
Browse content similar to Jindabyne. Check below for episodes and series from the same categories and more!
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This film contains strong language | 0:00:15 | 0:00:17 | |
STATIC ON RADIO | 0:00:17 | 0:00:19 | |
ENGINE IDLES | 0:01:22 | 0:01:24 | |
MAN ON RADIO: Fine, mostly sunny for... | 0:01:51 | 0:01:53 | |
RADIO CRACKLES | 0:01:53 | 0:01:56 | |
GENTLE MUSIC PLAYS | 0:02:06 | 0:02:10 | |
# She's off to the races | 0:02:16 | 0:02:19 | |
# She's walking on air | 0:02:20 | 0:02:24 | |
# She's trying on dresses | 0:02:25 | 0:02:29 | |
# And brushing her hair... # | 0:02:30 | 0:02:33 | |
# Now she makes an appearance | 0:02:43 | 0:02:47 | |
# At the top of the stairs... # | 0:02:48 | 0:02:51 | |
# She's off to the races | 0:02:52 | 0:02:56 | |
# At the Jindabyne fair... # | 0:02:57 | 0:03:00 | |
# Her eyes tell a story | 0:03:07 | 0:03:12 | |
# She's been dreaming all year... # | 0:03:12 | 0:03:15 | |
# She walks like a... # | 0:03:19 | 0:03:21 | |
HORN BLARES | 0:03:21 | 0:03:24 | |
There's something under your car! | 0:03:31 | 0:03:33 | |
HORN BLARES | 0:03:35 | 0:03:38 | |
Pull over! There's something under your car! | 0:03:46 | 0:03:49 | |
Something underneath! Something under your car! | 0:03:49 | 0:03:52 | |
Come on, stop, ya fucking bitch. | 0:03:56 | 0:03:57 | |
It all comes down from the power station. | 0:04:46 | 0:04:48 | |
Electricity. | 0:04:48 | 0:04:50 | |
DOOR CREAKS | 0:05:40 | 0:05:41 | |
BOY SHRIEKS | 0:05:48 | 0:05:50 | |
WOMAN LAUGHS | 0:05:50 | 0:05:52 | |
Who's my main man, hmm? Huh? | 0:05:57 | 0:06:00 | |
OK. Come on, tiger, let's go. | 0:06:00 | 0:06:04 | |
There's fish awaiting. | 0:06:04 | 0:06:05 | |
MAN: That's it, pull. Pull. | 0:07:03 | 0:07:06 | |
MAN: Can you feel it? | 0:07:06 | 0:07:09 | |
Yeah, it's heavy! | 0:07:09 | 0:07:10 | |
Yeah. Do you want me to help you? | 0:07:10 | 0:07:12 | |
-I can do it. -You can do it? OK. | 0:07:12 | 0:07:14 | |
MAN: Oh, man, it's so exciting. Look, it's coming, it's coming. | 0:07:14 | 0:07:17 | |
Wow, that's a funny-looking fish. | 0:07:19 | 0:07:21 | |
It's a piece of junk. | 0:07:21 | 0:07:23 | |
It's a clock fish. Wonder who that belonged to. | 0:07:23 | 0:07:26 | |
-What do you mean? -It's still going. | 0:07:26 | 0:07:28 | |
Is it still going? | 0:07:28 | 0:07:29 | |
Yeah, it is. | 0:07:29 | 0:07:31 | |
Out there, underneath that water, | 0:07:31 | 0:07:34 | |
is the town where all the old men sit in rocking chairs | 0:07:34 | 0:07:38 | |
and there's houses and shops. | 0:07:38 | 0:07:41 | |
But you know what? | 0:07:41 | 0:07:42 | |
There was a night when I was out here and it was really dark and stormy | 0:07:42 | 0:07:45 | |
and I heard this noise - boing, boing, boing. | 0:07:45 | 0:07:50 | |
And it was a bell coming from under the water. | 0:07:50 | 0:07:53 | |
Cos the old church is still down there | 0:07:53 | 0:07:56 | |
and sometimes, when the water is really low, | 0:07:56 | 0:07:58 | |
you can see the tip of the spire. | 0:07:58 | 0:08:00 | |
I think I can see it now. | 0:08:01 | 0:08:02 | |
-Can you see it now? -Uh-huh. | 0:08:02 | 0:08:04 | |
-Can you hear the bell? -I can, a little bit. | 0:08:04 | 0:08:07 | |
-BOY: -When can I come fishing with you for real? | 0:08:07 | 0:08:10 | |
When you learn to swim. I told you that before. | 0:08:10 | 0:08:13 | |
-See that mountain over there? -Yeah. | 0:08:13 | 0:08:16 | |
I'm gonna take you to a river that's the other side of that mountain | 0:08:16 | 0:08:19 | |
and we'll fish there. | 0:08:19 | 0:08:21 | |
-Jude? -What? | 0:08:47 | 0:08:48 | |
Jude, she's not in her bedroom. | 0:08:48 | 0:08:50 | |
Caylin-Calandria! | 0:08:52 | 0:08:54 | |
What are you doing with this? | 0:09:11 | 0:09:13 | |
What are you up to now, Caylin-Calandria? | 0:09:14 | 0:09:18 | |
How long have you been out here? | 0:09:19 | 0:09:20 | |
-MAN: -Caylin-Calandria! | 0:09:20 | 0:09:23 | |
Cay... | 0:09:24 | 0:09:26 | |
-CHILD: -Mum! Mum! Mum! | 0:09:44 | 0:09:46 | |
I caught an Atlantic salmon. | 0:09:46 | 0:09:48 | |
Dad says I can cook it myself... | 0:09:48 | 0:09:49 | |
No, no. No way. | 0:09:49 | 0:09:51 | |
Just go jump in the shower. I'll make you some toast. | 0:09:51 | 0:09:53 | |
Please? | 0:09:53 | 0:09:55 | |
Go on. Do as you're told. | 0:09:55 | 0:09:56 | |
What's wrong? | 0:09:58 | 0:09:59 | |
I don't wanna deal with fried food this morning. | 0:09:59 | 0:10:01 | |
-SIGHS: -I didn't have the heart to tell him to throw it back in again. | 0:10:06 | 0:10:10 | |
He seemed to be so proud of it. | 0:10:10 | 0:10:12 | |
You know the way he is. | 0:10:14 | 0:10:16 | |
HORN HONKS | 0:10:20 | 0:10:22 | |
-Hi. -Hi. | 0:10:23 | 0:10:25 | |
-WOMAN: Hi, Tom. -Hi! | 0:10:26 | 0:10:28 | |
In you go. | 0:10:28 | 0:10:29 | |
Seatbelt, please. | 0:10:34 | 0:10:36 | |
-CAYLIN-CALANDRIA: Bye, Nan! -See you later. | 0:10:37 | 0:10:39 | |
Can I see yours? | 0:10:44 | 0:10:46 | |
Excited about the weekend? | 0:10:51 | 0:10:53 | |
-Yeah, yeah, it'll be great. -Yes. Yep, great. | 0:10:53 | 0:10:56 | |
CAYLIN-CALANDRIA: Looking forward to it. | 0:10:56 | 0:10:58 | |
Sorry to barge in so early. | 0:11:10 | 0:11:12 | |
No worries. | 0:11:12 | 0:11:13 | |
Shouldn't be eating this crap. | 0:11:23 | 0:11:24 | |
Just clench your fist for me a few times. | 0:11:25 | 0:11:27 | |
Right. | 0:11:29 | 0:11:30 | |
Let's see if you are pregnant before we start panicking. | 0:11:30 | 0:11:32 | |
I must be. I never get sick. | 0:11:32 | 0:11:34 | |
Claire, stop imagining the worst. | 0:11:34 | 0:11:37 | |
Stewie was telling me it's the big fish-a-thon this weekend. | 0:11:39 | 0:11:42 | |
Our Peggy's been nagging me to take her fishing, you know? | 0:11:43 | 0:11:46 | |
Last weekend I took her up to the high lake for the evening rise... | 0:11:46 | 0:11:49 | |
What if it happens again? | 0:11:49 | 0:11:51 | |
It won't. | 0:11:51 | 0:11:52 | |
Besides, this time we're prepared. | 0:11:52 | 0:11:55 | |
I'm so looking forward to some time out. | 0:12:08 | 0:12:10 | |
If I hear one more word about fishing... | 0:12:10 | 0:12:12 | |
Only three more deliveries, but they're all out on the plain. | 0:12:12 | 0:12:15 | |
Why don't you invite me over for a home-cooked meal | 0:12:20 | 0:12:23 | |
while Stewie's away? | 0:12:23 | 0:12:24 | |
Let me consider your generous offer and get back to you. | 0:12:24 | 0:12:27 | |
No. | 0:12:27 | 0:12:28 | |
That's way too close to the ground back here. | 0:13:50 | 0:13:52 | |
You're gonna bash it on the ground. | 0:13:52 | 0:13:53 | |
And you're breaking your wrist open. | 0:13:53 | 0:13:55 | |
Just keep it hard up against the wrist there. | 0:13:55 | 0:13:58 | |
-Hey, Rocco. -Morning. | 0:14:00 | 0:14:02 | |
-Hey, Billy. -Morning. | 0:14:02 | 0:14:04 | |
Very flash. | 0:14:05 | 0:14:06 | |
I thought you were broke. | 0:14:06 | 0:14:08 | |
I am. Beautiful. | 0:14:08 | 0:14:10 | |
-MAN: -Fast action. -ROCCO: Very. | 0:14:12 | 0:14:14 | |
I can't wait to get to that river. | 0:14:14 | 0:14:16 | |
Some of us have work to do. | 0:14:16 | 0:14:17 | |
Oh, don't worry about that, Miss. I'll do it. | 0:14:19 | 0:14:21 | |
-Thank you. -You're right. | 0:14:21 | 0:14:23 | |
-How you going? -Good, thank you. | 0:14:23 | 0:14:24 | |
SONG ON FILM: # It's time to say Goodbye to Jindabyne | 0:15:03 | 0:15:07 | |
# It's been my home these 50 years of time | 0:15:08 | 0:15:12 | |
# Now their autumns and their winter snow | 0:15:12 | 0:15:15 | |
# And the Snowy River down below | 0:15:15 | 0:15:17 | |
# Is whispering farewell to Jindabyne. # | 0:15:17 | 0:15:20 | |
MAN ON FILM: In the south-eastern Corner of NSW, | 0:15:20 | 0:15:23 | |
the old town of Jindabyne was an historic landmark. | 0:15:23 | 0:15:26 | |
With the inception of the Snowy Scheme, | 0:15:27 | 0:15:29 | |
the town was moved to a position on higher land | 0:15:29 | 0:15:33 | |
to make way for the rising waters | 0:15:33 | 0:15:35 | |
backed up by the dam constructed in the valley. | 0:15:35 | 0:15:37 | |
One of the older residents of the township is Mr Tom Weston. | 0:15:37 | 0:15:41 | |
I was born in Jindabyne, you know. | 0:15:41 | 0:15:43 | |
But I come to Ji... Berridale for a while | 0:15:43 | 0:15:46 | |
and then my father shifted to Lismore. | 0:15:46 | 0:15:48 | |
MAN: I see. | 0:15:48 | 0:15:50 | |
Mrs Rankin, how do you feel about leaving the old town? | 0:15:50 | 0:15:52 | |
Oh, well, there's sentimental reasons, of course, | 0:15:52 | 0:15:55 | |
why you feel a bit sad, | 0:15:55 | 0:15:56 | |
but when you get better conditions you think to yourself, | 0:15:56 | 0:15:59 | |
"I'm better off." | 0:15:59 | 0:16:00 | |
MAN: Finally, on 19 December 1964... | 0:16:00 | 0:16:04 | |
Lunch. | 0:16:05 | 0:16:07 | |
Go on. I won't tell Claire. | 0:16:11 | 0:16:13 | |
I fished it out this morning from the drowned town. | 0:16:17 | 0:16:20 | |
I've been there. | 0:16:20 | 0:16:22 | |
I've been there too. | 0:16:22 | 0:16:23 | |
Not all the way. | 0:16:23 | 0:16:25 | |
My dad says there's old men down there. | 0:16:25 | 0:16:27 | |
I know. | 0:16:27 | 0:16:29 | |
Zombies... when you drown, they get you. | 0:16:29 | 0:16:32 | |
You have to be their slave. | 0:16:32 | 0:16:34 | |
I touched one once. It licked my foot. | 0:16:34 | 0:16:36 | |
Its tongue was green slime. | 0:16:38 | 0:16:40 | |
Poison. | 0:16:40 | 0:16:41 | |
But I kicked him in the head and got away. | 0:16:41 | 0:16:44 | |
Come on. Don't be a baby. | 0:16:49 | 0:16:51 | |
And don't forget the knife. | 0:16:52 | 0:16:54 | |
He won't swallow it! | 0:17:03 | 0:17:05 | |
You're hurting him! | 0:17:05 | 0:17:06 | |
We can't offer him up if he's awake! | 0:17:06 | 0:17:09 | |
If you want my opinion, it smells like air freshener. | 0:17:14 | 0:17:17 | |
You are truly a horrible man. | 0:17:19 | 0:17:21 | |
Phone Carmel. There's been an incident at the school. | 0:17:23 | 0:17:26 | |
Tom could be expelled for bringing a knife. | 0:17:32 | 0:17:34 | |
I made him. | 0:17:34 | 0:17:35 | |
What on earth were you gonna do with that? | 0:17:35 | 0:17:37 | |
It's private. | 0:17:37 | 0:17:39 | |
Private? I'll give you private - you're seven years old! | 0:17:39 | 0:17:41 | |
Kids, this is very serious. | 0:17:41 | 0:17:42 | |
You know what? Tom's expelled, I'm sending you to the orphanage. | 0:17:42 | 0:17:45 | |
Excellent. | 0:17:45 | 0:17:46 | |
None of the other kids saw them. I might be able to contain this. | 0:17:52 | 0:17:55 | |
Contain what? | 0:17:55 | 0:17:56 | |
Uh, we're talking about a dead rodent. | 0:17:57 | 0:17:59 | |
We're talking about the class pet. | 0:17:59 | 0:18:01 | |
They were supposed to be taking care of him. | 0:18:01 | 0:18:03 | |
Jude, we're talking about a knife and we're talking about drugs... | 0:18:03 | 0:18:05 | |
I can't believe Tom brought a weapon to school. | 0:18:05 | 0:18:07 | |
Carmel, I am so sorry. | 0:18:07 | 0:18:08 | |
Claire, this is not a weapon, it's a fishing knife. | 0:18:08 | 0:18:11 | |
And, anyway, we all know it's not Tom's doing. | 0:18:11 | 0:18:14 | |
Have you considered grief counselling for Caylin-Calandria? | 0:18:14 | 0:18:18 | |
It might help you and Carl as well. | 0:18:18 | 0:18:19 | |
You could go as a family. | 0:18:19 | 0:18:21 | |
I do not need to get some advice from some stranger. | 0:18:22 | 0:18:26 | |
We'll buy a new guinea pig tomorrow. | 0:18:33 | 0:18:35 | |
-TOM: -We can't tomorrow. I'm going to visit Nanna. | 0:18:35 | 0:18:37 | |
No, you're not. You're grounded. | 0:18:37 | 0:18:39 | |
-Can I be grounded at Tom's house? -No. | 0:18:40 | 0:18:41 | |
Yes. It's fine. | 0:18:41 | 0:18:43 | |
Claire, I wouldn't do it to you. | 0:18:43 | 0:18:45 | |
Not for the whole weekend. | 0:18:45 | 0:18:47 | |
We'll grind 'em in shifts. | 0:18:47 | 0:18:48 | |
Go on, go and get your stuff. | 0:18:48 | 0:18:50 | |
-JUDE: -She's getting worse. | 0:18:51 | 0:18:52 | |
Give her time. | 0:18:53 | 0:18:55 | |
Time? Show me where you buy some of that. | 0:18:55 | 0:18:58 | |
Your granddaughter's just done her first murder. | 0:18:59 | 0:19:01 | |
Toilet's blocked again. | 0:19:02 | 0:19:04 | |
Vanessa, Vanessa, Vanessa! | 0:19:19 | 0:19:21 | |
Guess what, guess what. We're grounded! | 0:19:21 | 0:19:23 | |
Grounded! | 0:19:23 | 0:19:24 | |
What? What's that mean? | 0:19:24 | 0:19:25 | |
You're early. | 0:19:28 | 0:19:29 | |
Claire, I don't approve of women and children | 0:19:47 | 0:19:49 | |
being housebound this weekend. | 0:19:49 | 0:19:51 | |
Well, I'm sorry about that, | 0:19:51 | 0:19:53 | |
but Tom has to take responsibility for his choices. | 0:19:53 | 0:19:55 | |
Surely he's got another 50 years to learn that. | 0:19:55 | 0:19:58 | |
Where are the decent glasses? | 0:20:01 | 0:20:03 | |
Packed away. | 0:20:04 | 0:20:05 | |
What's the point of that? Things are meant to be used. | 0:20:05 | 0:20:08 | |
I found that down the back of the cupboard. | 0:20:09 | 0:20:11 | |
Well, you don't have to like it, you just have to live with it. I did. | 0:20:13 | 0:20:16 | |
You still smell of petrol. | 0:20:20 | 0:20:22 | |
Nice hair. | 0:20:22 | 0:20:23 | |
Oh, thanks. | 0:20:23 | 0:20:25 | |
Guess what. Siobhan's left her husband. | 0:20:26 | 0:20:28 | |
A repeat performance. No word, no note. | 0:20:28 | 0:20:31 | |
No point, according to her. | 0:20:31 | 0:20:33 | |
So you see, it wasn't just you. | 0:20:34 | 0:20:36 | |
I'm not interested, Mam. | 0:20:36 | 0:20:38 | |
Don't be silly. We all love hearing gossip about people we hate. | 0:20:38 | 0:20:42 | |
I don't know why you even keep in touch with her. | 0:20:42 | 0:20:44 | |
I invested time and energy in that marriage, as well as you. | 0:20:45 | 0:20:48 | |
And she's always been good to me. | 0:20:50 | 0:20:52 | |
Tom took a knife to school. | 0:20:53 | 0:20:55 | |
Well, at least he knows how to handle it. | 0:20:56 | 0:20:59 | |
VANESSA: Claire, you're overreacting. | 0:20:59 | 0:21:00 | |
This isn't open for discussion. | 0:21:00 | 0:21:02 | |
Of course it is. | 0:21:02 | 0:21:04 | |
You guys sort it out. | 0:21:04 | 0:21:05 | |
It IS sorted. | 0:21:05 | 0:21:07 | |
Sorted. | 0:21:10 | 0:21:11 | |
That hair makes you look like the kind of man who visits prostitutes. | 0:21:15 | 0:21:19 | |
TOM: Do you think she'll come tonight? | 0:21:36 | 0:21:39 | |
She mostly comes when I'm by myself. | 0:21:40 | 0:21:43 | |
Elissa, he's going away a boy, but he's gonna come back a man. | 0:22:51 | 0:22:54 | |
No, thanks. I want him back just the way he is. | 0:22:54 | 0:22:57 | |
Well, don't let him loose with this bunch of maniacs. | 0:22:57 | 0:22:59 | |
Mate, come on. You'll wake the baby. | 0:23:01 | 0:23:04 | |
Carl, Carl. Take it easy. | 0:23:05 | 0:23:08 | |
Don't you worry about me. | 0:23:08 | 0:23:09 | |
We need you fit for tomorrow. | 0:23:09 | 0:23:11 | |
What's...um...what's this... | 0:23:11 | 0:23:12 | |
What? What's what? | 0:23:12 | 0:23:14 | |
There's something different about you. | 0:23:14 | 0:23:16 | |
-CLAIRE: -I think he looks very dashing. | 0:23:16 | 0:23:17 | |
I can't wait. I wish we could go tonight. | 0:23:17 | 0:23:19 | |
The word is "dashing". | 0:23:19 | 0:23:21 | |
Elissa...Elissa, Billy told me | 0:23:21 | 0:23:23 | |
that you've surfed almost everywhere in the world. | 0:23:23 | 0:23:26 | |
-Is that true? ELISSA: -Pretty much. | 0:23:26 | 0:23:27 | |
-CARL: -Best place in the world Right here, I reckon. | 0:23:27 | 0:23:29 | |
Actually, I don't like being this far inland. | 0:23:29 | 0:23:31 | |
There's no water. | 0:23:31 | 0:23:33 | |
We've got more water than bloody Sydney Harbour. | 0:23:33 | 0:23:35 | |
-BILLY: -There's no waves, though. You can't surf without a wave. | 0:23:35 | 0:23:38 | |
In a hidden valley... | 0:23:41 | 0:23:43 | |
-ALL GROAN: -Here we go, here we go. | 0:23:43 | 0:23:45 | |
..lies a hidden river. | 0:23:45 | 0:23:47 | |
Full of blarney. | 0:23:47 | 0:23:48 | |
There dwells a fish, wild and cunning. | 0:23:50 | 0:23:53 | |
A mysterious, wild... | 0:23:54 | 0:23:58 | |
-CARL: -Elusive. | 0:23:59 | 0:24:01 | |
Stay with it, baby, stay with it. Keep going. | 0:24:01 | 0:24:03 | |
Mysterious, wild fish. | 0:24:03 | 0:24:06 | |
Fuck, hurry up, will you? My arm's falling off. | 0:24:06 | 0:24:08 | |
-Immemorial... -Immemorial... | 0:24:09 | 0:24:12 | |
Don't expect ME to cook it, then. | 0:24:12 | 0:24:14 | |
As time lies waiting. | 0:24:15 | 0:24:16 | |
As we are all doing. | 0:24:16 | 0:24:18 | |
THEY LAUGH STEWART: OK, shut up, you. | 0:24:18 | 0:24:20 | |
Waiting for us... | 0:24:20 | 0:24:22 | |
STEWART: I knew this piece last year. | 0:24:22 | 0:24:24 | |
Anyway, to the wild one! | 0:24:24 | 0:24:27 | |
-ALL: -To the wild one! | 0:24:27 | 0:24:29 | |
-JUDE: -Cheers. The wild one. | 0:24:29 | 0:24:31 | |
-Here we go. -Mmm. | 0:24:34 | 0:24:35 | |
Thank Christ you can fish better than you can talk. | 0:24:35 | 0:24:38 | |
What's she done now? | 0:24:47 | 0:24:49 | |
Nothing. She's an angel. | 0:24:49 | 0:24:51 | |
-VANESSA: -They both are. | 0:24:51 | 0:24:53 | |
We had a powwow and we decided we deserve a treat too. | 0:24:53 | 0:24:55 | |
Don't panic, we're not gatecrashing. | 0:24:56 | 0:24:58 | |
No, no, no, you're not, Mam. Please sit down, sit down. | 0:24:58 | 0:25:03 | |
Well, if you're sure we're not in the way. | 0:25:03 | 0:25:05 | |
STEWART: No, not at all. | 0:25:05 | 0:25:07 | |
We can build a little creche down the end of the table for you. | 0:25:07 | 0:25:10 | |
-BILLY: -You can sit on the end. -VANESSA: -I'll sit here. | 0:25:10 | 0:25:13 | |
We grannies must stick together. | 0:25:13 | 0:25:15 | |
-ROCCO: -I hear you put the frighteners on a guinea pig today. | 0:25:20 | 0:25:23 | |
All right. Let's go. | 0:25:24 | 0:25:26 | |
STEWART: Claire, sit down. | 0:25:26 | 0:25:28 | |
The children are grounded. | 0:25:28 | 0:25:30 | |
I know, but it's the one night in... | 0:25:30 | 0:25:32 | |
Please sit down. | 0:25:33 | 0:25:35 | |
Don't spoil it, Claire. | 0:25:35 | 0:25:37 | |
Sorry. | 0:25:47 | 0:25:48 | |
All right, gentlemen. Come on, on your feet. | 0:25:52 | 0:25:54 | |
It's that time of year again. | 0:25:54 | 0:25:55 | |
Get down - just the beautiful ones. | 0:25:56 | 0:25:59 | |
JUDE: Come on, snuggle up. | 0:26:01 | 0:26:03 | |
You're bloody big for a hooker, aren't ya? | 0:26:03 | 0:26:04 | |
JUDE: All right, look like You're having a good time. | 0:26:04 | 0:26:06 | |
Carl, you look the best. Huh? | 0:26:06 | 0:26:09 | |
Oh, again, you cock. Come on, one more. | 0:26:10 | 0:26:12 | |
CAMERA BEEPS | 0:26:12 | 0:26:13 | |
-Beautiful. -Oh, I was... | 0:26:13 | 0:26:15 | |
-Oh, it's all right. Don't worry. -Oh, come on! | 0:26:15 | 0:26:17 | |
Oh, all right. One more. | 0:26:17 | 0:26:19 | |
ROCCO: What time do you call this? | 0:26:29 | 0:26:31 | |
-CARL: -I call this "morning". | 0:26:31 | 0:26:33 | |
-CARL: -Relax. We're on bloody holidays. | 0:26:36 | 0:26:38 | |
No, I'm still here. | 0:26:40 | 0:26:42 | |
-BILLY: -Me too. | 0:26:42 | 0:26:43 | |
For fuck's sake! | 0:26:43 | 0:26:45 | |
It's OK, mate, I'll do it. I'll do it. | 0:26:45 | 0:26:48 | |
Gotta go. Right. Bye. Bye. | 0:26:48 | 0:26:51 | |
Hey, Billy, put the sign around the right way, you dope. | 0:26:59 | 0:27:02 | |
Now, listen, try to avoid the potholes, will ya? | 0:27:22 | 0:27:25 | |
My brain's hanging by a thread. | 0:27:25 | 0:27:26 | |
-What brain? -Ha ha(!) | 0:27:26 | 0:27:28 | |
I'm never drinking again. MOBILE PHONE RINGS | 0:27:31 | 0:27:33 | |
Hi, Elissa! | 0:27:36 | 0:27:38 | |
-BILLY: -Hello? | 0:27:38 | 0:27:39 | |
Oh, really? | 0:27:39 | 0:27:41 | |
OK. Bye. | 0:27:43 | 0:27:45 | |
She loves me. | 0:27:46 | 0:27:47 | |
-Lovestruck. -Henpecked. | 0:27:47 | 0:27:49 | |
Thin line. | 0:27:49 | 0:27:51 | |
-ROCCO: -Too bloody right. | 0:27:52 | 0:27:53 | |
STOPS LAWNMOWER | 0:28:00 | 0:28:03 | |
Are you sick? | 0:28:24 | 0:28:25 | |
No, I just ate too much last night. | 0:28:25 | 0:28:28 | |
No, you didn't. | 0:28:28 | 0:28:31 | |
HOSE SPRAYS | 0:28:35 | 0:28:39 | |
When my mum was sick, she spewed up green slime. It was gross. | 0:28:41 | 0:28:45 | |
It wasn't her fault. | 0:28:46 | 0:28:47 | |
She couldn't help it. It was bile. | 0:28:47 | 0:28:50 | |
Everyone has that in their tummy. | 0:28:50 | 0:28:52 | |
It's not...it's not gross, it's natural. | 0:28:52 | 0:28:55 | |
Are you gonna die? | 0:29:03 | 0:29:04 | |
No, my love. | 0:29:05 | 0:29:07 | |
No-one's gonna die. | 0:29:07 | 0:29:09 | |
You're stuck with me. | 0:29:10 | 0:29:12 | |
CHILDREN SHRIEK | 0:29:14 | 0:29:16 | |
Before I go, there's something I'd like to say. | 0:29:47 | 0:29:49 | |
No, there's something I'd like to say to you. | 0:29:49 | 0:29:51 | |
You have no authority over my family. | 0:29:52 | 0:29:54 | |
Not anymore. It's time you accepted that. | 0:29:54 | 0:29:56 | |
You sound very wound up. You need to be careful. | 0:29:58 | 0:30:01 | |
I'm fine. | 0:30:01 | 0:30:02 | |
They're my boys too, Claire. | 0:30:05 | 0:30:07 | |
I didn't come to this godforsaken country to make a nuisance of myself, | 0:30:07 | 0:30:11 | |
I came because they needed me. | 0:30:11 | 0:30:13 | |
I know that - and I'm grateful, we all are. | 0:30:13 | 0:30:17 | |
But that's in the past now. | 0:30:18 | 0:30:19 | |
It's not me that's ridden by the past. | 0:30:21 | 0:30:24 | |
I know you're accustomed to doing without a mother, | 0:30:24 | 0:30:27 | |
but I'd just like to say... | 0:30:27 | 0:30:28 | |
..you're like a daughter to me now. | 0:30:30 | 0:30:32 | |
Must you always fight it? | 0:30:32 | 0:30:34 | |
Oh, man. | 0:31:10 | 0:31:11 | |
I'm not getting any reception. | 0:31:24 | 0:31:26 | |
You won't get any reception up here, mate. | 0:31:26 | 0:31:28 | |
Don't get anything. | 0:31:30 | 0:31:31 | |
Watch out for snakes, Billy. | 0:31:45 | 0:31:47 | |
OPENS ZIPPER | 0:32:14 | 0:32:15 | |
BIRDSONG | 0:33:43 | 0:33:46 | |
God. Listen to that. | 0:33:46 | 0:33:48 | |
Sorry? | 0:33:48 | 0:33:50 | |
Bloody typical. | 0:33:59 | 0:34:01 | |
Jude's forgotten to pack my sandwiches. | 0:34:01 | 0:34:03 | |
Do you want some of this? | 0:34:03 | 0:34:05 | |
It's protein. It's good for you. | 0:34:09 | 0:34:11 | |
Hey, three beautiful women walk into a bar. | 0:34:25 | 0:34:27 | |
-ROCCO: -Yeah, there's always three beautiful women with you. | 0:34:27 | 0:34:28 | |
No, just listen, listen. | 0:34:28 | 0:34:30 | |
Blonde, brunette and a lesbian, see? | 0:34:30 | 0:34:32 | |
-And the barmaid sees 'em... -What colour hair's the lesbian got? | 0:34:32 | 0:34:35 | |
How the fuck do I know? Blue. | 0:34:36 | 0:34:37 | |
Anyway, the barmaid comes over... | 0:34:37 | 0:34:39 | |
Elissa used to be a lesbian. | 0:34:39 | 0:34:41 | |
Well, she's not anymore. | 0:34:47 | 0:34:49 | |
Anyway, the lesbian says... | 0:34:57 | 0:34:59 | |
You're out of condition, old man. | 0:35:18 | 0:35:20 | |
No, I'm not. Someone just moved the river, that's all. | 0:35:20 | 0:35:23 | |
I have to show this place to Elissa. | 0:35:52 | 0:35:54 | |
No, no, no, no, no. No women allowed. | 0:35:54 | 0:35:58 | |
WHISPERS: Oh, Jesus. Jesus. | 0:37:44 | 0:37:45 | |
Fuck! Oh, Jesus. | 0:37:45 | 0:37:48 | |
Holy Jesus! | 0:38:04 | 0:38:06 | |
Jesus Christ! Jesus! | 0:38:06 | 0:38:08 | |
Jesus! | 0:38:08 | 0:38:09 | |
CARL! | 0:38:09 | 0:38:11 | |
ROCCO! BILLY! | 0:38:13 | 0:38:15 | |
Oh, fuck. Oh, Jesus. | 0:38:28 | 0:38:30 | |
CARL! | 0:38:31 | 0:38:32 | |
ROCCO! For fuck's sakes, come here! | 0:38:32 | 0:38:36 | |
Where the fuck are you?! | 0:38:41 | 0:38:44 | |
Fuck. Fuck. | 0:38:47 | 0:38:49 | |
Take her. Take her! | 0:39:10 | 0:39:12 | |
Take her! For fuck's sakes, take her! | 0:39:12 | 0:39:15 | |
Oh, fuck! | 0:39:32 | 0:39:33 | |
-Fuck this! -CARL: -Where are you going? | 0:39:44 | 0:39:46 | |
Billy, no, no, no. Billy, no. | 0:39:47 | 0:39:49 | |
I propose that we leave her here. | 0:40:05 | 0:40:07 | |
If she gets carried downstream | 0:40:08 | 0:40:10 | |
she'll go down to the rapids and we'll never find her. | 0:40:10 | 0:40:12 | |
Yeah. | 0:40:14 | 0:40:16 | |
No, I agree with that. We should tie her up in the water, it's freezing. | 0:40:17 | 0:40:20 | |
If we put her out in the sun, she'd be gone. History. | 0:40:20 | 0:40:22 | |
I don't think we should ever have touched her. | 0:40:22 | 0:40:25 | |
I mean, it's a crime scene and we disturbed it. | 0:40:25 | 0:40:28 | |
Billy, for fuck's sake, shut up. | 0:40:28 | 0:40:30 | |
Uh...oh... | 0:40:45 | 0:40:48 | |
WHISPERS: Zombie. | 0:41:18 | 0:41:19 | |
So, what the hell am I gonna do with her? | 0:41:25 | 0:41:27 | |
-I'm losing her too. -No, you're not. | 0:41:27 | 0:41:29 | |
I am. I can feel it. | 0:41:29 | 0:41:31 | |
KNOCK AT DOOR | 0:41:31 | 0:41:32 | |
Hi! | 0:41:32 | 0:41:34 | |
I invited Carmel. | 0:41:34 | 0:41:36 | |
-Why? -She's Rocco's girlfriend. | 0:41:37 | 0:41:38 | |
We should make her feel comfortable. | 0:41:38 | 0:41:40 | |
-Jude. -OK, OK. | 0:41:40 | 0:41:42 | |
-CHILDREN: -Hi, Miss G! | 0:41:47 | 0:41:49 | |
Have you done your homework? I'm joking. | 0:41:49 | 0:41:51 | |
Oh, look. Look, hmm? | 0:41:51 | 0:41:55 | |
-CLAIRE: -Oh, wow... -Did you see the cake? | 0:41:55 | 0:41:57 | |
Three DVDs, the express issue of Vanity Fair, | 0:41:57 | 0:41:59 | |
and all I've done is sleep. | 0:41:59 | 0:42:01 | |
Half your luck. | 0:42:01 | 0:42:03 | |
-Mind if I open a window? -Of course not. | 0:42:03 | 0:42:04 | |
It's a shame we have to babysit. | 0:42:04 | 0:42:07 | |
I was all geared up for a good dance. | 0:42:07 | 0:42:09 | |
The pub is packed and jumping. | 0:42:09 | 0:42:10 | |
-Can I have a glass, please? -JUDE: Yep. | 0:42:10 | 0:42:12 | |
God, I love dancing. The Bee Gees. | 0:42:13 | 0:42:16 | |
-What? -The Bee Gees? | 0:42:18 | 0:42:19 | |
-Yeah. -You can't be that old. | 0:42:19 | 0:42:22 | |
-CLAIRE: -Hello. | 0:42:25 | 0:42:26 | |
CAYLIN-CALANDRIA: Is that homemade? | 0:42:28 | 0:42:30 | |
SNIFFS: Whoa! Homemade! Can I try it? | 0:42:30 | 0:42:35 | |
Yeah, I'll make sure you get the biggest piece. Now, leave it. | 0:42:35 | 0:42:38 | |
Go on, scoot. | 0:42:39 | 0:42:40 | |
But... | 0:42:40 | 0:42:42 | |
You'll get one later, I promise. | 0:42:42 | 0:42:44 | |
She's a handful. | 0:42:45 | 0:42:47 | |
She's her own person. Just like her mother was. | 0:42:48 | 0:42:51 | |
Never wanted any of your own? | 0:42:54 | 0:42:56 | |
Haven't found the perfect man yet. | 0:42:56 | 0:42:58 | |
You're kidding? Women in this town would queue up for Rocco. | 0:42:58 | 0:43:01 | |
So I gather. | 0:43:01 | 0:43:03 | |
Actually, I'm starting to wonder if I can even have kids. | 0:43:04 | 0:43:07 | |
But, hey, maybe Rocco has the mighty seed. | 0:43:08 | 0:43:11 | |
Rocco was gonna be my son-in-law. | 0:43:15 | 0:43:16 | |
Really? | 0:43:16 | 0:43:18 | |
Mmm. Once upon a time. | 0:43:18 | 0:43:21 | |
So, what about you, Claire? You obviously love children. | 0:43:24 | 0:43:26 | |
Stewart wouldn't want any more. | 0:43:28 | 0:43:30 | |
Well, who could blame him? | 0:43:31 | 0:43:32 | |
Have I said something that I shouldn't have... | 0:43:34 | 0:43:36 | |
Of course not. | 0:43:36 | 0:43:37 | |
Um... I wasn't well after Tom was born. | 0:43:37 | 0:43:41 | |
I couldn't look after him, so it was hard on Stewart. | 0:43:41 | 0:43:43 | |
Must've been hard for you too. | 0:43:43 | 0:43:45 | |
Claire took off. | 0:43:46 | 0:43:48 | |
I went to stay with my sister. | 0:43:49 | 0:43:50 | |
For 18 months! | 0:43:50 | 0:43:52 | |
-You know what? You know what... -So, yeah, it was hard on Stewie! | 0:43:52 | 0:43:55 | |
..I've stopped expecting anybody to understand. | 0:43:55 | 0:43:56 | |
You two should count your blessings. | 0:43:58 | 0:44:00 | |
You're young, you're healthy. | 0:44:00 | 0:44:01 | |
Your family's still in one piece. | 0:44:01 | 0:44:03 | |
People dying in the wrong order - | 0:44:03 | 0:44:05 | |
that's pretty much when it all turns to shit. | 0:44:05 | 0:44:07 | |
Come on. We're off. | 0:44:08 | 0:44:10 | |
CAYLIN-CALANDRIA: But the movie! | 0:44:10 | 0:44:11 | |
Come on, Mum. Let's get you back to the veggie patch. | 0:44:13 | 0:44:17 | |
Come on. Come on. | 0:44:17 | 0:44:18 | |
Jude! Jude, Jude. | 0:44:18 | 0:44:21 | |
Put her down. Come on, put her down. | 0:44:21 | 0:44:23 | |
-CARMEL: -You're not going anywhere. | 0:44:23 | 0:44:24 | |
Are you all right? | 0:44:27 | 0:44:28 | |
SOBS: I'm sorry. I'm just so tired. | 0:44:30 | 0:44:32 | |
What's wrong with the fucking Bee Gees anyway? | 0:44:37 | 0:44:39 | |
-CLAIRE: -Nothing. -CARMEL: -Nothing. | 0:44:39 | 0:44:40 | |
-CLAIRE: -There's nothing wrong with the Bee Gees. | 0:44:40 | 0:44:43 | |
LAUGHS: Oh, piss off! | 0:44:43 | 0:44:45 | |
We LOVE the Bee Gees. | 0:44:45 | 0:44:47 | |
The greatest musical artists ever! | 0:44:47 | 0:44:50 | |
OK, look. See that rise over there? | 0:47:02 | 0:47:05 | |
OK, you're gonna reel him in. Now, set it up. | 0:47:06 | 0:47:08 | |
Fantastic. OK, now, take your time. | 0:47:10 | 0:47:13 | |
Bring him in. That's it. | 0:47:13 | 0:47:17 | |
OK, now! | 0:47:17 | 0:47:18 | |
Let him fight, let him fight, let him fight. | 0:47:21 | 0:47:23 | |
Come on. You got him, you got him. | 0:47:23 | 0:47:25 | |
Here you go. That's it. | 0:47:25 | 0:47:28 | |
Yes! | 0:47:29 | 0:47:31 | |
Yep. | 0:48:15 | 0:48:17 | |
Could have scooped him up with one hand. | 0:48:17 | 0:48:19 | |
-STEWART: -Sure you could. | 0:48:19 | 0:48:20 | |
Which one's dinner? | 0:48:20 | 0:48:22 | |
Not mine. | 0:48:22 | 0:48:24 | |
Mine's coming home with me. | 0:48:24 | 0:48:26 | |
All right. Hold it up, I'll get a photograph. | 0:48:27 | 0:48:29 | |
Oh, hang on. | 0:48:29 | 0:48:31 | |
CARL: Trout with stunned mullet. | 0:48:32 | 0:48:34 | |
OK, hold it up. | 0:48:34 | 0:48:36 | |
CAMERA BEEPS | 0:48:36 | 0:48:38 | |
ROCCO: I can't wait To get back to that river. | 0:48:49 | 0:48:52 | |
Huh. I can, I'm rooted. | 0:48:52 | 0:48:55 | |
I feel really trippy. | 0:48:57 | 0:48:59 | |
CARL: Too much sun. | 0:49:00 | 0:49:02 | |
-STEWART: -I've never known anything like it. | 0:49:04 | 0:49:06 | |
Something's put the river spirits in a good mood. | 0:49:07 | 0:49:10 | |
Look, I don't care what you guys do, but I'm gonna leave tomorrow morning. | 0:49:23 | 0:49:27 | |
Hey. How are you? | 0:51:30 | 0:51:32 | |
I'm OK. Um...we found a body. | 0:51:32 | 0:51:37 | |
I caught the most amazing fish, though. | 0:51:40 | 0:51:42 | |
What? | 0:51:44 | 0:51:45 | |
STEWART: Yeah. No problem. | 0:51:47 | 0:51:49 | |
Yeah, bye. | 0:51:50 | 0:51:52 | |
PHONE BEEPS Fuck. | 0:51:52 | 0:51:53 | |
Cops want us to stay here. | 0:52:04 | 0:52:06 | |
-ROCCO: -What'd they say? | 0:52:06 | 0:52:07 | |
Nothing. What...what would they say? | 0:52:07 | 0:52:10 | |
Well, the lesbian told Billy not to bother bringing his fish home. | 0:52:10 | 0:52:13 | |
We gotta get this story straight. | 0:52:13 | 0:52:16 | |
Let's just go under together, OK? | 0:52:33 | 0:52:35 | |
All right? Are you ready? | 0:52:35 | 0:52:37 | |
Hang on. I'm right here. I'm not going anywhere. | 0:52:37 | 0:52:39 | |
We'll go under on three, all right? | 0:52:39 | 0:52:42 | |
One...hold your breath... | 0:52:42 | 0:52:43 | |
..two, three - here we go. | 0:52:43 | 0:52:45 | |
Good boy! | 0:52:49 | 0:52:50 | |
Oh, that was so good, though. | 0:52:50 | 0:52:53 | |
Do you wanna...you don't wanna do it again, do you? No. OK. | 0:52:53 | 0:52:55 | |
But good boy. | 0:52:55 | 0:52:57 | |
I'm gonna swim out. I'll be right back, you stay there. | 0:53:02 | 0:53:05 | |
Tom? | 0:54:17 | 0:54:18 | |
Are you all right? What did that man say? | 0:54:28 | 0:54:30 | |
He just... "Which way to the motel?" | 0:54:30 | 0:54:33 | |
Did you catch anything? | 0:56:40 | 0:56:41 | |
You smell like fish. | 0:56:46 | 0:56:48 | |
You're so soft. | 0:56:48 | 0:56:51 | |
So warm. | 0:56:53 | 0:56:55 | |
KNOCK AT DOOR | 0:57:47 | 0:57:49 | |
Dad, Dad, Dad, Dad, Dad, Dad, Dad. | 0:58:05 | 0:58:09 | |
-Dad! -What? | 0:58:09 | 0:58:11 | |
What? What? What? | 0:58:11 | 0:58:13 | |
-The police. -What...what? | 0:58:13 | 0:58:15 | |
-Police. -Who is it? | 0:58:15 | 0:58:16 | |
The police. | 0:58:16 | 0:58:18 | |
What's going on? | 0:58:34 | 0:58:36 | |
Good morning, Claire. I just need a word with Stewart. | 0:58:36 | 0:58:38 | |
Stewart! | 0:58:39 | 0:58:40 | |
-STEWART: -Yeah? | 0:58:40 | 0:58:42 | |
We just need you to answer a few more questions, Stewart. | 0:58:44 | 0:58:47 | |
-PHONE RINGS -Yeah, OK. | 0:58:47 | 0:58:49 | |
What's going on? | 0:58:49 | 0:58:50 | |
-Look, could you come down... -Yeah, I said, "OK." | 0:58:50 | 0:58:52 | |
-I said I'll come, all right? -All right. OK. | 0:58:52 | 0:58:54 | |
Hello? | 0:58:58 | 0:59:00 | |
No, I don't have any bloody comment. | 0:59:01 | 0:59:03 | |
What is going on? | 0:59:03 | 0:59:05 | |
-HE SIGHS -We, er...we found a body. | 0:59:08 | 0:59:12 | |
Where? | 0:59:12 | 0:59:14 | |
In the river. | 0:59:14 | 0:59:16 | |
-Are you OK? -Yeah. | 0:59:17 | 0:59:19 | |
Yeah, it'll be all right. | 0:59:21 | 0:59:22 | |
You look after Mum, you hear me? | 0:59:22 | 0:59:25 | |
Be back in a moment. | 0:59:25 | 0:59:26 | |
We don't step over bodies in order to enjoy our leisure activities. | 0:59:30 | 0:59:35 | |
You're a pack of bloody idiots. | 0:59:37 | 0:59:38 | |
I'm ashamed of you. The whole town's ashamed of you. | 0:59:40 | 0:59:43 | |
JUDE: Here's Claire. | 0:59:51 | 0:59:52 | |
-ELISSA: -Hi. -Hi. | 1:00:00 | 1:00:02 | |
I don't understand. When did they find her? | 1:00:02 | 1:00:04 | |
What did Stewart tell you? | 1:00:04 | 1:00:06 | |
Not much. There really wasn't time. | 1:00:06 | 1:00:09 | |
Bastard. | 1:00:09 | 1:00:11 | |
Billy and I were up all night talking about it. | 1:00:11 | 1:00:14 | |
So, are you gonna charge us with something or not, Jimbo? | 1:00:16 | 1:00:18 | |
Get out. | 1:00:21 | 1:00:22 | |
Go on, piss off! | 1:00:23 | 1:00:25 | |
JUDE: Here they come. Come on. | 1:00:32 | 1:00:34 | |
REPORTERS CLAMOUR | 1:00:36 | 1:00:39 | |
We never destroyed any evidence. | 1:00:42 | 1:00:44 | |
Billy! | 1:00:44 | 1:00:46 | |
Get out of it, you bastard. | 1:00:48 | 1:00:50 | |
Carl! | 1:00:50 | 1:00:52 | |
The body had been washed a long way downstream. | 1:00:52 | 1:00:55 | |
You found her on Friday? It's Monday. | 1:00:55 | 1:00:57 | |
Oh, please, Claire... | 1:00:57 | 1:00:59 | |
We're just the bloody meat in the sandwich! | 1:00:59 | 1:01:01 | |
Jesus, Carl twisted his ankle. | 1:01:02 | 1:01:04 | |
Honestly, Carl could hardly walk. | 1:01:04 | 1:01:06 | |
-STEWART: -I couldn't leave them without a car. | 1:01:06 | 1:01:07 | |
It would've been irresponsible. | 1:01:07 | 1:01:09 | |
Anyway, we'll discuss this later. I'll see ya. | 1:01:09 | 1:01:11 | |
CARMEL: You're saying she's a blackfella. | 1:01:13 | 1:01:15 | |
-I told you that. -No, you didn't. | 1:01:15 | 1:01:17 | |
-Of course I did. -No. | 1:01:17 | 1:01:19 | |
-ROCCO: -I'm sure I told you. | 1:01:19 | 1:01:20 | |
You can't have said it very loud, if you said it at all. | 1:01:20 | 1:01:24 | |
No, I'll get the facts for myself. | 1:01:24 | 1:01:25 | |
What's going on, Rocco? | 1:01:30 | 1:01:31 | |
I'm sure I told her. | 1:01:31 | 1:01:33 | |
What happened out there? | 1:01:33 | 1:01:35 | |
What did Stewart tell you? | 1:01:37 | 1:01:39 | |
Carl bunged up his ankle. | 1:01:43 | 1:01:45 | |
He's not up to it anymore. You know that. | 1:01:45 | 1:01:47 | |
Look...I've got a really busy day. | 1:01:51 | 1:01:56 | |
Don't worry. I'll make sure Carmel's all right. | 1:01:59 | 1:02:02 | |
Could you have left her there, Terry, and gone fishing? | 1:02:35 | 1:02:39 | |
I hate fishing. | 1:02:40 | 1:02:42 | |
Do you think we did the wrong thing by that girl? | 1:02:49 | 1:02:51 | |
Well, she didn't care what we did. | 1:02:54 | 1:02:56 | |
She's got no opinion, no feelings one way or the other. | 1:02:56 | 1:02:58 | |
She's dead. | 1:02:58 | 1:03:00 | |
STEWART: Hey. | 1:03:15 | 1:03:16 | |
It's good to be home. | 1:03:18 | 1:03:19 | |
Tom's still up. | 1:03:19 | 1:03:21 | |
He needs to ask you some questions. | 1:03:22 | 1:03:24 | |
Was it scary? | 1:03:25 | 1:03:27 | |
No. It was sad. | 1:03:28 | 1:03:31 | |
What did the dead lady look like? | 1:03:33 | 1:03:35 | |
She looked like she was, um...she was asleep. | 1:03:35 | 1:03:40 | |
Caylin-Calandria says she had no clothes on. | 1:03:40 | 1:03:44 | |
Caylin-Calandria doesn't know as much as she thinks she knows. | 1:03:44 | 1:03:48 | |
Was the dead lady under the water where it's deep? | 1:03:48 | 1:03:53 | |
Your dad took her out of the water | 1:03:54 | 1:03:56 | |
and he wrapped her up in a sleeping-bag | 1:03:56 | 1:03:58 | |
and he made her all nice and warm and cosy. | 1:03:58 | 1:04:01 | |
Caylin-Calandria says that... there's a serial killer. | 1:04:04 | 1:04:09 | |
She says he's coming after you. | 1:04:09 | 1:04:12 | |
Now, listen. | 1:04:12 | 1:04:13 | |
You don't pay attention to anything anybody says, | 1:04:13 | 1:04:16 | |
no matter what they say. | 1:04:16 | 1:04:17 | |
The river is a very long, long way away | 1:04:19 | 1:04:22 | |
and there are no bad men here, OK? | 1:04:22 | 1:04:25 | |
Now, go to sleep. | 1:04:28 | 1:04:29 | |
STEWART: I didn't want to upset you. | 1:04:39 | 1:04:41 | |
I thought it could wait till this morning. | 1:04:42 | 1:04:44 | |
What really happened out there? | 1:04:58 | 1:05:00 | |
I told you. | 1:05:02 | 1:05:04 | |
Nothing happened, we just... | 1:05:04 | 1:05:06 | |
..we got stuck, that's all. | 1:05:07 | 1:05:09 | |
Jeez, I don't know what the fuss is about. I really don't. | 1:05:10 | 1:05:12 | |
What if it had been Tom in the water? | 1:05:13 | 1:05:15 | |
Well, it wasn't Tom. It was a stranger. | 1:05:15 | 1:05:18 | |
I wish you wouldn't keep dwelling on this. | 1:05:20 | 1:05:22 | |
You're gonna make yourself sick again. | 1:05:22 | 1:05:24 | |
-I didn't make myself sick. -I didn't mean... | 1:05:24 | 1:05:26 | |
People don't make themselves sick. It's something that happens to you. | 1:05:26 | 1:05:29 | |
Something BAD that happens to you. | 1:05:29 | 1:05:32 | |
I just want you to be OK. That's all. | 1:05:34 | 1:05:38 | |
Jesus, I'm sorry I mentioned it. | 1:05:39 | 1:05:41 | |
Last night, how could you have touched me like that | 1:05:46 | 1:05:48 | |
after finding her? | 1:05:48 | 1:05:50 | |
Claire...I am so exhausted. | 1:05:52 | 1:05:57 | |
She needed your help. | 1:06:03 | 1:06:04 | |
She didn't need my help. | 1:06:04 | 1:06:06 | |
She was beyond help, there was... | 1:06:06 | 1:06:08 | |
..there was nothing anybody could do for her. | 1:06:09 | 1:06:11 | |
Sorry I'm late. | 1:06:36 | 1:06:38 | |
Sorry you're late - where did they get this information from? | 1:06:38 | 1:06:41 | |
Jesus. | 1:06:42 | 1:06:44 | |
Yeah, "Jesus." Do not give these people any more information. | 1:06:44 | 1:06:48 | |
We have to stick together on this. | 1:06:48 | 1:06:50 | |
I wonder who she belongs to. | 1:07:10 | 1:07:11 | |
Was she raped? | 1:07:18 | 1:07:20 | |
There was some bruising. | 1:07:22 | 1:07:24 | |
But then again, maybe she was up for it. | 1:07:26 | 1:07:28 | |
Why would you even think that? | 1:07:28 | 1:07:30 | |
You see this cut around her ankle, down to the bone? | 1:07:43 | 1:07:46 | |
Stewart did that when he tethered her to a tree. | 1:07:48 | 1:07:52 | |
Too lazy to walk back up to the road. | 1:07:53 | 1:07:55 | |
Then again, maybe they just got off on the whole thing. | 1:07:58 | 1:08:00 | |
I haven't seen you before. | 1:08:19 | 1:08:20 | |
No, I... | 1:08:20 | 1:08:21 | |
How can I help you? | 1:08:21 | 1:08:23 | |
What would I need to do if I wanted to terminate a pregnancy? | 1:08:24 | 1:08:27 | |
We ask St Brigid to protect this fine house for another year. | 1:08:55 | 1:09:00 | |
VANESSA, STEWART AND TOM: Bless this house | 1:09:03 | 1:09:05 | |
that holds this cross. | 1:09:05 | 1:09:06 | |
Protect it night and day. | 1:09:06 | 1:09:09 | |
And those who dwell within, | 1:09:09 | 1:09:11 | |
protect us from all harm, we pray. | 1:09:11 | 1:09:14 | |
STEWART SPEAKS GAELIC | 1:09:14 | 1:09:19 | |
Amen. | 1:09:24 | 1:09:26 | |
Put it on over. | 1:09:31 | 1:09:33 | |
I'm confused - hold on. This finger with that. | 1:09:33 | 1:09:36 | |
IRISH JIG PLAYS | 1:09:36 | 1:09:39 | |
It's my best batch yet. | 1:09:40 | 1:09:43 | |
Are you still throwing up? | 1:09:46 | 1:09:47 | |
No. | 1:09:49 | 1:09:50 | |
You know, our children are God's way of telling us how much he loves us. | 1:09:52 | 1:09:58 | |
NEWS ANNOUNCER: Police have Tonight released the identity | 1:09:58 | 1:10:00 | |
of a Ngarigo girl found murdered in the Kosciuszko National Park. | 1:10:00 | 1:10:04 | |
SBS warns indigenous viewers | 1:10:04 | 1:10:06 | |
that this report contains the name of a deceased person. | 1:10:06 | 1:10:10 | |
The body of 19-year-old Susan O'Connor... | 1:10:10 | 1:10:13 | |
-PHONE RINGS -Don't answer that, Tom. Leave it. | 1:10:13 | 1:10:15 | |
..was found late Friday in a remote area of the park | 1:10:15 | 1:10:17 | |
by a group of local fishermen, | 1:10:17 | 1:10:19 | |
but it was not reported to police until the following Sunday. | 1:10:19 | 1:10:24 | |
She went to the country music festival. | 1:10:24 | 1:10:26 | |
Now we don't think she ever got there. | 1:10:27 | 1:10:28 | |
They're animals! | 1:10:30 | 1:10:31 | |
I don't know how any civilised human being could do what they did. | 1:10:31 | 1:10:36 | |
And I really wonder how differently they would have acted | 1:10:36 | 1:10:38 | |
if she were white. | 1:10:38 | 1:10:40 | |
God. Here we go. | 1:10:41 | 1:10:43 | |
I went and saw her today. | 1:10:47 | 1:10:49 | |
What? | 1:10:49 | 1:10:50 | |
In the hospital, in the mortuary. | 1:10:52 | 1:10:53 | |
What the hell for? | 1:10:53 | 1:10:56 | |
You tethered her to a tree. | 1:10:58 | 1:10:59 | |
I... I did it for her own safety. | 1:11:03 | 1:11:06 | |
Besides, you weren't even THERE! | 1:11:06 | 1:11:07 | |
-VANESSA: -The sooner they find the person responsible, the better. | 1:11:07 | 1:11:11 | |
Then all this blame can go where it belongs. | 1:11:11 | 1:11:14 | |
Give me that. | 1:11:18 | 1:11:19 | |
Tom has to go now. | 1:11:19 | 1:11:21 | |
I hate this vase, Vanessa! | 1:11:25 | 1:11:26 | |
WHISPERS: For fuck sakes. | 1:11:29 | 1:11:30 | |
You don't have to do that. Leave it, leave it, leave it. | 1:11:30 | 1:11:33 | |
Leave it. Leave it. | 1:11:33 | 1:11:35 | |
Come on, boy. Come on. | 1:11:36 | 1:11:38 | |
Just like old times. | 1:11:40 | 1:11:42 | |
Yeah, just like the old times, yeah. | 1:11:42 | 1:11:43 | |
VEHICLE APPROACHES | 1:11:56 | 1:11:59 | |
Have respect, you dogs! | 1:12:17 | 1:12:19 | |
CARL: Bullshit. I want something done about it. | 1:12:41 | 1:12:42 | |
Yeah, well, I'm not filing a complaint. | 1:12:42 | 1:12:44 | |
-Why the hell not? -Cos you started it. | 1:12:44 | 1:12:46 | |
Started what? | 1:12:46 | 1:12:48 | |
Did I murder anybody? Did I destroy anybody's property? | 1:12:48 | 1:12:50 | |
No, you just managed to make a tragic situation far worse. | 1:12:50 | 1:12:53 | |
Oh, I didn't realise it was your job | 1:12:53 | 1:12:55 | |
to enforce the political correctness laws, Jimbo. | 1:12:55 | 1:12:57 | |
I would have thought, out of all the people in this town, | 1:12:57 | 1:13:00 | |
you'd be the one who could understand | 1:13:00 | 1:13:01 | |
what her family's going through right now. | 1:13:01 | 1:13:03 | |
We do understand. That does not make us responsible. | 1:13:03 | 1:13:05 | |
KNOCK AT DOOR | 1:13:21 | 1:13:22 | |
Carmel? | 1:13:37 | 1:13:38 | |
What's wrong? | 1:13:41 | 1:13:42 | |
You went to the hospital. | 1:13:42 | 1:13:44 | |
I needed to see her for myself. | 1:13:46 | 1:13:48 | |
I can't believe you behaved so disrespectfully - | 1:13:48 | 1:13:50 | |
to her and to her family. | 1:13:50 | 1:13:52 | |
Would you walk into a stranger's house while they were asleep | 1:13:52 | 1:13:54 | |
and have a good old perve at them? | 1:13:54 | 1:13:56 | |
Of course not. | 1:13:56 | 1:13:57 | |
Her spirit hasn't gone anywhere. Dead doesn't mean dead. | 1:13:57 | 1:13:59 | |
-I understand that. -Do you? | 1:13:59 | 1:14:00 | |
CLAIRE: I need to know what happened out there. | 1:14:04 | 1:14:06 | |
Shit happened, like it always does. | 1:14:07 | 1:14:09 | |
Well, then I have to face it and not look away. | 1:14:09 | 1:14:12 | |
Claire, this isn't about you. | 1:14:12 | 1:14:13 | |
It's about all of us! | 1:14:13 | 1:14:15 | |
Isn't it, Carmel? | 1:14:15 | 1:14:17 | |
I mean, who are we? | 1:14:18 | 1:14:19 | |
-Stewart. -Terry. | 1:14:32 | 1:14:34 | |
-TERRY: -Busy morning? | 1:14:34 | 1:14:35 | |
STEWART: Yeah, busy enough. | 1:14:35 | 1:14:37 | |
Hi. | 1:14:51 | 1:14:52 | |
STEWART: We have to sort this out, Claire. | 1:15:03 | 1:15:05 | |
We have to move on. | 1:15:06 | 1:15:08 | |
Look... I was worried that... | 1:15:12 | 1:15:15 | |
..the girl would be dragged down to the rapids. | 1:15:17 | 1:15:20 | |
Carl's ankle was fucked. He couldn't walk. | 1:15:20 | 1:15:23 | |
There was no way we could hike back. | 1:15:23 | 1:15:25 | |
The kid was freaking out. | 1:15:25 | 1:15:26 | |
It was just... | 1:15:28 | 1:15:29 | |
There was nothing we could do. | 1:15:31 | 1:15:33 | |
I don't see why I have to justify myself to you. | 1:15:39 | 1:15:43 | |
Claire? | 1:15:49 | 1:15:51 | |
What if you'd found a boy in the river? | 1:15:55 | 1:15:57 | |
Wouldn't you have taken him out and covered him up? | 1:16:01 | 1:16:04 | |
What? | 1:16:04 | 1:16:06 | |
What are you talking about? | 1:16:07 | 1:16:09 | |
You don't know? | 1:16:11 | 1:16:13 | |
No, I don't know what you're talking about. | 1:16:13 | 1:16:14 | |
I don't know where you're going with this. | 1:16:14 | 1:16:16 | |
You're not making any sense. | 1:16:16 | 1:16:18 | |
Of course not. | 1:16:18 | 1:16:20 | |
That's because I'm the unstable one. | 1:16:21 | 1:16:22 | |
Well, let's face it, Claire, you're not exactly behaving rationally... | 1:16:22 | 1:16:25 | |
-Oh, for fuck's sake! -Aren't I? | 1:16:25 | 1:16:27 | |
Bitch. | 1:16:27 | 1:16:28 | |
What? WHAT? What? | 1:16:30 | 1:16:33 | |
-Come on, leave it. -What have you got to say? | 1:16:34 | 1:16:36 | |
Go back to the car. Claire, go back to the car. | 1:16:37 | 1:16:41 | |
-What?! -It's OK. | 1:16:41 | 1:16:42 | |
Go back to the car. | 1:16:42 | 1:16:44 | |
Please go back to the car. | 1:16:44 | 1:16:46 | |
Let me go. | 1:16:46 | 1:16:47 | |
Come on. | 1:17:54 | 1:17:55 | |
Oh, yeah. Sorry, the bogeyman's home. | 1:18:11 | 1:18:15 | |
-Hello. -Hi. | 1:19:06 | 1:19:07 | |
Tom and I are collecting money to pay for Susan O'Connor's funeral. | 1:19:07 | 1:19:11 | |
We all know how important it is to be a real community at a time like this. | 1:19:11 | 1:19:14 | |
Tom? | 1:19:14 | 1:19:15 | |
Please help. | 1:19:17 | 1:19:19 | |
They're our neighbours. | 1:19:22 | 1:19:24 | |
These people look after their own | 1:19:24 | 1:19:26 | |
and, quite frankly, Claire, I think that's what you should be doing. | 1:19:26 | 1:19:29 | |
STOP! | 1:19:29 | 1:19:31 | |
TYRES SQUEAL | 1:19:31 | 1:19:32 | |
Sorry. | 1:19:37 | 1:19:38 | |
That was close. | 1:19:42 | 1:19:43 | |
Listen to me. | 1:19:47 | 1:19:48 | |
When a bad thing happens | 1:19:48 | 1:19:50 | |
we all have to do a good thing, no matter how small. | 1:19:50 | 1:19:53 | |
All right? | 1:19:53 | 1:19:54 | |
Otherwise, the bad things, they just...they pile up... | 1:19:54 | 1:19:57 | |
Hey. Hey, hey, come on. Come on. | 1:19:57 | 1:19:59 | |
Is Carmel still angry? | 1:20:01 | 1:20:03 | |
You have to make sure she comes on Saturday. | 1:20:05 | 1:20:07 | |
-Maybe we should cancel... -No, no, it's what we all need. | 1:20:08 | 1:20:11 | |
Just promise me. Promise me you'll both come. | 1:20:13 | 1:20:17 | |
TOM: That's cheating. | 1:20:24 | 1:20:26 | |
-BILLY: -Oh! -ELISSA: -You almost got it. | 1:20:29 | 1:20:31 | |
CARL: Can't trust a town where the publican doesn't live in the pub. | 1:20:31 | 1:20:34 | |
So, just...keep your arm straight, don't bend your elbow. Go on. | 1:20:39 | 1:20:44 | |
-Oooh! -Ow! | 1:20:44 | 1:20:46 | |
-You did that on purpose! -ELISSA: -Give us a look. | 1:20:46 | 1:20:48 | |
Get off me, you dyke! | 1:20:48 | 1:20:50 | |
-BILLY: -Elissa... -STEWART: What happened? | 1:20:55 | 1:20:57 | |
-I hit Caylin-Calandria. -Oh. | 1:20:57 | 1:21:00 | |
It was by accident. | 1:21:00 | 1:21:01 | |
Given up drinking altogether, have we, Miss Muppet? | 1:21:05 | 1:21:08 | |
Oh, Carmel's here. | 1:21:10 | 1:21:12 | |
-CLAIRE: -Oh, thank God. | 1:21:13 | 1:21:14 | |
We can finally all sit down and talk. | 1:21:14 | 1:21:16 | |
Claire, leave it alone. | 1:21:16 | 1:21:20 | |
-Let it heal over. -We need to get this all sorted. | 1:21:20 | 1:21:22 | |
Don't tell me what I need - I need life to get back to bloody normal. | 1:21:22 | 1:21:25 | |
Whatever that is. | 1:21:25 | 1:21:27 | |
And I don't need you begging all over town on my behalf. | 1:21:27 | 1:21:30 | |
JUDE: Carmel. | 1:21:30 | 1:21:31 | |
And I don't need you dragging my granddaughter miles out of her way | 1:21:32 | 1:21:35 | |
to rub her nose in more bloody misery. | 1:21:35 | 1:21:37 | |
Hi. | 1:21:42 | 1:21:43 | |
Well, they actually think it might be the same guy. | 1:21:43 | 1:21:46 | |
The...from last time, from '79, | 1:21:46 | 1:21:49 | |
but they didn't have any DNA back then, so... | 1:21:49 | 1:21:52 | |
-JUDE: -Oh, can we change the friggin' subject, just for once? | 1:21:52 | 1:21:55 | |
Why? | 1:21:55 | 1:21:56 | |
Apparently there are secret places in these mountains. | 1:21:59 | 1:22:01 | |
That's right - secret men's business. | 1:22:01 | 1:22:04 | |
You men shouldn't even be going fishing up there. | 1:22:04 | 1:22:05 | |
-CARL: -Give me a fucking break. | 1:22:05 | 1:22:07 | |
Our taxes are still paying Parks and Wildlife, last I heard. | 1:22:07 | 1:22:11 | |
Yeah, well, I was told that the spirits of the dead | 1:22:12 | 1:22:15 | |
cross these mountains. | 1:22:15 | 1:22:16 | |
They travel from all over, up to the high country. | 1:22:16 | 1:22:19 | |
Oh, yeah. | 1:22:19 | 1:22:20 | |
-BILLY: -Yeah, I think we broke her journey by tying her up. | 1:22:20 | 1:22:24 | |
Bullshit. | 1:22:24 | 1:22:25 | |
You know, I thought Catholics were superstitious, | 1:22:28 | 1:22:30 | |
but your mob take the biscuit, really. | 1:22:30 | 1:22:33 | |
-CARL: -Bloody oath. | 1:22:33 | 1:22:34 | |
I mean, think about it, it's just a superstition - | 1:22:34 | 1:22:36 | |
you know, journey, spirits. | 1:22:36 | 1:22:38 | |
Oof! | 1:22:38 | 1:22:40 | |
Shit. STEWART GROANS | 1:22:40 | 1:22:43 | |
-Oh, Jesus! -Come here. | 1:22:45 | 1:22:46 | |
Oh! Oh, you fucking prick, Rocco! | 1:22:50 | 1:22:55 | |
JUDE: Come on. | 1:22:56 | 1:22:58 | |
CLAIRE: Carmel! | 1:23:08 | 1:23:09 | |
What was all that, huh? Huh? | 1:23:11 | 1:23:14 | |
I can take care of myself. | 1:23:21 | 1:23:23 | |
HE GROANS Here you go, put some water on it. | 1:23:32 | 1:23:34 | |
JUDE: Let me have a look. Let me have a look. | 1:23:34 | 1:23:36 | |
Oh, yeah. He needs to go to casualty. | 1:23:36 | 1:23:39 | |
Don't look at me, love. I'm half sick as it is. | 1:23:39 | 1:23:41 | |
I don't wanna go to casualty. I don't wanna go to the hospital. | 1:23:41 | 1:23:44 | |
-It's OK, I'll take him. -No way. You're way over the limit. | 1:23:44 | 1:23:46 | |
-Your nose is off... -Just get me a mirror. | 1:23:46 | 1:23:48 | |
Claire, Stewart needs to go to the hospital. | 1:23:48 | 1:23:50 | |
Here. | 1:23:52 | 1:23:54 | |
Here, look. | 1:23:54 | 1:23:55 | |
-BONE CRUNCHES -Dad! | 1:24:00 | 1:24:02 | |
See, you always do it when the adrenaline's still pumping - | 1:24:06 | 1:24:09 | |
that way you don't feel a thing. | 1:24:09 | 1:24:11 | |
-ELISSA: -Oh, God. | 1:24:11 | 1:24:12 | |
I'm OK. OK. | 1:24:13 | 1:24:16 | |
Don't worry, sweetheart. It'll all be all right. | 1:24:59 | 1:25:02 | |
Crap. | 1:25:05 | 1:25:07 | |
-TOM: -I don't want to! -You have to. | 1:25:12 | 1:25:15 | |
Dad, do I have to go to the dead lady's house? | 1:25:15 | 1:25:18 | |
Her name is Susan. | 1:25:18 | 1:25:19 | |
You should get that X-rayed. | 1:25:20 | 1:25:22 | |
I'm late. | 1:25:22 | 1:25:24 | |
I wanna go with my dad. | 1:25:25 | 1:25:27 | |
This isn't open for discussion. | 1:25:27 | 1:25:28 | |
He can come with me if he wants. | 1:25:28 | 1:25:30 | |
Here - go on outside and wait for me. | 1:25:30 | 1:25:33 | |
Mm-hm. | 1:25:33 | 1:25:34 | |
-I've had enough. -You are piss-weak. | 1:25:38 | 1:25:40 | |
KNOCK AT DOOR | 1:25:46 | 1:25:48 | |
I'm sorry, I don't want to intrude. I just wanted to give you this. | 1:26:16 | 1:26:19 | |
What's this for? | 1:26:20 | 1:26:21 | |
For the funeral. The whole town wanted to help. | 1:26:21 | 1:26:24 | |
It's not charity. | 1:26:28 | 1:26:30 | |
Are you buying something, then? | 1:26:30 | 1:26:32 | |
HAMMERING | 1:26:43 | 1:26:45 | |
What's going on here? This was supposed to be finished yesterday. | 1:26:46 | 1:26:49 | |
Yeah, it'll be done in an hour. It's a piece of shit anyway. | 1:26:49 | 1:26:51 | |
Just get on with it, will you? | 1:26:51 | 1:26:53 | |
Not now, Tom. I'm flat out. | 1:26:59 | 1:27:01 | |
MOBILE PHONE RINGS | 1:27:03 | 1:27:05 | |
Hey. No, I haven't had a chance to talk to him yet. | 1:27:07 | 1:27:10 | |
Just hang on a second. | 1:27:10 | 1:27:12 | |
Tom, this is a private conversation. | 1:27:12 | 1:27:14 | |
Yeah, no. I will, I will. | 1:27:17 | 1:27:19 | |
It's just...it's not the right time. | 1:27:19 | 1:27:22 | |
For some people, going to church is a bit like going to the dentist. | 1:27:50 | 1:27:53 | |
They'll put up with a lot of toothache before they'll give in. | 1:27:53 | 1:27:56 | |
If you could just pass this cheque along to her parents. | 1:27:56 | 1:28:01 | |
The O'Connor family is not of my congregation. | 1:28:01 | 1:28:05 | |
They wouldn't welcome my interference. | 1:28:05 | 1:28:07 | |
I don't understand why this is so hard. | 1:28:07 | 1:28:09 | |
Hmm? | 1:28:09 | 1:28:11 | |
I just want to stay connected to people. | 1:28:11 | 1:28:14 | |
I just want the man I love to be a good man. | 1:28:14 | 1:28:16 | |
What's the verdict? | 1:28:17 | 1:28:19 | |
Whole thing needs rewiring. | 1:28:21 | 1:28:22 | |
Oh, shit. | 1:28:22 | 1:28:24 | |
Well, give it here. I'll see what I can do. | 1:28:24 | 1:28:28 | |
Thank you. | 1:28:28 | 1:28:30 | |
They're having a special ceremony for her after the funeral, | 1:28:30 | 1:28:33 | |
by the river, where the music festival is held. | 1:28:33 | 1:28:36 | |
I wouldn't be welcome. | 1:28:36 | 1:28:37 | |
It's tomorrow afternoon. | 1:28:37 | 1:28:40 | |
Your dad could get a splinter in his brain if he doesn't go to hospital. | 1:29:15 | 1:29:19 | |
Well, I hate Rocco. | 1:29:21 | 1:29:23 | |
They're all zombies now. | 1:29:24 | 1:29:26 | |
That's such crap, man. | 1:29:27 | 1:29:29 | |
Let's go to the underwater city. | 1:29:30 | 1:29:32 | |
Come on. Tom, come in, it's lovely! | 1:29:58 | 1:30:01 | |
Come on. | 1:30:02 | 1:30:04 | |
Tom! | 1:30:05 | 1:30:07 | |
Tom! | 1:30:10 | 1:30:11 | |
I know you're just pretending. | 1:30:11 | 1:30:14 | |
Tom! | 1:30:14 | 1:30:16 | |
Caylin-Calandria? | 1:30:22 | 1:30:24 | |
Caylin-Calandria! | 1:30:25 | 1:30:27 | |
Caylin-Calandria? | 1:30:37 | 1:30:38 | |
Caylin-Calandria! | 1:30:39 | 1:30:41 | |
BOTH COUGH AND SPLUTTER | 1:31:26 | 1:31:28 | |
Tom! | 1:31:35 | 1:31:36 | |
You did it. | 1:31:36 | 1:31:38 | |
Tom! What the hell are you two playing at? | 1:31:39 | 1:31:43 | |
Get here! | 1:31:43 | 1:31:45 | |
What are you doing? Get in the car now! | 1:31:45 | 1:31:47 | |
Get in the car. Are you all right? | 1:31:47 | 1:31:48 | |
Get in the car. | 1:31:48 | 1:31:50 | |
I can't believe you, Caylin-Calandria! | 1:31:50 | 1:31:52 | |
JUDE: Where'd you think he was? | 1:31:55 | 1:31:57 | |
Stewart? I've got better things to do than look after your son! | 1:31:57 | 1:32:00 | |
I didn't ask you to take care of my son, Jude. | 1:32:00 | 1:32:02 | |
-Oh, well, who... -Jude, that's enough. | 1:32:02 | 1:32:04 | |
It's not Caylin-Calandria's fault | 1:32:04 | 1:32:06 | |
that she's alive and our girl's dead. | 1:32:06 | 1:32:08 | |
-Hi. -Hey. | 1:32:25 | 1:32:26 | |
There's a special service being held for Susan tomorrow. | 1:32:28 | 1:32:31 | |
I think we should go, all of us, together. | 1:32:31 | 1:32:33 | |
Go home, Claire. | 1:32:36 | 1:32:37 | |
Tom nearly drowned today. | 1:32:37 | 1:32:39 | |
What? | 1:32:40 | 1:32:42 | |
Go home. | 1:32:42 | 1:32:43 | |
Stewart agreed I should move back in for a while - | 1:32:56 | 1:32:59 | |
just till things settle down. | 1:32:59 | 1:33:01 | |
Guess what, Mum. | 1:33:08 | 1:33:10 | |
I swam. | 1:33:16 | 1:33:18 | |
That's wonderful. | 1:33:19 | 1:33:21 | |
Live from Darwin | 1:33:28 | 1:33:29 | |
by National Nine News reporter Bethany Jensen. | 1:33:29 | 1:33:31 | |
Bethany, where exactly is the eye of the cyclone... | 1:33:31 | 1:33:34 | |
-He should have been with me. -Mm-hm. | 1:33:34 | 1:33:36 | |
Maybe he should have learned to swim when he was a baby, | 1:33:37 | 1:33:40 | |
like every other kid. | 1:33:40 | 1:33:41 | |
Course, you weren't there then. | 1:33:41 | 1:33:44 | |
And you weren't there today. | 1:33:45 | 1:33:47 | |
Oh, no. No. | 1:33:49 | 1:33:51 | |
I'm not the one who's done anything wrong. | 1:33:53 | 1:33:55 | |
-I'm not the one who's lying. -About what? | 1:33:55 | 1:33:57 | |
-Just tell me. -Tell you what? | 1:33:57 | 1:34:00 | |
How it felt. | 1:34:00 | 1:34:02 | |
Fishing with her tied up. | 1:34:03 | 1:34:05 | |
Just tell me - how did it make you feel? | 1:34:05 | 1:34:07 | |
Jesus, can we please leave this alone? | 1:34:07 | 1:34:10 | |
Can't you just tell me? | 1:34:10 | 1:34:11 | |
It felt good! Is that what you want me to say? | 1:34:11 | 1:34:14 | |
It was a beautiful day, the river was beautiful. | 1:34:14 | 1:34:16 | |
I felt so fucking alive! | 1:34:16 | 1:34:18 | |
Jesus, if that's a crime, I don't know it. | 1:34:22 | 1:34:24 | |
I hate the way you do that. | 1:34:25 | 1:34:28 | |
I hate the way you end a conversation just because you've had enough... | 1:34:28 | 1:34:31 | |
Why - do you know something? Because I have had enough. | 1:34:31 | 1:34:33 | |
I hate the way you guzzle your beer, you watch TV, | 1:34:33 | 1:34:35 | |
you fuck like a robot, as if... | 1:34:35 | 1:34:37 | |
I work like a fucking dog! That's my life! | 1:34:37 | 1:34:40 | |
The beer and the fucking's supposed to be a bonus. | 1:34:40 | 1:34:42 | |
What kind of man needs that to feel alive? | 1:34:42 | 1:34:45 | |
And what kind of man... What kind of man needs that? | 1:34:45 | 1:34:47 | |
What kind of woman runs away from a child, eh? | 1:34:47 | 1:34:51 | |
Eh? What about that? What about fucking that? | 1:34:51 | 1:34:53 | |
-Stop it. Stewart, stop it! -What about that? | 1:34:53 | 1:34:56 | |
We never talk about that, do we, you fuck?! | 1:34:56 | 1:34:58 | |
Yeah, what about running away from your son?! | 1:34:58 | 1:35:00 | |
-CLAIRE SCREAMS VANESSA: -Stop right now! | 1:35:00 | 1:35:02 | |
-You were gone for fucking ages... -VANESSA: -Listen to me! | 1:35:02 | 1:35:04 | |
-CLAIRE SOBS: Stop it. VANESSA: -Listen to me. | 1:35:04 | 1:35:06 | |
Stop it! Stop it! Stop it! | 1:35:06 | 1:35:08 | |
No! No! No! No! Fucking no! | 1:35:09 | 1:35:14 | |
Are you all right? | 1:35:21 | 1:35:23 | |
SHE CRIES | 1:35:23 | 1:35:26 | |
-Hey. -Hey. | 1:36:08 | 1:36:10 | |
Where were you? It was mental here today. | 1:36:11 | 1:36:14 | |
I'm sorry, man. | 1:36:14 | 1:36:16 | |
Elissa's really homesick, | 1:36:20 | 1:36:22 | |
so we're all heading out the coast. | 1:36:22 | 1:36:26 | |
She's gonna teach me how to surf. | 1:36:27 | 1:36:29 | |
Great. | 1:36:30 | 1:36:32 | |
Look...man, I know it sucks, me pissing off like this. | 1:36:33 | 1:36:38 | |
Well, what can you do? | 1:36:38 | 1:36:41 | |
People come, people go. | 1:36:41 | 1:36:42 | |
What do I owe you? | 1:36:42 | 1:36:45 | |
Oh, don't worry about it, man. It's fine. | 1:36:45 | 1:36:46 | |
No, no. No, no, I insist. | 1:36:46 | 1:36:48 | |
Well, maybe just the three days... | 1:36:48 | 1:36:51 | |
There you go. | 1:36:51 | 1:36:53 | |
Thanks, man. I really appreciate this. | 1:36:53 | 1:36:57 | |
Take care. | 1:36:58 | 1:37:00 | |
Thank you. | 1:37:00 | 1:37:01 | |
Hey, you shake his hand. | 1:37:02 | 1:37:04 | |
Billy! | 1:37:06 | 1:37:08 | |
It doesn't matter, Elissa. | 1:37:08 | 1:37:09 | |
See you when I get back. | 1:37:19 | 1:37:21 | |
Claire...talk to Stewie. | 1:37:21 | 1:37:23 | |
I've tried. | 1:37:25 | 1:37:27 | |
But you haven't told him the truth, have you? | 1:37:27 | 1:37:29 | |
I'm heading over the mountain to go to Susan's memorial. | 1:37:43 | 1:37:46 | |
I want you to come with me. | 1:37:46 | 1:37:47 | |
I can't. The kid's fucked off. | 1:37:47 | 1:37:50 | |
Left me high and dry. | 1:37:51 | 1:37:53 | |
Then close for the day. | 1:37:53 | 1:37:54 | |
I can't just shut up shop for no reason. | 1:37:54 | 1:37:57 | |
Pretend you're going fishing. | 1:37:57 | 1:38:00 | |
Look, I don't know when I'll be back. I have something I have to sort out. | 1:38:05 | 1:38:09 | |
Youse can all fuck off as far as I'm concerned, | 1:38:11 | 1:38:13 | |
but I'll tell you one thing - | 1:38:13 | 1:38:14 | |
whatever happens, nobody is taking my boy. | 1:38:14 | 1:38:17 | |
RADIO ANNOUNCER: ..the things that You discovered over those years | 1:38:29 | 1:38:33 | |
working in the Kosciuszko National Park. | 1:38:33 | 1:38:35 | |
MAN ON RADIO: The most interesting aspect of it is the wide... | 1:38:35 | 1:38:40 | |
RADIO CRACKLES | 1:38:40 | 1:38:42 | |
TURNS RADIO OFF | 1:38:44 | 1:38:46 | |
Stewart. | 1:40:25 | 1:40:26 | |
Terry. | 1:40:27 | 1:40:29 | |
Hair colour turn out all right, then? | 1:40:31 | 1:40:32 | |
Yeah. | 1:40:34 | 1:40:36 | |
Hey, guys. | 1:41:17 | 1:41:19 | |
Did I break it? | 1:41:19 | 1:41:21 | |
Yeah. Yeah. | 1:41:22 | 1:41:23 | |
Haven't lost my touch, then. | 1:41:23 | 1:41:25 | |
No. | 1:41:25 | 1:41:27 | |
You haven't lost your touch, no. | 1:41:27 | 1:41:29 | |
Carl reckons Billy's gone. | 1:41:30 | 1:41:32 | |
Yeah. | 1:41:32 | 1:41:34 | |
Gone off to be a...to be a surfer. | 1:41:34 | 1:41:37 | |
The lesbian's not finished with the poor boy yet. | 1:41:37 | 1:41:39 | |
Half his luck. | 1:41:41 | 1:41:43 | |
What happened out there? | 1:41:50 | 1:41:52 | |
I don't know. | 1:41:54 | 1:41:57 | |
Claire's left me again. | 1:42:02 | 1:42:03 | |
No way. | 1:42:07 | 1:42:08 | |
-ROCCO: -I reckon you've got it wrong. | 1:42:12 | 1:42:13 | |
Hmm. | 1:42:13 | 1:42:15 | |
See this woman here? | 1:44:15 | 1:44:17 | |
She's married to one of the bastards who found Susan. | 1:44:17 | 1:44:20 | |
I'm just here to pay my respects. | 1:44:24 | 1:44:25 | |
Respects? What respect? | 1:44:25 | 1:44:28 | |
You better piss off. Get out of here! | 1:44:29 | 1:44:32 | |
-Here, leave her alone. -PISS OFF! | 1:44:32 | 1:44:33 | |
Leave her alone, boy! | 1:44:33 | 1:44:35 | |
-You don't belong here. WOMAN: -Leave her alone. | 1:44:36 | 1:44:38 | |
MEN SING IN ABORIGINAL LANGUAGE | 1:45:11 | 1:45:15 | |
-TOM: -Mum! | 1:46:20 | 1:46:21 | |
My name is Stewart Kane. | 1:46:55 | 1:46:57 | |
I was one of the men who found your daughter. | 1:46:58 | 1:47:01 | |
I'm really sorry - I came... | 1:47:01 | 1:47:02 | |
..I came to apologise. | 1:47:05 | 1:47:06 | |
HE SPITS | 1:47:17 | 1:47:18 | |
Come on, we'll go and walk through the smoke | 1:48:07 | 1:48:09 | |
so the spirits don't latch onto us. | 1:48:09 | 1:48:12 | |
This was the last song that Susie ever wrote | 1:48:24 | 1:48:26 | |
before she left us to come here to this place. | 1:48:26 | 1:48:30 | |
She was always falling in love, every couple of weeks. | 1:48:33 | 1:48:38 | |
So it's a love song. | 1:48:40 | 1:48:41 | |
That's what she always gave us. | 1:48:41 | 1:48:43 | |
SINGS: # The way that I love you | 1:48:47 | 1:48:51 | |
# Has caught me by surprise | 1:48:51 | 1:48:58 | |
# I never knew | 1:48:58 | 1:49:02 | |
# That my heart could open this wide | 1:49:02 | 1:49:09 | |
# Letting in your sorrow | 1:49:10 | 1:49:14 | |
# Letting out my pain | 1:49:14 | 1:49:17 | |
# Filling up with our sweet love | 1:49:17 | 1:49:21 | |
# As a lake fills with rain | 1:49:21 | 1:49:26 | |
# And there's no other I love | 1:49:26 | 1:49:32 | |
# The way that I love you | 1:49:32 | 1:49:37 | |
# Your kiss makes me feel lighter | 1:49:38 | 1:49:44 | |
# Than the eagle on high | 1:49:44 | 1:49:48 | |
# Your touch makes me burn brighter | 1:49:48 | 1:49:54 | |
# Than the sun in the sky | 1:49:54 | 1:49:59 | |
# When I'm riding in the valley | 1:49:59 | 1:50:04 | |
# I never feel alone... # | 1:50:04 | 1:50:08 | |
-WHISPERS: -Be gone. | 1:50:08 | 1:50:09 | |
# Walking by the river I hear you singing... # | 1:50:09 | 1:50:12 | |
Be gone. | 1:50:12 | 1:50:14 | |
# On the stone | 1:50:14 | 1:50:18 | |
# There's no other I love | 1:50:18 | 1:50:23 | |
# The way that I love you | 1:50:23 | 1:50:28 | |
# Mmm-mmm... # | 1:50:28 | 1:50:35 | |
I want you to come home, Claire. | 1:50:36 | 1:50:38 | |
# The winds up here in winter not | 1:50:50 | 1:50:54 | |
# Fit for beast or man | 1:50:54 | 1:50:58 | |
# Come howling around my cabin | 1:50:58 | 1:51:03 | |
# Calling out your name | 1:51:03 | 1:51:07 | |
# There's no other... # | 1:51:07 | 1:51:12 | |
# I love... # | 1:51:26 | 1:51:28 | |
# The way that I love you. # | 1:51:35 | 1:51:38 | |
ENGINE IDLES | 1:52:09 | 1:52:13 | |
INSECT BUZZES | 1:52:25 | 1:52:28 |