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| Line | From | To | |
|---|---|---|---|
This programme contains strong language. | 0:00:02 | 0:00:06 | |
Joe Yumba, native of the Democratic Republic of Congo. | 0:00:16 | 0:00:21 | |
Applied for political asylum, citing "fear of persecution from warring rebel factions". | 0:00:21 | 0:00:27 | |
Currently living in a hostel. | 0:00:27 | 0:00:29 | |
-Do you have any African friends in Ireland? -No. | 0:00:30 | 0:00:33 | |
Do you know a man called Erasmus? | 0:00:33 | 0:00:36 | |
He's from the Congo too. | 0:00:36 | 0:00:38 | |
I don't know him. | 0:00:38 | 0:00:40 | |
-You don't know him? -No. I don't. | 0:00:40 | 0:00:42 | |
Erasmus is a gangster. | 0:00:44 | 0:00:46 | |
A pimp. A drug dealer. | 0:00:46 | 0:00:49 | |
You've been here for over a year. | 0:00:51 | 0:00:53 | |
You're both from the Congo. | 0:00:53 | 0:00:55 | |
You don't look like someone who uses drugs. | 0:00:58 | 0:01:01 | |
Soon it'll be West Africans who control the drug trade in this city. | 0:01:03 | 0:01:06 | |
Men like you. | 0:01:06 | 0:01:09 | |
And men like Erasmus. | 0:01:09 | 0:01:11 | |
Men who've sat where you're sitting, and told me the same thing. | 0:01:11 | 0:01:15 | |
They know nothing and no-one. | 0:01:15 | 0:01:18 | |
Married with one child. | 0:01:23 | 0:01:25 | |
Whereabouts of wife and child unknown at this time. | 0:01:25 | 0:01:28 | |
We think they're both in London. | 0:01:28 | 0:01:31 | |
-Give him his card. -You're bound by law to carry this at all times. | 0:01:33 | 0:01:39 | |
That piece of plastic means you have leave to stay in this country, where you are bound by the laws | 0:01:39 | 0:01:45 | |
of the state and the governing laws of the European Union. | 0:01:45 | 0:01:49 | |
Just like the rest of us. | 0:01:49 | 0:01:51 | |
You also have leave to seek employment. | 0:01:51 | 0:01:53 | |
Do you understand? | 0:01:53 | 0:01:56 | |
I do. | 0:01:56 | 0:01:58 | |
Thank you. | 0:02:06 | 0:02:07 | |
MAN COUGHS | 0:02:19 | 0:02:23 | |
COUGHING CONTINUES | 0:02:54 | 0:02:56 | |
MAN SHOUTS IN AFRICAN LANGUAGE | 0:03:21 | 0:03:24 | |
MAN SOBS | 0:03:26 | 0:03:30 | |
'You have leave to stay in this country, where you are bound | 0:04:19 | 0:04:22 | |
'by the laws of the state and governing laws of the European Union. | 0:04:22 | 0:04:26 | |
'Just like the rest of us.' | 0:04:26 | 0:04:28 | |
BURGLAR ALARM | 0:07:20 | 0:07:23 | |
-False alarm. -It's OK, everybody. It's a false alarm. | 0:07:29 | 0:07:33 | |
Sorry about the noise. | 0:07:33 | 0:07:35 | |
We'll have it sorted in a minute. | 0:07:35 | 0:07:37 | |
-It is the vault. -My dear Lord. | 0:07:37 | 0:07:39 | |
That's far enough. | 0:08:09 | 0:08:10 | |
-How long you worked here, Joe? -One month. | 0:08:14 | 0:08:16 | |
Any training? Army, police? | 0:08:16 | 0:08:20 | |
Just what the company taught me. Three-day training course. | 0:08:20 | 0:08:23 | |
-How do you find the job? -I'm happy to have a job. | 0:08:23 | 0:08:25 | |
Good. That's all I need. | 0:08:25 | 0:08:27 | |
Take care of yourself. | 0:08:27 | 0:08:29 | |
Black bastard. | 0:08:36 | 0:08:38 | |
Hello. For you. It's all there. | 0:09:04 | 0:09:06 | |
Thanks. | 0:09:06 | 0:09:08 | |
Can I ask who's calling? One moment, please. Popping out for a smoke. | 0:09:20 | 0:09:24 | |
Cover for me? | 0:09:24 | 0:09:25 | |
Since you started working here Joe, we haven't been robbed once. | 0:09:31 | 0:09:34 | |
So you can relax. | 0:09:34 | 0:09:36 | |
Hello, Joe. | 0:09:39 | 0:09:41 | |
Do you mind if we speak alone? | 0:09:43 | 0:09:45 | |
Is something wrong? | 0:09:47 | 0:09:49 | |
You know these people? | 0:09:49 | 0:09:51 | |
We're bringing them over on a family reunification visa. | 0:09:51 | 0:09:54 | |
They arrive in the country tonight. | 0:09:54 | 0:09:56 | |
It's been a long time, hasn't it? | 0:10:42 | 0:10:45 | |
Well, I'll, um... I'll leave you to it. | 0:10:59 | 0:11:02 | |
Nice to meet you, Kala. | 0:11:02 | 0:11:04 | |
You be a good boy and do what your mum and dad tell you, OK? | 0:11:07 | 0:11:11 | |
-Good luck. -Thank you. | 0:11:11 | 0:11:15 | |
Shh. | 0:11:20 | 0:11:22 | |
HE SPEAKS AFRICAN LANGUAGE | 0:11:35 | 0:11:37 | |
WOMAN SCREAMS | 0:13:09 | 0:13:12 | |
It's a dream! It's a dream. | 0:13:16 | 0:13:18 | |
It's a dream, it's a dream. | 0:13:18 | 0:13:20 | |
Shh, shh... | 0:13:20 | 0:13:22 | |
Apples, oranges, bananas and pears! | 0:13:29 | 0:13:31 | |
Apples, oranges, bananas and pears! | 0:13:32 | 0:13:35 | |
Lovely pears! Apples, oranges, bananas and pears! | 0:13:36 | 0:13:40 | |
Apples, oranges, bananas and pears! | 0:13:40 | 0:13:44 | |
HUBBUB | 0:13:44 | 0:13:47 | |
You wind it up and it jump around like a real frog. | 0:14:08 | 0:14:12 | |
You like it? | 0:14:12 | 0:14:14 | |
-Do you mind? -Sure, no problem. | 0:14:27 | 0:14:29 | |
It's beautiful. | 0:14:50 | 0:14:52 | |
Will you say my prayers with me? | 0:14:58 | 0:15:01 | |
What do you pray for? | 0:15:03 | 0:15:04 | |
I pray that the bad men won't find us. | 0:15:07 | 0:15:11 | |
Are there bad men in this country? | 0:15:11 | 0:15:14 | |
Yes, there are. | 0:15:19 | 0:15:21 | |
-Will they come for us? -No. I won't let them. | 0:15:23 | 0:15:29 | |
-You promise? -I promise. | 0:15:29 | 0:15:32 | |
I'll always be here for you. | 0:15:32 | 0:15:35 | |
Both of us. | 0:15:38 | 0:15:40 | |
We'll always be here for you. | 0:15:41 | 0:15:43 | |
You carry those you love... | 0:15:46 | 0:15:49 | |
in here. | 0:15:49 | 0:15:50 | |
Like your favourite music. | 0:15:53 | 0:15:55 | |
You carry it in your head. | 0:15:55 | 0:15:58 | |
Remember that, and no-one can hurt you. | 0:15:58 | 0:16:02 | |
Ever. | 0:16:10 | 0:16:12 | |
See you, Joe. | 0:16:12 | 0:16:13 | |
TYRES SQUEAL | 0:16:41 | 0:16:43 | |
Get the door open! Get in! | 0:16:43 | 0:16:44 | |
Any moves, I'll put you down. Down hard. | 0:16:50 | 0:16:53 | |
Understand? | 0:16:53 | 0:16:55 | |
Do you understand?! | 0:16:55 | 0:16:57 | |
Yes. | 0:16:57 | 0:16:59 | |
One... | 0:17:00 | 0:17:01 | |
two... | 0:17:01 | 0:17:03 | |
three. | 0:17:03 | 0:17:05 | |
Enough fuckin' photos! | 0:17:13 | 0:17:17 | |
Sorry 'bout me brother. | 0:17:17 | 0:17:21 | |
Our ma did her best for us. | 0:17:21 | 0:17:23 | |
Look how we turned out. | 0:17:23 | 0:17:25 | |
Ah... | 0:17:30 | 0:17:31 | |
Can I ask you a personal question? | 0:17:40 | 0:17:43 | |
Have you ever had a knitting needle inserted into the urethra of your phallus? | 0:17:43 | 0:17:50 | |
Some men | 0:17:50 | 0:17:52 | |
derive intense pleasure from inserting objects into the penis | 0:17:52 | 0:17:59 | |
during arousal. | 0:17:59 | 0:18:01 | |
They have to start small, | 0:18:01 | 0:18:04 | |
and then work their way up through progressively larger objects, | 0:18:04 | 0:18:10 | |
until, | 0:18:10 | 0:18:12 | |
after some time and toughening of the inner flesh, | 0:18:12 | 0:18:17 | |
they can insert a lubricant-covered knitting needle... | 0:18:17 | 0:18:22 | |
all the way in. | 0:18:22 | 0:18:25 | |
Not the most flattering portrait. | 0:18:35 | 0:18:37 | |
You look good in uniform. | 0:18:41 | 0:18:44 | |
Hm? | 0:18:44 | 0:18:45 | |
HE LAUGHS | 0:18:48 | 0:18:51 | |
Here's the thing. | 0:18:51 | 0:18:52 | |
Inside that building is something that we want. | 0:18:52 | 0:18:56 | |
And you're gonna help us get it. | 0:18:56 | 0:18:59 | |
Now... | 0:18:59 | 0:19:00 | |
why should you help us? | 0:19:00 | 0:19:02 | |
I've a family meself. | 0:19:16 | 0:19:18 | |
A little girl. | 0:19:18 | 0:19:20 | |
If anything were to happen to her, | 0:19:20 | 0:19:23 | |
Jesus, I would go mental. | 0:19:23 | 0:19:26 | |
Is it the same with you? The same attachment? I mean, | 0:19:26 | 0:19:29 | |
life is cheap where you come from, right? | 0:19:29 | 0:19:34 | |
This is how it's gonna be. | 0:19:39 | 0:19:41 | |
Tomorrow, you go to work as normal. | 0:19:41 | 0:19:44 | |
But tomorrow night, at midnight at the bank, you're gonna kill the alarms, | 0:19:44 | 0:19:49 | |
disable the cameras, open the back door and get us into the vault. | 0:19:49 | 0:19:53 | |
We don't care how you do it. | 0:19:53 | 0:19:55 | |
Do you know what these are? | 0:19:58 | 0:20:01 | |
Don't suppose you've ever needed them. | 0:20:01 | 0:20:04 | |
Interesting thing about these pills is... | 0:20:04 | 0:20:07 | |
when you're forced to take enough of them, you've an erection whether you want one or not. | 0:20:07 | 0:20:12 | |
Stripped naked and tied to a chair, you feel very vulnerable. | 0:20:12 | 0:20:18 | |
And when the needle is heated... | 0:20:20 | 0:20:22 | |
Do as I say and you can have your family back, but... | 0:20:32 | 0:20:35 | |
you go to the cops... | 0:20:36 | 0:20:38 | |
What effect, force-fed to an eight-year-old, do you suppose these pills'll have? | 0:20:42 | 0:20:48 | |
HE LAUGHS | 0:20:48 | 0:20:49 | |
Do as I say. | 0:20:49 | 0:20:51 | |
You go the cops... | 0:20:51 | 0:20:54 | |
Midnight. Get it done. | 0:20:54 | 0:20:57 | |
Whoo! | 0:21:00 | 0:21:01 | |
HE VOMITS | 0:21:14 | 0:21:16 | |
He was throwing up? Is that what you said? | 0:22:07 | 0:22:08 | |
That's what it looked like. | 0:22:08 | 0:22:10 | |
Did you see him get into the van? | 0:22:10 | 0:22:13 | |
No, we came it across it just before he got out. | 0:22:13 | 0:22:15 | |
-You're absolutely certain? -It was him. I'm positive. | 0:22:16 | 0:22:21 | |
What business do you have with Eddie Gilroy? | 0:22:24 | 0:22:27 | |
We know you were with him, Joe. | 0:22:29 | 0:22:31 | |
And this man? | 0:22:34 | 0:22:36 | |
Ever seen this man's face? | 0:22:38 | 0:22:39 | |
Let's be clear about the situation here. | 0:22:43 | 0:22:46 | |
By fraternizing with known criminals, you have endangered your asylum status. | 0:22:46 | 0:22:50 | |
We have good grounds to rescind that status and send you home. | 0:22:54 | 0:22:59 | |
You and your family. | 0:22:59 | 0:23:02 | |
Back to the Congo. | 0:23:03 | 0:23:05 | |
How does that sound to you? | 0:23:07 | 0:23:09 | |
Two men were murdered last week. | 0:23:13 | 0:23:15 | |
We know this man was responsible. | 0:23:18 | 0:23:20 | |
What were you doing with him? | 0:23:27 | 0:23:28 | |
You need to tell us, Joe. | 0:23:31 | 0:23:34 | |
Leave us alone, please. | 0:23:47 | 0:23:49 | |
You stay silent and we have to assume the worst - | 0:24:03 | 0:24:06 | |
that you're an associate of a known scumbag, | 0:24:06 | 0:24:10 | |
and a possible accessory to murder. | 0:24:10 | 0:24:13 | |
I've done nothing wrong. | 0:24:17 | 0:24:19 | |
I don't know nothing about this man's business or any murders. | 0:24:19 | 0:24:24 | |
My family's waiting for me. | 0:24:24 | 0:24:25 | |
You're free to go. | 0:24:30 | 0:24:33 | |
IMPLEMENT TURNS IN LOCK | 0:24:34 | 0:24:38 | |
Shh, we're not gonna hurt you. | 0:24:57 | 0:24:59 | |
We was watching when he bought you this. | 0:25:23 | 0:25:26 | |
Cheap shite. | 0:25:28 | 0:25:30 | |
SHE CRIES OUT | 0:25:30 | 0:25:31 | |
Aaaah! Ah! | 0:25:31 | 0:25:35 | |
Ah! | 0:25:35 | 0:25:37 | |
Jesus, what did they do to you? | 0:26:04 | 0:26:06 | |
Animals. | 0:26:16 | 0:26:18 | |
Are there bad men in this country? | 0:27:57 | 0:28:00 | |
Yes, there are. | 0:28:00 | 0:28:03 | |
Will they come for us? | 0:28:03 | 0:28:05 | |
No. I won't let them. | 0:28:05 | 0:28:07 | |
-You promise? -The needle's heated... | 0:28:09 | 0:28:11 | |
I promise. | 0:28:13 | 0:28:15 | |
ALARM TONE | 0:28:29 | 0:28:30 | |
ALARM OFF | 0:28:44 | 0:28:45 | |
What the hell do you think you're doing? | 0:30:20 | 0:30:23 | |
I knew it! Don't you come near me. | 0:30:23 | 0:30:30 | |
It's not what you think. | 0:30:30 | 0:30:31 | |
Don't! Don't! I have a family. I have a family! | 0:30:39 | 0:30:42 | |
-Why are you spying on me? -I'm not spying, I swear to God. | 0:30:42 | 0:30:46 | |
I've been living here the last few weeks. | 0:30:46 | 0:30:49 | |
I swear to God, there are no sensors here, they don't move around! | 0:30:49 | 0:30:52 | |
No-one knows! | 0:30:52 | 0:30:54 | |
My wife kicked me out. I have nowhere else to go. | 0:30:54 | 0:30:57 | |
Please! Please, don't hurt me. | 0:30:57 | 0:31:00 | |
I don't understand. | 0:31:04 | 0:31:06 | |
The police! I mean... | 0:31:06 | 0:31:09 | |
-Surely, if you explain your wife and son have been kidnapped... -Explain? | 0:31:09 | 0:31:14 | |
I can't take that chance. | 0:31:14 | 0:31:17 | |
This way, there is a chance. | 0:31:18 | 0:31:20 | |
-When will they be here? -Five minutes. | 0:31:26 | 0:31:31 | |
Oh... | 0:31:31 | 0:31:33 | |
No, no! Let me out! | 0:31:36 | 0:31:40 | |
-Let me out of here! -Oh, God... | 0:31:40 | 0:31:44 | |
Listen to me! Listen to me. | 0:31:44 | 0:31:46 | |
If you do this, you will have the blood of my family on your hands. | 0:31:46 | 0:31:51 | |
-I'm sorry... -Don't do this. | 0:31:51 | 0:31:52 | |
Don't do it! | 0:31:52 | 0:31:55 | |
BANGING ON DOOR | 0:31:55 | 0:31:57 | |
Mikey! | 0:31:57 | 0:32:00 | |
I'm sorry. | 0:32:00 | 0:32:04 | |
Mikey! | 0:32:04 | 0:32:05 | |
Stay out of my way. | 0:32:25 | 0:32:29 | |
You alone? | 0:32:55 | 0:32:57 | |
Yes. | 0:32:57 | 0:32:59 | |
Cameras? | 0:32:59 | 0:33:02 | |
They are all off. | 0:33:02 | 0:33:04 | |
Where are they? | 0:33:21 | 0:33:22 | |
-This goes to plan, you'll have your wife and kid back first thing in the morning. -In the morning? | 0:33:22 | 0:33:28 | |
No, no. Tonight. | 0:33:28 | 0:33:30 | |
You don't get a say in this. | 0:33:30 | 0:33:32 | |
My game, my rules. Understand? | 0:33:32 | 0:33:35 | |
Now lead the way. | 0:33:35 | 0:33:37 | |
Lead the way! | 0:33:37 | 0:33:39 | |
Stay here, fat boy. | 0:33:52 | 0:33:54 | |
I'm impressed. | 0:34:24 | 0:34:26 | |
The code. | 0:34:58 | 0:34:59 | |
Together. | 0:35:09 | 0:35:11 | |
Three, two, one. | 0:35:11 | 0:35:14 | |
Turn. | 0:35:14 | 0:35:16 | |
Which one, Eddie? | 0:35:36 | 0:35:38 | |
Number 20L. | 0:35:38 | 0:35:40 | |
Here we go. | 0:35:47 | 0:35:48 | |
No, no, up here. Up here. | 0:35:50 | 0:35:53 | |
Come on. Come on! | 0:35:53 | 0:35:57 | |
Oh, yeah! | 0:36:09 | 0:36:11 | |
-Pull it out. -Come to daddy. | 0:36:11 | 0:36:14 | |
Frankie wasn't lying! Two million euro in bearer bonds. | 0:36:20 | 0:36:23 | |
Right, get to work. Do the rest of them. | 0:36:23 | 0:36:28 | |
Two million euro bearer bonds. It's all there. | 0:36:28 | 0:36:31 | |
Come on! Get that one. Whoo! | 0:36:31 | 0:36:32 | |
Hit it! | 0:36:34 | 0:36:37 | |
Oh, yes, look at this! | 0:36:37 | 0:36:39 | |
Wait a minute, wait. | 0:36:40 | 0:36:43 | |
Where's he gone to? | 0:36:43 | 0:36:45 | |
Who's that? | 0:37:13 | 0:37:15 | |
What the fuck? | 0:37:16 | 0:37:20 | |
Jesus Christ! | 0:37:22 | 0:37:23 | |
I think I killed him. | 0:37:25 | 0:37:27 | |
Plank! | 0:37:32 | 0:37:34 | |
Where the fuck are ya? | 0:37:37 | 0:37:38 | |
We're rich! We're rich! | 0:37:48 | 0:37:50 | |
-Pack up. We're leaving. -What? -Now. | 0:38:03 | 0:38:06 | |
-Shit! Plank? -Is he dead? -Plank! | 0:38:29 | 0:38:31 | |
-He's fucking dead. -Shut up, you! | 0:38:31 | 0:38:32 | |
-Plank... -Dead. | 0:38:32 | 0:38:34 | |
You hear me? Your family's dead! | 0:38:34 | 0:38:37 | |
-It's all right, Eddie! -Fucking dead! | 0:38:37 | 0:38:39 | |
-He's all right! -Come on, come on. | 0:38:39 | 0:38:41 | |
-Broken nose! -Shut the fuck up, Anton. | 0:38:48 | 0:38:50 | |
GUN COCKS | 0:38:52 | 0:38:54 | |
Drop the gun. | 0:39:01 | 0:39:03 | |
And the bag. Just your bag. | 0:39:10 | 0:39:12 | |
Throw it to me. | 0:39:12 | 0:39:14 | |
We still have your wife and kid. | 0:39:16 | 0:39:19 | |
When you bring them to me, I'll hand this over. | 0:39:19 | 0:39:23 | |
I want them back. | 0:39:26 | 0:39:27 | |
Nothing else. | 0:39:29 | 0:39:32 | |
You keep the rest. Hey! | 0:39:32 | 0:39:34 | |
All right, all right. | 0:39:36 | 0:39:38 | |
No. Bring them to me. | 0:39:41 | 0:39:44 | |
Go. | 0:39:48 | 0:39:50 | |
Now! | 0:39:51 | 0:39:52 | |
Go! | 0:39:55 | 0:39:56 | |
You're crazier than I am. | 0:40:00 | 0:40:01 | |
In the mornin'. Like I said. | 0:40:11 | 0:40:14 | |
Nobody's going anywhere. | 0:40:15 | 0:40:18 | |
I'll bring them to you in the mornin'. | 0:40:18 | 0:40:22 | |
We'll see how sharp he is after he's been up all night. | 0:40:23 | 0:40:27 | |
Whoo! | 0:40:34 | 0:40:37 | |
THEY LAUGH | 0:40:37 | 0:40:38 | |
They're gone. | 0:40:55 | 0:40:57 | |
Jesus Christ. | 0:41:00 | 0:41:02 | |
Jesus Christ! | 0:41:02 | 0:41:05 | |
Hey. | 0:41:05 | 0:41:07 | |
Hey! | 0:41:07 | 0:41:10 | |
It's not finished yet. | 0:41:10 | 0:41:11 | |
Holy Mother of God. | 0:41:22 | 0:41:23 | |
When they see this, | 0:41:27 | 0:41:30 | |
it's over. | 0:41:30 | 0:41:33 | |
We can't hide the damage, that's for sure. | 0:41:33 | 0:41:35 | |
But we can delay them finding it. | 0:41:38 | 0:41:40 | |
I haven't emptied bins the last 17 years | 0:41:42 | 0:41:45 | |
without picking up a few pointers on how things work around here. | 0:41:45 | 0:41:49 | |
You see that? | 0:41:49 | 0:41:51 | |
That's a time lock. | 0:41:51 | 0:41:53 | |
-Who else was in the vault last night? -No-one. | 0:42:04 | 0:42:06 | |
Someone must've touched it, it's on. It can only be set from inside. | 0:42:06 | 0:42:10 | |
Don't look at us. | 0:42:10 | 0:42:11 | |
ALARM BLARES | 0:42:11 | 0:42:13 | |
Check the bloody alarms. | 0:42:13 | 0:42:14 | |
Joe, there's a phone call for you. | 0:42:16 | 0:42:18 | |
-Hello? -'Are ya having a party there, Joe? Someone here wants to talk to you. | 0:42:23 | 0:42:29 | |
-'Hello?' -Daniel! | 0:42:29 | 0:42:32 | |
-ALARM STOPS -Hello? Are you OK? | 0:42:32 | 0:42:35 | |
'Yes.' | 0:42:35 | 0:42:37 | |
I'm coming for you. | 0:42:37 | 0:42:39 | |
-I'm coming to take you home. -'We should meet.' | 0:42:39 | 0:42:42 | |
-I'm ready. -'I'm getting fond of these two. | 0:42:43 | 0:42:46 | |
'She's a beauty, isn't she? | 0:42:46 | 0:42:48 | |
'And the kid? | 0:42:48 | 0:42:50 | |
'City centre. | 0:42:52 | 0:42:53 | |
'Henry Street. | 0:42:53 | 0:42:55 | |
'11:30. Alone.' HE HANGS UP | 0:42:55 | 0:43:00 | |
Hello, it's me. | 0:43:06 | 0:43:07 | |
How are you? | 0:43:07 | 0:43:10 | |
Oh, no, no, nothing. | 0:43:10 | 0:43:12 | |
We haven't spoken in a while, that's all. | 0:43:12 | 0:43:15 | |
Units responding to an alarm call at the European Capital Bank. | 0:43:15 | 0:43:17 | |
That's the bank Joe works at, right? | 0:43:17 | 0:43:19 | |
I'm sorry, I have to go. | 0:43:19 | 0:43:21 | |
-What's going on? -False alarm. It's nothing. | 0:43:26 | 0:43:29 | |
The vault's down this way, sir. | 0:43:29 | 0:43:31 | |
-Problem here? -We're locked out of the vault. Can't get in. | 0:43:37 | 0:43:40 | |
-Locked out? -The time lock slipped. | 0:43:40 | 0:43:43 | |
These things don't slip. | 0:43:43 | 0:43:45 | |
-Someone's reset it. -What's in there? | 0:43:45 | 0:43:46 | |
The whole bank. Everything. | 0:43:46 | 0:43:49 | |
-Is there some kind of problem? I'm the manager. -Joe. | 0:43:49 | 0:43:53 | |
You wait two hours, and hand this to Detective Harbison, you hear me? | 0:43:53 | 0:43:58 | |
-Only Harbison. -Two hours. Harbison. I hear ya. | 0:43:58 | 0:44:02 | |
POLICE SIRENS BLARE | 0:44:02 | 0:44:05 | |
Just bring your family back. Go. | 0:44:08 | 0:44:10 | |
Go on! | 0:44:10 | 0:44:12 | |
I'm sure he's there. The door's wide open. | 0:44:15 | 0:44:17 | |
Mikey, are you outside? | 0:44:17 | 0:44:19 | |
Get in there. Get in! | 0:44:23 | 0:44:25 | |
Mr Yumba! Joe! | 0:44:36 | 0:44:38 | |
In pursuit on St Mary Street. | 0:44:52 | 0:44:55 | |
How long before we get this thing open? | 0:45:15 | 0:45:18 | |
Done. | 0:45:18 | 0:45:19 | |
Ah! | 0:45:32 | 0:45:33 | |
Ai! | 0:45:33 | 0:45:35 | |
Oi! You've no business cuttin' through here. | 0:45:35 | 0:45:38 | |
Watch where you're fuckin' going. | 0:45:41 | 0:45:43 | |
-Excuse me. -I didn't hear you say sorry, darkie. | 0:45:43 | 0:45:47 | |
That's right, Charlo. | 0:45:47 | 0:45:49 | |
Oh, Jesus. | 0:46:07 | 0:46:09 | |
-Just listen. -Where are they? | 0:46:27 | 0:46:29 | |
Say nothing, just listen. | 0:46:29 | 0:46:31 | |
Here's what you're gonna do. | 0:46:40 | 0:46:42 | |
Look down the street, the blue van. | 0:46:42 | 0:46:44 | |
You give me the bag, I'll bring your family across. It's that simple. | 0:46:44 | 0:46:48 | |
Where's Daniel? I don't see Daniel. | 0:46:48 | 0:46:52 | |
Look up and see who's at the window. | 0:46:52 | 0:46:56 | |
Hand me the bag, you can walk in there and collect your kid. | 0:46:56 | 0:46:58 | |
Couldn't be simpler. | 0:46:58 | 0:47:00 | |
-Oi! Nigger! -What the fuck? | 0:47:00 | 0:47:02 | |
I'm gonna fucking kill you, you black bastard! | 0:47:02 | 0:47:07 | |
-Back off. -Get the fuck! | 0:47:07 | 0:47:09 | |
Listen, pal, you've no idea what you're walking into. You're making a very big mistake. | 0:47:09 | 0:47:13 | |
-Yeah? -Yeah. | 0:47:13 | 0:47:15 | |
Black jacket, grey hoodie, bloody nose. | 0:47:23 | 0:47:27 | |
Argh! | 0:47:34 | 0:47:35 | |
Gun! Gun! | 0:47:43 | 0:47:45 | |
Put down the gun! | 0:47:51 | 0:47:52 | |
Stop him! | 0:47:54 | 0:47:56 | |
Daniel! | 0:48:11 | 0:48:13 | |
Daniel! | 0:48:13 | 0:48:15 | |
-Is everything all right, sir? Can I help you? -A little boy. My little boy, have you seen him? | 0:48:15 | 0:48:20 | |
No. No, I haven't. I'm sorry. | 0:48:20 | 0:48:24 | |
Daniel! | 0:48:29 | 0:48:31 | |
Daniel! | 0:48:32 | 0:48:33 | |
Daniel! | 0:48:37 | 0:48:39 | |
Hold it right there! | 0:48:43 | 0:48:45 | |
POLICE SIRENS BLARE | 0:48:47 | 0:48:49 | |
I understand what you've been through, Kala. | 0:49:07 | 0:49:10 | |
But we need your help if we're to find your son. | 0:49:10 | 0:49:16 | |
Joe isn't your husband... | 0:49:16 | 0:49:19 | |
is he? | 0:49:19 | 0:49:20 | |
Tell me the truth. | 0:49:22 | 0:49:25 | |
If you tell me, I can help you. | 0:49:25 | 0:49:27 | |
If he lied, then I'm done. | 0:49:41 | 0:49:44 | |
Save your compassion for the 9 o'clock news. | 0:49:50 | 0:49:53 | |
If he lied, I'm betting there's a good reason he did. | 0:49:53 | 0:49:57 | |
I've no doubt. Everyone of them's got a good reason to lie. | 0:49:57 | 0:50:00 | |
But we can't be taken in by any of it. | 0:50:00 | 0:50:04 | |
You wanna know this man's story? Stick around. We'll find him. | 0:50:08 | 0:50:12 | |
And when we do, you'll see what kind of a man he is. | 0:50:12 | 0:50:15 | |
If you don't speak, we'll be forced to review your asylum status. | 0:50:20 | 0:50:25 | |
You know what that means, don't you? | 0:50:26 | 0:50:28 | |
I can help you. | 0:50:29 | 0:50:31 | |
Daniel. | 0:50:37 | 0:50:38 | |
Are you his mother? | 0:50:38 | 0:50:40 | |
His mother's dead. | 0:50:44 | 0:50:46 | |
Who is Joe, Kala? | 0:50:52 | 0:50:54 | |
Tell us who he really is. | 0:50:54 | 0:50:56 | |
Are you afraid, Kala? | 0:51:01 | 0:51:04 | |
Are you afraid of him? | 0:51:04 | 0:51:06 | |
What did he do to you, Kala? | 0:51:08 | 0:51:10 | |
What happened to you in Africa? | 0:51:10 | 0:51:13 | |
SHE SPEAKS AFRICAN LANGUAGE | 0:51:13 | 0:51:17 | |
It's OK. | 0:51:33 | 0:51:35 | |
It'll be all right. It'll be all right. | 0:51:38 | 0:51:40 | |
See that she's OK. | 0:51:45 | 0:51:47 | |
Even if she said where she was from, at least we could make the connection. | 0:51:59 | 0:52:03 | |
I'm from the Lendu tribe. | 0:52:08 | 0:52:10 | |
I come from a little village in the north east of Congo. | 0:52:12 | 0:52:15 | |
I lived there with my husband, his parents and our two children. | 0:52:20 | 0:52:25 | |
War came to our land in springtime. | 0:52:28 | 0:52:33 | |
It didn't touch us, where we lived. | 0:52:33 | 0:52:35 | |
We never thought it would. | 0:52:35 | 0:52:37 | |
Rumours and terrible stories soon came to us. | 0:52:38 | 0:52:43 | |
We were very afraid. | 0:52:43 | 0:52:46 | |
Many people left the land... | 0:52:46 | 0:52:48 | |
but we couldn't. | 0:52:49 | 0:52:52 | |
We had nowhere to go. | 0:52:52 | 0:52:53 | |
The Hema militia came to kill us | 0:52:56 | 0:52:59 | |
in the first week of April. | 0:52:59 | 0:53:01 | |
We took the children and hide in the fields. | 0:53:03 | 0:53:06 | |
The men stayed... | 0:53:06 | 0:53:08 | |
-The men stayed to fight and... -SHE FALTERS | 0:53:08 | 0:53:13 | |
The men stayed to fight and hold them back. | 0:53:14 | 0:53:18 | |
But it was useless. There were too many. | 0:53:18 | 0:53:20 | |
We...We saw... | 0:53:27 | 0:53:30 | |
With axes, spears and knives, they butchered every one of the men who stayed to protect us... | 0:53:30 | 0:53:36 | |
and then they came and chased us down. | 0:53:36 | 0:53:39 | |
They kill our children in the fields... | 0:53:41 | 0:53:45 | |
and dragged us down to the village. | 0:53:45 | 0:53:48 | |
For two days and two nights, our screaming filled the air. | 0:53:50 | 0:53:54 | |
Terrible... | 0:53:56 | 0:53:58 | |
Terrible screamings. | 0:53:58 | 0:53:59 | |
And then the screaming stopped. | 0:54:01 | 0:54:03 | |
The Lendu militia came, but it was too late. | 0:54:05 | 0:54:09 | |
Everybody was... | 0:54:09 | 0:54:11 | |
Everybody was already dead. | 0:54:11 | 0:54:13 | |
Everybody except Daniel and I. | 0:54:14 | 0:54:16 | |
They slit my throat and I fell into darkness. | 0:54:18 | 0:54:21 | |
When I opened my eyes, I saw Joe. | 0:54:27 | 0:54:31 | |
He saved me, and he saved Daniel too. | 0:54:31 | 0:54:34 | |
Did Joe live in your village? | 0:54:38 | 0:54:40 | |
Yes. | 0:54:42 | 0:54:44 | |
He lived... | 0:54:44 | 0:54:46 | |
among us, but he was not one of us. | 0:54:46 | 0:54:49 | |
He told us he was a musician. Was he lying? | 0:54:49 | 0:54:52 | |
Tell us, Kala. | 0:54:57 | 0:54:59 | |
-Tell us what you know. -I can't. | 0:54:59 | 0:55:03 | |
Is Joe a bad man, Kala? | 0:55:11 | 0:55:15 | |
No, he's a good man. | 0:55:15 | 0:55:16 | |
I love him. | 0:55:18 | 0:55:20 | |
Then you can help him. | 0:55:20 | 0:55:23 | |
He's in real danger. | 0:55:23 | 0:55:26 | |
Daniel too. | 0:55:26 | 0:55:28 | |
Will you at least tell us who he is? | 0:55:29 | 0:55:32 | |
I promised him I would never tell. | 0:55:37 | 0:55:39 | |
There is another man. | 0:55:55 | 0:55:58 | |
Also from the Congo. | 0:55:58 | 0:56:01 | |
Erasmus. | 0:56:01 | 0:56:02 | |
He knows the real Joe. | 0:56:02 | 0:56:05 | |
SHIP'S HORN | 0:56:11 | 0:56:14 | |
SHIP'S HORN | 0:57:23 | 0:57:25 | |
We're the new Europe, my friend. | 0:57:29 | 0:57:31 | |
No-one can touch us. | 0:57:31 | 0:57:33 | |
What can you do to a people who have already been to hell? | 0:57:37 | 0:57:41 | |
You respected the blade once. | 0:57:47 | 0:57:48 | |
You will again when I bring the boy to you. | 0:57:50 | 0:57:54 | |
You recognise these men? | 0:58:00 | 0:58:02 | |
Find where they are, you'll find your boy. | 0:58:04 | 0:58:08 | |
Until then, I'll fix you somewhere to live. | 0:58:08 | 0:58:11 | |
-I'll bring the boy to you. -No. | 0:58:11 | 0:58:14 | |
Tell me where he is. | 0:58:14 | 0:58:16 | |
That's all I need to know. | 0:58:16 | 0:58:18 | |
I bring him home myself. | 0:58:18 | 0:58:22 | |
PHONE | 0:59:48 | 0:59:51 | |
Yes? | 0:59:55 | 0:59:56 | |
'Who is this?' | 1:00:00 | 1:00:03 | |
Let me speak to Erasmus. | 1:00:03 | 1:00:04 | |
'What about Joe? You know him?' | 1:00:07 | 1:00:10 | |
RADIO: 'The search widened today for the gang behind the robbery | 1:00:33 | 1:00:36 | |
'at the European Capital bank, on Dublin's Marian Road. | 1:00:36 | 1:00:39 | |
'Garda are anxious to speak to the guard at the branch, Mr Joe Yumba. | 1:00:39 | 1:00:44 | |
'Anyone with information regarding his whereabouts is asked to contact their local garda station. | 1:00:44 | 1:00:49 | |
'House prices are set to rise again...' | 1:00:49 | 1:00:51 | |
HE BARKS | 1:00:59 | 1:01:00 | |
Hello, gorgeous. | 1:01:23 | 1:01:25 | |
Want to see something gorgeous? | 1:01:27 | 1:01:29 | |
SMACK | 1:01:37 | 1:01:39 | |
RAPID BREATHING | 1:01:42 | 1:01:46 | |
Where are my fucking clothes? | 1:01:49 | 1:01:52 | |
You'll be sorry, you hear me? You don't know who you're fucking with. | 1:01:52 | 1:01:55 | |
Whoever you fuckers are, you'll be sorry! | 1:01:55 | 1:01:58 | |
Who's there? Who are you? Who's there? | 1:01:58 | 1:02:01 | |
Just let me go now and we'll forget the whole thing, all right? | 1:02:11 | 1:02:14 | |
I don't know you. Just let me go now and we'll forget every... | 1:02:14 | 1:02:17 | |
Shh. | 1:02:17 | 1:02:19 | |
Where's the boy? | 1:02:41 | 1:02:43 | |
What boy? | 1:02:45 | 1:02:46 | |
Where is he? | 1:03:16 | 1:03:18 | |
Me fucking brother. He's mental, he'll fucking kill me! | 1:03:32 | 1:03:37 | |
If I tell you, he'll kill me! | 1:03:37 | 1:03:38 | |
I won't kill you. No. | 1:03:40 | 1:03:43 | |
If you don't give me an address, | 1:03:44 | 1:03:47 | |
I'm going to keep you alive so I can do...far worse things to you. | 1:03:47 | 1:03:51 | |
Please let me go. Please... | 1:03:51 | 1:03:53 | |
These little pills, | 1:03:55 | 1:03:58 | |
designed to bring such pleasure. | 1:03:58 | 1:04:00 | |
But in your twisted hands... | 1:04:00 | 1:04:03 | |
Such an inventive use for them. | 1:04:03 | 1:04:05 | |
I have my own methods, my own tools. | 1:04:08 | 1:04:11 | |
But yours... | 1:04:12 | 1:04:14 | |
Very impressive. | 1:04:16 | 1:04:19 | |
Not bad for a white boy. | 1:04:25 | 1:04:29 | |
What is it that makes a man? | 1:04:40 | 1:04:41 | |
Is it the head? The heart? | 1:04:48 | 1:04:52 | |
Something else? | 1:04:54 | 1:04:57 | |
Please... | 1:05:05 | 1:05:06 | |
No! No! | 1:05:06 | 1:05:09 | |
HE SCREAMS | 1:05:12 | 1:05:15 | |
Fucking believe it! | 1:05:45 | 1:05:47 | |
You bastard! You break my fuckin' nose, will ya?! | 1:05:47 | 1:05:50 | |
Check the bag! | 1:05:50 | 1:05:52 | |
Where's my fucking brother? | 1:05:52 | 1:05:55 | |
How'd you find us? | 1:05:55 | 1:05:58 | |
Eddie, not here. | 1:05:58 | 1:06:01 | |
Where is Daniel? | 1:06:01 | 1:06:03 | |
-Eddie! -Inside! | 1:06:03 | 1:06:06 | |
Daniel. | 1:06:08 | 1:06:09 | |
It's all there. | 1:06:23 | 1:06:24 | |
-LAUGHTER -That'll be fucking nice! | 1:06:31 | 1:06:34 | |
Whoo! | 1:06:34 | 1:06:36 | |
Daniel. | 1:06:36 | 1:06:37 | |
It's all here, Eddie. Come and see it. | 1:06:51 | 1:06:53 | |
Giving you a rough ride, is he? | 1:07:07 | 1:07:09 | |
He's OK. | 1:07:09 | 1:07:10 | |
Should have been here when his wife walked out. | 1:07:17 | 1:07:19 | |
That was a barrel of laughs. | 1:07:19 | 1:07:22 | |
-He's separated? -A few months, yeah. | 1:07:22 | 1:07:25 | |
-You know the story? -No. | 1:07:25 | 1:07:29 | |
No-one told you? | 1:07:29 | 1:07:30 | |
Told me what? | 1:07:30 | 1:07:32 | |
Lost his kid. | 1:07:34 | 1:07:36 | |
His son. | 1:07:36 | 1:07:38 | |
Four years old. | 1:07:38 | 1:07:40 | |
Knocked down on the road outside his house. Killed. | 1:07:40 | 1:07:44 | |
-My God. -Tough, yeah. | 1:07:44 | 1:07:46 | |
Only child. | 1:07:46 | 1:07:48 | |
Guess it's hard to hold a marriage together after something like that. | 1:07:48 | 1:07:52 | |
The Congo is not like any place you've ever been. | 1:08:13 | 1:08:16 | |
I have seen things... | 1:08:18 | 1:08:20 | |
you people could not even imagine in your worst nightmares. | 1:08:20 | 1:08:24 | |
Killing. | 1:08:26 | 1:08:27 | |
Killing. | 1:08:30 | 1:08:31 | |
Killing. | 1:08:33 | 1:08:35 | |
Did you take part in the killing? | 1:08:37 | 1:08:38 | |
Yes. | 1:08:44 | 1:08:46 | |
Get someone from Justice down here. | 1:08:46 | 1:08:49 | |
Yeah, you bring them down. You bring them all down. | 1:08:51 | 1:08:54 | |
You all learn something. | 1:08:54 | 1:08:56 | |
So... | 1:08:56 | 1:08:59 | |
tell us. | 1:08:59 | 1:09:01 | |
Two tribes. | 1:09:01 | 1:09:03 | |
Hema and Lendu. | 1:09:03 | 1:09:06 | |
The Hema militia came and killed my people. | 1:09:06 | 1:09:09 | |
Cut them, burned them. | 1:09:09 | 1:09:11 | |
I am Lendu. | 1:09:11 | 1:09:13 | |
We kill too. | 1:09:13 | 1:09:16 | |
We kill plenty. | 1:09:16 | 1:09:18 | |
Got to. | 1:09:18 | 1:09:20 | |
And Joe? What about Joe? | 1:09:21 | 1:09:24 | |
I found him in his village. | 1:09:24 | 1:09:27 | |
We arrived after the Hema, | 1:09:27 | 1:09:30 | |
when the clay had turned to red mud and run with blood, flowing over our toes. | 1:09:30 | 1:09:36 | |
Joe was barely alive, | 1:09:38 | 1:09:41 | |
tied to a chair | 1:09:42 | 1:09:44 | |
among all the dead people. | 1:09:44 | 1:09:47 | |
'They beat him.' | 1:09:49 | 1:09:51 | |
'Cut him.' | 1:09:51 | 1:09:54 | |
'And made him watch.' | 1:09:54 | 1:09:56 | |
'He watched as they... | 1:09:57 | 1:09:59 | |
'hunted down and set about butchering them all. | 1:09:59 | 1:10:03 | |
'Old, young, | 1:10:03 | 1:10:04 | |
'women, children. | 1:10:06 | 1:10:08 | |
'All of them, butchered. | 1:10:09 | 1:10:12 | |
'And worse. | 1:10:12 | 1:10:13 | |
'And they made Joe... | 1:10:16 | 1:10:18 | |
'watch it all.' | 1:10:19 | 1:10:21 | |
We saved him. | 1:10:31 | 1:10:33 | |
He breathes now. | 1:10:33 | 1:10:35 | |
But he died that day. | 1:10:35 | 1:10:37 | |
The man we lifted from that chair is a ghost. | 1:10:44 | 1:10:48 | |
I brought you some music. | 1:10:48 | 1:10:51 | |
I don't want to hear it. | 1:10:51 | 1:10:52 | |
For me. | 1:10:52 | 1:10:54 | |
Close your eyes. | 1:10:57 | 1:11:00 | |
Close your eyes and listen. | 1:11:00 | 1:11:02 | |
Are they going to kill us? | 1:11:04 | 1:11:06 | |
I'll protect you. | 1:11:11 | 1:11:13 | |
'You want to know who Joe really is?' | 1:11:13 | 1:11:16 | |
Tell us. | 1:11:16 | 1:11:17 | |
He's a priest. | 1:11:29 | 1:11:31 | |
A priest? | 1:11:32 | 1:11:35 | |
Father Joseph. | 1:11:35 | 1:11:36 | |
He was a man of peace, a good man. | 1:11:38 | 1:11:41 | |
A leader that tried to bring our tribes together. | 1:11:41 | 1:11:43 | |
Tried to make us all put down our weapons. | 1:11:43 | 1:11:47 | |
We freed Joe from that chair. | 1:11:47 | 1:11:50 | |
The Hema were still there when we freed him. | 1:11:50 | 1:11:52 | |
Drunk on blood and killing. | 1:11:52 | 1:11:55 | |
We slaughtered every last one of them. | 1:11:57 | 1:11:59 | |
Father Joseph, | 1:12:02 | 1:12:05 | |
he could not believe in a God after what he had seen. | 1:12:05 | 1:12:09 | |
'When he stood from the chair, it was with a poisoned heart he now saw the world. | 1:12:16 | 1:12:21 | |
'And every man in it. | 1:12:24 | 1:12:26 | |
'Father Joseph spared no-one. | 1:12:42 | 1:12:45 | |
'It frightened many to see what this good man had become. | 1:12:47 | 1:12:51 | |
'But it only made me sad. | 1:12:51 | 1:12:53 | |
'I knew then, for sure, what I'd always only guessed - | 1:12:53 | 1:12:57 | |
'that, regardless of the man, the demon lies in all of us. | 1:12:57 | 1:13:02 | |
Waiting... | 1:13:03 | 1:13:05 | |
just beneath the skin. | 1:13:05 | 1:13:07 | |
'Waiting to avenge.' | 1:13:11 | 1:13:13 | |
AFRICAN CHILDREN SING | 1:13:44 | 1:13:48 | |
GUNSHOTS | 1:13:56 | 1:13:58 | |
Death comes to all who embrace it. | 1:16:05 | 1:16:08 | |
But it would not come to him. | 1:16:13 | 1:16:16 | |
Thank you. | 1:16:17 | 1:16:18 | |
You promised you'd never leave me. | 1:17:01 | 1:17:03 | |
Go inside. | 1:17:07 | 1:17:09 | |
Go. | 1:17:16 | 1:17:17 | |
Daniel! | 1:17:39 | 1:17:41 | |
Daniel! Daniel! | 1:17:41 | 1:17:42 | |
Daniel! How are you? | 1:17:42 | 1:17:44 | |
Shit. | 1:17:57 | 1:18:00 | |
-Shit! -He's long gone. | 1:18:00 | 1:18:02 | |
Daniel, you know where he is, don't you? | 1:18:18 | 1:18:22 | |
HELICOPTER HOVERS | 1:18:39 | 1:18:42 | |
Clear! | 1:19:05 | 1:19:07 | |
RADIO: 'We request immediate medical assistance. | 1:19:29 | 1:19:31 | |
'I repeat, immediate medical assistance.' | 1:19:31 | 1:19:34 | |
Sir, go ahead. I'll take these lads from here. | 1:19:47 | 1:19:51 | |
Get everybody out as quickly as possible. | 1:20:00 | 1:20:02 | |
Excuse me, ma'am. I need you to come with me. | 1:20:10 | 1:20:13 | |
And you, ma'am. | 1:20:13 | 1:20:15 | |
You found me. | 1:20:33 | 1:20:35 | |
I guess you know everything now. | 1:20:38 | 1:20:39 | |
I know you're a priest. | 1:20:43 | 1:20:45 | |
Yesterday I was a priest. | 1:20:48 | 1:20:51 | |
A priest in a village full of smiling, happy people. | 1:20:51 | 1:20:55 | |
And now I'm here. | 1:20:55 | 1:20:58 | |
Thousands of miles away and an ocean of blood separating me from that time. | 1:20:58 | 1:21:02 | |
I don't know what happened. | 1:21:06 | 1:21:08 | |
I don't understand it. | 1:21:09 | 1:21:11 | |
I tried to stop it. | 1:21:12 | 1:21:14 | |
I tried to bring peace. | 1:21:16 | 1:21:19 | |
But I couldn't. | 1:21:19 | 1:21:22 | |
Instead, I brought death. | 1:21:22 | 1:21:24 | |
And in the end, I... | 1:21:25 | 1:21:31 | |
too, became a killer. | 1:21:31 | 1:21:33 | |
I tried to stop the killing. | 1:21:43 | 1:21:45 | |
I tried. | 1:21:48 | 1:21:49 | |
But I couldn't. | 1:21:49 | 1:21:52 | |
They all died because of me. | 1:21:55 | 1:21:57 | |
I tried to save them. | 1:21:59 | 1:22:03 | |
But I could only save two. | 1:22:03 | 1:22:05 | |
That was all. | 1:22:05 | 1:22:07 | |
Only two. | 1:22:07 | 1:22:10 | |
From so many. | 1:22:10 | 1:22:12 | |
Don't do this. | 1:22:15 | 1:22:17 | |
I don't know the horror you've lived through. | 1:22:22 | 1:22:25 | |
But I know loss. | 1:22:25 | 1:22:28 | |
I know guilt. | 1:22:30 | 1:22:31 | |
We're the ones still living, right? | 1:22:35 | 1:22:37 | |
Come on, Joe. | 1:23:17 | 1:23:19 | |
Joe. Joe! | 1:23:32 | 1:23:35 | |
Ambulance! Get me an ambulance! | 1:23:35 | 1:23:38 | |
-Daniel, no. -It's all right. Come on, son. | 1:23:59 | 1:24:02 | |
He has a gunshot wound to the abdomen. | 1:24:04 | 1:24:08 | |
We have an obvious entry wound and small exit wound. | 1:24:08 | 1:24:10 | |
He's lost a lot of blood. | 1:24:10 | 1:24:12 | |
Does it hurt? | 1:24:22 | 1:24:23 | |
No. It doesn't. | 1:24:26 | 1:24:29 | |
Daniel? | 1:24:36 | 1:24:39 | |
The music. | 1:24:39 | 1:24:41 | |
I hear it, too. | 1:24:43 | 1:24:45 | |
I'm sorry, son. We need to go. | 1:24:53 | 1:24:55 | |
Clear the way, please. Moving out, thank you! | 1:24:55 | 1:24:58 | |
Thank you folks, let's go. Clear, clear, clear. | 1:24:58 | 1:24:59 | |
Line set up. Set up the line. | 1:25:15 | 1:25:17 | |
-We're losing him. -Clear! | 1:25:20 | 1:25:22 | |
One, two, three, four. | 1:25:35 | 1:25:37 | |
FLATLINE TONE | 1:25:43 | 1:25:46 | |
CHILDREN SING | 1:27:15 | 1:27:18 | |
Subtitles by Red Bee Media Ltd | 1:28:40 | 1:28:42 | |
E-mail [email protected] | 1:28:42 | 1:28:44 |