
Did ya get to third base? | 0:55:24 | 0:55:26 | |
Not that it's any of your business, but we didn't do anything. | 0:55:26 | 0:55:28 | |
We lost our heads for a second, then cooler heads prevailed | 0:55:28 | 0:55:31 | |
and we stopped before we did anything we'd both regret. | 0:55:31 | 0:55:33 | |
The kid busted in on 'em. | 0:55:33 | 0:55:35 | |
BOTH: Oh. | 0:55:35 | 0:55:36 | |
Let's talk about something else for a second, | 0:55:36 | 0:55:37 | |
like this water main. | 0:55:37 | 0:55:38 | |
How bad is it? | 0:55:38 | 0:55:39 | |
Definitely needs to be replaced. | 0:55:39 | 0:55:41 | |
Jesus Christ. If we gotta shut down Bay Avenue for that, | 0:55:41 | 0:55:43 | |
this town is gonna throw a shit fit. | 0:55:43 | 0:55:45 | |
I'm sure. | 0:55:45 | 0:55:47 | |
Hey, kid, you haven't had to inconvenience | 0:55:47 | 0:55:48 | |
the taxpayers on the job yet. | 0:55:48 | 0:55:51 | |
They get like animals. Remember back in '88? | 0:55:51 | 0:55:53 | |
South Peak Street. | 0:55:53 | 0:55:55 | |
Holy shit, I thought they were gonna crucify us upside down. | 0:55:55 | 0:55:58 | |
Like St Peter. | 0:55:58 | 0:56:00 | |
Who are you, the Holy Father? | 0:56:00 | 0:56:02 | |
Everybody knows I meant St Peter. | 0:56:02 | 0:56:04 | |
You don't have to explain my shit. | 0:56:04 | 0:56:06 | |
I'm just saying... | 0:56:06 | 0:56:07 | |
When I was down there, how many cars did you wave around? | 0:56:07 | 0:56:09 | |
Three or four. | 0:56:09 | 0:56:11 | |
Three or four cars for the whole half hour I was down there? | 0:56:11 | 0:56:14 | |
Well, it was rush hour. | 0:56:14 | 0:56:15 | |
Yeah, I don't think the legion of commuters | 0:56:15 | 0:56:17 | |
in the Highlands of New Jersey | 0:56:17 | 0:56:19 | |
are gonna object to us closing down | 0:56:19 | 0:56:21 | |
a small portion of Bay Avenue for a few days. | 0:56:21 | 0:56:23 | |
THEY SHOUT | 0:56:23 | 0:56:25 | |
MAN: One at a time, please! One at a time! | 0:56:25 | 0:56:28 | |
We're doing the best we can. | 0:56:28 | 0:56:29 | |
BART: You were saying? | 0:56:29 | 0:56:31 | |
Why doesn't somebody just go up there | 0:56:31 | 0:56:33 | |
and explain to them what's happening? | 0:56:33 | 0:56:35 | |
Why don't you do it, Daddy? Wasn't that your old job? | 0:56:35 | 0:56:38 | |
Making people like singers by saying nice things about 'em? | 0:56:38 | 0:56:41 | |
Yes, baby, but... | 0:56:41 | 0:56:43 | |
No, the kid's got a point there. | 0:56:43 | 0:56:45 | |
As a guy who used to sling bullshit for a living, | 0:56:45 | 0:56:47 | |
I nominate you to go up there and say something. | 0:56:47 | 0:56:50 | |
Oh, you do, huh? | 0:56:50 | 0:56:52 | |
Yeah. It can't hurt. | 0:56:52 | 0:56:53 | |
Go ahead. | 0:56:53 | 0:56:55 | |
Thanks, Pop. | 0:56:56 | 0:56:58 | |
SHOUTING CONTINUES | 0:56:58 | 0:57:00 | |
MAN: Control yourselves! | 0:57:00 | 0:57:03 | |
He's goin' up there. | 0:57:03 | 0:57:05 | |
Folks, one second. Please. Folks. | 0:57:08 | 0:57:12 | |
My name's Oliver Trinke and I'm with the borough. | 0:57:12 | 0:57:15 | |
So I guess that makes me the least popular guy in the room. | 0:57:15 | 0:57:19 | |
I want to assure you that, er... | 0:57:24 | 0:57:27 | |
This Bay Avenue job will be a very minimal inconvenience. | 0:57:27 | 0:57:31 | |
It'll only take three days at the most. | 0:57:31 | 0:57:33 | |
Bullshit. Bullshit! | 0:57:33 | 0:57:36 | |
MURMURS OF AGREEMENT | 0:57:36 | 0:57:38 | |
ANGRY SHOUTING | 0:57:38 | 0:57:40 | |
GAVEL BANGS | 0:57:43 | 0:57:44 | |
Folks, a little decorum! A little decorum! | 0:57:44 | 0:57:48 | |
# In all this wonderment | 0:57:50 | 0:57:54 | |
# In all this wonderment... # | 0:57:56 | 0:57:58 | |
Folks, one second. | 0:57:58 | 0:58:00 | |
I just have one more thing that I just want to add. | 0:58:00 | 0:58:03 | |
# Ba-da-da | 0:58:05 | 0:58:06 | |
# Ba-da | 0:58:06 | 0:58:08 | |
# La-da-da la-da-da | 0:58:08 | 0:58:10 | |
# La-da-da-da | 0:58:10 | 0:58:12 | |
# La-da-da... # | 0:58:12 | 0:58:13 | |
Look, I live in this town. | 0:58:13 | 0:58:15 | |
I see you guys headin' to work every day... | 0:58:15 | 0:58:17 | |
SONG CONTINUES | 0:58:17 | 0:58:21 | |
SPEECH INAUDIBLE | 0:58:21 | 0:58:23 | |
OLLIE: I'm telling you, it was amazing! | 0:58:42 | 0:58:44 | |
And I get up there, and I weave this web of bullshit | 0:58:44 | 0:58:47 | |
so profoundly mesmerising, | 0:58:47 | 0:58:49 | |
I turn the entire place around! | 0:58:49 | 0:58:50 | |
You silver-tongued devil, you. | 0:58:50 | 0:58:52 | |
Everything I was saying was just right on the money, you know? | 0:58:52 | 0:58:55 | |
Maybe that's cos you weren't actually slinging | 0:58:55 | 0:58:58 | |
as much bullshit as you thought. | 0:58:58 | 0:58:59 | |
"Get out there and play in the dirt"? | 0:58:59 | 0:59:01 | |
I mean, what... I made that up! | 0:59:01 | 0:59:03 | |
Sounds pretty good to me. | 0:59:03 | 0:59:04 | |
Hey, Gert. GERTIE: Hi. | 0:59:04 | 0:59:06 | |
The sad thing is, I had a greater sense of accomplishment | 0:59:06 | 0:59:08 | |
from this stupid water-main thing | 0:59:08 | 0:59:10 | |
than anything else I've done in the past seven years. | 0:59:10 | 0:59:12 | |
I get it. You set out to do something and you did it. | 0:59:12 | 0:59:15 | |
So you feel drunk with power now. Makes sense. | 0:59:15 | 0:59:16 | |
That's just it. I was the youngest flack | 0:59:16 | 0:59:19 | |
ever put in charge of an entire division... | 0:59:19 | 0:59:20 | |
BOTH: ..In the history of Mandel-Kirschner. | 0:59:20 | 0:59:22 | |
I know. That's an accomplishment. | 0:59:22 | 0:59:24 | |
Convincing a town to approve something | 0:59:24 | 0:59:26 | |
that's already in their best interest? | 0:59:26 | 0:59:27 | |
That's just delayed common sense. | 0:59:27 | 0:59:29 | |
Yeah, but that's your life now. | 0:59:29 | 0:59:31 | |
I mean, being the youngest flack | 0:59:31 | 0:59:32 | |
in the history of blah, blah, blah... | 0:59:32 | 0:59:34 | |
That's not you any more. | 0:59:34 | 0:59:35 | |
I mean, that might never have been you. | 0:59:35 | 0:59:37 | |
Oh, it was me. It was me with my own apartment, | 0:59:37 | 0:59:40 | |
me richer, me with more self-respect. | 0:59:40 | 0:59:42 | |
Like it or not, this is you. | 0:59:42 | 0:59:44 | |
I mean, forget about what you thought you were | 0:59:44 | 0:59:46 | |
and just accept who you are. | 0:59:46 | 0:59:49 | |
I guess I'll just get this. | 0:59:49 | 0:59:51 | |
Gert, what are you doing? | 0:59:51 | 0:59:53 | |
I distinctly remember your father telling you | 0:59:53 | 0:59:55 | |
you could get Dirty Dancing. | 0:59:55 | 0:59:56 | |
Oh, yeah. He did! | 0:59:56 | 0:59:58 | |
Yeah. | 0:59:58 | 1:00:00 | |
Thanks for that, by the way. | 1:00:00 | 1:00:04 | |
Incidentally, she's been asking me | 1:00:04 | 1:00:05 | |
when she's gonna grow boobies like yours. | 1:00:05 | 1:00:07 | |
Oh, my God! She's seven, OK? | 1:00:07 | 1:00:10 | |
If you want, I can give her the old "boobie" talk | 1:00:10 | 1:00:12 | |
my mom gave me when I was a kid. | 1:00:12 | 1:00:14 | |
Does that talk include using the word "knockers"? | 1:00:14 | 1:00:17 | |
I'm glad there's no, you know, awkwardness between us. | 1:00:24 | 1:00:29 | |
After the... Well, the thing that happened last week with... | 1:00:29 | 1:00:34 | |
Ollie, I was gonna give you a mercy jump. | 1:00:34 | 1:00:37 | |
The moment passed. It's no big deal. | 1:00:37 | 1:00:41 | |
Just friends, right? | 1:00:41 | 1:00:42 | |
Yeah, friends. | 1:00:42 | 1:00:44 | |
HE SIGHS | 1:00:46 | 1:00:47 | |
"Mercy jump." Stay away from my kid. | 1:00:47 | 1:00:50 | |
ELECTRIC SAW WHINES | 1:00:54 | 1:00:58 | |
No, that's too round. Shut up. | 1:00:58 | 1:01:01 | |
Shut up. Shut up! Just make it... | 1:01:01 | 1:01:04 | |
Would you shut the hell up?! | 1:01:04 | 1:01:05 | |
All right! | 1:01:05 | 1:01:08 | |
There's people gettin' their throats cut in this thing. | 1:01:08 | 1:01:11 | |
Yep. | 1:01:11 | 1:01:12 | |
And your father said you could do this for the show? | 1:01:12 | 1:01:14 | |
Yep. | 1:01:14 | 1:01:16 | |
Why the hell would he OK you singing this shit? | 1:01:16 | 1:01:20 | |
Because I saw him and Maya naked in the shower. | 1:01:20 | 1:01:23 | |
Oh, yeah. | 1:01:23 | 1:01:25 | |
Heh-heh! That'll do it. | 1:01:25 | 1:01:27 | |
OLLIE: Can I speak with an Arthur Brickman, please? | 1:01:48 | 1:01:51 | |
Ollie. Arthur. | 1:02:02 | 1:02:04 | |
Hey, man. How're you doin'? | 1:02:04 | 1:02:06 | |
Good. How are you? | 1:02:06 | 1:02:07 | |
Good. Good to see you. | 1:02:07 | 1:02:09 | |
You know, the town voted unanimously, approved the water main, so... | 1:02:09 | 1:02:13 | |
You were always great with a crowd. | 1:02:13 | 1:02:15 | |
Well, except that... That once, of course. | 1:02:15 | 1:02:18 | |
But that's it. | 1:02:18 | 1:02:20 | |
It was the polar opposite of the Fresh Prince incident. | 1:02:20 | 1:02:22 | |
It was like I was on the top of my game. | 1:02:22 | 1:02:24 | |
Which is why I wanted to see ya. | 1:02:24 | 1:02:27 | |
Uh, I wanna ask you a favour. | 1:02:27 | 1:02:29 | |
Anything, man. What? | 1:02:29 | 1:02:31 | |
Is there any way that you could get me | 1:02:31 | 1:02:34 | |
an interview with your firm? | 1:02:34 | 1:02:35 | |
You're serious? | 1:02:39 | 1:02:41 | |
I thought it was weird that you wanted to eat here. | 1:02:41 | 1:02:44 | |
Oh, I know it's gonna be tough... | 1:02:44 | 1:02:45 | |
Tough? | 1:02:45 | 1:02:47 | |
Ollie, you called a roomful of press a bunch of jerk-offs, | 1:02:47 | 1:02:51 | |
and trashed a client who's one of the biggest movie stars on the planet. | 1:02:51 | 1:02:54 | |
He wasn't big then. | 1:02:54 | 1:02:55 | |
No, but he is now. You wanna know how big? | 1:02:55 | 1:02:57 | |
When I left Mandel-Kirschner, there were some firms | 1:02:57 | 1:03:00 | |
that wouldn't even look at my resume because I... | 1:03:00 | 1:03:02 | |
No offence, but because I worked under you. | 1:03:02 | 1:03:06 | |
I've only been at Angellotti a year now... | 1:03:06 | 1:03:10 | |
You know what, man? Forget I asked. | 1:03:10 | 1:03:12 | |
Don't worry about it. Seriously. | 1:03:12 | 1:03:13 | |
It was stupid. I got carried away... | 1:03:13 | 1:03:15 | |
No, let me finish. What I was gonna say was... | 1:03:15 | 1:03:19 | |
I've been waiting years to be in a position | 1:03:19 | 1:03:22 | |
to be able to help you out, and now I am. | 1:03:22 | 1:03:25 | |
It's not gonna be an easy sell, but... | 1:03:25 | 1:03:27 | |
I think I can get you in a room with Angellotti himself. | 1:03:27 | 1:03:31 | |
Thank you so much. Of course. | 1:03:32 | 1:03:34 | |
You know, you're a lot more affectionate than I remember. | 1:03:37 | 1:03:39 | |
Ah, it's just... I miss it so much, you know? | 1:03:39 | 1:03:43 | |
It's the only thing I was ever any good at. | 1:03:43 | 1:03:46 | |
Oh, this is great. I can move back here... | 1:03:46 | 1:03:48 | |
I can put Gertie in a really good, expensive private school... | 1:03:48 | 1:03:52 | |
I can get her a nanny, you know? | 1:03:52 | 1:03:55 | |
It'll be like that whole Fresh Prince thing never even happened. | 1:03:55 | 1:03:58 | |
I'll work on the old man when I get back to the office | 1:03:58 | 1:04:02 | |
and I'll call you tonight if it's a go. | 1:04:02 | 1:04:03 | |
Oh, great. | 1:04:03 | 1:04:05 | |
PIANO PLAYS GERTIE: # Excuse me | 1:04:05 | 1:04:07 | |
# Dear, see to the customers | 1:04:07 | 1:04:09 | |
Psst! # Guess what's the... | 1:04:09 | 1:04:11 | |
Quick now! # My heart's a-flutter | 1:04:11 | 1:04:13 | |
PHONE RINGS # ..When I pound the floor | 1:04:13 | 1:04:15 | |
# It's a signal to show that I'm ready to go | 1:04:15 | 1:04:16 | |
# When I pound the floor... # I have to get the phone. | 1:04:16 | 1:04:20 | |
Come on, Pop! Do Dad's part. | 1:04:20 | 1:04:23 | |
Me? < Yeah. | 1:04:23 | 1:04:24 | |
You can do it. | 1:04:24 | 1:04:26 | |
Hello. Hey, Arthur. | 1:04:27 | 1:04:30 | |
You're kidding? | 1:04:33 | 1:04:34 | |
# I'll pound three times Three times... # | 1:04:38 | 1:04:41 | |
Why do I have to sing your dad's part? | 1:04:41 | 1:04:43 | |
I'm supposed to be the guy who gets clipped. | 1:04:43 | 1:04:45 | |
You are, but you're Dad's understudy, too. | 1:04:45 | 1:04:47 | |
What the hell is that? | 1:04:47 | 1:04:49 | |
It means if Daddy breaks a leg, then you do his part for him. | 1:04:49 | 1:04:51 | |
So, come on, try it again. | 1:04:51 | 1:04:52 | |
MAYA: You're doin' good. | 1:04:52 | 1:04:54 | |
# I'll pound three times... | 1:04:54 | 1:04:56 | |
# Three times! # | 1:04:56 | 1:04:57 | |
Wait, wait, wait! I'm supposed to be the understudy now. | 1:04:57 | 1:05:00 | |
I cannot work like this. I'm sorry. | 1:05:00 | 1:05:02 | |
This is no way to run a show. | 1:05:02 | 1:05:03 | |
You were good. | 1:05:03 | 1:05:05 | |
You can go back to waiting in the wings, Tommy Tune. | 1:05:05 | 1:05:07 | |
I'll be doin' my own singing henceforth. | 1:05:07 | 1:05:10 | |
Who's Tommy Tune? | 1:05:10 | 1:05:11 | |
Tommy Tune is a man that you can get a chance | 1:05:11 | 1:05:13 | |
to see live and on Broadway | 1:05:13 | 1:05:15 | |
when we move back to New York City! | 1:05:15 | 1:05:19 | |
What? What? | 1:05:20 | 1:05:21 | |
What? Yeah, what? | 1:05:21 | 1:05:23 | |
I was just on the phone with an old friend that I worked with | 1:05:23 | 1:05:27 | |
at Mandel-Kirschner. I had lunch with him and I asked him | 1:05:27 | 1:05:29 | |
if he'd get me an interview with his new firm. | 1:05:29 | 1:05:31 | |
Jesus, another interview, Ollie? | 1:05:31 | 1:05:32 | |
Come on, when are you gonna learn? | 1:05:32 | 1:05:34 | |
Well, smart guy, he just called me, | 1:05:34 | 1:05:37 | |
said he sat down with his boss, | 1:05:37 | 1:05:39 | |
sold me to his boss like I was the cure for cancer. | 1:05:39 | 1:05:41 | |
It just so happens that a little spot has opened up in their music department. | 1:05:41 | 1:05:45 | |
Boom. After six years of being a pariah, | 1:05:45 | 1:05:48 | |
I'm gonna get back in! | 1:05:48 | 1:05:50 | |
I'm talkin' about no more street sweeper, | 1:05:50 | 1:05:51 | |
no more picking up garbage, and no more water main! | 1:05:51 | 1:05:54 | |
I'm talking press lines, I'm talking about parties! | 1:05:54 | 1:05:57 | |
I'm talking about a Westside address, | 1:05:57 | 1:05:59 | |
I'm talkin' about a good school for Gertie! | 1:05:59 | 1:06:01 | |
But I already go to a good school. | 1:06:01 | 1:06:03 | |
Yes, honey, but you're gonna go | 1:06:03 | 1:06:05 | |
to a way, way better school in New York City. | 1:06:05 | 1:06:08 | |
You're gonna be able to take the subway to school. Won't that be fun? | 1:06:08 | 1:06:10 | |
But the subway's full of junkies and mole-men. | 1:06:10 | 1:06:14 | |
Well, they are. | 1:06:15 | 1:06:16 | |
Don't listen to Pop. | 1:06:16 | 1:06:17 | |
What do I tell you? He makes things up! | 1:06:17 | 1:06:19 | |
You'll see. The subways are great. | 1:06:19 | 1:06:20 | |
I don't wanna see. | 1:06:20 | 1:06:21 | |
I don't wanna go to a school up in the city. | 1:06:21 | 1:06:23 | |
I wanna go to my school. | 1:06:23 | 1:06:25 | |
Honey, it's too far of a drive for me to come back down here | 1:06:25 | 1:06:27 | |
to take you to school in New Jersey every morning. | 1:06:27 | 1:06:29 | |
So let's not move to the city. | 1:06:29 | 1:06:30 | |
Let's stay here with Pop. | 1:06:30 | 1:06:32 | |
Sweetheart, I'm too old to be living with my father. | 1:06:32 | 1:06:36 | |
I need to get my own place. | 1:06:36 | 1:06:38 | |
And Pop... I mean, look at him, he's a mad-dog. | 1:06:38 | 1:06:40 | |
He doesn't want us around here, | 1:06:40 | 1:06:41 | |
getting in his way, crampin' his style... | 1:06:41 | 1:06:43 | |
Do you, Pop? | 1:06:43 | 1:06:44 | |
That's all horse shit. | 1:06:44 | 1:06:46 | |
You know... Thanks, Pop. | 1:06:46 | 1:06:48 | |
I don't wanna move to the city. I like it here. | 1:06:48 | 1:06:51 | |
Pop says you can live here as long as you want. | 1:06:51 | 1:06:53 | |
Baby, remember when I took you to see Sweeney Todd? | 1:06:53 | 1:06:56 | |
How much fun was that? We had a good time, right? | 1:06:56 | 1:06:59 | |
I mean, if we move to New York City, we can do that every night! | 1:06:59 | 1:07:01 | |
Except for the nights you're working, of course. | 1:07:01 | 1:07:03 | |
Know what? Why don't you shut up for a second, OK? | 1:07:03 | 1:07:05 | |
I'm trying to talk to my daughter. | 1:07:05 | 1:07:07 | |
You love New York City. You told me you loved the city. | 1:07:07 | 1:07:09 | |
No, I didn't. Oh! | 1:07:09 | 1:07:11 | |
I said it was OK. | 1:07:11 | 1:07:12 | |
Jesus Christ! | 1:07:12 | 1:07:13 | |
I said I like Highlands better. | 1:07:13 | 1:07:14 | |
Why would you want some other job anyway, Dad? | 1:07:14 | 1:07:17 | |
You get to ride the Batmobile! | 1:07:17 | 1:07:18 | |
Baby, Daddy doesn't wanna drive the Batmobile! | 1:07:18 | 1:07:21 | |
Daddy wants to eat sushi! Daddy wants to hail cabs! | 1:07:21 | 1:07:24 | |
Daddy wants to have a doorman! | 1:07:24 | 1:07:26 | |
Daddy wants to lord it over magazine editors! | 1:07:26 | 1:07:28 | |
Daddy loved his old job, and he's missed it every day since he's been gone. | 1:07:28 | 1:07:33 | |
Daddy wants to do that job. | 1:07:33 | 1:07:35 | |
Daddy doesn't wanna pick up garbage forever! | 1:07:35 | 1:07:37 | |
But you told everybody at the meeting that your job's good | 1:07:37 | 1:07:40 | |
because you don't have to wear a suit. | 1:07:40 | 1:07:42 | |
Yes, but daddy was just saying that | 1:07:42 | 1:07:44 | |
to get them to say yes to a water main. | 1:07:44 | 1:07:46 | |
So you were just lying to everybody? | 1:07:46 | 1:07:49 | |
Look, OK, I'll tell you what. | 1:07:49 | 1:07:52 | |
I'll go to the meeting, all right? | 1:07:52 | 1:07:53 | |
If I don't like what the man says, then I won't take the job. | 1:07:53 | 1:07:55 | |
Now you're lying to me! | 1:07:55 | 1:07:57 | |
All right, look, young lady! | 1:07:57 | 1:07:58 | |
I'm going to this interview Monday whether you like it or not. | 1:07:58 | 1:08:00 | |
Wait, this Monday? | 1:08:00 | 1:08:02 | |
Yes. | 1:08:02 | 1:08:02 | |
Ollie, you can't go on Monday. | 1:08:02 | 1:08:04 | |
Why? | 1:08:04 | 1:08:05 | |
Because that's the day of my show! | 1:08:05 | 1:08:09 | |
Oh, shit. It is, isn't it? | 1:08:09 | 1:08:14 | |
Well, it's at four, so I can make it back in time. | 1:08:14 | 1:08:17 | |
But my show's at five! | 1:08:17 | 1:08:19 | |
On what planet are you gonna get back here by five | 1:08:19 | 1:08:21 | |
if you've got a meeting in the city at four? | 1:08:21 | 1:08:23 | |
Just lay off me for a second! I forgot about the show. | 1:08:23 | 1:08:25 | |
How could you forget? What, are you stupid? | 1:08:25 | 1:08:27 | |
Gertie, this job is very important to Daddy. | 1:08:27 | 1:08:29 | |
What about my show? Isn't that important to you? | 1:08:29 | 1:08:31 | |
Yes, honey, that's even more important to me. | 1:08:31 | 1:08:33 | |
Then don't go to your stupid meeting | 1:08:33 | 1:08:35 | |
about your stupid new job in the stupid city! | 1:08:35 | 1:08:37 | |
That's enough, young lady! | 1:08:37 | 1:08:38 | |
I don't even want you in the show! | 1:08:38 | 1:08:40 | |
You're not even a good Sweeney Todd anyway. | 1:08:40 | 1:08:42 | |
Pop's way better. | 1:08:42 | 1:08:44 | |
Even Uncle Greenie and Uncle Block are better than you. | 1:08:44 | 1:08:45 | |
Those men are not your uncles! | 1:08:45 | 1:08:47 | |
But we're good enough to build sets for her show, right? | 1:08:47 | 1:08:50 | |
Sorry, I didn't mean that. Where are you going? | 1:08:50 | 1:08:52 | |
I don't wanna be around you! | 1:08:52 | 1:08:53 | |
I don't even want you to come to the show to watch it. | 1:08:53 | 1:08:55 | |
Oh, come on! | 1:08:55 | 1:08:56 | |
I don't. I don't even like you any more! | 1:08:56 | 1:09:00 | |
Get back here, young lady! Hey. I'm talkin' to you! | 1:09:00 | 1:09:03 | |
Hey, young lady! Get back here, young lady! | 1:09:03 | 1:09:06 | |
No. You can't tell me what to do! | 1:09:06 | 1:09:07 | |
I don't have to do anything you say! | 1:09:07 | 1:09:09 | |
Yes, you do! Why? | 1:09:09 | 1:09:10 | |
Because I'm your father, that's why! | 1:09:10 | 1:09:11 | |
So what? | 1:09:11 | 1:09:12 | |
Don't you yell at me, Gertrude! | 1:09:12 | 1:09:13 | |
I'll yell at you all I want! | 1:09:13 | 1:09:14 | |
Blah. Blah. Blah. I'm not moving to the stupid city! | 1:09:14 | 1:09:17 | |
All right, that's it! You are moving to the city | 1:09:17 | 1:09:18 | |
and you're gonna like it, and that's the end! | 1:09:18 | 1:09:20 | |
I hate you! I wish you'd died, not Mommy! | 1:09:20 | 1:09:22 | |
I hate you right back, you little shit! | 1:09:22 | 1:09:23 | |
You and your mother took my life away, and I just want it back! | 1:09:23 | 1:09:26 | |
God, I'm sorry. I'm sorry, sweetheart. I didn't mean... | 1:09:36 | 1:09:38 | |
Get off me! I'm sorry... | 1:09:38 | 1:09:39 | |
Get off of me! | 1:09:39 | 1:09:40 | |
What the hell's the matter with you? | 1:09:48 | 1:09:51 | |
Huh?! | 1:09:51 | 1:09:52 | |
MUSIC: "Landslide" by Fleetwood Mac | 1:10:01 | 1:10:03 | |
# I took my love and I took it down | 1:10:10 | 1:10:13 | |
# I climbed a mountain and I turned around | 1:10:16 | 1:10:21 | |
# And I saw my reflection in the snow-covered hills | 1:10:21 | 1:10:28 | |
# Till the landslide brought me down | 1:10:28 | 1:10:32 | |
# Oh, mirror in the sky What is love? | 1:10:34 | 1:10:39 | |
# Can the child within my heart rise above? | 1:10:40 | 1:10:46 | |
# Can I sail through the changing ocean tides? | 1:10:46 | 1:10:53 | |
# Can I handle the seasons of my life? | 1:10:53 | 1:11:00 | |
# Hm-mm...I don't know | 1:11:00 | 1:11:04 | |
# Well, I've been afraid of changing | 1:11:11 | 1:11:17 | |
# Cos I've built my life around you | 1:11:17 | 1:11:24 | |
# But time makes you bolder | 1:11:24 | 1:11:28 | |
# Children get older | 1:11:28 | 1:11:30 | |
# And I'm getting older too... # | 1:11:30 | 1:11:36 | |
Hey. Hey. | 1:11:44 | 1:11:47 | |
What happened to you the other night? | 1:11:47 | 1:11:48 | |
You just sort of took off. | 1:11:48 | 1:11:50 | |
It looked to me like you guys needed a little privacy. | 1:11:50 | 1:11:53 | |
What I really needed was a little back-up. | 1:11:53 | 1:11:55 | |
She's a kid, Ollie. Kids don't weather change well. | 1:11:55 | 1:11:58 | |
I mean, in a few years, you won't be able to keep her out of Manhattan. | 1:11:58 | 1:12:02 | |
But for now, she just wants what she knows. | 1:12:02 | 1:12:04 | |
So do I. | 1:12:04 | 1:12:05 | |
Yeah, but is that even what you know any more? | 1:12:05 | 1:12:08 | |
Oh, Jesus. You, too? | 1:12:08 | 1:12:10 | |
You want your old life back. | 1:12:10 | 1:12:11 | |
Big-money job, out of your old man's house... | 1:12:11 | 1:12:13 | |
It's not like it doesn't make any sense. | 1:12:13 | 1:12:16 | |
Yeah. So? | 1:12:16 | 1:12:18 | |
That's your life that you want back, not theirs. | 1:12:18 | 1:12:20 | |
I mean, this is their life. | 1:12:20 | 1:12:22 | |
What you're sort of saying to everybody who loves you | 1:12:22 | 1:12:24 | |
is that what we have isn't good enough for you. | 1:12:24 | 1:12:26 | |
So it's just upsetting everybody, you know? | 1:12:26 | 1:12:29 | |
Everybody? | 1:12:29 | 1:12:31 | |
Oh...what, me? I mean, it's not like | 1:12:31 | 1:12:34 | |
we've got some big romance going on or anything. | 1:12:34 | 1:12:36 | |
We're just friends, right? | 1:12:36 | 1:12:38 | |
Did you ever wonder if... Maybe someday it might... | 1:12:38 | 1:12:44 | |
Be more than that? | 1:12:44 | 1:12:47 | |
For about two seconds, | 1:12:47 | 1:12:50 | |
before you had me hiding in the shower from your kid. | 1:12:50 | 1:12:53 | |
Look, Ollie, I like you, but... | 1:12:53 | 1:12:55 | |
I'm not gonna be all heartbroken cos you're leaving town. | 1:12:55 | 1:12:58 | |
I know. | 1:12:58 | 1:13:00 | |
Even if I took this job in the city, | 1:13:00 | 1:13:02 | |
I'd still come back down here and visit my old man. | 1:13:02 | 1:13:06 | |
And you. | 1:13:06 | 1:13:08 | |
Why. I mean, you think I'm gonna | 1:13:08 | 1:13:10 | |
stick around here for much longer? | 1:13:10 | 1:13:13 | |
Maya... | 1:13:13 | 1:13:14 | |
Ollie... | 1:13:14 | 1:13:17 | |
I gotta get back to work. | 1:13:17 | 1:13:19 | |
If...if I don't...if I don't see you at the show, | 1:13:20 | 1:13:25 | |
give me a call sometime when you get all settled up in the big city. | 1:13:25 | 1:13:28 | |
Come on... | 1:13:28 | 1:13:29 | |
Shit. | 1:13:36 | 1:13:37 | |
MUSIC: "My City Of Ruins" by Bruce Springsteen | 1:13:41 | 1:13:44 | |
# Now there's tears on the pillow | 1:14:02 | 1:14:05 | |
# Darling, where we slept | 1:14:05 | 1:14:09 | |
# And you took my heart when you left | 1:14:09 | 1:14:14 | |
# Without your sweet kiss my soul is lost, my friend | 1:14:14 | 1:14:20 | |
# Tell me how do I begin again? | 1:14:20 | 1:14:26 | |
# My city's in ruins | 1:14:26 | 1:14:30 | |
# My city's in ruins | 1:14:32 | 1:14:37 | |
# Now with these hands | 1:14:40 | 1:14:43 | |
# With these hands | 1:14:43 | 1:14:46 | |
# With these hands | 1:14:46 | 1:14:49 | |
# With these hands | 1:14:49 | 1:14:51 | |
# I pray, Lord | 1:14:51 | 1:14:53 | |
# With these hands | 1:14:53 | 1:14:55 | |
# With these hands | 1:14:55 | 1:14:57 | |
# I pray for the strength, Lord | 1:14:57 | 1:14:59 | |
# With these hands With these hands | 1:14:59 | 1:15:03 | |
# I pray for the faith, Lord... # | 1:15:03 | 1:15:08 | |
Hi, Daddy. | 1:15:08 | 1:15:10 | |
Hey, baby. I'm sorry. I didn't mean to wake you up. | 1:15:10 | 1:15:13 | |
It's OK. | 1:15:13 | 1:15:15 | |
Listen. I'm sorry for yelling at you the other night. | 1:15:15 | 1:15:20 | |
I was wrong. | 1:15:20 | 1:15:21 | |
And I didn't mean any of the things that I said. | 1:15:21 | 1:15:25 | |
I know. Neither did I. | 1:15:25 | 1:15:28 | |
Daddy? | 1:15:30 | 1:15:31 | |
Yeah? | 1:15:31 | 1:15:33 | |
Did Mommy like living in the city? | 1:15:33 | 1:15:37 | |
Yeah, she did. She loved it. | 1:15:37 | 1:15:40 | |
Then I guess I'll love it, too. | 1:15:40 | 1:15:43 | |
Thanks, sweetheart. | 1:15:44 | 1:15:47 | |
Thanks. | 1:15:48 | 1:15:49 | |
You know, I still might make it to your show tomorrow, | 1:15:52 | 1:15:55 | |
if the traffic's not too bad. | 1:15:55 | 1:15:56 | |
I won't be mad if you miss it. I understand. | 1:15:56 | 1:16:01 | |
OK, sweetie. Go back to sleep. I love you. | 1:16:02 | 1:16:05 | |
Good night, Daddy. | 1:16:07 | 1:16:09 | |
Good night. | 1:16:11 | 1:16:13 | |
# ..With these hands | 1:16:13 | 1:16:15 | |
# I pray for my strength, Lord | 1:16:15 | 1:16:17 | |
# With these hands With these hands | 1:16:17 | 1:16:22 | |
# Come on, rise up | 1:16:22 | 1:16:25 | |
# Come on, rise up | 1:16:25 | 1:16:28 | |
# Come on, rise up | 1:16:28 | 1:16:31 | |
# Come on, rise up | 1:16:31 | 1:16:34 | |
# Come on, rise up | 1:16:34 | 1:16:37 | |
# Come on, rise up | 1:16:37 | 1:16:40 | |
# Come on, rise up... # | 1:16:40 | 1:16:48 | |
George Clooney's office for Tony on line one. | 1:16:48 | 1:16:51 | |
The Angellotti Company. One moment, please. | 1:16:51 | 1:16:54 | |
Can I help you? Yes. | 1:16:54 | 1:16:56 | |
My name's Oliver Trinke, and I'm here | 1:16:56 | 1:16:58 | |
to see Arthur Brickman, er, and Mr Angellotti. | 1:16:58 | 1:17:00 | |
OK. Mr Trinke is here. | 1:17:00 | 1:17:03 | |
OK, I will. | 1:17:03 | 1:17:05 | |
They're gonna be about ten more minutes. | 1:17:05 | 1:17:06 | |
OK. | 1:17:06 | 1:17:08 | |
You can have a seat. | 1:17:08 | 1:17:10 | |
Right, right. | 1:17:10 | 1:17:12 | |
Hello. | 1:17:17 | 1:17:18 | |
Oh, my God. Hi! | 1:17:18 | 1:17:21 | |
I'm here to see Brad. | 1:17:21 | 1:17:23 | |
Yes! He's expecting you, sir. | 1:17:23 | 1:17:26 | |
He apologises, but he's stuck in traffic. | 1:17:26 | 1:17:28 | |
He's just a few blocks away. | 1:17:28 | 1:17:29 | |
Why don't you just have a seat, | 1:17:29 | 1:17:31 | |
and I'll let him know that you've arrived. | 1:17:31 | 1:17:33 | |
Well, thank you very much. | 1:17:33 | 1:17:35 | |
They love to keep you waiting, don't they? | 1:17:47 | 1:17:50 | |
Excuse me? | 1:17:52 | 1:17:53 | |
Oh, no, I was saying they love to keep you waiting. | 1:17:53 | 1:17:56 | |
Right. Yeah, yeah, they do. | 1:17:56 | 1:17:58 | |
I think they think it gives them | 1:17:58 | 1:18:00 | |
the psychological edge, you know? | 1:18:00 | 1:18:02 | |
Well, it's about to give 'em the edge of my ass, | 1:18:02 | 1:18:05 | |
cos that's all they're gonna see | 1:18:05 | 1:18:07 | |
when I'm walking' out that door. | 1:18:07 | 1:18:08 | |
You know anything about these guys? | 1:18:08 | 1:18:10 | |
Only that they're the fastest-growing... | 1:18:10 | 1:18:13 | |
"..Growing firm in the business." | 1:18:13 | 1:18:15 | |
Yes, I read that article, too. | 1:18:15 | 1:18:16 | |
All right, well, you know as much as I do. | 1:18:16 | 1:18:19 | |
I guess that means they know what they're doing. | 1:18:19 | 1:18:21 | |
I suppose. Unless these publicists hire other publicists | 1:18:21 | 1:18:23 | |
to get the word out for 'em. | 1:18:23 | 1:18:25 | |
And then those publicists hire their own publicists | 1:18:25 | 1:18:28 | |
to help spin the good publicity they created for these publicists. | 1:18:28 | 1:18:32 | |
Of course, knowing publicists, | 1:18:32 | 1:18:33 | |
they probably hire publicists | 1:18:33 | 1:18:34 | |
to promote the fact that they spun the publicity | 1:18:34 | 1:18:36 | |
that they hired the other publicists to spin. So... | 1:18:36 | 1:18:40 | |
Oh, man! So what do you do? | 1:18:40 | 1:18:42 | |
I'm a publicist. | 1:18:42 | 1:18:45 | |
I didn't realise I was sitting here talking to an Angellotti man. | 1:18:45 | 1:18:48 | |
Well, to tell you the truth, I'm not an Angellotti man. | 1:18:48 | 1:18:52 | |
At least not yet. I'm here trying to get a job. | 1:18:52 | 1:18:54 | |
These guys have been tryin' to steal me from my publicist | 1:18:54 | 1:18:57 | |
ever since my last flick came out. | 1:18:57 | 1:18:59 | |
Oh, the robot movie, right? | 1:18:59 | 1:19:01 | |
Oh, yeah, you saw it? | 1:19:01 | 1:19:03 | |
I haven't gotten around to it yet. I'm gonna... | 1:19:03 | 1:19:04 | |
Oh, yeah. Thanks a lot for the support, though, man. | 1:19:04 | 1:19:07 | |
I wanna see it... | 1:19:07 | 1:19:08 | |
You know what? It's not that good. | 1:19:08 | 1:19:10 | |
I have a kid. I don't get a chance to get out and see movies | 1:19:10 | 1:19:13 | |
unless they have singing crabs in 'em. | 1:19:13 | 1:19:15 | |
Singing crabs. I saw that one. That means you have a girl. | 1:19:15 | 1:19:18 | |
That's right. | 1:19:18 | 1:19:19 | |
How old is she? She's seven. | 1:19:19 | 1:19:21 | |
Yeah. Cool. I got a girl and two boys. | 1:19:21 | 1:19:24 | |
Three kids? | 1:19:24 | 1:19:26 | |
God. How do you find time to make all those blockbusters? | 1:19:26 | 1:19:29 | |
Shoot, if I didn't have all them damn kids, | 1:19:29 | 1:19:30 | |
I wouldn't have to make these blockbusters. | 1:19:30 | 1:19:32 | |
Right. | 1:19:32 | 1:19:34 | |
Oh, man. | 1:19:34 | 1:19:36 | |
It's cool, though, isn't it? | 1:19:36 | 1:19:38 | |
Making blockbusters? You tell me. | 1:19:38 | 1:19:40 | |
Bein' a parent, funny man. | 1:19:40 | 1:19:44 | |
It has its moments. | 1:19:44 | 1:19:46 | |
What's your daughter's name? | 1:19:46 | 1:19:48 | |
Gertrude. | 1:19:48 | 1:19:49 | |
Damn. Why'd you do that to that girl, man? | 1:19:49 | 1:19:53 | |
Did you lose a bet? No. | 1:19:53 | 1:19:55 | |
No, it was my wife's name. | 1:19:55 | 1:19:56 | |
"Was"? OK, let me guess. | 1:19:56 | 1:19:59 | |
She took you for half after she saddled the kid with the name Gert? | 1:19:59 | 1:20:03 | |
I can't blame it on her. | 1:20:03 | 1:20:04 | |
I saddled the kid with the name Gert. | 1:20:04 | 1:20:06 | |
She died in childbirth. So... | 1:20:06 | 1:20:09 | |
No, no, no, it's... | 1:20:11 | 1:20:13 | |
I feel like an asshole, man. | 1:20:13 | 1:20:14 | |
Don't worry about it. | 1:20:14 | 1:20:15 | |
No, listen, I'm really sorry about that. | 1:20:15 | 1:20:17 | |
I didn't see your movie, so we're even. Trust me. | 1:20:17 | 1:20:21 | |
This is exactly why people don't talk to each other | 1:20:21 | 1:20:23 | |
when they sittin' in waiting rooms, right? | 1:20:23 | 1:20:25 | |
Probably. | 1:20:25 | 1:20:27 | |
Although, I gotta tell ya, the simple fact | 1:20:27 | 1:20:29 | |
that the guy who wrote Parents Just Don't Understand | 1:20:29 | 1:20:31 | |
is now a parent himself I think completely makes up for it. | 1:20:31 | 1:20:35 | |
Oh, man. We don't, though, do we? | 1:20:35 | 1:20:37 | |
What's that? Understand. | 1:20:37 | 1:20:39 | |
I mean, these kids today. | 1:20:39 | 1:20:41 | |
From the door, man, they got it all over us. | 1:20:41 | 1:20:44 | |
My daughter has it all over me, I can tell you that. | 1:20:44 | 1:20:47 | |
Yeah, my middle one, my son? | 1:20:47 | 1:20:49 | |
Every time I walk out of the house in the morning, | 1:20:49 | 1:20:51 | |
he says, "Daddy, how far you love me?" | 1:20:51 | 1:20:53 | |
I always pick somewhere close. "I love you to that table, man." | 1:20:53 | 1:20:56 | |
"No, you don't. | 1:20:56 | 1:20:58 | |
"You love me all the way to the moon and back down to the dirt." | 1:20:58 | 1:21:01 | |
That's great. | 1:21:01 | 1:21:03 | |
It take everything I got to walk out of that house. | 1:21:03 | 1:21:07 | |
You get to spend time with them on the set though, right? | 1:21:07 | 1:21:09 | |
Oh, yeah. But if I was a smart man, | 1:21:09 | 1:21:11 | |
I wouldn't be sittin' here right now. | 1:21:11 | 1:21:13 | |
I'd be at home playing in the dirt with my kids. | 1:21:13 | 1:21:18 | |
But we all know that I'm not famous cos of my brains. | 1:21:18 | 1:21:21 | |
It's cosy's, like, strikingly handsome, crazy sexy. | 1:21:21 | 1:21:26 | |
And I'm, like, hung like it's ridiculous. | 1:21:26 | 1:21:31 | |
Oh, man! | 1:21:31 | 1:21:32 | |
But I'm definitely not the sharpest spoon in the shed. | 1:21:32 | 1:21:36 | |
You know... | 1:21:38 | 1:21:40 | |
It was really nice talking to you. | 1:21:40 | 1:21:42 | |
Oh, hey, you, too, man. You out? | 1:21:42 | 1:21:44 | |
I'm out. All right. | 1:21:44 | 1:21:46 | |
Hey, you, er, recommend these guys? | 1:21:46 | 1:21:48 | |
Only guy I can recommend is named Arthur Brickman. | 1:21:48 | 1:21:52 | |
Other than that, I can't vouch for anybody. | 1:21:52 | 1:21:54 | |
Whoa, whoa, hold up. | 1:21:54 | 1:21:56 | |
You Brickman? | 1:21:56 | 1:21:57 | |
No. | 1:21:57 | 1:21:59 | |
I'm just a guy who'd rather play in the dirt with his kid. | 1:21:59 | 1:22:02 | |
GERTIE: # Toby! Coming! Excuse me | 1:22:15 | 1:22:19 | |
# Ale there! Right, Mum! | 1:22:19 | 1:22:21 | |
# Quick now! | 1:22:21 | 1:22:22 | |
(MAYA AND GERTIE) # God, that's good! # | 1:22:22 | 1:22:24 | |
You want some rouge, or should I just pinch your cheeks? | 1:22:24 | 1:22:26 | |
Pinch my cheeks, Greenie, | 1:22:26 | 1:22:28 | |
kids show or not, I'll put you through the wall. | 1:22:28 | 1:22:30 | |
APPLAUSE | 1:22:36 | 1:22:38 | |
MUSIC: "High" by the Cure | 1:22:38 | 1:22:42 | |
I'd like to welcome everyone to Saint Maria Goretti's | 1:22:42 | 1:22:46 | |
student/family fall pageant. | 1:22:46 | 1:22:48 | |
This is a celebration of your children and their talents, | 1:22:51 | 1:22:55 | |
so we hope you enjoy the show. | 1:22:55 | 1:22:57 | |
Our first act is first-grader Cynthia Bodnar and her mother Jane, | 1:22:57 | 1:23:02 | |
performing the song Memory from the Broadway show, Cats. | 1:23:02 | 1:23:08 | |
And now Tracy Colelli, from Sister Ann's kindergarten class, | 1:23:12 | 1:23:17 | |
will perform with her parents Memory from Cats. | 1:23:17 | 1:23:22 | |
And now, first-grader Martin Tobias and his mother will perform... | 1:23:34 | 1:23:40 | |
Oh, boy, this is a popular song. | 1:23:40 | 1:23:43 | |
..Memory from Cats. | 1:23:43 | 1:23:45 | |
You gotta be kidding me! | 1:23:57 | 1:23:59 | |
You couldn't make it easy on me, could you, Gert? | 1:24:15 | 1:24:17 | |
Honey, it's gonna be OK. | 1:24:37 | 1:24:40 | |
You're next, Gertie. Break a leg. | 1:24:40 | 1:24:43 | |
And now, we have something not from Cats, thank God. | 1:25:19 | 1:25:24 | |
First-grader Gertrude Trinke and her father, Oliver... | 1:25:24 | 1:25:28 | |
Psst! | 1:25:28 | 1:25:29 | |
Just my grandfather. Oh. | 1:25:33 | 1:25:36 | |
I'm sorry. First-grader Gertrude Trinke and her grandfather | 1:25:36 | 1:25:41 | |
will be performing what I can only assume is a hymn, | 1:25:41 | 1:25:44 | |
entitled God, That's Good, from the musical Sweeney Todd. | 1:25:44 | 1:25:50 | |
MUSIC STARTS | 1:25:50 | 1:25:53 | |
# Ladies and gentlemen, may I have your attention, please? | 1:26:03 | 1:26:07 | |
# Are your nostrils aquiver and tingling as well | 1:26:08 | 1:26:10 | |
# At that delicate, luscious, ambrosial smell? | 1:26:10 | 1:26:14 | |
# Yes, they are, I can tell | 1:26:14 | 1:26:16 | |
# Well, ladies and gentlemen That aroma enriching the breeze | 1:26:16 | 1:26:20 | |
# Is like nothing compared to its succulent source | 1:26:20 | 1:26:22 | |
# As the gourmets among you will tell you, of course | 1:26:22 | 1:26:26 | |
# Ladies and gentlemen You can't imagine the rapture in store | 1:26:26 | 1:26:30 | |
# Just inside of this door... # | 1:26:30 | 1:26:34 | |
LAUGHS | 1:26:34 | 1:26:36 | |
# There you'll sample Mrs Lovett's meat pies | 1:26:36 | 1:26:40 | |
# Savoury and sweet pies As you see | 1:26:40 | 1:26:44 | |
# You who eats pies Mrs Lovett's meat pies | 1:26:44 | 1:26:48 | |
# Conjure up the treat pies used to be | 1:26:48 | 1:26:51 | |
# Toby! # Coming! Excuse me... | 1:26:51 | 1:26:54 | |
# Ale there! # Right, Mum! | 1:26:54 | 1:26:56 | |
# Quick now! # God, that's good! | 1:26:56 | 1:26:59 | |
# Nice to see you, dearie | 1:26:59 | 1:27:00 | |
# How have you been keeping? | 1:27:00 | 1:27:03 | |
# Cor, me bones is weary Toby, one for the gentleman | 1:27:03 | 1:27:06 | |
# Hear the birdies cheeping? Helps to keep it cheery | 1:27:06 | 1:27:10 | |
# Toby, throw the old woman out! | 1:27:10 | 1:27:12 | |
GREENIE AND BLOCK: # God, that's good! | 1:27:12 | 1:27:13 | |
# What's your budget, dearie? No, we don't cut slices | 1:27:13 | 1:27:18 | |
Take this off! | 1:27:18 | 1:27:21 | |
# ...Me prices I'm a little leery | 1:27:21 | 1:27:24 | |
# Business couldn't be better, though | 1:27:24 | 1:27:26 | |
GREENIE AND BLOCK: # God, that's good! | 1:27:26 | 1:27:28 | |
# Knock on wood | 1:27:28 | 1:27:30 | |
Psst! # Excuse me | 1:27:30 | 1:27:32 | |
Psst! # Dear, see to the customers | 1:27:32 | 1:27:34 | |
Psst! # Yes, what, love? | 1:27:34 | 1:27:36 | |
# Quick now! # Me heart's a-flutter | 1:27:44 | 1:27:46 | |
# When I pound the floor... When you pound the floor | 1:27:46 | 1:27:48 | |
# It's a signal to show that I'm ready to go | 1:27:48 | 1:27:50 | |
# When I pound the floor... # When you pound the floor | 1:27:50 | 1:27:51 | |
# Will you trust me? I just want to be sure | 1:27:51 | 1:27:54 | |
# When I'm certain that you're in place | 1:27:54 | 1:27:56 | |
# I'll pound three times | 1:27:56 | 1:27:59 | |
# Three times | 1:27:59 | 1:28:01 | |
# And then you... | 1:28:01 | 1:28:03 | |
# Three times! | 1:28:04 | 1:28:07 | |
# If you... | 1:28:07 | 1:28:09 | |
# Exactly! | 1:28:09 | 1:28:11 | |
# More hot pies! God! | 1:28:11 | 1:28:12 | |
# More hot! Right! | 1:28:12 | 1:28:13 | |
ALL: # More pies. More! | 1:28:13 | 1:28:16 | |
# Wait! | 1:28:16 | 1:28:17 | |
ALL: # God, that's good! # | 1:28:29 | 1:28:31 | |
Shit. | 1:28:43 | 1:28:45 | |
I love you, Daddy. | 1:29:07 | 1:29:09 | |
I love you too. | 1:29:09 | 1:29:10 | |
I love you so much. | 1:29:10 | 1:29:12 | |
You were great. You too. | 1:29:12 | 1:29:14 | |
You...guys... were...great! | 1:29:21 | 1:29:25 | |
Ooh! | 1:29:25 | 1:29:26 | |
Oh, God! | 1:29:27 | 1:29:29 | |
Hey, Gertie! Come dance with me. | 1:29:29 | 1:29:32 | |
Bye, Uncle Greenie. Bye, Uncle Block. | 1:29:32 | 1:29:34 | |
Bye, sweetheart. | 1:29:34 | 1:29:35 | |
I'm startin' to like show business. Yeah. | 1:29:37 | 1:29:39 | |
Don't get caught up in the glory. | 1:29:39 | 1:29:41 | |
Tomorrow you're on shithouse duty. | 1:29:41 | 1:29:44 | |
You know, sometimes I just wanna... Uh-huh. | 1:29:44 | 1:29:48 | |
I'm so tired of being your little geisha. | 1:29:49 | 1:29:53 | |
You had me worried there for a minute. | 1:29:53 | 1:29:55 | |
Yeah, who knew all those years | 1:29:55 | 1:29:56 | |
you were nursing a case of stage fright. | 1:29:56 | 1:29:59 | |
Not about that, smart ass. About the other thing. | 1:29:59 | 1:30:03 | |
About moving away. | 1:30:03 | 1:30:05 | |
Come on, Dad. | 1:30:05 | 1:30:07 | |
Don't you wanna live alone again? | 1:30:07 | 1:30:09 | |
Not as much as I don't wanna die alone. | 1:30:09 | 1:30:13 | |
We're not going anywhere, pop. | 1:30:22 | 1:30:23 | |
MUSIC: "Let My Love Open The Door" by Pete Townshend | 1:30:23 | 1:30:27 | |
You wanna go over there and cheer up your pop? | 1:30:31 | 1:30:33 | |
He's devastated about missing his big singing debut. | 1:30:33 | 1:30:37 | |
Aw! | 1:30:37 | 1:30:39 | |
Pop! | 1:30:39 | 1:30:40 | |
Hey, princess! | 1:30:43 | 1:30:46 | |
Look at you. Mr Big Hero of the night. | 1:30:46 | 1:30:49 | |
Yeah, well, it might take me longer than some, but I, er... | 1:30:49 | 1:30:54 | |
May I? Uh... | 1:30:54 | 1:30:56 | |
OK. | 1:30:56 | 1:30:57 | |
I like to think I come around eventually. | 1:30:59 | 1:31:03 | |
Well, you showing up when you did like that? | 1:31:03 | 1:31:05 | |
That was just about the most romantic thing I've ever seen. | 1:31:05 | 1:31:09 | |
Honestly. | 1:31:11 | 1:31:13 | |
Well...stick around. | 1:31:13 | 1:31:16 | |
It may get even more romantic than that. | 1:31:18 | 1:31:20 | |
Really? Yeah. | 1:31:20 | 1:31:23 | |
See. How was that for romance? | 1:31:26 | 1:31:29 | |
I'll think about it. | 1:31:33 | 1:31:34 | |
Do that. | 1:31:37 | 1:31:38 | |
Ollie Trinke... | 1:31:40 | 1:31:42 | |
GREENIE: Hey... | 1:32:05 | 1:32:07 | |
Your kid's cuttin' a rug with that Maya. | 1:32:07 | 1:32:10 | |
Uh... | 1:32:10 | 1:32:11 | |
The sun even shines on a dog's ass some days. | 1:32:15 | 1:32:19 | |
You getting a dog? | 1:32:19 | 1:32:21 | |
Maya? | 1:32:27 | 1:32:29 | |
Can I dance with my dad now? | 1:32:29 | 1:32:30 | |
If you must. | 1:32:30 | 1:32:32 | |
Don't let him go, though, Gert. He's one of a kind. | 1:32:32 | 1:32:36 | |
I know. | 1:32:37 | 1:32:38 | |
Come here. | 1:32:41 | 1:32:43 | |
You wanna dance? So, no city? | 1:32:43 | 1:32:46 | |
No. No city. | 1:32:46 | 1:32:49 | |
We're staying here with Pop? | 1:32:49 | 1:32:51 | |
God help us, yes, we're staying with Pop. | 1:32:51 | 1:32:54 | |
And you're taking me to see Cats? | 1:32:54 | 1:32:56 | |
Oh-ho! Nice try, but no. | 1:32:56 | 1:32:59 | |
Thank you, Daddy. | 1:32:59 | 1:33:02 | |
Anything for you, Gert. You know why? | 1:33:02 | 1:33:05 | |
Why? | 1:33:05 | 1:33:07 | |
Cos you're the only thing I was ever really good at. | 1:33:07 | 1:33:11 | |
MUSIC: "Jersey Girl" by Bruce Springsteen | 1:33:56 | 1:33:59 | |
# I got no time for the corner boys | 1:34:20 | 1:34:26 | |
# Down in the street making all that noise | 1:34:26 | 1:34:32 | |
# Or the girls out on the avenue | 1:34:32 | 1:34:37 | |
# Cos tonight I wanna be with you | 1:34:37 | 1:34:44 | |
# Tonight I'm gonna take that ride | 1:34:44 | 1:34:49 | |
# Across the river to the Jersey side | 1:34:49 | 1:34:55 | |
# Take my baby to the carnival | 1:34:55 | 1:35:00 | |
# And I'll take her on all the rides | 1:35:00 | 1:35:06 | |
# Cos down the shore everything's all right... # | 1:35:06 | 1:35:11 |