
Browse content similar to Homicide. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes and very strong language. | 0:00:16 | 0:00:24 | |
EXPLOSION | 0:03:38 | 0:03:40 | |
FBI! DON'T MOVE! | 0:03:40 | 0:03:42 | |
GUNSHOT | 0:03:43 | 0:03:45 | |
Go on! Through the door! | 0:03:49 | 0:03:52 | |
GUNFIRE AND PANDEMONIUM | 0:03:54 | 0:03:57 | |
HE'S IN THE CLOSET! HE'S IN THE CLOSET! | 0:04:05 | 0:04:08 | |
Open it. Give me the fucking light. | 0:04:12 | 0:04:16 | |
Nobody gets in. | 0:04:49 | 0:04:51 | |
The Mayor's got every black citizen and black citizens' group in the city tearing at him. | 0:04:51 | 0:04:58 | |
The FBI is trying to lynch a black man. | 0:04:58 | 0:05:01 | |
We got people yelling "Government assassination squads..." | 0:05:01 | 0:05:05 | |
Robert Randolph is a drug dealer. We've had him on our books... | 0:05:06 | 0:05:10 | |
The man is speaking. | 0:05:08 | 0:05:10 | |
I need this Randolph. The Mayor has called off the FBI. They're out of it. | 0:05:11 | 0:05:16 | |
I need you to bring this man in alive. Have you got anything? | 0:05:16 | 0:05:22 | |
Can you give me something? | 0:05:22 | 0:05:24 | |
-What do you think? -They yanked you off the case once, they'll do it again. | 0:05:24 | 0:05:28 | |
I don't know what else I can say. | 0:05:31 | 0:05:34 | |
Sir, we had this Randolph. His brother-in-law, a year or two ago... Willie Sims. | 0:05:34 | 0:05:41 | |
I think we could get to Randolph... | 0:05:41 | 0:05:46 | |
You know Sims' whereabouts? | 0:05:44 | 0:05:46 | |
Yes, sir... | 0:05:46 | 0:05:50 | |
Why didn't you say? | 0:05:48 | 0:05:50 | |
We were yanked off the case. The FBI... | 0:05:50 | 0:05:56 | |
You could've passed the tip to them. | 0:05:53 | 0:05:56 | |
They say never kiss an FBI agent cos then you have to take him to dinner. | 0:05:56 | 0:06:01 | |
I don't get the fuckin' humour. | 0:06:01 | 0:06:02 | |
We got a black man killed, we got the Mayor besieged... | 0:06:02 | 0:06:06 | |
and you don't come forward till Mr Walker's handing out promotions. | 0:06:07 | 0:06:12 | |
Are you a member of this police force? | 0:06:12 | 0:06:15 | |
Yes, sir. We were told to stand down. Lou passed it down. | 0:06:15 | 0:06:20 | |
Do you have something? We got the Mayor hanging in the breeze. | 0:06:20 | 0:06:24 | |
-Yes, sir. I'm saying, but the FBI... -What have you got? | 0:06:24 | 0:06:28 | |
I think we can bring the man in. | 0:06:28 | 0:06:32 | |
Well, you bring him in. | 0:06:30 | 0:06:32 | |
-Who was that? -Detective Robert Gold. He's our hostage negotiator. | 0:06:36 | 0:06:41 | |
22 citations for valour. | 0:06:41 | 0:06:43 | |
I'm not going to eat this attitude. | 0:06:43 | 0:06:48 | |
I'm sorry if I said... | 0:06:46 | 0:06:48 | |
Hey, pal, I don't need you to wax my car. I need you to go and do what you're paid to do... | 0:06:48 | 0:06:54 | |
There'll be a lot of reporters. | 0:06:56 | 0:06:59 | |
Mr Patterson, nobody's asking you to eat an attitude. | 0:06:59 | 0:07:03 | |
-What did you say? -I said do your job. | 0:07:04 | 0:07:06 | |
I'm trying. | 0:07:06 | 0:07:08 | |
You got an answer for everything, smart guy. Detective Gold, hostage negotiator, barracks room lawyer? | 0:07:08 | 0:07:15 | |
-No, I.. -Bobby. | 0:07:15 | 0:07:16 | |
Sir, sir. It seems you're... | 0:07:20 | 0:07:23 | |
I'm what? I'm through with you, Mr Gold. | 0:07:24 | 0:07:26 | |
-Hey! -How'd you like to be suspended? | 0:07:26 | 0:07:30 | |
How'd you like to be Queen for a day? | 0:07:30 | 0:07:32 | |
-Little kike. -What? -What did you fuckin' say? | 0:07:32 | 0:07:37 | |
You want to step out in the alley? | 0:07:37 | 0:07:40 | |
You fuckin' faggot! | 0:07:40 | 0:07:42 | |
I'll kill your ass. You talk to my partner that way? | 0:07:42 | 0:07:46 | |
-You know what this man has done in the line...? -Stand down. | 0:07:46 | 0:07:50 | |
I'm sorry, Bobby. | 0:07:56 | 0:07:58 | |
Fuck him, huh? Any self-respect, he'd work for a living. Fuck him. | 0:07:59 | 0:08:05 | |
Yeah. | 0:08:05 | 0:08:07 | |
Good morning. | 0:08:11 | 0:08:13 | |
You all right, man? | 0:08:17 | 0:08:19 | |
-Fucker had no call to get onto you. -Case wasn't even a case till the FBI came on it. | 0:08:19 | 0:08:24 | |
Two-bit, two-bag pusher till the FBI turned him into John Hitler. | 0:08:24 | 0:08:28 | |
We could've found him if the FBI hadn't come on it. | 0:08:28 | 0:08:31 | |
Gimme two Irish cops, cigars in their mouths... | 0:08:31 | 0:08:35 | |
-go bring their man in... -That's right. -..and spare me the fuckin' FBI. | 0:08:35 | 0:08:39 | |
FBI don't put you on their Ten Most Wanted List till they know where you are 'n how long you'll be. | 0:08:39 | 0:08:46 | |
-Who is this guy, Tim? -Willie Sims, the brother-in-law of Randolph. We had him in 1979. | 0:08:46 | 0:08:51 | |
-We had him all the fuckin' time. -He lived at the Boyce Gym down on Federal. | 0:08:52 | 0:08:56 | |
-He's a boxer. -Him and Randolph. | 0:08:56 | 0:08:59 | |
You want Randolph, we go to the gym. He's not there, we get Syms. | 0:08:59 | 0:09:03 | |
We shake him, he gives us Randolph. | 0:09:03 | 0:09:07 | |
-Let's go get him. -I'll meet you at the car. | 0:09:07 | 0:09:09 | |
-Gym don't open till ten. Meet at the Coffee Cup in fifteen. -Coffee Cup in fifteen. | 0:09:09 | 0:09:15 | |
-I'm gonna get the stuff. -Hey, Bob, don't let 'em get ya down. | 0:09:21 | 0:09:25 | |
-You guys all goin' out? -That's right. -Don't forget your gun. | 0:09:27 | 0:09:31 | |
For what? To protect myself? | 0:09:31 | 0:09:34 | |
PHONE RINGS | 0:09:34 | 0:09:39 | |
Homicide. Detective Gold. | 0:09:35 | 0:09:39 | |
< The FBI's off the Randolph case. | 0:09:39 | 0:09:42 | |
Our plan? Our plan is to serve and protect. Can I get back to you? | 0:09:42 | 0:09:47 | |
What are you doing in this morning? | 0:09:47 | 0:09:50 | |
Well, they put us on the big one. | 0:09:50 | 0:09:53 | |
-What? Ya going to conquer France? -Yeah. What've you got? | 0:09:53 | 0:09:58 | |
Walter B Wells, killed his wife and kiddies with this deer rifle. | 0:09:58 | 0:10:03 | |
What did you do, apprehend him? | 0:10:03 | 0:10:07 | |
Yeah, we got him, Mighty Hunter. | 0:10:07 | 0:10:09 | |
Did ya mistake them for a deer? | 0:10:09 | 0:10:12 | |
-We just catch 'em, not figure 'em out, thank God. -Did you think they were a deer? -Yeah. | 0:10:12 | 0:10:17 | |
What you kill 'em for, pal? What you shoot 'em for? | 0:10:17 | 0:10:21 | |
-I did it to protect them. -They're safe now, wouldn't you say? | 0:10:21 | 0:10:25 | |
-Hey, leave it. -Wife, three kids. Four shots. Nice shooting, old son. | 0:10:25 | 0:10:32 | |
I got him. Give him to me, you sonofabitch! | 0:10:37 | 0:10:41 | |
Sonofabitch! | 0:10:42 | 0:10:44 | |
GUNSHOT | 0:10:46 | 0:10:48 | |
Stand up. | 0:10:48 | 0:10:50 | |
SHOUTING | 0:10:53 | 0:10:56 | |
Get in there, you fuckin' asshole. | 0:11:05 | 0:11:09 | |
OK. We got him. | 0:11:07 | 0:11:09 | |
Stupid sonofabitch! | 0:11:09 | 0:11:12 | |
He got me a good one in the head. | 0:11:12 | 0:11:15 | |
Christ, you tore my fuckin' holster. What the fuck d'ya wanna do that for? | 0:11:16 | 0:11:21 | |
-Are you OK, Bob? -What the fuck you wanna do that for? | 0:11:21 | 0:11:24 | |
-I wanted your gun. -Why didn't you say so? | 0:11:24 | 0:11:27 | |
-What did you want the gun for? -To kill myself. | 0:11:27 | 0:11:30 | |
Bates, Brown - in my office. Are you OK, Bobby? | 0:11:30 | 0:11:34 | |
I'm fine, Lou. | 0:11:34 | 0:11:36 | |
Somebody get him a drink of water. | 0:11:36 | 0:11:39 | |
What the fuck's wrong with you, man? | 0:11:39 | 0:11:41 | |
What the fuck did I ever do to you? You stupid sonofabitch. | 0:11:41 | 0:11:47 | |
-Sorry. -You tore my holster. What the fuck did I do to you? | 0:11:47 | 0:11:52 | |
-Nothing. -And I stood up for you, didn't I? | 0:11:52 | 0:11:54 | |
Yes, you did. | 0:11:54 | 0:11:57 | |
Thanks for your help. | 0:11:59 | 0:12:01 | |
Perhaps someday I can help you. | 0:12:04 | 0:12:05 | |
Now, how can you help me? | 0:12:05 | 0:12:08 | |
Perhaps someday I could tell you the nature of evil. | 0:12:08 | 0:12:14 | |
Would you like to know how to solve the problem of evil? | 0:12:14 | 0:12:18 | |
No, man. Cos if I did then I'd be out of a job. | 0:12:18 | 0:12:23 | |
Let's go to work. | 0:12:23 | 0:12:26 | |
RADIO: '69-10, 69-10 relay to 16, what is your 20?' | 0:12:27 | 0:12:32 | |
69-10, we're en route to Beal's Gym, 12th and Loomis, on the turnout to 10-11 with two Homicide 16's. | 0:12:32 | 0:12:39 | |
'69-10, on a 10-11.' | 0:12:39 | 0:12:41 | |
69-10. | 0:12:41 | 0:12:43 | |
Robert Randolph. | 0:12:45 | 0:12:47 | |
He's got no call to question my loyalty or to get racial with me. | 0:12:49 | 0:12:53 | |
He called you one, you called him one. | 0:12:53 | 0:12:56 | |
-Sonofabitch is gonna go. -Yeah, I feel it too. -A piece of cake. | 0:12:56 | 0:13:00 | |
A piece of cake or a slice of life. | 0:13:00 | 0:13:02 | |
-Ain't that the truth. -That is the truth. | 0:13:02 | 0:13:05 | |
-They could've brought him in with a knock on the door. -Let's bring him in. | 0:13:05 | 0:13:09 | |
-Garner some of them kudos an' all. -FBI could fuck up a baked potato. | 0:13:09 | 0:13:15 | |
FBI couldn't find Joe Louis in a bowl of rice. | 0:13:15 | 0:13:18 | |
You know what's needed? Police work. | 0:13:18 | 0:13:21 | |
-What happened to the job? -Hmm. | 0:13:21 | 0:13:27 | |
Fuckin' politics, man. Nothing but politics. | 0:13:27 | 0:13:30 | |
-Motherfucker called me a kike. -I heard him. | 0:13:30 | 0:13:33 | |
Job's changed. It ain't the same job. | 0:13:33 | 0:13:36 | |
Job's the same. People dying, people killing them. How's your head? | 0:13:36 | 0:13:41 | |
Sonofabitch whopped you a good one. | 0:13:41 | 0:13:44 | |
That sonofabitch whopped you mean. You're getting a bump on there. | 0:13:44 | 0:13:51 | |
Here... put the meat on it. It's my lunch. Put it on. | 0:13:51 | 0:13:55 | |
-You're kidding... -No, that'll draw it. -Hey, what don't you know? | 0:13:55 | 0:14:01 | |
-Isn't it? -You're one smart Indian. Look out. | 0:14:01 | 0:14:06 | |
TYRES SCREECH | 0:14:06 | 0:14:09 | |
-He's in there. -Who? | 0:14:12 | 0:14:14 | |
My partner's pinned down in there. | 0:14:14 | 0:14:17 | |
Get down. | 0:14:17 | 0:14:19 | |
Where's my piece? | 0:14:20 | 0:14:21 | |
-Bob, what is it? -What is it? | 0:14:21 | 0:14:24 | |
-We had a shooting... -How many? | 0:14:24 | 0:14:26 | |
-How many? -It's a dog. -How many? -It's a dog. -What's a dog? | 0:14:26 | 0:14:28 | |
-The lady was shot. -How many guys? | 0:14:28 | 0:14:32 | |
What guys? Just my partner and a dog. | 0:14:32 | 0:14:35 | |
-There's just a dog in there? -Yeah. | 0:14:35 | 0:14:37 | |
The fucking dog's trying to kill him. | 0:14:37 | 0:14:40 | |
Shoot the dog, man. | 0:14:51 | 0:14:52 | |
It's my first day and I gotta get a body. Give me a hand. | 0:14:53 | 0:14:57 | |
Did you call your Sergeant? Gimme a sandwich. | 0:14:57 | 0:15:01 | |
Gimme the fuckin' sandwich! | 0:15:01 | 0:15:03 | |
You calm down. | 0:15:03 | 0:15:05 | |
-Who's dead? -Some lady, the owner. | 0:15:08 | 0:15:11 | |
-For sure? -Hit her with a shotgun. | 0:15:11 | 0:15:13 | |
-Anyone living? -No. | 0:15:13 | 0:15:15 | |
Call the ambulance. | 0:15:15 | 0:15:17 | |
-How long have you been here? -Two minutes. | 0:15:17 | 0:15:20 | |
OK, Officer Farrow, get out your fuckin' notebook. | 0:15:20 | 0:15:25 | |
You write down the exact time of your arrival, you, your partner's number. | 0:15:25 | 0:15:32 | |
-I was never here. -I understand. You were never here. | 0:15:32 | 0:15:36 | |
What is it in there? | 0:15:36 | 0:15:40 | |
-< -I can't move, man. Who is that? | 0:15:37 | 0:15:40 | |
It's the cops. You can't move, don't move. Can you get to your piece? | 0:15:40 | 0:15:46 | |
-If I move, the fuckin' dog is gonna kill me. -Does he have a collar on? | 0:15:46 | 0:15:50 | |
< Yeah. | 0:15:50 | 0:15:53 | |
Is it a choke collar? | 0:15:53 | 0:15:55 | |
-Bobby, I gotta roll. -Fuck me...! Go on, get outta here. | 0:15:55 | 0:15:59 | |
Hey, get me your jacket. | 0:15:59 | 0:16:01 | |
A choke collar. | 0:16:02 | 0:16:04 | |
Yeah, I see it. It's a choke collar. | 0:16:04 | 0:16:08 | |
DOG GROWLS | 0:16:13 | 0:16:15 | |
DOG BARKS | 0:16:16 | 0:16:18 | |
-I'm scared, man. -I know you are. | 0:16:24 | 0:16:28 | |
-< -Yeah, I'm scared. | 0:16:28 | 0:16:30 | |
Just hang tight. It'll all be over in a minute. | 0:16:32 | 0:16:36 | |
Nothing to it. | 0:16:37 | 0:16:39 | |
Piece of cake, really. | 0:16:39 | 0:16:41 | |
Nice and easy. Everybody's your friend. | 0:16:47 | 0:16:52 | |
-Be careful, man. -> | 0:16:53 | 0:16:55 | |
Shhhh. Attaboy. | 0:16:56 | 0:16:59 | |
Chain him outside. | 0:17:01 | 0:17:06 | |
What a thing, huh? Thank you, man. | 0:17:02 | 0:17:06 | |
It's all right. | 0:17:07 | 0:17:09 | |
-I gotta call in. -Don't touch the phone. You gotta call, call outside. | 0:17:09 | 0:17:15 | |
Thank you, man. | 0:17:15 | 0:17:17 | |
-What've you got here? -Behind the counter. | 0:17:17 | 0:17:20 | |
Move it back. | 0:18:16 | 0:18:18 | |
I know why they waste her - she got a fortune in her basement, that Jew broad. | 0:18:18 | 0:18:23 | |
I can help. | 0:18:23 | 0:18:25 | |
Take everybody's name and address, don't shoo anyone off. | 0:18:26 | 0:18:30 | |
Her killer could be hanging around. | 0:18:30 | 0:18:32 | |
Don't touch nothing and hang tight till your Sergeant arrives. | 0:18:32 | 0:18:37 | |
-I know she had a fortune in her basement. -Hang tight? | 0:18:37 | 0:18:41 | |
That's right. | 0:18:41 | 0:18:42 | |
-This is why they killed her. -I gotta get outta here. | 0:18:43 | 0:18:47 | |
-Sorry, ma'am, no-one's supposed to get through. -That's my grandmother in there. | 0:18:49 | 0:18:54 | |
-Not my case. -Folks, nobody gets by. | 0:18:54 | 0:18:58 | |
Central... Detective Gold. I need a car, 12th and Prescott. | 0:18:58 | 0:19:04 | |
-Please, can you help me? -The Sergeant'll be here soon. | 0:19:05 | 0:19:09 | |
What's happened to my grandmother? | 0:19:09 | 0:19:12 | |
-'Gold - 10-20, say it again.' -12th and Prescott. | 0:19:12 | 0:19:16 | |
-Your grandmother owns the variety store? -Is she dead? | 0:19:16 | 0:19:20 | |
The woman inside is dead, yes, ma'am. | 0:19:20 | 0:19:23 | |
Oh, God. | 0:19:23 | 0:19:25 | |
As soon as the car's here, I'm on my way. | 0:19:26 | 0:19:30 | |
-Officer, I want to see her. -I'm sorry, this is not my case. | 0:19:30 | 0:19:35 | |
No, I can't get stuck here... | 0:19:39 | 0:19:41 | |
What've we got? | 0:19:42 | 0:19:44 | |
We got a homicide, elderly woman shot, this is the family. | 0:19:44 | 0:19:49 | |
-Who are you? -Detective Gold, Homicide. | 0:19:49 | 0:19:52 | |
-You got here quick. -No, sir, I... | 0:19:52 | 0:19:54 | |
-No, sir, I... -Oh. First officer? | 0:19:54 | 0:19:56 | |
What's this family doing in this neighbourhood? | 0:19:59 | 0:20:03 | |
-Officer Jones. -Cap, I gotta get outta here. | 0:20:03 | 0:20:06 | |
Take these people to ID the body. | 0:20:06 | 0:20:09 | |
-Cap, I gotta get outta here. -Let me run the precinct. | 0:20:09 | 0:20:12 | |
-You caught the case. -Sir, my partner and I got something heavy coming down right now. | 0:20:12 | 0:20:18 | |
-I just heard it on the radio. It happened. -You caught the case, you got it. | 0:20:18 | 0:20:23 | |
Officer, go to the store next door, tell 'em we're taking it as a command post. | 0:20:27 | 0:20:33 | |
-Everybody goes downtown. -What've we got? | 0:20:33 | 0:20:37 | |
A homicide, and there's a very pretty .45 Colt I don't want to see disappear into some cop's locker. | 0:20:37 | 0:20:44 | |
Would you like to come in, sir? While you're in, touch nothing. | 0:20:44 | 0:20:50 | |
It never stops. It never stops, does it? | 0:20:57 | 0:21:01 | |
Never stops? What never stops? | 0:21:01 | 0:21:04 | |
Against the Jews. | 0:21:06 | 0:21:08 | |
Yeah, that's right. > | 0:21:11 | 0:21:13 | |
-Because she had that shit in her basement. -The old woman? | 0:21:13 | 0:21:17 | |
-Tell him about the old woman. -That's what we were talking about. | 0:21:18 | 0:21:21 | |
You said you'd help find her killer. | 0:21:21 | 0:21:25 | |
They shot her for the fortune in her basement. | 0:21:25 | 0:21:29 | |
-< -They killed her for her fortune. -Did you see this guy? | 0:21:29 | 0:21:32 | |
No, I was in school. | 0:21:32 | 0:21:34 | |
-It was a school day. -OK. | 0:21:34 | 0:21:37 | |
Willie Sims. | 0:21:37 | 0:21:41 | |
You're the talking man. | 0:21:38 | 0:21:41 | |
Willie Sims. How are you? | 0:21:41 | 0:21:43 | |
As you see, man. What are they doing to me? | 0:21:43 | 0:21:46 | |
What the hell do you want with me? | 0:21:46 | 0:21:50 | |
You missed it, Bob. | 0:21:50 | 0:21:52 | |
-Got him at the gym just as you said. What happened to you? -I got pulled off the case. | 0:21:53 | 0:21:59 | |
Bullshit! | 0:21:59 | 0:22:01 | |
I'm stuck. I'm supposed to babysit this candy store. | 0:22:04 | 0:22:09 | |
-It's your case. -I don't know, yeah. | 0:22:11 | 0:22:14 | |
We need "The Mouthpiece" to sweet-talk his ass. | 0:22:14 | 0:22:19 | |
-My father needs to talk to you. -We'll take care of it. Officer... | 0:22:20 | 0:22:23 | |
My father needs you. | 0:22:23 | 0:22:24 | |
-Would you see Miss Klein home? -Yes, sir. | 0:22:25 | 0:22:27 | |
We'll take care of it. | 0:22:27 | 0:22:29 | |
Ma'am. | 0:22:29 | 0:22:30 | |
I need to talk to you. | 0:22:30 | 0:22:32 | |
We're about to crack this Sims. | 0:22:32 | 0:22:35 | |
I'm sorry, I got a call downtown. You live with this candy store. | 0:22:35 | 0:22:39 | |
-We need him, Lou. We're going in Mutt and Jeff. We need "The Orator". -He's off the case. | 0:22:40 | 0:22:45 | |
What d'ya call this? Loyalty? | 0:22:45 | 0:22:47 | |
Come with me. I got a call. The Jewish guys have got clout. The doctor wants you. | 0:22:47 | 0:22:55 | |
You were there, you're "his people". | 0:22:55 | 0:22:57 | |
I'm "his people"? I thought I was your people. I come up with the idea, trap the guy in. | 0:22:57 | 0:23:04 | |
I found the brother. | 0:23:04 | 0:23:06 | |
-I'm sorry, Bobby. -I'm in it from the git. -I'm sorry. | 0:23:06 | 0:23:10 | |
What am I, a fuckin' jumping bean? | 0:23:10 | 0:23:13 | |
I'm your backup girl? I try to follow orders and I get whiplash. Why not send me to the airport? | 0:23:13 | 0:23:20 | |
It's nothing personal. | 0:23:20 | 0:23:22 | |
Perhaps it should be. | 0:23:22 | 0:23:24 | |
Kid just gave up his brother. | 0:23:24 | 0:23:27 | |
-Just gave us Randolph. -You got an address? | 0:23:27 | 0:23:29 | |
Everything. Let's go. | 0:23:29 | 0:23:31 | |
-Yo, you want a vest? -Yeah. | 0:23:31 | 0:23:33 | |
-You're on the candy store case. -He's on top of it. | 0:23:33 | 0:23:36 | |
The fuck he is. | 0:23:36 | 0:23:37 | |
-I'm going for coffee. -Coffee, bullshit. No. | 0:23:37 | 0:23:41 | |
You wanna run on this other case, it's my ass. | 0:23:41 | 0:23:44 | |
This guy is heavy downtown. The candy store, you got it. | 0:23:44 | 0:23:48 | |
Nothing you say can convince me. | 0:23:48 | 0:23:51 | |
-It's not right. -Get outta here. | 0:23:51 | 0:23:53 | |
-Goodbye, Sully. -That's right. | 0:23:53 | 0:23:55 | |
What have you got on the candy store case? | 0:23:56 | 0:23:59 | |
Some kid says she had a fortune. I got the witnesses lined up. | 0:24:00 | 0:24:05 | |
-If I go... -One moment. I'm sorry to pull you off the case, Bobby. | 0:24:05 | 0:24:11 | |
I got three calls from Dr Klein. You'll call him? | 0:24:11 | 0:24:15 | |
-I'm on it right now. -Thank you. | 0:24:15 | 0:24:17 | |
-It's all right. -I'll make it up to you. | 0:24:17 | 0:24:20 | |
-It's all part of the job. -That's right. | 0:24:20 | 0:24:23 | |
-Yes? -I'm sorry to keep going over this... | 0:24:23 | 0:24:27 | |
Let's get outta here. | 0:24:35 | 0:24:37 | |
Lovely day for it. | 0:25:30 | 0:25:32 | |
All right. | 0:25:32 | 0:25:34 | |
-Excuse me, do you know where this might be? -Right here? | 0:25:43 | 0:25:46 | |
How come you always gotta be the first one through the door? | 0:26:52 | 0:26:56 | |
So brazen. | 0:26:57 | 0:27:00 | |
You wanna kill my baby. | 0:27:56 | 0:27:58 | |
You come here to kill my child. | 0:28:03 | 0:28:05 | |
I'm comin' in, Bob. | 0:28:05 | 0:28:09 | |
Yo, come in. | 0:28:07 | 0:28:09 | |
This the broad? | 0:28:13 | 0:28:16 | |
Joint's deserted. Guy ain't here. | 0:28:16 | 0:28:19 | |
Sullivan, come in. | 0:28:19 | 0:28:21 | |
Where is he? | 0:28:31 | 0:28:32 | |
I should kill my baby that I brought into the world? White folks... Why would that be? | 0:28:32 | 0:28:39 | |
-Your baby's a murderer. -He never hurt nobody. | 0:28:39 | 0:28:42 | |
Now that's just not the facts. | 0:28:42 | 0:28:44 | |
He never hurt no-one. Now you got him out there running for his life. | 0:28:44 | 0:28:49 | |
We got to get him. We got a few days. If we don't, we gotta call the FBI. | 0:28:49 | 0:28:55 | |
The FBI's gonna kill his ass. | 0:28:55 | 0:28:57 | |
-That's right. We can cut you a deal but the Federal boys won't. -So what you wanna do? | 0:28:57 | 0:29:03 | |
Get out of my motherfucking home. | 0:29:04 | 0:29:06 | |
GET OUT OF MY FUCKING ROOM! | 0:29:06 | 0:29:08 | |
Hey, bitch, you don't tell us a goddamn thing! | 0:29:08 | 0:29:12 | |
Your boy killed two cops. You think we gonna sit and chat with you? | 0:29:12 | 0:29:17 | |
We're wasting our time! | 0:29:17 | 0:29:20 | |
Give me a minute. | 0:29:20 | 0:29:23 | |
-We got two dead cops, what the fuck are you...? -Gimme a fuckin' minute! | 0:29:23 | 0:29:27 | |
-A minute is something we don't got. -Talkin' to a stone wall. | 0:29:27 | 0:29:32 | |
-You're wasting your time, pal. -I'll be the judge of that. -Why you do this shit? -Shut up. | 0:29:32 | 0:29:38 | |
We got to find him. Don't do this the hard way. | 0:29:39 | 0:29:43 | |
Look at me. We can help you. | 0:29:43 | 0:29:46 | |
< It's a bad beat and you're stuck in it... | 0:29:46 | 0:29:50 | |
and it's gonna be some crying, but our way is the easy way. | 0:29:50 | 0:29:54 | |
Listen to me. | 0:29:54 | 0:29:56 | |
We need your son, but we don't need him dead. | 0:29:56 | 0:30:01 | |
You want him alive? Work with us. | 0:30:02 | 0:30:05 | |
We got to bring him in. | 0:30:05 | 0:30:07 | |
You want to kill him. | 0:30:07 | 0:30:09 | |
We need to take him... but alive. That's the job we were given. That's why they gave it to cops, not the FBI | 0:30:09 | 0:30:16 | |
Our job is to bring him down alive. That's why they sent us. | 0:30:16 | 0:30:21 | |
Listen to me. I know it stinks. | 0:30:26 | 0:30:29 | |
I know there's so much death in the world and full it's of hate, mama. | 0:30:30 | 0:30:36 | |
I know it all turns out wrong. | 0:30:36 | 0:30:38 | |
Here we are, here we are, we're the garbage men. | 0:30:39 | 0:30:44 | |
You think I don't know? I know that. Looking for something to love. | 0:30:45 | 0:30:51 | |
You got something to love, you got your boys, that's something. | 0:30:51 | 0:30:57 | |
Look in my eyes. I want to save your son, before God. | 0:30:58 | 0:31:05 | |
I want to save your boy. | 0:31:07 | 0:31:09 | |
Will you help me? | 0:31:10 | 0:31:12 | |
-Bob... -Not now. | 0:31:18 | 0:31:21 | |
He needs you on the phone, now. | 0:31:21 | 0:31:25 | |
-Time's running out. -That's right, mama. | 0:31:30 | 0:31:33 | |
-What the fuck does he want? -It's the yids. -Blow them off. | 0:31:33 | 0:31:36 | |
Somebody took a shot... | 0:31:36 | 0:31:38 | |
-Somebody took a shot at... -That's what they said. | 0:31:38 | 0:31:42 | |
Bullshit. Bullshit! | 0:31:42 | 0:31:44 | |
-What is it? -They say a shot fired at them. | 0:31:59 | 0:32:02 | |
Some guy on the roof. | 0:32:03 | 0:32:05 | |
-A shot fired, yes or no? -I don't know. Didn't hit nothing if it did. | 0:32:07 | 0:32:11 | |
-Who heard it? -The lady. | 0:32:12 | 0:32:14 | |
What lady? | 0:32:14 | 0:32:15 | |
-Get the lady in to show you. -I'll show you. | 0:32:16 | 0:32:19 | |
-Who made the call? -I did. | 0:32:19 | 0:32:21 | |
-What're we looking at? -It happened here. | 0:32:22 | 0:32:24 | |
Get me this number. It's my partner. | 0:32:24 | 0:32:27 | |
-There was a man on the roof. -Uh-huh. | 0:32:27 | 0:32:30 | |
-And my wife heard a shot. -Uh-huh. She heard a shot. | 0:32:30 | 0:32:34 | |
Would she know what a shot sounds like? | 0:32:34 | 0:32:38 | |
My wife heard a shot. | 0:32:38 | 0:32:40 | |
-There was a shot on the roof. There was a man on the roof. -Yes, ma'am. | 0:32:40 | 0:32:45 | |
-I'm not making it up. There was shooting. -Ma'am, I don't know any reason why... | 0:32:45 | 0:32:50 | |
But you feel that... what? You're dealing with hysterical Jews? | 0:32:50 | 0:32:55 | |
I'm making this up? We're always making it up? | 0:32:55 | 0:32:58 | |
Let me tell you one thing. There WAS a man on the roof. | 0:32:58 | 0:33:03 | |
Can I talk to you? | 0:33:03 | 0:33:05 | |
Why would anybody be shooting at you? You follow me? | 0:33:08 | 0:33:13 | |
You're under a lot of stress today... your tragedy. I'm sorry for you, what happened to your mother. | 0:33:13 | 0:33:21 | |
I'll station a man on the roof, OK? | 0:33:21 | 0:33:24 | |
-It's always a fantasy, isn't it? -A fantasy? I don't get you. | 0:33:24 | 0:33:30 | |
-When someone wants to hurt the Jews. -I've got nothing against the Jews, Doctor, -I'M -a Jew. | 0:33:30 | 0:33:36 | |
When we've been killed, then you say "What a coincidence." | 0:33:36 | 0:33:40 | |
At the same time we were being paranoid, someone was trying to hurt us. | 0:33:41 | 0:33:45 | |
What can I have against the Jewish people? I'm sorry what happened. | 0:33:45 | 0:33:50 | |
You say you saw someone on the roof, I'm putting a man there. Tell me, what more can I do? | 0:33:50 | 0:33:57 | |
-I'm trying to do my job. -You're trying to do your job. Let's be frank. | 0:33:57 | 0:34:03 | |
You wanna be frank? I don't get the whole fucking thing. | 0:34:03 | 0:34:07 | |
My mother was killed. You're assigned to the case. They say you're a good detective. | 0:34:07 | 0:34:13 | |
I know you think this is a bullshit case. | 0:34:13 | 0:34:18 | |
I don't care. Do your fucking job. Have you got the pride for that? | 0:34:18 | 0:34:23 | |
Don't get in my face, man. | 0:34:23 | 0:34:25 | |
Have you got the pride to do the job you were given? Do it, or else. | 0:34:25 | 0:34:30 | |
Don't tell me "or else". I'm gonna do the job. I'm not scared of your money. I'm not scared of you. | 0:34:30 | 0:34:37 | |
-I don't need your threats. I'm here to do the job. -Excuse me. There was a disturbance? | 0:34:37 | 0:34:43 | |
It's nothing to be alarmed at. | 0:34:43 | 0:34:45 | |
SHE SPEAKS HEBREW | 0:34:46 | 0:34:49 | |
-My partner? -He says don't move. He's getting back to you 10 to 15 minutes. -Thanks. | 0:34:56 | 0:35:04 | |
Thank you for coming. | 0:35:05 | 0:35:07 | |
HE SPEAKS YIDDISH | 0:35:25 | 0:35:29 | |
What is he saying? Do you speak Hebrew? | 0:36:02 | 0:36:06 | |
It's not Hebrew. He's speaking Yiddish. | 0:36:06 | 0:36:10 | |
He says... the years they spent working together... | 0:36:13 | 0:36:17 | |
his time with her and with her husband were the closest ties he ever had with any living being. | 0:36:17 | 0:36:25 | |
He calls her a great woman. He's praising her courage... | 0:36:28 | 0:36:33 | |
in the years before the formation of the State of Israel. | 0:36:33 | 0:36:38 | |
He's talking about when they... | 0:36:38 | 0:36:42 | |
When they what? | 0:36:46 | 0:36:48 | |
It's a jargon language, Yiddish. I don't speak Yiddish that well. | 0:36:49 | 0:36:56 | |
You're wanted on the phone in the study. | 0:37:04 | 0:37:08 | |
-Thanks. -Do you need anything else? -No, just hang tight, and shut the door, will you? | 0:37:14 | 0:37:19 | |
Tim... The old lady... she gonna give him up? | 0:37:22 | 0:37:27 | |
You got her? You worked her around? Fuck me, why do I always miss it?! | 0:37:27 | 0:37:33 | |
She said what? Oh, yeah, I'm the linchpin, big deal. | 0:37:34 | 0:37:38 | |
Was it sweet ? I woulda been there - I'm stuck here with my Jews. | 0:37:39 | 0:37:44 | |
You should see this fucking room. | 0:37:44 | 0:37:47 | |
Bunch of high-strung fuckin' bullshit. They pay so much taxes. Fuck 'em. | 0:37:47 | 0:37:53 | |
Yo! She did? Fan-fuckin'-tastic! | 0:37:54 | 0:37:59 | |
Some bullshit. Someone's taking shots at 'em. Fuck 'em. Don't tell me. | 0:38:00 | 0:38:05 | |
Don't send the old lady to work down there and tell me you're surprised. | 0:38:05 | 0:38:10 | |
Fuck 'em and the taxes they pay. | 0:38:10 | 0:38:13 | |
Ten more bucks a week they make, letting her work there. | 0:38:13 | 0:38:16 | |
Hey, not MY my people, baby. Fuck 'em. | 0:38:16 | 0:38:19 | |
There's so much anti-semitism last 4,000 years, we must deserve it. | 0:38:20 | 0:38:24 | |
See you at the house in half an hour. Yo, Tim. See you then. | 0:38:25 | 0:38:30 | |
My grandmother was killed today. She stayed down there because she wanted to. She was a fighter. | 0:38:44 | 0:38:51 | |
She wanted to die there. She died there. | 0:38:51 | 0:38:55 | |
You're a Jew and you talk that way in the house of the dead. Do you have any shame? | 0:38:58 | 0:39:04 | |
-I'm sorry about your grandmother. -No-one asked you to be sorry. No-one asked for your sympathy. | 0:39:04 | 0:39:10 | |
We'd have appreciated your respect. | 0:39:10 | 0:39:14 | |
Do you hate yourself that much? Do you belong nowhere? | 0:39:17 | 0:39:22 | |
I'll find the killer. I swear, I'll find the killer, | 0:39:28 | 0:39:33 | |
I swear. Listen to me. Please. | 0:39:33 | 0:39:38 | |
BANG | 0:39:36 | 0:39:38 | |
It was a backfire. | 0:39:49 | 0:39:51 | |
What do you think? | 0:39:55 | 0:39:57 | |
I think it was a car backfiring. | 0:39:58 | 0:40:01 | |
How do I get to the roof? | 0:40:03 | 0:40:05 | |
-Through the kitchen. You want backup? -No. Keep them out of here. | 0:40:05 | 0:40:11 | |
Hey! Hey! | 0:40:51 | 0:40:53 | |
-No, I think everything's all right. We've got men all over. It's fine. -There was someone on the roof. | 0:43:22 | 0:43:28 | |
It's all right. | 0:43:28 | 0:43:30 | |
Excuse me. Can you think of anyone who'd want to harm them? | 0:43:44 | 0:43:49 | |
Did they have any enemies? | 0:43:49 | 0:43:51 | |
No. | 0:43:51 | 0:43:53 | |
-They have a lot of money. Why was the old lady working down there? -I don't wanna talk about the family. | 0:43:53 | 0:43:59 | |
Just tell me that. | 0:43:59 | 0:44:01 | |
She made the money down there, put the kids through school. She wanted to stay there. | 0:44:01 | 0:44:07 | |
-She used to work in Palestine? -That's right. | 0:44:08 | 0:44:12 | |
Excuse me. | 0:44:12 | 0:44:14 | |
-Detective. -Yeah, how are you? | 0:45:12 | 0:45:14 | |
Fine, thanks. | 0:45:14 | 0:45:16 | |
Always coldest just before the dawn. | 0:45:16 | 0:45:19 | |
Yes, I remember that. | 0:45:20 | 0:45:21 | |
You going in? | 0:45:25 | 0:45:28 | |
SIGHS: Yeah. | 0:45:29 | 0:45:32 | |
Where are the lights? | 0:45:43 | 0:45:46 | |
-Valuable stuff down in the cellar? -That's just something they said. | 0:45:54 | 0:45:59 | |
Stuff been lying here for years. See for yourself. Ain't nobody been down there in years. | 0:46:00 | 0:46:07 | |
They say she kept a piece behind the counter. What's that gonna do if some guy comes in with a shotgun? | 0:46:11 | 0:46:19 | |
How you gonna be watching the door all day every day? You can't do it. | 0:46:19 | 0:46:25 | |
Some day she'd get fucked. It was just a question of when. | 0:46:26 | 0:46:32 | |
I don't know that her coming here doesn't make violence. | 0:46:36 | 0:46:40 | |
Rich Jew lady in this neighbourhood is gonna get took off. Human nature. | 0:46:41 | 0:46:46 | |
Someday somebody gonna come in here. | 0:46:46 | 0:46:49 | |
You OK down there? | 0:46:51 | 0:46:55 | |
Yeah, I'm fine. | 0:46:53 | 0:46:55 | |
-You all right down there, Detective? -Uh-huh... | 0:47:38 | 0:47:43 | |
Hauser, Greenblatts, Samson, Greenwald, Klein, Grosz. > | 0:47:47 | 0:47:54 | |
-Morning. -Get this to the ATF, will you? | 0:48:14 | 0:48:17 | |
Good morning... and make me copies. | 0:48:17 | 0:48:20 | |
An invoice. 20 Thompson machine guns from 1946, and a list of names. | 0:48:20 | 0:48:25 | |
Please, run this through the computer - GROFAZ. | 0:48:26 | 0:48:31 | |
-GROFAZ? -G-R-O-F-A-Z | 0:48:32 | 0:48:35 | |
-What is it? A name? -I don't know what it is. | 0:48:36 | 0:48:39 | |
All right. Have a good day. | 0:48:39 | 0:48:41 | |
Get up, Mr Wells. Taking you in for arraignment. | 0:48:45 | 0:48:48 | |
Detective, I need you to file a complaint on this man. | 0:48:48 | 0:48:52 | |
-He assaulted you. -Forget it. | 0:48:52 | 0:48:54 | |
Assault on a police officer... | 0:48:54 | 0:48:56 | |
He shot his family. What will they do to him for hitting me? | 0:48:56 | 0:49:01 | |
-Sir, you need to make an example of this guy hitting on a cop. -Hey, leave it. All right? | 0:49:01 | 0:49:06 | |
I won't forget this, Officer. Thank you. | 0:49:06 | 0:49:09 | |
I'll make it up to you, I promise. | 0:49:09 | 0:49:11 | |
-You're gonna make it up to me? -Yes, I will. Your kindness has changed my life. | 0:49:11 | 0:49:17 | |
Well, that's swell. | 0:49:17 | 0:49:19 | |
Someday I'll repay you. | 0:49:19 | 0:49:22 | |
Uh-huh. My thoughts are elsewhere. You must pardon me. | 0:49:23 | 0:49:28 | |
Yeah, GROFAZ. G-R-O-F-A-Z. | 0:49:32 | 0:49:37 | |
-How're you doing, Billy? -You all alone here, today? | 0:49:38 | 0:49:42 | |
Yeah, I'm NEVER going home. Keep it. | 0:49:42 | 0:49:44 | |
Anything you might have. Anything connected with anti-Jewish acts. | 0:49:45 | 0:49:51 | |
If you do, please call me here. Thank you. | 0:49:51 | 0:49:54 | |
That's him. That's the man. | 0:49:55 | 0:49:57 | |
I'm gonna do it, but I'm gonna do it with you. | 0:49:58 | 0:50:02 | |
You're gonna take him in nice and gentle. No harm will come to him. You swore that. | 0:50:02 | 0:50:07 | |
-Well, you won her around, man. -I did? | 0:50:07 | 0:50:10 | |
You said the magic word. | 0:50:10 | 0:50:13 | |
5am, Randolph meets his mother. | 0:50:13 | 0:50:15 | |
She'll tell him she'll get him out of the country. | 0:50:15 | 0:50:19 | |
We have her tell Randolph she'll get the passport off a friend of his | 0:50:19 | 0:50:26 | |
So Randolph thinks he's gonna take the passport, go to South America. | 0:50:26 | 0:50:31 | |
-Jilly, I got to work on this thing. -No, Bob. The broad won't show unless you're there. You'll bring him in. | 0:50:31 | 0:50:38 | |
-I gotta work on this thing. -Put it on the shelf. | 0:50:38 | 0:50:42 | |
We're taking Randolph 5am tomorrow. You're gonna be there. | 0:50:42 | 0:50:46 | |
Get over to Passport Office, Sully's waiting for you. | 0:50:46 | 0:50:50 | |
Hey, this is the big one. | 0:50:50 | 0:50:52 | |
-Jilly. -Coming, Frank. Get over to Passport Office right now. | 0:50:52 | 0:50:57 | |
This rendezvous takes place at 5am at Third and... Bob? | 0:50:58 | 0:51:06 | |
I was out all night on this. | 0:51:09 | 0:51:11 | |
I got a picture of this woman taken in Wisconsin. | 0:51:11 | 0:51:15 | |
Nice old Jewish woman with a Tommy gun, all right? | 0:51:15 | 0:51:19 | |
What is she doing with an invoice for these Tommy guns in the basement? | 0:51:20 | 0:51:25 | |
I got Israeli Heavy Hitters coming in, I got some guy on the roof. | 0:51:25 | 0:51:31 | |
It's a mystery, ain't it? | 0:51:31 | 0:51:34 | |
This was taken in Wisconsin, 1946. | 0:51:34 | 0:51:36 | |
Bob, Bob, hey... get out of it. We got a job to do. | 0:51:37 | 0:51:41 | |
Tonight, the balloon goes up. | 0:51:41 | 0:51:43 | |
The old days, Bobby. You bust a case, bottle comes out, you stick your feet up. | 0:51:44 | 0:51:49 | |
We lure Randolph out, we take him. Third and Racine. You got it? | 0:51:49 | 0:51:54 | |
-This other case... -Fuck the other case. What other case? | 0:51:54 | 0:51:58 | |
-This Jewish... -It's a candy store pop - just look busy on it. | 0:51:58 | 0:52:03 | |
-I... you know, I caught the case. -What is there, a broad in it? | 0:52:03 | 0:52:09 | |
What's the thing? | 0:52:11 | 0:52:13 | |
I think it's some sort of conspiracy. | 0:52:13 | 0:52:17 | |
Conspiracy. | 0:52:17 | 0:52:18 | |
-They said someone was shooting at them. -Shooting at the Jew family? | 0:52:18 | 0:52:23 | |
-Yes. -And was someone shooting at them? Hmmm? Bob? Hmmm? | 0:52:23 | 0:52:31 | |
Hey, you got some heavy troubles on your mind, huh? | 0:52:32 | 0:52:37 | |
We'll work it out. | 0:52:38 | 0:52:40 | |
We'll bust this big criminal. We'll swagger around. | 0:52:40 | 0:52:45 | |
-You're like my family, Tim. -Bob, I AM your family. | 0:52:49 | 0:52:53 | |
Here you go. One passport "Show and tell". | 0:52:53 | 0:52:57 | |
I require your signature on these documents. These also require your star number. | 0:52:57 | 0:53:03 | |
Please fill only those sections as required. This is a release form. | 0:53:03 | 0:53:08 | |
-These documents are on loan only for the purposes set forward in your application. -Third and Racine. | 0:53:08 | 0:53:15 | |
-Your acceptance of them constitutes a release of responsibility for this office. -5am. | 0:53:15 | 0:53:19 | |
-Third and Racine. -Misuse or malfeasance in regard to this document is a federal crime. | 0:53:19 | 0:53:26 | |
See you in the hall. | 0:53:26 | 0:53:28 | |
I'll see you in the morning. | 0:53:50 | 0:53:54 | |
-Going up the country this weekend? -No, We're staying in town. See you later. | 0:53:54 | 0:53:58 | |
I rebel every time somebody says... | 0:54:01 | 0:54:03 | |
I just saw the ATF. The Tommy guns were stolen. | 0:54:09 | 0:54:13 | |
-There's something happening with you every minute. -What does it mean? | 0:54:13 | 0:54:17 | |
Some broad got killed. She's dead. | 0:54:17 | 0:54:21 | |
You're going to pick up Randolph's tickets. | 0:54:21 | 0:54:24 | |
-This other case... -Bob. | 0:54:24 | 0:54:26 | |
I found this - GROFAZ. | 0:54:26 | 0:54:27 | |
-GROFAZ - What does it mean? -I don't know. I got this fella on the roof. | 0:54:27 | 0:54:33 | |
-Was he shooting at 'em? -I don't know. | 0:54:33 | 0:54:35 | |
Well, drop it, Bobby. For Christ's sake, I don't get it. | 0:54:35 | 0:54:40 | |
-Maybe you don't wanna get it. -What do you mean? | 0:54:40 | 0:54:43 | |
-Nothing. Nothing. -Cos I ain't a yid? | 0:54:43 | 0:54:45 | |
-Well, you ain't a yid. -What the fuck are you saying? | 0:54:45 | 0:54:50 | |
It's just not your thing, Tim. It's MY thing. | 0:54:50 | 0:54:54 | |
I'm gonna tell you what the old whore said. | 0:54:54 | 0:54:57 | |
When you start coming with the customers, it's time to quit. | 0:54:58 | 0:55:03 | |
-What's this? -The guy tore it off my holster. | 0:55:03 | 0:55:06 | |
-Go get it fixed. Go take a cooling walk, something. -You mad at me? | 0:55:07 | 0:55:12 | |
Yeah. | 0:55:12 | 0:55:13 | |
I'm not going to invite you to my birthday party, you dumb kike. | 0:55:13 | 0:55:19 | |
-Excuse me. -We're closed. | 0:55:29 | 0:55:32 | |
I wonder could you help me? | 0:55:32 | 0:55:35 | |
We're closed. We're closing up. | 0:55:35 | 0:55:37 | |
I just need... I got a problem. I'm a police officer, I lost the strap off my holster. | 0:55:37 | 0:55:44 | |
I can't help, I'm closing, sorry. | 0:55:44 | 0:55:47 | |
-You're a policeman? -Yes. | 0:55:50 | 0:55:54 | |
Show it to me. | 0:55:55 | 0:55:57 | |
-What is it? -The word? | 0:56:08 | 0:56:11 | |
You know what the word means? | 0:56:11 | 0:56:14 | |
Yes, I know what it means. | 0:56:16 | 0:56:19 | |
It means Hitler. | 0:56:23 | 0:56:25 | |
It was another name they had for Hitler. | 0:56:27 | 0:56:31 | |
Grosster Feldherr Aller Zeiten. | 0:56:38 | 0:56:42 | |
"The greatest strategist of all time." | 0:56:42 | 0:56:49 | |
Der Grofaz - Hitler. | 0:56:52 | 0:56:56 | |
Are you all right? | 0:57:06 | 0:57:09 | |
I didn't get much sleep last night. | 0:57:09 | 0:57:12 | |
You have a very interesting request. | 0:57:14 | 0:57:18 | |
The acronym is not well known. It was used at the end of the war. | 0:57:19 | 0:57:24 | |
The name is the effort of their Propaganda Ministry. | 0:57:24 | 0:57:28 | |
It was an interesting attempt, but it didn't take. | 0:57:28 | 0:57:33 | |
It was used by a group, the Sonderkommando. | 0:57:33 | 0:57:38 | |
It was adopted by the Sonder Endloesungkommando of the Division Leibstandarte Adolf Hitler, | 0:57:39 | 0:57:47 | |
the Special Group for the Final Solution - the extermination of the Jews. | 0:57:47 | 0:57:54 | |
"German people, follow the Grofaz." | 0:57:54 | 0:57:56 | |
"The Leibstandarte Adolf Hitler fights on all fronts for the salvation of Germany." | 0:57:56 | 0:57:59 | |
"The Jewish scourge can be cleansed only in blood." | 0:57:59 | 0:58:04 | |
What do you have on the use of this word currently, relating to anti-semitic acts? | 0:58:04 | 0:58:10 | |
As I said, it's an arcane usage, but we'll look. | 0:58:10 | 0:58:15 | |
Current anti-semitism under Grofaz, cross-referenced Der Fuehrer. | 0:58:15 | 0:58:21 | |
If you'd care to wait. | 0:58:24 | 0:58:27 | |
I'm a police officer. | 0:58:53 | 0:58:55 | |
The revolver disturbs you. The gun disturbs you. I'm a police officer. | 0:59:00 | 0:59:05 | |
The gun doesn't disturb me. | 0:59:05 | 0:59:07 | |
-You were looking at me. -The gun is a tool. We've nothing to fear from a tool. | 0:59:07 | 0:59:13 | |
The badge concerns me. The badge is a symbol. | 0:59:13 | 0:59:17 | |
The badge is the symbol of that which constrains us. | 0:59:18 | 0:59:22 | |
The star, the five-pointed star. The pentagram. | 0:59:22 | 0:59:27 | |
It's identified as a star, but it is not a symbol of heaven. | 0:59:27 | 0:59:33 | |
It is the symbol of earth. | 0:59:33 | 0:59:35 | |
The Mogen David is the intersection of the opposites | 0:59:35 | 0:59:40 | |
and can be deconstructed into heaven and earth, but the pentagram cannot be deconstructed. | 0:59:40 | 0:59:47 | |
The five points are the five senses, the Chinese five elements, the five fingers of the hand. | 0:59:48 | 0:59:55 | |
You see? You're Jewish? | 0:59:55 | 0:59:57 | |
Are you Jewish? | 0:59:59 | 1:00:01 | |
-Yes. -You see? From the Book of Esther. | 1:00:02 | 1:00:08 | |
"Esther" from "Sathar", to conceal, but what is concealed? | 1:00:09 | 1:00:15 | |
What's concealed in the name Esther? | 1:00:16 | 1:00:18 | |
The answer is here. Here is the answer. Do you see? | 1:00:18 | 1:00:23 | |
-I can't read it. -You say you're a Jew? | 1:00:25 | 1:00:29 | |
I can't read it. | 1:00:29 | 1:00:32 | |
You say you're a Jew, yet you can't read Hebrew. | 1:00:35 | 1:00:39 | |
What are you then? | 1:00:43 | 1:00:45 | |
Would you get that book for me? | 1:00:50 | 1:00:54 | |
Would you replace it for me, please? It goes up there. | 1:01:00 | 1:01:05 | |
The material on anti-semitic acts. | 1:01:13 | 1:01:16 | |
-Yes. I thought we had quite a file of current... -It was requested by 212. | 1:01:16 | 1:01:20 | |
-212 wants it? -Yes. | 1:01:20 | 1:01:23 | |
If it's at 212 now, fine, then just pull the file. OK. | 1:01:23 | 1:01:28 | |
The material on anti-semitic acts - no, we have nothing on that. | 1:01:38 | 1:01:43 | |
-This is official police business. -Officer, I'd help you if I could, but as I said, it's arcane material. | 1:01:43 | 1:01:50 | |
If there's nothing you can do, there's nothing you can do. | 1:01:51 | 1:01:54 | |
Not at all. If there's anything else I can help you with, let me know. | 1:01:54 | 1:02:00 | |
-I, er... Can you tell me anything about this building? -What? | 1:03:15 | 1:03:21 | |
-Do you know anything about this building? -About this building? | 1:03:21 | 1:03:26 | |
-Do you live around here ? -Have you ever seen anyone go in or out? | 1:03:26 | 1:03:29 | |
SPEAKS HEBREW | 1:03:29 | 1:03:31 | |
Up against the fence and grab it. | 1:03:31 | 1:03:33 | |
Get up against the fence. Now grab the fence or I will shoot you dead. | 1:03:33 | 1:03:40 | |
SPEAKS HEBREW | 1:03:43 | 1:03:45 | |
-What brings you out this evening, Mr Gold? -I want to know about the old woman. -We know nothing. | 1:03:45 | 1:03:51 | |
-I think she was involved in running guns. -Running guns? Why is that? | 1:03:51 | 1:03:56 | |
I found a list of Jewish names in this city. I think they were running guns with her. | 1:03:56 | 1:04:02 | |
How did you get this address? What are you doing here? | 1:04:02 | 1:04:06 | |
Why are you here? | 1:04:06 | 1:04:08 | |
I need help. I wanna know why she was killed. | 1:04:10 | 1:04:14 | |
All right. | 1:04:22 | 1:04:24 | |
This way, Mr Gold. | 1:04:44 | 1:04:46 | |
CONVERSATION IN HEBREW | 1:05:07 | 1:05:11 | |
Please, sit down. | 1:05:14 | 1:05:16 | |
See that gun? I had one just like it. I gave mine to a kid in Hebron. | 1:05:17 | 1:05:22 | |
They told me it was an affectation to still wear it, but you get used to it, eh, Koli? | 1:05:24 | 1:05:30 | |
That's right. | 1:05:30 | 1:05:32 | |
Would you like something to eat? I'm going to have something. | 1:05:33 | 1:05:38 | |
-Barry, you want something? -They shot the old lady. | 1:05:38 | 1:05:42 | |
-I know. -Barry was with us in the old days. | 1:05:42 | 1:05:45 | |
And Bert and Marv. | 1:05:45 | 1:05:48 | |
What a time that was, Mr Gold. | 1:05:49 | 1:05:51 | |
I wanna find the men who killed her. | 1:05:51 | 1:05:54 | |
Yes, and we need your help. | 1:05:54 | 1:05:58 | |
-You have it. -Yes. | 1:05:58 | 1:06:01 | |
She was running guns, wasn't she? | 1:06:01 | 1:06:04 | |
Yes, during our War of Independence. In our country we call her a hero. | 1:06:04 | 1:06:10 | |
-Why would anyone want to kill her? -I don't know, but we must find out. | 1:06:10 | 1:06:15 | |
So many of us, good Americans who are good Jews and good friends to Israel. | 1:06:16 | 1:06:23 | |
We always need such friends. | 1:06:24 | 1:06:26 | |
-Isn't that the truth? -Yes. | 1:06:26 | 1:06:29 | |
You, you're such a man. | 1:06:29 | 1:06:32 | |
-I? -You'd like to fight for your home. | 1:06:32 | 1:06:37 | |
I would do anything. | 1:06:37 | 1:06:39 | |
Now... | 1:06:43 | 1:06:45 | |
..we are going to find the killers. To find them and to deal with them. | 1:06:46 | 1:06:51 | |
You mentioned something about a list - now we need it. | 1:06:51 | 1:06:56 | |
No, no, the original. | 1:07:03 | 1:07:05 | |
It's at the precinct house. | 1:07:05 | 1:07:10 | |
Bring it with you next time... | 1:07:07 | 1:07:10 | |
Excuse me, I can't bring the original | 1:07:10 | 1:07:13 | |
The original's what we need. | 1:07:14 | 1:07:17 | |
You see, it must be destroyed. | 1:07:18 | 1:07:21 | |
She was killed. These men, good men in this city, you see, they're in danger. | 1:07:22 | 1:07:28 | |
-But... -Yes? | 1:07:29 | 1:07:31 | |
The list is evidence. I've logged it into an evidence bag. I've signed it in. | 1:07:32 | 1:07:38 | |
Please, you know anything...? | 1:07:39 | 1:07:42 | |
No, not anything. I need the list. | 1:07:43 | 1:07:46 | |
-Anything else...? -Yes, yes, anything else, of course. | 1:07:46 | 1:07:50 | |
Anything else! | 1:07:50 | 1:07:52 | |
That's your name in Hebrew. Are you a Jew, Mr Gold? | 1:08:03 | 1:08:08 | |
-Yes. -Then be a Jew. | 1:08:08 | 1:08:10 | |
You can't get the list. How long your resolution lasts. Until the first unpleasantness. | 1:08:11 | 1:08:15 | |
I'm a police officer. | 1:08:15 | 1:08:17 | |
Where are your loyalties? You want a home, you want glory. You're willing to do nothing. | 1:08:17 | 1:08:23 | |
-I took an oath. -You took an oath! | 1:08:23 | 1:08:28 | |
He disgusts me. Get him out of here. | 1:08:31 | 1:08:35 | |
Don't bother to return. Next time you come there'll be nobody here. | 1:08:48 | 1:08:53 | |
-Yes? -I need... I need to help. | 1:09:42 | 1:09:45 | |
-In what way? -I want to help you. In your work. | 1:09:46 | 1:09:49 | |
-I work for the airlines. -Please, let me help with whatever you do. | 1:09:49 | 1:09:55 | |
What I do, you don't want to know. | 1:09:55 | 1:09:58 | |
I do. I need to... Please, whatever you're doing, what you're doing tonight. | 1:09:58 | 1:10:03 | |
Let me help... please. I'm begging you. | 1:10:04 | 1:10:08 | |
Please... | 1:10:10 | 1:10:12 | |
What can I tell you? They said I was a pussy all my life. | 1:10:20 | 1:10:25 | |
They said I was a pussy because I was a Jew. | 1:10:25 | 1:10:30 | |
The cops would say "Send a Jew? Might as well send a broad on the job... | 1:10:31 | 1:10:37 | |
"..send a broad through the door." | 1:10:39 | 1:10:42 | |
That's what they said. All my goddamn life. | 1:10:42 | 1:10:47 | |
And I listened to it. Huh? | 1:10:48 | 1:10:51 | |
I was the donkey, I was the clown. | 1:10:53 | 1:10:56 | |
-You were the outsider? -Yes. | 1:10:56 | 1:10:59 | |
-I understand. -They made me the hostage negotiator... | 1:10:59 | 1:11:04 | |
..cos I knew how the bad guys felt. | 1:11:06 | 1:11:09 | |
-Doing other people's work for them. -That's right. | 1:11:10 | 1:11:13 | |
-That's right. -In their country. | 1:11:13 | 1:11:14 | |
-That's right. -Never working for yourself. | 1:11:15 | 1:11:18 | |
-Yes. Yes. -I know. | 1:11:18 | 1:11:21 | |
Why would I do that? | 1:11:23 | 1:11:25 | |
-You have your own home. -Yes, I do. | 1:11:33 | 1:11:37 | |
Now, what can that be like? | 1:11:38 | 1:11:41 | |
To have your own country? | 1:11:43 | 1:11:45 | |
I'm gone so much of the time. | 1:11:46 | 1:11:49 | |
But I think about it. | 1:11:51 | 1:11:53 | |
I know. | 1:11:58 | 1:12:00 | |
I sat with those guys tonight. | 1:12:01 | 1:12:04 | |
With heroes, Jewish guys who had nothing to prove. | 1:12:04 | 1:12:09 | |
And I felt... | 1:12:11 | 1:12:14 | |
"Jesus, all my life, I got to be the first one in the door." | 1:12:14 | 1:12:19 | |
Huh...? | 1:12:19 | 1:12:21 | |
Not for me. All for someone else. Why? | 1:12:23 | 1:12:27 | |
Because I'm no good. Because I'm nobody. | 1:12:29 | 1:12:33 | |
I wanna be a part of it. That's all. | 1:12:35 | 1:12:40 | |
We think this leaflet was printed at that shop. | 1:12:48 | 1:12:52 | |
The shop is owned by the head of the United Action Front... | 1:12:52 | 1:12:57 | |
-who may be invovled in Mrs Klein's murder. -What were you sent here to do? | 1:12:57 | 1:13:01 | |
-To see if it was printed there. -And if it was? | 1:13:01 | 1:13:05 | |
If it was, I'm going to give them a message. | 1:13:05 | 1:13:08 | |
-I won't be long. -Let me do it for you. | 1:13:08 | 1:13:10 | |
No, I can't do that. | 1:13:10 | 1:13:12 | |
Wait, give that back to me. Give it back! | 1:13:12 | 1:13:16 | |
-I can't let you do it. -I'm going. If I don't go, nobody's going. | 1:13:17 | 1:13:22 | |
-How do I get in? -All right, then. | 1:13:22 | 1:13:25 | |
Can you use these lock picks? Can you use that? | 1:13:27 | 1:13:31 | |
The bottom button, then the top. | 1:13:31 | 1:13:35 | |
SIRENS WAIL | 1:14:45 | 1:14:47 | |
-We went to that place. We went to that place. -Good. | 1:18:24 | 1:18:28 | |
-I want to be a part of it. -Then you ARE a part of it. You've shown it. | 1:18:28 | 1:18:33 | |
-Now there's something we need from you. -Yes? | 1:18:33 | 1:18:37 | |
The list of names. We need the list. | 1:18:37 | 1:18:41 | |
-I told you, as a policeman, I can't. -We need it. | 1:18:41 | 1:18:46 | |
What he wants, give to him, please. | 1:18:46 | 1:18:49 | |
I can't, it's evidence. Why do you want me to prove myself? Haven't I done that? | 1:18:49 | 1:18:56 | |
-We don't want you to prove yourself. We want the list. -No. I told you. | 1:18:56 | 1:19:01 | |
The building was under surveillance. | 1:19:06 | 1:19:09 | |
Here are some photos of you entering and leaving. | 1:19:09 | 1:19:13 | |
Look at them at your leisure. | 1:19:13 | 1:19:16 | |
We need the list. | 1:19:17 | 1:19:20 | |
SPEAKS HEBREW | 1:19:22 | 1:19:24 | |
The fact is, you are nothing. | 1:19:34 | 1:19:38 | |
My God! | 1:20:18 | 1:20:20 | |
GUNSHOT | 1:20:36 | 1:20:39 | |
SIREN | 1:20:48 | 1:20:50 | |
GUNSHOTS | 1:20:50 | 1:20:52 | |
I got a man hit, I need an ambulance right now. | 1:20:55 | 1:20:58 | |
-Where were you? -What happened? What went down? | 1:20:58 | 1:21:00 | |
Whole thing's gone down. | 1:21:00 | 1:21:02 | |
Pull out. Leave 'em there. Let the SWAT get 'em. | 1:21:04 | 1:21:08 | |
You guys, take cover, get close to the wall. | 1:21:09 | 1:21:13 | |
'I got the uniform kid - he's hit bad.' | 1:21:13 | 1:21:16 | |
Bring him down. I got an ambulance coming in. | 1:21:16 | 1:21:20 | |
You two guys get the hell outta there. | 1:21:21 | 1:21:24 | |
-MACHINE GUNFIRE -'Sully's hit, Lou.' | 1:21:25 | 1:21:27 | |
-God, where are they? -'Sully's hit.' | 1:21:27 | 1:21:30 | |
Where is he? Where's Sullivan? | 1:21:30 | 1:21:32 | |
Stuck on the second floor. | 1:21:32 | 1:21:35 | |
-WHERE'S SULLIVAN?! -Don't come in, stay out. STAY OUT. | 1:21:35 | 1:21:40 | |
Tim, it's Bobby. Can you hear me? | 1:21:40 | 1:21:43 | |
I'm going after Sullivan. MACHINE GUNFIRE | 1:21:45 | 1:21:48 | |
EXPLOSION | 1:21:50 | 1:21:53 | |
HELP! MY GOD! | 1:21:55 | 1:21:56 | |
Oh, God! Charlie, gimme some cover. | 1:21:57 | 1:22:00 | |
You two, get your asses over here. | 1:22:01 | 1:22:03 | |
GUNFIRE, SIRENS | 1:22:05 | 1:22:07 | |
GUNSHOTS | 1:22:27 | 1:22:29 | |
Yo, where's the backup? Where is the backup? | 1:22:49 | 1:22:52 | |
-I need some blood. -We're working on it. | 1:23:02 | 1:23:06 | |
-Lou, where's the ambulance? -He shot the gun dry. I said "Don't do that(!)" | 1:23:06 | 1:23:11 | |
-You move around and there's his partner, you see, Bob? -Hold on, Tim. | 1:23:11 | 1:23:15 | |
GUNSHOT | 1:23:15 | 1:23:17 | |
Somebody told him to do that. Who'd do that, Bob? | 1:23:17 | 1:23:20 | |
-Where's the medic? -Frankie, what does Lou say? | 1:23:20 | 1:23:23 | |
Oh, God. | 1:23:23 | 1:23:24 | |
Hold on, Tim. | 1:23:24 | 1:23:27 | |
-Frankie, what does Lou say? -Do you know what I'm talking about? | 1:23:27 | 1:23:30 | |
Yes, I do. | 1:23:30 | 1:23:32 | |
But, finally, what difference does it make if you do or you don't? | 1:23:32 | 1:23:37 | |
-If you're moved, somebody's doing it. -That's right. | 1:23:37 | 1:23:41 | |
Can we get some help up here? | 1:23:41 | 1:23:43 | |
Bob, Bobby, you remember that girl that time, Bob? | 1:23:43 | 1:23:49 | |
Tim? | 1:23:53 | 1:23:55 | |
You shot my partner, you fucking nigger! | 1:24:02 | 1:24:05 | |
Get low, get low. | 1:24:05 | 1:24:07 | |
CHISELLING > | 1:27:03 | 1:27:06 | |
GUNSHOT | 1:27:09 | 1:27:11 | |
-You came for me, motherfucker? What you want me for? -I came here to kill you. | 1:27:14 | 1:27:20 | |
Well, you forgot your gun, Jim. Where's your gun? | 1:27:20 | 1:27:24 | |
SIRENS | 1:27:24 | 1:27:26 | |
That's death calling for you and me. | 1:27:32 | 1:27:35 | |
-Shall I use you to bargain my way out of here? -They won't bargain for me. | 1:27:35 | 1:27:39 | |
I guess I best help myself. | 1:27:39 | 1:27:42 | |
You sorry fucking sack of shit. You shot my partner. | 1:27:42 | 1:27:48 | |
Yeah, and you could have paid me back if you'd brought your gun. That was your mistake, man. | 1:27:48 | 1:27:55 | |
-What's your name? -Gold... Robert Gold. | 1:27:55 | 1:27:59 | |
Well, Mr Gold, I'm just about on my way outta here. I got a moment if you wanna tell me your last thought. | 1:28:00 | 1:28:06 | |
-No. -You want to beg for your life? | 1:28:06 | 1:28:09 | |
No. | 1:28:09 | 1:28:11 | |
-No? -It's not worth anything. | 1:28:11 | 1:28:14 | |
After all your trials, you come down to nothin'. | 1:28:14 | 1:28:18 | |
You motherfuckers got lucky or I'd be on a plane outta here. | 1:28:18 | 1:28:22 | |
-No, you weren't going anywhere. -What the fuck do you know, man? | 1:28:22 | 1:28:27 | |
My momma had it all set up. - the ticket, the passport. | 1:28:27 | 1:28:32 | |
-That's all right. Now I gotta do it the hard way, you know? -Yes, I know it all. | 1:28:32 | 1:28:37 | |
Oh, you know, huh? | 1:28:37 | 1:28:40 | |
You're one smart kike, Mr Gold. All you forgot is that if you wanna kill me, you best come armed. | 1:28:40 | 1:28:47 | |
Randolph... Randolph... | 1:28:51 | 1:28:54 | |
-Later, baby. -Your mother turned you in. | 1:28:55 | 1:28:58 | |
You know she did it. How else would we find you here? | 1:28:58 | 1:29:01 | |
You're a lying motherfucker. You ain't never seen my mother. | 1:29:01 | 1:29:06 | |
You're a piece of shit. | 1:29:13 | 1:29:16 | |
That's right. I am a piece of shit. It's all a piece of shit. | 1:29:16 | 1:29:21 | |
I killed my partner and your momma turned you in. | 1:29:22 | 1:29:26 | |
-Don't die with a lie on your lips. -You want your passport? I got it, it's a phoney. | 1:29:26 | 1:29:34 | |
All that shit, man - we made it up. | 1:29:34 | 1:29:36 | |
Look at it. Your momma turned you over, man. | 1:29:37 | 1:29:41 | |
That's right. | 1:29:52 | 1:29:54 | |
GUNSHOT | 1:29:56 | 1:29:58 | |
God... | 1:30:05 | 1:30:07 | |
God help me. | 1:30:08 | 1:30:10 | |
What did you do to me? | 1:30:18 | 1:30:21 | |
I'm all right. | 1:30:31 | 1:30:34 | |
I'm OK... | 1:30:35 | 1:30:37 | |
-Do you want them now? -Later. | 1:30:42 | 1:30:44 | |
-You want me to send them downtown? -Let me look at them. | 1:30:44 | 1:30:48 | |
-You wanna hear this? -Later. | 1:30:53 | 1:30:55 | |
-Later. -Get outta here. -Don't go bossing me around. | 1:30:55 | 1:30:58 | |
I'm not, I'm begging you. | 1:30:58 | 1:31:00 | |
When you get to 5th Street you'll see what I mean. | 1:31:00 | 1:31:04 | |
Who do I talk to down there? | 1:31:04 | 1:31:07 | |
-Hey, Bob. -Hello. | 1:31:10 | 1:31:13 | |
I'm sorry about Sullivan. | 1:31:14 | 1:31:16 | |
Yeah. | 1:31:18 | 1:31:19 | |
We gotta roll. | 1:31:24 | 1:31:26 | |
Yeah, maybe I'll see you later. Have some coffee... | 1:31:26 | 1:31:32 | |
See you around, Bob. | 1:31:33 | 1:31:35 | |
Yeah. | 1:31:35 | 1:31:37 | |
..then when you get downtown... | 1:32:02 | 1:32:05 | |
We solved your case for you. | 1:32:05 | 1:32:08 | |
I told you why we killed her, man, cos she had that fortune in her basement. | 1:32:09 | 1:32:17 | |
You're off Homicide. | 1:32:18 | 1:32:20 | |
You're off. | 1:32:22 | 1:32:24 | |
-We'd have got it, too, if that dog hadn't scared us off. -Get 'em outta here. | 1:32:26 | 1:32:32 | |
We've been holding this for you. | 1:33:19 | 1:33:22 | |
Intelfax Subtitles | 1:33:57 | 1:34:02 |