Browse content similar to The Singing Detective. Check below for episodes and series from the same categories and more!
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This film contains strong language and some scenes of a sexual nature. | 0:00:02 | 0:00:09 | |
That the guy? | 0:00:44 | 0:00:46 | |
That's the guy. | 0:00:54 | 0:00:56 | |
-Does he get to screw her first? -Sure. | 0:00:56 | 0:01:00 | |
She could be coming and going at the same time. | 0:01:00 | 0:01:03 | |
-What's your poison? -A saucer of milk. | 0:01:20 | 0:01:25 | |
-This looks like a cat-house. -Think of it as a kennel. | 0:01:25 | 0:01:28 | |
Consider it thunk. | 0:01:28 | 0:01:30 | |
So, how much is that doggie in the window? | 0:01:34 | 0:01:37 | |
Which one? A lot of mongrels in this place. | 0:01:37 | 0:01:41 | |
The one with the waggedy tail. | 0:01:41 | 0:01:44 | |
# I do hope | 0:01:48 | 0:01:51 | |
# That doggie's for sale | 0:01:51 | 0:01:55 | |
# Dee-dum... # | 0:01:55 | 0:01:57 | |
Crummy tune, mister, but otherwise... | 0:02:01 | 0:02:05 | |
Otherwise? | 0:02:09 | 0:02:11 | |
I'm your fluffy, little pooch. | 0:02:12 | 0:02:15 | |
-BARKING -What did you say? | 0:02:16 | 0:02:19 | |
BARKS | 0:02:19 | 0:02:21 | |
-OK. So, you want to be a dog? -No. I just wanna shit on the sidewalks. | 0:02:21 | 0:02:25 | |
# How much is that doggie in the window? Arf, arf! | 0:02:27 | 0:02:32 | |
# The one with the waggly tail. # | 0:02:32 | 0:02:36 | |
-TURNS RADIO OFF -Hey! I like Patti Page! | 0:02:36 | 0:02:40 | |
But does she like you? | 0:02:40 | 0:02:42 | |
We're in business. | 0:02:48 | 0:02:51 | |
ENGINE STARTS | 0:02:51 | 0:02:53 | |
-Come on. I got ya. I got ya. -Are you new? | 0:02:58 | 0:03:01 | |
Yeah. I've been dealing with you for three months. | 0:03:01 | 0:03:05 | |
-Close the blinds. -I'll get the blinds in a minute if you give me a second. | 0:03:05 | 0:03:09 | |
Close the fucking blinds! | 0:03:09 | 0:03:12 | |
Little fuck. | 0:03:15 | 0:03:18 | |
Do you know who I am? | 0:03:18 | 0:03:21 | |
I'm The Singing Detective. | 0:03:22 | 0:03:24 | |
SNORTS | 0:03:34 | 0:03:36 | |
Come on, bitch. Come on. Come on, bitch. | 0:03:48 | 0:03:51 | |
Do something smart. | 0:03:51 | 0:03:54 | |
HEAVY BREATHING | 0:03:54 | 0:03:56 | |
Come on! | 0:03:56 | 0:03:58 | |
Come on, bitch! Oh, yeah! | 0:03:59 | 0:04:02 | |
Yeah! | 0:04:02 | 0:04:04 | |
Come on! | 0:04:04 | 0:04:07 | |
Oh, yeah! | 0:04:09 | 0:04:11 | |
-Yeah! -'He panted.' | 0:04:11 | 0:04:13 | |
As he drove his...throbbing... into her. | 0:04:13 | 0:04:20 | |
WHIMPERS | 0:04:20 | 0:04:22 | |
Ah! Ah! Oh! | 0:04:25 | 0:04:29 | |
What the fuck you trying to do, tear me open? | 0:04:29 | 0:04:32 | |
Who is that? What is that? | 0:04:37 | 0:04:41 | |
My God! No! No! | 0:04:42 | 0:04:45 | |
SCREAMS | 0:04:45 | 0:04:47 | |
CONTINUES SCREAMING | 0:04:51 | 0:04:53 | |
# I don't want a parrot that talks | 0:05:23 | 0:05:26 | |
# I don't want a bowl of little fishies | 0:05:26 | 0:05:31 | |
# He can't take a goldfish for a walk | 0:05:31 | 0:05:35 | |
# How much is that doggie in the window? Woof, woof! | 0:05:36 | 0:05:40 | |
# The one with the waggly tail | 0:05:40 | 0:05:45 | |
# How much is that doggie in the window? Woof, woof! | 0:05:45 | 0:05:49 | |
# I do hope that doggie's for sale | 0:05:49 | 0:05:53 | |
That's wrong. This bit. # I do hope that doggie's for sale. # | 0:05:53 | 0:05:57 | |
She's my... | 0:05:57 | 0:06:00 | |
# Home alone | 0:06:00 | 0:06:02 | |
# Hey, hey, hey, hey You're home alone | 0:06:02 | 0:06:06 | |
# Hey, hey, hey, hey, hey You're home alone | 0:06:06 | 0:06:09 | |
# Hey, hey, hey, hey You're home alone | 0:06:09 | 0:06:11 | |
# Hey, hey, hey, hey, hey | 0:06:11 | 0:06:14 | |
# Well, I went to my doctor not so long ago | 0:06:14 | 0:06:17 | |
# I'm walking in a circle, I'm all alone | 0:06:17 | 0:06:21 | |
# He looked at me and said, "Good lord above!" # | 0:06:21 | 0:06:24 | |
-Good morning. You are Mr.. -Dark. | 0:06:24 | 0:06:28 | |
-Daniel Dark. Extensive lesions. -Temperature through the roof. | 0:06:28 | 0:06:33 | |
Difficult case. We moved him after several disruptive outbursts. | 0:06:33 | 0:06:37 | |
How long have you had psoriatic arthropathy? | 0:06:37 | 0:06:39 | |
How long? Since Pearl Harbour. | 0:06:39 | 0:06:43 | |
-26 years. -Do you have much movement in your joints? | 0:06:43 | 0:06:46 | |
Hydrocortisone injections all major joints, including toes. | 0:06:46 | 0:06:50 | |
-And the history? -Initially, coal tar and then gold injections. | 0:06:50 | 0:06:54 | |
Indomethacin not successful. The course is prednisone. | 0:06:54 | 0:06:59 | |
Lengthening PUBA not successful and methotrexate left deposits... | 0:06:59 | 0:07:04 | |
Oh, well, then - excuse me - much nausea? Do you vomit, yes? | 0:07:04 | 0:07:08 | |
Yes. | 0:07:08 | 0:07:11 | |
Induced neutropenia. Wart-like lesions removed with... | 0:07:11 | 0:07:16 | |
You're... Er, he's... You're hyperventilating. | 0:07:16 | 0:07:19 | |
Um, are you experiencing some kind of visual dislocations? | 0:07:19 | 0:07:23 | |
Mind tricks? | 0:07:23 | 0:07:25 | |
Yesterday, he said there was a dog in the bed, chewing his ankles. | 0:07:25 | 0:07:29 | |
OK. Things are not good here. Um, how do you feel about...? | 0:07:29 | 0:07:34 | |
Mr...Dark, how do you feel about one of the new retinoids? Hmm? | 0:07:34 | 0:07:39 | |
It...it wasn't my ankles. It was chewing my balls. | 0:07:39 | 0:07:44 | |
What I'm asking is if you understand the question. | 0:07:47 | 0:07:50 | |
No! I don't! Because I have regressed | 0:07:50 | 0:07:53 | |
into the pathetic condition of total dependency, Doc. | 0:07:53 | 0:07:57 | |
In short and in the vernacular, I'm a fucking kid again. | 0:07:57 | 0:08:00 | |
Last time I had to endure anything this demeaning was in my baby buggy. | 0:08:00 | 0:08:04 | |
-I was...drooled over by slobbery cretins... -Dark. | 0:08:04 | 0:08:10 | |
..from the cuckoo house. Thought they were doctors and nurses. | 0:08:10 | 0:08:13 | |
LAUGHS | 0:08:13 | 0:08:15 | |
What, er... What exactly did you, er... | 0:08:18 | 0:08:22 | |
What did you do for a living, Mr...Dark? | 0:08:22 | 0:08:25 | |
What DID I do? | 0:08:25 | 0:08:27 | |
I'm an author. | 0:08:27 | 0:08:29 | |
Oh. Oh. | 0:08:29 | 0:08:32 | |
-I didn't realise. -Dan Dark. | 0:08:32 | 0:08:35 | |
Trash that doesn't sell. Detective stories about a gumshoe who warbles. | 0:08:35 | 0:08:40 | |
That sounds interesting. Um, what does... | 0:08:40 | 0:08:43 | |
MUMBLES | 0:08:43 | 0:08:45 | |
-Please! Please. -What is it? | 0:08:45 | 0:08:47 | |
Will you please listen? | 0:08:49 | 0:08:52 | |
I can't talk when I'm flat out like this. I need... | 0:08:54 | 0:08:58 | |
Up, to sit up, please. | 0:08:58 | 0:09:00 | |
You know, I'm on a very tight schedule. | 0:09:00 | 0:09:03 | |
ELECTRONIC BUZZING | 0:09:03 | 0:09:06 | |
-Listen... -There you go. | 0:09:10 | 0:09:12 | |
Listen. Listen! | 0:09:12 | 0:09:15 | |
I'm no hero and I've reached the end. | 0:09:17 | 0:09:19 | |
-Of what? -My tether. | 0:09:19 | 0:09:22 | |
Come on. | 0:09:22 | 0:09:24 | |
I'd still like to get out of it, but I can't. | 0:09:28 | 0:09:31 | |
Listen, I can't...I can't stand it. | 0:09:31 | 0:09:34 | |
I really and truly can't stand it... any more. | 0:09:34 | 0:09:37 | |
I can't get on top of it. I can't tell what is from what isn't | 0:09:37 | 0:09:41 | |
and if I don't tell someone... | 0:09:41 | 0:09:44 | |
If I don't admit it, I'll never get out of it. | 0:09:44 | 0:09:48 | |
These tears! Those fucking tears! | 0:09:48 | 0:09:51 | |
Oh. I'm sorry. | 0:09:54 | 0:09:56 | |
Ooh, the shame. | 0:09:56 | 0:09:58 | |
The tears. All this oozing...useless liquid. | 0:09:59 | 0:10:03 | |
It just hurts my...skin...my face | 0:10:03 | 0:10:06 | |
and... | 0:10:06 | 0:10:08 | |
..when I laugh it hurts my jaw. I'm a prisoner inside my... | 0:10:08 | 0:10:12 | |
..my own skin. | 0:10:12 | 0:10:15 | |
# "At The Hop" - Danny And The Juniors | 0:10:15 | 0:10:18 | |
# Bah, bah, bah, bah | 0:10:19 | 0:10:22 | |
# Bah, bah, bah, bah | 0:10:22 | 0:10:24 | |
# Bah, bah, bah, bah | 0:10:24 | 0:10:26 | |
# Bah, bah, bah, bah | 0:10:26 | 0:10:28 | |
# At the hop! | 0:10:28 | 0:10:30 | |
# Well, you can rock it, you can roll it | 0:10:30 | 0:10:32 | |
# You can stop and you can stroll it at the hop | 0:10:32 | 0:10:34 | |
# Hop, hop, hop, hop | 0:10:34 | 0:10:36 | |
# When the record starts a spinnin' | 0:10:36 | 0:10:37 | |
# You calypso when you chicken at the hop | 0:10:37 | 0:10:39 | |
# Hop, hop, hop, hop | 0:10:39 | 0:10:40 | |
# Do the dance sensation that is sweeping the nation at the hop | 0:10:40 | 0:10:43 | |
# Hop, hop, hop, hop | 0:10:43 | 0:10:45 | |
# Ah, let's go to the hop | 0:10:45 | 0:10:48 | |
# Let's go to the hop | 0:10:48 | 0:10:50 | |
-# Oh, baby -# Let's go to the hop | 0:10:50 | 0:10:52 | |
-# Oh, baby -# Let's go to the hop | 0:10:52 | 0:10:54 | |
# Wah, wah | 0:10:54 | 0:10:58 | |
# Let's go to the hop | 0:10:58 | 0:11:00 | |
# Well, you can swing it, you can groove it | 0:11:00 | 0:11:01 | |
# You can really move it at the hop | 0:11:01 | 0:11:03 | |
# Where the jockey is the smoothest | 0:11:04 | 0:11:06 | |
# And the music is the coolest at the hop | 0:11:06 | 0:11:09 | |
# All the cats and the chicks can get their kicks at the hop | 0:11:10 | 0:11:13 | |
# Let's go! | 0:11:13 | 0:11:15 | |
# Let's go to the hop | 0:11:15 | 0:11:16 | |
# Let's go to the hop | 0:11:16 | 0:11:19 | |
-# Oh, baby -# Let's go to the hop | 0:11:19 | 0:11:21 | |
-# Oh, baby -# Let's go to the hop | 0:11:21 | 0:11:24 | |
# Wah, wah | 0:11:24 | 0:11:26 | |
# Let's go to the hop. Let's go! | 0:11:26 | 0:11:29 | |
PIANO SOLO | 0:11:29 | 0:11:32 | |
# Bah, bah, bah, bah | 0:11:43 | 0:11:46 | |
# Bah, bah, bah, bah | 0:11:46 | 0:11:48 | |
# Bah, bah, bah, bah | 0:11:48 | 0:11:50 | |
# Bah, bah, bah, bah, at the hop. # | 0:11:50 | 0:11:53 | |
Well, there is an upside to all this pain and... | 0:11:56 | 0:12:00 | |
..I firmly believe that. | 0:12:01 | 0:12:04 | |
Good morning. | 0:12:09 | 0:12:11 | |
Um...he's almost over the edge. | 0:12:15 | 0:12:19 | |
I think that Gibbon should see him. | 0:12:19 | 0:12:21 | |
'Pretty Nina was full of semen, comma, and bathwater. Period.' | 0:12:27 | 0:12:31 | |
The pretty head that knew too much is now emptied | 0:12:31 | 0:12:35 | |
of its last sad, cruel thought. Period. | 0:12:35 | 0:12:37 | |
Lot of products. | 0:12:37 | 0:12:40 | |
Oh, lookie here. | 0:12:41 | 0:12:43 | |
Body cream. | 0:12:43 | 0:12:45 | |
Harem Nights. | 0:12:46 | 0:12:49 | |
Is it done? | 0:12:49 | 0:12:51 | |
-This for armpits? You beat your meat with this? -Shut up. | 0:12:51 | 0:12:54 | |
-Hey. -Shut up! | 0:12:54 | 0:12:57 | |
VOMITS | 0:12:57 | 0:12:59 | |
Ah. | 0:12:59 | 0:13:01 | |
Just like a dame. | 0:13:05 | 0:13:07 | |
Tough guys don't know Jack. | 0:13:07 | 0:13:09 | |
They don't know that... vomit's a kind of sick. Period. | 0:13:09 | 0:13:14 | |
How are we today? | 0:13:19 | 0:13:21 | |
Hmm. I'm not too happy. | 0:13:23 | 0:13:25 | |
-I don't know about him. -What? | 0:13:25 | 0:13:29 | |
-Or maybe I mean you. -What do you mean? | 0:13:30 | 0:13:33 | |
Well, "How are we today?" | 0:13:33 | 0:13:36 | |
You say we. Who's the other guy? | 0:13:36 | 0:13:40 | |
-It's just a way of speaking. -Yeah, it's the medical way. | 0:13:40 | 0:13:43 | |
Assume loss of health means loss of brain cells. | 0:13:43 | 0:13:47 | |
Do you think you have a positive attitude? | 0:13:48 | 0:13:51 | |
LAUGHS | 0:13:51 | 0:13:54 | |
Don't! You crack me up. | 0:13:54 | 0:13:56 | |
SIGHS Well, that depends on whether | 0:13:56 | 0:13:59 | |
we're talking doughnuts you dunk | 0:13:59 | 0:14:01 | |
or black, feminist lesbians. | 0:14:01 | 0:14:04 | |
I'm afraid we're both, up to a point. | 0:14:04 | 0:14:07 | |
-You know, your illness, to a large... -Will I be able to move | 0:14:07 | 0:14:11 | |
on my own three feet? Will I hold a pen or a tit again? | 0:14:11 | 0:14:15 | |
Never mind the rhetoric. I can get that from a doctor, Doctor. | 0:14:15 | 0:14:20 | |
I have seen a lot of patients who are as bad as you, | 0:14:21 | 0:14:25 | |
but not one of them has reacted with such aggression. | 0:14:25 | 0:14:28 | |
What do they do? Sing madrigals? | 0:14:28 | 0:14:30 | |
-They don't act like they've fallen into a sewer. -Ah. | 0:14:30 | 0:14:34 | |
See, I thought you were pushing tranquillisers. | 0:14:34 | 0:14:38 | |
I didn't realise you had a deodorant to mind. | 0:14:38 | 0:14:41 | |
-You should take them, you know - the tranquillisers. -No. No. | 0:14:41 | 0:14:45 | |
No. And no. | 0:14:45 | 0:14:48 | |
How long are you going to see your plight through a blinding hot rage? | 0:14:48 | 0:14:52 | |
What do you live by? | 0:14:52 | 0:14:55 | |
LAUGHS W-What? | 0:14:55 | 0:14:57 | |
Come on. | 0:14:57 | 0:14:59 | |
All right. It's an embarrassing question, | 0:14:59 | 0:15:02 | |
but surely there must be something in a time of crisis. | 0:15:02 | 0:15:06 | |
What do you believe in? | 0:15:08 | 0:15:10 | |
Genocide. | 0:15:13 | 0:15:15 | |
-What? -Genocide - | 0:15:15 | 0:15:17 | |
starting in Los Angeles and working its way eastward. | 0:15:17 | 0:15:21 | |
I believe in so many things - infanticide, insecticide, | 0:15:21 | 0:15:26 | |
c-c-cyanide, s-s-suicide. | 0:15:26 | 0:15:29 | |
AIDS. | 0:15:29 | 0:15:31 | |
OK. All right. OK. | 0:15:31 | 0:15:33 | |
I put my faith in cholesterol, caffeine, nicotine, | 0:15:34 | 0:15:38 | |
alcohol, President Bush, carbon monoxide, | 0:15:38 | 0:15:41 | |
masturbation, nuclear first strike, the Reader's Digest and... | 0:15:41 | 0:15:46 | |
Ah! Properly labellling poisons. | 0:15:46 | 0:15:48 | |
-Are you done? -But most of all, Doc, | 0:15:48 | 0:15:52 | |
I believe in the one good thing that hurtles out of people's mouths. | 0:15:52 | 0:15:58 | |
GROWLS Vomit! | 0:15:58 | 0:16:00 | |
Puke. The Technicolour yawn. | 0:16:00 | 0:16:03 | |
-Cookie dough! -There is a good man here. | 0:16:04 | 0:16:08 | |
-He's new. He's very alert and sympathetic. Doctor Gibbon. -Doctor? | 0:16:08 | 0:16:12 | |
Of what? Skin, joints, zoology? | 0:16:14 | 0:16:17 | |
-He's a psychotherapist. -GO FUCK YOURSELF! | 0:16:18 | 0:16:22 | |
You will never get on top of your condition | 0:16:28 | 0:16:31 | |
until you deal with your bitterness. | 0:16:31 | 0:16:34 | |
Start over. Reassemble yourself. | 0:16:36 | 0:16:39 | |
Reassemble myself? | 0:16:44 | 0:16:47 | |
From what? | 0:16:50 | 0:16:52 | |
# Many a tear has to fall | 0:16:54 | 0:16:58 | |
# But it's all | 0:17:00 | 0:17:03 | |
# In the game | 0:17:03 | 0:17:05 | |
# All in the wonderful game | 0:17:09 | 0:17:11 | |
# That we know | 0:17:12 | 0:17:16 | |
# As love | 0:17:16 | 0:17:18 | |
# You have words | 0:17:22 | 0:17:25 | |
# With him | 0:17:25 | 0:17:27 | |
# And your future's | 0:17:28 | 0:17:31 | |
# Looking dim... # | 0:17:31 | 0:17:35 | |
Sorry, guys. I need five. | 0:17:36 | 0:17:38 | |
But you're breaking my heart. | 0:17:38 | 0:17:41 | |
-See you 'gators later. BAND: -In a while, reptile. | 0:17:42 | 0:17:46 | |
Dan Dark. | 0:17:53 | 0:17:55 | |
Is it you? The guy I've waited for ever since sax invented the phone? | 0:18:00 | 0:18:04 | |
The big cheese with the fat contract who loves the way I tickle a tune? | 0:18:04 | 0:18:10 | |
-Sorry, no. -That's right, trouble. | 0:18:10 | 0:18:13 | |
You're in trouble. | 0:18:13 | 0:18:16 | |
I heard you can help me... get results. | 0:18:16 | 0:18:19 | |
I get the cases the polite guys pass. | 0:18:19 | 0:18:22 | |
I get the jobs the guys who don't sing don't get. What's the story? | 0:18:22 | 0:18:26 | |
-Who's the dame? -How do you know there's a dame? | 0:18:26 | 0:18:30 | |
There's always a dame. | 0:18:30 | 0:18:32 | |
Tell me, am I right... or am I right? | 0:18:33 | 0:18:37 | |
There's always a dame. | 0:18:39 | 0:18:41 | |
Am I right or am I right? | 0:18:41 | 0:18:43 | |
There's always the money, too. | 0:18:43 | 0:18:47 | |
Talking to yourself again? | 0:18:47 | 0:18:49 | |
I had on my best pyjamas with red stripes and blue forget-me-nots. | 0:18:54 | 0:18:59 | |
I was powdered up to the armpits with talc between each toe. | 0:18:59 | 0:19:03 | |
A million bucks was about to call. | 0:19:03 | 0:19:06 | |
I was ready for it. | 0:19:06 | 0:19:08 | |
I see. | 0:19:08 | 0:19:11 | |
High temperature again? | 0:19:11 | 0:19:13 | |
When she moved her lips, I felt like a tulip in the dry season | 0:19:13 | 0:19:17 | |
when the first raindrops smacked into it. I've decided to open up. | 0:19:17 | 0:19:21 | |
Boy, was I green...or do I mean wet? | 0:19:25 | 0:19:29 | |
GLOVES TWANG LOUDLY | 0:19:29 | 0:19:31 | |
-Come to grease me, did you? -If you're ready. | 0:19:34 | 0:19:36 | |
-Ready as a back axle. -OK. | 0:19:36 | 0:19:41 | |
Let's get these off. | 0:19:41 | 0:19:44 | |
-I'll try not to hurt. -OK. | 0:19:44 | 0:19:46 | |
You look better. | 0:19:54 | 0:19:56 | |
'Oh, cock! Cock, do not crow! | 0:19:59 | 0:20:02 | |
'Poor cock. | 0:20:03 | 0:20:05 | |
'Do not stir. | 0:20:05 | 0:20:08 | |
'Think of something...boring. | 0:20:08 | 0:20:11 | |
'Something that's very, very boring. | 0:20:11 | 0:20:14 | |
'Oh! Quick! | 0:20:14 | 0:20:16 | |
'The Mormon Tabernacle Choir now brings you... | 0:20:16 | 0:20:20 | |
'..selections from The Sound Of Music. | 0:20:21 | 0:20:24 | |
'Snoopy pictures on the wall. | 0:20:24 | 0:20:27 | |
'Nine-grain toast with reduced sugar marmalade. | 0:20:27 | 0:20:31 | |
'Oh! Old baseball players! | 0:20:31 | 0:20:34 | |
'Pina coladas!' | 0:20:35 | 0:20:37 | |
-Oh. -Sorry, is it too hard? -Oh...fine! | 0:20:37 | 0:20:42 | |
It's worst of all here inside your thighs. | 0:20:44 | 0:20:46 | |
'Organic pizza. Bumper stickers that ask it all for Jesus. | 0:20:48 | 0:20:52 | |
'Worrying about whales. Oh, God! | 0:20:52 | 0:20:55 | |
'What about fucking baby seals? Fortune-cookie messages! | 0:20:55 | 0:20:58 | |
'And denim accessories. | 0:20:58 | 0:21:02 | |
'Oh, Muppets and puppets!' | 0:21:02 | 0:21:04 | |
Sorry. I'll have to lift your penis now to grease around it. | 0:21:04 | 0:21:08 | |
Oh! | 0:21:08 | 0:21:10 | |
# "Mr Sandman" - The Chordettes | 0:21:10 | 0:21:12 | |
# Bom, bom, bom, bom, bom, bom, bom, bom | 0:21:12 | 0:21:15 | |
# Bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom | 0:21:15 | 0:21:18 | |
# Mr Sandman | 0:21:18 | 0:21:20 | |
-# Bring me a dream -# Bom, bom, bom, bom | 0:21:20 | 0:21:23 | |
# Make him the cutest that I've ever seen | 0:21:23 | 0:21:26 | |
-# Bom, bom, bom, bom -# Give him two lips | 0:21:26 | 0:21:29 | |
-# Like roses and clover -# Bom, bom, bom, bom | 0:21:29 | 0:21:31 | |
# Then tell him that his lonesome nights are over | 0:21:31 | 0:21:35 | |
# Mr Sandman | 0:21:35 | 0:21:37 | |
-# I'm so alone -# Bom, bom, bom, bom | 0:21:37 | 0:21:40 | |
# Don't have nobody to call my own | 0:21:40 | 0:21:43 | |
-# Bom, bom, bom, bom -# Please turn on your magic beam | 0:21:43 | 0:21:47 | |
# Mr Sandman, bring me a dream | 0:21:47 | 0:21:51 | |
# Bom, bom, bom, bom | 0:21:51 | 0:21:53 | |
# Bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom | 0:21:53 | 0:21:57 | |
# Bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom, bom | 0:21:57 | 0:22:00 | |
# Mr Sandman | 0:22:00 | 0:22:02 | |
# Bring me a dream | 0:22:02 | 0:22:05 | |
# Make him the cutest that I've ever seen | 0:22:05 | 0:22:08 | |
# Give him the word... # | 0:22:09 | 0:22:11 | |
Sorry, I'm going to have to lift your penis and grease around it. | 0:22:11 | 0:22:15 | |
# ..nights are over | 0:22:15 | 0:22:17 | |
# Mr Sandman, I'm so alone | 0:22:17 | 0:22:20 | |
# Don't have nobody to call my own | 0:22:20 | 0:22:24 | |
# Please turn on your magic beam... # | 0:22:24 | 0:22:28 | |
WHIMPERS | 0:22:31 | 0:22:33 | |
I'm so sorry. | 0:22:45 | 0:22:47 | |
It's the only part of me that still sort of functions. | 0:22:47 | 0:22:50 | |
We don't have to talk about it, do we? | 0:22:50 | 0:22:54 | |
No. | 0:22:56 | 0:22:58 | |
They say she was with me, but I swear to God... | 0:22:58 | 0:23:00 | |
-Swear to something you believe in, boy. -I swear on my mother's grave. | 0:23:00 | 0:23:05 | |
-Nina left me unharmed. -That her name? The whore? -Why call her that? | 0:23:05 | 0:23:09 | |
Dog shit by another name smells just as foul, pal, | 0:23:09 | 0:23:13 | |
and it sticks to the bottom of your shoe no matter what you call it. | 0:23:13 | 0:23:17 | |
It's nasty. Do you want me to clean it up? | 0:23:17 | 0:23:20 | |
Find out what happened and prove nothing happened to her cos of me. | 0:23:20 | 0:23:24 | |
-But it did. -What? | 0:23:24 | 0:23:28 | |
Wouldn't that be the way her mother would see it? | 0:23:28 | 0:23:31 | |
-Her mother? -You just swore on your mother's grave, Mr Binney. | 0:23:31 | 0:23:36 | |
I'm not hiring you for a mouthful of humbug, Mr Dark! | 0:23:36 | 0:23:40 | |
-Argh! -Maybe the cops are fixing a fire, Binney. | 0:23:40 | 0:23:43 | |
Maybe you're playing some deeper game. | 0:23:43 | 0:23:47 | |
-You're not a nice guy, Dark. -Ah, but you'll pay me, Binney. | 0:23:48 | 0:23:52 | |
You'll pay me double for the humbug. | 0:23:52 | 0:23:55 | |
'Period. Part of the service. Period. | 0:23:55 | 0:23:59 | |
'End paragraph.' | 0:23:59 | 0:24:01 | |
-All right. So, er, you're gonna wait for the man, right? -Yeah. All right. | 0:24:24 | 0:24:28 | |
My book. | 0:24:48 | 0:24:51 | |
What's it doing here? | 0:24:51 | 0:24:53 | |
What's going on? | 0:24:53 | 0:24:55 | |
Your book, Mr Dark. | 0:24:57 | 0:24:59 | |
-Happened to pick up a copy the other day. -Oh, yeah? | 0:24:59 | 0:25:03 | |
-Where? Fertiliser factory? -He said, out of the side of his mouth. | 0:25:03 | 0:25:07 | |
-Gibbon. How are you, Mr Dark? -Can't...shake. | 0:25:07 | 0:25:12 | |
-Oh, yes, of course. -I wouldn't if I could. | 0:25:12 | 0:25:16 | |
-I'm here under protest. -I see. | 0:25:16 | 0:25:19 | |
A kidnap. | 0:25:19 | 0:25:21 | |
Little men shouldn't sit where their feet don't touch the floor. | 0:25:25 | 0:25:29 | |
It makes me think of nursery rhymes. | 0:25:29 | 0:25:32 | |
-You don't wanna see me? -What sharpness(!) What perception(!) | 0:25:33 | 0:25:38 | |
And you don't like it at all that I've got this. | 0:25:38 | 0:25:42 | |
-It's full of clues. -No. It's full of pages. | 0:25:43 | 0:25:46 | |
Clues are what you're supposed to find in a detective story. | 0:25:46 | 0:25:50 | |
Am I right or am I right? | 0:25:50 | 0:25:53 | |
Jesus, you're good. | 0:25:54 | 0:25:56 | |
I know clues are supposed to lead you to the killer but, er, | 0:25:56 | 0:26:00 | |
don't they reveal the victim a little more clearly? | 0:26:00 | 0:26:04 | |
You think you're being interesting, don't you? | 0:26:04 | 0:26:07 | |
If this was a movie, it would be on the cutting-room floor. | 0:26:07 | 0:26:11 | |
-Does your book worry you? -I wanna go to my bed. It's vivid and exciting. | 0:26:11 | 0:26:15 | |
-Well, you don't have many visitors. -Ooh. | 0:26:15 | 0:26:18 | |
Does your wife come and visit you or do you stop her? | 0:26:18 | 0:26:22 | |
-I'm not married. Period. -Right. Yes, I see. | 0:26:22 | 0:26:26 | |
Stop it! Stop staring at me. Have you never seen a human pizza before? | 0:26:31 | 0:26:36 | |
You... You don't like women, do you? | 0:26:37 | 0:26:40 | |
Which ones? Young ones, old ones, fat ones, faithful ones? | 0:26:41 | 0:26:45 | |
-Virgins, whores? Try and be specific, Doc. -Maybe you think you like 'em, | 0:26:45 | 0:26:50 | |
but, er, my guess is, you don't like sex. | 0:26:50 | 0:26:54 | |
How do you spell that? That's not a word you see much nowadays. | 0:26:55 | 0:26:59 | |
You probably think you do. Sex. | 0:26:59 | 0:27:02 | |
You probably think about it all the time. I know I do. | 0:27:02 | 0:27:06 | |
If I say fuck you, does that mean yes? | 0:27:06 | 0:27:11 | |
Well, isn't it clear you regard sexual intercourse with distaste, | 0:27:13 | 0:27:19 | |
-or...perhaps even a little fear? -SCOFFS | 0:27:19 | 0:27:22 | |
What, am I trapped in here with a fruitcake? | 0:27:22 | 0:27:25 | |
-Here, for example, on page 116. -This is against the Geneva Convention. | 0:27:25 | 0:27:29 | |
-I'll read you a passage out of your own book. -No! | 0:27:29 | 0:27:32 | |
-No? -SHOVE IT UP YOUR ASS! | 0:27:32 | 0:27:35 | |
WHISTLING | 0:27:43 | 0:27:45 | |
# Just walking in the rain | 0:27:46 | 0:27:49 | |
# Getting soaking wet | 0:27:51 | 0:27:54 | |
# Torturing my heart | 0:27:57 | 0:27:59 | |
# By trying to forget... | 0:28:01 | 0:28:04 | |
Dad, what's wrong? | 0:28:04 | 0:28:07 | |
# Just a-walkin' in the rain | 0:28:07 | 0:28:10 | |
# So alone and blue... # | 0:28:11 | 0:28:13 | |
-I don't wish to upset you, Mr Dark. -I'm just walking in the rain, Doc. | 0:28:16 | 0:28:20 | |
You know you need help. You're too aware of your condition to deny it. | 0:28:20 | 0:28:25 | |
I was just collecting raindrops. | 0:28:25 | 0:28:27 | |
Most chronic skin patients are on tranquillisers or antidepressants. | 0:28:27 | 0:28:32 | |
See, the skin is very personal. | 0:28:32 | 0:28:35 | |
It's, er, tempting to believe that the poisons of the mind have somehow | 0:28:35 | 0:28:39 | |
erupted onto the surface of the skin. | 0:28:39 | 0:28:42 | |
"Unclean, unclean," you shout, | 0:28:42 | 0:28:46 | |
ringing your leper's bell, | 0:28:46 | 0:28:48 | |
warding us all off. That'll destroy you. | 0:28:48 | 0:28:53 | |
Yes, I think you know that, or at least, part of you does. | 0:28:53 | 0:28:57 | |
-You can be helped. -Yeah, with a Mickey Finn. | 0:28:57 | 0:29:01 | |
-Now, why mimic that stuff? -What stuff? | 0:29:02 | 0:29:06 | |
The side of you mouth kinda stuff. That Mean Streets kinda stuff. | 0:29:06 | 0:29:10 | |
I'm sorry. What kinda stuff? | 0:29:10 | 0:29:13 | |
My feeling is that, er, after I've read some of your prose... | 0:29:15 | 0:29:21 | |
-Ho-ho. Hee-hee. -You didn't start out to write in this way. | 0:29:21 | 0:29:25 | |
-What would you have preferred to have written? -If I had the talent? | 0:29:29 | 0:29:33 | |
No, of course I don't mean that. | 0:29:33 | 0:29:35 | |
No. Go ahead. Be a critic. You got the face for it. | 0:29:35 | 0:29:39 | |
If you like, all right. Er, if you had the talent...? | 0:29:39 | 0:29:44 | |
If I had the talent, one-liners for Michael Jackson. | 0:29:44 | 0:29:48 | |
Two-liners for Helen Keller, if it wouldn't be stretching her too much. | 0:29:48 | 0:29:52 | |
Maybe traffic citations for Ted Kennedy. Who knows? | 0:29:52 | 0:29:56 | |
It's just one word after another. | 0:29:56 | 0:29:58 | |
All the problems of the world start with the next goddamn word. | 0:29:58 | 0:30:02 | |
-It's not incriminating. -What isn't? | 0:30:02 | 0:30:05 | |
Telling me what you would prefer to write. | 0:30:05 | 0:30:09 | |
I'd like to praise the loving God and all his loving creation. | 0:30:16 | 0:30:21 | |
To have seen... | 0:30:21 | 0:30:24 | |
..hosts of translucent angels | 0:30:24 | 0:30:27 | |
ascending spinning shafts of golden light | 0:30:27 | 0:30:30 | |
to the deep blue caverns of heaven. | 0:30:30 | 0:30:33 | |
Hell, they'd all have these massive titties, wouldn't they? | 0:30:33 | 0:30:37 | |
Well, there is one part here | 0:30:37 | 0:30:39 | |
that doesn't seem to fit in with the rest. Here it is. | 0:30:39 | 0:30:43 | |
"Mouth - sucking wet and slack in the mouth. | 0:30:43 | 0:30:47 | |
"Tongue chafing against tongue. | 0:30:47 | 0:30:50 | |
"Limb thrusting upon limb. | 0:30:50 | 0:30:53 | |
"Skin rubbing at skin. | 0:30:53 | 0:30:55 | |
"Faces contort and stretch into a helpless leer. | 0:30:57 | 0:31:02 | |
"Organs spurt out smelly stains and sticky betrayals. | 0:31:02 | 0:31:06 | |
"This is the sweaty farce out of which we are brought into being. | 0:31:06 | 0:31:11 | |
"You're implicated without choice in the slippery catastrophe | 0:31:11 | 0:31:15 | |
-"of copulations that spatter us into existence." -OK! | 0:31:15 | 0:31:18 | |
-"We are spat out of fevered loins." -OK. | 0:31:18 | 0:31:22 | |
"We are the by-blows, grunts and pantings | 0:31:22 | 0:31:25 | |
-"in a rumpled and creaking bed." -Sadistic quack! | 0:31:25 | 0:31:29 | |
"Welcome." | 0:31:29 | 0:31:31 | |
Yeah, the milk of paradise. | 0:31:39 | 0:31:42 | |
'I can taste it now.' | 0:31:42 | 0:31:46 | |
# "How Much Is That Doggie In The Window?" - Patti Page | 0:31:47 | 0:31:51 | |
# How much is that doggie in the window? Woof, woof! | 0:31:51 | 0:31:55 | |
# The one with the waggedy tail | 0:31:55 | 0:31:59 | |
# How much is that doggie in the window... # | 0:31:59 | 0:32:03 | |
COUGHS | 0:32:03 | 0:32:05 | |
'The devil was alive in his eyes, | 0:32:16 | 0:32:18 | |
'hot with hate. I felt that ice chink against my spine. | 0:32:18 | 0:32:22 | |
'Hell, I was staring straight into 'em.' | 0:32:22 | 0:32:26 | |
-< He might see us! -I don't think he will see. | 0:32:34 | 0:32:38 | |
OK. | 0:32:43 | 0:32:45 | |
-Let go, Betty. -I'm just scared, is all. | 0:32:46 | 0:32:50 | |
What can he do? Nothing. | 0:32:50 | 0:32:53 | |
We're partners, anyway. It says so on the sign. | 0:32:55 | 0:32:58 | |
Partners in peanuts. | 0:32:59 | 0:33:02 | |
I'll take my piece right now. | 0:33:04 | 0:33:07 | |
-Don't say it like that. -Now, you're just scared, that's all. | 0:33:08 | 0:33:12 | |
I love your mouth when you don't like something I say. | 0:33:17 | 0:33:21 | |
There's nothing to be scared of. | 0:33:24 | 0:33:26 | |
Nobody comes to this old barn no more... | 0:33:30 | 0:33:33 | |
-..except the rats. -And you. | 0:33:34 | 0:33:38 | |
Hmm? | 0:33:38 | 0:33:40 | |
Sounds like you've been here before. | 0:33:42 | 0:33:45 | |
Me? What for? | 0:33:45 | 0:33:47 | |
Who with? | 0:33:52 | 0:33:53 | |
You are no good, Mark. | 0:33:53 | 0:33:57 | |
What about you... | 0:34:01 | 0:34:04 | |
..Mrs Dark? | 0:34:04 | 0:34:06 | |
SHRIEKS | 0:34:14 | 0:34:16 | |
Ohhhh... | 0:34:37 | 0:34:39 | |
Angel. | 0:34:39 | 0:34:41 | |
-Come on, bitch! -MOANS | 0:34:56 | 0:34:59 | |
'Tongue chafing against tongue. | 0:35:01 | 0:35:04 | |
'Limb thrusting upon limb. | 0:35:04 | 0:35:07 | |
'Skin rubbing at skin. | 0:35:07 | 0:35:10 | |
'Faces contort and stretch into a helpless leer. | 0:35:10 | 0:35:13 | |
'Organs spurt out smelly stains and...' | 0:35:13 | 0:35:16 | |
LOUD BANG | 0:35:16 | 0:35:18 | |
Sticky betrayals. | 0:35:18 | 0:35:21 | |
# "Just Walking In The Rain" - Johnny Ray | 0:35:23 | 0:35:26 | |
# Just walking in the rain | 0:35:26 | 0:35:31 | |
# Getting soaking wet | 0:35:32 | 0:35:34 | |
# Torturing my heart | 0:35:36 | 0:35:39 | |
# But trying to forget | 0:35:41 | 0:35:44 | |
# Just walking in the rain | 0:35:45 | 0:35:49 | |
# So alone and blue | 0:35:51 | 0:35:54 | |
# All because... # He's still waving. | 0:35:55 | 0:35:58 | |
-Dad just kept waving. -What? | 0:35:58 | 0:36:02 | |
-I said, how far is it? -About 200 miles. | 0:36:04 | 0:36:09 | |
Will we like it? Los Angeles? | 0:36:21 | 0:36:24 | |
Mom? | 0:36:26 | 0:36:29 | |
It'll be dark and full of gangsters. | 0:36:29 | 0:36:32 | |
I'm afraid he had to be sedated. | 0:36:55 | 0:36:57 | |
He's been asleep most of the day. | 0:36:57 | 0:37:00 | |
-Poor man. -They're trying him on a new drug. | 0:37:02 | 0:37:05 | |
Well, you know that, of course. | 0:37:05 | 0:37:07 | |
Of course. | 0:37:07 | 0:37:09 | |
Mr Dark? | 0:37:11 | 0:37:13 | |
-Your wife. -You know what, maybe we shouldn't wake him. | 0:37:13 | 0:37:17 | |
They wanted to know if you came. The doctors. | 0:37:23 | 0:37:26 | |
They'd like to speak with you. | 0:37:26 | 0:37:29 | |
Well, yeah. Maybe I should speak to somebody. | 0:37:29 | 0:37:32 | |
-Least I won't get my head bitten off. -Sorry? | 0:37:32 | 0:37:35 | |
Oh, er, if he wakes up and sees me here, you'll know what I mean. | 0:37:35 | 0:37:40 | |
Dan Dark, darker, darkest, kind of thing. | 0:37:41 | 0:37:44 | |
Actually, I'm gonna go. | 0:37:44 | 0:37:47 | |
I think...I shouldn't have come. | 0:37:47 | 0:37:50 | |
-I shouldn't even try. -Hey. | 0:37:50 | 0:37:53 | |
Farewell, my lovely. | 0:37:55 | 0:37:56 | |
YOU BITCH! | 0:37:57 | 0:38:00 | |
NICOLA! | 0:38:00 | 0:38:03 | |
Come here, you disgusting tramp! | 0:38:05 | 0:38:08 | |
You two-bit slag bitch! NICOLA! | 0:38:08 | 0:38:12 | |
Who are you spreading your legs for now? | 0:38:13 | 0:38:16 | |
COME BACK HERE NOW, YOU STUPID BITCH WHORE! | 0:38:16 | 0:38:20 | |
Mr Dark! What do you think you're doing? Where do you think you are? | 0:38:20 | 0:38:25 | |
-I'm so sorry. Is there a problem? -Yes. There's a problem. | 0:38:27 | 0:38:32 | |
You're the problem! Stop the yelling! It's disgusting. | 0:38:32 | 0:38:36 | |
You should be ashamed of yourself. You stop it at once. | 0:38:36 | 0:38:39 | |
-I so don't want to be disruptive. -Good. | 0:38:39 | 0:38:42 | |
-I was just sort of singing. -You were what? | 0:38:42 | 0:38:45 | |
# Many a tear has to fall | 0:38:45 | 0:38:49 | |
# But it's all in the game... # | 0:38:50 | 0:38:56 | |
Ah. There are mysteries. | 0:39:14 | 0:39:16 | |
Puzzles. | 0:39:16 | 0:39:18 | |
There are always things that bewilder the children, Mr Dark. | 0:39:18 | 0:39:23 | |
-Accept it, yes? -Hmm. Accept the sky, accept the birds, | 0:39:23 | 0:39:27 | |
accept bird shit. | 0:39:27 | 0:39:30 | |
Hmm. Has your wife been to visit you yet? | 0:39:30 | 0:39:33 | |
The way you walk up and down behind me... | 0:39:33 | 0:39:36 | |
Are you pretending to be an oddball, or are you actually nuts? | 0:39:36 | 0:39:40 | |
Ah! There you are. | 0:39:40 | 0:39:42 | |
You're looking better. | 0:39:42 | 0:39:45 | |
-Uh-huh. Am I? -Yeah. Your posture, too. Less painful. | 0:39:45 | 0:39:48 | |
Er, maybe. | 0:39:48 | 0:39:50 | |
-You know, you ought to let those neck muscles relax. -Argh! | 0:39:50 | 0:39:54 | |
Forgive me, I, er... | 0:39:54 | 0:39:56 | |
That's why I...I just... If you could just turn your head. | 0:39:56 | 0:40:01 | |
You'd get fewer headaches that way. | 0:40:01 | 0:40:04 | |
-This is OK. -Oh. You do, don't you? Severe ones. | 0:40:04 | 0:40:08 | |
There's no doubt that as a result, your perceptions are distorted. | 0:40:09 | 0:40:13 | |
Yeah. I can see around corners and right up your hairy little... | 0:40:13 | 0:40:17 | |
Not to mention that ugly temper. | 0:40:17 | 0:40:19 | |
MUMBLES | 0:40:19 | 0:40:21 | |
Hmm. | 0:40:23 | 0:40:25 | |
What do you think? Do you think it's time you went back to work again? | 0:40:25 | 0:40:30 | |
Tell me how, Doctor Do-Nothing. | 0:40:30 | 0:40:33 | |
I never write anything down myself. I dictate. Have you tried it? | 0:40:33 | 0:40:37 | |
With whom? Question mark. | 0:40:37 | 0:40:40 | |
Oh, there are people. | 0:40:40 | 0:40:42 | |
-Agencies. -Somebody being getting to you? | 0:40:42 | 0:40:45 | |
-What do you mean? -Has a certain whore of my former acquaintance | 0:40:45 | 0:40:50 | |
been pushing her hard little nose into my affairs? | 0:40:50 | 0:40:54 | |
Mr Dark... do you plan to get better? | 0:40:55 | 0:40:59 | |
Hmm? | 0:41:01 | 0:41:03 | |
Chronic illness is a shelter. | 0:41:03 | 0:41:05 | |
A cave in the rocks, into which a wounded spirit can safely crawl. | 0:41:07 | 0:41:11 | |
-Some cave. -Oh, no. Not very comfortable. Not at all. | 0:41:11 | 0:41:14 | |
There are bats in it. | 0:41:14 | 0:41:16 | |
Squeaking rodents with wings of skin and fur, | 0:41:17 | 0:41:21 | |
that hang upside down, crunching beetles in their teeth. | 0:41:21 | 0:41:25 | |
-But you know all about that. You know about bats. -Shut up, shrimp! | 0:41:25 | 0:41:29 | |
-You turned. You turned! -KNOCK AT DOOR | 0:41:29 | 0:41:32 | |
I did. | 0:41:32 | 0:41:34 | |
Not now. | 0:41:35 | 0:41:37 | |
-Who was that? -Uh? | 0:41:39 | 0:41:41 | |
What's that? That's progress, Mr Dark. | 0:41:41 | 0:41:44 | |
Who knows how far it can go? | 0:41:44 | 0:41:47 | |
What, from the neck down, you mean? | 0:41:47 | 0:41:49 | |
If you're thinking the other way around, | 0:41:49 | 0:41:52 | |
-if you wanna get inside my head, you better forget it. -Oh. Good. | 0:41:52 | 0:41:58 | |
Wait, can't you? | 0:42:12 | 0:42:14 | |
-He's asleep. -Who is? | 0:42:14 | 0:42:18 | |
-My boy. -You mean you've got a kid in here? | 0:42:18 | 0:42:21 | |
Jesus! | 0:42:21 | 0:42:23 | |
Listen, doll, when I fuck, I like to make a noise, OK? | 0:42:23 | 0:42:26 | |
What a disgusting disease. | 0:42:40 | 0:42:43 | |
Gee, thanks. | 0:42:44 | 0:42:46 | |
-Dan? -Sit down. Sit down. Why not? | 0:42:51 | 0:42:54 | |
-Keep the laughs coming. -Who's laughing? | 0:42:54 | 0:42:58 | |
You are, beyond a shadow of a doubt, an exceptionally beautiful woman... | 0:43:05 | 0:43:09 | |
at your peak. | 0:43:09 | 0:43:12 | |
That sounds like a death sentence. | 0:43:12 | 0:43:15 | |
It is a death sentence. | 0:43:15 | 0:43:17 | |
Three months I've been in this fucking bed, you know that? | 0:43:17 | 0:43:21 | |
Where you been? Who are you? What are you? I don't know. | 0:43:21 | 0:43:25 | |
I hallucinate now and then. You know what? | 0:43:25 | 0:43:28 | |
The past, the present. They're all in that cheap old book of mine | 0:43:28 | 0:43:32 | |
and I didn't even know it. | 0:43:32 | 0:43:34 | |
-So are you, honey. -Me? -Uh-huh. | 0:43:34 | 0:43:37 | |
'Nicola.' | 0:43:37 | 0:43:39 | |
You are a filthy, predatory, | 0:43:44 | 0:43:47 | |
totally wanton bitch who was always in heat and liked to fuck. | 0:43:47 | 0:43:51 | |
Don't. Don't nod now. Don't nod ever. | 0:43:51 | 0:43:55 | |
Whatever I said, I still loved you. | 0:44:00 | 0:44:03 | |
Liar. | 0:44:06 | 0:44:08 | |
I have some things to discuss with you. | 0:44:11 | 0:44:14 | |
There's a film company that wants to buy the rights | 0:44:14 | 0:44:18 | |
to that first book. | 0:44:18 | 0:44:20 | |
-What? -The Singing Detective. The one set in the fifties. | 0:44:20 | 0:44:25 | |
The book you've been talking about. | 0:44:25 | 0:44:28 | |
-They want it for Roger Rabbit, right? -No. | 0:44:28 | 0:44:31 | |
They seem, um... | 0:44:31 | 0:44:34 | |
..keen. | 0:44:34 | 0:44:36 | |
Keen? | 0:44:36 | 0:44:38 | |
All right, what's this got to do with you? | 0:44:39 | 0:44:42 | |
You're broke and you haven't written a word for over a year. | 0:44:42 | 0:44:46 | |
Dan, I just want you to be able to support yourself. | 0:44:46 | 0:44:51 | |
Oh, God. I see. Baby, baby, still thinks I owe her money. | 0:44:51 | 0:44:57 | |
-No. -You could work it out at, say, 500 dollars a screw. | 0:44:57 | 0:45:01 | |
Isn't that a top rate...for hookers? | 0:45:01 | 0:45:04 | |
Is it? I wouldn't know. | 0:45:06 | 0:45:08 | |
Who are you sleeping with at the moment? | 0:45:10 | 0:45:12 | |
-Myself, mostly. -Mostly? | 0:45:17 | 0:45:20 | |
-Mostly. -Mostly means not always. | 0:45:20 | 0:45:24 | |
Right, if you want to be precise. | 0:45:24 | 0:45:27 | |
Dan, you need to function. | 0:45:33 | 0:45:36 | |
-You just... You need to get... -What happened to the screenplay? | 0:45:37 | 0:45:41 | |
-What screenplay? -The one in my head. | 0:45:41 | 0:45:44 | |
What are you talking about? | 0:45:44 | 0:45:47 | |
That is the worst thing about a detective story - the plot. | 0:45:47 | 0:45:50 | |
It's the best thing, too. I mean, hell, isn't it the only thing? | 0:45:50 | 0:45:54 | |
You got to work it out - a rat in a maze. | 0:45:54 | 0:45:57 | |
-That's what I'm trying to do now. -With a story you've already written. | 0:45:57 | 0:46:01 | |
-It grows. -How, when you already know what's going to happen? | 0:46:04 | 0:46:10 | |
Where is it? The fucking screenplay - The Singing Detective! | 0:46:10 | 0:46:15 | |
-I put in in shoe boxes. -Shoeboxes? | 0:46:15 | 0:46:17 | |
YES! FUCKING SHOEBOXES! | 0:46:17 | 0:46:21 | |
Danny. | 0:46:24 | 0:46:27 | |
SIGHS | 0:46:31 | 0:46:33 | |
What do I know? | 0:46:33 | 0:46:36 | |
Dan. You need to write something new. | 0:46:44 | 0:46:47 | |
Something real. Like this, like everything that's happening now. | 0:46:47 | 0:46:52 | |
-Not a silly detective story. Something real. -All solutions. | 0:46:52 | 0:46:57 | |
-Well? -All solutions and no clues, right? | 0:46:57 | 0:47:01 | |
Cos that's what the dumbheads want. They want a serious novel, right, | 0:47:01 | 0:47:06 | |
plus descriptions of the goddamn sky. | 0:47:06 | 0:47:08 | |
I want it the other way around - all clues, no solutions, | 0:47:10 | 0:47:13 | |
cos that's the way...things are. | 0:47:13 | 0:47:17 | |
Now... | 0:47:17 | 0:47:19 | |
..why do you know about this? | 0:47:23 | 0:47:25 | |
Why do you know? Come on! | 0:47:25 | 0:47:28 | |
Were you a party to the offer in the first place? | 0:47:28 | 0:47:32 | |
Tell me what's going on. Tell me! | 0:47:32 | 0:47:34 | |
TELL ME! | 0:47:36 | 0:47:38 | |
Paranoia, you know. | 0:47:40 | 0:47:42 | |
-You fucked 'em. -Dan, stop. | 0:47:44 | 0:47:48 | |
Do you want my help or not? | 0:47:48 | 0:47:51 | |
-Do I want... Do I want you to help me? -Well, you think on it. | 0:47:51 | 0:47:55 | |
-You go fuck yourself. -OK. | 0:47:55 | 0:47:57 | |
I love you, too, Dan. | 0:47:57 | 0:48:00 | |
'Hey, Binney. | 0:48:14 | 0:48:16 | |
'Quote. No luck. Period. | 0:48:16 | 0:48:20 | |
'No good. Period. | 0:48:20 | 0:48:22 | |
-'He was getting very suspicious!' -'No luck. No good.' | 0:48:22 | 0:48:25 | |
He's getting very suspicious. | 0:48:25 | 0:48:28 | |
-Try again, right? -I don't know. | 0:48:29 | 0:48:33 | |
We could be sued for misrepresentation | 0:48:33 | 0:48:35 | |
-if he doesn't sign. -I'll deliver. | 0:48:35 | 0:48:37 | |
I said I would. He still looks awful. | 0:48:37 | 0:48:41 | |
-Don't feel sorry for him. -I hope it goes into his fucking bones! | 0:48:41 | 0:48:46 | |
You look terrific when you're mad. Like a hornet... | 0:48:48 | 0:48:52 | |
..drowning in the Tabasco. | 0:48:52 | 0:48:55 | |
That's something Dan Dark would say. You sound like Dan. | 0:48:55 | 0:48:59 | |
LAUGHTER | 0:49:01 | 0:49:03 | |
'Sorry, Charlie.' | 0:49:03 | 0:49:06 | |
# How much is that doggie in the window? | 0:49:08 | 0:49:11 | |
# The one with the waggedy tail | 0:49:11 | 0:49:16 | |
# How much is... # | 0:49:16 | 0:49:18 | |
# "Poison Ivy" - The Coasters | 0:49:18 | 0:49:20 | |
# She comes on like a rose | 0:49:24 | 0:49:27 | |
# But everybody knows | 0:49:28 | 0:49:30 | |
# She'll get you in Dutch | 0:49:31 | 0:49:34 | |
# You can look but you better not touch | 0:49:34 | 0:49:37 | |
# Poison ivy... | 0:49:37 | 0:49:40 | |
'There are songs to sing and feelings to feel. | 0:49:40 | 0:49:43 | |
'There are thoughts to think. We can't do three things at once.' | 0:49:43 | 0:49:48 | |
# ..Arou-ou-ou-ound... # | 0:49:48 | 0:49:51 | |
'Singing's easy. Sugar on the tongue. Thinking comes with the tune. | 0:49:51 | 0:49:55 | |
'That leaves only feelings. You're not gonna catch me... | 0:49:55 | 0:49:58 | |
'feeling feelings.' | 0:49:58 | 0:50:01 | |
# If you let her get under your skin | 0:50:01 | 0:50:04 | |
# Poison ivy... | 0:50:04 | 0:50:07 | |
Watch the light, dickhead. | 0:50:07 | 0:50:10 | |
# Late at night while you're sleepin' | 0:50:11 | 0:50:13 | |
# Poison ivy comes a creepin' arou-ou-ou-ou-ound | 0:50:13 | 0:50:18 | |
# Measles make you bumpy and mumps will make you lumpy | 0:50:18 | 0:50:21 | |
# And chickenpox will make you jump and twitch | 0:50:21 | 0:50:24 | |
The guy's a sitting duck. Why here? What's the sense? | 0:50:24 | 0:50:29 | |
J Edgar H prefers a different kind of tune. What does it matter? | 0:50:29 | 0:50:33 | |
-But I don't like it. -Stick to Patti Page, huh? | 0:50:33 | 0:50:37 | |
'Up there with the lights. It's the goons. Watch yourself. | 0:50:37 | 0:50:41 | |
'Watch!' # The minute you start to mess... # | 0:50:41 | 0:50:44 | |
SCREAMING | 0:50:45 | 0:50:48 | |
-How's it going? -Halfway there. | 0:51:36 | 0:51:39 | |
Halfway to a million bucks. | 0:51:43 | 0:51:46 | |
Disdain. Period. | 0:51:52 | 0:51:57 | |
-I have some nice things, if that's what you mean. -Nice? How? Expensive. | 0:51:59 | 0:52:03 | |
Our tastes are different. | 0:52:03 | 0:52:05 | |
You're more at home in...bars and sleazy dancehalls. | 0:52:05 | 0:52:09 | |
Oh, and the occasional rotary dinner and state prison dance, | 0:52:09 | 0:52:14 | |
where I don't leave my hat. | 0:52:14 | 0:52:16 | |
-Pardon? -That's how the cops got onto you, Binney. | 0:52:19 | 0:52:22 | |
You left your fedora on the bar when you picked up that whore. | 0:52:22 | 0:52:26 | |
Binney. | 0:52:29 | 0:52:32 | |
-Money, money, money. -What about it? | 0:52:35 | 0:52:38 | |
-You got a lot? -I do all right. | 0:52:38 | 0:52:42 | |
-What at, I'm wondering? -I buy. | 0:52:42 | 0:52:45 | |
-I sell. -So do second-hand rooms. | 0:52:45 | 0:52:49 | |
What do you buy? What do you sell? | 0:52:49 | 0:52:52 | |
-That's my business. -Naked flesh? | 0:52:52 | 0:52:55 | |
-What? -Oh, yeah. That's what you buy. That's what you sell. | 0:52:56 | 0:53:00 | |
That's ridiculous. I deal in antiques... | 0:53:00 | 0:53:02 | |
The only antiques are some of the distinguished gentlemen | 0:53:02 | 0:53:06 | |
-you service with young girls. -Are you calling me a pimp? | 0:53:06 | 0:53:10 | |
Yes. You don't mind, do you? | 0:53:10 | 0:53:13 | |
You're a fantasist, Dark. | 0:53:15 | 0:53:17 | |
-Get out. Don't let me see you again. -What about my fee? -Fee? What fee? | 0:53:20 | 0:53:24 | |
It took me five days between my syncopations to figure out | 0:53:24 | 0:53:28 | |
that you set up that poor girl, Nina. Why, I say to myself, why? | 0:53:28 | 0:53:34 | |
-Just get out. -Know what I think? | 0:53:34 | 0:53:36 | |
-She was killed right here in this museum. -You're crazy. | 0:53:36 | 0:53:40 | |
The cops can be bought and sold, too. Put it back in the drawer. | 0:53:40 | 0:53:44 | |
-What? -Put it back in the drawer, | 0:53:44 | 0:53:48 | |
or you'll get a hole in your head where the wind from your ass can go. | 0:53:48 | 0:53:52 | |
You really are crazy. | 0:53:52 | 0:53:55 | |
-You're out of your cheap little mind. -Sure. | 0:53:55 | 0:53:58 | |
Do it. I've been shot at once tonight. That's once too often. | 0:53:58 | 0:54:03 | |
OK. OK. | 0:54:03 | 0:54:06 | |
Argh! | 0:54:09 | 0:54:11 | |
Nina - she wasn't one of your commodities, but her friend was. | 0:54:13 | 0:54:16 | |
That girl they scraped up under the Hollywood sign! Cops said she jumped. | 0:54:16 | 0:54:20 | |
-It was your pals. -Pals? | 0:54:20 | 0:54:22 | |
Your pals thought she passed something to Nina. Take no chances. | 0:54:22 | 0:54:27 | |
Not with you. Am I right or am I right? | 0:54:27 | 0:54:31 | |
-Now they want me, you slimy slug! -Argh! | 0:54:31 | 0:54:36 | |
Go on. | 0:54:37 | 0:54:39 | |
Go on, I enjoy cheap fiction. | 0:54:39 | 0:54:43 | |
Me? No. I'm no longer in your employ. | 0:54:43 | 0:54:46 | |
Fee? What fee? You hired me to find out about Nina when you already knew. | 0:54:46 | 0:54:51 | |
Why? I'll figure it out. | 0:54:51 | 0:54:53 | |
-And... -And? | 0:54:53 | 0:54:57 | |
I sing for people who dance, Binney. | 0:54:58 | 0:55:00 | |
Name your tune, I'll warble it. But when you dance, | 0:55:00 | 0:55:04 | |
-your feet won't be touching the floor. -You're cheap, Dark. | 0:55:04 | 0:55:09 | |
Ten cents a dance. | 0:55:09 | 0:55:11 | |
WHISTLES | 0:55:33 | 0:55:35 | |
Mr Dark? | 0:56:26 | 0:56:27 | |
That's my handle. I was born at daybreak. | 0:56:30 | 0:56:34 | |
-I wanna talk. -You followed me to make sure I wasn't followed. I was. | 0:56:34 | 0:56:38 | |
Stay back. Keep out of sight. | 0:56:38 | 0:56:41 | |
Meet me at the Laguna in a half an hour. | 0:56:41 | 0:56:44 | |
Little fool. GUNSHOT | 0:56:45 | 0:56:48 | |
GROANS I warned you. | 0:57:03 | 0:57:05 | |
I told you, baby. | 0:57:06 | 0:57:09 | |
Aw, gee. Silly. | 0:57:12 | 0:57:15 | |
Poor little thing. | 0:57:15 | 0:57:17 | |
Parlo. | 0:57:17 | 0:57:19 | |
What? You mean the Parlo atomic laboratory? It's in LA. | 0:57:22 | 0:57:27 | |
Binney. Mark...Binney. | 0:57:28 | 0:57:31 | |
He's providing them with girls. | 0:57:33 | 0:57:35 | |
Right? Girls like you. | 0:57:35 | 0:57:38 | |
Nina? | 0:57:38 | 0:57:40 | |
-They're rats. -They're getting to the atomic scientists! | 0:57:41 | 0:57:46 | |
Yes? At Parlo? | 0:57:47 | 0:57:50 | |
Using sex. | 0:57:50 | 0:57:52 | |
Sex. | 0:57:54 | 0:57:56 | |
Sex. | 0:58:05 | 0:58:07 | |
Sex. | 0:58:15 | 0:58:17 | |
I'll get ya. | 0:58:17 | 0:58:20 | |
Bastards. | 0:58:20 | 0:58:22 | |
Whoever you are and whatever you are. | 0:58:22 | 0:58:25 | |
SOBS | 0:58:44 | 0:58:46 | |
You're buffeted by this, by that, and it's nothing to do with you. | 0:58:46 | 0:58:51 | |
Someone you love dies or leaves and you get ill, or you get better, | 0:58:51 | 0:58:56 | |
and the whole time, everywhere, there's a canopy stretching over it. | 0:58:56 | 0:59:00 | |
What canopy? | 0:59:00 | 0:59:03 | |
Fate. Things as they are - irrational... | 0:59:03 | 0:59:06 | |
..impersonal. The rain falls, the sun shines, the wind blows | 0:59:07 | 0:59:11 | |
and if you're out there, then that's it. | 0:59:11 | 0:59:14 | |
-Accident? -Call it what you like. There's damn all you can do about it. | 0:59:16 | 0:59:21 | |
Well, physically, you're on the up. | 0:59:26 | 0:59:28 | |
Well, now we have a firm grasp of the obvious. | 0:59:29 | 0:59:33 | |
Why do you still feel so disappointed in things as they are? | 0:59:33 | 0:59:37 | |
"Things as they are" are no concern of mine. | 0:59:38 | 0:59:42 | |
You object to the use of the word "things"? | 0:59:42 | 0:59:46 | |
-There's a lot of words I don't like. -Such as? | 0:59:46 | 0:59:49 | |
-Decaffeinated. -Huh. | 0:59:50 | 0:59:54 | |
-Another. -Oh. Good, good, good. | 0:59:54 | 0:59:57 | |
-Are you into word games? -Yeah. Word games. I throw you a word... | 0:59:57 | 1:00:01 | |
-I come back with another word. -That you associate... | 1:00:01 | 1:00:04 | |
Wait, wait, wait. We gotta agree in advance, it's meaningless. Please. | 1:00:04 | 1:00:10 | |
-There's no diagnostic value in it. -Fine. | 1:00:10 | 1:00:14 | |
-Judge. -Er, scandal. | 1:00:16 | 1:00:20 | |
-Scandals. -Wait. | 1:00:20 | 1:00:23 | |
-Tables. -Restaurant. | 1:00:23 | 1:00:25 | |
Gastroenteritis. | 1:00:25 | 1:00:28 | |
-Honey. -Comb. | 1:00:28 | 1:00:30 | |
-Blonde. -Honey. | 1:00:30 | 1:00:32 | |
-Money. -Shit. | 1:00:32 | 1:00:34 | |
-You. -Me. | 1:00:34 | 1:00:36 | |
-Me. -Tarzan. | 1:00:36 | 1:00:38 | |
-Jungle. -Manhattan. | 1:00:38 | 1:00:40 | |
-Mother. -Baghdad. | 1:00:40 | 1:00:42 | |
-Arms. -Hands. -Clap. -Promiscuity. | 1:00:42 | 1:00:46 | |
-Free. -Gift. -Giver. -Sucker. | 1:00:46 | 1:00:50 | |
-Mouth. -Fangs. | 1:00:50 | 1:00:52 | |
-Wolf. -Whistle. -Scream. -Silence. | 1:00:52 | 1:00:55 | |
-Young. -Green. -Old. | 1:00:55 | 1:00:58 | |
-M-M-M-M-Mick Jagger. -Rock. | 1:00:58 | 1:01:01 | |
-Cradle. -Crash. -Dream. -Wake. | 1:01:01 | 1:01:06 | |
-Sleep. -Lie. | 1:01:06 | 1:01:08 | |
-Tale. -Writer. -Liar. -Sentence. | 1:01:08 | 1:01:11 | |
-Prison. -Cage. | 1:01:11 | 1:01:14 | |
-Barn. -Mother. | 1:01:14 | 1:01:16 | |
-Murder. -Love. | 1:01:16 | 1:01:19 | |
-Fraud. -Passion. -Pretence. -Woman. | 1:01:19 | 1:01:22 | |
-Fuck! -Fuck. -Dirt! -Dirt. | 1:01:22 | 1:01:24 | |
-Death! -Dark. -STOP! | 1:01:24 | 1:01:27 | |
This game... | 1:01:33 | 1:01:35 | |
It's just words, right? | 1:01:37 | 1:01:39 | |
-That's what we agreed - no diagnostic value. -Just words. | 1:01:39 | 1:01:44 | |
# Important words | 1:01:44 | 1:01:50 | |
# Let me lie | 1:01:51 | 1:01:56 | |
# They say | 1:01:59 | 1:02:01 | |
# Say | 1:02:01 | 1:02:04 | |
# I love you | 1:02:04 | 1:02:07 | |
# Important words | 1:02:09 | 1:02:14 | |
# That's all I've got | 1:02:15 | 1:02:19 | |
# They say | 1:02:23 | 1:02:25 | |
# Say | 1:02:25 | 1:02:27 | |
# I love you... | 1:02:27 | 1:02:30 | |
I'll do whatever you want. | 1:02:30 | 1:02:33 | |
You just have to tell me. | 1:02:33 | 1:02:35 | |
SCREAMS | 1:02:37 | 1:02:40 | |
-'Love.' -'Fraud.' -'Passion.' -'Pretence.' | 1:02:47 | 1:02:50 | |
-'Woman.' -'Fuck!' -'Fuck.''Dirt.' | 1:02:50 | 1:02:52 | |
Death. # Since we first held hands | 1:02:52 | 1:02:57 | |
# Important words | 1:02:57 | 1:03:01 | |
# They say I love you... Mom? | 1:03:03 | 1:03:06 | |
Go back to bed. | 1:03:10 | 1:03:12 | |
# Say | 1:03:12 | 1:03:14 | |
-Go. -# I do. # | 1:03:14 | 1:03:18 | |
Why, Mom, why? | 1:03:30 | 1:03:32 | |
Why what? | 1:03:32 | 1:03:35 | |
Why are we here? | 1:03:35 | 1:03:38 | |
-No place else to go. -Did Dad need to go? | 1:03:39 | 1:03:43 | |
-No, Danny. -Did he? -It was no good there, | 1:03:45 | 1:03:49 | |
and I...I did something wrong. | 1:03:49 | 1:03:52 | |
It's no good here. | 1:03:52 | 1:03:54 | |
I didn't think it would be like this, but... | 1:03:54 | 1:03:57 | |
We've gotta go back. | 1:03:57 | 1:03:59 | |
No. | 1:04:01 | 1:04:03 | |
Why not? Why not? | 1:04:03 | 1:04:06 | |
It won't always be like this. No, I want you to listen. | 1:04:06 | 1:04:10 | |
I've got to get a job, | 1:04:10 | 1:04:13 | |
-but I will... -Mom, you're lying! | 1:04:13 | 1:04:15 | |
BOTH SHOUT | 1:04:15 | 1:04:18 | |
-Will you stop it? -Ah! | 1:04:18 | 1:04:21 | |
Don't pinch me there. | 1:04:21 | 1:04:23 | |
It makes me sore. | 1:04:24 | 1:04:27 | |
What? | 1:04:28 | 1:04:30 | |
What? | 1:04:31 | 1:04:33 | |
How did you do that? | 1:04:34 | 1:04:37 | |
You hurt yourself or what? | 1:04:38 | 1:04:40 | |
I don't know. | 1:04:40 | 1:04:43 | |
It's not very legible and it hurts. | 1:04:52 | 1:04:54 | |
For the first time, | 1:04:54 | 1:04:57 | |
I have to think about the value of every little word. | 1:04:57 | 1:05:01 | |
It's just... Oh, it's dangerous. | 1:05:01 | 1:05:03 | |
-It is? Why? -Well, it cuts most of the jobs a writer would get. | 1:05:03 | 1:05:08 | |
You have to think about the value of the worst Hollywood rewrites. | 1:05:08 | 1:05:13 | |
-Let's see how you're doing here. -Memory. -Memory. | 1:05:13 | 1:05:17 | |
Upward strokes and downward slopes. | 1:05:17 | 1:05:20 | |
What's this? Comma curls. | 1:05:20 | 1:05:23 | |
"Making me hold..." Yeah. I can read it. | 1:05:23 | 1:05:26 | |
-Making you hold what? -My breath. | 1:05:26 | 1:05:28 | |
Words make me hold my breath. | 1:05:28 | 1:05:31 | |
-Do they now? -Uh-huh. And that's what you're gonna say. | 1:05:32 | 1:05:35 | |
Who knows where they've been? | 1:05:35 | 1:05:38 | |
-We're getting a little heavy here, aren't we? -What made you say that? | 1:05:39 | 1:05:44 | |
-What do you mean? -I wrote that down. | 1:05:47 | 1:05:49 | |
Quote. Getting a little heavy. Comma. Aren't we? Question mark. Unquote. | 1:05:49 | 1:05:53 | |
If I did... | 1:05:53 | 1:05:56 | |
No. Doesn't matter. | 1:05:59 | 1:06:01 | |
Ah, well... Um, keep at it. | 1:06:02 | 1:06:05 | |
Quote. Well. Dash. Keep at it. | 1:06:10 | 1:06:13 | |
Exclamation mark. She smiled. Comma. | 1:06:13 | 1:06:17 | |
Turned away. Dot. | 1:06:17 | 1:06:19 | |
Oh. Not enough page. | 1:06:23 | 1:06:25 | |
Stop. | 1:06:25 | 1:06:27 | |
Finish. Period. | 1:06:27 | 1:06:30 | |
He's dead. Period. | 1:06:30 | 1:06:33 | |
Out of it. Period. | 1:06:33 | 1:06:35 | |
That's it. All done. | 1:06:36 | 1:06:39 | |
Great. | 1:06:39 | 1:06:41 | |
I like that. | 1:06:46 | 1:06:48 | |
Now Dan Dark's old script is in the machine. | 1:06:49 | 1:06:52 | |
Minus his name. | 1:06:52 | 1:06:54 | |
We can run off as many copies as we need. | 1:06:54 | 1:06:57 | |
We can tinker with it a little while. | 1:06:58 | 1:07:01 | |
And now we deliver it. | 1:07:03 | 1:07:06 | |
MOANING AND GROANING | 1:07:13 | 1:07:15 | |
Must get Dark to sign the rights to my company. That's essential. | 1:07:17 | 1:07:21 | |
-Move forward a bit. -Is that better? -Yeah. Oh, that's fine. | 1:07:23 | 1:07:27 | |
OK. One - he signs with me. | 1:07:27 | 1:07:31 | |
-Two - -GROANS | 1:07:33 | 1:07:35 | |
I sell it on. I mean, we. | 1:07:36 | 1:07:39 | |
We sell it on to Mail Pouch films. | 1:07:39 | 1:07:42 | |
And three... | 1:07:42 | 1:07:44 | |
..net profit - | 1:07:46 | 1:07:48 | |
-one million. -BOTH MOAN | 1:07:48 | 1:07:50 | |
-'That's funny.' -'One of the plus points.' | 1:07:51 | 1:07:54 | |
-'But he's gotta sign.' -MUTUAL MOANING CONTINUES | 1:07:54 | 1:07:58 | |
Don't worry. I can get him to do... | 1:08:01 | 1:08:04 | |
..anything! | 1:08:05 | 1:08:07 | |
Oh, yeah! Oh, oh, oh! | 1:08:07 | 1:08:10 | |
Good girl! Oh! | 1:08:10 | 1:08:13 | |
Hmm. | 1:08:13 | 1:08:15 | |
Hello. | 1:08:24 | 1:08:26 | |
-Hey. -Hey. I was just thinking about you. | 1:08:29 | 1:08:34 | |
-Really? -Uh-huh. | 1:08:34 | 1:08:36 | |
-What were you thinking about me? -I was thinking you look terrific. | 1:08:36 | 1:08:39 | |
So do you. You look better. | 1:08:41 | 1:08:44 | |
-Don't, Dan. -Don't what? -Look at me like that. | 1:08:45 | 1:08:48 | |
-Like what? -Like I'm your enemy. -You're involved in something. | 1:08:48 | 1:08:52 | |
-Same old Danny. -It probably has something to do with my money. | 1:08:52 | 1:08:57 | |
-You haven't got any money. -No. | 1:08:57 | 1:09:00 | |
Not in cash, maybe. | 1:09:00 | 1:09:02 | |
Not in good old-fashioned foldable, chewable lettuce, nor in coins. | 1:09:02 | 1:09:06 | |
Nothing to go chink-chink in my pocket, but I have assets. | 1:09:06 | 1:09:10 | |
-Like what? -My four detective stories. | 1:09:10 | 1:09:13 | |
-Yeah...? -No, three of which are out of print. And the screenplay. | 1:09:14 | 1:09:19 | |
-What screenplay? -Bingo! | 1:09:19 | 1:09:22 | |
-Fucking bingo! -Danny, please. | 1:09:22 | 1:09:24 | |
-You gotta fill me in. What are you talking about? -With my own hands, | 1:09:24 | 1:09:28 | |
these dead fucking chicken feet, I wrote it six years ago. | 1:09:28 | 1:09:32 | |
-Danny, what screenplay? -What screenplay? The Singing Detective! | 1:09:32 | 1:09:37 | |
That's what! | 1:09:37 | 1:09:39 | |
-Danny. -I put it up in the shoeboxes and I put it in the closet. | 1:09:42 | 1:09:47 | |
Oh, that! | 1:09:48 | 1:09:50 | |
-Oh! -Yes, that! | 1:09:51 | 1:09:54 | |
Wait a minute. | 1:09:54 | 1:09:56 | |
-If it's the pages I think you mean, you threw them out ages ago. -No. | 1:09:56 | 1:10:00 | |
-Yes! -No. I didn't throw them out. | 1:10:00 | 1:10:03 | |
Dan, yes you did! You threw them out. You said it was garbage. | 1:10:03 | 1:10:07 | |
What are you doing? | 1:10:07 | 1:10:09 | |
Oh, well. Easy come, easy go. | 1:10:17 | 1:10:21 | |
Was that the only copy? | 1:10:21 | 1:10:22 | |
Of course. | 1:10:24 | 1:10:26 | |
-Did I squeeze it? Does it hurt? -My heart, you mean? | 1:10:33 | 1:10:37 | |
-You are improving, though, you know. -Except I'm going crazy. -Hey now. | 1:10:39 | 1:10:43 | |
OK. | 1:10:43 | 1:10:45 | |
I lie here and make these connections between cheap old detective stories | 1:10:45 | 1:10:49 | |
and my cheap little... | 1:10:49 | 1:10:52 | |
SIGHS | 1:10:52 | 1:10:54 | |
-Sex. -Yes. I know the word. | 1:10:56 | 1:10:59 | |
Y'know, that's what the whole thing is about - my book, my life. | 1:10:59 | 1:11:03 | |
It's about sex. Sex and lies. | 1:11:03 | 1:11:05 | |
I wanna sleep with you again. | 1:11:09 | 1:11:11 | |
-Dan... -I'd do it with a mirror alongside. | 1:11:11 | 1:11:14 | |
Oh, stop. | 1:11:14 | 1:11:17 | |
So I could look over at myself while I'm fucking and just leer. | 1:11:17 | 1:11:21 | |
Damn right. It's coming up in me - the old joy juice. | 1:11:22 | 1:11:26 | |
I'd flip it over to one side and come off your gleaming loins, honey, | 1:11:26 | 1:11:30 | |
and just spit right in my own face. | 1:11:30 | 1:11:34 | |
Oh, my God. | 1:11:34 | 1:11:36 | |
-Well, it's improving. -What is? | 1:11:37 | 1:11:40 | |
The spitting at myself. | 1:11:40 | 1:11:42 | |
Couple of days ago, my idea of true bliss would have been... | 1:11:42 | 1:11:46 | |
-..spitting in your face. -Dan. | 1:11:47 | 1:11:50 | |
What are you going to do about this rage, this hatred you have? | 1:11:50 | 1:11:54 | |
What if I just write serious literature? | 1:11:54 | 1:11:57 | |
Just piss in the wind like poets and priests do. Who are they? | 1:11:57 | 1:12:01 | |
-Who are those two? -Who is who? | 1:12:01 | 1:12:03 | |
G-G-Go to the window. | 1:12:03 | 1:12:06 | |
No, I don't see anything. What is the matter? | 1:12:07 | 1:12:10 | |
-Paranoia. -Thank you. | 1:12:12 | 1:12:14 | |
Baby, I'm so paranoid. | 1:12:16 | 1:12:19 | |
You've got everything going for you, haven't you? | 1:12:19 | 1:12:23 | |
I'm telling you, people are beginning to notice us. | 1:12:27 | 1:12:31 | |
-You see, they're looking at us. -They're all sick in here, anyway. | 1:12:31 | 1:12:35 | |
-Are you sure that's him with the... -The nurse said so. | 1:12:35 | 1:12:39 | |
Maybe we should have brought flowers or grapes. | 1:12:40 | 1:12:44 | |
-What for? -Less conspicuous. | 1:12:44 | 1:12:48 | |
-Are we gonna waste him, whack him? What? -Not when that dame's there. | 1:12:49 | 1:12:53 | |
-We gotta make him sing. -Another song? -Shut up! | 1:12:53 | 1:12:57 | |
Talk, I mean! Tell us what we're doing here. | 1:12:57 | 1:13:00 | |
I'm sick of standing around like a dummy. Are we Feds or aren't we? | 1:13:00 | 1:13:05 | |
-No, we're just a couple of hoods. -Shut up! -Do you need any help? | 1:13:05 | 1:13:09 | |
Um, do we? | 1:13:12 | 1:13:14 | |
Er, thank you, Miss. No. | 1:13:14 | 1:13:17 | |
Um, we have seen all that we wish to see | 1:13:17 | 1:13:21 | |
and our report will be... arriving... Let's go! | 1:13:21 | 1:13:25 | |
Hey! | 1:13:25 | 1:13:27 | |
What are you doing here? | 1:13:27 | 1:13:30 | |
# Now when I get the blues, I get me a rocking chair | 1:13:30 | 1:13:34 | |
# When I get the blues, I get me a rocking chair | 1:13:36 | 1:13:40 | |
# Well, if the blues overtake me, gonna rock right away from here | 1:13:42 | 1:13:45 | |
# Now, flip, flop and fly | 1:13:47 | 1:13:50 | |
# I don't care if I die | 1:13:50 | 1:13:53 | |
# Now, flip, flop and fly | 1:13:53 | 1:13:55 | |
# I don't care if I die... # | 1:13:55 | 1:13:58 | |
Where are you? Lost? | 1:14:02 | 1:14:04 | |
-I have a confession to make. -Uh-huh. | 1:14:08 | 1:14:11 | |
-I know more about that movie offer than I implied. -Come clean. | 1:14:13 | 1:14:17 | |
I... | 1:14:17 | 1:14:19 | |
I went, um, to your apartment, just to check it out, | 1:14:19 | 1:14:22 | |
because you'd been in here so long. Er... | 1:14:22 | 1:14:25 | |
First of all, Dan, the way that you live is unbelievable. | 1:14:25 | 1:14:30 | |
-The plants, they're all dead. -Good. I hope they suffered. | 1:14:30 | 1:14:34 | |
There is mould on every single living thing. | 1:14:34 | 1:14:37 | |
-Who goes away and leaves Camembert on the table? -You open my mail? | 1:14:37 | 1:14:42 | |
-Yes, I did. Just the bills and... -You opened my mail. | 1:14:42 | 1:14:45 | |
-..this one letter. -Don't worry about them, worry about the mould. | 1:14:45 | 1:14:49 | |
-Anyway, this production... -It's about The Singing Detective. | 1:14:49 | 1:14:53 | |
-Well, yes. It's from this producer, Finney. -Binney. | 1:14:53 | 1:14:56 | |
-Finney. -Finney with an F? | 1:14:56 | 1:14:59 | |
-Yes. -Finney with an F, not a B? | 1:14:59 | 1:15:01 | |
-Right. -Not a B. Cos you know him. | 1:15:01 | 1:15:04 | |
-I've never heard of him. -In what context have you never heard of him? | 1:15:04 | 1:15:07 | |
-Danny, why are you so...? -Where's the letter? -Forget it. | 1:15:07 | 1:15:12 | |
-He checks out? -Well, for what it's worth. | 1:15:14 | 1:15:17 | |
-Would I get some dough up front? -So it says. -How much? | 1:15:18 | 1:15:22 | |
-40 grand. -Oh, shit! | 1:15:22 | 1:15:25 | |
-But that's for the rights? -Right. -Who's gonna do the screenplay? | 1:15:25 | 1:15:29 | |
-The producer, Finney, apparently. -Why? | 1:15:29 | 1:15:32 | |
Why? All these guys, they think they can write - | 1:15:32 | 1:15:35 | |
every busy little schmuck that can hold a pen the right way up. | 1:15:35 | 1:15:38 | |
-Just take the money and run. -Oh, I...OK. | 1:15:38 | 1:15:42 | |
-It's a good story, though. -Hmm. | 1:15:44 | 1:15:47 | |
When it stays on the page. | 1:15:47 | 1:15:49 | |
Uh-huh. | 1:15:50 | 1:15:53 | |
More connections. | 1:15:53 | 1:15:57 | |
-Connections. -Connections. | 1:15:57 | 1:15:59 | |
BOTH PANT | 1:16:04 | 1:16:06 | |
Oh, God! | 1:16:07 | 1:16:10 | |
-Oh, we shouldn't have run. -No choice. | 1:16:10 | 1:16:13 | |
-Where the fuck is this? -Why here? | 1:16:17 | 1:16:20 | |
What are we doing here? Jeez! Look at that sun. | 1:16:20 | 1:16:24 | |
-That is the sun, right? -It's a big fucking moon if it isn't! | 1:16:26 | 1:16:29 | |
What is going on? What's going on? | 1:16:29 | 1:16:32 | |
EAGLE SCREECHES | 1:16:32 | 1:16:35 | |
GUNSHOTS | 1:16:35 | 1:16:37 | |
What are we gonna do? | 1:16:40 | 1:16:43 | |
Hey. | 1:16:44 | 1:16:46 | |
There's your building over there. Way over there. | 1:16:46 | 1:16:50 | |
"Chew Mail Pouch Tobacco." | 1:16:51 | 1:16:54 | |
Oh, no. I hate that stuff. It gets in my throat. | 1:16:54 | 1:16:58 | |
Maybe what we're looking for is in that building. | 1:16:58 | 1:17:01 | |
Oh, yeah, yeah! Oh, what are we looking for? | 1:17:01 | 1:17:05 | |
I don't know. | 1:17:09 | 1:17:11 | |
'Nor me.' | 1:17:17 | 1:17:19 | |
Nor me. | 1:17:19 | 1:17:21 | |
# People see us everywhere | 1:17:23 | 1:17:27 | |
# They think you really care | 1:17:27 | 1:17:31 | |
# But myself I can't deceive | 1:17:31 | 1:17:35 | |
# I know it's only | 1:17:35 | 1:17:38 | |
# Make-believe | 1:17:38 | 1:17:43 | |
# My one and only prayer | 1:17:45 | 1:17:48 | |
# Is that some day you'll care | 1:17:48 | 1:17:51 | |
# My hopes, my dreams come true | 1:17:51 | 1:17:53 | |
# My one and only you | 1:17:53 | 1:17:56 | |
# No-one will ever know | 1:17:56 | 1:17:59 | |
# How much I love you so | 1:17:59 | 1:18:02 | |
# My only prayer will be | 1:18:02 | 1:18:05 | |
# Some day you'll care for me | 1:18:05 | 1:18:07 | |
# But it's only | 1:18:07 | 1:18:10 | |
# Make | 1:18:10 | 1:18:13 | |
# Believe. # | 1:18:13 | 1:18:17 | |
Hey, sonny. | 1:18:17 | 1:18:18 | |
Tough guys don't cry. | 1:18:20 | 1:18:23 | |
I know that, sir. | 1:18:29 | 1:18:31 | |
Can't now separate in my mind | 1:18:35 | 1:18:38 | |
the bus that took my mom and me to LA from the one that brought us back. | 1:18:38 | 1:18:42 | |
Brought me back. | 1:18:46 | 1:18:48 | |
I still dream about it. | 1:18:52 | 1:18:54 | |
But I'm getting there. My head's getting there. | 1:18:55 | 1:18:59 | |
What happened to your mom? | 1:19:00 | 1:19:03 | |
She killed herself. | 1:19:04 | 1:19:06 | |
How? | 1:19:07 | 1:19:09 | |
In the river. In the river. | 1:19:10 | 1:19:13 | |
I, er... | 1:19:15 | 1:19:17 | |
-Is that really what happened? -What? -Now, now. | 1:19:17 | 1:19:20 | |
"Now, now"? Wait. Excuse me. What? | 1:19:20 | 1:19:22 | |
We have a woman drowned in a bathtub | 1:19:24 | 1:19:26 | |
-and thrown in the river in your story. -So? What about it? | 1:19:26 | 1:19:30 | |
Sometimes a cigar's just a cigar. | 1:19:30 | 1:19:32 | |
I'm a bit surprised that you can duplicate such a traumatic event... | 1:19:32 | 1:19:37 | |
-In what? In a commercial piece of trash? -I didn't say that. | 1:19:37 | 1:19:41 | |
Dan, I read you part of your book to illustrate a point to you. | 1:19:41 | 1:19:45 | |
That book... There were things in that book, Doc, | 1:19:45 | 1:19:49 | |
-that are reaching out to grab me by the throat. -Why don't you let them? | 1:19:49 | 1:19:53 | |
Why? Why? | 1:19:54 | 1:19:57 | |
Let them. | 1:19:57 | 1:19:58 | |
Me - I'm in that book and I didn't even know it. | 1:20:01 | 1:20:05 | |
Yeah. | 1:20:05 | 1:20:07 | |
I didn't kill my mother. | 1:20:12 | 1:20:14 | |
I can't imagine that anyone would ever suggest that you did. | 1:20:14 | 1:20:18 | |
You know, when I was a, er, boy... | 1:20:21 | 1:20:24 | |
-Long ago and far away. -No. | 1:20:25 | 1:20:28 | |
Here, now. | 1:20:29 | 1:20:31 | |
I saw my mother with a greaseball who worked for my father. | 1:20:31 | 1:20:35 | |
A...a partner. | 1:20:36 | 1:20:38 | |
This service station in the desert that was never really viable. | 1:20:40 | 1:20:44 | |
Dark And Binney. Shit, they were screwing. | 1:20:44 | 1:20:47 | |
You know, noises, him on top of her. Kiss-kiss, bang-bang - all that. | 1:20:47 | 1:20:52 | |
I don't know, maybe she would have gotten away with it. Maybe it was... | 1:20:53 | 1:20:57 | |
My dad was a hard sort of guy to talk to. You know, he was good. | 1:21:01 | 1:21:06 | |
You know, but as a kid, I couldn't seem to get close. | 1:21:07 | 1:21:11 | |
He was good with engines... anything under the hood. | 1:21:11 | 1:21:14 | |
He was just... He was quiet. He was just too quiet. | 1:21:14 | 1:21:19 | |
I wanted to get closer. | 1:21:19 | 1:21:21 | |
Oh, I mean, maybe I wasn't the kind of kid | 1:21:22 | 1:21:26 | |
he would have wanted, you know. | 1:21:26 | 1:21:28 | |
Reading, off on my own. | 1:21:29 | 1:21:32 | |
Locked in. | 1:21:34 | 1:21:36 | |
A little pain in the ass...kid. | 1:21:36 | 1:21:39 | |
I wanted to get closer...and I, I... | 1:21:46 | 1:21:49 | |
So, you told him about her? | 1:21:49 | 1:21:51 | |
I traded her in. I traded her in for a pat on the head. | 1:21:51 | 1:21:55 | |
-No. No. -I got beat instead and so did she. | 1:21:55 | 1:21:59 | |
He just hit her from one side of the room to the other. We went... | 1:21:59 | 1:22:03 | |
..to LA. | 1:22:05 | 1:22:07 | |
But by then, I think my pa's rage had cooled down. | 1:22:07 | 1:22:10 | |
I don't think he wanted us to go. I remember him waving. | 1:22:10 | 1:22:13 | |
I remember him waving to us as the bus went away. | 1:22:16 | 1:22:19 | |
SOBS Away. | 1:22:22 | 1:22:25 | |
My mom couldn't get a job. It was just... | 1:22:26 | 1:22:30 | |
She started bringing men home. | 1:22:33 | 1:22:35 | |
I remember these cracks... these cracks in the ceiling. | 1:22:40 | 1:22:44 | |
I remember these cracks... | 1:22:46 | 1:22:49 | |
All right. | 1:23:10 | 1:23:12 | |
-Stand up. -What? | 1:23:13 | 1:23:15 | |
You can. You can do it. | 1:23:15 | 1:23:18 | |
-You really think so? -It's now or never. | 1:23:18 | 1:23:22 | |
Yes. Yes. CLEARS THROAT | 1:23:25 | 1:23:28 | |
How many steps to heaven, Doc? | 1:23:28 | 1:23:31 | |
-Ah, metaphysics. -Music. | 1:23:31 | 1:23:34 | |
# "Three Steps To Heaven" - Eddie Cochran | 1:23:34 | 1:23:39 | |
Try again. Take your time. | 1:23:39 | 1:23:42 | |
I'm sorry. How many steps? MUSIC RESTARTS | 1:23:47 | 1:23:50 | |
MIMES: # Now there | 1:23:52 | 1:23:54 | |
# Are three steps to heaven | 1:23:54 | 1:23:57 | |
# Just listen | 1:23:59 | 1:24:01 | |
# And you will plainly see | 1:24:01 | 1:24:04 | |
# And as life travels on | 1:24:05 | 1:24:08 | |
# And things do go wrong | 1:24:09 | 1:24:12 | |
-# Just follow -# Three steps to heaven | 1:24:13 | 1:24:15 | |
-# Steps one, two and three -# Three steps to heaven | 1:24:15 | 1:24:17 | |
# Step one | 1:24:19 | 1:24:21 | |
# You find a girl to love | 1:24:21 | 1:24:24 | |
# Step two | 1:24:26 | 1:24:28 | |
# She falls in love with you | 1:24:28 | 1:24:31 | |
# Step three, you kiss and hold her tightly | 1:24:33 | 1:24:38 | |
-# Yeah, that sure -# Three steps to heaven | 1:24:40 | 1:24:42 | |
-# Seems like heaven to me -# Three steps to heaven | 1:24:42 | 1:24:45 | |
# The formula for heaven's very simple | 1:24:50 | 1:24:55 | |
# Just follow the rules and you will see | 1:24:58 | 1:25:03 | |
# And as life travels on | 1:25:04 | 1:25:08 | |
# And things do go wrong | 1:25:08 | 1:25:12 | |
# Just follow steps one, two and three | 1:25:12 | 1:25:16 | |
# Step one | 1:25:19 | 1:25:21 | |
# You find a girl you love... | 1:25:21 | 1:25:24 | |
No, no. | 1:25:26 | 1:25:29 | |
Oh. LAUGHS | 1:25:33 | 1:25:35 | |
-That's great. -Can I get an amen? | 1:25:35 | 1:25:38 | |
-Yeah, man, whatever. -Ah! Ah! | 1:25:38 | 1:25:41 | |
-What... -No, no, no. Leave me. | 1:25:41 | 1:25:44 | |
I got this. Hee-hah! | 1:25:44 | 1:25:47 | |
Geronimo. | 1:25:47 | 1:25:49 | |
'That book - there are things in that book, Doc, | 1:25:57 | 1:26:00 | |
-'that are reaching out to grab me by the throat.' -Why don't you let them? | 1:26:00 | 1:26:04 | |
LAUGHTER ECHOES | 1:26:04 | 1:26:06 | |
Sorry you got put on hold, Mr Binney. | 1:26:26 | 1:26:29 | |
Don't sweat the bill. | 1:26:31 | 1:26:34 | |
Now, we wait. | 1:26:42 | 1:26:44 | |
Wait and see. | 1:26:44 | 1:26:46 | |
CHIMING NOISE | 1:26:50 | 1:26:52 | |
BUZZING | 1:26:59 | 1:27:02 | |
BUZZING CONTINUES | 1:27:04 | 1:27:06 | |
You had it coming, baby. | 1:27:22 | 1:27:25 | |
They should have cut your dick off first. | 1:27:26 | 1:27:29 | |
Landed you into one hell of a fix, eh? | 1:27:33 | 1:27:36 | |
They got to him first. Yeah. One step ahead all the time. | 1:27:49 | 1:27:53 | |
I didn't think the Feds would waste one of their own, but there you go. | 1:27:54 | 1:27:58 | |
No morality these days, eh? | 1:27:58 | 1:28:00 | |
I know, but I wanted to waste him on my own. | 1:28:00 | 1:28:03 | |
Well, why not? I like to wash all the men off my skin. | 1:28:05 | 1:28:09 | |
No. We'll give them one more chance to eliminate the warbler. | 1:28:10 | 1:28:15 | |
He's a sitting duck. | 1:28:15 | 1:28:18 | |
I'd like to see the bullets splatter his larynx. | 1:28:19 | 1:28:23 | |
Dan Dark is the real killer. | 1:28:24 | 1:28:28 | |
He poisons other people's lives. | 1:28:28 | 1:28:31 | |
He thinks he's smart, | 1:28:32 | 1:28:35 | |
but really, he's very, very sad. | 1:28:35 | 1:28:38 | |
I'm sorry. I'm sorry. | 1:28:38 | 1:28:43 | |
Can you see? | 1:28:50 | 1:28:53 | |
Can you see, Mr Dark? | 1:28:54 | 1:28:56 | |
You like? | 1:29:00 | 1:29:03 | |
This is what you want from a woman, Dan. Believe her to be a whore. | 1:29:07 | 1:29:12 | |
Make her what...you like. | 1:29:15 | 1:29:19 | |
You want. | 1:29:20 | 1:29:22 | |
You're so sad. | 1:29:22 | 1:29:25 | |
Sad. | 1:29:25 | 1:29:27 | |
And sick. | 1:29:27 | 1:29:29 | |
Using your childhood to foul up the lives of those who care for you. | 1:29:31 | 1:29:35 | |
Using your illness as a weapon against anything clean | 1:29:36 | 1:29:40 | |
and honest and loving. | 1:29:40 | 1:29:42 | |
You disgust me. | 1:29:44 | 1:29:46 | |
-You sick little creep. -COCKS GUN | 1:29:47 | 1:29:51 | |
You poisonous, malformed, | 1:29:52 | 1:29:54 | |
cynical heap of shit. | 1:29:54 | 1:29:58 | |
No! No... | 1:29:58 | 1:30:00 | |
Ah! | 1:30:00 | 1:30:02 | |
-Are you OK? -Yeah. | 1:30:02 | 1:30:06 | |
OK. Sure. Why not? | 1:30:09 | 1:30:12 | |
Why aren't you in the bed? | 1:30:12 | 1:30:15 | |
I am not in the bed because I... stood up, almost. | 1:30:15 | 1:30:20 | |
-Fantastic! -Yeah. See what I can do. I'll be walking away next week. | 1:30:20 | 1:30:25 | |
Well, don't overdo it. You look... Are you hot? | 1:30:25 | 1:30:29 | |
-No. -OK. That's how people get disappointed. You must take it easy. | 1:30:29 | 1:30:34 | |
No, I'm fine. Day by day, in every way, I'm getting better and better. | 1:30:34 | 1:30:38 | |
-Stand up while I lubricate you. -I might need... | 1:30:38 | 1:30:41 | |
No, no. I was just kidding. I don't expect you to... | 1:30:41 | 1:30:46 | |
I'm just so glad that you're being... It's a real improvement. | 1:30:46 | 1:30:50 | |
You know, you're one of the nicest people I've met in a long time. | 1:30:50 | 1:30:53 | |
-You haven't been anywhere in a long time. -One of the prettiest, too. | 1:30:53 | 1:30:59 | |
Your eyes. | 1:31:00 | 1:31:01 | |
-What about them? -Your mouth. | 1:31:02 | 1:31:06 | |
The way you head joins your neck as though it's hesitating. No, no. | 1:31:06 | 1:31:11 | |
It's reluctant... Boy, when I get out of here, I'm just really gonna write. | 1:31:11 | 1:31:16 | |
MUMBLES | 1:31:16 | 1:31:18 | |
No. You're the girl in the stocks. | 1:31:20 | 1:31:22 | |
Hey, pull the Caddy around. Let's pull out of here. | 1:31:22 | 1:31:25 | |
Stop it, Mr Dark. | 1:31:25 | 1:31:27 | |
Oh. Oh, I see. Enough of these intimacies, huh? | 1:31:28 | 1:31:32 | |
Hell, we hardly know each other. The only contact we've had | 1:31:32 | 1:31:35 | |
is to lift up my penis and just grease around it. | 1:31:35 | 1:31:38 | |
-W-What? What's the matter? -BREATHES HEAVILY | 1:31:38 | 1:31:42 | |
-Phew! Boy, is it hot in here! -Lie down. | 1:31:42 | 1:31:45 | |
-You're burning up. -MUMBLES | 1:31:45 | 1:31:48 | |
No, no, no! No, no, no, no, no. You gotta lay down. | 1:31:48 | 1:31:52 | |
-MUMBLES -No, no. Come on, Mr Dark. Just stay. | 1:31:52 | 1:31:55 | |
Come on! Come on! | 1:31:55 | 1:31:57 | |
Nicola! | 1:31:58 | 1:32:00 | |
-Come on. Let's just go back into the bed. -NICOLA! | 1:32:00 | 1:32:04 | |
Oh! Oh! | 1:32:07 | 1:32:10 | |
Can I get some help here? | 1:32:10 | 1:32:12 | |
-It's OK, nurse. It's OK. -Gentle! | 1:32:13 | 1:32:16 | |
Yeah. Too heavy for you, angel. | 1:32:16 | 1:32:19 | |
-Come on. Back in the bed. -I'm sorry. | 1:32:19 | 1:32:22 | |
-I am. I'm sorry. I'm sorry. -Slide your feet, gumshoes. | 1:32:22 | 1:32:26 | |
-Beddy bye-byes. -One small step for man, | 1:32:26 | 1:32:29 | |
-one giant leap for a cripple! -Argh! Ah! | 1:32:29 | 1:32:33 | |
-Who are you and what are you doing here? -A good question. | 1:32:35 | 1:32:39 | |
-On the nose, as they say nowadays. -Yeah, whenever that is. | 1:32:39 | 1:32:42 | |
Am I hot? Is this because I'm hot? | 1:32:42 | 1:32:44 | |
I don't know you. I don't know who you are! | 1:32:44 | 1:32:48 | |
-Disowning us, are you? -Nurse! | 1:32:48 | 1:32:51 | |
-Nurse. Where's she gone? -Where are you going? | 1:32:51 | 1:32:54 | |
Home! | 1:32:54 | 1:32:55 | |
-Hands off the fucking page! -You are going nowhere. | 1:32:55 | 1:32:59 | |
We get the shit and no explanations! Just one fuck-up after another. | 1:33:00 | 1:33:05 | |
-And you're the scumbag that wrote it! -Wait! No! No! | 1:33:05 | 1:33:09 | |
W-Where are we going? | 1:33:09 | 1:33:12 | |
Where is everybody? HELP! | 1:33:14 | 1:33:16 | |
SHOUTS | 1:33:21 | 1:33:24 | |
SHOUTS | 1:33:42 | 1:33:45 | |
-Oh, long way down, pal. -Right. It's a good last page, bucklehead. | 1:33:54 | 1:33:59 | |
-Sp-lash! -Yeah! It's pooper-scooper time now! | 1:33:59 | 1:34:02 | |
So, spill! Who are we? What are we? | 1:34:02 | 1:34:05 | |
# When, when you smile SCREAMS | 1:34:05 | 1:34:07 | |
# When you smile at me | 1:34:07 | 1:34:10 | |
# Well, well, I know | 1:34:10 | 1:34:12 | |
# Our love will always be | 1:34:12 | 1:34:15 | |
# When, when you kiss | 1:34:15 | 1:34:17 | |
# When you kiss me right | 1:34:17 | 1:34:19 | |
# I, I don't want | 1:34:19 | 1:34:21 | |
# To ever say goodnight | 1:34:21 | 1:34:24 | |
# I need you | 1:34:24 | 1:34:27 | |
# I want you near me | 1:34:27 | 1:34:29 | |
# I love you | 1:34:29 | 1:34:30 | |
# Yes, I do and I hope you hear me | 1:34:31 | 1:34:34 | |
# When, when I say SCREAMS | 1:34:34 | 1:34:36 | |
# When I say be mine | 1:34:36 | 1:34:39 | |
# If, if you will, I know all will be fine | 1:34:39 | 1:34:44 | |
# Will, will you be mine? | 1:34:44 | 1:34:48 | |
# Oh, baby, I'm in love | 1:34:48 | 1:34:51 | |
# I want you near me | 1:34:51 | 1:34:53 | |
# I love you | 1:34:53 | 1:34:55 | |
# Yes, I do, and I hope you hear me... # | 1:34:56 | 1:34:59 | |
SCREAMS | 1:35:01 | 1:35:04 | |
Well, personally, | 1:35:05 | 1:35:07 | |
I don't wanna walk down no mean quarters. | 1:35:07 | 1:35:10 | |
No, sir. There's just no payoff in picking bluebells. | 1:35:10 | 1:35:14 | |
Am I right or am I right? | 1:35:14 | 1:35:16 | |
Ah. Pffh! | 1:35:17 | 1:35:20 | |
SCREAMING God, listen to that, | 1:35:20 | 1:35:22 | |
would you? Can you hear the guy? | 1:35:22 | 1:35:24 | |
Anybody would think his arm was being twisted. | 1:35:24 | 1:35:27 | |
Ow! We've all been in pain, one time or another. | 1:35:27 | 1:35:31 | |
What I say is, when you're dealing with the devil... | 1:35:31 | 1:35:35 | |
..praise the Lord | 1:35:36 | 1:35:38 | |
and pass the ammunition. | 1:35:38 | 1:35:41 | |
I am not wrong... | 1:35:42 | 1:35:44 | |
..neither am I wrong. | 1:35:44 | 1:35:46 | |
-Ah! Ah! -Oh, jeez! The warbler. | 1:35:46 | 1:35:49 | |
# Now, flip, flop and fly | 1:35:54 | 1:35:57 | |
# I don't care if I die | 1:35:57 | 1:35:59 | |
# Now, flip, flop and fly | 1:35:59 | 1:36:02 | |
# I don't care if I die | 1:36:02 | 1:36:05 | |
# Don't ever leave me, don't ever say goodbye... # | 1:36:05 | 1:36:09 | |
SHOT | 1:36:09 | 1:36:11 | |
-Not fair. -Shoot this prick! | 1:36:12 | 1:36:14 | |
REVOLVER CLICKS EMPTY | 1:36:14 | 1:36:16 | |
SCREAMING | 1:36:16 | 1:36:18 | |
Shut up! | 1:36:18 | 1:36:21 | |
-Don't...please. Please... Don't. -Shut your piehole. | 1:36:45 | 1:36:50 | |
No! Wait! That's murder. | 1:36:51 | 1:36:53 | |
Will you get a load of that? "Murder", he says. I call it... | 1:36:55 | 1:36:59 | |
..prudent. Only one of us is gonna walk out of here. | 1:37:00 | 1:37:04 | |
Sweeter than the roses. | 1:37:04 | 1:37:06 | |
What? Are you kidding me with this? | 1:37:09 | 1:37:11 | |
Ah, shucks. | 1:37:14 | 1:37:16 | |
You could say we've been partners, him and me - | 1:37:16 | 1:37:19 | |
like Laurel and Hardy, or Donald and Ivana. | 1:37:19 | 1:37:23 | |
But, heck, this was one sick pup... | 1:37:24 | 1:37:27 | |
..from way back. I reckon I'm man enough to tie my own shoelaces now. | 1:37:28 | 1:37:33 | |
Hey. | 1:37:55 | 1:37:58 | |
-You got my hat? -Have I got your hat? | 1:37:58 | 1:38:03 | |
-Think I've cracked this case. -Yeah, I think you have, but... | 1:38:10 | 1:38:14 | |
-No buts. Watch my lips. -What? | 1:38:14 | 1:38:18 | |
# In my dreams, you told me | 1:38:21 | 1:38:24 | |
# That you really, really care | 1:38:24 | 1:38:27 | |
# In my dreams, you told me | 1:38:27 | 1:38:30 | |
# It's a love you won't share | 1:38:30 | 1:38:33 | |
# So, hold me, hold me, hold me | 1:38:33 | 1:38:36 | |
# And never, ever let me go | 1:38:36 | 1:38:41 | |
# In my dreams | 1:38:45 | 1:38:47 | |
# You told me our love was here to stay | 1:38:47 | 1:38:51 | |
# In my dreams, you told me | 1:38:51 | 1:38:54 | |
# Forever and a day | 1:38:54 | 1:38:57 | |
# That you'll love me, love me, love me | 1:38:57 | 1:39:00 | |
# And never, ever | 1:39:00 | 1:39:02 | |
-# Let me go -# Wah, wah, wah, wah | 1:39:02 | 1:39:08 | |
# It seems that dreams are sometimes make-believe | 1:39:08 | 1:39:14 | |
# But now I know | 1:39:14 | 1:39:17 | |
# That they are true | 1:39:17 | 1:39:20 | |
# For in my dreams, you said you loved me | 1:39:20 | 1:39:25 | |
# And in reality | 1:39:25 | 1:39:28 | |
# You love me, love me too | 1:39:28 | 1:39:32 | |
# Well, my dreams have come true | 1:39:32 | 1:39:35 | |
# I'm as happy as can be | 1:39:35 | 1:39:38 | |
# For I know in my heart | 1:39:38 | 1:39:41 | |
# You won't take this love from me | 1:39:41 | 1:39:44 | |
# So love me, love me, love me... # | 1:39:44 | 1:39:47 | |
# In my dreams, you told me | 1:39:58 | 1:40:02 | |
# That you really, really care | 1:40:02 | 1:40:05 | |
# In my dreams, you told me | 1:40:05 | 1:40:08 | |
# It's a love that can't compare | 1:40:08 | 1:40:12 | |
# So, hold me, hold me, hold me | 1:40:12 | 1:40:15 | |
# And never, ever | 1:40:15 | 1:40:17 | |
# Let me go | 1:40:17 | 1:40:21 | |
# In my dreams | 1:40:25 | 1:40:27 | |
# You told me | 1:40:27 | 1:40:29 | |
# It's a love that can't compare | 1:40:29 | 1:40:32 | |
# In my dreams, you told me | 1:40:32 | 1:40:35 | |
# It's a love you wanna share | 1:40:35 | 1:40:38 | |
# So, hold me, hold me, hold me | 1:40:38 | 1:40:42 | |
# Never, ever | 1:40:42 | 1:40:44 | |
# Let me go | 1:40:44 | 1:40:49 | |
# It seems that dreams | 1:40:52 | 1:40:55 | |
# Are sometimes make-believe | 1:40:55 | 1:40:58 | |
# But now I know | 1:40:58 | 1:41:01 | |
# That they are real | 1:41:01 | 1:41:04 | |
# For in my dreams | 1:41:05 | 1:41:09 | |
# You said you loved me | 1:41:09 | 1:41:11 | |
# And in reality | 1:41:11 | 1:41:14 | |
# You love, love me, too | 1:41:14 | 1:41:16 | |
# Now, my dreams have come true | 1:41:20 | 1:41:23 | |
# I'm as happy as can be | 1:41:23 | 1:41:27 | |
# For I know in my heart | 1:41:27 | 1:41:30 | |
# You won't take this love from me | 1:41:30 | 1:41:33 | |
# So, hold me, hold me, hold me | 1:41:33 | 1:41:37 | |
# And never, ever | 1:41:37 | 1:41:40 | |
# Let me go | 1:41:40 | 1:41:45 | |
# Do, do, do, do | 1:41:48 | 1:41:50 | |
# Do, do, do, do, do | 1:41:50 | 1:41:53 | |
# Do, do, do, do | 1:41:53 | 1:41:57 | |
# Do, do, do, do | 1:41:57 | 1:42:00 | |
# Do, do, do | 1:42:00 | 1:42:04 | |
# Do, do, do, do | 1:42:04 | 1:42:07 | |
# Oh, yeah, yeah, yeah, yeah | 1:42:07 | 1:42:11 | |
# It seems that dreams | 1:42:14 | 1:42:17 | |
# Are sometimes make-believe | 1:42:17 | 1:42:20 | |
# But now I know | 1:42:20 | 1:42:23 | |
# That they are real | 1:42:23 | 1:42:26 | |
# For in my dreams | 1:42:26 | 1:42:31 | |
# You said you loved me | 1:42:31 | 1:42:34 | |
# And in reality | 1:42:34 | 1:42:36 | |
# You love me, love me, too | 1:42:36 | 1:42:41 | |
# Now, my dreams have come true | 1:42:45 | 1:42:48 | |
# I'm as happy as can be | 1:42:48 | 1:42:52 | |
# For I know in my heart | 1:42:52 | 1:42:55 | |
# You won't take this love from me | 1:42:55 | 1:42:58 | |
# So, hold me, hold me, hold me | 1:42:58 | 1:43:02 | |
# And never, ever | 1:43:02 | 1:43:04 | |
# Let me go... # | 1:43:04 | 1:43:08 | |
E-mail us at [email protected] | 1:43:14 | 1:43:16 |